Darrell Nettles: Geometry Lessons

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Darrell Nettles Geometry Lessons
Geometry
Darrell Nettles 2024
Lessons

The description of right lines and circles, upon which geometry is founded, belongs to mechanics.

Geometry does not teach us to draw these lines, but requires them to be drawn.

Isaac Newton

The knowledge of which geometry aims is the knowledge of the eternal. Plato

Geometry is the foundation of all painting.

Albrecht Durer

There is geometry in the humming of the strings, there is music in the spacing of the spheres.

Pythagoras

The mathematical sciences particularly exhibit order, symmetry and limitations; and these are the greatest forms of the beautiful.

Aristotle

A journey with geometry

My new paintings leap back to early interests in architecture and design. After decades of exploring very diverse lines of inquiry with my art, I find myself happily back home, especially after wandering in the world of lyric and narrative, expressionism and gesture, it is good to be back with the physical directness of algorithms, logic and rules.

My recent work explores a myriad of geometric possibilities.

I begin these works as drawings on small sheets of paper. The work emerges from a core shape. Its defining lines extend across the sheet of paper from edge to edge where they connect to and birth more lines.

The shape, size and position of the inner core determines the embryonic and evolving lines, forming structures and creating shapes. Add, delete or move one line and the entire work changes.

The original shape that is cut out in the painting is the seed of the structure which then grows as a crystal from its core.

The DNA of the painting dictates the finished work’s unique persona.

The beauty of the painting is in its truth to itself. The work follows simple rules to arrive at a larger, complex but ordered world.

I work within the dualistic checkerboard patterns of the paintings wherein lies movement: the push-pull, and warp and weave of lines battling in opposition, struggling to dictate and dominate the design.

I present to you a choreography of kaleidoscopic dance of pure, beautiful geometry.

Geometry Lessons #1 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #2 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #3 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #4 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #5 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #6 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #7 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #8 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #9 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #10 acrylic on panel, 48” x 36” x .75”

Geometry Lessons #11 acrylic on panel, 48” x 36” x .75”

Bio

Born Richmond, Virginia, October 27, 1948

Education

1967-68

Architecture, University of Florida, Gainesville, Fla.

1971-72

Printmaking, Art History, Psychology, BFA, U of F

1974-75

Painting, Master’s Program, Georgia State University, Atlanta, Ga.

“Tétradas”, Luis Lama, November 9, p.49, Lima Peru Gestión, “Geometría precolombiana en pintura de artista norteamericano”,

Solo Exhibitions 1995 Corriente Alterna, Lima, Peru, Tétradas 1996 Patterns, J. J. Brookings Gallery, San Francisco, California 1996 O. K. Harris Works of Art, New York, Woven Canvas 1998 O. K. Harris Works of Art, New York, The Endless Line 1999 La Segunda Iberoamericana Bienal de Lima (Instituto Cultural Peruano Norteamericano) Instalación de Tétradas 2000 O. K. Harris Works of Art, New York, Tetrads 2006 Robert Steele Gallery (The Project Room) New York, Standard Measure Paintings 2015 Thomas Jaeckel Gallery, New York, Broken Verse Group Exhibitions 1978 File 3/13, Hansen Gallery, New York 1979 Small Works, NYU Gallery (Juror: Ivan Karp), New York 1980 Inaugural Group Show, Semaphore Gallery, New York Four Painters, Soho Center for the Visual Arts, New York 1981 Sixteen Painters, Semaphore Gallery, New York The Working Process, Dept. of Cultural Affairs, Columbus Circle Gallery, New York The Fourth of July, Public Image Gallery, New York Recent Acquisitions, Aldrich Museum of Contemporary Art, Ridgefield, Conn. 1982 Painting in Photography, Daniel Wolf Gallery New York The Famous Show, Gracie Mansion Gallery, New York Beyond the American Standard, Gracie Mansion Gallery, New York 1983 Small Works, Amherst College, Mass. Terminal New York, Brooklyn, NY Exposition Ete, Maximillien Guiol, Paris, France Gracie Mansion Presents..., Kamikaze, New York Lower East Side Polygon, Danceteria, New York Drawings into Paintings, Gallery 411/12, New York 1984 New Talent, Harm Bouckaert Gallery, New York Site-Specific Sculpture, Greathouse Gallery, New York Sculpture, Civilian Warfare Gallery, New York, Contemporary Triptychs, Bard
into
York 1985 New Summer, Pietrasanta Gallery, New York 1986 Abstraction, Greathouse Gallery, New York 1992 Group, D’Kada Gallery, Madrid, Spain 1993 Crosscurrents, Step Gallery, New York 1994 Salon, Tribeca 48 Gallery, New York Hospice, Cabrini Medical Center, New York 1995 Small Works, NYU Gallery (Juror: Jackie Littlejohn), New York 1999 Review, O. K. Harris Works of Art, New York 2000 Small Works, NYU Gallery (Juror: Tricia Collins), New York 2004 Selection, O. K. Harris Works of Art, New York 2005 Summer View, Robert Steele Gallery, New York 2008 O.K.Harris Works on Paper, Andrews University, Berrien, Michigan 2014 Artists’ Choice, Noho Gallery – M55 Art, New York 2015 Miami Basel, Thomas Jaeckel Gallery, Miami, Florida 2016 Winter Salon, Thomas Jaeckel Gallery, New York 2017 Winter Salon, Thomas Jaeckel Gallery, New York Catalogues/ Newspapers/ Periodicals 1981 New York Times, “The working process”, Grace Glueck, April 17 The Working Process, Organization of Independent Artist Essay by Henry Geldzahler, New York 1982 Flash Art, Nicholas Moufarege, November Arts Magazine, Nicholas Moufarege, September 1983 Southern Accents, summer, p.48-49 1984 New York Times, “The camera’s role as tool is growing”,
Contemporary Triptychs, Bard
York Small
Caretas,
College, Annandale-on Hudson, New York Painting
Photography, Thorpe Intermedia Gallery, New
William Zimmer, April 22
College, New
Works, University of Massachusetts Press, Amherst, Ma. 1995

