PIER HOUSE
The Next Chapter
CONCORDE BGW GROUP
Foreword
On the morning of January 20, 2023, I vividly remember being with the Pier House team, all of us in shock following the devastating fire that had raged through the building the previous night.
Thankfully, the team’s swift actions ensured no one was hurt, and the outstanding response of the Cornwall Fire and Rescue Service meant the blaze was contained. The damage however was very significant, but we made a firm commitment that, as a team, we would make the Pier House rise like a phoenix from those ashes and be better than ever.
This historic building was originally named The Charlestown Hotel and was constructed in 1793 for Charles Rashleigh and his family. They were responsible for developing large parts of Charlestown, including its harbour, for the purpose of transporting copper from their family mines and later for processing and transporting china clay.
In later years, the building gained and lost a malthouse and even became a court and an auction house. In the 20th century it returned to its roots as a hotel and in 1969 was renamed the Pier House.
In 2016, the custodianship of the building passed from the Morcom family to another family business, St Austell Brewery. We are immensely proud owners of The Pier House and mindful of its important place within the community and the role it plays in drawing much needed visitors to Charlestown. This reality was the driving force underpinning such an ambitious redevelopment.
The redevelopment has been quite a journey, and represents a monumental effort from hundreds of people – from planning and conservation officers to architects and trades people, together we have delivered a very successful outcome. The team at Concorde BGW Group, our design and build partners, brought inspiration, creativity and sensitivity to the project while also pushing us out of our comfort zone.
It’s a joy to see our St Austell Brewery team back in the building, delivering a fantastic experience for guests and putting the Pier House back on the map for generations to come.
Kevin
Kevin Georgel Chief Executive Officer
Pier House Hotel (originally the Charlestown Hotel), 1937, photographed by John Piper (1903-1992) . ©Architectural Press Archive / RIBA Collections
From Humble Beginnings
The History Of Pier House Hotel
Built in 1793 by Charles Rashleigh, Number 15 Charlestown Roadnow The Pier House Hotel - is a granite-fronted landmark steeped in history. Originally known as the Charlestown Hotel, it has served various roles, including the Old Hotel and the Pier Guest House.
Charlestown, formerly Polmear, rose to prominence through china clay miningcentral to St Austell’s identity. This fine white clay enabled domestic porcelain production, replacing coarse stoneware and boosting the local economy. By the mid-19th century, the area produced 65,000 tonnes annually.
Rashleigh transformed the region by constructing a harbour, housing, and industrial facilities. The hotel originally stood beside a row of malt houses and a brewery, crucial at a time when beer was safer than water. In 1820, Rashleigh sold these structures, which remained until a destructive storm in 1892 led to their demolition. Some remnants still exist.
Over time, the estate shrank from 11 to 2.5 acres. After closing in the 1930s, the hotel was divided into dwellings and a farm. In 1992, significant renovations converted old outbuildings and net lofts into guest accommodations, preserving the building’s character.
Today, The Pier House Hotel stands as a symbol of heritage and adaptive reuse, offering charm and history to locals and visitors. Its setting near Charlestown Harbour - now a popular filming location for shows like Poldark and Doctor Whocontinues to captivate all who visit.
Photos of the hotel in around 1880 and the malthouses adjoining it to the left. ©Lyndon Allen
Charles Rashleigh’s planned village was developed around the newly formed harbour with all the associated industries –including a licensed hotel. c1793
Advertisement for the letting of Charlestown Hotel for a term of 14 years, with an investment of £400 for improvements offered by the owners, in West Briton and Cornwall Advertiser.
1827
Coastguard-managed ‘Life Saving Rocket Apparatus’ stationed in new building on site of former malthouse. c1900
1801
Charlestown Hotel noted in Royal Cornwall Gazette as entry point for participants of boat race June 1st –showing Hotel as an predominant building within Charlestown.
1846
Advertisement for the letting of ‘recently enlarged and improved’ Charlestown Hotel and Premises for a term of seven or 14 years in West Briton and Cornwall Advertiser.
Advertisement for the letting of Pier House Hotel noted as containing 14 bedrooms and restaurant in Cornish Guardian. In the same year the lease of The Pier House Hotel from Charlestown Estate Ltd to Fl Lt David Haywood dated 9th December 1969. 1969 Pier House and Harbourside achieved grade II listed status. 1999
c1903-1947
Wholly residential phase, then later in 1937 one half became a guest house. Storm shutters were added to the upstairs front windows in 1920.
1992 Pier House Hotel purchased by Morcom family – majority of the modernisation occurred in this period. Hotel expands into Harbourside and coastguard buildings which replaced former Malthouses.
Following a fire on 20th January 2023, the Pier House Hotel undertook a substantial repair and refurbishment. It opened it's doors again on the 29th June 2o24.
2023-2024
Renovations to Pier House Hotel following purchase of the property by St Austell Brewery Ltd.
The Perfect Storm
This marked the beginning of the most recent and significant chapter in the building’s long history.
In January 2023, a devastating fire broke out at The Pier House Hotel, causing extensive damage to the historic landmark. The blaze spread rapidly, with flames reaching the height of the roof and intense heat shattering windows, making the scale of destruction immediately clear. The roof and upper floors were particularly hard hit, leaving much of the interior severely compromised.
The aftermath revealed the true extent of the damage—entire sections of the hotel’s upper structure were lost, and internal features were either destroyed or left unsafe. The fire was a tragic blow to a building that had stood for more than two centuries as a symbol of Charlestown’s heritage.
However, due to its Grade II listed status, the path to recovery was more complex than a typical restoration. Every effort had to be made to preserve the architectural and historical integrity of the building. This meant working closely with heritage bodies, sourcing appropriate materials, and employing specialist craftspeople to ensure the rebuild honoured the original character of the structure.
Despite these challenges, St Austell Brewery, the owner of the hotel, swiftly committed to its full restoration and reopening. Their dedication to preserving this beloved coastal landmark was unwavering. Not only was the goal to rebuild what was lost, but to do so in a way that would ensure The Pier House Hotel remained a cornerstone of Charlestown’s historic harbourboth a welcoming destination for guests and a living tribute to the village’s resilient spirit.
The fire, while a moment of loss, became a catalyst for renewal. As restoration progresses, it promises to blend historical preservation with modern hospitality, ensuring that the next chapter of The Pier House Hotel is just as enduring and remarkable as the last.
The Future Of The Pier House
Planning for the next 200 Years
As expected, a building from the 18th century no longer meets the needs of modern guests.
While refurbishments have been made over the years, further improvements are required to enhance and expand the offering of the Pier House Hotel.
The following key areas and priorities should be reviewed:
• The damage caused by the fire, both what can be seen and what can't be.
• Ensure that the quality of finishes and facilities is exceptional, aligning with the independent 4-star status the Pier House Hotel has already achieved.
• Design the new works to be thought-provoking, offering guests a unique experience not found elsewhere.
• Increase seating capacity in the bar and restaurant areas without compromising the sense of space.
• Improve the overall flow and functionality of the venue.
• Redesign all bedrooms to offer a generous sense of space, allowing for ease of movement, comfort, and relaxation. Each room should reflect a high level of design, encouraging guests to take note and comment on the style and aesthetic. The design must consider the unique character of the Pier House Hotel and the surrounding environment of Charlestown.
• Upgrade the mechanical and electrical (M&E) systems and integrate new technologies to enhance the guest experience.
• Develop the external terrace and outdoor spaces to fully capitalise on the available views.
• Review and improve back-of-house areas for greater efficiency and functionality.
Where The Next Chapter Begins...
Starting with the ground floor, several areas were identified as having significant potential for improvement.
