Greenwich & Lewisham Weekender - September 20th 2023

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Cinema / Theatre / Education / Arts / Music / Food & Drink / Family / Property Weekender Greenwich & Lewisham september 20th 2023 • www.weekender.co.uk Lighting the sky Astronomy Photographer of the year exhibition returns

Holly O'Mahony

TheGreenwich & Lewisham Weekender is an independent weekly newspaper, covering the boroughs of Greenwich and Lewisham.

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Issue: GW329

Pick of the Week

Dance like no one’s hearing

Farrah the Fox returns!

Remember Farrah the Fox? The bushy-tailed, scooter-riding puppet was sniffing around south-east London’s parks earlier this summer. She’s since been on a nationwide journey visiting historic high streets across England as part of ‘Hi! Street Fest’, but now she’s back with stories to tell, and you can find her in Woolwich’s General Gordon Square this Friday. Accompanied by 400 flags and 300 dancers, she’s impossible to miss. Join the parade, if you like, or celebrate from the side lines. Organisers Emergency Exit Arts (EEA) encourage everyone to decorate their own set of wheels for the occasion, or download a lantern template from their website and decorate it in advance. Meet outside Woolwich Works, The Fireworks Factory, 11 No 1 Street, Royal Arsenal, London SE18 6HD. September 22, 3pm - 8pm. Admission: FREE. www.eea.org.uk/whats-on/events/hi-street-fest-finale-in-woolwich

The tides are turning

A weekend of world music is coming to Tide Square. Turning Tides Festival is a chance to hear from electronic African band Afriquoi (Saturday) and up-and-coming girl group Los Bitchos (Sunday), plus a strong line-up of supporting bands on both days. Fill up on street food between sets at Canteen Food Hall and peruse the offering at the pop-up bars if you want a little help loosening those dancing limbs. Tide Square, Greenwich Peninsula, London SE10. September 23 & 24, 2pm - 8pm. Admission: FREE. www.greenwichpeninsula.co.uk/whats-on/events/turning-tides-festival

Parkfest comes to Deptford

Looking for something to keep the whole family entertained this weekend that won’t break the bank? Head to the final instalment of Parkfest, which comes to Deptford’s Charlotte Turner Gardens this Sunday. Eking out the last of the long, warm-ish days, the mini festival promises live music plus the chance to join in some dancing or try your hand at table tennis, petanque and other family-friendly games. Bring a picnic and don’t forget a rug to make it comfortable. Drinks will be available on site.

Watergate Street, London SE8 3HY. September 24, 2pm - 6pm. Admission: FREE. www.parksfest.org/CharlotteTurnerGardens.html

Fancy partying in the sky without worrying about noise complaints? Up at The O2 is hosting a series of eight silent disco events with KISS FM’s presenter and DJ, Harriet Rose. Before you strap on your harness, a trip to the glitter station is in store, to add a little sparkle to your attire. Led by a guide, you’ll scale the O2 in single file and once at the top, you’ll receive a complimentary soft drink before being invited to boogie to a mix of old-school favourites and the latest hits. Up at The O2, Peninsula Square, Greenwich Peninsula, London, SE10 0DX. September 22, 7pm - 8:30pm; 7:30pm - 9pm; 8pm - 9:30pm.

Admission: £55.

www.tickets.aegeurope. com/upattheo2/specialevents/silent-disco.html

A sailor’s life explored

Ahoy, me hearties! The Old Royal Naval College is calling all pirate-obsessed little ones to settle in for a sensory, sailor-themed storytelling session inspired by the historic artworks of its painted hall. The session is running as part of the National Art History Festival, and is aimed at little ones aged 5-10. Old Royal Naval College, London SE10 9NN. September 24, 11:30am & 1:30pm. Admission: £15.

www.ornc.org/whats-on/storytelling-session-the-sailors-last-adventure/

Flavours of the Caribbean

This Friday, instead of ordering in a takeaway to celebrate making it to the end of the week, head to Mycenae House where a celebration of Caribbean food, music and culture is being held. Goat curries, fried plantain and filling plates of rice and beans are among the offering, with live music, dancing and DJ sets promised too. Consider it a chance to meet members of the community and enjoy authentic Caribbean flavours. Mycenae House, 90 Mycenae Road, Blackheath, SE3 7SE. September 22, 7:30pm - 11pm. Admission: £20 - £26, with food included in the ticket price. www.wegottickets.com/event/588936

September 20 2023 3
E di T or

Lighting the sky: go stargazing at the Astronomy Photographer of the Year exhibition

Astronomy photography from around the world is once again being celebrated in Greenwich as the annual Astronomy Photographer of the Year exhibition returns to the National Maritime Museum, writes Holly O’Mahony…

The competition-turned-exhibition, now in its 15th year, sees the shortlisted and winning entries go on show for the entire year, with the public invited to come and view them.

The 2023 exhibition attracted over 4,000 entries, with photographers from 64 different countries submitting their best celestial shots. The overall winner’s prize will see the chosen photographer take home £10,000, while runners up will receive £500 each and those highly commended £250.

Holly O’Mahony speaks to Katherine Gazzard, Curator of Art (Post 1800) for Royal Museums Greenwich and a judge on this year’s competition, to find out more…

Holly O’Mahony: Firstly, how did you come to be involved with the Astronomy Photographer of the Year competition?

Katherine Gazzard: As an art historian who specialises in eighteenth-century portraiture, I never imagined that my career would involve judging an astrophotography competition! I am one of the art curators at Royal Museums Greenwich and I was invited

to join the judging panel to help with assessing the artistic merits of the entries. The Astronomy Photographer of the Year competition is all about the intersection of art and science, so having art experts like me on the panel is really important.

HOM: You had the tough job of whittling down entries from 4,000 to just over 100. Can you tell us a bit about the selection process? What sort of things were you looking for?

KG: We have a big team who help out with longlisting and shortlisting entries. This ensures that we get a variety of opinions. We all love beautiful images, but our astronomers are usually drawn to photographs that show rare and significant astronomical events, while the photography experts favour entries created using innovative techniques. Personally, I like it when photographers echo historic artworks and art-historical traditions. For this reason, my favourite entry this year depicted Dolbadarn Castle. This Welsh castle has preoccupied artists for generations. In 1802, J.M.W. Turner presented a picture of the castle to the Royal Academy

of Arts in London. It is exciting to see a twenty-first century astrophotographer revisiting the same subject matter as a famous nineteenth-century painter like Turner.

HOM: Regarding the resulting exhibition, are there any unifying traits to the images selected?

KG: I don’t think that there are any unifying traits. We felt that the exhibition should reflect the wide variety of images submitted to the competition, so visitors should expect to see lots of different styles, subjects and colour palettes.

HOM: What can visitors expect from the 2023 exhibition? What’s especially exciting about it?

KG: I think the exhibition has something for everyone. Some of the images represent genuinely groundbreaking scientific discoveries, while others are visually striking. My favourite category is the Annie Maunder Prize for Image Innovation, which is named after an astronomer who worked at the Royal Observatory at the turn of the twentieth century. This prize is awarded to the person

who produces the best image from pre-existing data, so it is all about being creative and coming up with new ways of looking at things. The 2023 winner played sound waves through water and photographed the ripples in order to visualise radio waves from a black hole. The result is mesmerising.

HOM: What advice would you give to budding astronomy photographers who might be thinking about entering the competition in the future?

KG: Go to an art gallery! You might find some creative inspiration. The principles of line, colour and composition apply as much in astrophotography as they do in other forms of art. I am biassed, but I particularly recommend visiting the Queen’s House, our flagship art gallery here at Royal Museums Greenwich.

