March 13, 2024 Edition

Chicago News Weekly

Cheryl Mainor Norman President & Publisher

Kai EL’ Zabar Editor-In-Chief

Terri Winston Vice President

Darnell Pulphus Art Director

Max Blaisdell Copy Editor

Dr. Mila K. Marshall Cannabis Corner Editor

Staff Writers

CL Blackburn

Zada Johnson

Marti Worell

Wanda Wright

Columnists

Dr. Gerald Cooke

Dr. Sanja Rickette Stinson

Contributors

NNPA Newswire

Mare Evans

Melanie Mainor

Ken Hare

Cover Photo By Shutterstock.com

Chicago News Weekly

4131 S.State Suite C Chicago, IL 60609 (773) 236-1464

Vol. 2 No 6

Wednesday, March 13, 2024

Chicago News Weekly is published weekly on Wednesday. www.cnwmedia.com advertising@cnwmedia.com editorial@cnwmedia.com

Subscription $104 year

E notes

A Biden Stride

The phrase ‘What a week,’ has become a weekly reframe and last week was no different. President Biden’s State of the Union Address seemingly surprised many. The fact that he was assertive referred to by several if not many news anchors as ‘aggressive’ caught me by surprise. It made me question whether or not they have been paying attention to him these past years that he’s been in office. He’s always been straightforward, has held his ground, and has pushed ahead with his agenda despite the weighted pushback from the angry folks across the aisle. He’s intelligent, civil, a great negotiator, well-informed, articulate, experienced and graced with the knowledge of protocol, and skilled in the tactics of the “Art of War.”

81 and DOING JUST FINE

He did not back down from pointing the finger at the Supreme Court, the ignorant behavioral antics of Marjorie Taylor Green or the entire Republican Maga slate. But he did so from an informed posture and respectable manner as those ardent in diplomacy do. If you looked at the faces of those he called out you saw their discomfort. He had done what my parent’s generation would say, “He told them like it is.” Unlike his predecessor who resorts to childish name-calling and often lies to feed the festering sore that he created.

I’m surprised that few noted that President Biden rarely if at all looked at his notes or a teleprompter. This is significant

because the public is in an uproar about his age digits—81. He may have stuttered a few times, but he never confused names or facts as does the guy he defeated in 2020. Compared to his predecessor (love that moniker Biden’s giver the other guy) who talks about the same subject which is always about the attacks on him and the Democrats weaponizing of the law against him. He has yet to say anything about his plans to make “America Great Again,” which was framed by Ronald Reagan. Yes, look it up. He has said what he’d do on his first day in office which comes down to, changing all the laws that prevent him from doing what he and he alone wants to do. He has said that he’d fire all the current national government employees—FBI, CIA, Homeland Security, Generals, etc. .. . Have you listened to what he says and connected it to what it means and how it would impact not only America first, but the world? Now let me ask again, have you considered that question from an informed position?

POWER WITH A PUNCH

On the whole President Biden hit the nail on the head except for diving into the ‘Immigration issue’ that has impacted the African American population resulting in their feeling slighted and disgruntled. I get it. There are some legitimate concerns to be addressed (next week). But if you think that the other guy is a better alternative, then there is a definite problem of disconnection from reality. That right there is why Chicago News Weekly exists. Our mission is to contribute to the building of an informed community

from which an informed constituency can emerge and evolve. It is our position that democracy cannot survive if there is no informed constituency. Unfortunately, the growing issues of a failed public school system that is no longer delivering quality education that prepares students to become educated thinking contributing citizens who accept their responsibility to vote as a privilege exist on the whole. This vacuum has allowed the hurt and pain of the uniformed to crystalize in a major dis-ease with America which in their eyes has abandoned them. And that void, that hurt and disappointment that has festered into anger has risen to become the Maga folks.

NO EXCUSES

How do people today think it’s okay to not vote, and yet complain about what’s going on in the country? How can they not connect the dots between their lack of participation in the American voting process to the outcomes of elections as having a direct impact on their lives? When I hear young people tell me that their vote doesn’t count, I always ask, “What does that mean?” Then I continue with, “The only time your vote doesn’t count is when you don’t vote. That is the very issue that became a ‘thing,’ for Biden’s predecessor. In 2020, when the ballots were cast and his votes came up short, he cried foul… election was fraught, the January resurrection and all that came with that. YOUR VOTE COUNTS.

VOTE!

Kai EL’ Zabar Editor-in-Chief

photo credit: Dot Ward

National News

President Biden

Delivers State of the Union Address Amidst Heckling

CNW Staff Report

President Joe Biden delivered his highly anticipated State of the Union address last week, confronting a divided Congress and a nation grappling with domestic and international challenges. The speech, which aimed to address issues ranging from the crisis in Ukraine to reproductive rights and economic prosperity, was punctuated by moments of heckling from dissenting voices within the chamber.

Addressing Congress and the American people, President Biden invoked the words of past leaders, emphasizing the gravity of the current moment. He stated, "Not since President Lincoln and the Civil War have freedom and democracy been under assault at home as they are today." Drawing parallels to historical crises, Biden underscored the urgency of the challenges facing the nation.

Amidst his remarks on the escalating conflict in Ukraine, President Biden encountered hecklers voicing their discontent. Responding to their interruptions,

Biden firmly stated, "That’s a quote. A former president actually said that — bowing down to a Russian leader. I think it’s outrageous, it’s dangerous, and it’s unacceptable." The president's unwavering stance against Russian aggression drew both applause and jeers from the audience.

NOW This is Sumthin’

As he delved into the topic of reproductive rights, President Biden faced further disruption from dissenting voices. Refusing to be deterred, he continued, "My God, what freedom else would you take away?" The president's impassioned defense of reproductive freedom was met with both applause and vocal opposition, highlighting the deep divisions within Congress and the broader society.

Throughout his address, President Biden remained steadfast in his commitment to defending democracy, urging unity in the face of adversity. "As I’ve done ever since being elected to office, I ask all of you, without regard to party, to join together and defend democracy," he implored.