Through site visits, conversations with guests and staff, and a clear understanding of St. Austell Brewery's current goals and future vision, the following options were proposed:
• The Bar
The current horseshoe-shaped bar disrupts the flow of the space and occupies a large footprint. Replacing it with a more traditional, in-keeping design will open up the area and create more efficient and accessible staff stations.
• Toilets
Relocating the bar will necessitate moving the toilets as well. This provides an opportunity to increase their size and position both the Ladies' and Gentlemen’s facilities closer together for improved wayfinding.
• Increasing The Restaurant
Several bedrooms are currently located on the ground floor, but they feel isolated and require guests to go outside to access other hotel amenities, regardless of the weather. Removing internal walls in this area would allow the restaurant to expand and incorporate a private dining room.
• Kitchen
With the anticipated increase in guest numbers, the kitchen will also need to grow to meet demand. This expansion is essential to maintain the high standard of food quality and ensure timely service.
A Renewal From The Ground Up
Upon reviewing the first, second, and third floors, additional key issues were identified that need to be addressed to ensure a highquality guest experience.
As a result, the following options were proposed:
• Restoration And Repairs
The fire caused significant damage to the rooms and roof, requiring extensive restoration work to make the building watertight again as quickly as possible.
• Back Of House
To maximise room numbers, improve corridor flow, and make better use of space, it is recommended that the linen store and plant rooms be relocated.
• Soundproofing
While working within the constraints of a Grade II listed building, acoustic performance and soundproofing should be addressed wherever possible to enhance the guest experience.
• M&E Enhancements
Installing a high-specification mechanical and electrical (M&E) system is essential to provide the comfort and functionality expected by today’s guests.
• Accessible Rooms
With the removal of ground floor bedrooms, provision must be made for a new accessible room elsewhere in the hotel.
The New Vision
With Sally Dale
Working with a listed building definitely comes with its own set of challenges, but we were committed to ensuring that the design stayed true to the building’s history while still being accessible and functional.
From the start, we focused on making sure the space was inclusive by blending accessible features seamlessly into the historic structure. Previously, The Pier House and The Harbour Beer House only had accessible restrooms tucked away down narrow hallways or up a flight of stairsa tricky situation we were keen to fix. We repositioned the disabled WC to create a new corridor next to the existing access to the cellar, which not only improved functionality but also made it easier to move between the bar and the cellar.
Since the fire started in the back-of-house area, our restoration included a complete overhaul of the kitchens to boost their efficiency and make them more user-friendly for catering operations. We worked on increasing storage space and improving navigation in what was previously a cramped and challenging area. Our goal was to make the environment better for both staff and operations.
Despite the hurdles of working with a listed building, we kept a sharp eye on quality throughout the project. We made sure every detail, from corridors to restrooms, was thoughtfully addressed to create an inclusive and welcoming space. The historic status of the building didn’t limit our work; it motivated us to achieve great results while respecting its heritage.
Bar: Drawing Inspiration From The Harbour
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1. Seashell from the nearby beach
2. Shell patterned fabric
3. Paint Colour
4. Dried plant from the village
5. Photo of the Charlestown harbour
6. Twine found in a drawer
7. Tile sample
8. Green velvet
Rattan webbing
Paint Colour
Family holiday photos
Broken compass lid
Pebble from the beach
Red velvet
Button & cotton from an old chair
Paint Colour
Shipwreck coin from 1922
Blue Velvet
Old rope from a lobster pot
Fishing line wrapped around a piece of driftwood
Lavender from the existing planter
Carpet sample
23. Stones from a wall in the village
The original horseshoe-shaped bar has been reimagined into a long, expansive bar front, creating a more open and spacious layout. This transformation not only enhances the overall aesthetic but also increases efficiency, allowing for smoother service flow and providing bartenders with more room to work.
The streamlined design offers guests a more comfortable and inviting experience, with easier access to the bar from multiple angles for particularly busy periods.
Antonia, a Dorset artist trained in Natural History Illustration and Advanced Fine Art, has been a member of the Society of Wildlife Artists since 2007, exhibiting annually at the Mall Galleries in London. Inspired by the sea, woods, and fields, she paints in acrylic, often outdoors to capture the landscape's immediacy. With over 30 years of collaboration with Dorset Wildlife Trust, her work includes illustrations and nature panels. Antonia loves traveling, painting directly within diverse landscapes, and sketching from a boat to capture unique coastal perspectives.
The Big Scratch, Antonia Phillips (b. 1966), (Found in: Restaurant), Watercolour.
Seashell from the Seashore
Each shell is truly unique, its imperfections bearing witness to the journey it has endured. Much like the Pier House, it was essential to preserve and celebrate these marks of history wherever possible.
Views Across The Bay
Renowned for offering one of the best views in Cornwall, the Pier House is perfectly situated for those seeking to disconnect from the world and immerse themselves in the tranquil beauty of the sea.
At the Heart(hstone)
As evenings grow darker and temperatures drop, few things are as inviting as a roaring fireits warmth naturally drawing people together for conversation and connection.
Something Old Now Something New
Sea glass is a rare treasure, often considered as precious as gemstones by some. It begins as discarded glassware, shaped and smoothed over decades or even centuries by the relentless forces of nature, transforming into something beautifully unique.
Foundations
With Fern King
The entire project is focused on individuality and a sense of quirkiness, with a mix of contrasting elements, throughout the space. It combines nature with manmade materials, calm with turbulence, and traditional touches with modern style.
Every space is designed to be unique, with no two rooms having the same art. Some of the pieces are big and bold, like boat installations that catch your eye from across the room, while others are tiny and detailed, so small you need a magnifying glass to fully appreciate them. This variety ensures each room tells its own story, making every turn an exciting new discovery.
The aim was to make the space just as eye-catching as the incredible view outside, using all sorts of thoughtful details.
And I honestly think we’ve done just thatcreating a space that’s as memorable as the scenery it overlooks.
Returning from the Depths
The coastline of Cornwall is dotted with remnants of shipwrecks, ranging from small rowing boats to larger trading vessels. Driftwood and planks often wash ashore, serving as poignant reminders of these maritime stories.
Artwork with Local Significance
Art offers a window into history, culture, and the human experience, helping us understand both ourselves and others. It serves as a powerful source of inspiration, reflection, and joy.
Tales & Sights to See
The Pier House serves as an excellent stopping point for exploring Cornwall or delving into the rich history and local tales of the area. Books here are not merely decorative; they are thoughtfully curated to enrich the guest experience.
Drawing Inspiration From The Sea
This project is deeply inspired by the sea and the stunning beauty of the surrounding coastal landscapes. Every element has been carefully considered to capture the essence of this connection.
Materials that echo the craftsmanship of boats and ships have been thoughtfully incorporated, lending a subtle nod to maritime heritage.
Natural textures, soft, earthy colours, and organic forms seamlessly bring the spirit of the coastline into the design, creating a sensory experience that feels grounded yet open.
The connection between the sea and the land comes through in the choice of materials and finishes, which work together to create a calm and inviting atmosphere.
It’s a space that captures the peaceful feeling of being by the coast, making visitors feel like they’ve been transported to a relaxing seaside escape.
An Experience
With Guy Bostock
We set out to create a one-of-a-kind experience that complements the unique character of the venue and enhances its surrounding area.
We paid close attention to every detail of the design, aiming to make even ordinary elements more interesting and unconventional than anything the guests may have experienced before. With such a breathtaking setting, our aim was to enhance the area’s natural beauty even further still.
Working on The Pier House has been an exciting opportunity for our whole team, as the project allowed us to dive into imaginative designs that truly set these venues apart. We have filled the spaces with subtle touches and hidden details that reveal themselves over time, adding layers of discovery for guests and making visits truly memorable.
This project is one I will always remember, as our team’s hard work has clearly paid off in the remarkable outcome we have achieved.