Astronomy Photographer of the Year is showing at the National Maritime Museum, Romney Road, London SE10 9NF. Opens September 16 2023, 10am - 5pm. Admission: £10/£5 - £6.50 concessions. www. rmg.co.uk/whats-on/astronomyphotographer-year/exhibition

4 September 20 2023 spot L i G ht

Know the symptoms of a heart attack

Signs to look out for

The most common symptoms of a heart attack is chest pain, but symptoms can vary from person to person and include:

n a sensation of pressure, heaviness, tightness or squeezing across the chest

n a feeling that pain is spreading from your chest to your arms, jaw, neck and back

n feeling lightheaded or dizzy

n sweating

n shortness of breath

n feeling, or being, sick

n a feeling of unease

n coughing or wheezing

Don’t dismiss the early signs, call 999

The early signs of a heart attack can vary, and may start off as quite minor … languages teacher Anne Burgess went from a hectic day at work to an emergency dash to A & E in the night.

When Anne had an incredibly busy start to her new school term, she felt unusually anxious that evening – feelings she put down to extreme stress and staff shortages.

But during the night, her symptoms worsened. “I woke up at half past three in the morning and I just thought ‘what on earth was that?’. It was just this central chest pain that felt like a huge pressure in the centre of my chest radiating out through my back. I just lay there thinking ‘Is it going to go away?’ and it didn’t. The pain was going up my arm and into my neck, I was feeling hot and sweaty and I couldn’t breathe properly.”

Anne, who was 57 at the time, was displaying the classic presentation of a heart attack.

♥ More than nine out of 10 people who suffer a heart attack but get to a hospital and receive appropriate treatment in good time survive.

♥ Health experts say the early symptoms of a heart attack do not always feel severe, and can be easy to dismiss. However, it is never too early to call 999 and describe your symptoms.

♥ The faster you act, the better your chance of a full recovery.

cardiologist and National Clinical Director for Heart Disease, NHS England.

He said: “People who are experiencing a heart attack often describe it as a sensation of squeezing or tightness across the chest along with other symptoms such as sweating, nausea or a sense of unease”

“It can be easy to dismiss the early signs of heart attack as they don’t always feel severe, but it is never too early to dial 999 and describe your symptoms.”

She woke her husband, called an ambulance and was bluelighted to hospital; there medics used a variety of tests to diagnose and treat her.

Despite being fit – she’d run a 10k that year, wasn’t overweight and eats a well-balanced diet – Anne had to make changes. And despite not having high cholesterol at the time, she keeps a careful eye on that now too.

Now retired, Anne has urged people to be aware of the signs, and not to be afraid to phone 999 and describe their symptoms if things simply don’t feel right.

“I remember my husband saying ‘Anne doesn’t cry wolf’ and knowing that this wasn’t a normal feeling for me. I’m glad I did [call ambulance] who knows what might have happened?”

Professor Nick Linker is a

You can also take preventative measures including: healthy diet and lifestyle choices, having routine blood pressure and cholesterol checks and maintaining a healthy weight. Learn more at nhs.uk/heart attack

PRODUCED IN ASSOCIATION WITH HM GOVERNMENT
Anne Burgess and, right, Professor Nick Linker
It was just this central chest pain that felt like a huge pressure in the centre of my chest radiating out through my back
‘’

Shi PW recked t W in S, mi S tA ken identit Y A nd A W ho L e Lot of ch A o S: the comedy of errors comes to Greenwich theatre

Holly O’Mahony: When and why did you set up your theatre company Pantaloons?

Mark Hayward: My co-artistic director Steve Purcell produced the first ever Pantaloons production when we were both students at Kent University, back in 2004. It was part of his MA research into Shakespeare and popular performance. We carried on making theatre as students and then in 2007 me and my fellow producer (who is now my wife) Caitlin Hayward quit our London careers to make the company professional and produce theatre tours around the country on a full-time basis.

We had no links to anyone in the industry when we started; we’ve forged our own path over the years. We started the business during the credit crunch and have since navigated the Covid-19 pandemic without any public funding; we’re used to improvising and rolling with the punches on and off stage!

HOM: As a company, you produce fresh takes on lots of classic stories – Jane Austen’s Emma and Lewis Carroll’s

Alice’s Adventures in Wonderland among them. You’re also no strangers to Shakespeare. How do you choose the plays you stage? What’s your criteria?

MH: We perform texts which are so much part of the fabric of our culture that almost everyone will have heard of them. We do so, however, in order to turn people’s preconceptions on their heads. Using contemporary references, intertextuality, pop-culture pastiche, audience interaction, and a wide array of popular theatre forms, we tell contemporary stories in a contemporary way to contemporary audiences.

HOM: What made you choose The Comedy of Errors as your touring production this summer? And, have you staged it before?

MH: This is our first crack at The Comedy of Errors. One of the reasons we chose it was because we haven’t done so before and, as a company producing at least three shows per year, we have to mix up old favourites with new shows for our regular audiences. Yes, we do have a following,

who we call the Fan-taloons! So, this is one of the big Shakespeare comedies we were yet to tackle – and, handily, it’s one of his funniest. It was an easy choice for us.

HOM: London audiences may have seen the play at Shakespeare’s Globe this summer and at the Barbican, courtesy of the Royal Shakespeare Company, the year before. What sets your production of The Comedy of Errors apart from other takes on the story? What are some of its defining features?

MH: I could talk about The Pantaloons’ house style incorporating musical underscoring, ad-libbing and audience participation, which are all present in the show, but I think the thing that really sets our production apart is clarity of storytelling.

Our version is a four-hander where both sets of twins are played by the same actors: one person plays both Antipholuses and one person plays both Dromios. Where some productions rely on identical costumes to make two different actors look similar, our twins are completely identical (they’re literally the same person!). We use different colour versions of the costumes (red and blue) to distinguish between them. I think this is key in really selling the misunderstandings that arise in the play and getting the most out of the comedy.

HOM: It really is a muddle of mistaken identity, isn’t it. How do you navigate that to help the audience follow what’s going on?

MH: There is a sort of prologue delivered by Egeon, the father of the twins, at the start of the play explaining how the family became separated many years ago. It’s one of those long wordy chunks of Shakespearean exposition that can easily

lose a modern audience, but it is vital to the understanding of the play. We took great pains to make this section engaging, funny and easy to follow. In doing so the whole play becomes easier to follow, too.

HOM: You’re in the middle of a full national tour. How long have you been on the road? How are you finding it?

MH: We started our outdoor leg of the tour in late July and now that September is here, we are transitioning indoors. We’re a touring company so it is something we love doing. It can be challenging physically but we get to visit so many wonderful places around the country – Cornwall, Cumbria and everywhere in between – and have a lot of fun on the way.

HOM: You mentioned that your tour incorporates both indoor and outdoor venues. What’s been the biggest challenge with staging the show outdoors?

MH: We began life as an outdoor company, and this is where our expertise lies. There’s a different vibe to an outdoor performance: the space is less formal, you have to design a show around being in shared light with the audience and you have to be able to deal with distractions that occur and work them into the show if needed.

This summer was pretty wet until the second half of August, so our biggest challenge this year has been rain. It’s a big contrast to last summer, when the biggest risk was the incredibly hot temperatures! But there’s something very British about stoically sitting in a field in a downpour watching Shakespeare with a soggy sausage roll.

HOM: On the flip side, have you faced challenges with staging it indoors too?

MH: When we are indoors we try to make

the space feel less formal and hopefully create more of a gig-like atmosphere in doing so. It’s about finding ways to translate what we do outdoors to an indoor space. We like theatre to feel like more of an ‘event’ than a passive experience.

HOM: It’s a very funny play, with all its scenes of mistaken identity. Do you have a favourite moment in your production? Or a moment that brings in the most laughs?

