Recent graduate from Iowa State University with a bachelor’s in Architecture. A quick learner, constantly pushing to better myself and learn all there is to offer. Passionate about creating new designs with an interest in urban design and actively searching for a full-time position in Iowa. A future goal after graduation is to move towards licensure.
EXPERIENCE AND LEADERSHIP EDUCATION
Architectural Internship
Simonson & Associates - Des Moines, IA (Summer 23’)
• Produce drawings and layouts per the client’s request
• Take part in client meetings - onsite and in office
• Experience with Request for proposal Project, Multi-family Res, Commericial Storefront
Mover (Crew Leader)
College Moving Crew - Ankeny, IA (Spring 22’ - Current)
• Load/Unload trucks with customers’ personal belongings
• Use safe practice during move to protect customers’ belongings and myself
• Communicate with customer before, during, and after move
CONTACT ME
Phone: 319.240.2841
Email: coltonclark28@gmail.com
REFERENCES
Available upon request
Program (Activities)
Iowa Regular Baptist Camp - Clear Lake, IA I
(Summer 20’ 21’)
• Create a fun and safe environment for kids and families
• Be intentional in my conversation, as well as uplifting to kids and families
• Work afternoon activities (Rockwell, Zipline, Coffee Shop, Crate Stacking)
• Create daily games and manage over 300 kids per week/daily
B.ARCH & MINOR IN URBAN STUDIES
IOWA STATE UNIVERSITY
GPA 3.58
Located in Ames, Iowa
GRADUATION YEAR SPRING 24’
HIGH SCHOOL G.E.D.
GLADBROOK-REINBECK HIGH SCHOOL, MIDDLE SCHOOL
GPA 3.89
Located in Reinbeck, Iowa
GRADUATION YEAR SPRING 19’
SKILLS AND COMPETENCIES
• REVIT
• RHINOCEROUS
• ENSCAPE
• AUTOCAD
• ADOBE PHOTOSHOP
• ADOBE ILLUSTRATOR
• ADOBE INDESIGN
• CRITICAL THINKING
• PROBLEM SOLVING
• TEAMWORK
• WORK ETHIC
• TIME MANAGEMENT
• OUTGOING
• CURIOUSITY
AWARDS AND ACCOMPLISHMENTS
ISU DEAN’S LIST
MASONS OF IOWA SCHOLARSHIP
PG. 4-11 I ARCH 302 I FALL 21’
ASCENSION
PG. 12-19 I ARCH 302 I FALL 21’
THE WOVEN CITY
PG. 20-27 I ARCH 402 I SPRING 23’
THE LIFE OF LABOR
PG. 28-31 I ARCH 403 I FALL 23’
RESPIRE
COLTON CLARK, ZOE FLYNN ARCH 302 I AYO IYANALU
Our site is on the corner of Lincoln Way and North Dakota Ave in Ames, Iowa. As you move east to west through our site, you move from light to dark, living to decaying.
Our project reduces the excess water with bioswales located on the eastern and western sides of our building and in the conservatory. These bioswales are natural barriers to flooding that allow filtered water to prevent toxic runoff. Ames, Iowa, receives an average of 36 inches of rain a year, 5 inches more than the national average. The abundance of rain coming through our site will be filtered through our bio-swale tanks. The tanks work by letting in the water collected off the roof, making it flow through the ground improvements and aggregate to slow down the rate of infiltration into the soil found on our site. The bio-swale will also save a portion of the water collected in the building, which will be used in grey water. The maker space on the first floor that takes people through the process of making a bioswale. As our project fixes the site, it also educates people on natural ways to reduce flooding and fix the land.
SITE QUALITIES
Surrounding infrastructure redirects water towards the site in addition to this, fine and sandy soils that have poor filtration located on the west side. The soil is suffocating on the western side due to excess moisture trapped in the ground. The winter and summer months of our site receive the harshest sunlight giving us the opportunity to explore shading devices. The South and North winds are strongest at the location of our site allowing us to use passive cooling for Reprise
Urban design pushes water towards site
Water moves through site
Poor soil condition combined with excess water creates an abundance of fungal matter
Water eventually passes to a nearby stream
Start with simple shape
Manipulate roof to deal with rain
Elongate building
Shorten East facade, elongate West facade
PROGRAMMING
Respire is a mass timber structure connected to a concrete core on the northern side of the building. Respire is an education space fit with a conservatory, auditorium and maker spaces. These spaces inform our guests on the usefulness of bio-swales and Mycelium, which can be found in abundance on our site. We focus on revitalizing the land and to bring awareness of the effects of urbanization on nature.
