Daily Lobo 1/24/2022

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NEW MEXICO DAILY LOBO

Nonbinary students navigate social roadblocks, personal safety

By Natalie Jude @natalaroni The decades-long trials of nonbinary people continue even at the University of New Mexcio, and two students in particular — Ari Williams and Noe Fields-Perkins — have felt the struggles of standing out against the majority.

Williams, a Washington-based film student at UNM, identifies as both nonbinary and transgender and is forced almost daily to question the societal guidelines that align with and rely on a binary gender construct to determine social roles.

“Boy or girl, when you don’t pass as one or the other or both, your worth is put into question, the validity of your gender is put into question, your humanity is put into question,” Williams said.

Fields-Perkins, who moved from Hawaii to pursue a major in theater at UNM, has navigated two vastly different states: the expectations placed upon nonbinary people by both cisgender and transgender communities.

“There’s the binary standards of beauty in the world in general … And there’s the beauty standards in the nonbinary and trans community,” Fields-Perkins said. “I personally

Natalie Jude / Daily Lobo / @natalaroni

Noe Fields-Perkins (left) and Ari Williams (right) pose in the Laguna dorms at UNM.

identify as nonbinary; I identify with everything on the spectrum … But even within the trans community, there are binary standards, ideas on what is correct for transness.”

Within trans communities, Williams observed the greatest beauty standard as binary passability.

Passability, as defined by Williams, is “appearing (to be) assigned at birth the gender you identity (with); looking cis.”

“People often equate trans and

nonbinary people’s passability as their worth, and it’s interesting living through that,” Williams said. “But (nonbinary) is not a third gender — it’s escaping from that binary, so the beauty standards cannot apply.”

Outside of pressures toward binary assimilation, Fields-Perkins has experienced more anti-trans hate since moving to New Mexico from Hawaii.

“I didn’t question my safety ever before I came here … When I came to UNM, that was the first time I’d really

been called slurs,” Fields-Perkins said.

“Where I come from is different (regarding) perspectives on transness.”

Even those who claim acceptance or credence for all facets of queer presentation and representation can fall into damaging patterns of appeasement or even exhibition, sexual or otherwise, according to Williams.

“There's the placation and the objectification … and then there’s just the disrespect,” Williams said.

“Transness to cisgender society is a spectacle, but when you make someone into a spectacle, they are no longer human.”

While the limitations of a binary standard are detrimental to nonbinary individuals, the limitlessness of nonconformity may be seen as an aggressor through the lens of a gendered society, according to Williams.

The power of it poses mortal dangers which many choose to avoid — consciously or otherwise — through the pursuit of passability.

“When you can no longer put people into that safe binary, they become dangerous because they can no longer serve society … Being trans is very dangerous for the system,” Williams said. “And I think a lot of people talk about being stealthy (because) beyond safety, it also keeps you from being a spectacle.”

These dangers of being trans or

nonbinary upon the system and the individual are, for many, only the beginning. As a Pacific Islander, Fields-Perkins has experienced exclusion both in and outside of the trans community.

“Within the trans community, there’s definitely a lot of racism and fatphobia … The transmasculine standard is to be white and skinny and I’m a mixed kid, so I definitely have some issues,” Fields-Perkins said.

Despite the resolute dangers of gender expression outside the binary, Fields-Perkins’ exploration of the spectrum of gender has been integral in the unearthing of their beauty as perceived by self and society.

“I’m not masculine enough to be an attractive man and I’m not feminine, so what (did) that make me?” Fields-Perkins said. “I never really felt attractive until I started to explore my masculinity.”

The exploration of beauty outside of the binary is, to Williams, vastly important.

“Not adhering to one side of a binary can be so very beautiful,” Williams said.

Natalie Jude is the culture editor at the Daily Lobo. She can be contacted at culture@dailylobo.com or on Twitter @natalaroni

Beauty standards pressure cheer, dance athletes

By Zara Roy

@zarazzledazzle As members of the Lobo Spirit Program work to uphold standards of both athleticism and artistry, their physical appearance must also be put up for the consumption of both judges and the general populace alike. The pressure of expectations of how they should look often negatively impact the athletes.

Fifth-year cheerleader Amaia Bracamontes is one of the many that has been affected by the public’s perception of how members of the Spirit Program should look.

“Obviously, the image of a cheerleader, a lot of people think, is super small and skinny and fit … and so I think that people who don’t know a lot about cheer assume that everybody has to fit that certain image,” Bracamontes said. “And so that has had its personal effect on me, where I feel like I haven’t fit that image.”