MH: Avoiding spoilers, one of my favourite bits is when Adriana first mistakes Antipholus of Syracuse for her husband. She makes a very long and brilliant speech attacking him for his adultery and inattention to her, which the bemused twin listens to in silence. When the tirade finally ends, his short response is: “Plead you to me, fair dame? I know you not.” The rhythm of the moment is fantastic.

HOM: While it’s a comedy first and foremost, are there any hidden learnings in The Comedy of Errors? Or is there something you’ve learned as a company from staging it?

MH: I think perhaps one of the reasons it’s performed less frequently than other Shakespeare plays is that there isn’t as much depth there compared to most of his other works. It’s purely and simply a farce.

If we have learnt anything from the show it is that the key to getting the most laughs out of a very old comedy is a focus on clear storytelling. If you establish the world properly for the audience, everything else falls into place.

The Comedy of Errors is showing at Greenwich Theatre, Crooms Hill, London SE10 8ES. September 20 - 23, 7:30pm and additionally 2:30pm on Saturday 23. Admission: £17.50.

www..org.uk/events/the-comedy-of-errors/

6 September 20 2023 t heatre
With Pantaloons theatre company bringing Shakespeare’s chief comedy of mistaken identity to Greenwich Theatre, Holly O’Mahony speaks to co-artistic director and producer Mark Hayward about what sets their take on The Comedy of Errors apart from the rest.

All that glitters: Sara Shakeel’s the Great Supper returns to Greenwich

As Instagram-famed Sara Shakeel brings her bejewelled installation The Great Supper back to Greenwich’s NOW Gallery, where it was originally shown in 2019, Holly O’Mahony speaks to the Pakistani-born collage artist about seeing beauty in everyday objects and finding her calling through social media.

What constitutes a successful artist?

Back in the day, by which I mean any era that preceded the birth of the internet, ‘success’ might have been used to describe a slim number of professionals who had graduated from a slim number of prestigious institutions and had their work exhibited at a slim number of esteemed galleries, or bought by wealthy patrons. Today, thanks in part to the rise of self-publishing via social media platforms, there are many more ways of finding an audience and more metrics – such as likes and follows – for defining success.

Artist Sara Shakeel, who in her own words “got famous by superimposing crystals on images, which had never been done before”, and posting these on Instagram, didn’t arrive in the art world via a conventional path. As a result, “not a lot of people who sit on the top consider me an artist… they wonder what I can know about art.”

With over a million followers and images that have been shared and admired around the world –including by Kendall Jenner, Craig David and other famous faces, she must be doing something right.

We speak over Zoom, where I find Sara in her London studio surrounded by glittering props for future installations,

including an upcoming exhibition in Paris. She’s warm, easy-going and happy to share her story. A known name for several years now, she still seems gratefully excited to have found success through “playing with images”.

Born and raised in Pakistan to a middle class family who prioritised education, Sara first trained as a dentist. “I was in an institution which was in a rural part of the country. Women were not allowed to be outspoken,” she recalls. “I’m not a rebel but I like to point a finger at what’s wrong.” Sara’s principal didn’t like her “guts”, though, and threatened to fail her for speaking up. So she quit, one paper away from being a qualified dentist.

It was during this period, back home with her parents and shutting herself away from the world while she recouped, that Sara, armed only with a smartphone, downloaded an art app “out of curiosity” and started blending images. She found the experience of putting different pictures together to make digital artworks therapeutic.

“I knew what collage art was. I liked Picasso and wanted to know more about him,” she remembers, explaining that it was he who coined the term ‘collage art’ for works that saw images or materials stuck on a supporting surface, thereby creating a new image.

“I had no idea what copyrights were,” she admits with a tone of fond affection for her younger, more naive self. “I had no links in media or the art world. I didn’t know what Tate Modern was or the V&A,” she adds, pointing out that while she had access to western literature, TV shows and later the internet, she rarely travelled internationally back then.

It was 2016 when Sara first experienced a taste of what felt like recognition.

“I got 23 likes [on Instagram] on one picture and felt like I’d made it,” laughs the artist who, seven years on, posts pictures that regularly clock up tens of thousands of likes.

She credits NOW Gallery curator Kaia Charles for facilitating her transition from digital to installation artist. “Kaia really believed in me. I had no experience creating any sculpture or anything but she believed in my vision,” she recalls. It was an ambitious vision, to create a physical version of one of her sparkling images, and there were questions at first as to whether it would even be possible.

Sara with the help of Kaia landed on The Great Supper, a piece inspired by Leonardo da Vinci’s famous painting The Last Supper, that consisted of a large dining table and six chairs all decorated in shimmering chain crystals.

“I had a team of five art technicians

and I showed them how to do it. It was a long process; it took a month.”

Her training in dentistry helped. “Dentists know how to sculpt. You need to be very precise with the face structure, the teeth, alignment… it’s art,” she muses.

The Great Supper originally ran at NOW Gallery in 2019, and it was off the back of this that the commissions started coming in. Sara was asked by Chance the Rapper to design him a bejewelled album cover, and by the London-based retailer Browns to mount The Great Supper in their store.

Sara moved to London from Pakistan two-and-a-half years ago. “When I came to this part of the world which I’d seen through the TV, it was like I was on acid,” she laughs. “I saw the beauty in everything, including the tube, which not a lot of people in the UK see. I come from a country where things as basic as transport are difficult and expensive, it’s so hard to get from one place to another,” she reasons. A glitter-coated picture of a tube carriage is one of the artist’s recurring pictures on Instagram.

Today, Sara, who calls herself an ‘artrepreneur’, has over 3,000 digital artworks to her name. While rights to some images have become harder to obtain now she’s a known artist, she now has a lawyer who manages the copyright side of her business, and often takes her own pictures or commissions photographers to take them for her. “I have to play fair because a lot of artists look up to me now,” she says, adding that she’s also been on the flipside of this, having her own works stolen.

If you don’t follow Sara on Instagram, chances are you will have seen some of her most famous images capturing a zeitgeist, such as a pair of hands being washed in sparkly water during the Covid-19 pandemic. Glittery kittens, tongues and footballers are all recurring themes too.

While her images have been viewed the world over, Sara insists she’s “excited and humbled” to be bringing The Great Supper back to NOW Gallery as part of Greenwich Peninsula’s District for London Design Festival 2023. Her mother was her only family member who got to see it last time, so she’s looking forward to being able to share it with her brother, who is studying at Oxford University, as well as her husband and two-year-old daughter. Does she feel bitter, ever, looking back on the treatment she received while training to be a dentist? “I like to see the positive in everything, life is too short to be negative,” she insists. Would she ever consider returning to the world of teeth, drills and scalpels one day?

“I think of it every day. I love dentistry and if I ever come to a point where I’m satisfied with what I’ve done [in the art sphere] I might pursue and do dentistry out of love and maybe help people to take their pain away.” She’s in no rush, though. “I’ll wait for the right time and it will happen at the right time,” she says, with a happy-go-lucky shrug and a smile.

The Great Supper is on show at NOW Gallery, Soames Walk, London SE10 0SQ. September 16 - October 15, FridaySunday, 10am - 4pm.

Admission: FREE, but booking required. www.nowgallery.co.uk/ exhibitions/the-great-supper-2

September 20 2023 7 arts
© Charles Emerson

In Royal Greenwich there have been 1,197 knife offences over the last three years, and 12 people have been killed in the last two years alone –

#KNIFEFREE

“We are committed to creating a safer community for all and tackling serious violence, which is a priority of Our Greenwich, the Council's corporate plan. Through Let’s Live #KnifeFree we aim to place emphasis on the positives of life whilst acknowledging the seriousness of knife

“Knife carrying can be seen some communities, and some people carry knives because they think “everyone else is”, but this is not the case.

