City Weekly January 23, 2025

YOUR OWN PERSONAL SUNDANCE

City Weekly's annual preview of Utah's big movie showcase.

BY SCOTT RENSHAW

S AP

BOX

Trump’s Enablers

January 20, 2025 has emerged as another sad day for Americans who think critically, independently and analytically about politics and another joyous day for those who play “Follow the Leader.” It’s also a sad day for those who understand how the rule of law should work and a joyous day for those who have no clue about that and embrace lawlessness.

It’s a sad day for the compassionate among us and a joyous day for those who are self-absorbed narcissists; a sad day for those who care and share and a joy-

ous one for greedy hoarders. And on and on it goes

Yes, Donald Trump has been reinstalled as our president by his enablers, made up of many federal, state and local politicians, government administrators, billionaires and millionaires, judges and justices, lawyers, business people, corporate leaders, Trumpista voters, religious leaders and any other members of our society who either follow Trump because they can’t think for themselves or who think they’re going to get something out of Trump.

The amount of wealth that Trump’s enablers bring to the table is almost beyond comprehension. Take, for example, the amount of money donated to Trump’s inauguration parties last Monday—$250 million—which was a total waste of the people’s money.

These wealthy elites and others shower money and resources on Trump, knowing that he will use it to pursue his dreams of modifying all of our political, legal, economic, social, military, governmental, monetary (through promotion of crypto over the dollar), health care, religious,

democratic, immigration and other processes and systems, all to benefit himself in the process and become a dictatorial leader. And his benefactors seem to be okay with that.

We, the normal people, we who care about the less fortunate, we who want more justice, equality and egalitarianism in society, are the big losers here for the next four years, at least.

We who want the wealthy and the wellconnected in our society to receive the same justice we do in our courts, rather than “get out of jail free” cards, won’t see any of that.

And finally, it won’t be possible to reestablish the truth of things against the Trump administration’s ongoing lies for a while.

Oh well, we have no choice here.

The only thing to do is to push back and fight against the Republican political monster that is taking over our country at the moment.

CHUCK TRIPP West Valley

“Film Stripped” Jan. 16 Online

Sundance would not be the last one to move. Most people vote by their action (move out), not by useless voice.

FOXWHITEPHOTO Via Instagram

How about [Gov.] Cox leaves? I’m sure Sundance is tired of him turning more people away from Utah.

SHECANTSTOPHICUPPING Via Instagram

Poor policies = poor experience = loss of tourism revenue. Own that legacy, Cox.

CHASEN_801 Via Instagram

Hollywood’s liberals have finally had enough of Utah righteousness snobs.

FORRELL SCOTT Via Facebook

I’m pretty sure life would go on at Sundance. Utah sure is full of itself.

DAVE CALDWELL Via Facebook

THE WATER COOLER

If your parents are still alive, how often do you communicate with them? Is it by text, phone, email?

Krista Maggard

Honestly, I talk to or see my parents multiple times in a week—we’re really close! Mostly phone calls, but we’ll text sometimes too.

Scott Renshaw

I can text with my 80-year-old mom, though my dad still has never owned or used any kind of cellular phone. Communication is going to be interesting a few years from now, depending on who hangs on longest.

Benjamin Wood

I’m really bad about calling my mom but I’m at my parent’s house at least once a month, with some scattered texting/ messaging between visits.

Eleni Saltas

Thankful my parents are still around and I talk to them every day: in person, via text, via email or via head nods when we’ve had enough of each other for the day. They’re Greek parents, after all!

Chelsea Neider

I talk/call my mom multiple times everyday; we are super close.

Eric Granato

They text or call daily.

OPINION

New Year, New Me

There’s often a sense of unreality when a new year dawns upon the horizon. Just a few months ago, 2025 sounded so futuristic. And yet, little appears to have really changed.

I certainly don’t feel any older or wiser. And yet, I can’t help but approach the start of a new year with fresh hope for what awaits down the road. “New year, new me,” as they say.

Returning to my emails after a couple of days away is usually a tedious exercise in plumbing—one must remove buildup to again facilitate a healthy flow. And in the course of such activities, I’m sometimes led to unanticipated places, places where even angels fear to tread.

Places like LinkedIn.

Looking beyond the corporate word salad, AI boosterism and “inspirational” money-grubbing that accounts for the majority of LinkedIn content these days, I was struck by the message of one life-coach type who sought to bring new polish to the old cow-chip of “nothing in life is free” by expounding upon the practice of product and business testimonials.

One line in particular caught my eye: “I do not fully subscribe to ‘Give for nothing in return’ when it comes to business, imagine if every company did that in the world and the chaos that it would cause.”

Oh, the horror! Imagine if our brittle economy operated on principles that differed from our custom of competitive quid pro quo, even for this one very minor example. Such “chaos” does not exactly say much for societal stability.

But to be fair to this writer and far too many like him, it is often difficult to see clearly when we are so enmeshed in relations and attitudes infused by the hoary axiom “nothing in life is free.”

That attitude blinds us to the countless things in life— the truly worthwhile things—that do indeed come to us without any action on our part, things we receive in abundance without “paying” for them or “meriting” them. We use broad descriptors like truth, beauty and goodness, but they manifest themselves in countless ways, from the love of another to a truly affecting sunset.

Coming from a historical background, I also happen to believe that we are in dialogue with those who lived before us and those who will come after us, which imparts additional meaning and profundity to that which we so abundantly receive.

“The realm of human relations,” observed the educator Parley A. Christensen (1888-1968), “includes also our relations with all who have lived in the past, who have lived and left us an inheritance of their thought, their feeling, their creativity. How can anyone aware of this inheritance speak of it except in terms of indebtedness, in terms of gratitude for a priceless possession never to be earned, but only to be appreciated? It would seem to me that the measure of our humanity is the degree to which we are participating in this human inheritance.”

One hardly has much to say on either goodness, truth or beauty who despises and ignores what has been left to us by those who served and loved, who thought and explored, who waxed imaginative. Yet we do this on a regular basis when we look all around us and see only commodities to be sold while shunning any notion of personal indebtedness for fear of feeling beholden to anyone or anything.

So here we are, on the threshold of a new year, with monied revanchist movements ravaging the body politic. Here we are, with our understanding of our past, present

and future ever more impoverished by the conveniences and technologies devised for the accumulation of wealth. Here we are, acutely aware of the cost of everything while appreciating the value of nothing.

Nevertheless, there remain innumerable examples of beauty, truth and goodness around our world and in each of our lives. They’re easy to miss, but they give meaning to everything else we do.

They are there, a free gift bequeathed to us as part of our vast inheritance.

In this new year, what will we contribute to our inheritance—even if we don’t see the fruits in our day? Do we appreciate what we leave behind by doing so?

“I know what a risk one runs from the vigorously athletic crowds in being styled an idealist in these days, when thrones have lost their dignity and prophets have become an anachronism, when the sound that drowns all voices is the noise of the market-place,” remarked Rabindranath Tagore to his Japanese audience in 1917. “Yet when, one day, standing on the outskirts of Yokohama town, bristling with its display of modern miscellanies, I watched the sunset in your southern sea, and saw its peace and majesty among your pine-clad hills, … the music of eternity welled up through the evening silence, and I felt that the sky and the earth and the lyrics of the dawn and the dayfall are with the poets and idealists, and not with the marketmen robustly contemptuous of all sentiment,—that, after the forgetfulness of his own divinity, man will remember again that heaven is always in touch with this world, which can never be abandoned for good to the hounding wolves of the modern era, scenting human blood and howling to the skies.”

Unreal as it may seem, a new year has dawned and we have been given so much. Care to participate?

Private Eye is off this week. Send feedback to comments@ cityweekly.net

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HITS & MISSES

BY KATHARINE BIELE |

MISS: Troll Lee

If you were at the Utah Capitol last Saturday, you probably heard a lot of chants. The People’s March—renamed from the 2017 Women’s March—was less about women’s rights than every political issue dividing the country. Perhaps most prominent was the chant, “I hate Mike Lee!” So, let’s talk about the senior senator, who won re-election in 2022, despite an independent-Democratic attempt to unseat him. The Salt Lake Tribune kept tabs on his relentless social media. On X-Twitter, it’s one post every 28 minutes—or 13,142 in 2024 alone. Lee dwarfs that of master Tweeter Rep. Todd Weiler, R-Woods Cross, and Gov. Spencer Cox. One political science professor suggested he is seeking national clout, which seems obvious. However, Lee’s track record is slim. Since joining the Senate in 2009, he’s passed six standalone bills, half of them naming federal buildings. That Utahns don’t seem to care speaks volumes about their attention spans.

MISS: Marching Orders

Let’s pivot to the People’s March, which in 2017 was about protesting an incoming president’s disdain for women’s rights. Times have changed, as has the march, which suffered divisions in its ranks and debates over purpose, devolving into a fight over inclusion and lack of diversity. While thousands hit the National Mall, they were talking about immigrants, LGBTQ+ people, the poor and yes, women. Before the marches, outgoing President Joe Biden expressed his affirmation of the Equal Rights Amendment. Because it wasn’t yet published, the announcement came as a whisper. Women’s rights are at risk more than ever. While marches called for everything from trans rights to gun safety, the overwhelming message was “Hey, hey, ho, ho, patriarchy has got to go.”