1998

November 2, p.2/B

El Comercio, “Darrell Nettles, la espiritualidad del pasado”, November 2, p.8/C

Expreso, “Darrell Nettles, un artista norteamericano en Corriente Alterna”, November 2, p.3/B

Darrell Nettles, The Continuous Line, with an Essay by Donald Kuspit

O.K. Harris Works of Art, New York

1999 Expreso, “Darrell Nettles, El balance del blanco y negro”, Ketty Cadillo, October 30, p.4/B

2000

2010

La Segunda Iberoamericana Bienal de Lima

Municipalidad Metropolitana de Lima, Peru

New American Paintings, #26, Juror: Terrie Sultan

The Open Studios Press, Wellesley, Ma.

New American Paintings, 15th Anniversary Edition

The Open Studios Press, Wellesley, Ma.

2014 Artist’s Choice, Gallery artists choose guest artists

2015

Noho Gallery – M55 ART

The Wall Street Journal, Peter Plagens, November 20, A18

Commissions/Projects/Grants

1982

1983

1990

1991

Egon Schiele, A play by Stephan Fechter, New York

Windows, Art installation commissioned for Bergdorf Goodman, New York

Faultline, Art commissioned for a play by Morgan Jennes, New York

Adolph Gottlieb Foundation, New York

Collections - Museums

Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

Arkansas Art Center, Little Rock, Arkansas

Centro de Artes Visuales, Lima, Peru

Museum of Modern Art (Národní Galerie), Prague, Czech Republic

Marifí Plazas Gal Collection,

Museo Regional de Arte Moderno, Cartagena, Spain

Collections - Corporate, Miscellaneous

Analysis Group, Chicago, Illinois

Anderson-Cook, Inc., Detroit Michigan

Bank of America, San Francisco, California

Banque Nationale de Paris, Paris, France

Cabrini Medical Center, New York

City of Chesterfield, Missouri

Cooley Godward Kronish LLP, Boston, Massachusetts

Corriente Alterna, Lima, Peru

Dean Witter Company, New York

Escarpenter, Barcelona, Spain

Exxon/Mobil Oil Collection, Hamburg, Germany

Farer Fersko, Westfield, New Jersey

Galetea’s Art Collection, St. Helena, California

Greensfelder, Hemker & Gale, PC, St. Louis, Missouri

Harvard School of Business, Cambridge, Ma.

Wynn Kramarsky Collection, New York

KrasnePlows, New York

Legorburu, Palma de Mallorca, Spain

López-Mayordomo Collection, Valencia

Marcus W. Stroh Collection, Mayorca

Lewis, Rice Fingerush, Attorneys at Law, St. Louis, Missouri

Missouri State Bank, St. Louis, Missouri

National Reinsurance Corporation, Stamford, Connecticut

Needham, Harper and Steers, New York

Pfizer, New York

Sunoco Oil Corporation, Philadelphia, Pennsylvania

Swissre Corporation, New York

University of Arkansas, Jonesboro, Arkansas

Westwood Studios, Las Vegas, Nevada

Wilmington Trust Company, Wilmington, Delaware

Darrell Nettles www.dnettles.com
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