We have launched a new campaign to tackle knife crime, working closely with the community, young people and Police to encouraging people to dream big and live #KnifeFree.

As part of the campaign, the Council has released a new short film, ‘Big Dreams’, which follows a fictional local teenager who has their whole future ahead of them; aiming to inspire young people and adults to remember the value of the life not yet lived

Councillor Ann-Marie Cousins, Cabinet

It will land you in prison and stop you from travelling freely. That (or those outcomes) can't be worth it.

for Community Safety and Enforcement, said:

www.royalgreenwich.gov.uk @royal_greenwich royalgreenwich royal_greenwich greenwichcouncil
meaning an average of one life is lost every eight weeks in Greenwich
" Even with the excuse that you may never want to use it, carrying a knife will ruin your life "
" Carrying a knife puts yourself and everyone around you in danger and limits your life chances. "

It will land you in prison and stop you from travelling freely. That (or those outcomes) can't be worth it. Carrying a knife puts yourself and everyone around you in danger and limits your life chances.

“We will continue to work with the Metropolitan Police and our communities to do everything we can to help those who need it and to ensure procedures are in place to help our residents to help us prevent knife crimes from continuing to happen. Please contact us if you have any concerns so that we can help you to live #knifefree in the Royal Borough of Greenwich”

The campaign forms part of the Council’s work against serious violence, joining our initiatives such as our Safehaven Superhubs, which are open across the borough for people to get help. The spaces offer refuge for anyone who needs help – either in an emergency, if they feel harassed or unsafe, or need medical help while waiting for an ambulance or the police to arrive. Find out more: royalgreenwich.gov.uk/ safehaven-superhubs

If you or anyone you know is struggling or is at risk of offending or causing anti-social behaviour, there is lots of help and support available visit: royalgreenwich.gov.uk/knifefree

#BIG DREAMS

HAVE YOUR SAY ON TACKLING SERIOUS VIOLENCE

The Council has a key role to play in making Greenwich safe place to live, visit and work. We want your thoughts and views on serious violence in Greenwich and how it impacts your community.

Tell us your views and have your say: royalgreenwich.gov.uk/serious-violence

ADVERTORIAL

WhY iS GroUP WALkinG Good for YoU?

Last week, Greenwich Get Walking hosted a talk at the University of Greenwich for students to discover why group walking is good for you and find out what this healthy walking group is all about.

Half-term football courses at locations across Greenwich, Bexley, and Kent.

Greenwich Get Walking is a healthy walks scheme run by Charlton Athletic Community Trust (CACT), alongside the Royal Borough of Greenwich. This programme connects local residents with a wide range of free walking opportunities within the Borough, to improve physical health and wellbeing. Greenwich Get Walking is part of Ramblers, the biggest walking community in the UK which supports people to access green spaces and live healthier lifestyles.

Walking has so many physical and mental health benefits. A brisk daily walk can help you build stamina, burn excess calories and make your heart healthier. Walking can also reduce stress and anxiety levels and boost wellbeing. Yet studies have shown that walking in a group can be even more beneficial than walking alone.

The reasons why might surprise you!

During the presentation, we explored the many benefits of walking groups, including their positive impact on physical health, mental health, as well as social connections and positive environmental impacts. We also explored why this is especially important within the wider context of the rising cost-of-living, technological advancements and climate change.

Connecting with the world around usour community and natural environment - is so important, not only to our own individual health, but to the health of communities and society at large. If you’ve ever wondered about getting involved in a walking group, but don’t know where to start, this talk is for you.

Greenwich Get Walking hosts healthy walks daily at various locations across the Borough.

To find out more about the Greenwich Get Walking programme and find a walk taking place near you, please visit: cact.org.uk/health-improvement

If you like walking and socialising and have as little as an hour a week to spare, why not become a Volunteer Walk Leader, and lead a local walk in your area? Email robin.sneddon@cact.org.uk if you’re interested.

10 September 20 2023 At The Heart Of The Community NEWS FROM CHARLTON ATHLETIC COMMUNITY TRUST
 Greenwich Get Walking organises free walks throughout the Royal Borough of Greenwich  Walks with Greenwich Get Walking are free, fun and friendly - a perfect way to meet new people and get more active.

Dance Classes for Adults and Older Adults

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the amazing and eccentric rotunda

All the advice on sleeping better tells you never to look at the computer and your email during the night. So, Monday night I was feeling quite smug - nothing to do all day Tuesday when I was giving a talk in the evening. My next week’s Weekender article was written and I could sleep all day. 3am and I looked at my emails and there it was - from the Greenwich Wire blogger –“ historic Woolwich Rotunda needs emergency repairs to stop it collapsing” and the more I thought about it the more I thought ‘I can’t let this go’… so …. here we are. I wrote this article up specially and quickly.

When I really thought about it and it was daylight, I guessed that the vast majority of people in Woolwich and in the borough would have no idea what the Rotunda is. It’s been hidden away near the barracks with no signage for years. You don’t know it’s there and you can’t get into if you do manage to find out where it is.

There is no competition for it being the most eccentric building in the borough - possibly the most eccentric building in London, and weird in a friendly sort of way.

Now I usually quote from ‘The Industrial Archaeology of South-East London ‘but they don’t list it. I don’t know why because I would have thought it was well within their remit. It is listed by Darrell Spurgeon in his ‘Discover Woolwich and its Environs’. So let’s start with an introduction to the Rotunda from Darrell. He says:

“The Rotunda. An extraordinary building which started life as one of six tents erected by John Nash at Carlton House Gardens in 1814 for a premature celebration of victory over Napoleon. It was transferred to this site to become the Museum of Artillery in 1820 and for this purpose John Nash added an elegant concave shaped nave roof to protect the canvas, placed it on a brick surround and installed a massive central pillar. In 1975 restoration the original canvas and lead roof were replaced.”

So it stands above the barracks, nearly in the woods, as a building which is built to look like a tent. The news that the army has neglected it is nothing new to those campaigners on Woolwich Common who have been trying to get the Army to take an interest in its non-military property for years. Many years ago I used to Chair a Borough Wildlife Group and there were always environmentalists

asking if we could ask the Army what their biodiversity strategy was for Woolwich Common. Some hapless Council officer would be asked to find out, before admitting they were still trying to find someone in the military who would admit that there were burnt out cars on their property and that they were an eyesore. But that was a long time ago and I’m sure things must have changed.

The Greenwich Wire blogger has given details of a planning application to the Council by the owners to do some remedial work to the Rotunda. As ever with these applications there is a historical assessment of the building among the planning papers. These assessments are frequently well beyond dire but, I’m very pleased to say that the description of the Rotunda done by Wessex archaeology is actually very good – even if some vital source material isn’t mentioned. It’s very

clear about the history of the building and gives details of construction and background. Congratulations to them!

Someone who wants to know more about the building would do well to read the paper which is part of the planning application for remedial work. Unlike other accounts it adds in a small building south-east of the main site which it said includes a forge – and that is much more like an item of industrial history than the exhibition tent is. It also details some of the surrounding earthworks and their function. Although I wonder if by ‘forge’ they really mean ‘farrier’?

If you want to see the building - a road goes right up to it although it has some rather forbidding signage on it. You can just about see it on Google Street view from Repository Road as a sort of ghostly presence. Also on Bing systems’ Birds Eye View is a view from above - on which you can twirl round that amazing twisted tent from the pinnacle in a very satisfactory way. You can also identify the little building to the south-east, apparently once a forge.

