~RI~:<O BY QUEEN ANNES PUBLISHING CO. u.s..... CENTREVILLE, MARYLAND
Introduction . .. It i the u ual thing for a writer to go to a friend for an introduction to hi work, knowing well enough that the friend will ay all the nice things that the author would like to say him elf. I have been approached everal times by budding author. to write an introduction for a book of new and original creations. After reading the manu cripts and finding the effects not o "new" and not 0 'original', I tactfully refrained from granting requests because I feel that the market i already overcrowded with magical plagiarism. Therefore, the fact that I have read the manu 'cript of this book and am now writing the introduction speaks for it 'elf. Having seen Annemann do these effects and knowing of his ability to get 'that something' out of his pre entation I can ee real value here for the performer who is looking for the greate t effect from the simplest method. Annemann ha a distinctly different approach and way of pre enting hi effects and thi alone i the ecret of why he is able to fool even magicians with trick- they already know. , I think that if the reader will carefully study Annemann's presentation as much as his method, he will get more real value than if he hastily reads the book just to see 'how' the tricks are done. Al Baker.
Foreword . .. The author mu t have hi
ay even though it be little.
My idea and conception differ a great deal from tho e of orne with whom I am acquainted. It i my theory that any effect to be succe ful mu t firt be found d upon a imple method and then be performed with a direct to-thepoint pre entation. It is my contention that the moment one deviate from this straight-line, he i not doing what a genuine magician or mind reader would do. To follow the above rule. I have had to renounce all of the o-called performing ethic, ina much a I con. ider the effect upon my audience above everything. o to orne, my method may eem bold, daring, barefaced, and in a number of ca e rather under handed, but before deploring the e fact, admitting them, plea e con ider \ hat the ultimate effect i on tho. e \A:ho are \vatching. I wi h to thank Mr. AI. Baker and Mr. Max Holden for helping me with the photograph. La tly, my heartfelt thanks go to Mr. Julien J. Proskauer, member of many magical. ocitie , whose knowledge of magic and attitude toward the Art ha. helped make this book po ible.
THEO. A.' EMA
Index The 'Really
• • • ew' Locator Card________________________________________
An Original Set Up Discovery____________________________________________
One in Fourteen______________________________________________________________________
Count Your Card!____________________________________________________________________
Telepathy in the Audience
The Gambler in Person_. .____________________________________________________
The Gambler i. Back Again
Thought Card Spelling EffecL
Whichever You Plea e! __ .
.. __ .... __ .. __ .... __.. ...__.
The Red and Blue Back Mixup
P ychic Sympathy Method
Psychic Sympathy Method :\0. 2.. .._ __ _ __.__ .. _
The Four Pile Location.. __.. __..........
The Genii Cut Deck Location. __ .. _...... __ ....
The Mystery Card Reading Method. __ ._. A
._... _..._.... __.. __ .. __ .. _ 35
ew Apparatus for the Pellet Switch
Find the Lady ..
.. .... ..
The One Man 'Genuine' Magazine Test
.. .. _ ..
The Color-Tell Billiard Balls
.. _ __...._._
.. ._. __
Seven Keys to Baldpate
A Prophecy of the Koran
Jimmy Valentine Opens a Safe
.__ ... __ ...... _..
.. _ 51 52
.. __ .__ .. .
.. _ 46
Mental Coloring-Telepathy with Silk _. Seeing in the Dark.
__ .. __ .. __
The Improved Magic Square Pre entation.