In a poignant moment, President Biden addressed the events of January 6th, 2021, when insurrectionists stormed the Capitol. He declared, "We must be honest: The threat to democracy must be defeated." The president's call for accountability and unity received a mixed response from the audience, reflecting the ongoing political polarization in the nation.

Despite the disruptions and divisions, President Biden concluded his speech with a message of hope and resilience. "America cannot go back," he asserted. "We must move forward." As he left the chamber amidst both applause and dissent, the president's words echoed a nation grappling with its past, present, and future.

Turning his attention to domestic issues, President Biden addressed the economic challenges facing working families across the country. He highlighted the need for comprehensive tax reform, stating, "We must ensure that our tax system works for everyone, not just the wealthy few." The president's call for equitable tax policies garnered support from some lawmakers but faced opposition from others.

In addition to tax reform, President Biden outlined his administration's plans to address gun violence and reform immigration policies. "We cannot continue to allow senseless acts of gun violence to tear apart our communities," he declared. The president's remarks

on gun control were met with applause from supporters but faced criticism from opponents who advocate for gun rights.

On the topic of immigration, President Biden reaffirmed his commitment to creating a pathway to citizenship for undocumented immigrants. "We are a nation of immigrants, and we must uphold our values of compassion and inclusivity," he stated. The president's immigration policies have been met with both praise and criticism, with some advocating for stricter border controls and others calling for more lenient immigration laws.

In his address, President Biden also emphasized the importance of addressing climate change and investing in renewable energy. "We cannot afford to ignore the growing threat of climate change," he asserted. The president's remarks on environmental issues received mixed reactions, with some applauding his commitment to combating climate change and others expressing skepticism about the effectiveness of his proposed policies.

As President Biden concluded his State of the Union address, he called upon Congress to work together in a spirit of unity and cooperation. "We may have our differences, but we are all Americans," he stated. The president's message of unity resonated with many Americans, but the deep divisions within Congress underscored the challenges facing the nation as it navigates an uncertain future.

By Stephen J. Thurston II CNW Guest Contributor

Forced Arbitration is Today’s david and Goliath

One of my favorite stories in the Bible is that of David versus Goliath, where a seemingly outmatched but brave warrior topples a mighty giant with his slingshot and a stone. This heroic tale is often lifted in pulpits and huddles to inspire underdogs that with courage and faith, anything is possible.

As a Pastor and civil rights advocate for decades, I’ve dedicated my ministry to the duality of encouraging Davids while at the same time figuring out how to have fewer Goliaths to contend with. The work of leveling the playing field for those in the community I am blessed to serve is indeed God’s work and unfortunately that work is far from over.

In Illinois, we have the opportunity to help give the little guy a fair chance against the behemoths of corporate superpowers and the corrosive effects of forced arbitration. This session our legislatures must act to limit the ability of large corporations to secretly insert and use forced arbitration clauses in everyday consumer and employee contracts.

Here in Illinois, the Consumer Fraud and Deceptive Business Practices Act prohibits businesses from engaging in certain deceptive or unfair practices, such as making false or misleading statements, failing to disclose material information, or using bait-and-switch tactics. If a business violates this law, consumers may be able to sue for damages. The law also allows the Illinois Attorney General to bring civil actions against businesses that violate the law. It is an important law that helps businesses operate fairly and ensures they are held accountable.

Unfortunately, the law does not address the anti-consumer practices stemming from forced arbitration clauses.

Buried in the depths of lengthy terms and conditions, agreements, user manuals, and product packaging are some of the most significant barriers between corporate accountability and consumer justice - forced arbitration clauses. Through these clauses, consumers and employees unknowingly sign away their rights to sue major corporations or participate in a class action lawsuit. Instead, signatories must play ball on the company’s home turf and bring their case to an arbitrator. The lack of transparency in the arbitration process, juxtaposed with limited access to affordable legal resources and prohibition of class action lawsuits, makes it virtually impossible and isolating for wronged consumers and employees to achieve justice for their grievances. The most striking element of these clauses is discrete binding power. Chances are, anyone reading this article has already agreed to such provisions without even knowing. The UC Davis Law Review conducted a study on the prevalence of forced arbitration agreements across America’s Fortune 100 companies. The results were shocking. The UC Davis Law Review figures

that at least 800 million arbitration agreements were in force in 2018 alone. This is almost triple the population of the United States.

Companies are not only making up the rules of the game, they are also being allowed to pick the referee. Forced arbitration clauses give the company the power to pick the arbitrators that will decide their cases, tipping the scales inevitably in their favor.

At the end of the day, the individual consumer with a grievance is sitting in the lion’s den when they file an arbitration case with little tools to tame the beast.

Additionally, people of color face an extreme imbalance in cases due to the racial makeup of the American arbitration fleet. In 2019, the AAA arbitrator pool was reported to be 88% white and 77% male. During that same time frame, black women were significantly more likely to be under a forced arbitration agreement.

Forced arbitration clauses prohibit class-action suits. This means that every impacted consumer or employee must make their case against major corporations. For many Americans, attorney and court filing fees are reason enough to drop their cases.

However, consumers and their advocates have recalibrated in response. They understood that the very tool companies promoted could potentially be used against them. This insight led them to harness collective strength in arbitration and gave rise to mass arbitration claims. Corporations expected isolated and easily manageable cases. However, they found themselves having to deal with an influx of arbitration demands when they wronged consumers and employees.

It should come as no surprise that these corporations now stall and delay mass arbitration cases, mirroring tactics from class action litigation. This only further proves the need for reforms so corporate maneuvers and attempts to avoid accountability are met with strict penalties.

If consumers and employees are wronged, the process of getting justice should be blind and equitable, not bought and paid for by deep-pocketed corporations who game the system.

The current state of arbitration in America is a rigged system that protects large corporations at the cost of individual consumers and employees. That is why I propose that our leaders in the state legislature step in and level the playing field for our citizens by strengthening the Consumer Fraud and Deceptive Business Practices Act and end unfair forced arbitration practices.

Stephen J. Thurston II currently serves as the pastor of the New Covenant Baptist Church in Chicago, aand CEO of InPowered Enterprises.