HIT: Full Court Press

It’s not often we can thank the MAGA U.S. Supreme Court for anything. But lately, they’ve been on a roll. First, they rejected Utah’s quixotic attempt to control federal lands. Then, they rebuffed the stubbornly dogmatic Phil Lyman’s bid to overturn the gubernatorial election. They also declined to take up a Honolulu lawsuit by oil companies about the impacts of fossil fuels. Then, in a real stunner, they let Maryland’s handgun licensing law stand. All this comes after a series of astonishing decisions, including one giving a president almost blanket immunity. The overturning of Roe v. Wade seems eons ago, as does the rejection of Affirmative Action and the expansion of gun rights. So America, take the win while you can. CW

Midvale Main

Midvale’s new mayor Dustin Gettel has been in his position for a little more than a month, but he says that the redevelopment of Midvale’s Main Street will continue, largely unabated.

There was a slight slowdown for a month or so before a new mayor was chosen, but now it’s full steam ahead. And while Gettel’s predecessor, Marcus Stevenson, had a different approach than him (Gettel comes from the Midvale City Council, where he spent seven years, whereas Stevenson was elected directly to the mayor’s office), the end results should largely be the same.

Gettel said that his priority is to get three mixed-use projects on Main Street completed. “One is ready, on the corner of Sixth and Main,” he said. “We are looking to get tenants in there. This is a residential development—the bottom floor is retail and the top floor has very affordable apartment units.”

But the challenges facing the Main Street project remain the same, Gettel said. “The biggest challenges are growing pains,” he said. “Closing streets, ripping up infrastructure and replacing it. Main Street isn’t a long stretch of road, so closing parts has an impact on traffic.”

The redevelopment of Main Street began in 2020, when the City Council adopted a “form-based code” approach to the project, which refers to zoning that prioritizes the look and feel of a building, rather than what the building is used for. Gettel said that several key projects of the redevelopment will be completed in 2025, but that this is an ongoing, multiyear revitalization project. Funding for the project comes from the Midvale Redevelopment Agency via taxing entities like the school district or Unified Fire.

Once the mixed-use projects are completed, Gettel says the next push will be to have more people living and recreating on Main Street and filling the remaining commercial and residential vacancies. If everything goes as planned, he said the end result will look similar to what is seen in historic photos of Midvale.

“Midvale Main Street has the bones in place already,” Gettel said. “We want that old-time, old-fashioned feel with exciting upgrades—a very modern example of what can be done in old-time neighborhoods. We had the foresight to restore rather than tear down.”

Midvale has also received funding from Salt Lake County to build a new library. And while it will take a few years to complete it, Gettel said the city is excited to tie the new library into the broader redevelopment of Main Street. Gettel would like to see the revitalization of Main Street completed on his watch. He intends to finish the remainder of Stevenson’s term and then run for his own fouryear term in 2026. CW

Illustrating His Point

David Habben addresses the unique creative opportunities in being a prolific “artist for hire.”

BY SCOTT RENSHAW scottr@cityweekly.net @scottrenshaw

The stereotypical paradigm for visual artists involves a solitary creative existence, one where the artist is alone in a studio with nothing but blank paper or canvas and a personal vision to bring to life. But the reality can be quite different when you’re an illustrator—though according to local artist David Habben, that doesn’t make the work any less fulfilling.

An alumnus of art programs at both the University of Utah and Brigham Young University, Habben traces his artistic origin story to growing up in a home with a mother who was an elementary school librarian. “We always had illustrated books around, and valued writing and that kind of art, so it wasn’t a big jump for me to be an artist,” Habben recalls. “It’s something you do as a kid, but once I got into college and started taking classes, the question wasn’t whether I wanted to, but was it even possible? … I came from a blue-collar family, and the idea that you could make money as an artist, or make a living that way, wasn’t something you could do.”

In that sense, Habben approached the prospect of a professional artistic career in a very pragmatic way. “I wasn’t a standout math student,” he says with a laugh. “This is what I’ve got, can I make it work? Then that turned into, this is what I’ve got, I have to make it work. … My understanding of the artistic world was so limited that it felt the only options were illustration or fine art [and] illustration seemed like the only way.”

As a result, Habben says he has tended to approach his choice of projects with a similar pragmatism, taking whatever kind of illustrating job was available. But while it might be possible to see such a track as one without a distinctive “vision,” Habben believes that it has offered him a unique opportunity for creative versatility. “That sounds like a desperation thing, saying yes to whatever comes,” he notes. “But for me, it’s been great in opening doors, and doing things I wouldn’t have done otherwise. Saying yes to whatever comes, when I was younger, it was about saying yes so you could pay rent. And saying yes to opening artistic doors is good, too. I’ve had some amazing opportunities to grow as an artist.”

That kind of work-for-hire is inevitably collaborative, which can be a paradigm shift from that aforementioned idea of the visionary artist. “We have this idea of the artist coming in and being themselves, and have all their style come through,” Habben says. “Then there’s the polar

opposite of illustrators just doing what they’re told. The sweet spot is in the middle, where they appreciate what you do, and what you bring to the table.”

Habben’s latest published project along these lines is the Bridget Vanderpuff series of children’s books, by Scottish author Martin Stewart. Habben recalls that his initial concepts for the character designs were “a lot more strange and distorted. I think, ‘I’m going to do my own version of this, it’s kind of wild and kind of different.’ And they come back with, ‘maybe too wild, maybe too different.’ … Some clients give me a little more rope and let me play. In children’s publishing, we have to walk a different line, but that has its own rewards as well.”

There’s an additional challenge to working on a longterm project like an open-ended children’s book series, Habben observes: Making sure that those ultimate character design decisions remain consistent over a span of several years working on the books. “You make that commitment to seeing it through,” he says, “and trying to see that it doesn’t change too much over that time: ‘Oh shoot, I hope she doesn’t look too different now than she did two years ago.’”

In addition to his own artistic work, Habben works as an associate professor in the art department at BYU, an opportunity that has allowed him to become a bit more selective when it comes to that “saying yes to everything”

mentality; “Teaching full-time has been a way to narrow down the hats I’m wearing,” he says. “There’s a certain point where you can’t run the marathon anymore.” That teaching environment is also, however, a place to confront in his students that tendency for people to draw a line between what some would consider “pure art” and commercial art.

For him, those distinctions are an unnecessary binary in thinking about creative work. “I’ve been in some environments where people are very content to let other people tell them what they want, and they make it, and that feels fine for them,” Habben says. “And I’ve been in arenas where being told anything about your art is kind of repulsive. [But] we’re visually communicating, and whether that’s through a client or your own work in a gallery, it all has value.” CW

DAVID HABBEN: BRIDGET VANDERPUFF RELEASE EVENT

American Fork Library

64 S. 100 East, American Fork Tuesday, Jan. 28 6 p.m.

Free with Eventbrite registration kingsenglish.com

theESSENTIALS

Complete listings online at cityweekly.net

Rooftop Curling

One of the interesting things about the Olympic Games is that they can remind us of the existence of sports we might only think about once every four years. That notion certainly applies to curling, the distinctive mix of shuffleboard and really intense housecleaning—as team members direct hurled stones toward a target with deftly applied brushing of the path—that fascinates viewers during the Winter Games. And with Salt Lake City once again ready to host those games in nine years, it might be a great time to acquaint yourself with curling’s charms in a direct way.

For a third year, the Hyatt Regency in downtown Salt Lake City invites guest to try their hand at curling on the sixth-floor rooftop Sundance Terrace. The synthetic (non-ice) surface allows visitors to take a fling with regulation-size curling stones. The venue is exposed to the elements, so folks should dress appropriately. The sweeping part, unfortunately, isn’t part of the experience, so plan to get your intense housekeeping exercise before you arrive.

Rooftop curling at the Hyatt Regency Salt Lake City (170 S. West Temple) is open Thursday – Sunday evenings beginning Jan. 17, with start times at 5 p.m., 6:30 p.m. and 8 p.m., and with additional times at 11 a.m. & 12:30 p.m. on Saturday – Sunday. Events currently scheduled through March 30. Tickets start at $60 for one hour of curling for two people, $30 for each additional participant up to eight players per lane. Beverages and snacks are available for additional purchase. Registrations are available via Eventbrite at eventbrite.com/e/rooftop-street-style-curling-tickets-1085625708719. (Scott Renshaw)

An Evening with Fran Lebowitz

An astute author, intellectual, commentator, occasional actress and constant observer of the human condition, Fran Lebowitz is known to blend cynicism with satire. Having made her mark in the literary world, she’s made it clear she suffers from writer’s block, but the fervent fascination she inspires overrides any admitted limitations. The subject of two projects directed by Martin Scorsese—including the 2021 Netflix series Pretend It’s a City—she’s fond of expressing her frequently controversial views on her native New York, the fundamental failure of the nation’s political parties, presidential putdowns and society’s parochial views of feminism and sexual mores.

So too, as a frequent late night talk show guest over the past 45 years, her witty repartee, dour demeanor, pointed perspective and distinctive dress—consisting of designer men’s suits, white shirts, Levi’s and cowboy boots—helped establish her public persona. She’s also an unabashed curmudgeon who eschews the use of cell phones, computers or most other forms of modern technology. She admits being out of step on other issues as well; a crusader for smokers’ rights, she’s been called “opposite of lean-in feminism” and makes no secret of her aversion to romantic relationships. “I’m the world’s greatest daughter,” she once said. “I’m a great relative. I believe I’m a great friend. I’m a horrible girlfriend. I always was.” As a result, we suggest ardent admirers ought to be forewarned.