Bracamontes, who has been in cheer for close to 12 years, said out-

side perceptions of cheer have had a great effect not only on her own selfimage but also on the self-image of those around her.

“I definitely have had friends that didn’t necessarily feel comfortable wearing the crop top, or the tight uniform, or they felt insecure, feeling like they were looking a certain type of way in the uniform and that people were gonna have comments,” Bracamontes said.

Lauren Saad, a senior on the coed cheer team, said these outside perspectives have put great pressure on her and talked about the sexualization she has endured in her sport.

“Definitely at games, we’re in crop tops and spandex, and you definitely get the old men at the games whistling at you, barking at you,” Saad said. “And it’s not a sexualized thing, you know. It’s what we wear; that’s kind of part of the sport, but the sexualization placed on it … you don’t get that with a women’s basketball team and softball.”

Many fans feel at liberty to touch

the dancers, according to dance team senior Hannah Herring, who has a handful of “fans'' who are overly comfortable with trying to talk to and touch her. She said that, early in her career on the Spirit team, there was pressure to fit a certain body type to avoid the criticism of mean fans and to fit into the dance uniforms, which are notably shorter than those for cheer.

Standards set by the program require members to apply a full base, dark eye makeup, dense false lashes and a specific shade of red lipstick, according to Herring.

“The makeup doesn’t make me perform better,” Saad said. “It doesn’t make me look better in front of a crowd, but it’s just kind of what we have to do. It’s part of the culture.”

Makeup in the sport is meant to enhance features for emoting, according to Herring, but being in the sport for a long time has deeply affected the way she looks at herself.

“I’m now reflecting on that

and realizing that that early introduction into such heavy makeup application really has defined the way that I see my face, and I’m kind of realizing now in my older age that I don’t really know what I look like,” Herring said.

Saad noted a pressure to fit a particular body standard on the coed team, which the men sometimes play into by wanting to partner for stunts with smaller or more muscular girls.

Herring said that, over her time on the team, the program has grown more encouraging of supporting dancers of different body sizes.

“My own team has been very good about being inclusive and stuff, but I know that there are other cheer teams who do weight checks for their flyers and push them to look a certain way, and so I think that can be discouraging to girls that have the skills but don’t weigh a certain amount,” Bracamontes said.

Bracamontes feels lucky that she is a part of a program that, she be-

lieves, does what it can to mitigate the potentially damaging parts of the sport by emphasizing strength over aesthetic body goals.

“I think, personally, I feel supported by my team and that makes me feel confident. I try not to let those body image things get to me too much, but it more just comes from the outside,” Bracamontes said.

Herring said that even though the Lobo Spirit Program is not a particularly toxic one within the dance community at large, there is still a long way to go in getting rid of the unhealthy beauty standards present in the community.

“I have so much love for the program and I have so much respect for my coaching staff, but at the same time, the waters are infested with sharks,” Herring said.

Zara Roy is the news editor at the Daily Lobo. She can be contacted at news@dailylobo.com or on Twitter @zarazzledazzle

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NEW MEXICO DAILY LOBO

ABQ local brightens University, city with artwork

driveway, Padilla began to notice all of the religious art around UNM’s campus and wanted to create something less targeted for one group.

“I kind of wanted to put something out there that could be for everyone … something that just could maybe make people smile as they walked by.

I put a bunch of little phrases on all of them (to) make people think and stop for a minute on their daily regular thing where they just go into autopilot,” Padilla said.

Women and cartoons are what Padilla draws the most, as she is drawn to the beautiful figures in women and sees each as a piece of art. Padilla pulls a lot of inspiration from bookstores as well as video games, specifically Cuphead, for her original cartoon characters.

“I know that I draw a lot of cartoons, and it's not very deep when other people look at it, but just the whole process of it all is what's

By Madeline Pukite @madelinepukite

Bright chalk drawings complete with cartoon-style characters and witty sayings adorn the sidewalks of the University of New Mexico, and even more works from the artist, Maewyn Padilla, can be found every first Friday of each month at the Albuquerque Artwalk.

Working in a variety of mediums, Padilla has experience with many different types of art but primarily enjoys chalk art at the moment.

Chalk art is fairly new to Padilla, who began doing it in her driveway about a year ago. She began by putting out a bucket of chalk and a sign that invited anyone to draw on the concrete, which is something open to everyone and a resource that doesn't cost money.

After running out of space in her

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meaningful to me. Just having that zone that I can get into that just takes me away from everything and puts me in that place at that time where nothing else matters (is) priceless to me,” Padilla said.