Looking to see what other material I have around the house which I can reference about the rotunda there is of course the Survey of Woolwich – which, very surprisingly, I can’t see in the bibliography given by Wessex Archaeology. I would very much recommend the first half of the Survey’s description of the Rotunda when they talk about the exhibition for which it was originally built and how it later got to Woolwich. As this includes a lot about George IV – as Prinny – and of both Congreves, father and son. They all had their idiosyncrasies - it’s a

lovely description and very informative. The Survey describes the built structure as it was –‘audaciously designed’ and ‘challenging’ as a structure that looked convincingly like a military bell tent both inside and out. Obviously there were structural problems and solutions found. They also describe the surrounding ground layouts as a military training exercise but how once it was in Woolwich it had to be fitted in as a publicly accessible museum. It details the history of the Rotunda as a Museum, the use of the grounds around it and how there was a need to adapt as the military establishment began to change. It includes closure and the removal of the exhibits and the more recent use of the site as a boxing centre for the soldiers.

I would very much recommend everyone reading the Survey on the Rotunda and its story and what an eccentric building it is. I have also been sent at the very last minute a report on the building by Historic England of over 200 pages - much too long to quote here but a interesting read.

I thought readers might also be interested in what the building was like when it was first used as a museum. I am now referring to Vincent’s ‘Warlike Woolwich’ which, I think, is from 1885 - the copy I have has no visible publishing date. It tells us that the museum is open free every day except Sunday from 10 to 6 in summer, 10 to 4 in winter. It says that the original museum in Woolwich contained the objects which the ‘great fire of 1802’ spared and that the museum ‘abounds with records of the fertile invention of William Congreve and his equally

12 September 20 2023 historY
 Inside Rotunda as a 19th century museum

remarkable son’. It says that a catalogue of exhibits can be purchased in the Rotunda. Attendants, military and civil, are invariably intelligent and courteous to visitors and will point out and explain the objects of greatest interest. He then lists out those objects which he sees as being of the greatest interest. For example ‘a Chinese gun carriage barbarous in its construction’ and ‘iron targets showing the effects brought on by hardheaded shot and shell’. As he goes round the Rotunda there seems to be an enormous number of models of various types. The very first items are models of Plymouth and Sheerness Dockyards. I wonder what has happened to these exhibits - can I ask anyone in the Maritime Museum who happens to be reading this if these models of various dockyards are the ones which are now in the Prince Philip Centre in Kidbrooke. And what about the models of other places – for example ‘a magnificent model of Gibraltar’ and ‘a model of St James’s Park’?

But there are also various weapons from native sources - the result presumably of various colonial wars. For example ‘native weapons of Polynesia’ … ‘Chinese flags’… ‘A model of different modes of crossing chasms in India’ and so on. There are also some real eccentricities

‘a wonderful cinder, all that was left when the old pound notes were destroyed - notes to the value of hundred thousand pounds went in the stove …. This is the cinder’. There is also a ‘model of making charcoal gunpowder’ and ‘ a curious doll in a cage illustrative of a plan suggested by Col Congreve for saving life from wrecks’…. a curious instrument for measuring time’. Where is all this stuff now - was it all thrown out or is it somewhere languishing in a museum

ROYAL BOROUGH OF GREENWICH

store? I understand that when the site closed most recently everything went to the re-located Firepower Museum – even these eccentricities?

Incidentally it also gives a list of all the various guns which were displayed along with various models and ‘cases of arrowheads’, some of them showing

The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions) (Amendment No. 112) Order 2023

The Greenwich (Charged For-Parking Places) (Amendment No. 119) Order 2023

1. NOTICE IS HEREBY GIVEN that the Council of the Royal Borough of Greenwich (hereinafter referred to as “the Council”) has made the above mentioned Orders under sections 6, 45, 46, 49, 124 and Part IV of Schedule 9 of the Road Traffic Regulation Act 1984, as amended. The Order will come into operation on 21st September 2023.

2. The general effect of the Orders would be to:

a) Extend Abbey Wood (AW) Controlled Parking Zone (CPZ) to provide that in addition to the roads within the existing AW CPZ the extended AW CPZ would include the roads and lengths of roads listed in Schedule 1 to this Notice and would retain CPZ hours of between 11am and 1.00pm on Mondays to Fridays inclusive.

b) provide that in addition to residents and business users whose postal address is within the existing AW CPZ, residents and business users whose postal address is detailed in Schedule 2 to this Notice will also be eligible to purchase permits and visitors’ vouchers for parking within AW CPZ at the new rates set out in Schedule 3 to this Notice.

c) provide that all premises that are eligible for the issue of parking permits for AW CPZ will be able to purchase permits and visitors’ vouchers for parking within AW CPZ at the new rates set out in Schedule 3 to this Notice;

d) retain double yellow line ‘at any time’ waiting restrictions where they are currently located and provide additional double yellow line ‘at any time’ waiting restrictions; (i) in Federation Road at its junction with Bostall Lane and Owenite Street; (ii) at the junction of Abbey Wood Road with Owenite Street; (iii) in Edington Road, opposite No. 75 and outside No. 206 Edington Road, outside No. 204 and opposite No. 63 Edington Road, at the junction of Edington Road north to south arm and Edington Road southern arm, at the junction of Edington Road north to south arm and Edington Road fronting Nos. 1-25 Edington Road, outside No. 56 Edington Road, in Edgington Road on the north side at the junction with Boxgrove Road, on Edington Road fronting Nos. 1-25 Edington Road south side at its junction with Boxgrove Road; (iv) on Boxgrove Road on the west side north of the junction with Edington Road north to south arm, on Boxgrove Road on the west side south of the junction with Edington Road fronting Nos. 1-25 Edington Road, on Boxgrove Road north to south arm at its junction with Boxgrove Road fronting Nos. 9-47 Boxgrove Road, on Boxgrove Road north to south arm at its junction with Boxgrove Road fronting Nos. 10-64 Boxgrove Road, at the junction of Boxgrove Road with Throwley Close. e) provide a combination of permit holders parking places, permit holders past this point except in marked bays and single yellow line waiting restrictions that would operate during the AW CPZ hours throughout the extended part of AW CPZ except where the double yellow lines referred to in sub-paragraph 2(d) above, or any existing disabled persons’ parking places or double yellow lines, would be provided. f) update the map tiles attached to The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions) Order 2018 and The Greenwich (Charged-For Parking Places) Order 2018 so as to reflect the provisions referred to in sub-paragraph (a) to (e).

3. Further information about the Orders may be obtained by emailing parking-design@royalgreenwich.gov.uk.

4. The Orders and other documents giving more detailed particulars of the Orders can be viewed by emailing parking-design@royalgreenwich. gov.uk requesting electronic copies.

5. If any person wishes to question the validity of the Orders or of any of the provisions contained therein on the grounds that they are not within the powers conferred by the Road Traffic Regulation Act 1984, or that any requirement of that Act or of any instrument made under that Act has not been complied with, that person may, within six weeks from the date on which the Orders were made, apply for that purpose to the High Court.

Assistant Director, Transport Communities, Environment and Central Royal Borough of Greenwich

Dated 20th September 2023

Schedule 1 – Additional lengths of road in ‘AW’ CPZ Federation Road (between Bostall Lane and Chancelot Road), Owenite Street, McLeod Road (between Bostall Lane and Chancelot Road), Edington Road, Boxgrove Road (between its southern junction with Edington Road and Eynsham Drive), Throwley Close.

Schedule 2 – Additional premises to be eligible to purchase permits and visitors vouchers in Abbey Wood (AW) CPZ Boxgrove Road, all premises; Eddington Road, all premises; Felixstowe Road, all premises; McLeod Road, all premises, between its easternmost extremity and the eastern kerb-line of Bostal Lane; Owenite Street, all premises; Throwley Close, all premises;

Schedule 3 – The new Permit and voucher charges for Abbey Wood (AW) CPZ

(1) residents' permit, £62.40 each per year; (2) residents’ visitors’ vouchers valid for one day: £7.80 for 10 for a maximum of 100 per year;

(3) business permit, £112.32 per year for 1st permit, £239.20 for each additional business permit; (4) nannies' permits, £112.32 each per year

‘the principles by which the guns are made’ and models describing them.