Fran Lebowitz performs at the Eccles Theater (131 S. Main St.) on Tuesday, Jan. 28 at 8 p.m. Tickets cost $25 - $45 at saltlakecountyarts.org. (Lee Zimmerman)

Rhonda Lauritzen:

A Child in Berlin:

So many people have valuable, fascinating stories to tell; the only problem is that they don’t know how to tell them. Assisting people with crafting such narratives has been a focus for Rhonda Lauritzen, who founded Evalogue.Life as a way to help teach people how to craft their own personal stories into narratives for an audience. And when Lauritzen found the story of Huntsville, Utah resident Heidi Posnien, she knew she had to bring that story to the world, which was accomplished in fall 2024 with the publication of A Child in Berlin: The Poignant Story of Heidi Posnien and Her Mother During the Fall of Germany. The story begins with Heidi’s mother Käthe as a rising star in the German opera world, facing a crisis of conscience during the rise of the Nazi regime that forced her to choose between the comfort of her career and acting justly. Käthe then becomes a black-marketeer in order to support herself and her young daughter, as Heidi is more often left to herself to play with friends in the rubble of Berlin—eventually having to survive on her own in a bombed-out apartment. It’s a remarkable true-life tale of resilience, told by the survivor herself.

Rhonda Lauritzen and Heidi Posnien herself will be in conversation sharing the story of A Child in Berlin at The King’s English Bookshop (1511 S. 1500 East) on Wednesday, Jan. 29 at 6:00 p.m. The event is free and open to the public, but registration is required via Eventbrite. Visit kingsenglish.com for registration link and additional event information. (SR)

YOUR OWN PERSONAL SUNDANCE

City Weekly’s annual preview of Utah’s big movie showcase.

BY SCOTT RENSHAW

SUNDANCE

PROGRAMMING LANGUAGE

Sundance Film Festival programmer John Nein discusses choosing the 2025 festival films.

BY SCOTT RENSHAW scottr@cityweekly.net @scottrenshaw

Sundance Film Festival senior programmer John Nein spoke with City Weekly on Dec. 11, 2024 about the just-announced festival program. This conversation has been edited for length and clarity.

City Weekly: Over the course of the 20-ish years that you’ve been a programmer, what have you seen change the most in terms of the way the programming team approaches their task?

JN: You know, it’s one thing that beautifully hasn’t changed that much. It’s a very mission-driven sense of programming that is in many ways non-hierarchical, meaning … this group of people each approach films in different ways—they bring different backgrounds, different perspectives. And what we hope to do is have conversations about the films that allow us as a group to feel like we know what it is that is being represented by the film, what it’s speaking to, how it represents a new voice or a new story or something we haven’t heard. … So, that sense of uplifting new stories, new voices, and the way that the group approaches that? That actually hasn’t changed.

CW: Having different perspectives is obviously part of the strength of a team. But I’m sure there are also times when you as an individual think, “Why can’t you all just see this movie the way I see it?”

JN: Absolutely, it happens to every one of us. And because we have such a tightly-curated program, that means films that you love ultimately don’t make it in. I do feel that sometimes we all probably have a film where we tried our best to convince our colleagues of what was special to us, but there’s a real respect amongst our group. Every film has its moment, has a chance to be discussed, and I think in the end, we all accept that the group wisdom works.

CW: It’s tempting, especially in a time that feels tumultuous, to look for “big picture” trends. Is that sort of a fool’s errand, considering the simple logistics of how long it takes a film to get made, that chasing timeliness just doesn’t work?

JN: I think you’re right to point out that there’s sort of a time lag, that movies take time to get made. In many cases, the most interesting work doesn’t necessarily deal with things literally, but somehow has this way of expressing something we all sense, but aren’t able to articulate. … I don’t think any of us can help but stand back and say, “What does this tell us about where we are?” You do sense, of course, that we’re talking about things that are maybe not limited to one year; they’re part of what’s

happening over the course of many years—films that are about resilience, or working people dealing with hardship, dealing with struggle, … dealing with loss in some way, recognizing the fragility of our lives in the world. Does that surprise me in the time we’re living in? No, not really.

CW: Is geographical diversity one of the things you look at, in terms maybe of not having too many urban-set stories?

JN: It is, amongst many, many other things, so it ends up being a balance. But yeah, you want to see stories that represent all aspects of our lives in the world. And by the world, I mean the world. So one of those geographic diversities we look for is international, looking for stories from places where we’ve never seen stories before. … There are times when we’re very much aware that we’re showcasing a film from an area that does not have quite as much room in the spotlight. And that’s true in the United States as well. That’s always been an important part of American independent cinema, this idea of regionality, and that we’re not just seeing stories set in New York and Los Angeles.

CW: There are so many options when it comes to deciding which films “from the collection” will be showcased in a festival. What was the thinking behind deciding on El Norte and Unzipped for 2025.

JN: One of the things I have loved seeing is how well repertory cinema is doing all across the country—knowing

that those films are really finding new audiences, in some cases audiences who have never seen the film before but are really curious and thirsty to take in these older films. El Norte we are programming because we are celebrating the Sundance Feature Film Program and its founder, Michelle Satter—the screenwriting and directing labs that were the birth of Sundance, they came before the festival—and El Norte was developed at the very first Sundance lab in 1981. Gregory Nava’s film about a brother and sister who flee political violence in Guatemala and come to the United States [is] very relevant nowadays as well, but it’s really interesting to see it play over a context of more than 40 years as we think about immigration. [The Isaac Mizrahi documentary] Unzipped, which will have its 30th anniversary in a new digital restoration, was really a fashion doc before fashion docs were fashionable. … It was then followed by many, many other fashion docs, some of which we played, that popularized this sense of fashion as art, but I think at the time, it was totally groundbreaking.

CW: What is sort of your final thought on how potential attendees should look at the program?

JN: People will always look at the program and see notable names … and there are also the doc subjects [that are familiar]. I think those things always catch the headlines, and we’re glad they do. But I always try to push people toward taking a risk. Take a risk on a film you don’t know, on something where maybe you don’t know the star, because there’s so much incredible work in the program.

SUNDANCE

YOUR OWN PERSONAL SUNDANCE

Blocs of 2025 festival features for a variety of different interests

BY SCOTT RENSHAW scottr@cityweekly.net @scottrenshaw

The wonderful thing about the Sundance Film Festival is also one of the challenging things about it: You don’t know what you’re going to get. From the fact that many of the entries are world premieres to the reality that most of the filmmakers don’t have an established track record, you’re always going in a bit cold when you’re buying your tickets, or deciding to stand in that wait-list line.

Still, there are at least some general ways to program a personal festival that might be most up your alley. Here are a few blocs of four or five features that fit generally within a similar area of potential viewer interest—with the caveat that we’ve seen none of them, and there’s a lot of educated guesswork going on at this point.

For the star-watcher. Let’s face it: Some folks do like to get a glimpse of celebrities while hanging out at a film festival. While the 2025 lineup isn’t chockful of paparazzi-bait, there are definitely a few options for those who want to make sure their oddball indies feature at least a couple of familiar faces. Bill Condon (Chicago, Dreamgirls) directs the film adaptation of the stage musical version of Kiss of the Spider Woman, starring Diego Luna and Jennifer Lopez. Ayo Edebiri (The Bear), John Malkovich and Juliette Lewis headline Opus, a midnight movie offering about a writer invited to the estate of a long-vanished pop star. Olivia Colman plays a woman taking her non-binary child to visit her own gay father (John Lithgow) in Jimpa. Alison Brie and Dave Franco are a couple whose relationship faces a supernatural challenge in Together

For the music-lover. Sundance loves documentaries about musicians and music scenes, and this year is no exception. Tejano music legend Selena Quintanilla gets a profile in Selena y Los Dinos. Another musician who died too young also gets a documentary study in It’s Never Over, Jeff Buckley Move Ya Body: The Birth of House explores the origins of “house music” from the underground nightclubs of Chicago. Sly Lives! (aka The Burden of Black Genius) explores the impact of fame on Black artists through the life and legacy of funk pioneer Sly Stone. One to One: John & Yoko focuses on 18 months in New York City that changed the lives of the celebrated artistic couple.

For the comedy fan. Sure, Sundance covers a lot of serious, heavy subjects, but quirky humor isn’t hard to find. Bubble & Squeak sends a married couple into a fictional foreign country, smuggling an unexpected banned substance: cabbages. In one of the oddest loglines of the festival, a woman (Juliette Lewis) is transformed into a chair in By Design. Stand-up gets mixed with an explosively controversial topic as comedian Noam Shuster-Eliassi explores the Israeli/Palestinian conflict in Coexistence, My Ass! A film crew meaning to travel to Argentina ends up in the wrong country, and tries to manufacture a cultural trend in Magic Farm. Two men become friends at a bereavement support group for people who have lost twin siblings in Twinless

About the virtual world. The complexities of people juggling their IRL and virtual identities remain a rich vein for storytellers to mine. In OBEX, an isolated man becomes obsessed with a computer game. A zombie apocalypse has an impact on a podcaster’s audience in Didn’t Die. A Chinese-American “cam girl” navigates her professional and family lives in Bunnylovr. The documentary Sugar Babies profiles a young woman in rural Louisiana trying to make a living enticing male patrons. And the Chinese documentary The Dating Game follows young men of the “one child policy” generation navigating their demographic disadvantage both on dating apps and in the real world.

Scary stuff. The Blair Witch Project, Saw, The Witch, The Babadook—Sundance has a great track record of introducing horror classics. In The Thing With Feathers, a widowed single father (Benedict Cumberbatch) finds the family apartment seeming to host a malevolent entity. A musician and her husband move to a remote house in Wales, disturbing the ancient folk magic in Rabbit Trap. Fairy tale legend gets a body-horror twist in The Ugly Stepsister. A gravedigger tries to resurrect the man of her dreams, Frankenstein-style, in Dead Lover. And the psychological thriller The Things You Kill finds a university professor coercing his gardener into an act of violence. CW

Jimpa

Sly Lives!