The Lifesavers
With Phil Willan
Few scenes are as awe-inspiring and commanding as a storm's fury at sea, which is why such moments have inspired countless masterpieces throughout history, from the hands of great masters to novice artists alike.
In creating this mural, we sought to capture the raw beauty of a tempest while honouring the past and present volunteers of Cornwall’s Coast Guard. The artwork was designed to evoke awe—a scene so powerful it draws in the viewer, making them feel small and adrift before the ocean’s might, yet offering a crucial sense of relief, symbolising hope and salvation from peril.
Achieving this vision on a mural spanning over 9 meters was no small task. The challenge lay in balancing the elements: if the rescue boat and shipwreck were depicted too large, they would obscure the turbulent waves; too small, and they would be lost in the vastness of the scene. Striking this balance was essential.
The mural draws inspiration from two renowned seascapes: Ivan Aivazovsky’s "The Wrath of the Seas" (1886) and Thomas Moran’s "Moonlit Shipwreck at Sea". By blending and tailoring elements from both works, we crafted a unified piece that fits seamlessly into the area. As you enter the bar and glance through the archway toward the restaurant, you are met by this dramatic seascape - a striking focal point that demands attention.
The Mary Hannah
This is the story of the 1899 wreck of the schooner Mary Hannah, a Penzance vessel carrying coal from Cardiff to Plymouth. While sailing near the Lizard Peninsula, the Mary Hannah encountered a fierce gale and huge seas that severely damaged her main boom, leaving her disabled and at the mercy of the storm.
Rescue efforts were quickly mobilised, and the rocket apparatus was deployed from shore to reach the stranded crew. This lifesaving device was designed to fire a line from land to ship, allowing the crew to be pulled to safety using a breeches buoy. However, the rescue was complicated because some crew members had taken refuge inside the ship’s cabin, making it difficult to secure a line to the vessel.
Despite the best efforts of the rescuers, the mission was only partially successful. Tragically, twelve of the fourteen crew members were lost to the storm. The event highlighted both the bravery of those involved and the limits of rescue technology in such extreme conditions.
The Mary Hannah wreck remains a sobering chapter in Cornwall’s maritime history, demonstrating the relentless power of nature and the ongoing struggle to improve lifesaving methods for those facing peril at sea.
Drawing Inspiration From The Cliffs
The design of the venue took inspiration from the natural surroundings and used new textures and materials to reflect the beautiful coastal environment throughout the entire project. Coastal colours were emphasized in the bedrooms to recreate the surroundings that can be seen easily by guests from their windows.
The hotel area and rooms are open, creating a bright and welcoming atmosphere. We aimed to guarantee that the stunning views could be easily seen from most areas within The Pier House, and if not visible, could be felt through the ambience.
To enhance this coastal feeling, much of the artwork features seaside themes or complementary colours that tie seamlessly into the overall design, reinforcing the important connection to the venue's picturesque setting.
3D Visual of the Superior Room
3D Visual of the Classic Room
The Perfect Night's Sleep...
With Caroline Young
From the moment a guest steps into their hotel room, the atmosphere should radiate warmth, comfort, and tranquillity, helping them unwind from the stresses of travel or a day of exploration. A well-designed room, featuring a large, cosy bed layered with crisp, high-quality linens, soft pillows, and a mattress with just the right firmness, sets the stage for a restful nightour top priority for every room.
With three distinct options, we’ve crafted the ideal sleep environment for various budgets, allowing guests to explore the incredible and unique sights of St Austell and beyond throughout Cornwall. While room sizes may vary, each space has been thoughtfully designed to maximise comfort and elevate our guests’ overall experience. By focusing on getting the essentials just right, we’re able to exceed expectations in every room.
We ensure rooms are dark enough to promote restful sleep, with subtle customisable lighting that allows guests to set their own ambiance using dimmers. Often overlooked in hotels, we prioritised shower quality, too, creating a completely new high-pressure water system to provide excellent showering experiences any time of day.
This was no easy feat in a building over 200 years old, where every step presented new challenges and required solutions that respect the building’s history.
Finally, one of our top priorities is the view. Many rooms overlook the beach and St Austell Bay, offering guests the chance to enjoy stunning natural scenery. Whether watching the sun rise or set, spotting boats drifting in and out, or observing waves as they shift from calm to turbulent, guests can take in these moments from the comfort of their rooms.
Visual of the Cabin Room
Preserving The Details
With Chris Green
Renovating a listed hotel presents unique challenges, as every update must honor the building's rich heritage while meeting modern standards. From the outset, we were committed to preserving the cultural and architectural significance of this venue. Each step required balancing contemporary comfort with respect for the structure's original character, ensuring that every change enhanced, rather than overshadowed, its story.
Integrating essential upgrades like plumbing, heating, and electrical systems proved especially complex in a building over 200 years old. We sought hidden routes and used subtle materials to make these installations nearly invisible, preserving the authenticity of the original architecture.
Every element of the project was a collaborative effort with heritage experts, ensuring that nothing with historical or cultural importance was altered or damaged,working to preserve intricate woodwork and details. The result is a carefully modernised hotel that feels timeless, inviting guests to experience the beauty and luxury of a contemporary stay within walls that tell centuries-old stories.
Building On A Legacy
More Than Just Bricks & Mortar
The refurbishment of the Pier House Hotel was a major project that brought significant upgrades to the building, but not without its challenges.
The hotel’s exposed coastal location made construction especially demanding. High winds, driving rain, and salt air affected both the pace of work and the durability of materials, requiring extra care in scheduling, weatherproofing, and equipment protection.
Upgrading infrastructure in an older building also posed unforeseen issues. Once work began, outdated wiring, irregular floor levels, and concealed structural damage were uncovered, requiring on-the-spot problem solving and redesigns. These discoveries often impacted the timeline and budget, making flexibility and clear communication essential throughout the process.
A key part of the refurbishment’s success was the collaboration with local residents and suppliers. Wherever possible, the project team sourced materials and expertise from the surrounding area and benefiting from contractors’ intimate knowledge. This close partnership allowed for quicker turnaround times on materials, faster problem-solving, and a shared sense of pride in improving a much-loved community landmark.
Despite the obstacles, the refurbishment was completed to a high standard. The updated Pier House Hotel now offers modern comfort and functionality while retaining its coastal character, thanks in large part to the adaptability and dedication of the local workforce.
Lady Daphne
A classic Thames sailing barge, built in 1923 by Short Brothers of Rochester, Kent.
Designed for cargo transport, she exemplifies the robust, utilitarian design typical of Thames barges, with a shallow draught and broad beam. Lady Daphne's striking red sails and graceful lines make her a beloved sight on the River Thames.
She was among the last sailing barges to be built, representing a culmination of centuries of maritime craftsmanship. Today, the Lady Daphne is meticulously preserved and often seen at Charlestown, Cornwall.
The Lady Daphne is used for educational and recreational purposes, including corporate events and private charters, allowing visitors to experience maritime history first-hand.
The Build
With John Cheliotis
One of the most significant challenges we faced during the build was the installation of the new roof. Weather conditions were far from ideal, with no two consecutive dry days throughout that phase of the project.
This unpredictable and persistent rain made the timing and logistics of the roof installation particularly complex. Despite these setbacks, we had to make the critical decision to press ahead. The roofing formed a central part of the project's critical path, and delaying it would have had a domino effect on all subsequent works.
Operating under these constraints, our teams committed to an intense schedule, working seven days a week to push the project forward. It was an enormous task that demanded not only sheer perseverance but also a remarkable level of precision. The attention to detail demonstrated during this time was extraordinary, and it’s a true testament to the dedication and skill of everyone involved.