Art is an ever-present part of Padilla’s life, reaching as far as the walls of her home, which are covered in drawings. Padilla’s niece Kaya Herring said art was embedded into everything Padilla did when growing up. Further, she said Padilla’s kind personality and joy of sharing art is something that reaches the larger community.

“She's been a big influence in my life, specifically around creative expression, being myself,” Herring said.

During the pandemic, Padilla saw being able to show at the Albuquerque Artwalk as a way to get out of the house. She shows prints and stickers of her work at the artwalk on the first Friday of every month alongside close friend Kelli Judkin-Coope.

The two showcase their own art in a shared booth outside of OT Circus, a local nonprofit that provides artists with a free space to create or showcase their work.

Padilla said she calls JudkinCooper her “backbone” and heavily credits her as someone she would

Mackenzie Schwartz / Daily Lobo / @mackenzid5

Liam DeBonis / Daily Lobo / @LiamDebonis

(LEFT) Chalk art by Maewyn Padilla by the Center of the Universe at UNM. (RIGHT) Padilla’s art on the sidewalk of UNM main campus.

not have the confidence to enter the public art world without. As busy, working moms, the two have driven “each other try to in new venues” in the past year.

Padilla enjoys public art, like murals and graffiti, because it’s something for everyone to enjoy and may cause someone to change their way of thinking, even if it’s just for a moment. This type of art really makes a city interesting, she said.

“I love the whole idea that a lot of graffiti art was inspired from this idea that you just put up something beautiful that's not permanent that people can enjoy, that nobody knows who did it, you never get credit for (it), you never get paid for (it), anything like that,” Padilla said. “It's really just about sharing.”

Along with work currently being

showcased at OT Circus, her art can be seen in Village Print Shop and, beginning in March, Rebel Prints Gallery. Padilla hopes to keep growing as an artist and try different projects to keep her work new and exciting.

“My greatest hope (is to keep creating new things) and fear is staleness. I never want to be the person that's just creating the same thing over and over and over with maybe a slightly different pose or something like that,” Padilla said. “I want to continue to grow, try new things even if I fail. I think failure is a huge part of art.”

Madeline Pukite is a beat reporter at the Daily Lobo. They can be contacted at news@dailylobo.com or on Twitter @madelinepukite

UNM costuming program offers unique undergrad experience with a focus in costume design, said one can experiment with costume design and make an impact, even if the audience may not notice it.

“Even when you might think that there's not really costume design, if they're just in something very simple, it still has an effect,” Resnik said. "You could have a show where everybody's walking around and there's some interesting sound techniques and it's kind of experimental. If they're all in white dresses, that'll have a different feeling to if they're all in very strange, bright colors with funny crowns."

Resnik found that costumes have as much of an impact on actors as they do on an audience's experience. "(Costume design is) largely a visual medium for the audience. It does influence the characters a lot. But I think also for the actors and performers, it has a big influence, because acting in just whatever you're wearing is one thing, but once you have the costume on, it's, I think, a lot easier for them to transition into that (character’s) headspace," Resnik said.

UNM designers have not let the

By Elizabeth Secor @esecor2003 While most people will only see what’s on stage when they go to watch a play, there is a large amount of work being done behind the curtains to ensure audience members have a phenomenal theatergoing experience. The costuming department is just one small cog in a much larger production machine.

Costuming for a production takes many steps, and costume shop supervisor and senior lecturer Stacia Smith-Alexander emphasized the importance of all a play’s elements coming together to form one seamless “composition.”

"Once everything is together on stage, you have made a picture, even though it's a lot of people, it's lights and sounds and set as well. So there's way more components to creating a theater picture than there is to, like, a painting," Smith-Alexander said.

Eden Resnik, a senior studying design and technology for performance

COVID-19 pandemic keep them from creating costumes for shows and finding ways to incorporate the indoor-required masks.

"Last semester, we were able to use some different prints and things like that because we could do fabric, but now we have to do the surgical masks so we have found some ones that have prints on them on Amazon," Smith-Alexander said. "We are talking about having different designs and fabric over the surgical masks, but, if I was an actor, I would not be very happy with that. It's going to be really hard to project and talk."

Dorothy Baca, senior lecturer and UNM alumna, witnessed how the department has grown from her time as a student to now as a professor.

