(clockwise from left) Macbeth, audience view 2013; Talking With Bugs, Brawdeville, City Stage 2011; The Tree: Shadowy Tales from Unusual Minds, Cameron Art Museum 2010 ; Gambony as “Saucy” in Pied Piper’s Bossy in Space, Thalian Hall Main Stage 2011; BFG Giants: Puppets from The BFG by Roald Dahl, Thalian Hall Main Stage 2009.
One of her most extensive shadow shows to date was ‘The Sandman and Other Wonders’ which was co-directed with her shadow mentor, Chris Neely in 2006. The two women met when Gambony was an eighth grade teacher at Williston Middle School. Neely shared her extensive experience of working with the iconic San Francisco based shadow company, ‘ShadowLight’. The brutally honest working relationship that these two women shared and clearly valued, led to an innovative show that fused 3-D and 2-D puppetry, live performance and masks, using a shadow screen that was 15 feet wide and 12 feet tall. It was exceptionally well received and was awarded the Best Use of Inspiration by Encore magazine, among other honors. Taking this leap into the world of shadow puppetry further developed Gambony’s artistic skills and provided insights that she readily brings into her teaching. Gambony has worked within schools and community arts organizations, including Thalian, Cape Fear Shakespeare, Journey Productions and Wilmington Ballet for nearly twenty years. “I am a teacher and community organizer in my bones,” Gambony says with the conviction that would make any parent want her as their child’s teacher. She is currently a guest artist
with Theatre Now’s outreach team, and at Dreams, an after school arts center for children at risk. “Creating shadow shows has taught me many things that I like to pass on to my students. First, practice drawing, stay with an image, edit it like writing until it’s what you want it to be. It is attainable if you want it badly enough. Too many kids, especially by middle school, try to draw a frog, it ends up looking like a bear, and then they say “I can’t do this,” and they don’t want to suffer failure so they stop and refuse to go on with it. I say to them – mistakes are important. Rub it out, do it again, make it how you want it to be, accept your style.” She speaks passionately about having art and drama programs within schools, believing that, “the arts are extremely important for young people, and I mean real, uninhibited, unrestricted art. I have been involved in integrating art into education for almost 20 years, because the arts will no doubt save some percentage of the population in their challenging journey through youth.” With her infectious laugh and open smile, Gambony’s zest for life and all things out of the ordinary flows from her and into every area of her busy life with unabashed abundance. She seamlessly moves from making a shadow show film with special needs children at Laney High School, to co-directing Big Dawg’s next production, ‘Motherhood Outloud,’ to being the in-house manager at Kennan auditorium, to rounding off the day with the symphonic band at UNCW where she plays the flute. Mother of nineteen year old Oskar who is studying music in Asheville, Gambony is a clearly a creative tour de force! W
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