I have written this article very quickly and out of sequence with others. But I think the Rotunda is so important and thus I’m very grateful to Greenwich Wire blogger drawing attention to the planning application.

As I said, I guess most people now living in Woolwich will know nothing about the Rotunda because it’s been hidden away so many years. It’s an amazing and eccentric building. Thanks to Daryl Chamberlain, Peter Guillery, Chris Mansfield, Elizabeth Pearcey.

ROYAL BOROUGH OF GREENWICH

The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions)

(Amendment No. *) Order 202*

The Greenwich (Charged For-Parking Places) (Amendment No. *) Order 202*

1. NOTICE IS HEREBY GIVEN that the Council of the Royal Borough of Greenwich (hereinafter referred to as “the Council”) proposes to make the above-mentioned Orders under sections 6, 45, 46, 49, 124 and Part IV of Schedule 9 of the Road Traffic Regulation Act 1984, as amended.

2. The general effect of the Orders would be to:

a) Introduce double yellow ‘No waiting at any time’ restriction at the following locations:

i) Lakedale Road, east side, from its junction with Tewson Road for 21.5 metres in a northerly direction.

ii) Lakedale Road, east side, from the southern property boundary of No.90 Lakedale Road for 11.5 metres in a southerly direction.

iii) Lakedale Road, east side, from the southern property boundary of No.80 Lakedale Road for 15.5 metres in a northerly direction.

iv) Lakedale Road, south-west side, from the northern property boundary of No.48 Lakedale Road for 17.5 metres in a north-westerly direction.

v) Tewson Road, west side, from its junction with Lakedale Road for 19 metres in a northerly direction.

b) Replace in part the existing Permit Holders or Pay and Display 9am-6.30pm 2 Hours No Return 3 Hours Zone EG bay with a Motorcycle Parking Bay on Earlswood Street, south-west side, from a point 13.5 metres south-east of its junction with Trafalgar Road for 5.6 metres in a south-easterly direction.

c) Replace the existing single yellow ‘No Waiting Mon-Sat 9am-6.30pm’ restrictions with double yellow ‘No waiting at any time’ restrictions on Woolwich New Road, east side, from its junction with Sandy Hill Road for 10.7 metres in a northerly direction.

d) Replace the existing single yellow ‘No Waiting Mon-Sat 8am-6.30pm’ restrictions with double yellow ‘No waiting at any time’ restrictions at the following locations:

i) Woolwich New Road, east side, from its junction with Sandy Hill Road to a point 15 metres north of its junction with Salter Close.

ii) Woolwich New Road, west side, from a point 10.5 metres north of its junction with Sandy Hill Road to a point 15 metres north of its junction with Salter Close.

e) Replace the existing single yellow ‘No Waiting Mon-Sat 8.30am-6.30pm’ restrictions with double yellow ‘No waiting at any time’ restrictions on Sandy Hill Road, both sides, from its junction with Woolwich New Road to a point 33 metres north-west of its junction with Brumwell Avenue.

f) update the map tiles attached to The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions) Order 2018 and The Greenwich (Charged-For Parking Places) Order 2018 so as to reflect the provisions referred to in sub-paragraphs (a) to (e).

3. A copy of the proposed Orders and other documents can be viewed by emailing parking-design@royalgreenwich.gov.uk (quoting reference Lakedale Road 23-09).

4. Further information may be obtained by emailing parking-design@royalgreenwich.gov.uk.

5. Any person who wishes to object to or make other representations about the proposed Orders, should send a statement in writing by 11th October 2023, specifying the grounds on which any objection is made by email to parking-design@royalgreenwich.gov.uk (quoting reference Lakedale Road 23-09).

6. Persons objecting to the proposed Orders should be aware that in view of current access to information legislation, this Council would be legally obliged to make any comments received in response to this notice, open to public inspection.

Assistant Director, Transport Communities, Environment and Central Royal Borough of Greenwich

Dated 20th September 2023

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historY
doctor’s permits, £239.20 each per year (6) tradesmen's permits, £16.64 each per week up to a maximum of six weeks (7) car club permits, £166.40 each per year (8) carers' permits, no charge; (9) electric vehicle permits, £26.00 each per year.
 Rotunda
 Survey of Woolwich 2012 book with best account of the Rotunda

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) TUSKAR STREET PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich intends to make this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Elkins Construction who need to facilitate the delivery of modular homes.

2. The Order will come into operation on 2nd October 2023 and would continue to be valid for 18 months. However, the works are expected to take 2 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading), in Tuskar Street from outside 30-48

4. Whilst the Order is in operation traffic will be diverted via the placing of the appropriate signage. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 06/09/23

(INTERNAL REF: PL/581/LA69109)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1)

VANDYKE CROSS PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich make’s this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Open Reach who need to carry out installation works.

2. The Order will come into operation on 2nd October 2023 and would continue to be valid for 18 months. However, the works are expected to take 3 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading), in Vandyke Cross at the junction of Eltham Hill.

4. Whilst the Order is in operation traffic will be diverted via the placing of the appropriate signage. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 06/09/23

(INTERNAL REF: PL/582/LA458645)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) MARYON GROVE PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich make’s this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Openreach who need to an existing BT pole.

2. The Order will come into operation on 2nd October 2023 and would continue to be valid for 18 months. However, the works are expected to take 1 day. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading), in Maryon Grove at the junction of Woodville Street.

4. Whilst the Order is in operation traffic will be diverted via the placing of the appropriate signage. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 01/08/23

(INTERNAL REF: PL/559/LA455655)

Royal Borough of Greenwich

Town & Country Planning Act 1990 (AS AMENDED)

Town & Country Planning (Development Management Procedure)(England) Order 2015

Planning (Listed Buildings & Conservation Areas) Act 1990 (AS AMENDED)

Planning (Listed Buildings & Conservation Areas) Regulations 1990 (AS AMENDED)

Notice is hereby given that application(s) have been made to The Royal Borough of Greenwich in respect of the under mentioned premises sites. You can see the submissions and any plans at http://www.royalgreenwich.gov.uk/planning.

If development proposals affect Conservation Areas and/or Statutorily Listed Buildings under the Planning (Listed Building and Conservation Area) Act 1990 (As Amended) this will be shown within the item below.

Anyone who wishes to comment on these applications should be made in writing to Development Planning within 21 days of the date of this notice.

Please quote the appropriate reference number.

Date: 20/09/2023

Victoria Geoghegan

Assistant Director - Planning and Building Control

List of Press Advertisements - 20/09/2023

Publicity For Planning Applications.

Applicant: Mr Fowler 23/1794/F

Site Address: FLAT 1, 89 SHOOTERS HILL ROAD, BLACKHEATH, LONDON, SE3 7HU

Development: Replacement of existing single glazed widows at the property with new double glazed uPVC windows, installation of replacement doors and associated works and alterations.

Conservation Area: BLACKHEATH

Applicant: Queensbury Investments 23/2245/F

Site Address: 196-198 TRAFALGAR ROAD, LONDON, SE10 9ER

Development: Conversion of part of the first floor from commercial use (E(a)) into residential use (C3) to form 1 x bedroom dwelling. Construction of a second floor extension to form 2 x 1 bedroom dwellings (C3). Construction of a third floor extension to form a 1 x 1 bedroom studio flat, with associated external works and alterations.