Throughout the project, communication and collaboration were absolutely key. The Concorde and St Austell teams worked hand-in-hand, maintaining a proactive and transparent approach to problem-solving. Information was shared swiftly and effectively, ensuring that decisions could be made in realtime and work could continue without unnecessary delays.
This strong working relationship, built on mutual respect and a shared commitment to excellence, played a pivotal role in the successful delivery of the project. Despite the many obstacles, the end result is a finished product that reflects the high standards and collaborative spirit of all those involved.
We must have been on site for a good few hours until all of a sudden we saw blue flashing lights. Charlestown being a nice quiet village, we all went outside to see what was happening.
It wasn’t until we saw the Royal Navy bomb squad that we started to panic. It seemed that a old large sea mine was being dragged up the launch ramp.
Luckily it was an inert training mine and we weren’t in any danger. Not a typical day on site and I suspect, and hope, not something I will experience again!
Harry Simpson
March 2024
I remember walking down to the Pier House Hotel on my first day on site. After driving for 7 hours, I was tired and, if I’m being honest, a little grumpy. As soon as we got to the pub, there was a table full of old shipwreck coins. No one was selling them; instead, there was an honesty box.
I completely forgot how bad my legs were cramping from hours of traveling and I was instantly intrigued and excited to sift through all these artefacts from the sea.
I also remember the look on my children’s faces when I took the coins home and showed them. They were amazed and are now really interested in shipwrecks!
Katie Thackrah May 2024
When the hotel was built, it had a connecting terrace of malt houses that ran up the cliff path, where a brewery was started, long before the days of Walter Hicks and the St Austell Brewery. The front walls of these malt houses can still be seen today, they form the boundary garden walls of Coastguard or Battery Terrace.
Time To Act
With Natasha Milne
Throughout the Pier House project, we made a concerted effort to integrate modern mechanical and engineering advancements to enhance sustainability and efficiency, all while preserving the site's historic character. Achieving this balance required close collaboration with our partners to assess what was feasible within the constraints of the existing building structure.
But, the status of the building as a listed property did not compromise the end result; rather, it inspired us to achieve exceptional results while preserving its historic character.
A key aspect of our approach was the use of recycled and reclaimed materials, reducing the environmental impact of the refurbishment while maintaining the building’s authenticity. We prioritised reclaimed materials, such as tiles and timbers, to minimise our environmental impact.
Beyond material selection, we implemented a range of technical improvements to the building fabric. These included addressing moisture ingress to prevent long-term structural damage, enhancing drainage systems to manage water runoff more effectively, and upgrading ventilation to improve indoor air quality.
Additionally, significant thermal improvements were made to enhance energy efficiency, reducing the building’s overall carbon footprint. Further fire protection measures were also introduced, providing enhanced safety for occupants while ensuring the long-term resilience of the structure.
This project has definitely been a catalyst for integrating more sustainable principles into our refurbishment efforts, while also inspiring the development of dedicated guidelines for environmentally friendly design in future projects. By embedding sustainability into both the fabric and function of historic buildings, we aim to set a precedent for future conservation effortsone that balances heritage preservation with modern efficiency.
The Next Chapter Of The Pier House
The open layout is designed to maximize natural light, creating a bright atmosphere that highlights the stunning views from every possible angle.
Gentleman Smoking Pipe, Henrie Nitcher, 1901, Oils.
Gentleman Taking Snuff, Henrie Nitcher, 1901, Oils.
Grey Seal Pup, Joel Merriner (b. 1970), Oil on Canvas.
We created an expansive bar front to accommodate the high volume of guests the venue usually attracts. This design allows for efficient service during busy periods, while still integrating perfectly with the overall aesthetic.
The Gates To Charlestown
The lock was an innovative solution for maintaining a constant water level within the inner harbour, regardless of the tide, which was crucial for the safe docking and loading of vessels.
This design was particularly important for the export of copper and china clay, vital industries in the region. The lock's innovative engineering allowed Charlestown to thrive as a working port.
Today, it remains operational, preserving the harbour's unique character and historical significance, and it continues to draw visitors, partly due to its use in popular TV series like Poldark.
One of Nine studies of mainly Cornish views (Rock, Penryn Harbour I and Penryn Harbour II) Alec Wiles (1924 - 2021) Sketch.
Alec Wiles (1924 - 2021)
A sculptor, marine artist, and painter of landscapes and portraits, Wiles studied at Southampton School of Art from 1937-39. He exhibited at the Royal Academy of Arts, Royal Society of Portrait Painters, and other prestigious institutions.
Renowned among Cornwall’s leading artists, his work has been featured in top galleries across the region, including Newlyn, and he is a member of the Newquay Society of Artists. Wiles' paintings are celebrated for their diverse subjects and unique compositional perspectives.
His charcoal studies of nudes demonstrate his excellent draughtsmanship, while his small bronze sculptures of torsos add to his acclaim.
3 Of 9 studies of mainly Cornish views (Found in: Various Locations), Watercolour & Pencil Sketch.
The decor is first class and now much better laid out with stunning views from the terrace!
Martin C
William Hankey (1869 - 1952)
A British painter and illustrator from Chester, he studied design and art before attending the Royal College of Art. Inspired by Jules Bastien-Lepage's rustic realism during his time in Paris, he debuted at the Royal Academy in 1896 and later became president of the London Sketch Club (1902-1904). In the early 1900s, he documented the fading peasant life in Brittany and Normandy, contrasting it with England’s changing landscape.
His tenure at the Etaples art colony spanned from 1904 through World War I. Celebrated for his watercolours, he was praised for using transparent hues and broad brushwork. His etchings earned him recognition as a leading figurative printmaker of the early 20th century. "The Refugees," depicting the human toll of the German invasion in 1914, highlighted his social awareness. Returning to Britain, he joined the Newlyn School in Cornwall, further cementing his legacy as a versatile, socially conscious artist.
Top: The Corniche Staples, (Found in: Corridor) 1912, Zinc Aquatint.
Bottom: An East Coast Village, (Found in: Corridor) 1918, Copper Dry Point Etching.
The lobster cage light fittings add authentic nautical charm which enhances the coastal atmosphere without resorting to the gimmicks often found in similar themed projects.
Enikő Eged (1924 - 2021)
A native of the picturesque city of Budapest, Hungary. Before entering the art world, she studied literature and philosophy, immersing herself in the depths of human thought and creativity. Still, Enikő honed her skills and passion for visual storytelling at the Hungarian University of Fine Art where she completed a master’s in graphic design. She then embarked upon a transformation creative journey through the captivating landscapes of Sicily.
Top: Spotted Crab, (Found in: Bedrooms), Print.
Bottom: Spotted Calico Crab, (Found in: Restaurant), Print.
A bronze portrait head, Sculptor Unknown, First half 20th, Century, Bronze.
12 of 53 Study Sketches, Unknown Artist Watercolour.
6 of 53 Study Sketches, Unknown Artist, Watercolour & Pencil.
Suspended above the restaurant is the striking boat installation, a truly unique and creative touch. The boat was carefully painted and restored specifically for this purpose, adding even more significance to the piece. Not only does it represent the area's rich maritime history, but it also ties into the venue's own past. This eye-catching piece adds a bit of charm and character to the space, giving a nod to Charlestown's heritage while creating a special area.
Brixham Trawlers, R.F. King, Etching.
Untitled, Unknown Artist, Watercolour.
Untitled, Unknown Artist, Pencil.
Untitled, Unknown Artist, Ink.
Untitled, Joseph Kirkpatrick, Etching.
The Big Scratch, Antonia Phillips (b. 1966), Watercolour.
Red and white stripe, Julian Rowe (b. 1963), Oils.
Sandwich Terns, Richard Barrett Talbot Kelly RI (1896 - 1971), Watercolour.