"When I was an undergrad, everyone got the same Bachelor of Fine Arts (BFA). It was a general theater degree; everyone acted, crewed, designed. We all took the same classes," Baca wrote to the Daily Lobo via email. "Now (that) we have a BFA with a focus in costume design and technology, the emphasis in costuming

better prepares students to get into graduate school, apprenticeships or work professionally."

Smith-Alexander has helped in her own ways to grow the department after seeing some of the challenges the department has faced, including lack of proper resources and the COVID-19 pandemic.

“Every time there is a little bit of money available, I have invested in our equipment over the years. So when I was first here and in school, there were mostly all-home sewing machines in the costume shop,” Smith-Alexander said. “Over the years, I've been able to purchase industrial grade sewing machines that are more of things the Santa Fe Opera would have (or) like a professional costume shop would have.”

While UNM's costume department may not have a graduate program, this makes it preferable to undergraduate students like Resnik who enjoy the experience of a smaller program.

"When I was looking at different schools, it's not super common that

the undergrads can be designing pretty large scale shows themselves because, often, they'll have graduate students do that," Resnik said.

"At UNM, pretty early on you can get involved and have a fair amount of responsibility.”

Baca sees the UNM costume design program as an invaluable hands-on experience preparing them for working on productions outside of school. "(The program) takes the students through the complex process of putting up a production. The students leave here with a portfolio, experience in presenting their design concepts and confidence in what they know," Baca wrote. "Students work on every aspect of costuming, which gives them technical skills they need if they go to work in a professional environment."

Elizabeth Secor is a freelance reporter at the Daily Lobo. She can be contacted at culture@dailylobo.com or on Twitter @esecor2003

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4

2022 editors’ style forecast

Monday, January 24, 2022

By Joseph McKee & Zara Roy

extremely excited to see play out this year.

@j_mckee_ @zarazzledazzle

Maximalist personal style Fashion has always been a medium focused on rule breaking and, in 2022, I predict that our current rule breaking will be against the fast paced cycle of social media fashion trends. Later this year, fast fashion trends will implode on themselves for the incoming reign of maximalist personal style.

The push toward bold personal style is being exemplified through TikTok accounts like @ myramagdalen, @saracampz and @tinyjewishgirl. The style these accounts showcase is intense and inspiring. This reintroduction of camp-styling and blending of maximalist style into fashion is extremely refreshing. It’s fun, it’s exciting and, most importantly, ideas are flowing and risks are being taken. Take note readers, the standards of fashion are breaking and being reformed this year.

Does pandemic exhaustion have you uninspired? As the new year rolls in, it's time for a new you. Get ahead of the trend cycle with our start-of-the-year predictions for the hottest fashion trends.

Joseph’s Predictions: Indie sleaze The ten-year fashion cycle has returned yet again — let’s take a quick trip back in time, shall we? Picture this: the year is 2012; you throw on a pair of skinny jeans, black converse, a faded band tee, a plaid overshirt shirt and a scarf — you’re going for a grungy look but not too rough as you want to perfect the careless hipster vibe. This could be you later this year.

Indie sleaze is coming back in full force. I’m predicting the biggest part of this trend will be the return of dark denim, dark bases and the mixing of unconventional patterns and colors.

Up-cycled electronics Bella Swan’s circa 2008 headphones have entered the chat and your AirPods are not going to be saved by Edward Cullen. You may have to dig through the back of your closet for this one, but know that wired headphones are continuing their comeback in 2022.

Throughout this year, I’m predicting that wired headphones will develop into strong jewelry-like statement pieces. Wired headphones will be decorated and bedazzled to lavish extents. Their use in this year’s fashion trends will be built around the leading lines from the droop of the cords.

Mackenzie Schwartz / Daily Lobo / Old tech being up-cycled into @mackenzid5 new jewelry and accessories is (ABOVE) Zara Roy poses. (RIGHT) Joseph an ingenious idea, one that I’m McKee displays their outfit.

es. Miniskirts are a fashion herald of a hopeful attitude for the economy and renewed obsession with youth culture.

A miniskirt/patterned tight combo is perfect for the 2000sdoes-1960s look that is on trend right now. Miu Miu’s extreme micro-minis from their Spring/ Summer 2022 collection have already begun making waves, if your tastes are more McBling than Mod.

Dystopian hellscape-core I think we are already starting to see a decidedly less cheerful take on the rampant retro-futurism of the 1960s. While ’60s designers imagined a future of space-age PVC clothing and metallic bonnets, 2022 is all subversive cutouts and militaristic utility garments.

Subversive basics, consisting of torn-up stockings turned to gauzy tops, have been making their rounds for a little while now. Acne Studios has gone an interesting route with this aesthetic.