The northern side of the building houses utilities, vertical circulation and administration. This concrete core serves as the anchor for the mass timber structure against the harsh Iowa winds.
BIO-SWALE TECHNOLOGY
The location of our site suffers from poorly drained soil causing decay across the western portion. For our project, we introduced bio-swale technology into the ecosystem.
A bio-swale is engineered soil meant to filter water in a healthy manor. By implementing this into our design it will restore the ecosystem to its original state.
Our building is equipped with a conservatory meant for demonstrating the use of a bio-swale, and how it can positively impact the local ecosystem.
DETAIL DRAWINGS
A mycelium brick facade protects the east, west, and southern sides of our building.
Mycelium is fire and mold resistant which makes it ideal for the location
Operable windows allow for natural ventilation in our building, reducing the amount of energy we use in the summer time as well as control the temperature inside.
ASCENSION
COLTON CLARK, MORGAN JENSEN, EDWIN PAZ ARCH 301 I NICK LINDSLEY, NATHAN GRIFFITH
The Site for this project was located in St. Cloud, Minnesota on Saint John’s University. Ascension is a crematory/funeral home for the college. St. Cloud is above the Twin Cities, the location of the site posed many challenges as it had very steep hills and plenty of trees over 100 years old. Our group found it best suited to place our building on the side of a steep hill.
Our concept revolved around the ways light can shape your experience through space. More specifically, we focused on ways we could alter a person’s mood as they move through the program of Ascension. Through various light/shadow studies we discovered that we could control movement as well as emotion through a space. In our most compelling shadow study, a large skylight above the stairs created the most meaningful concept for us. The name “Ascension” comes from this study, as the user makes their way up to the highest point (the chapel) they ascend to the celebration of the life lived. The conclusion of the ceremony the user uses the same stairs down to the main event floor where they are guided through a long dim corridor with openings along the way inviting them into warm spaces with lots of light.
FLOOR PLANS
The basement level is the cremation level. Everything on this floor is associated with death directly.
The main floor is where the majority of the users will spend their time. There is a reception hall, waiting room, observation deck, as well as crypts and columbariums. This floor has many different lighting effects to affect the user’s experience
The highest floor of our building is the chapel. This is where the service is held for the loved one who has passed. We made this floor the brightest spot in the building to evoke a feeling of love and comfort.
THE WOVEN CITY
ARCH 402 CLASS
ARCH 402 I BOSUK HUR
As the world continues to grapple with the effects of climate change, it is critical to prepare for the challenges that will come with the warming planet. Seoul, a major city with a high population density, is not immune. The city faces unique challenges requiring major attention due to the size, density, space availability, and nature present. Extreme weather conditions, declining agricultural resources, temperature issues, and rising sea levels are all causes of concern in the city. Mitigating the effects of climate change and promoting environmental sustainability for all is the main goal of this design.
With the threat of the sea level rising by almost 7 feet coupled with a temperature rise of 7.5 degrees by 2100, it is evident there is a need to prioritize sustainability as a protection measure to ensure safety for the city residents. If the predicted global warming does occur, current agricultural methods would become less feasible, as they are highly impacted and extremely sensitive to weather and temperature. Meaning crop yields will continue to fall, leaving more people in hunger. To confute this, the bridge implements new types of agriculture that are not impacted by weather or climate change, such as vertical farming and raised bed farming. These types of farming produce 15 times more than traditional farming in a year, helping to prevent hunger in the city.
When moving towards a sustainable future, it is important to prioritize designs that consider the challenges posed by climate change. The strategies we implemented in our design include innovative agriculture methods, reduction of greenhouse gas emissions, development of green spaces, and bringing the city fabric into our design are critical steps towards achieving our vision of Seoul in 2100.
1912. Bridge constr uction plan Japanese Gover nment - General of Korea
1917. Opening of Han River Pedestrian Bridge and constr uction of Jungjido
1958. Opening ceremo Bridge
1962. First recreational boat rides on the ri
1967. Announcement o by SMG
1981. Completion of a new Han River bridge (Hangang Bridge)
1983. Designation of Jungjido as a recreational area
1986. First ferry cr uises beign
1994. Seongsu bridge collapses, killing 32 people and injuring 17
1995. Renaming Jungjido - Nodeul Island (refor m japanese names)
2007. Seoul City announces «Han River Renaissance» to transfor m er into a landmar k by 2030
FUTURE TIMELINE
FARMING
Vertical farming has gained popularity in recent years, with hydroponic farming, aeroponic farming, and aquaponic farming proven to be the most effective techniques that makes them a preferred choice for sustainability and eco-friendly in growing crops. It allows for a significant amount of production in limited space with high quality food production and can be installed anywhere no matter the weather condition.