Marsters (1929 - 2022)
Born in Kings Lynn, Norfolk, in 1929, Geoffrey studied at the Cambridge School of Art, Bath Academy of Art, and L’Ecole des Beaux-Arts in Paris. A figurative artist based in East Anglia, he exhibited widely, including at the Heffer Gallery and the Pastel Society. His work was featured in publications like Pastel Masterclass. Geoffrey married Carole S. Reimers in 1968 and later lived at The Mill, Wigton, until his passing on March 15, 2022.
Left: Untitled, (Found in: Reception), Pastel.
Right: Untitled, (Found in: Reception), Pastel.
Geoffrey
The Waves, Ivan Aivazovsky (1817 - 1900), Reproduction.
Four of Nine studies of mainly Cornish views (Rock, Penryn Harbour I and Penryn Harbour II) , Alec Wiles (1924-2021), Watercolour & Sketch.
The Rainbow, Ivan Aivazovsky (1817 - 1900), Reproduction.
Morning After The Storm, Ivan Aivazovsky (1817 - 1900), Reproduction.
Oyster Catchers Artist Unknown, (Found in: Corridor), Watercolour.
Once serving as the coastguard sheds, the space has now been transformed into the restaurant area of The Pier House - beautifully embracing a rich nautical theme. The decor features a blend of these elements, both subtle and striking, crafting a warm and inviting seaside-like ambience.
Whoever chose the art works has great taste.
I spend ages looking at the paintings.
Love the small etching with magnifying glass hanging next to it.
Amanda S
Colourful Yachts, Anthony Waller (1932 - 1958) (Found in: Bedrooms), Oil on canvas.
Born in 1932, Anthony enjoyed sketching and painting from a young age. After serving as an R.A.F. fighter pilot during the Cold War, he pursued a successful career in sales and marketing. In 1976, he became a full-time painter, exhibiting widely, including at the Royal Institute of Painters. Now retired, he continues painting in his Hertfordshire studio.
Fishing Vessels in Rough Waters, Robert Kent Thomas (1816 - 1884) (Found in: Bedrooms), Etching.
Robert was a prolific etcher and lithographer, known for detailed architectural and topographical prints, as well as caricatures and natural history studies. Born in London, he worked as a lithographic draughtsman, eventually becoming Head of the Artistic Department. His work appeared in periodicals like The Portfolio, and he exhibited at the Royal Academy.
Fishing Boats Off Ryde Iow, Edward Francis Wells (1876 - 1952) (Found in: Bedrooms), Etching.
Born in Calcutta, India, Edward moved to England to study at the Slade School of Art and the Royal Academy. Winning the Creswick Prize in 1889, he travelled Europe before returning to London in 1900 to pursue painting. He exhibited his portraits and landscapes at prestigious venues like the Royal Hibernian Academy and the Royal Institute of Oil Painters.
Charlestown Bay, Craig Askew, (Found in: Snug), 2024, Oils
tThe central focus of Craig’s work revolves around Plymouth, where he observes and document the evolving weather patterns spanning from Cornwall to Devon. His artistic process commences with meticulous note-taking, detailed observations, and sketching in journals, which serve as the foundation for their studio paintings.
Craig’s endeavor to capture the profound bond they share with the sea in each piece, describing them as portals to the maritime realm. The creations serve as tangible records of fleeting moments, memories, or reflections of the places he holds dear.
Never Overlooked With Emily Wilson
Even the WCs embrace the coastal theme, with each cubicle uniquely decorated, providing a slightly different experience for each guest.
We wanted to transform these oftenoverlooked spaces into visually striking, Instagram-worthyspots that fit into the trend of 'mirror selfies' and photos during bathroom visits. This attention to detail ensures that the WCs offer a memorable experience, setting them apart from the ordinary.
With a unique decor, the WCs are perfect for the occasional and inevitable mirror selfie, not only enhancing the guest’s visit but also serving as organic promotion, spreading the word to a wider audience—all while seamlessly aligning with the overall coastal theme.
The corridors have been transformed into spaces that feel like rooms, with every detail meticulously considered.
I would congratulate the interior designers on the amazing transformation. It looks stunning and the location is everything you would want.
Carol T
Born in Doncaster, Yorkshire, in 1930, Hirst studied at Doncaster Art School and the Royal College of Art in London. He traveled extensively, spending significant time in Catalonia and Morocco, where he drew inspiration from artists like Miró, Gaudí, and Tapies.
Hirst taught across the globe, including in the U.S., Canada, Australia, and the UK.
His work has been exhibited in prestigious venues such as the Walker Art Gallery in Liverpool, the Camden Arts Centre in London, and the Museo Municipal in Madrid, and is held in major collections worldwide, including the Tate Gallery, Victoria and Albert Museum, Brooklyn Museum, and the National Gallery of Canada.
Top: Untitled no. IV, (Found in: Bedrooms), 1988, Acrylic and mixed media.
Below: Oct / Nov 1, (Found in: Bedrooms), 1988, Watercolour and dye.
Derek Hirst (1930 - 2006)
Fishing Boats on the Adriatic No, Michael Tain (1927-2001), 1965, Oil on canvas.
Each bedroom has been uniquely designed to showcase the venue’s period features, combining classic charm with modern luxury. The rooms offer a comfortable and relaxing space, with every detail carefully considered to provide the best experience.
Untitled no. IV, Derek Hirst (b. 1930), Watercolour and dye on paper.
Binoculars are provided in each bedroom at The Pier House, offering guests a thoughtful touch that allows them to fully appreciate and enhance the views from their windows.
Fishing Boats On The Shore, Paul Mascart (1874 - 1958), Acrylic on paper.
4
A professional photographer whose 22-year career behind the camera led to a passion for capturing the essence of the natural world and the iconic character of fascinating, retro-chic objects.
His prints and products lean into the rich history of craft from Cornwall, embracing timeless techniques to capture fascinating natural and iconic imagery. From the naive folk art of rural England to the St Ives school of artists, retro-chic contemporary objects. His work embodies a natural, distinctive style.
Boats in St Ives, Cornwall, Mark Lord, (Found in: Restaurant), Lino Print.
The Crow's Nest, the hotel's highest room, boasts the most incredible views. This stylish boutique ‘classic room’ seamlessly combines the inn's charming period features with modern luxuries, including a deluxe king bed, a sleek en-suite shower, and premium toiletries for a truly indulgent stay.
Portrait Of Adolf Von Becker The Painter, Albert Edelfelt (1854 - 1905), Reproduction
A Yacht At Full Sail, H F Theobald (20th Century), Oil on board.
Colourful Yachts, Anthony Waller (1932 - 1958), Oil on canvas.
Portrait of Artist’s Father, Mikhail Bozhi (1911 -1990), (Found in: Bar), Oil on canvas-board.
Born in Nikolaev, Ukraine, in 1911, Bozhi embarked on his artistic journey by studying at the Nikolaev Art Technikum from 1930 to 1933. He made his debut on the exhibition scene in 1937, showcasing his talent to the public. Noteworthy among his exhibitions, are his participations in the “All-Union Art Exhibition” held in Moscow in 1950-1952, and 1955.
Bozhi carved a niche for himself in the realm of portraiture and genre paintings, establishing himself as a prominent Ukrainian realist. His dedication to capturing the essence of his subjects and depicting the realities of life through his artwork earned him recognition within the artistic community.
An Australian artist and architect. Educated at Sydney Grammar School and Julian Ashton’s Sydney Art School, he gained international experience in the U.S. and served in World War I. After the war, he established an architectural practice in Sydney and taught at the University of Sydney.
Moore specialised in domestic architecture, winning the Sulman Prize in 1937 for his design of Frensham's West wing. He was also a noted painter, known for his vibrant landscapes, and was part of Sydney’s Contemporary Group in the 1930s.