Call it pandemic exhaustion, worker alienation or climate nihilism — this

Zara’s Predictions: (Thrifted) fur Highly thriftable and practical, I predict that more and more people will rush to fill out their closets with fur, a durable winter staple. Big fur coats play into an almost Soviet sensibility, which we are already witnessing a resurgence in with the recent balaclava moment we’ve been seeing in high fashion.

Even still, fur coats can be equally dressed down, perfectly suited for an early-2000s alternative look. I think fur hats will be popular as well — those little trapper hats will make perfect winter wear once everybody grows tired of their balaclavas.

morbid turn on fashion seems to pull from nostalgic grunge roots as well as fantastical imaginations of the future in sci-fi. Distressed or gauzy fabrics, funky sunglasses and dynamic layering are all hallmarks of the look.

Whether you go in the direction of cyberpunk fantasy or blast-fromthe-past, we hope we have given you the inspiration to challenge societal expectations and style yourself in a way that’s true to you.

Joseph McKee is the design director at the Daily Lobo. They can be contacted at designdirector@dailylobo.com or on Twitter @j_mckee_ Zara Roy is the news editor at the Daily Lobo. She can be contacted at n e w s @ d a i l y l o b o. com or on Twitter @zarazzledazzle

Higher hemlines As people get more antsy to get out of the thick of it with the COVID-19 pandemic, I’m predicting a big push for mini and micro-mini length skirts and dress-

REVIEW

‘Paris is Burning’: A composition of vibrant expression

By Joseph McKee & John Scott @j_mckee_ @ JScott050901

“Paris is Burning” was a landmark film upon its release in 1990 and, to this day, remains one of the finest and most celebrated examples of LGBTQ+ cinema. Its impact on filmmaking has been widespread and actually served as direct inspiration for the hit FX show “Pose,” on which “Paris is Burning” director Jennie Livingston served as a producer.

It’s not hard to see why the film has had such a large-scale impact. Setting

aside the visual and technical aspects, the film captures a community that has historically been underrepresented within film and approaches its subject with grace and sympathy.

It’s distinctly human and fantastically fun to watch.

Of course, the visual and technical aspects still play a large role in making the film stand out. Rewatching this film in 2022, the 16mm photography is immediately eye-catching and exquisitely breathtaking. There’s something truly nostalgic and warm about the vivid colors and graininess that the 16mm film provides.

The warmth and colors of the film are further complemented through

Livinston’s sympathetic directing style of documentary filmmaking.

The openness and ease of the commentary of the interviewees is what makes the film truly memorable.

Livingston interjects the film with personal shots that show drag queens getting ready and of members of the ball scene explaining how they have been saved by the community. Most importantly, Livinston’s film provides an inside look of the extravagant ball scene and culture of late 1980s New York City.

Livingston and cinematographer Paul Gibson make very distinct choices in their composition. With almost every frame, Gibson and LivEditor-in-Chief Megan Gleason Managing Editor John Scott

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The New Mexico Daily Lobo is published by the Board of UNM Student Publications. The editorial opinions expressed in the New Mexico Daily Lobo are those of the respective writers and do not necessarily reflect the views of the students, faculty, staff and regents of the University of New Mexico. Inquiries concerning editorial content should be made to the editor-in-chief.

News Editor Zara Roy Advertising Manager Jordynn Sills

ingston seem to search desperately for any object that can exist within the foreground. These objects are brought closer by the use of very wide lenses throughout. These wide lenses also provide the audience with distinct and stunning close-ups of Livingston’s subjects.

Livingston’s choice of composition and footage gives viewers a rich and personal view into a portion of LGBTQ+ culture and the importance of a chosen family. “Paris is Burning” elevates the voices of members of the LGBTQ+ community through showcasing the importance of true self-expression. Visually and themeatically, the film follows the fluidity Sports Editor Matthew Salcido Culture Editor Natalie Jude

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of queer body and queer expression within a rigid cisgendered and heteronomative society.

One visually striking moment from the film is when Willi Ninja, playing himself, is discussing voguing while doing so in what appears to be a park. Ninja explains how it’s a form of expression and passes through quick, improvised movements with a beautiful edge light that perfectly captures his silhouette, only emphasizing Ninja’s place as the subject of the frame. A generic group of people sit behind Ninja, creating contrast between Ninja’s self-expression and confidence outside of the ballroom

see

Paris page 5

Photo Editor Mackenzie Schwartz Designer Joseph McKee

Classifieds Representaive Mariah Rosales

Copy Editor Liam DeBonis Multimedia Editor Shelby Kleinhans

Advertising Design Mariah Rosales

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Paris

from page

MONDAY, JANUARY 24, 2022 / PAGE 5

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and the group’s contentment with being unnoticed.