Bubble & Squeak

Sugar Babies

Rabbit Trap

SUNDANCE

RECURRING EPISODE

A look at 10 years of Sundance giving a showcase to episodic stories

BY BILL FROST comments@cityweekly.net

The Sundance Institute’s Episodic Story Lab—an extension of its Feature Film Program designed to help writers learn how to develop and sustain stories and characters over multiple chapters—was launched in 2014. It’s about creating TV shows without invoking “TV”; ”Episodic” sounds more elegant and Sundance-appropriate.

This year’s Episodic program entries include Bucks County, USA (a five-part docuseries about a pair of teen Pennsylvania friends navigating polarizing political beliefs); Hal & Harper (an eightepisode family drama starring Mark Ruffalo, Betty Gilpin, and Lili Reinhart); and Pee-Wee as Himself (a two-part documentary about the late Paul “Pee-Wee Herman” Reubens). The 2025 Episodic Pilot Showcase, which presents the first episode of a potential series, will screen the world premieres of Bulldozer and Chasers, with both dramas being made available to the public to stream online. The debut installment of an Australian docuseries, Never Get Busted!, will also screen its world premiere as part of the Episodic Pilot Showcase.

These series may eventually make their way to a cable network or streaming service—more likely the latter, since cable isn’t taking the same financial risks it did 10 years ago. It’s also possible that you’ve already seen previous Sundance Episodic premieres like these:

Penelope (2024; currently streaming on Netflix): Filmmaker/actor Mark Duplass bankrolled Penelope himself, and co-wrote all eight episodes with frequent collaborator Mel Eslyn, who also directed. The series follows 16-year-old Penelope (Megan Stott), who, disenchanted with the tech and pace of society, leaves home to start a new life in the wilderness. It’s a YA-adjacent story with an indie-film vibe that Duplass felt compelled to make. “There’s a system in place for independent film, but there’s not in television,” he told Deadline. “We’re going to have to do this in TV, or else this stuff’s going to die.”

Lolla: The Story of Lollapalooza (2024; currently streaming on Paramount+): When Jane’s Addiction frontman Perry Farrell launched Lollapalooza in 1991 as a touring festival featuring wildly disparate underground musical acts, the industry thought he was crazy. That sentiment hasn’t changed—just ask his former bandmates—but the weird and wiley Lolla inspired countless oddly-named music fests. It also eventually got too big and mainstream, as Farrell admits; he even denounced his festival over the inclusion of metal titans Metallica in ’96. As a rock-doc, Lolla: The Story of Lollapalooza pulls no punches.

Quarter Life Poetry (2019; currently streaming on Hulu): Samantha Jayne’s Quarter Life Poetry began as an Instagram thread, morphed into the book Quarter Life Poetry: Poems for the Young, Broke & Hangry, and then premiered at Sundance in 2019 as a series of nine five-minute vignettes. This may not seem like enough time to tell a story, but every episode—each focused on a different anxiety—is masterfully complete in its brevity. Some installments are musical, some are fantastical, and most are painfully accurate about corporate office mundanity (if you know, you know). You’ll never email your boss again.

Wild Wild Country (2018; currently streaming on Netflix): There are cult documentaries, and then there’s Wild Wild Country, a genre benchmark that went on to win an Emmy and inspire an episode of the mockumentary comedy series Documentary Now! The six-part series chronicles the arrival of religious guru Bhagwan Rajneesh and his disciples near the small Oregon town of Antelope in 1981. Locals and the press painted Rajneesh’s commune as the next Jonestown and a threat, but they established their own government, stockpiled guns and had loud sex all night—what’s more American than that?

The Jinx: The Life and Deaths of Robert Durst (2015; currently streaming on Max): If the jaw-dropping finale of The Jinx: The Life and Deaths of Robert Durst hasn’t been spoiled for you over the past 10 years, you’re in for a true-crime treat. New York real estate heir Robert Durst was suspected of being involved in the 1982 disappearance of his wife, the execution-style murder of a journalist in 2000, and the death of his neighbor in 2001. Durst skated on the first two and was acquitted of the third, but he kept talking to documentarians, sealing his fate. Part Two, a 2024 follow-up docuseries, is also a great watch.

Other past Sundance Episodic series: Willie Nelson and Family (2023), Gentefied (2020), P-Valley (2020), Work in Progress (2019), State of the Union (2019), Wu-Tang Clan: Of Mics and Men (2019), and O.J.: Made in America (2016). CW

Quarter Life Poetry

Lolla: The Story of Lollapalooza

The Jinx

SUNDANCE

SUNDANCE 2025

“HOW

TO” FAQ

The basics on how to experience this year’s festival

BY SCOTT RENSHAW scottr@cityweekly.net @scottrenshaw

Even if you’re a veteran of Sundances past, there are always at least a few things that change in the logistics. Here’s a quick-and-dirty look at how to attend the 2025 festival.

Q: I don’t have tickets yet. Is it too late?

A: Definitely not. While most festival passes are soldout—and some screenings’ individual tickets, which went on sale Jan. 16—there will still be some individual festival tickets available at $35 per person per screening. Waitlist tickets are also an option, though availability is always dependent upon demand. You can join a waitlist for a specific screening either through the official festival app, or at the Sundance website. Visit festival.sundance. org/how-to-fest/attend-in-person for full details on the waitlist process.

Q: What about virtual screening options?

A: Select films from the festival program will be available for online screening at festival.sundance.org beginning Thursday, Jan. 30. Those tickets also went on sale Jan. 16, so availability was unclear at press time. Purchase allows on-demand access through Sunday, Feb. 2, so you will not be required to watch your movie at a specific time.

Q: What should I know about attending in-person screenings in Park City?

For the first time, Park City’s historic (and congestion-prone) Main Street will be closed to vehicle traffic during the 2025 festival.

A: It’s always an adventure. Weather conditions and traffic patterns on specific days—it’s very hard to get around during weekday commute hours, or onto Main Street during the opening weekend—can have a huge impact, so give yourself plenty of time to get where you need to be, understanding you should always try to be at your screening venue at least 30 minutes before scheduled showtime. Festival shuttles will generally be your best option, though it can actually be faster to walk between certain venues. There is shuttle-serviced free parking at the Richardson Flat Park & Ride (3345 E. Richardson Flat Rd.), but limited paid parking around Park City and no vehicle parking at festival venues.

Q: What about SLC screenings?

A: There are only two SLC venues this year—the Broadway Centre Cinemas and Rose Wagner Center. Both are easily accessible from the Gallivan Center TRAX stop, and only a 10-15 minute walk between them. If parking downtown, you can easily choose one spot and not have to move, though the parking at the Broadway Centre itself will not validate for a full day. CW

JOVELLE TAMAYO

UtAH TEcH WEEK

LUNCH, DINNER, INSIGHTS

Good meetings have good food

That Was Then: A Sundance Moment That Defined Innovation

By Joel McKay Smith

Adrift in the swirling Sundance 2000 crowd on Park City’s Main Street, aging pro skier Bill Kerig ascends the snowcovered steps of the legendary Harry O’s nightclub and finds the future.

Walking into the kind of energy that only comes from creative collisions, Kerig encounters film enthusiasts, tech pioneers, and industry visionaries; all gathered to explore the transfixing glow of a burgeoning technological era. The Interactive Lounge buzzes with activity, packed with 160 devices showcasing cutting-edge streaming media. At the time, streaming media was merely a promise…

…something you read about in Wired or heard whispered about in Silicon Valley. But here, in the high country of Utah, it was happening.

And on 160 screens! The pull was magnetic; Kerig had stumbled upon not only the seeds of the world’s future but his own.

And then came the music. Night after night, arena bands— Sammy Hagar, The Cult, Third Eye Blind (scan the QR to watch the concert), Edwin McCain, and others took the stage, creating a pulsating backdrop of live performances that drew crowds into the throbbing tech-topia art-fueled technology and technology-fueled art.

Adding their own irreverent flair to the festivities, South Park creators Trey Parker and Matt Stone hosted their infamous Lapdance Party imagine it, and you’re probably not far off making Sundance 2000 unforgettable. Their energy matched the moment’s zeitgeist: brash, innovative, and boundarypushing. This perfect storm of creativity in snowy Utah set the stage for what was to come in media and technology.

The Interactive Lounge didn’t just connect people with devices; it connected people with possibilities. It laid

the groundwork for how streaming media, live events, and technology could converge to create something larger than life.

Kerig was so inspired that he entered the event’s Pitch Fest, a groundbreaking contest inviting writers, directors, and aspiring filmmakers to break through traditional Hollywood gatekeeping and pitch their film concepts directly to industry professionals.

Swept up in the techno-future vibe, Kerig pitched a mashup of technology and tradition: a group of tech nerds launch a satirical website that accidentally gets taken seriously, plunging them into a chaotic web of organized crime and FBI entanglements. The zany movie idea was called Mafia.com. And it won, changing his life.

Kerig retired from professional skiing and dove headfirst into a film and tech career.

A quarter of a century later, Kerig, who has since made five movies, helmed five tech companies, written three books, and started two Utah magazines (one about technology and another about Utah’s extraordinary lifestyle) now helps other creatives fast-track their dreams at TractionBusinessAccelerator.com.