Stephen J. Thurston II is a guest opinion columnist. If you're interested in contributing commentary to Chicago News Weekly on the issues our city faces, please submit your piece, 600 words or less, to editorial@cnwmedia.com.

Housing and Urban Development Secretary Marcia Fudge Announces Retirement

President Joe Biden praised Fudge’s leadership, her dedication to rebuilding HUD, and her expanding efforts to build generational wealth through homeownership. He expressed gratitude for her contributions and wished her well in her next chapter as she transitions from public service to private life.

By Stacy M Brown NNPA Newswire

Senior National Correspondent Housing and Urban Development (HUD) Secretary Marcia Fudge, a former Congressional Black Caucus Chair and a staunch advocate for the Black Press of America, has announced that she’s stepping down from her role in the Biden-Harris administration.

The 71-year-old Fudge disclosed that her last day in office would be March 22. After decades of public service, she’ll return to her home state of Ohio.

“It’s time to go home,” she told USA TODAY. “I do believe strongly that I have done just about everything I could do at

HUD for this administration as we go into this crazy, silly season of an election.”

Fudge, the second Black woman to lead HUD, has been a key figure in steering the agency through housing crises triggered by the COVID-19 pandemic. She has also pushed for the federal government to include the National Newspaper Publishers Association (NNPA), on behalf of the Black Press of America, in its advertising spend.

“The NNPA salutes and forthrightly acknowledges the leadership, service, and commitment of the Honorable Marcia L. Fudge as the accomplished Secretary of the U.S. Department of Housing and Urban Development (HUD),” NNPA President and CEO Dr. Benjamin F. Chavis Jr. “The Black Press of America expresses our gratitude to Secretary Fudge in particular for helping tens of thousands of underserved Americans to increase their opportunities to become homeowners.”

Fudge’s departure comes amid the intensifying campaign season, with President Joe Biden facing off against the twice-impeached and four-times indicted Republi-

can former President Donald Trump.

“It is not a red or blue issue,” Fudge declared. Everybody knows that it is an issue, so it’s not one-sided. It’s an American issue.”

Despite her efforts to enhance HUD’s role in supporting families with housing needs, addressing homelessness, and fostering economic development, Fudge expressed concerns about inadequate funding. She highlighted the need for more than $70 billion to address the demand for affordable housing and repair aging public housing developments.

President Biden echoed Fudge’s call for bipartisan attention to affordable housing in a statement: “A fair housing market and access to quality and affordable housing are critical to the fulfillment of the American dream, and no one understands that better than Secretary Marcia L. Fudge,” Biden said.

Congressional Black Caucus (CBC) Chair Steven Horsford (D-Nevada) and other Caucus members praised Fudge’s leadership and decades of service.

“Since her confirmation in March of

2021, Secretary Fudge has worked tirelessly to provide access to safe and affordable housing to millions of American families, with a particular focus on racial equity and addressing the gap in Black homeownership,” the CBC’s statement read. “Under her leadership, the agency has supported nearly a quarter of a million Black people in purchasing a home and has taken significant steps to root out racial bias in the home appraisal process. She leaves her mark on the agency as a passionate leader, the first African American woman to lead the department in decades, and only the second in our nation’s history.”

Official portrait of Marcia Fudge, Secretary of Housing and Urban Development (Photo: U.S. Department of Housing and Urban Development)

Buddy Guy to Perform at 2024 Chicago Blues Festival

Today the City of Chicago and the Department of Cultural Affairs and Special Events (DCASE) announced the full lineup and programming highlights for the 2024 edition of the beloved Chicago Blues Festival, taking place June 6 – 9 as part of Millennium Park’s milestone 20th Anniversary season.

Established in 1984, the largest free Blues festival in the world returns to Chicago with four days of top tier talent performing in Chicago’s Millennium Park, plus a special opening night performance at the historic Ramova Theatre in Bridgeport. Throughout the weekend, three stages set up across Millennium Park will welcome more than 35 performances and more than

250 artists celebrating the city’s renowned Blues legacy, including a special Sunday evening performance by Buddy Guy as part of his “Damn Right Farewell” tour, marking one of his final Chicago performances.

“Blues is the foundation of numerous genres of music and is deeply ingrained in the soul the fabric of our city's culture and history,” said Mayor Brandon Johnson. “The Chicago Blues Festival is a testament to Chicago's rich musical heritage, and we are thrilled to welcome the legendary Buddy Guy to this year's lineup.”

“I can't wait to hit the stage at the Chicago Blues Festival!” said Buddy Guy. “There's something special about playing in the city where it all started. The energy, the history, the soul of Chicago blues—it's in the air, and I'm excited to be a part of it once again.”

Additional headliners include: Award-winning blues, soul and Americana singer Shemekia Copeland; “The Mississippi Blues Child,” Mr. Sipp; GRAMMY-nominated Memphis-based Soul and Roots band Southern Avenue; and Centennial Tributes to Jimmy Rogers, Dinah Washington and Otis Spann.

The festival will culminate with a Sunday evening performance by living legend Buddy Guy in one of his final Chicago concerts as part of his “Damn Right Farewell” tour. One of the most prolific and influential artists of all time, Guy is the quintessential Chicago Blues artist, having influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards and John Mayer. Throughout his career, Guy has earned 8 GRAMMY Awards and a Lifetime Achievement Award, the

National Medal of Arts, the Kennedy Center Honors, induction into the Rock and Roll Hall of Fame and much more.

In recognition of Buddy Guy’s immeasurable impact on music in Chicago and around the world, the City of Chicago plans to honor Guy and his legacy in light of his Chicago Blues Festival engagement; more details to be announced.

Vote! Make Your Voice Heard

As we approach the 2024 Primary Election, there is important information that you, the voters, need to be aware of so that you can make your own informed decisions when approaching the polls. We strongly encourage every voter to make their voice heard by casting their vote. Whether you take advantage of early voting, which is currently available in all 50 wards, or you choose to travel to the polls on Tuesday, March 19, 2024, for the best interest of our city, county, state, and country, it is imperative that you vote.