As a documentary, the film also exhibits some unusual quirks that set it apart from other films in the genre. There are multiple moments of large text interjections similar to those found in the films of Jean-Luc Godard, almost signaling distinct sec-

tions. The interviews utilize your typical static, documentary-style camera, but also move somewhat wildly to different positions and angles without any cuts or stops in the dialogue.

These sections provide the viewers the opportunity to easily digest the layered and rich subculture of the LGBTQ+ community, along with

the ritual performance of balls.

“Paris is Burning” is a film full of color, passion and earnest expression. It stands as a relic, providing an introspection into the lives of LGBTQ+ people living through one of the most arduous times in LGBTQ+ history. During the making of the film, real-life communities continu-

OPINION

Why I got a meaningless tattoo

By Emma Trevino @itsemmatr Body modifications have become increasingly common and acceptable in the past decade, but tattoos still remain a polarizing subject.

I used to be someone who never wanted a tattoo and was positive I’d never get one. Then, last summer, I had a sudden urge to get one, and two weeks later, I had sizable ink on my thigh with no special meaning or reason behind it.

Growing up, I wasn’t discouraged from tattoos by my parents at all. Since I never showed interest, we never talked about it. When I brought the design I had in mind to them — an Old West style line drawing I found through an online

Mackenzie Schwartz / Daily Lobo / @mackenzid5

A student’s tattoo of fairies and a UFO.

deep dive — they were indifferent, but reminded me that I’d have their support no matter what.

Now, every time I wear shorts, I inevitably get asked by strangers,

“What does it mean?” My answer?

“Nothing at all.”

Tattoos are a personal decision, and many people get them to remember loved ones, pets, scripture

ally struggled for acceptance and fought against the AIDS pandemic, which was lightly touched on by the film. Since its release, much of the original cast has passed away due to AIDS-related complications and violence, including Ninja, Venus Xtravanganza, Dorian Corey and Angie Xtravaganza.

Joseph McKee is the design director at the Daily Lobo. They can be contacted at designdirector@dailylobo.com or on Twitter @j_mckee_

and so on. I think that’s great, but it’s also what put me off tattoos for so long. I couldn’t think of a single thing so meaningful and important to me that I’d sit through hours of painful pokes and jabs.

The sudden realization that my tattoo could just be a picture I liked was so shocking and exciting that I got the whole process completed in two weeks or so. Looking back, it’s clear to me that this realization was compounded by my COVID-19 anxiety and fear of fleeting youth. If I didn’t get a big, random tattoo right now, when was I going to?

While the tattoo itself has no explicit meaning, I like to view it as a representation of my state of mind and where I was in life when I got it. I remember all of the little details, like the hot June weather that made the warm leather chair sweaty or my best friend talking to the tattoo artist while they, thankfully, continued to work without distraction. Luckily, that chit-chat did distract me from the searing pain.

The perception that a tattoo must have a meaning is outdated, and I’m seeing more and more Generation Zers with cool tattoos that aren’t deep, just fun. There are so many different ways to decorate yourself with tattoos — art style, placement, colors — that the possibilities are infinite.

So why did I get a meaningless tattoo without serious forethought or consideration? Because I wanted to, and frankly, no further explanation is owed.

Since then, I haven’t actively been working toward getting another tattoo, but I can see myself getting several more in the next few years. Here’s to hoping 2022 is filled with silly little tattoos that will look rad when this generation is old and wrinkled.

John Scott is the managing editor at the Daily Lobo. He can be contacted at managingeditor@dailylobo.com or on Twitter @JScott050901

Emma Trevino is a senior reporter at the Daily Lobo. She can be contacted at culture@dailylobo.com or on Twitter @itsemmatr

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Monday

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The Entertainment Guide

Test With Truman Be Empowered. Know Your Status.

Walk in HIV Testing Monday: 8am-noon 801 Encino Pl NE Salt and Board 115 Harvard SE, Suite #9 Open from 11am-10pm Happy Hour 3-6pm, Mon-Fri (505) 219-2001

Sunshine Theater Jan 31 Doors Open 7pm, Ages 21+ Hinder: Winter Tour 2022 (505) 764-0249 120 Central Ave, 87102

Guild Cinema Visit guildcinema.com for more!