He feels incredibly lucky to have grown alongside the state he calls home all because of a creative tech explosion that took place in Utah’s high country twenty-five years ago.

Continued on page 22

TUESDAY JAN 28 11:30 A.M. EXIT STRATEGIES 5:30 P.M. ANGELS & ENTREPRENEURS

WEDNESDAY JAN 29 11:30 A.M. ENERGY INDEPENDENT INDUSTRIAL PARKS 5:30 P.M. NEURODIVERSITY IN TECH PANELS THURSDAY JAN 30 11:30 A.M. CORRECT TECH BETTER RE-ENTRY 5:30 P.M. INTEGRATE A.I.

PLANNING FOR AN EXIT

TAX MINIMIZATION AND ASSET PROTECTION STRATEGIES FOR ENTREPRENEURS

As part of Utah Tech Week, join us for an insightful event focused on minimizing exit transaction taxes and protecting corporate and personal assets. This session is designed for entrepreneurs and business owners preparing to navigate the complexities of exiting a business while safeguarding their financial outcomes.

The event will feature a panel discussion with experienced legal and financial experts exploring strategies to reduce tax burdens, structure transactions to maximize proceeds and protect assets during and after a business exit. Attendees will gain insights into approaches that could help achieve better financial results while maintaining compliance with legal and regulatory frameworks.

Discussions may also include forward-looking estate planning strategies to align financial goals with longterm wealth preservation. This is a unique opportunity to hear from seasoned professionals who understand the intricacies of business transitions and can offer valuable perspectives on key considerations.

Whether you are preparing to exit soon or planning for the future, this session provides actionable insights to inform critical decisions. Join us to gain knowledge, connect with experts, and take a step toward a successful and secure exit strategy.

Ted McAleer

Ted McAleer is an executive with Park City Angels in Park City, Utah. He is an investor who supports early-stage startups and is recognized for his angel investing efforts. Ted excels in investment strategy and mentoring entrepreneurs.

Tim Cooley

Tim Cooley is an author and advisor with Startup State in Utah. He works with entrepreneurs to refine their business models and is known for his practical guidance. Tim excels in advising startups and writing business-focused literature.

ANGELS & ENTREPRENEURS

PANEL OF FUNDING, PARTNERSHIPS, AND STARTUP SUCCESS STRATEGIES

JAN 28 • TUES 5:30 P.M. • GRACIE’S 326 SO WEST TEMPLE

As part of Utah Tech Week, join us for an engaging evening at Gracie’s to connect with leading angel investors and visionary entrepreneurs. This dynamic session features a panel discussion exploring key aspects of startup success in today’s competitive market.

Panelists will share strategies for securing funding, building strategic partnerships, and overcoming common challenges in early business development. Discussions will also cover emerging trends in entrepreneurship and investment, providing insights into navigating the evolving startup landscape.

Beyond gaining valuable advice, attendees will have the opportunity to network with like-minded entrepreneurs, investors, and innovators. These interactions can lead to collaborations, mentorships, or funding connections that could shape the future of your business.

Whether you’re an entrepreneur seeking guidance or an investor looking for promising ventures, this event offers a platform to learn and expand your network. Conversations will provide context for understanding the investor mindset and offer entrepreneurs ideas for refining their pitches and aligning with market needs.

Utah Tech Week celebrates innovation through community collaboration. By attending, you’ll join a movement driving growth and fostering innovation throughout the region. Don’t miss this opportunity to immerse yourself in Utah’s dynamic entrepreneurial ecosystem. Join us at Gracie’s for an evening of collaboration, innovation, and impact during Utah Tech Week.

Beth Colosimo is the Executive Director of The Mill at Salt Lake Community in Salt Lake City, Utah. She is an experienced leader who oversees entrepreneurial support programs. She is strongly committed to helping startups thrive and advancing entrepreneurial education. Beth is known for mentoring emerging businesses and building essential resources for their growth. www.linkedin.com/in/bethcolosimo

Utah’s tech scene thrives in unexpected places, blending innovation with tradition. From Utah Tech Week’s startup energy to the state’s evolving approach to wine production, creativity runs deep. Desert tech emerges as a frontier, showcasing solutions tailored to arid environments, with greenhouses redefining agriculture under extreme conditions. Bus rides across vast Utah landscapes often inspire a connection between people, ideas, and opportunities.

Michael Lavie Saloman, of Arieli Capital, helps startups achieve global impact by identifying prospects, executing investments, and connecting them with partners. Fluent in

5:30 P.M. NETWORKING

6:00 P.M. DINNER SERVED (ORDER OF OFF THE MENU.) COFFEE, WATER, SODA, JUICE CASH BAR

6:30 P.M. WELCOME INTRODUCTIONS

6:45 PM PANEL DISCUSSION

7:15 P.M. AUDIENCE Q&A

7:30 P.M. NETWORKING

8:30 P.M. ENDS

Hebrew, English, and Spanish, he has guided 164 startups and built relationships with 850+ globally.

Gareth da Cunha (Angels) Gareth da Cunha is a seasoned revenue and go-to-market leader with over a decade of experience in financial services, fintech, and startups. As Head of Growth at Allio Capital, an AI-driven wealth management platform and a fractional CRO, he supports ventures in scaling and turnarounds.

A graduate of the Virginia Military Institute and the University of Florida’s MBA program, Gareth combines military discipline with business expertise to unify teams and drive success. Passionate about preserving the American prairie and bison accessibility, Gareth also enjoys skiing, backpacking, and skydiving, embracing Utah’s business environment and outdoor beauty. linkedin.com/in/gareth-da-cunha

ENERGY INDEPENDENT INDUSTRIAL PARKS

PANEL ON SUSTAINGABLE, ENERGY-INDEPENDENT INDUSTRIAL PARK STATEGIES

JAN

29 • WED 11:30

11:30 A.M. DOORS OPEN, NETWORKING

12:00 P.M. LUNCH SERVED (ORDER OF OFF THE MENU.) COFFEE, WATER SODA, JUICE CASH BAR

12:30 P.M. WELCOME INTRODUCTIONS FORBES PARTNERS

12:45 P.M. PANEL DISCUSSION

1:15 P.M. AUDIENCE Q&A

1:30 P.M. NETWORKING

2:30 P.M. EVENT ENDS

A.M. • GRACIE’S 326 So WEST TEMPLE

Energy Independent Industrial Parks

As part of Utah Tech Week, this lunch event will explore innovative technologies tackling challenges like unproductive land, water scarcity, and struggling rural economies. The session will showcase the Regenazome approach, focusing on solutions that combine technology, collaboration, and sustainability to drive economic and environmental resilience.

Regenazome aims to transform vast expanses of nonproductive land into thriving ecosystems that address energy demands while empowering local communities. By leveraging water transformation technologies, soil rejuvenation methods, and biomass cultivation, Regenazome creates scalable solutions that generate carbon sinks, offset emissions, and support global climate goals.

Joel McKay Smith is a multigenerational Utah resident with extensive experience in farming, mining, hospitality, and technology. As a principal at Green Street Growth Advisors, he leads initiatives like Regenazome, transforming nonproductive land into sustainable ecosystems that bolster local economies. Joel serves as a strategic advisor to organizations including NeoITO Inc., AspireAbility.io, auticon. us, StellaMart, InvestShield, SilverGuard, HooNah, AlphaTech, HeadAI, Red Wolf, and Merit 3D. He is actively involved in community-focused projects such as 1 Million Cups SLC (1mcSLC), Slopes SLC, Building Beginnings and Hoofbeats for Healing. Additionally, Joel contributes to the Pathways Committee for the State of Utah and participates in the state’s apprenticeship, education, and re-entry efforts. Beyond his professional roles, he is a proud caretaker for his mother, serves on various boards and advisory panels, and mentors individuals by connecting them with impactful opportunities. A husband and father, Joel shares his insights on Substack at joelmeister.substack.com.

Rob Slingerland

Rob Slingerland is the Managing Partner at Green Street Growth Advisors in Utah. He is a consultant with expertise in growth strategies for businesses. Rob is known for advising on strategic initiatives and excels in business consulting and scaling strategies.

A panel of experts in energy, sustainability, and community development will discuss topics such as converting brackish water into usable resources, advancing soil amendments, and integrating offgrid energy systems to reduce reliance on existing infrastructure. These discussions may highlight how these innovations align with sustainable development and resilience goals, providing valuable insights into systemic solutions.

This session offers attendees a chance to engage with professionals and community leaders passionate about transformative change. By fostering collaboration and innovation, the event underscores the critical role of partnerships in addressing regional challenges while creating pathways for real-world impact.

Michael Gurin (Eiip)

Michael Gurin is a partner in Regenazome and the CEO of Cognitek, working alongside Joel McKay Smith and Rob Slingerland on transformative initiatives. Michael is an experienced entrepreneur and strategist who focuses on revitalizing nonproductive land into sustainable ecosystems that strengthen local economies.

With expertise in business development, technology, and strategic planning, Michael is known for his innovative approach to solving complex challenges. His work reflects a deep commitment to sustainability and creating impactful solutions that drive economic growth and environmental progress.

Thor Roundy

Thor Roundy is the CEO of Alpha Tech Research Corp in Utah and a graduate of Berkeley Law. With a career spanning advanced technology, law, and real estate, Thor has founded and led multiple successful companies, including ventures in title services and property development.

At Alpha Tech, Thor focuses on creating cutting-edge technologies that address complex challenges while fostering collaboration between businesses and communities. Known for his strategic leadership, Thor combines innovation and practicality to drive growth and deliver meaningful, long-term impact across industries.

