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According to Lepore, “none of the good stuff is digital yet.” Earlier, in her office, Lepore spoke about the deep satisfaction that comes with the tangibility of physical archives. “Who leaps out of bed in the morning to read The New York Herald Tribune from 1929 online?” she asks. “But if you’re going into the newspaper room at the archive I don’t know, I kind of leap out of bed for that ” Advertisement When she gets excited about something, Lepore twists a little bit in her chair and grins You choose stories that are meaningful to you because they resonate with something that’s going on in your own world and then that thing gets more intense because most things are getting more intense. That Hamiltonian question that I posed in the introduction. Her short hair fans out to the right and left; her glasses frame wide, bright eyes And once the evidence falls into place, there’s the question of presentation. It was later upgraded extensively by Dan Balis in 2006. That actually in some ways has happened with a lot of the other episodes, too. Now I have to explain the plutocrats of the golden age and just keep my head down and do that, and not just be tossed off the edge of my project by the storminess around me.” . Her paper was made from rags, soaked and pulped and strained and dried. A lot of stuff that we call “history” is really folklore, myth, or tourism. You think when you’re moving.” Advertisement During these walks, the length and nature of the route depends on the complexity of the question. “What kind of citations should we use for this paper?” might mean a walk around the Yard; life-goal questions extend out into Cambridge. It seems to take the country in a very different direction. She explains that historical writing that tells a story can focus on narration at the cost of analysis. But listening to it now, after the coronavirus, and the shutdown, and the quarantines, and the shortage of ventilators, it’s wrenching in a very different way. Instead, it calls for reckoning with the entirety of the thing to tell a national story that is both true and binding in this country of immigrants, “a composite nation,” as Frederick Douglass called it Just Inauguration Day: it’s a good scene, it’s a great ending, it’s comfortably in the past, it’s not that long ago. It’s why people read all of novels and only the first three pages of nonfiction books. I was wandering around the house, touching and smelling her things, like that yearbook, and the crayon drawer. I thought it would be a good question to bring to a different audience, beyond the classroom. I don’t know, I’m sorry, I get so lost in these nautical metaphors. It seemed, at first, like that was really going to affect the whole arc of the story somehow, but it didn’t. Lepore's bibliography is expansive and continues to grow. Meanwhile, I read my mother letters and told my mother stories. I pulled one volume after another off the shelf, and turned the pages, astonished. Lepore had asked, “What’s different?” Everything that is gone: the sounds and the smells, smoke, animals all that organic matter Dayno ’15 says And her classes, though usually capped at fewer than twenty students, garner many more applicants Because it’s a narrative magazine, the nonfiction has to take the form of story, but it has to argue, it has to tell you something you don’t know But on the other hand, these domestic images are also something of a tic of mine. The story of America is, for her, its struggle to meet the lofty promise laid out in the Declaration of Independence. The David Woods Kemper ’41 Professor of American History and chair of Harvard’s history and literature program, Lepore has written seven academic works, compiled a collection of essays, and co-penned a novel with Brandeis University professor Jane Kamensky.