What are we voting for in this election? This year, you will be able to make your choice on the following races:

• U.S. President

• U.S. Representative

• Illinois State Senator

• Illinois State Representative

• Water Reclamation District Commissioner

• Cook County Clerk of the Circuit Court

• Cook County State's Attorney

• Cook County Commissioner

• Board of Review Commissioner

• Illinois Supreme Court Judge

• Illinois Appellate Court Judge

• Circuit Court Judge

• Subcircuit Judge

To Be Elected:

• Ward Committeeperson

• Delegates and Alternate Delegates to National Nominating Convention

What is the Primary Election?

During the Illinois primary election, voters determine the candidates who will represent each political party in the November general election. In other words, voters narrow down the top candidates.

Can I vote for both Democrats & Republicans?

Illinois voters must select a political party affiliation to vote in that party’s primary. For example, if someone wants to help determine who the Republican Presidential Candidate will be, they would select a Republican ballot.

Do I need an ID to vote?

In Illinois, you do NOT need to show identification to vote after you have voted the first time, nor should election workers ask you for ID. You can vote on Election Day or early, and in-person or by mail. In addition, you can also request your ballot and election materials in a non-English language!

What if I’m not registered?

Same Day Registration is available at all early voting sites and on Election Day. Voters must bring two forms of ID, with at least one that includes your current address.

How can I vote early?

Beginning February 15th, anyone can vote at the Chicago Board of Elections Supersite at 191 N. Clark. You can also vote in person from March 4th through March 19th at any of the 50 early voting locations in Chicago. Please see the ad in this issue to determine where your early voting location is.

How do I vote on Election Day?

You can vote in person on Election Day at the precinct/ polling location assigned based on your address or at the 50 early voting locations across the city. If you don’t know your polling precinct, you can go to www.chicagoelections.gov and enter your address for the correct polling location.

Can I still vote by mail?

Your application to Vote by Mail must be received by 5:00 pm on March 14, 2024. Once you receive your ballot, fill it out and then mail it in or put it in an official drop-box.

Can I drop off my mail-in ballot in the drop box?

As of 2020, Illinois allows you to drop your mail-in ballot at a secure drop-box outside of early voting and Election Day polling locations.

What do I do if I’m refused the opportunity to vote?

If you are eligible to vote, you should never be turned away from the polls. For questions or any issues at the polls, the Election Protection hotline provides free non-partisan voting assistance from legal advocates, call 1 (866) OUR-VOTE or 1 (866) 687-8683.

Are there any contested races that Chicago News Weekly Endorses?

US House of Representatives, 7th Congressional District

Danny K. Davis

Danny K. Davis, Incumbent (endorsed)

Melissa Conyears-Ervin

While Conyears-Ervin is a compelling candidate, Davis has been a steady and thoughtful representative for the 7th District and has the heavy support of his constituents. Ervin has done a great job as Chicago's City Treasurer and we think she should remain there for now.

Illinois State Representative

Kimberly du Buclet.

District 4, Incumbent

Joseph G. Williams

District 6

Justin Slaughter

District 27, Incumbent

Mary E. Flowers

District 31, Incumbent

Cook County

State’s Attorney

Eileen O’Neil Burk

Clayton Harris, III

Chicago News Weekly has declined to endorse in this States Attorney race, as we have not had the opportunity to speak with either of the Democratic candidates.

Cook County Clerk of the Court

Iris Martinez, Incumbent (endorsed)

Mariyana Spyropoulos

Chicago News Weekly is endorsing Martinez to retain her seat. After interviewing both candidates, it was apparent that Martinez has moved the Clerk’s office forward and made significant progress in providing services for the people of Cook County. Her record has not been without a few bumps, but overall, we believe that she has done an effective job as Clerk and should be retained for another term. Spyropoulos is wholly competent; however, her ideas seem to reiterate the programs already implemented by Martinez. With this being the case, we see no reason for the change to hands.

Metropolitan Water Reclamation District Commissioners

Kari K. Steele, Incumbent (endorsed)

Precious Brady-Davis, Incumbent (endorsed)

Marcelino Garcia, Incumbent

Daniel “Pogo” Pogorzelski, Incumbent

Toneal M. Jackson

Sharon Waller

Bring Chicago Home Ballot Referendum

Ballot Question 1

Shall the City of Chicago impose:

(1) a real estate transfer tax decrease of 20% to establish a new transfer tax rate of $3 for every $500 of the transfer price, or fraction thereof, for that part of the transfer price under $1,000,000 to be paid by the buyer of the real estate transferred unless the buyer is exempt from the tax solely by operation of state law, in which case the tax is to be paid by the seller; AND

(2) a real estate transfer tax increase of 166.67% to establish a new transfer tax rate of $10 for every $500 of the transfer price or fraction thereof, for that part of the transfer price between $1,000,000 and $1,500,000 (in-

clusive) to be paid by the buyer of the real estate transferred unless the buyer is exempt from the tax solely by operation of state law, in which case the tax is to be paid by the seller; AND

(3) a real estate transfer tax increase of 300% to establish a new transfer tax rate of $15 for every $500 of the transfer price, or fraction thereof, for that part of the transfer price exceeding $1,500,000 to be paid by the buyer of the real estate transferred unless the buyer is exempt from the tax solely by operation of state law, in which case the tax is to be paid by the seller?

The current rate of the real estate transfer tax is $3.75 per $500 of the entire transfer price, or fraction thereof, and the revenue is used for general corporate purposes. The revenue from the increase (the difference between revenue generated under the increased rate and the current rate) is to be used for the purpose of addressing homelessness, including providing permanent affordable housing and the services necessary to obtain and maintain permanent housing in the City of Chicago.

Yes or No

Chicago News Weekly cannot support this referendum for several reasons, including a lack of transparency.

The referendum does not clearly indicate who the proposed funding of $100 million will assist and how exactly it will

assist them. There is no plan that has been submitted to the voters. According to the website www.bringchicagohome. org, “The new tax is estimated to generate at least $100 million every single year and be legally dedicated to programs that alleviate homelessness, including assistance for children, veterans, and those fleeing gender-based violence.”