Conservation Area: ADJACENT TO EAST GREENWICH

Applicant: Mr Perombelon 23/2595/F

Site Address: 21D HUMBER ROAD, BLACKHEATH, LONDON, SE3 7LS

Development: Construction of a rear dormer roof extension and installation of two rooflights to front roof slope. (Resubmission)

Conservation Area: WESTCOMBE PARK

Applicant: Blue Phoenix Developments 23/2625/F

Site Address: LAND ADJ. 136 WOODHILL, WOOLWICH, SE18 5JL

Development: Demolition of garages to the rear of 134 - 136 Woodhill, erection of two-storey, one-bedroom, attached dwellinghouse on land adj to 136 Woodhill, and all associated works.

Conservation Area: WOOLWICH COMMON

Applicant: Ms A. Pearson 23/2773/HD

Site Address: 114 RED LION LANE, PLUMSTEAD, LONDON, SE18 4LE

Development: Construction of a side porch extension with green roof, removal of front and rear staircase and installation of side staircase with extended walkway and new railings, alterations to existing window openings for the installation of new windows to front, side and rear elevations, installation of new doors to side, front and rear elevations, installation of pop out window seat and Juliet balconies to rear elevation, installation of rooflights to front and side roof slope and rooflights to roofs of side and rear additions, PV panels installation to side roof slope, the installation of an ASHP and other external alterations to façade including (but not limited to) external insulation and painted render

Conservation Area: WOOLWICH COMMON

Applicant: Mr Amos 23/2808/HD

Site Address: 11 LANGHORNE STREET, WOOLWICH, LONDON, SE18 4BJ

Development: Removal of a gas boiler for installation of air source heat pump unit into rear garden, including acoustic enclosure and timber louvered surround with associated external alterations.

Conservation Area: WOOLWICH COMMON

Applicant: Sunvine Limited 23/2828/F

Site Address: ROYAL STANDARD, 67 PELTON ROAD, GREENWICH, LONDON, SE10 9AH

Development: Change of use from public house (Sui Generis Use Class) to residential (C3 Use Class), construction of a two storey rear extension and associated works to provide 7 self-contained residential units.

Conservation Area: EAST GREENWICH

Applicant: Mr G. Halkyard 23/2892/SD

Site Address: Development Site at Rushgrove House, Rushgrove Street, Woolwich, London, SE18 5DD

Development: Submission of details pursuant to Condition 3 (Materials) of planning permission 21/2639/MA dated 21/10/2021.

Conservation Area: WOOLWICH COMMON

Applicant: Mr Wiggins 23/2965/HD

Site Address: 5 ST MARGARETS GROVE, PLUMSTEAD, LONDON, SE18 7RL

Development: Construction of a single storey lower ground floor rear extension.

Conservation Area: PLUMSTEAD COMMON

Publicity for Listed Building Consent.

Applicant: Mr Golc 23/1246/L

Site Address: FLAT 5, GOVERNMENT HOUSE, 15 CALDWELL CLOSE, WOOLWICH, LONDON, SE18 6FX

Development: Construction of a self standing, 2.5m x1.4m and 2m high, bike store matching existing bike stores at the rear of Government House. (Re-consultation)

Conservation Area: WOOLWICH COMMON

Listed Building: Grade 2

Applicant: Mr Amos 23/2809/L

Site Address: 11 LANGHORNE STREET, WOOLWICH, LONDON, SE18 4BJ

Development: Listed building consent for the removal of a gas boiler for installation of air source heat pump unit into rear garden, including acoustic enclosure and timber louvered surround with associated external alterations.

Conservation Area: WOOLWICH COMMON

Listed Building: Grade 2*

Applicant: Mr Skinner RSK Consultants 23/2880/L

Site Address: 5 NELSON ROAD, GREENWICH, LONDON, SE10 9JB

Development: Replacement of an existing air vent with two air vents at the same location above the secondary door entrance.

Conservation Area: WEST GREENWICH

Listed Building: Grade 2

14 September 20 2023 pub L ic notices

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) DEVONSHIRE DRIVE PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich make’s this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Royal Borough of Greenwich who need to carry out a crane lift.

2. The Order will come into operation on 28th September 2023 and would continue to be valid for 18 months. However, the works are expected to take 1 day. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading), in Devonshire Drive from the junction of Greenwich High Road to the junction of Guildford Grove.

4. Whilst the Order is in operation traffic will be diverted by the placing of the appropriate signage. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 24/08/23

(INTERNAL REF: PL/583/LN69081)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1)

NORMAN ROAD

PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich intends to make this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Willmott Dixon Construction who need to carry out a crane lift.

2. The Order will come into operation on 7th October 2023 with a backup date of the 14/10/23 and would continue to be valid for 18 months. However, the works are expected to take 1 day. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading), In Norman Road outside 77.

4. Whilst the Order is in operation traffic will be diverted via the placing of the appropriate signage. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 07/09/23

(INTERNAL REF: PL/585/LN69205)

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) GLOUCESTER CIRCUS PLANNED ROAD CLOSURE (ORDER)

1. The Royal Borough of Greenwich makes this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Thames Water who need to carry out repair works.

2. The Order will come into operation on 25th September 2023 and would continue to be valid for 18 months. However, the works are expected to take 5 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport.

3. The effect of the Order would be to temporarily prohibit vehicles from entering, exiting, proceeding, or waiting (including waiting for the purposes of loading or unloading). Outside 37 Gloucester Circus.

4. Whilst the Order is in operation traffic will be diverted by the placing of the appropriate signage. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible.

5. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works.

6. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016.

7. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport.

The Woolwich Centre, 35 Wellington Street, SE18 6HQ

Dated 24/08/23

(INTERNAL REF: PL/577/LA457641)

ROYAL BOROUGH OF GREENWICH

The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions) (Amendment No. 113) Order 2023

The Greenwich (Charged For-Parking Places) (Amendment No. 120) Order 2023

1. NOTICE IS HEREBY GIVEN that the Council of the Royal Borough of Greenwich (hereinafter referred to as “the Council”) has made the above mentioned Orders under sections 6, 45, 46, 49, 124 and Part IV of Schedule 9 of the Road Traffic Regulation Act 1984, as amended. The Order will come into operation on 21st September 2023.

2. The general effect of the Orders would be to:

a) provide a new CPZ, to be called Abbeywood Outer (AO) Controlled Parking Zone (CPZ) to include the roads and lengths of roads listed in Schedule 1 to this Notice and would have CPZ hours of between 9am and 11am on Mondays to Fridays inclusive.

b) provide that residents and business users whose powstal address is detailed in Schedule 2 to this Notice will be eligible to purchase permits and visitors’ vouchers for parking within AO CPZ at the new rates set out in Schedule 3 to this Notice.