NEURODIVERSITY IN TECH PANELS

PANEL ON FUNDING, PARTNERSHIPS, AND START UP SUCCESS STRATEGIES

JAN 29 • WED 5:30 P.M. • GRACIE’S 326 SO WEST TEMPLE

As part of Utah Tech Week, join us at Gracie’s to explore the value of neurodiversity in the tech industry. This engaging event highlights the vital contributions of neurodiverse professionals in driving innovation and creativity within technology fields.

The evening features a panel discussion with neurodiverse professionals, industry leaders, and allies, who will share experiences, challenges, and strategies for fostering inclusivity. Attendees will gain insights into how neurodiversity enhances problem-solving, spurs creativity, and builds innovative workplaces. The panel will also address barriers neurodiverse individuals face, such as biases or resource gaps, while offering actionable solutions to support diverse talent.

Eric Olafson is a Partner at PEG Development and an executive at auticon in Utah. He is a prominent business leader with expertise in real estate development and IT services. Eric is known for driving growth in property development and promoting neurodiversity hiring practices, excelling in strategic planning and effective leadership. www.linkedin.com/in/eric-olafson-94730

This event provides an opportunity to network with professionals, advocates, and tech enthusiasts passionate about inclusivity. Attendees will leave with practical strategies for recruiting, retaining, and empowering neurodiverse individuals, ensuring they feel valued for their unique contributions.

As part of Utah Tech Week, this session showcases the collaborative spirit of Utah’s tech ecosystem, emphasizing the connection between diversity, innovation, and growth. Join us for this transformative discussion and help shape a more inclusive future in tech while building valuable connections with like-minded leaders and innovators.

Jaye Olafson is an executive at auticon in Utah. She is a dedicated advocate for neurodiversity and workplace inclusion, focusing on promoting careers for neurodivergent individuals. Jaye is recognized for advancing workplace equality and excels at advocacy and workforce development initiatives. www.linkedin.com/in/jaye-olafson-b260235\

Jeffrey Hunter is a Wealth Advisor at UBS in Utah. He is a financial expert who assists clients in managing investments and building wealth. Jeffrey is known for his personalized approach to wealth management and excels in financial planning and investment strategy. www.linkedin.com/in/jeffhunterubs

Vance Checketts is the CEO of auticon US, where he champions diversity and inclusion by empowering neurodiverse talent in the tech sector. Under his leadership, auticon creates meaningful career opportunities for individuals on the autism spectrum, highlighting the value of diverse perspectives in driving innovation.

Vance actively supports initiatives like the Women’s Tech Council and the STEM Action Center, promoting equitable access to education and careers. Known for his visionary leadership, Vance combines his passion for inclusion with strategic insight, shaping a more equitable and innovative future for Utah’s business community and the broader technology industry.

CORRECT TECH: RE-ENTRY DONE BETTER

TAX

AND ASSET PROTECTION

Correct Tech: Re-Entry Done Better

12:00 P.M. LUNCH SERVED (ORDER OF OFF THE MENU.) COFFEE, WATER SODA, JUICE CASH BAR

12:30 P.M. WELCOME INTRODUCTIONS FORBES PARTNERS

12:45 P.M. PANEL DISCUSSION

1:15 P.M. AUDIENCE Q&A

1:30 P.M. NETWORKING

2:30 P.M. EVENT ENDS

As part of Utah Tech Week, join us for lunch at Gracie’s to explore how technology can transform re-entry programs for justice-impacted individuals. This event will bring together thought leaders and practitioners to discuss ways innovation can improve outcomes, reduce recidivism, and create meaningful opportunities for those rejoining society.

Re-entry programs are vital but face systemic challenges such as limited resources and societal stigma. By integrating technology, tools like digital platforms and mobile apps can assist with skill-building, job placement, and mentorship, empowering individuals to rebuild their lives with greater independence. The discussion will also emphasize data-driven strategies to track progress, evaluate program success, and tailor support to create a more impactful re-entry process.

At Visionary Talent, we specialize in connecting startups with the best talent in the industry. Our network is exclusively focused on startup professionals, meaning we understand the unique challenges and opportunities that come with building a business from the ground up. We’ve been in your shoes, and we know how transformative the right people can be—not just in hitting your next milestone but in shaping the future of your company.

Think of us as your partner in growth. We take the time to understand your company’s specific needs, values, and goals. From there, we tap into our curated network of top-tier candidates to find the exact match for your team. And because we work exclusively with startups, we know how to move quickly without sacrificing quality—because, in the startup world, timing is everything.

Whether it’s a CTO to lead your tech strategy, a Head of Marketing to define your brand’s voice, or the sharp minds building and scaling your product, we’re here to make sure you find the people who will drive your company forward. From concept to unicorn, we’ve got your back.

Collaboration is another key focus. Partnerships between tech innovators, non-profits, and government agencies can drive meaningful change, addressing root causes of recidivism and making re-entry programs more inclusive and effective. Attendees will also have the chance to network with professionals and advocates dedicated to leveraging technology for positive social impact.

Held at Gracie’s, a vibrant gastropub in downtown Salt Lake City, this event offers a platform for thoughtful discussions about technology and transformation. Join us to explore innovative solutions that create lasting change for justice-impacted individuals and their communities.

As a founder, your time and energy are your most valuable assets. You’ve learned by now that your focus is best spent on growth, innovation, and building something incredible. You understand that success requires not just a strong vision but a strong team to help carry it forward.

Finding those people—the ones who align with your culture, share your values, and have the skills to thrive in a fast-paced, high-stakes environment—can feel like a full-time job. But it doesn’t have to. That’s where Visionary Talent steps in, so you can focus on what you do best: growing your company, innovating your product, and turning your vision into reality.

Let’s make this easy. We’re here to help you find the people who will shape the future of your company. Coffee’s on us—because building your dream team should feel as energizing as your next big idea. Reach out anytime, and let’s get started. www.visionarytalent.io

INTEGRATE A.I.

PANEL ON AI ADOPTION, ETHICS, AND TRANSFORMATIVE STRATEGIES

JAN 30 THUR • 5:30 P.M. • GRACIE’S • 326 SO WEST TEMPLE

Exploring AI’s Impact on Business Operations and Industry Transformation

As part of Utah Tech Week, join us at Gracie’s for a thought-provoking dinner event exploring the transformative impact of artificial intelligence (AI) on industries and business operations. This gathering brings together innovation enthusiasts and business leaders eager to stay ahead in a rapidly evolving technological landscape.

AI is revolutionizing businesses by automating tasks, enhancing customer interactions, and improving decisionmaking processes. Entrepreneurs and executives will gain valuable insights into integrating AI solutions to thrive in today’s fast-paced market. The event will feature a forward-looking panel discussion with industry experts

sharing real-world examples of AI applications that optimize operations and drive growth.

Key topics include practical AI uase cases, ethical considerations, and strategies for responsible adoption that protect data privacy and uphold human decisionmaking. Attendees will learn how to balance technological advancement with ethical integrity, ensuring sustainable and profitable AI integration within their business models.

In addition to expert insights, the event offers opportunities to network with like-minded peers, business owners, and technology enthusiasts. Whether you’re using AI or exploring its potential, this event provides the knowledge, tools, and connections to harness AI’s power. Don’t miss this chance to elevate your business during Utah Tech Week!

5:30 P.M. NETWORKING

6:00 P.M. DINNER SERVED (ORDER OF OFF THE MENU.) COFFEE, WATER, SODA, JUICE CASH BAR

6:30 P.M. WELCOME INTRODUCTIONS

6:45 P.M. PANEL DISCUSSION

7:15 P.M. AUDIENCE Q&A

7:30 P.M. NETWORKING

Sunny Washington (AI)

Sunny Washington is the Founder of Utah Tech Leads and Orca Panda, where she connects and empowers tech entrepreneurs across Utah. A passionate advocate for innovation and collaboration, Sunny is dedicated to creating opportunities that foster growth and strengthen the tech ecosystem.

Renowned for her networking skills and communitybuilding expertise, Sunny excels at uniting individuals to drive meaningful change. Her leadership inspires entrepreneurs and supports initiatives that shape the future of innovation in Utah and beyond, ensuring the state remains a hub for technology and progress. linkedin. com/in/sunnywashington

Dan Baird (AI)

Dan Baird always emphasizes AI's role in reshaping industries. His vision for integrating AI into diverse ecosystems, from education to desert tech, resonated with audiences eager for practical solutions. Baird highlighted Thunderbird’s innovative projects, showcasing how AI-driven tools can empower decision-making in complex environments. Drawing on Utah's spirit of collaboration and adaptability, he connected tech leaders and startups to global opportunities. His presence underscored Utah Tech Week’s role as a hub for transformative ideas, uniting local innovation with a global vision. The conversation around AI is evolving, and Dan Baird is leading it.

8:30 P.M. ENDS

UtAH TEcH WEEK

THIS IS NOW Building Tomorrow at UtahTechWeek

Fast forward to 2025, and the echoes of that Sundance innovation still reverberate. Today, the focus is on UtahTechWeek, a celebration of Utah’s burgeoning tech scene and its role in shaping the global future. It’s a fitting continuation of the spirit of connection and creativity we championed 25 years ago.

UtahTechWeek is the brainchild of Trent Mano, Kat Kennedy, and Scott Paul, who took inspiration from early initiatives like LA TechWeek, StartSLC, and the pioneering days of the SLC Office incubator. Erin Valenti, whose visionary contributions remain etched in the community’s memory, was part of that early momentum. These were the seeds that would grow into Silicon Slopes, Utah’s answer to Silicon Valley.