(505)255-1848 3405 Central Avenue NE, 87106

Masks Y Mas The best Central and Latin novelties!

Mon-Thurs 11am-6pm facebook.com/masksymas 505-256-4183 3106 Central Ave. SE, 87106 Enchanted Circle Brewing $5 half-dozen wings dine-in special Happy Hour 4-6pm, Open 12-9 505-433-2642 6001 San Mateo Blvd NE, 87106

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1352 Rufina Cir, Santa Fe, 87507 Thurs-Mon: 10AM–10PM (505) 395-6369

Visit Meow Wolf See ad for event information!

1352 Rufina Cir, Santa Fe, 87507 Thurs-Mon: 10AM–10PM (505) 395-6369

Tuesday

Wednesday

Test With Truman Be Empowered. Know Your Status.

Walk in HIV Testing Tuesday: 1pm-5pm 801 Encino Pl NE Salt and Board 115 Harvard SE, Suite #9 Open from 11am-10pm Happy Hour 3-6pm, Mon-Fri (505) 219-2001 Sunshine Theater Visit sunshinetheaterlive.com for more!

(505) 764-0249 120 Central Ave, 87102 Guild Cinema Visit guildcinema.com for more!

(505)255-1848 3405 Central Avenue NE, 87106 Masks Y Mas The best Central and Latin novelties!

Mon-Thurs 11am-6pm facebook.com/masksymas 505-256-4183 3106 Central Ave. SE, 87106 Enchanted Circle Brewing $6.95 / 2 Tacos dine-in special Happy Hour 4-6pm, Open 12-9 505-433-2642 6001 San Mateo Blvd NE, 87106 Thirsty Eye Brewing Company Come by for craft beers and wine in a fun, artistic atmosphere!

Tues-Thurs 3-9pm (505)639-5831 206 Broadway Blvd. SE, 87102

Test With Truman Be Empowered. Know Your Status.

801 Encino Pl NE 505-272-1312 Luther House Shared Meal in front of Luther House Every Wednesday 5pm Following the shared meal, at 6 pm, we offer a variety of Liturgical and Spiritual practices Salt and Board 115 Harvard SE, Suite #9 Open from 11am-10pm Happy Hour 3-6pm, Mon-Fri (505) 219-2001 Sunshine Theater Visit sunshinetheaterlive.com for more!

(505) 764-0249 120 Central Ave, 87102 Guild Cinema Visit guildcinema.com for more!

(505)255-1848 3405 Central Avenue NE, 87106 Masks Y Mas The best Central and Latin novelties!

Mon-Thurs 11am-6pm facebook.com/masksymas 505-256-4183 3106 Central Ave. SE, 87106 Enchanted Circle Brewing $5 Plain-Jane burger dine-in special Happy Hour 4-6pm, Open 12-9 505-433-2642 6001 San Mateo Blvd NE, 87106

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Tues-Thurs 3-9pm (505)639-5831 206 Broadway Blvd. SE, 87102 Visit Meow Wolf See ad for event information!

1352 Rufina Cir, Santa Fe, 87507 Thurs-Mon: 10AM–10PM (505) 395-6369

Thursday Test With Truman Be Empowered. Know Your Status.

Walk in HIV Testing Thursday: 5pm-7pm 801 Encino Pl NE Luther House Thursday Centering Prayer 12:00-1:00pm at the Duck Pond Salt and Board 115 Harvard SE, Suite #9 Open from 11am-10pm Happy Hour 3-6pm, Mon-Fri (505) 219-2001 Sunshine Theater Visit sunshinetheaterlive.com for more!

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Tues-Thurs 3-9pm (505)639-5831 206 Broadway Blvd. SE, 87102 Visit Meow Wolf See ad for event information!

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MONDAY, JANUARY 24, 2022 / PAGE 7

The Entertainment Guide

Friday

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801 Encino Pl NE 505-272-1312 Luther House Join us to learn, discuss and take action on theological issues At the SUB ( Lower Level North Entrance) 12:00-1:00pm Salt and Board 115 Harvard SE, Suite #9 Open from 11am-11pm Happy Hour 3-6pm, Mon-Fri (505) 219-2001 Sunshine Theater Jan 28 Doors Open 6pm, All Ages Bad Suns with Kid Bloom* Little Image BadSuns.com (505) 764-0249 120 Central Ave, 87102 Guild Cinema Visit guildcinema.com for more!