c) retain double yellow line ‘at any time’ waiting restrictions where they are currently located and provide additional double yellow line ‘at any time’ waiting restrictions (i) at the junction of Commonwealth Way with Willrose Crescent, Mitchell Close and south side opposite No. 47-53 Commonwealth Way; (ii) in Bostall Lane at its junction with Federation Road; (iii) at the junction of Basildon Road with Cassilda Road, McLeod Road and Blithdale Road; (iv) in McLeod, south side fronting 76-82; (v) in McLeod Road layby, south side fronting No.78 McLeod Road, south side fronting No.84 McLeod Road, north side fronting 78-84 McLeod Road; (vi) Dahlia Road, west side adjacent to No.84 McLeod Road; (vii) at the junction of Blithdale Road with Brodrick Grove, Openshaw Road, Smithies Road, Rochdale Road and Howarth Road; (viii) in Blithdale Road, fronting Nos. 175, 191-191a Blithdale Road and around the central island outside properties Nos. 175-191 Blithdale Road (ix) Bracondale Road, around the central island outside 90-128 Bracondale Road, around the central island outside Nos. 184-190 Bracondale Road; (x) at the junction of Bracondale Road with the Access Road From Side Of 130 Bracondale Road To Rear Of 145 Blithdale Road and the Access Road Side Of 172 Bracondale Road To Rear 193 Blithdale Road; (xi) at the junction of Mottisfont Road with Bromholm Road, Brimpsfield Close fronting Nos. 46-62 Brimpsfield Close, Brimpsfield Close fronting Nos. 2-12 Brimpsfield Close, Mottisfont Road fronting 168-178 Mottisfont Road, Mottisfont Road fronting 130-138 Mottisfont Road, Mottisfont Road fronting 92-100 Mottisfont Road, Mottisfont Road fronting 54-62 Mottisfont Road and Mottisfont Road fronting 18-24 Mottisfont Road; (x) in Bromholm Road, around the central island opposite 19-25 Bromholm Road; (xi) at the junction of Bromholm Road with Pynham Close, Felixstowe Road and the Footpath from Bromholm Road through to Garages Rear of 34 Brimpsfield Road; (xii) at the junction of Felixstowe Road with Eynsham Drive, Felixstowe Road fronting 19-29 Felixstowe Road, Bromholm Road and Chalcombe Road; (xiii) at the junction of Chalcombe Road with Felixstowe Road, Chalcombe Road fronting 72-92 Chalcombe Road, Chalcombe Road fronting 91-99 Chalcombe Road, Chalcombe Road fronting 14-26 Chalcombe Road, Chalcombe Road fronting 37-43 Chalcombe Road, Chalcombe Road fronting 1-7 Chalcombe Road and Eynsham Drive.

d) replace the disabled persons’ parking place from Bracondale Road access road to No.192-190 Bracondale Road, north side, opposite No. 186 Bracondale Road, to Bracondale Road access road to No.192-190 Bracondale Road, south side, outside No. 186 Bracondale Road.

e) Replace the Permit holders only Mon-Fri 11am-1pm Zone AW bays with Permit Holders Only Mon-Fri 9am-11am Zone AO and Mon-Fri 11am-1pm Zone AW bays (i) Bracondale Road, north side, outside Nos. 163-173 Bracondale Road; (ii) Bracondale Road, north side, outside Nos. 175-177 Bracondale Road; (iii) Bracondale Road, north side, outside Nos. 183-185 Bracondale Road; (iv) Bracondale Road, north side, outside Nos. 189-191 Bracondale Road; (v) Federation Road, south side, outside No. 72-75 Federation Road; (vi) Federation Road, south side, outside No. 60a-66 Federation Road; (vii) Federation Road, north side, outside No. 61-69 Federation Road.

f) Introduce Permit Holders Only Mon-Fri 9am-11am Zone AO and Mon-Fri 11am-1pm Zone AW bays on (i) Bracondale Road access road to No.192-190 Bracondale Road, south side, outside No. 184 Bracondale Road and Nos. 188-190 Bracondale Road; (ii) Commonwealth Way, east side, adjacent to No. 70 Federation Road.

g) retain the free parking place on Mc Leod Road layby fronting Nos. 80-84 Mc Leod Road and the car club parking place on Felixstowe Road from a point 31 metres south-east of its junction with Eynsham Drive for 11.5 metres in a south-easterly direction;

h) provide a combination of permit holders parking places, permit holders past this point except in marked bays and single yellow line waiting restrictions that would operate during the AO CPZ hours throughout the extended part of AO CPZ except where the double yellow lines and parking places referred to a sub-paragraphs 2(c), 2(d), 2(e), 2(f) and 2(g) above, on Bromholm Road south-east side outside No. 3 Bromholm Road, or any existing disabled persons’ parking places or double yellow lines, would be provided;

i) update the map tiles attached to The Greenwich (Free Parking Places, Loading Places and Waiting, Loading and Stopping Restrictions) Order 2018 and The Greenwich (Charged-For Parking Places) Order 2018 so as to reflect the provisions referred to in sub-paragraph (a) to (h).

3. Further information about the Orders may be obtained by emailing parking-design@royalgreenwich.gov.uk.

4. The Orders and other documents giving more detailed particulars of the Orders can be viewed by emailing parking-design@royalgreenwich. gov.uk requesting electronic copies.

5. If any person wishes to question the validity of the Orders or of any of the provisions contained therein on the grounds that they are not within the powers conferred by the Road Traffic Regulation Act 1984, or that any requirement of that Act or of any instrument made under that Act has not been complied with, that person may, within six weeks from the date on which the Orders were made, apply for that purpose to the High Court.

Assistant Director, Transport Communities, Environment and Central Royal Borough of Greenwich

Dated 20th September 2023

Schedule 1 – Additional lengths of road in ‘AO’ CPZ Chalcombe Road; Felixstowe Road (between Eynsham Drive and No. 45 Felixstowe Road); Bromholm Road; Mottisfont Road (between Bromholm Road and No. 18 Mottisfont Road); Basildon Road (between McLeod Road and Blithdale Road); Howarth Road (between McLeod Road and Blithdale Road); Rochdale Road (between McLeod Road and Blithdale Road); Smithies Road (between McLeod Road and Blithdale Road); Openshaw Road (between McLeod Road and Blithdale Road); Broderick Grove (between McLeod Road and Blithdale Road); Bostall Lane (between Fuchsia Street and Blithdale Road); Blithdale Road (between Basildon Road and Bostall Lane); McLeod Road (between Basildon Road and Bostall Lane); Bracondale Road (between Eynsham Drive and Bostall Manorway); Commonwealth Way (between Suffolk Place and Federation Road, excluding Commonwealth Way fronting 92-234 Commonwealth Way); Willrose Crescent (between Shornells Way and Commonwealth Way); Mitchell Close; Federation Road (between No. 60a and 76 Federation Road).

Schedule 2 – Additional premises to be eligible to purchase permits and visitors vouchers in Abbeywood Outer (AO) CPZ

Basildon Road, odd Nos. 81 to 121, even Nos. 80 to 138; Blithdale Road, odd Nos. 121 to 215; Bostall Lane, odd Nos. 1 to 89, even Nos. 2 to 138; Bracondale Road, odd Nos. 75 to 175, even Nos. 90 to 190; Brimpsfield Close, odd Nos. 1 to 35, even Nos. 2 to 62; Broderick Grove, odd Nos. 1 to 49, even Nos. 2 to 52; Bromholme Road, all premises; Chalcombe Road, all premises; Commonwealth Way, odd Nos. 33 to 59, even Nos. 44 to 298; Felixstowe Road, odd Nos. 1 to 59, even Nos. 2 to 66; Howarth Road, odd Nos. 1 to 73, even Nos. 2 to 62; McLeod Road, odd Nos. 1 to 121, even Nos. 2 to 116; Mitchell Close, all premises; Mottisfont Road, odd Nos. 18 to 206; Openshaw Road, odd Nos. 1 to 51, even Nos. 2 to 58; Pynham Close, all premises; Rochdale Road, odd Nos. 1 to 75, even Nos. 2 to 74; Shornells Way, odd Nos. 1 to 11, even Nos. 2 to 8; Smithies Road, all premises; Willrose Crescent, odd Nos. 45 to 57, even Nos. 32 to 50.

Schedule 3 – The new Permit and voucher charges for Abbeywood Outer (AO) CPZ

(1) residents' permit, £62.40 each per year; (2) residents’ visitors’ vouchers valid for one day: £7.80 for 10 for a maximum of 100 per year;

(3) business permit, £112.32 per year for 1st permit, £239.20 for each additional business permit; (4) nannies' permits, £112.32 each per year

(5) doctor’s permits, £239.20 each per year (6) tradesmen's permits, £16.64 each per week up to a maximum of six weeks (7) car club permits, £166.40 each per year (8) carers' permits, no charge; (9) electric vehicle permits, £26.00 each per year.

September 20 2023 15 pub L ic notices
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