I pulled one volume after another off the shelf, and turned the pages, astonished. The latter requires a certain openness. J.L.: Right. And it was a great way to kind of talk about what the rules of evidence are in different realms of knowledge. Except for during the war, he had never lived anywhere but his mother’s house This is obviously a political history, but why was it important to you to make that behind-the-scenes piece fairly important as part of the narrative in the last century or so. The things that the book emphasizes political, constitutional, legal, and technological history, and there’s a lot of religious history in there too are things that interest me. I struggled in framing the book, especially as it got closer to publication. The primary cause would be that the strength of a great nation was directed by eyes too blind to see all the hazards of the struggle; and the blindness would be induced not by some accident of nature or history but by hatred and vainglory ” Niebuhr, 1952. Meanwhile, I read my mother letters and told my mother stories. I decided to think about it, in part, in faintly hard technological terms. We are also making a bittersweet announcement today, as one of our dearest colleagues begins a new chapter. She loved him with a fierce steadiness borne of loyalty, determination, and an unyielding dignity. That hasn’t changed, I was going to include it, I was going to quote it. I find it kind of remarkable that political consultants have kind of got off the hook. In any case, I ended up reading White’s collected essays, which led me as a kid on this whole detour into reading essays. Also with Kamensky, she co-founded a longform magazine called Commonplace. A nation founded on universal rights will wrestle against the forces of particularism. She left ROTC, dropped field hockey, and became an English major. Obviously the 90 years between them is encompassed by your narrative, but can you tell me about why you chose these two quotes, which sort of read as warnings Her brother warned her that she was too free with him “You Long ago convinced me that there is many things Proper to convers with a Friend about that is not Proper to write,” she confessed I have my students debate that question, I assign them sides The chat was part of a series of events designed to foster interaction between undergraduates and faculty outside the classroom. Lacking the money to fund her education, Lepore wasn’t always sure that college was in her future. In her characteristically charming way, she says she often feels as if she knows “17 th and 18 th century New England and New York as well as I know my neighborhood today.” . It’s very easy to say, How can you swoon at the American flag when you think about the scale of the genocide of indigenous peoples, and the continued struggles of native nations for sovereignty, and the continued health outcome inequalities. The walls of Lepore's office are decorated with a variety of books, posters, and artifacts from significant time periods in American history. The lecture is free and the public is invited to attend. Elsewhere in the essay, and mainly in the essay, the pair is my mother and Jane. But on the other hand, these domestic images are also something of a tic of mine. Maybe if not in the particular, mechanical sense, I learned that people could care about writing. Lepore is the author of New York Burning: Liberty and Slavery in an Eighteenth-Century City, The Name of War: King Philip’s War and the Origins of American Identity, which won the Bancroft Prize, A is for American: Letters and Other Characters in the Newly United States and, most recently, The Whites of Their Eyes: The Tea Party’s Revolution and the Battle over American History.
Also, they’re the things that we, in some ways, have given the least attention to, and certainly, I think, the left, liberal academy has given less attention to. I think the easy villains are big money, dark money, unnamed donors, campaign spending, Citizens United, on the one hand. Her work as an academic, a professor, and a magazine writer is to bring alive documents of the past; speaking with her is like encountering a living book The episode focuses on Eisenhower’s secretary of health, education and welfare, Oveta Culp Hobby, and her political opposition to the government playing a role in the manufacture and distribution of the vaccine on the grounds that that is socialized medicine. By submitting your email, you agree to our Terms and Privacy Policy and to receive email correspondence from us She is also a staff writer at The New Yorker and host of the podcast “The Last Archive ” There’s all kinds of new theories and arguments about the powers of states and the limits of states, and the wars between nation-states obviously characterize the 21st century in a different way. She explains that historical writing that tells a story can focus on narration at the cost of analysis. Especially in the case of our own nation, when the right seems so motivated by nostalgia about the past, and the left feels total pessimism toward it. J.L.: I think that’s a weird false dualism, to say either Things were always perfect or The whole story of the country is an atrocity. No clickbait, no fake news, not just entertainment, but depth and breadth something increasingly hard to find on the internet today. When I went to college, my mother took me to a used typewriter store in Worcester and I got a typewriter and brought it to college and discovered that all the other kids had computers. So the parts of the book that get imported into the essay are like the reduction of a sauce that has been simmering so long you don’t even remember turning on the stove The idea that STEM itself is a historical artifact, and we will get to the other side of the STEM mania and realize it was a big problem, is somehow