The modern-day tech landscape in Utah thrives on collaboration and innovation. Events like UtahTechWeek highlight the state’s unique ability to blend entrepreneurial spirit with community values. Here, startups and established players alike share insights, network, and propel ideas forward. It’s a place where the next big ideas are born—from groundbreaking AI applications to sustainable technologies.

One of the most significant parallels between 2000 and now is the role of connectivity. Back then, the interactive lounge showed how technology could bring people together in new ways. Today, UtahTechWeek achieves the same goal on a much larger

scale. The event fosters an environment where people can learn, collaborate, and innovate through panel discussions, workshops, and live demonstrations.

The Utah of 2025 is a hub for innovation. Companies here aren’t just building apps or products but addressing some of the world’s most pressing challenges. From clean energy solutions to advancements in healthcare and education, Utah’s tech scene is as dynamic as the landscapes that surround it.

UtahTechWeek is also a reminder of how much the world has changed. In 2000, streaming media was an emerging technology; now, it’s ubiquitous. The barriers to creating and sharing content have all but disappeared. Similarly, the barriers to innovation in tech have lowered thanks to initiatives like UtahTechWeek. The spirit of openness and access that defined the interactive lounge now defines an entire ecosystem.

As UtahTechWeek unfolds, it’s impossible not to draw comparisons to those Sundance days. The excitement, the ambition, and the drive to push boundaries are all still here. But what’s different is the scale. What started as an experiment in a single venue has evolved into a statewide movement, impacting industries and communities far beyond Utah’s borders.

This is now a moment where the past informs the future, where the lessons of Sundance 2000 inspire the innovations of UtahTechWeek 2025. It’s a continuation of a journey that started with an idea and grew into a legacy. And the best part? The story is still being written.

This Is Now: Building Tomorrow at UtahTechWeek

OUTSIDE SUNDANCE

Other features opening this week in mainstream theaters.

BY SCOTT RENSHAW scottr@cityweekly.net @scottrenshaw

Presence BB 1/2

Director Steven Soderbergh and screenwriter David Koepp concoct a pretty solid gimmick for their supernatural thriller—a ghost story designed entirely from the POV of the ghost—but at a certain point the “story” has to be as important as the “ghost,” and that story is … just not very good. It opens with a suburban couple (Lucy Liu and Chris Sullivan) moving with their teenagers Chloe (Callina Liang) and Ty (Eddy Maday) into a new house, with only Chloe initially seeming to sense that it may already have an unseen occupant. Soderbergh makes great use of his prowling camera movements, using every trick in his book to convey when the silent, observing entity feels curiosity, anxiety or anger while rarely feeling obliged to indulge the audience with jumpscares. That places a burden on the narrative— which hints from the outset at a tragedy Chloe has experienced that might make her more receptive to the presence—to provide some actual stakes, and it becomes a pretty clunky journey. Vague references to some criminal activity Liu’s character might have engaged in alternate with the introduction of Ty’s new friend (West Mulholland) without ever providing enough substance for the family’s growing tension and dysfunction to matter as anything but distractions on the way to whatever payoff is down the road. The result is a pretty solid exercise in style where the substance is as ephemeral and unknowable as the character through whose eyes we’ve been watching. Available Jan. 24 in theaters. (R)

The Colors Within BBB

One of the fascinating things about anime features is discovering how many different kinds of stories can be told through the medium of animation, ones that American filmmakers almost never bother to try. This coming-of-age tale from director Naoko Yamada and writer Reiko Yoshida follows Totsuko (Sayu

Suzukawa/Libby Rue in the English dub), a student at a Catholic boarding school with a unique ability to see what amounts to the “color” of someone’s soul. That vaguely supernatural component plays only a tiny part in what follows, however, as Totsuko comes to form a band with Kimi (Akari Takaishi/ Kylie McNeill), a former classmate who has dropped out, and Rui (Taisei Kido/Eddy Lee), a boy living on a nearby island. Yamada and the animation team craft delicately beautiful images, ranging from the almost watercolor perspective of how Totsuko sees the world, to reflections in a Newton’s cradle Kimi uses as a metronome. Most significantly, this isn’t some rollicking fantasy adventure, but simply a narrative about young people wrestling with what it feels like when the person you want to be might disappoint those closest to you—and that’s even if you don’t happen to agree that Totsuko’s fascination with Kimi is gay-coded. The result is slow, patient storytelling—perhaps occasionally to a fault—about fundamental life journeys, one where the way the characters are beautifully drawn, in both senses of the word. Available Jan. 24 in theaters. (NR)

Brave the Dark BB 1/2

It wouldn’t be accurate to describe this fact-based drama as an “inspirational teacher” movie, since it really doesn’t traffic in the most familiar tropes of that specific genre. Yet it still feels like something that’s going through the motions of inspiration rather than aiming for real emotional impact. It opens in 1986 Pennsylvania, where 17-year-old Nate Williams (Nicholas Hamilton) is living out of his car and facing jail time for burglary. To the rescure comes high-school drama teacher Stan Deen (Jared Harris), who becomes determined to give Nate a home and hope after a lifetime of tragedy. That tragedy gets trickled out until the very end of the movie, including an unnecessary double-dip of showing us the crucial traumatizing event and then having Nate describe it, apparently so Hamilton can get a showy monologue. Director Damian Harris (Jared’s big brother) does allow the relationship between Nate and Stan to emerge naturally, with both central performances providing a solid anchor, and an interesting character study of Stan simply as the kind of generous soul who connects with everyone. It’s just too bad that it often feels like a feel-good machine delivering a lesson about no one ever being a lost cause—a perfectly wonderful idea in principle, but one that’s about good intentions more than it is about good filmmaking. Available Jan. 24 in theaters. (PG-13) CW

DINE

Celebrity Crush

Bobby’s Burgers from Bobby Flay manages to set itself apart.

BY ALEX SPRINGER comments@cityweekly.net @captainspringer

With the Utah dining market becoming more and more attractive for nationally-recognized brand franchises, it’s no surprise that Bobby’s Burgers has come to town. Owned by professional chef and Food Network stalwart Bobby Flay, Bobby’s Burgers packages the grill-centric celebrity chef’s brand into a pleasant fast-casual model. Since it already has several Las Vegas locations and an expanding East Coast presence, it makes sense for this national brand to set its sights on Utah and its own everevolving food scene.

Readers of my stuff will know that I don’t discriminate based on brand recognition or national presence—good food is good food. However, I will tend to hold an eatery that has Bobby Flay money in its corner to a higher standard. It’s something that local restaurateur Joe Sample mentions when we met up at Bobby’s Burgers in Orem.

“The Bobby Flay name is always going to draw trial,” says Sample, whose MTB Management operates 12 Taco Bell locations across Western Montana. Bobby’s Burgers is a new addition to Sample’s portfolio, and his first foray into Utah’s dining scene has been a success thus far.

The Orem location has been open for just over a month now, but it’s the kind of property that nicely matches the vibes of University Place Mall. It’s the kind of local fast-casual spot that feels just enough like destination dining to make it attractive to Utah County shoppers.

I’m savvy enough to recognize the difference between a menu and a brand, so

while I respect Flay’s status as an Iron Chef, I was really looking for a restaurant burger that could reasonably justify being three times the price of In-N-Out. It’s my own personal litmus test, and it hasn’t let me down yet.

I liked the Bobby’s Burger conceit of “crunchifying” its burgers with the addition of crispy potato chips, so I went for the Nacho Burger ($11.99). It seemed to embody the idea of crunchification, while also leaning into the Tex-Mex flavors for which Flay is known. On a side note, I just can’t avoid junk food that has more junk food piled on top of it. One aspect of the burger patties at Bobby’s Burger that Sample is most proud of is the quality of the restaurant’s beef.

“These burgers are six-ounce Anguscertified patties, and we don’t smash them,” he says.

The Nacho Burger arrives looking very nacho-tastic with its gooey queso, pickled jalapeños and tomato chipotle salsa. This burger’s crunchification comes courtesy of blue corn tortilla chips, which essentially make this a self-sustaining scoop of nachos on top of a very juicy burger. At Bobby’s Burgers, you can get your burger medium or well-done, and the former is the right call. That sixounce patty is front and center, spilling its marvelous juices all over the burger’s heel. It’s a well-seasoned burger, and all those nacho toppings only complement the existing flavors.

In short, this definitely blew past my In-N-Out Burger litmus test—it is worth the price of admission.

I was planning on getting a fried chicken sandwich ($11.99), because Bobby’s Burgers is hitting us during the local cold war we’re experiencing among our fried-chicken sandwich purveyors. I don’t know if it’s got enough of a punch to be a contender in this grand melee of deep-fried poultry, but it’s a pretty damn good chicken sandwich. My favorite thing about this one is the breading on the

chicken. Visually, it looks like the kind of crust that will be murder on the gums, but its crenulated peaks and valleys yield perfectly to each bite—it’s crisped up enough to provide a nice crunch, but it’s not like chewing gravel. I also liked the coleslaw and pickles, but the aji amarillo mayo mutes the acid too much. If the coleslaw was tossed with a bit of this for smoky flavor, it would be much improved.

As a side dish, I went with the buttermilk onion rings ($5.99) because fries are great and all, but onion rings are superior in almost every way. The rings at Bobby’s are enormous, and the majority of their thickness comes from the sliced onion itself. Their buttermilk batter is much thinner than on other rings I have known, and each onion is cooked perfectly so there’s no textural interference happening here.