It also does not state unequivocally that the $100 million will not be used for the asylum seekers who are currently being housed and sheltered by the City of Chicago and subsequently by the taxpayers. We believe that the language should have been clear in the referendum to avoid confusion. The devil is in the details, and we as voters have not been given the details, and so to ask us to approve a new tax is not in our best interest. And, although we fully support the many programs and organizations who desperately need funding to continue to make an impact on providing case management services, food, shelter, mental health services, transitional and permanent housing for Chicagoans who are temporarily or chronically homeless, we feel that the language is vague, and it requires a level of trust that it will go to fund that exact population. The website indicates there are loopholes, and we fear that our most vulnerable population will be left out in the cold again.

Mary E. Flowers

Precious Brady-Davis, Iris Martinez, Kimberly du Buclet.

Kari K Steele

Entertainment

Zada Johnson, Ph.D. Contributing Writer

The Book of Clarence Reimagines A Classic Biblical Story . . .

Movie Genre in Brilliant Satire

As we approach the season of classic biblical epics, The Book of Clarence— now available for rent and purchase on streaming platforms—is well worth a watch for its comedic reimagining of ancient Jerusalem during the time of Jesus Christ. Written and directed by Jeymes Samuel, who received much praise for his Black Western The Harder They Fall, The Book of Clarence places a star-studded Black cast in the space of the religious drama genre to tell an amusingly compelling story of faith and redemption.

The film follows the daily life adven-

tures of Clarence, a mischievous street hustler who lacks faith despite being the twin brother of Jesus’ disciple Thomas. In his quest to acquire fortune and the hand of love interest Varinia, Clarence loses a chariot race and finds himself indebted to Varinia’s brother, the villainous Jedediah the Terrible. His schemes to repay Jedediah are both comical and far-fetched. At first, he plans to become the 13th Apostle to play on Jedidiah’s leniency. When that falls through he conspires to fool the masses into believing he is the new messiah so that he can rake in their col-

lection plate donations. Surprisingly, Clarence’s messiah hustle is wildly successful—he has more than enough to pay Jedidiah back, but during his travels, he becomes more sensitive to the plight of the people around him. Instead of settling his debt, he takes the money and purchases the freedom of enslaved gladiators. He has become a changed man, but his problems quickly escalate when Roman authorities are charged with executing anyone who claims to be the Messiah. After he is apprehended, he is given the ultimatum of being sentenced to crucifixion or helping the Romans capture Jesus. As he grapples with this ultimatum, Clarence comes face to face with his own self-actualization and understanding of faith.

A true standout of the film is its star-studded ensemble cast. LaKeith Stanfield is riveting as Clarence and equally compelling in scenes where he plays both Clarence and his twin brother Thomas at the same time. Supporting actors RJ Cyler, Caleb McLaughlin, and Omar Sy offer nonstop comic relief to the hero’s journey-style storyline. Nicholas Pinnock is a beguiling Jesus Christ, particularly in the scene where he saves a condemned Mary Magdalene from being stoned to death with his miraculous abilities. The female characters further illuminate the plot, particularly Teyonna Taylor’s Mary Magdalene and Alfre Woodard’s Virgin Mary. A nearly unrecognizable James McAvoy from X-Men offers an amusing and gripping cameo as Pontius Pilate. There is also

an enchanting ensemble dance scene appropriately set to “Nights Over Egypt” and choreographed by Fatima Robinson, the renowned choreographer of Michael Jackson’s “Remember the Time” music video.

The primary storytelling of Book of Clarence is driven by its playful but socially astute satire—the film constantly pokes fun at the historic omission of people of color from mainstream biblical narratives. A cameo from Doctor Strange’s Benedict Cumberbatch offers hilarious and thought-provoking commentary on the racialization of Jesus in the popular imagination. Roman centurions voice the same slurs and mannerisms that we are familiar with in modern-day white supremacy and racist law enforcement practices.

Much like The Harder They Fall, The Book of Clarence is rich with Black cultural references that will certainly amuse those who catch them. On several occasions in the film, actors of West African descent speak with inflections that will likely bring a chuckle to viewers who are familiar with the idioms of old-school West African parents. This is illustrated in a humorous cameo from David Oyewolo as John the Baptist who disciplines Clarence like a stern Nigerian father. The world that Jeymes Samuel creates in Book of Clarence is the stuff of cult classics that will remain in our cultural zeitgeist for many years to come. Through its innovative reimagining and clever social commentary, Book of Clarence is a powerful cinematic endeavor that is sure to entertain and enlighten.

By Gerald L. Cooke, MD, FACP, CIME CNW Columnist

Where to Start MyHealth Journey?

You made a promise to yourself for your New Year’s Resolution that you were going to start the New Year off the right way. The reality is that you do not feel that you are your best self and that it is time to make a change because of all this “talk you have heard” about things you can do to improve your health. Too often, you have thought about stopping drinking for the month of January, eating beef or pork, or even smoking cigarettes as an example. You try it and after that one month, has your problem been solved? You made it through January or even February but what now?

The decision that you chose was meant to evoke a lifestyle change. The purpose could be interpreted by telling yourself that you could do it, but now you have not shown that you have not committed fully to making a lifestyle change. Do not feel bad because you do not have all the answers. You are not a health expert. Even health experts do not get it right either. We are all human and fall short more often than we care to acknowledge. The bright side of things is that you have time to get it right.

If you are truly vested in wanting to have your best health and be your best self, take note of a few things that can get you started in the right way. That starts with a game plan. Any champion or championship team sets a plan and a goal before they even embark on the journey. They line up the players involved and determine the strategy by which they plan to be where they vision. As an individual that includes who your coaches are going to be, what are you going to eat, what kind of activity that you will do, and additional things that will augment your journey to obtaining your best health and being your best self.

The biggest challenge here is defeating yourself. This journey stops many times because good people lose their eyes on the prize as they go through some quiet times

The A.I. The answer.is...

CNW Staff Report

The issue of “fake news” has been a dominant theme in the headlines for several years. How do we define a term that has come to mean so many different things to different people? How do you determine and distinguish the truth if it’s not a fact it's not true?