His work includes a celebrated painting of Sydney Harbour. Moore played a key role in heritage preservation, notably for the Hyde Park Barracks, and served as deputy director of camouflage in New South Wales during World War II.
Study Of A Sandy Cove, John Drummond Moore (1888 - 1958) (Found in: Bedroom), Watercolour.
'For Gwyneth’, further inscribed ‘Such is the service of a fine art and of ships that sail the sea... but the special call of an art which has passed away is never reproduced. It as as utterly gone out of the world as the song of a destroyed wild bird.
Joseph Conrad 1906’.
Julian Rowe (b. 1963)
The Julian Rowe that began painting professionally many years ago was moved by familiar beauty and poetry in form and light but also something ‘other’: something beyond the ordinary acknowledgement of what looks good.
The gentle settling of a mystical mood that sometimes accompanies the scene at hand, the glimpse through the immediately recognisable that seems to suggest the ‘soul’ of the place.
Top: PZ 40 in brilliant light, (Found in: Restaurant), Oils.
Bottom: Red and white stripe, (Found in: Restaurant), Oils.
Untitled, Dale Marshal ‘ Vermin” (b. 1974), (Found in: Bedrooms), Oil on canvas-board.
Marshall began his artistic journey as a graffiti artist on the streets of Bath and Bristol, embracing the rebellious spirit of street culture. However, he also faced its darker side, including drug use and psychotic episodes. In 1999, he was sectioned at St Lawrence’s Hospital in Bodmin, battling clinical depression for seven years. His life took a transformative turn in 2012 when he studied abstract art at California State University, Long Beach. This experience marked a pivotal shift in his career.
In February 2014, Marshall reached a significant milestone with a three-month solo exhibition at the Herbert Art Gallery and Museum in Coventry. He proudly noted that this achievement made him one of the few graffiti artists, alongside Banksy, to hold a solo show in a city museum.
What People Are Saying
Reviews & Feedback
“The thought that has been put into the details, will stand out for our customers, and the hard work to bring to it all together has been magnificent, resulting in a stunning hotel & bar.”
The rooms at the Pier House have been beautifully done. The furnishings are all new of course since the fire they had but they have really gone to town making sure that everything is just right. We were very impressed by the quality of everything. The view out of our bedroom window onto the picturesque Charlestown harbour was truly fabulous.
Mark G
The rooms are absolutely stunning as well as the hotel itself. We haven’t stayed for nearly 5 years and were a bit sceptical about the changes but we were really surprised with what they have done to the hotel.
Jo
Fabulous! The renovations are really tastefully done and the rooms are really well thought out. The beds were superbly comfortable and the shower.... well you don't want to get out.
Lisa C
Our stay at pier house hotel exceeded our expectations! The stay was just intended as a one night stop over on our way to south Cornwall but it became one of the highlights of the trip! It’s a gorgeous hotel, made all the better by friendly happy staff and loads of attention to detailI wish we could have stayed longer!
Helen N
This hotel certainly deserves a five-star rating. The location is absolutely beautiful, offering stunning views and a charming atmosphere. The Pier House Hotel's stunning location, charming atmosphere, and excellent service make it well worth the stay. The friendliness of the staff and the high level of cleanliness were particularly impressive.
Simon M
Pier House in Charleston is an absolutely stunning hotel in a prime location. The refurbishment has been done so well with the details and finishes for the restaurant through to the bedrooms and bathrooms being so thought out.
Rosie P
The Pier House had recently reopened after refurbishment. The room was practically pristine and extremely comfortable and had everything you could realistically expect, with good/high quality fittings and fixtures throughout.
Colin S
We were excited to revisit this hotel following the renovations after the fire. Our last stay had been great but this time everything was fresh and new and the rooms definitely upgraded now.
Linda B
Location perfect. Views over the port. Rooms furnished so well. As was the rest of the hotel and restaurant. Lovely touches such as dry robes for swimming , beach bag , postcard with stamp on to name a few.
Colin W
Location is beautiful and the detail of the furnishings and original wooden beams is luxury & contemporary.
Rhys B
The hotel is so comfortable, stylish and cosy, the staff are friendly, food is amazing and the location is perfect, right by the harbour/beach wand southwest coast path.
Pippa B
Opposite the tall ship & harbour 3 minutes walk to a delightful cove, five minutes to a pebbles beach, art galleries small quaint shops all within easy reach. What is there not to like!
Jenny H
The newly (open a week) refurbished is gorgeous. The room was stocked full of so many amazing touches. We particularly loved the branded dry robes. They kept us very dry at the Eden Project. You can really tell a lot of love went into the refurb and our stay was wonderful.
Charlotte D
The Hotel has been recently renovated and is beautiful. Lots of attention to detail and clever use of space in the bedrooms.
Mark T
Wonderful revamp! The staff are friendly as ever. We stayed in a pet friendly room and the doggy treats were a great addition. Superbly comfortable bed, a shower that you don't want to get out of, lovely food in a fabulous location.
Elsie C
The restoration looks amazing and so much more roomy!
Nick D
Brilliant pub in an amazing location right on the harbour, with great sea views. The inside looks really smart too, after a recent refurbishment.
Paul G
Beautiful refit inside and great new furniture outside. Great location and wonderful views over harbour, menu great and food tasty. Wouldn’t hesitate to recommend this place to anyone. Just fabulous.
Nicola D
Everything about this hotel was perfect; our room was comfortable and spotless.
Annette B
Good to visit the refurbished Pier House after the devastating fire. The atmosphere was good, the food was tasty and well presented.
Jennifer B
We live locally and have been eagerly awaiting the reopening of The Pier House following its refurbishment and we absolutely love it. In the first week of reopening we have already visited 3 times. Great food, great service and a lovely ambiance, retaining its character and charm. Loved the artwork too.
Nicola S
Special mention must go to the interior design of this place. Awesome location as well. Couldn't fault it.
David S
The Pier House Hotel's stunning location, charming atmosphere, and excellent service make it well worth the stay.
Simon M
Building is looking beautiful, great refurb, spotless!
Kay A
Great location on harbour, lovely decor and good ambiance throughout the hotel.
Nix M
Fabulous views, refurbished well and looks lovely.
Rebecca N
Great pub with a lovely atmosphere. Recently opened after fire damage and it's beautifully decorated and furnished.
Adrian S
This is a brilliant hotel. We stayed for two nights in a harbour view room. It has had a total refurbishment and all public rooms and bedrooms are beautifully furnished and decorated. The bedrooms are equipped with everything you need for your stay.
Chris M
What a transformation! We have stayed at the Pier House before and were eagerly waiting for it to re-open again. It has been designed to a very high standard Cannot wait to return again.
Betty R
A beautiful building, beautifully decorated in a beautiful setting! Staff were friendly and the thoughtful touches in the bedroom made for a really luxe stay. It's worth going for the terrace alone. Would love to return.
Jacqui J
Our room was beautifully decorated and clean and the staff had thought of everything, mini bar, dressing gowns, waterproof coats if you wanted to go out in the rain, a beach bag if you wanted to go out on the beach, plus many more little things to make your stay just perfect.
Mike G
The room was stunning. The staff super friendly and knowledgeable. The bed was so comfortable I'm tempted to call and ask what mattress is on the bed as I'd like to buy one. The shower made us want to renovate ours to replicate it. We will definitely be back. Thank you so much.
Laura O
We saw the Pier House on a day trip over the summer when it was being refurbished and said we must go back. We weren’t disappointed, the decor throughout is beautiful, our room (the crows nest) had the wow factor and the staff were all friendly and helpful. We’ll be back.
Having watched this project develop from its infancy to the fantastic conclusion we reached this week, I must thank your team for their hard work, Guy and Sally for their inspiration and everyone involved for the result we have collectively achieved.