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Friday and Saturday 1-10pm (505)639-5831 206 Broadway Blvd. SE, 87102 Stickks and Stones Open Fri-Sun:11-3 Come by for crystals, reiki, tarot readings, and all of your spiritual needs! @stickksandstones (Instagram and Facebook) 4200 Silver Ave SE, 87108

Visit Meow Wolf See ad for event information!

1352 Rufina Cir, Santa Fe, 87507 Thurs-Mon: 10AM–10PM (505) 395-6369

Saturday Test With Truman Be Empowered. Know Your Status.

801 Encino Pl NE, 505-272-1312 Salt and Board 115 Harvard SE, Suite #9 Open from 11am-11pm (505) 219-2001 Sunshine Theater Feb 19 Doors Open 7pm, All Ages IGORRR* Melt-Banana* VOWWS Spirituality and Distortion North American Tour 2022 120 Central Ave, 87102 Masks Y Mas The best Central and Latin novelties!

Fri & Sat: 11am-7pm facebook.com/masksymas 505-256-4183 3106 Central Ave. SE, 87106 Guild Cinema Visit guildcinema.com for more!

(505)255-1848 3405 Central Avenue NE, 87106 Visit Meow Wolf See ad for event information!

1352 Rufina Cir, Santa Fe, 87507 Thurs-Mon: 10AM–10PM (505) 395-6369 Enchanted Circle Brewing Open 12-9 505-433-2642 6001 San Mateo Blvd NE, 87106 Thirsty Eye Brewing Company Come by for craft beers and wine in a fun, artistic atmosphere!

Friday and Saturday 1-10pm (505)639-5831 206 Broadway Blvd. SE, 87102 Stickks and Stones Open Fri-Sun:11-3 Come by for crystals, reiki, tarot readings, and all of your spiritual needs! @stickksandstones (Instagram & FB) 4200 Silver Ave SE, 87108

GIFT SHOP

We look forward to serving you,

Luther House Every other Sunday worship with wider community Contact us for current schedule.

Test With Truman Be Empowered. Know Your Status.

801 Encino Pl NE 505-272-1312 Salt and Board 115 Harvard SE, Suite #9 Open from 11am-10pm (505) 219-2001 Sunshine Theater Feb 6 Doors Open 7pm, All Ages The Halluci Nation (aka A Tribe Called Red) www.TheHalluciNation.com 120 Central Ave, 87102 Masks Y Mas The best Central and Latin novelties!

Sun 12pm-5pm facebook.com/masksymas 505-256-4183 3106 Central Ave. SE, 87106 Guild Cinema Visit guildcinema.com for more!

(505)255-1848 3405 Central Avenue NE, 87106 Enchanted Circle Brewing NFL Sunday Ticket $1 Beer Flights Open 11-9 505-433-2642 6001 San Mateo Blvd NE, 87106 Stickks and Stones Open Fri-Sun: 11-3 Come by for crystals, reiki, tarot readings, and all of your spiritual needs! @stickksandstones (Instagram and Facebook) 4200 Silver Ave SE, 87108 Visit Meow Wolf See ad for event information!

1352 Rufina Cir, Santa Fe, 87507 Thurs-Mon: 10AM–10PM (505) 395-6369

505.639.5831

206 Broadway Blvd SE Albuquerque, NM 87102

Cheers!

Hours:

Tues-Thurs 3-9 pm Fri-Sat 1-10 pm

Beer • Music • Wine • Art

Luther House

All are welcome! Progressive, Inclusive, Evolving.

wednesday evening shared meal 5pm Enjoy food and fellowship in the Luther House each Wednesday evening wednesday night liturgy 6pm Following the shared meal on Wednesday evenings, we offer a variety of liturgical and spiritual practices thursday centering prayer We offer a time of respite and centering prayer each Thursday at the Duck Pond.

12:00pm-1:00pm. Learn a variety of ways to pray and ground yourself in your faith friday public theology at the SUB Join us on Friday’s 12:00pm-1:00pm, at the SUB to learn, discuss, and take action around contemporary theological issues sundays worship with Every other Sunday we worship with our wider community.

Contact us for a current schedule.

North of Dane Smith Hall 1805 Las Lomas Road NE Albuquerque, NM 87106 505.615-2688

Follow Us: @LutherHouseNM Email Us: Lcmunmcnm@gmail.com

Approximately 1.2 million people in the U.S. have HIV.

505-256-4183

3106 CENTRAL AVE SE ALBUQUERQUE, NM 87106 • • • • •

Sunday

Canvas Printing Cotton Rag Paper Photo Enlargements Banners Y Mucho Mas

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