What are the distinctions between:

Lying Bullshit Propaganda

Lying: To make an untrue statement with the intent to deceive. Example: He lied about his past experience. Telling or

containing lies; deliberately untruthful; deceitful; false: a lying report.

Bullshit: Vulgar slang for stupid or untrue talk or writing; nonsense. It signifies an increasing indifference to the commitment to truth, accuracy, or veracity.

Propaganda: Communication primarily used to influence or persuade an audience to further an agenda. It may not be objective and may selectively present facts to encourage a particular synthesis or perception, or use loaded language to produce an emotional rather than a rational response.

For a statement to count as a lie, several criteria must be fulfilled: First, one must be guided by truth values and know that the assertion made is false. If I assert something that I sincerely believe to be true, it cannot be a lie. Secondly, there must be an intention to deceive. If I assert something to the best of my knowledge and that belief turns out to be false, I have not lied but simply

during the journey. The path is not always one that brings out dramatic results or excitement after you have been on this endeavor. This golden brick road loses its luster as you experience pain, frustration, and diversion as you move along in your travel. Understand, this is not easy but remember what you are in this game for: Your Life and Longevity! Living well and abundantly and aging gracefully.

If I can say anything else light your fire, 1. think about what you want and where you truly want to be with your health, 2. get your team together and identify a coach that can keep you accountable, and 3. be patient and not so hard on yourself. There is no right or wrong. It takes practice, will, and determination to get what you want. So, why not go for it? You deserve it don’t you?

said something false. Thirdly, a lie only works within an overall coherent system of beliefs into which a few false statements are then deliberately introduced. Thus, in order to lie, three conceptual conditions must be met: The liar must know that their statement is not true, they must have an intent to deceive their counterpart, and they must place the lie within an otherwise coherent belief system.

“Repeat a lie often enough and it becomes the truth” is a law of propaganda often attributed to the Nazi Joseph Goebbels. Among psychologists, something like this is known as the "illusion of truth" effect. Here's how a typical experiment on the effect works: participants rate how true trivia items are, things like "A prune is a dried plum". Sometimes these items are true (like that one), but sometimes participants see a parallel version which isn't true (something like "A date is a dried plum").

Trump and other representatives of the

alt-right are not merely seen as liars or bullshitters; rather, the post-factual is characterized by a close connection to authoritarian or totalitarian propaganda. The difference to lies and bullshit is that totalitarian propaganda is concerned with constructing an entire alternative system of beliefs that contains a distorted representation of reality. In contrast to the liar, the bullshitter is completely disinterested in truth values. While the liar must know that things do not stand the way they present them, it is irrelevant to the bullshitter how things really stand since they are not interested in this question at all. Both the liar and the bullshitter have an intent to deceive, but there are crucial differences: While the liar wants to deceive us about a state of affairs in the world, the bullshitter wants to deceive us about the fact that they are actually indifferent to the state of affairs in the world.

Review these definitions and be very clear about their distinctions.

Art & culture

Kai EL’ Zabar, Arts & Culture Editor

Celebrating the Legacy of Val Gray Ward A Trailblazer in African American Theater

it’s very challenging to find the right parting words of praise for someone like Val Gray Ward: an actress, producer, cultural activist, and internationally known theater personality whose contribution to the world, let alone our community, was staggering. Like others of her generation, she did what she did for the love of her people and community. She did not chase stardom but rather pursued change, transformation, and advancement for the eventual self-determination of the race. Her life was not lived in vain. She made a difference.

Baptized into Blackness

Born Q. Valeria Ward on August 21, 1932, in Mound Bayou, Mississippi, America's oldest all-Black town, to a successful minister, she was baptized into Blackness and demonstrated an interest at an early age in performance. Her innate proclivity for literature fueled her enthusiasm to read poems aloud at home. Blessed with the gifts of an extraordinary memory, passion, and perfect timing, she frequently spoke before her father's congregation, eventually winning numerous oratorical competitions at school. Most significantly, she expressed an ardent interest in Black narratives.

After graduating in 1950, she deferred her dream of going to college and moved to Chicago, marrying in 1951 and becoming Mrs. Gray, soon to be the mother of five children. But the sands shifted in her life, and she decided to divorce her husband to pursue higher education, which led her to become one among the kindred spirits of Chicago's Black cultural activists. Her cultural havens were the South Side Community Arts Center and the DuSable Black History Muse-

um, founded by Dr. Margaret Burroughs, with whom she developed a friendship, along with the friendships of Gwendolyn Brooks, Don L. Lee, Haki R. Madhubuti, Useni Perkins, Hoyt Fuller, Abena Joan Brown, and numerous others. All these factors inspired her dedication to Black empowerment and liberation through the vehicle of the Black Arts Movement.

In 1965, Val Gray met and married Francis Ward. Her second husband was a veteran journalist, J-school professor, and the co-founder of the Chicago chapter of the National Association of Black Journalists (NABJ). He fully supported her as she sought to establish herself as an actress, television host, and cultural consultant.

Ward gained prominence and recognition as part of Chicago's Black Arts Movement when she founded the nonprofit Kuumba Theatre Company out of her home on Chicago's South Side in 1968. One year later, in 1969, she became the first director of the Afro-American Cultural Center at the University of Illinois, Champaign-Urbana.

But still, “times were lean—so lean that cars and homes were used as collateral to keep the theater afloat,” she recalled. Its mission was the revitalization of the Black community through the arts. Though the theater lacked funds in the beginning, it was rich in the power, genius, and support from Chicago's Black creatives, legends like Brooks, Sammy Davis Jr., and James Baldwin, who all became dearly beloved friends to Ward.

Through Kuumba, Ward produced and directed such plays as “The Amen Corner” by Baldwin, “Welcome to Black River” by Sam Art Williams, and “Five On the Black Hand Side” by Charles Fuller. Touring was also important because she

was a pan-Africanist at heart. Ward took the cast and crew of Useni Eugene Perkins' play, “The Image Makers,” to Lagos Nigeria as part of the

FESTAC '77, an international African arts festival. Ward brought Kuumba's musical production, “The Little Dreamer: The Life of Bessie Smith,” to Japan in 1981 and produced Buddy Butler's “In The House of The Blues” in Montreal.