In my time I have taken responsibility for many capital projects, none as adventurous and technically sensitive as this one. I can honestly say that this one ranks as the least stressful and most rewarding to date.
The thought that Guy and Sally have put into the details that will stand out for our customers, and the hard work that you, John and his team have put into bringing it all together have been magnificent, resulting in a stunning scheme.
Please thank everyone in your team for being a delight to work with. Never before have I received so many words of thanks and appreciation from neighbours and residents for the way your team conducted themselves on site during the build.
We are all looking forward to the customer feedback and applause which I am sure is destined to come our way.
Paul Harbottle (Commercial Director) St. Austell Brewery.
I swapped the Midlands countryside for the Cornish coast with a trip to Pier House in Charlestown – and I still can't believe the stunning views I got to wake up to. As someone who lives smack bang in the middle of the country, opening my curtains to see the sunrise over the sea is a rare occurrence, but one that’s always more than welcome.
We checked into our superior sea view room and were mesmerised by its Pinterest-ready calming green interior and deluxe super-king bed. The finishing touches make it feel like a home from home, but way better.
Lucy Robinson
(Features and Lifestyle Writer At OK Magazine)
Charlestown’s pocket-sized port has doubled as a film set for nearly a century, and now it has a pub with rooms worthy of the setting.
Reopened in June after a top-to-bottom refit, the Pier House stands like a beacon above a tight little knot of schooners and stout granite quays and delivers on its promise of storm-proof hospitality with classy sage green and strawberry bedrooms, posh pub grub and pints of Proper Job IPA.
If you’re harbouring thoughts of a stirring seaside break this autumn, plot a course towards it.
Sean Newsom (Contributor At The Times)
Last night was the locals showcase at the Pier House, and I wanted to drop a note out to let you know how it went. I basically spent 3 hours with everyone saying what a fantastic job we have done on the Pier House, there was not one criticism, and they were literally walking around with their mouths open the whole night. The last time I was in a room where everyone was this positive was my own wedding! I think they must have used every positive adjective going!
My favourite comment of all was “I am proud to call this my local and I can’t wait to show it off to all my friends and family” – wow! We all know Kevin talks about how a pub feels, and I can tell you for sure, this one felt special last night.
I just wanted to say thank you to each of you and your teams for what we have created here at the Pier House and from the initial commeradary after the fire, all the way through to last night I know it has taken a lot of graft, long hours, and hard work, but more importantly a one team approach has improved our end to end process massively.
Thank you - and I hope like me, you think it was all worth it and we have another pub we can all be super proud of once more. I know Helen, Paul and the rest of the team can't wait to get cracking!
Gareth James (Operations Director) St. Austell Brewery.
The Pier House Art Catalogue
Preserving the past for the future
Charlestown Bay, Craig Askew, (Found in: Snug), 2024, Oils.
Craig's work focuses on Plymouth's coastal landscapes, capturing changing weather patterns from Cornwall to Devon. He starts with detailed notes and sketches in journals, which form the basis of his studio paintings. Each piece reflects his deep connection to the sea, serving as a record of fleeting moments and cherished places.
Vintage Mid-Century Portrait, Claudine Bowie nee Booker (1915 - 1975), (Found in: Snug), Oil on card.
Red Boat, Arisiag, Alastain Bannerwan, (Found in: Bedrooms), Oil on board.
Dry Summer Belton, Leics, WS Bell (20th Century), (Found in: Bedrooms), 1983, Oils.
Mackerel Fishes, Juan Bosco, (Found in: Resturant), Watercolour on paper.
Cliffs 77/250, David T. Bowyer (b. 1950), (Found in: Snug) 20th Century, Aquatint etching.
Attended Leeds Art College and then Slade School of Art. She co-founded Bruton Arts Society in 1953. She was exhibited at the Royal Society of Portrait Painters.
Portrait of Artist’s Father, Mikhail Bozhi (1911 - 1990), (Found in: Bar), Oil on canvas-board.
Born in Nikolaev, Ukraine, Bozhi studied at Nikolaev Art Technikum and debuted in 1937. He gained recognition as a Ukrainian realist, known for his portraiture and genre paintings in major exhibitions.
Mackerel, Andy Connolly, (Found in: Resturant), Linoprint.
Untitled, D Dakka, (Found in: Resturant), Watercolour and pen.
October/November I
The Boomsway, Scarbourgh Harbour, Nelson Ethered Dawson (1859 - 1941), (Found in: Bedrooms), 1912, Pen & ink.
Seagull, Diana Dotu, (Found in: Restaurant), Oil.
Hulkon Gorumma Island Two, County Galway, George James Drought (b. 1940), (Found in: Restaurant), 1970, Watercolours.
North Cliffs, Cornwall, David Faull (20th century), (Found in: Bedrooms), 1967, Watercolour.
An East Coast Village, William Lee Hankey (1869 - 1952), (Found in: Corridor), 1918, Copper dry point etching.
Capri, Attributed to Lino Gustave (1983 - 1961), (Found in: Bedrooms), Oil.
The Corniche Staples, William Lee Hankey (1869 - 1952), (Found in: Corridor), 1912, Zinc aquatint.
Derek Hirst (1930 - 2006), (Found in: Bedrooms), 1988 Acrylic and mixed media on canvas laid on board.
Andra Ignat, (Found in: Restaurant), Linoprint.
Untitled Derek Hirst 1930 - 2006), (Found in: Bedrooms) Watercolour and dye on paper.
Little Bodge, David Hockney (b. 1937), (Found in: Bedrooms), 1993, Lithographic Poster.
Brixham Trawlers, R.F. King, (Found in: Corridor), Etching.
Untitled, Joseph Kirkpatrick (1872 - 1963), (Found in: Corridor), Etching.
Sandwich Terns, Richard Barrett Talbot Kelly RI (1896 - 1971), (Found in: Bar), Watercolour.
Untitled, Geoffrey Marsters (1929 - 2022), (Found in: Reception), Pastel.
Turbot, Mark Lord, (Found in: Restaurant), Linoprint.
4 Boats in St Ives, Cornwall, Mark Lord, (Found in: Restaurant), Linoprint.
A Yach At Full Sail, H F Theobald (20th Century), (Found in: Bedrooms), Oils on board.
Untitled, Dale Marshal ‘ Vermin” (b. 1974), (Found in: Bedrooms), Oil on canvas-board.
Untitled, Geoffrey Marsters (1929 - 2022), (Found in: Snug), Pastel.
Fishing Boats On The Shore, Paul Mascart (1874 - 1958), (Found in: Bedrooms), 2002, Acrylic on paper.
Cornish Cove, Jeremy Mayes (b. 1968), (Found in: Restaurant), 2024, Oil on canvas.
In Full Sail, Tessa Moody, (Found in: Resturant), Watercolour.
Study Of A Sandy Cove, John Drummond Moore (1888 - 1958), (Found in: Bedroom), Watercolour.
Gentleman Smoking A Pipe, Henrie Nitcher, (Found in: Bar), 1901, Oils.
Gentleman Taking Snuff, Henrie Nitcher, (Found in: Bar), 1901, Oils.
Seascape, S Ponte, (Found in: Bedrooms), Oil on canvas.
The Big Scratch, Antonia Phillips (b. 1966), (Found in: Restaurant), Watercolour.
Harbour Scene With Masted Ships, John G Reid, (Found in: Restaurant), 70', Oil on board.
Red and white stripe, Julian Rowe (b. 1963), (Found in: Restaurant), Oils.
PZ 40 in brilliant light, Julian Rowe (b. 1963), (Found in: Restaurant), Oils.
Cornish Harbour Sketch 1, Colin Sealy (1891 - 1964), (Found in: Bedrooms), Pencil sketch.