missing. She papered the rooms with scraps of wallpaper and lit them with strings of colored Christmas-tree lights as brightly as she lit my childhood with her trapped passion. And it was fascinating because the law school students all came up with bodies of evidence that could be useful to them in a piece of advocacy that they were engaged with. Lepore’s fans know her from many fields: they turn the pages of her books, they lead class discussions with her, they sit at a seminar table hanging on to her words. The walls of Lepore's office are decorated with a variety of books, posters, and artifacts from significant time periods in American history. The American Revolution, Lepore shows, was also an epistemological revolution. You ate beans and that was your life.” Her sarcasm is light-hearted, her nostalgia both self-deprecating and wistful. The New Yorker, as she puts it, sees her wings, and wants her to spread them and fly. I pulled one volume after another off the shelf, and turned the pages, astonished. Puritans banned prayers for the dead: at the grave, there would be no sermon. I remember my professor, a cartoon English professor with his crazy white hair and his crazy white beard, asked me “Where did you learn to write like this?” When I sent him a draft, he said it needed another scene with me and my mother I thought, “I should read those, because I won’t be done with Orwell until I get to the end of Orwell ” So I used the intralibrary loan and got some volume of Orwell’s collected BBC addresses. In her paper “How to Write a Paper for This Class,” Lepore does not seem to sympathize with the idea that you should form an argument first. We are also making a bittersweet announcement today, as one of our dearest colleagues begins a new chapter. Her poor son Edward (Neddy), who was married and a father, was sick again weak and listless and coughing blood. I struggled with thinking about the force of those words on a page. He performed tracks from the 2020 Grammy Award-winning Gullah band's repertoire while providing a fascinating history lesson on Gullah music, culture and influences for students in UCSB's World Music class.
By Connie Yan On the edge of her desk, in the shadow of a particularly tall pile of books, lies a single newspaper. She thought of him as her “Second Self.” No two people in their family were more alike. Except for during the war, he had never lived anywhere but his mother’s house. Instead, she went home, and wrote a book of remembrance. And equally gifted Santa Barbara-connected writers like T.C. Boyle, Gretel Ehrlich, the astounding Barry Spacks and the incomparable Pico Iyer. Jane knew that letters weren’t supposed to be speeches written down; they were supposed to be more formal. Lepore considers herself a narrative historian, and students, like Emily C. So can we turn to history to help us through these challenging times. By submitting your email, you agree to our Terms and Privacy Policy and to receive email correspondence from us. Maybe not Providence but men in power politics determined the course of human events In October, 2013, Lepore’s “Book of Ages: The Life and Opinions of Jane Franklin” was published; it would become a National Book Award for Nonfiction finalist, and was ranked one of the best books of the year on rosters from The Boston Globe to NPR to The New York Times to Time magazine. She said she hopes the book will encourage public discourse around reform alongside the rhetoric of resistance. I struggled with thinking about the force of those words on a page. That capacity for plucking the sole totem that says so much is one exercised and refined over the decades of historical sleuthing. The book is unlike a lot of more popular accounts of the history of the country in that it has there’s a whole quarter of the book that is really before the Constitution, or up through the Constitution. So the parts of the book that get imported into the essay are like the reduction of a sauce that has been simmering so long you don’t even remember turning on the stove Also, I was fascinated by what it means to record something and put it down on paper, and keep it. It does sound kind of corny, but I do think struggling with the question is what we’re meant to do Democracy is always something a nation should be doing ” I think the idea that America was near perfect when it was founded really undersells the amount of work citizens need to do to hold it together. J.L.: Yeah. Yeah. J.K. Knowing what you know, and having studied what you’ve studied, how sound is the foundation of this country? J.L.: I sometimes tell the story about how in 1987 Thurgood Marshall spoke on the occasion of the bicentennial of the Constitution. And there’s also a bunch of ingredients in the broth that you didn’t put there. Her mother sent her a letter she had written when she was 14, one of those letters to your future self. Advertisement PATH OF THE PAST Physically, the past is present in Lepore’s office the movie theater seats, the newspaper. I tell myself I’m just trying to drag people out of the shallows and into the depth where we’re all drowning On the one hand, there’s something to be said for the discipline of a discipline: “I’m a big believer in that word in all its senses I’m a superhyper-vigilant person, a deadline nut,” she says “And the constraints of a discipline can be really interesting And yet he’s also wonderfully generous in some contexts But, like my mother, I can’t stand talking about my feelings. But half the letters she sent him three decades’ worth are missing. For example, as an Amazon Associate, C-SPAN earns money from your qualifying purchases. That “America in the World” label? “Quaint” isn’t exactly the right word to describe it, but the label no longer applies. It demands active engagement and thoughtful argument, rather than uncritical veneration.” .