In 1988, Ward and the company received an Emmy Award for the PBS television production of “Precious Memories: Strolling 47th Street.” Prior to Kuumba, she established a community-centered organization called “Artists for Freedom.” When she was not producing shows, Ward performed one-woman plays in the United States and abroad, also giving lectures at universities, colleges, churches, and cultural events. Her performances included “Harriet Tubman” by her husband Francis, “Sister Sonja” by Sonia Sanchez, and “I Am a Black Woman,” which included the poetry of Mari Evans.

Over the years, Ward also provided opportunities in the arts for hundreds of inner-city youth and adults. All five of her children became active in theater. In 2003, she released a Grammy-nominated CD, “Rhapsody in Hughes 101,” which honors the life and works of Langston Hughes. She went on to receive more than 200 awards over the years. At 88, she was still giving electrifying performances via Zoom, recently performing for students at Wellesley College.

One of my favorite stories about the power of Ward is when she wanted to have an anthology of works dedicated to her friend, Brooks, after asking her if she had received any formal acknowledgment from the Black community and Brooks told her no.

With that, Ward was off and running. She proposed the anthology to John H. Johnson, but he passed on it. Soon after he looked out his office window at pick-

eters protesting in front of Ebony/Jet and recognized Ward at their head. He directed a member of his staff to have her come to his office. Once she arrived, he asked her, “What’s the meaning of this? You do know that your husband works for me. I put food on your table.”

And Ward politely told him, “Well, I received a call from Hugh Hefner; he expressed interest in publishing the Gwendolyn Brooks book that I proposed to you. I really don’t want Playboy to publish it.”

Johnson immediately agreed to publish the book and with that she left. He also gave Kuumba $100,000. That’s the kind of woman Ward was.

Friend and Family to the Great

When the then soon-to-be 89-year-old Ward first saw a resurfaced television interview of Baldwin, tears flooded into her eyes. The clip brought her late friend back to her, decades after his death in 1987, and so much more—namely, the play they brought to life at New York's Lincoln Center in 1979.

The story goes that more than two dozen theater and dance troupes from across the country gathered at Lincoln Center to celebrate the opening of the performance, Ward's Kuumba Theatre among them. They performed “The Amen Corner,” Baldwin's semi-autobiographical study of religion, community, and fragmented beliefs, set in a split Harlem church, with Ward playing Sister Margaret, the play's emotional center, a fiery and uncompromising minister whose standing in the church is threatened by a revelation about her domestic life.

The resurfaced ABC footage features rehearsals at Lincoln Center, with Baldwin seen beaming in the audience as he watches Ward and her cast singing gospel on stage.

"I cried when I saw the ABC clip of him smiling," Ward told Esquire, "because that’s exactly the way he was."

She has been called the "voice of the Black writer" for great reason. Her dramatic deliveries were heartfelt and revealed the depth of the “Black” in the African American’s DNA. Her one-woman show, "My Soul is a Witness," is a collection of her favorite African American writers capturing the soul of their voices differently expressed yet each as essential as the next.

Mama Val, as I know her, was a mentor to so many and friends to more like Nikki Giovanni, Sonia Sanchez, Gwendolyn Brooks, and myself. She revived her show one night at the Logan Center for the Arts in an amazing performance that lacked nothing. At the age of ninety-one, she took charge of her last act when her family informed her of the doctor’s dire prognosis. She instructed them to call her friends so that she could say her farewells, and that’s what she did. Ward passed away on March 7, 2024, in peace.

Kai EL’ Zabar, Arts & Culture Editor

From Banker to Dancer to President The Journey of Joan Gray

Joan Gray, like many of us in the arts, was forced to wear several hats as she pursued her favored mode of cultural expression -- dance. A Chicago native, Gray was born in 1949, one of eight children. She attended Chicago Public Schools and, after graduating from Hyde Park Academy, pursued her college education at North Central College in Naperville.

From 1979 to 1986, Gray worked as an administrative assistant at South Shore Bank, where I first met her. When at the bank, she always appeared appropriately dressed for the job in business attire, but when not there, she wore her dance or performance apparel. She was statuesque and had plenty of business savvy.

I recall that in an early conversation when she was still a young mother –Gray has two children -- she happened to mention her ownership of an apartment complex. I was impressed, and she

immediately gained my respect. She had not brought it up to be braggadocious but rather just talking about her responsibilities. From that point on, I kept my eye on her as I continued to observe and enjoy the creative expression she shared through dance.

There are always strong dancers whose storytelling through the artform is like fire—hot and invigorating, inspiring others to desire to dance like they do. Gray was that dancer. She had a natural rhythm to her dancing, but it should not be assumed that what she did was easy. Far from it.

She was, however, poised and perfect for what Muntu, a dance company that derived its name from the Bantu word for “the essence of humanity," showcased under the artistic direction of Alyo Tolbert, who had studied and danced under Darlene Blackburn. He continued what Ms. Blackburn had taught, which was the evolution of the art of West African dance and its morphing through the Af-

Art & culture

Her artistic voice during her tenure with Muntu was huge.

rican American cultural experience.

Tolbert once told me about an important reference after a dance rehearsal at the field house where the Muntu dancers and drummers held open workouts for the community. He pointed to the bodies of dance moves of the Muntu dancers and drew a parallel to the West African tribes from which they emerged, describing their steps as being reflective of their ancestors’ body types and statures.

“You should study the dance of the Watusi or Sudanese tribes of taller people because their movements will allow your body to flow more naturally whereas now you must force the movements unnaturally,” he said then.

I don’t know if I quite grasped all of what he meant at the time, but I did study more astutely from an aesthetic sense of authenticity the best dancers of Muntu at that time like Gray and others. The more I paid attention to the way she/they flowed, I embraced the power of connection and ancestry.

Gray, who first joined Muntu in 1984, was built like a West African woman, powerful legs, thighs, buttocks, and arms that were tapered and strong yet graceful and articulated through movement which was often theatrical telling a story in perfect complement to the drums. Gray was always on time, never missing a beat or step in measure while wearing a beautiful smile as she graced the audience. Joan was fluid and naturally powerful as a dancer. She was an excellent soloist and always got the house.