Cornish Harbour Sketch 2, Colin Sealy (1891 - 1964), (Found in: Bedrooms), Pencil sketch.
Northumberland Coast, nr Bamurgh, BL Spence (1932 - 2017), (Found in: Bedrooms), 1983, Watercolour.
Cornwall Abstract, Jane Roose (b. 1986), (Found in: Restaurant), Oils.
Fishing Boats on the Adriatic No, Michael Tain (1927 - 2001), (Found in: Bedrooms), 1965, Oil on canvas.
Fishing Vessels in Rough Waters, Robert Kent Thomas (1816 - 1884), (Found in: Bedrooms),
Two of Nine Cornish Views Studies (Rock, Penryn Harbour I and Penryn Harbour II) Alec Wiles (1924 - 2021), (Found in: Various Locations), Watercolour & sketch.
Etching.
Colourful Yachts, Anthony Waller, (1932 - 1 958) (Found in: Bedrooms), Oil on canvas.
Rock Pool, Sonya Walters, (Found in: Bedtoom), Linoprint.
Figures in a fishing boat on a rocky shoreline, Richard Wane 1852 -1 904), (Found in: Bedrooms), Oil on canvas.
Fishing Boats Off Ryde Iow, Edward Francis Wells (1876 - 1952), (Found in: Bedrooms), Etching.
La Plage A La Barque, Follower of Philip Wilson Steer (1860 - 1942), (Found in: Corridor), Oil on canvas.
High tide on the Truro River, Alec Wiles (1924 - 2021), (Found in: Corridor), Watercolour.
Wild Bird, Georgie Wyllie (1921 - 2012), (Found in: Bedrooms), 2002, Metal and paint.
St Michael’s Mount, Unknown Artist, (Found in: Corridor), Oil on card.
3x ‘Contemporary School’, Artist Unknown, (Found in: Bedrooms), Oil on canvas.
Untitled, Unknown Artist, (Found in: Corridor
Paintings and Sketches Study - 24 Of A Collection of 53,
Unknown Artist, (Found in: Various Locations), Watercolour & pencil.
Unknown, Artist Unknown,
A bronze portrait head, Artist
Unknown, Artist
Unknown, Artist Unknown,
Out O'er Cornish Cliffs, Artist Unknown, (Found
Unknown, (Found in: Restaurant), First half 20th Century, Bronze.
(Found in: Bedrooms), Linoprint.
Unknown Artist, (Found in: Bar), Oil on canvas.
Unknown, (Found in: Snug), Oils on canvas.
(Found in: Restaurant), Watercolour.
in: Bar), Ink.
The Beach Walker, Artist Unknown, (Found in: Bar), Ink.
Untitled, Artist Unknown, (Found in: Bar), Ink.
Cormorant, Artist Unknown, (Found in: Bar), Ink.
Homeward Bound, Artist Unknown, (Found in: Bar), Ink.
Mackerel, Artist Unknown, (Found in: Bar), Ink.
Blue Lobster, Artist Unknown, (Found in: Restaurant), Ink.
Beach Landscape, Artist Unknown, (Found in: Bar), Ink.
Gull In Flight, Artist Unknown, (Found in: Bar), Ink.
Untitled, Artist Unknown, (Found in: Bedrooms), Acrylic and mixed media.
Untitled, Artist Unknown, (Found in: Restaurant), 1988, Linoprint.
Gull In Flight 2, Artist Unknown, (Found in: Bar), Ink.
Oyster Catchers Artist Unknown, (Found in: Corridor), Watercolour.
Untitled, Artist Unknown, (Found in: Bedrooms), Watercolour & Ink.
Charlestown Harbour, Artist Unknown, (Found in: Corridor), Watercolour.
Three of Seven Puffins, Artist Unknown, (Found in: Bar), Watercolour.
Mackerel Sketch, Artist Unknown, (Found in: Restaurant), Pen & Ink.
The 1900 Volunteers
1. George Beynon, 2. Fred Dingle 3. Tom Kendell, 4. Mr. Dingle, 5. George Williams 6. Mr Walkeys, 7. Mr Tandgeon, 8. Mr Walkey, 9. Harry Kendell, 10. Mr Walkey, 11.
Saving Lives From Shore To Sea
The development of mortar and rocket apparatus was pivotal in advancing lifesaving efforts along the coasts of the UK.
The invention of mortar and rocket apparatus in the early 19th century transformed lifesaving efforts along the UK coast. Captain G. W. Manby’s mortar (1807) and Mr. Trengrouse’s rocket system laid the foundation for coastal rescue, with rockets gaining widespread use by the 1850s. John Dennett’s rockets enabled the first successful rescue at Bembridge in 1832, and by 1853, around 120 stations across the UK were equipped with similar technology.
In 1855, the government took full control of lifesaving equipment, favouring rockets over mortars. Innovations followed, including Colonel Boxer’s extended-range rockets and the Breeches Buoy system, which allowed for individual rescues via rope.
Locally, the Rocket Cart Shed at Pier House housed this essential equipment. During the 19th and early 20th centuries, it played a vital role in coastal rescue operations. After serving the Coastguard until 1989, it became a dock staff canteen, then a sailmaker’s loft, and is now part of The Pier House restaurant.
George Kingwell, 12. Ned Broad, 13. Arthur Rowse, 14. Jack Rowse, Coastguard officer on end: also called Rowse.
A 'Proper Job': Teamwork, Integrity & Pride
Concorde BGW Group Team
Teamwork, Integrity, and Pride are three core values at Concorde BGW Group that guide everything we do. Thanks to these values and the dedication of the following people, this project was made possible.
Abbi Woolsey
Abi Saroi
Angie Dickinson
Ant Hewit
Beth Bartle
Carl Smith
Cerys Smith
Chris Green
Danny Oddy
Darren Newby
Donna Kirkham
Emily Wilson
Emma Rawson
Fern King
Gary Sheppard
Gintare Lagunaviciute
Gordon Maillie
Goulla Angelides
Guy Bostock
Harry Simpson
Issy Cottyn
Jack O’Marr
James Walker
Jamie Hodgeson
Jeff Ludlam
Jess Liversidge
John Cheliotis
Johnny Dyson
Julie Sykes
Katie Thackrah
Katie Waters
Laura Lowe
McKinley Oddy
Michelle Booker
Natalie Paddey
Nelly
Nicole Cheetham
Owen Slater
Phil Willan
St Austell Brewery Team
Richard Moody
Richard Sykes
Richard Wilson
Robin Langhorne
Lisa Bentley
Sally Dale
Sarah King
Shaun Browning
Sophie Oldfield
Stuart Jackson
Taylor Connolly Jackson
Vikki Gresham
Vito
Concorde BGW Group sincerely thank the following departments at St Austell Brewery, knowing it would be impossible to name everyone without missing someone:
Project Team
Marketing Team
Tech Services
Cellar Quality
People Team
Food Team
Procurement Team
Central Reservations
Finance Team
Operational Team
Property Team
Estates Team
Epilogue
The Pier House is an iconic building and one of the best locations for a site I have worked on in my 20 year career. From the moment I first saw the Pier House, I fell in love with it and wanted to make it into the most special of places for people to enjoy.
Over length of the project, as a company we have poured our heart and soul into this project and the final result is truly exceptional and something we are all incredibly proud of. From a personal perspective I wanted the Pier House to really stand out as one of the very best and I think we have done that. What we have achieved with St Austell makes me smile inside.
Put simply I absolutely love the site and will long cherish the incredible opportunity I was lucky enough to have to work on The Pier House.
Guy Bostock
The Restoration & Refurbishment of 2024
A charming inn with guest accommodation that sits along Charlestown’s historic Georgian harbour, famous for its Tall Ships. This venue has been returned to its former glory.