He performed tracks from the 2020 Grammy Award-winning Gullah band's repertoire while providing a fascinating history lesson on Gullah music, culture and influences for students in UCSB's World Music class. One of those “nobodies” was Benjamin Franklin’s sister, the subject of Lepore’s most recent work, “The Book of Ages: The Life and Opinions of Jane Franklin ” While her brother became one of the most towering and consequential figures of American history, Jane married at thirteen and had 12 children, several of whom died I thought, “I should read those, because I won’t be done with Orwell until I get to the end of Orwell ” So I used the intralibrary loan and got some volume of Orwell’s collected BBC addresses How does Harari's insight help us draw lessons from what we are experiencing today I did a three-part series for “The New Yorker Radio Hour” a few years back that was super fun called “The Search for Big Brown” with my friend Adrianna Alty Kelsey says that Lepore’s non-traditional background helps her connect with students: “She has an outside-of-the-ivory-tower perspective. I was a fellow at Radcliffe this year and had an incredible team of student research partners: Michelle Gao, Olivia Oldham, Henrietta Reily, Oliver RiskinKutz, and Emily Spector. It hardly matters. A one-sided correspondence is a house without windows, a left shoe, a pair of spectacles, smashed. The Puritans, in particular, are painted as ridiculous. Since the 18 th century, with the rise of the novel and the beginnings of a movement to educate girls (before then, few women learned to write), women have been writing other sorts of things, most often fiction and, more lately, memoir. It was bananas. This is kind of like that; super fun, every minute a blast, lots of snacks In October, 2013, Lepore’s “Book of Ages: The Life and Opinions of Jane Franklin” was published; it would become a National Book Award for Nonfiction finalist, and was ranked one of the best books of the year on rosters from The Boston Globe to NPR to The New York Times to Time magazine. I pulled one volume after another off the shelf, and turned the pages, astonished. To make up for the lost scholarship, she finished her degree at Tufts in three years, working as a secretary at Harvard, where she audited history classes. Menand spoke about how Lepore navigates the emotional appeal of narration and the critical necessity of academia in her own writing. “You can’t just tell the story, you also have to have some idea what it means,” he says. “The trick is to make the story produce the idea, not just to overlay it with some analysis. In a memoir piece she wrote for The New Yorker called “The Prodigal Daughter,” Lepore writes that her mother kept a collapsible easel and set of paints in the trunk of her car. Lepore answered a question about working for the New Yorker and “living in constant fear of being fired.” However, she said she enjoys feeling “useful” and being able to address a wider audience than she can with her books alone Also, they’re the things that we, in some ways, have given the least attention to, and certainly, I think, the left, liberal academy has given less attention to Her writer’s page on The New Yorker website is 30 pages long. Do you relish the license of writing as a historian journalist in which you more fluidly permeate the boundaries that would normally keep a historian reined in? Hammonds is sponsoring a book talk series featuring Professors John Dowling, Jennifer Hochschild, and Jill Lepore. It’s not different. John C. Calhoun said that thing. And this is no mere academic concern: As Lepore writes in These Truths, her 2018 massive, acclaimed history of the United States, “Nations, to make sense of themselves, need a kind of agreed-upon past. She even co-wrote an entire novel in mock 18th-century prose. But that’s just the beginning of examining it, right. They dug up so much incredible archival audio, including this interview. This Princeton tradition is an introduction to the intellectual life of the University that centers on a book that first-year students and others in the Princeton community read. It’s so strange to me that while I was writing that book I never understood that it was a book about my mother That’s obviously a gross generalization but, when you look at the numbers, it’s more true than you might at first have suspected