Through the performances of Muntu, which included dances from various African countries, such as Senegal, Mali, and Ghana, Chicago’s Black community learned much about the power of physical expression and their ancestral culture. Muntu’s dances were received as they were in African societies, serving a complex diversity of social purposes. Each performance usually has a principal as well as a number of subsidiary purposes, which expressed or reflected the com-

munal values and social relationships of people. In order to distinguish between the variety of dance styles, therefore, it is necessary to establish the purpose for which each dance is performed.

It became clear that often there is no clear distinction between ritual celebration and social recreation in dance performances; one purpose can merge into the other. Masks and other ornamental attire communicated references of birth, life, birth victory, or death. A dancer's moves expressed as a powerful foot stamping were meant to acknowledge honor the earth mother and the women elders of the community. Such intentionality of movement and gesture connected with people. And Gray played a major part in imparting the communication of the ancestral voice that speaks through us to this day. In this way, a ritual act becomes a social statement. Her artistic voice during her tenure with Muntu was huge. That, coupled with her experience as a company member, made it a perfect marriage. She could never have been accused of being insensitive to the dancers or the creative process. Knowing what it took to dance and be a dancer or drummer which she had done while working her gig at the bank prepared her to take Muntu to another level. When her time came in 1987 and she was offered the position to be president, she accepted the leadership role, with all the responsibilities that entailed. She led and navigated the organization to great acclaim in partnership with the company’s next artistic director after Tolbert, Amaniyea Payne. As an arts administrator with a bank background, she was comfortable around businessmen and women alike. She was straightforward and clear about the troupe’s objectives and what it would take to reach them.

She was not alone and was under the watchful eye of none other than Abena Joan Brown who embraced Gray, offering her careful tutelage and mentorship. Surrounded by and embraced by the leaders of the cultural community, Gray felt like she could save the company. Still, as time would have it, challenges that nonprofits often deal with confronted her, too. She faced them bravely and fought for the upward flight of Muntu. Financial concerns and the inability to find a new home for the dance troupe took its toll on Gray. With much to be proud of, she retired in 2015 with no regrets.

Food & Wine

By Mare Evans

Springtime Veggie Alfredo A Quick and Easy Pasta Delight

Anything Italian promises to be delicious, filling, and nutritious, so noodles Alfredo are no different. This recipe saves time and makes it easy for you to get it right because Knorr provides an easy-to-use sauce. All you have to do is prepare the ingredients as directed, and your Italian meal will become a favorite in your household. Not bad for a meal that only requires 15 minutes of cooking time.

Cook up this delicious springtime veggie Alfredo with just a few simple ingredients. A recipe that's quick and easy to make but flavorful to eat!

Cooking Time: 15 minutes

Prep Time: 15 minutes

Difficulty: Easy

Serves: 4 people

Ingredients:

2 tbsp. margarine

2 medium carrots, sliced

1 medium zucchini, sliced

1 clove garlic, finely chopped

1 1/3 cups water

1 cup milk

1 package Knorr Pasta Sides - Alfredo

2 tbsp. snipped fresh dill (optional)

1/2 cup frozen green peas

Ground black pepper to taste

Instructions:

1. Melt margarine in a 12-inch skillet over medium-high heat and cook carrots, zucchini, and garlic, stirring occasionally, for 3 minutes or until vegetables are tender; remove and set aside.

2. Stir water and milk into the same skillet and bring to the boiling point. Stir in Knorr Pasta Sides - Alfredo, peas, and dill and continue boiling over medium heat, stirring occasionally, for 7 minutes or until pasta is tender.

3. Stir in vegetables and pepper; heat through.

4. Sprinkle, if desired, with grated Parmesan cheese.

5. Garnish, if desired, with additional dill.

Beyoncé’s Unapologetic Reign

According to some, Beyonce who has wowed fans wearing many a shocking costume, recently stunned the masses by wearing a tight corset. Her recent tour alone featured what seemed to be thousands of looks. Each was carefully selected by Ms. Bey herself showcasing some of her favorite designers. We’ve seen her in very revealing attire before. That’s not new but the recent image of her wearing a tight corset while grabbing her famous bootylicious buttocks for a new racy photoshoot is jaw-dropping and an interview ahead of her new album being released is perhaps the most scandalous!

I don’t know why, after all I remember a much younger version of herself on the Oprah Show demonstrating how to twerk. I’ve always thought that on stage she could project her Sasha Fierce persona but observed that her off-stage choice of clothes is classy for the most part, looking the star she is in a glamorous competitive world where women seemingly self-impose themselves on the sales block to the highest bidder.

One, she’s not relying on her identifiable face, but instead is flaunting her derriere front and center in your face.

Too many are thinking, ‘Okay, really Mrs. Carter? Why now? I mean you’re a mother of two daughters and one son. You are now in your 40’s decade. Seriously, I am feeling some kind of way about it. I have always defended Ms.

By C.L. Blackburn Staff Writer

Bey because of all the ‘young ones’ she was the one that sent the message to the “Single Ladies . . . if you like it then you should of put a ring on it.” It was one of the most powerful positive messages made in her generation’s music. She had me then.

the Hot Country Songs chart with her newest single 'Texas Hold ‘Em’',

Credit where credit is due . .. she’s no slouch as a businesswoman, she’s very astute. So, a decade after first covering the CR Fashion Book, the now 42-year-old who holds more Grammy’s for singles than anyone has graced the publication once more to celebrate the launch of her new haircare line, Cécred. The photoshoot comes after Queen Bey made history as first Black woman to ever top

In the issue, she is styled in numerous very specific stylized looks. The interview is a recap of her life from the beginning to now and how it impacted her fashion IQ. Often not included in the killer looks on the red carpet fashion pages, is obvious, but why? She slays all the time. Well, thank God, it’s not hard being her because it doesn’t matter anymore if you recognize her or not. She is here to stay.

Check out LOUISE & MARIA THORNFELDT/CR FASHION BOOK for an in-depth interview with Beyonce.