Fresh Food, Good Nutrients
Just down the way from the greenhouses is the farmer’s market. Here, fresh produce from our various farming areas is sold to locals and tourists, as well as artisan and handmade items. We have spaces for food to be stored as well as for locals to sell artwork and other handmade items that are unique to Seoul. We hope to make this a unique tourist attraction where people can acquire one-of-a-kind items and fresh produce.
SOUTHERN WATERFRONT
Selection of this waterfront to host the cafe, library, and observation deck was made due to its proximity to Chung-Ang University. Students can study, relax, eat, and research here without being too far from campus. Here, large collaborative spaces are available for students, as well as other vital academic areas. This waterfront allows for individual reflection and a more peaceful experience.
The Library
The Library offered on the South waterfront boasts various study areas, an abundance of reading materials, lots of natural light, and quiet places to research or read.
OUTDOOR CAFE AREA
The outdoor area near the cafe offers lots of landscape to explore, play, relax, or exercise. With pathways that connect all the way from the South waterfront up to the North side of the city, there are plenty of areas to investigate. Lots of native and organic flora and fauna here welcome locals and tourists into the area.
THE VILLAGE
While there is a heavy focus on education, climate change, sustainability, and preparing for the future, we knew it was necessary to create a space for children and adults to have fun, explore and play. This is a hub of activity for both tourists and residents, offering various amenities such as shops.
NORTHERN WATERFRONT
Once one has reached the bridge’s North end, they are greeted by various programs on the North Waterfront.
Regarding leisure, many open fields are offered to those who want to lie down, picnic, relax, socialize, or enjoy the flowers. These flower gardens are assisted in their development via pollination gardens.
The North waterfront has V.R. and pollination buildings. It serves as a connector to the city through various pathways. The design aims to seamlessly connect the bridge to other redeveloped waterfront areas.
ENERGY FACTORY
The factory is the primary source of energy production and education, drawing energy from renewable sources such as hydro, solar, wind, and kinetic sources. This energy powers the bridge and parts of the city.
Hydroelectric Columns
As water flows through the columns, the propellers are turned creating hydroelectricity. A meshscreen is also in place to protect animals and prevent debris from damaging the propellers.
Kinetic Balloons
Kinetic balloons are filled with kinetic plates that, when bumped or pushed together, will produce energy. When clustered, they provide energy to the factory.
Wind Balloons
Instead of traditional turbines, we implemented wind balloons. They send energy to the battery packs in the factory.
Solar Balloons
Solar hot air balloons sit above the cloud line collecting the suns energy without obstruction of clouds
THE LIFE OF LABOR
COLTON CLARK, PIERRE MURE-RAVAUD, LAUREN SWEGLE, JILL WILHELMSON
ARCH
40 I PETER P. GOCHE
Surrounded by acres of tillage, this repetition across the landscape ensures a patchwork of explicit visibility. The Iowa farmstead is a monument to labor, everything on the site exists to serve the purpose of production and has been honed over genera tions of practice. The constant exposure to this monumentality has desensitized us.
The now-vacant silos, bins, and cribs exist as a reminder of previous labor waiting to begin again. These spaces are in a constant flux of action, the farmstead is a space of kinetic activity bubbling under a restful surface. We are unaware of the process of production that have structured and activated these spaces.
Seed-drying bins act as containers for the production process. Although new laborers occupy the space, their purpose doesn’t change. A product of our labor can be contained here, using the qualities of the space to incubate it to consumability, just as seeds were a generation prior.
The Life of Labor questions the ways that the practice of labor influences and controls each of us. Through the construction and maintenance of a field, we no longer perform but display labor for the audience’s consumption. A collection of wooden dowels is inserted into the metal substructure. This is the input needed to start laboring. Labor extracts everything from the input, hoping to maximize the amount of production possible.
To assist in the transformation of the field, a tool is needed. A consistent 1 x 1-foot panel has been manufactured to serve as the activating tool. The dowels are inserted and secured to the plate. This allows the field to transform efficiently. Through the activation of the field, the laborer is concealed. The audience struggles to see the laborer at work, only getting glimpses of the activity below. As the process continues more and more about the process is obscured.
Eventually, all that remains is the finished product, with little relating to the original input. As labor is displayed, the process wears and ages. Eventually the module breaks and requires maintenance. The old module is discarded and a new module replaces it. Only the most productive units are allowed to continue functioning.
Thank you for taking the time to read through my portfolio! If you have any more questions about my work I would love to communicate with you. If you would like to hear from my references I can send those upon request. I’ll be eager to hear from you!