You get three sauce options with the sides, including Bobby’s Sauce, which uses chipotle mayo to spice up this cousin to Utah’s beloved fry sauce. Then there’s the house-made ranch that has a bevy of signature ingredients, and the horseradish honey mustard which leans more into the honey’s sweetness than the horseradish bite. I liked the Bobby’s Sauce, but all three have their advantages.

Again, any time you get a restaurant with a celebrity chef’s clout behind it, you tend to ask a lot of questions. That said, my experience at Bobby’s Burgers was definitely positive. It’s got a nice, boutique-sized menu, the team isn’t fooling around with their ingredients, and the possibility of swapping a burger patty for a chicken breast or veggie burger means plenty of variety. If you’re shopping at University Place in Orem, Bobby’s Burgers is definitely worth checking out. CW

2 Row Brewing

73 West 7200 South, Midvale

2RowBrewing.com

On Tap: Piney Peaks “West Coast IPA”

Avenues Proper 376 8th Ave, SLC avenuesproper.com

On Tap: Steamy Wonder Rye Steam Ale

Bewilder Brewing

445 S. 400 West, SLC

BewilderBrewing.com

On Tap: Belgian Pale Ale, Cosmic Pop IPA, Lord of the Ryes Stout

Bohemian Brewery

94 E. Fort Union Blvd, Midvale

BohemianBrewery.com

On Tap: Cali ‘Steam’ Lager, ‘BrewSki’ German Pilsner

NEW: ‘I.P.L.’ India Pale Lager draft and ‘Czechulator’ Doppelbock (9% ABV)

Chappell Brewing

2285 S Main Street

Salt Lake City, UT 84115 chappell.beer

On Tap: Playground #13 - Hazy Pale with Lemondrop and Sultana

Craft by Proper 1053 E. 2100 So., SLC properbrewingco.com

On Tap: Steamy Wonder Rye Steam Ale

Desert Edge Brewery

273 Trolley Square, SLC DesertEdgeBrewery.com

On Tap:  Ay Curuba! Curuba Sour

Epic Brewing Co.

825 S. State, SLC EpicBrewing.com

On Tap: 2024 Big Bad Baptist Imperial Stouts

Etta Place Cidery

700 W Main St, Torrey

A list of what local craft breweries and cider houses have on tap this week

Fisher Brewing Co.

320 W. 800 South, SLC FisherBeer.com

On Tap: A rotation of up to 17 Fresh Beers!

Grid City Beer Works

333 W. 2100 South, SLC

GridCityBeerWorks.com

On Tap: Cask Nitro CO2

Helper Beer

159 N Main Street, Helper, UT  helperbeer.com

Hopkins Brewing Co. 1048 E. 2100 South, SLC HopkinsBrewingCompany.com

On Tap: Tall Timber - NW Session IPA

Kiitos Brewing

608 W. 700 South, SLC KiitosBrewing.com

Now with a full bar license & draft beer cocktails!

On Tap: Gluten Free Peach Bellini

Offset Bier Co

1755 Bonanza Dr Unit C, Park City offsetbier.com/

On Tap: DOPO IPA

Ogden Beer Company

358 Park Blvd, Ogden OgdenBeerCompany.com

On Tap: 11 rotating taps as well as high point cans and guest beers

Park City Brewing 1764 Uinta Way C1 ParkCityBrewing.com

On Tap: El Jefe - Hefeweizen

Policy Kings Brewery

223 N. 100 West, Cedar City PolicyKingsBrewery.com

Prodigy Brewing 25 W Center St. Logan Prodigy-brewing.com

On Tap: 302 Czech Pilsner

Proper Brewing/Proper Burger 857 So. Main & 865 So. Main properbrewingco.com  On Tap: Steamy Wonder Rye Steam Ale

Proper Brewing Moab 1393 US-191, Moab properbrewingco.com  On Tap: Blizzard Wizard Hazy Pale Ale

Level Crossing Brewing Co.

2496 S. West Temple, South Salt

LevelCrossingBrewing.com

On Tap: Rising Hope White

Level Crossing Brewing Co.,

550 South 300 West, Suite 100, SLC LevelCrossingBrewing.com

On Tap: Fresh Hop Little Suss

686 S. Main, Moab TheMoabBrewery.com

On Tap:  Arnie (Co-Lab with 2 Row brewing): cream ale base with Lychee black tea and fresh pasteurized lemon juice.

Mountain West Cider

425 N. 400 West, SLC MountainWestCider.com

On Tap: Cranberry Rosemary

Red Rock Brewing 254 So. 200 West RedRockBrewing.com

On Tap: Gypsy Scratch

Red Rock Fashion Place 6227 So. State Redrockbrewing.com On Tap: Munich Dunkel

Red Rock Kimball Junction 1640 Redstone Center Redrockbrewing.com

On Tap: Bamberg Rauch Bier

RoHa Brewing Project 30 Kensington Ave, SLC RoHaBrewing.com

On Tap: Mild and Free British Mild

Roosters Brewing Multiple Locations RoostersBrewingCo.com

On Tap: Cranberry Sour, London Porter

SaltFire Brewing 2199 S. West Temple, South Salt Lake SaltFireBrewing.com

On Tap: Psycho Killer Juicy Pale Ale

Salt Flats Brewing 2020 Industrial Circle, SLC SaltFlatsBeer.com

On Tap: Winter Amber with notes of Vanilla and Brown Sugar

Scion Cider Bar 916 Jefferson St W, SLC Scionciderbar.com

On Tap: Highpoint Sweater Weather 6% ABV

Second Summit Cider 4010 So. Main, Millcreek https://secondsummitcider. com

On Tap: Imperial 8.2%

Shades Brewing 154 W. Utopia Ave, South Salt Lake ShadesBrewing.beer

On Tap: Fresh Hop IPA (with homegrown local hops)

Shades On State 366 S. State Street SLC Shadesonstate.com

On Tap: Hellion Blonde Ale; Black Cloud Lager

Silver Reef 4391 S. Enterprise Drive, St. George SGBev.com

Squatters Corner Pub –Valley Fair 3555 Constitution Blvd, West Valley City squatterscornerpub.com

On Tap: Salt Lake Brewing Co. –Dog Lake Pale Ale

Squatters Pub Brewery / Salt Lake Brewing Co.

147 W. Broadway, SLC saltlakebrewingco.com/ squatters On Tap: Salt Lake Brewing Co. –Rye of the Tiger Rotating IPA

Squatters and Wasatch Brewery 1763 So 300 West SLC UT 84115 Utahbeers.com

On Tap: 20 beers with 12 rotating small batch releases: Black Tea English Porter, Hazelnut

Strap Tank Brewery, Lehi 3661 Outlet Pkwy, Lehi, UT StrapTankBrewery.com

On Tap: Redeemer Rauchbier, God of Thunder Roggenbier

Strap Tank Brewery, Springville 596 S 1750 W, Springville, UT StrapTankBrewery.com

On Tap: Candy Cap English Mild

TF Brewing

936 S. 300 West, SLC TFBrewing.com

On Tap: Strata Fresh Hop Pale Ale

Talisman Brewing Co. 1258 Gibson Ave, Ogden TalismanBrewingCo.com On Tap: Witches Brew

Top of Main Brewery

250 Main, Park City, Utah topofmainbrewpub.com

On Tap: Top of Main Brewery –Utah Beer: An American Light Lager

Uinta Brewing 1722 S. Fremont Drive, SLC UintaBrewing.com

On Tap: Was Angeles Craft Beer UTOG

2331 Grant Ave, Ogden UTOGBrewing.com

On Tap: Golden Grant 5% ABV.

Vernal Brewing

55 S. 500 East, Vernal VernalBrewing.com

Wasatch Brew Pub 2110 S. Highland Drive, SLC saltlakebrewingco.com/ wasatch

On Tap:  Top of Main – Coalition Hellfire Chili Pepper Ale

Zion Brewery 95 Zion Park Blvd, Springdale ZionBrewery.com Zolupez

205 W. 29th Street #2, Ogden Zolupez.com

BEER NERD

Rye On!

This week, a little rye goes a long way.

BY MIKE RIEDEL comments@cityweekly.net @utahbeer

Kiitos - Sahti: This is a farmhouse-style ale that originates from Finland. Sahtis primarily use juniper twigs during the brewing process in place of hops, creating more of a balance and imparting a resiny character.

The Kiitos interpretation has a solid pour and produces a minimal off-white head; a very light amber/straw hue shows an unfiltered clarity. The aroma smells of juniper, biscuit-like malt, some spicy grain, lots of grapefruit, some lychee aromas and light juicy notes. The juniper didn’t pop like I anticipated, but there is a lot going on here.

At first sip, the taste proves to be somewhat lighter than I was expecting, with a cleaner yeast character that I don’t normally associate with traditional farmhouse ales. Flavors of tangerine, lychee and grapefruit are balanced by an almost apple-like tannin element towards the finish that seems to be from the yeast.

This beer isn’t hugely sweet, and the body definitely has a medium/light quality that keeps it quaffable. There is some nice backing rye malt here with a touch of spiciness to it, some toasty whole grain-like notes, lots of lingering biscuit character, and some caramelized/honey malt sweetness.

Verdict: An interesting beer. While I was hoping for more of that Sahti juniper character, the overall nice fruitiness makes this a pleasant-drinking ale. If you’re looking for a highly drinkable “hop alternative” beer, this will add enough complexity that you may not even miss those hops.

Salt Lake Brewing - Rye of the Tiger: This red ale features rye malt and

pours a sturdy amber color with two fingers of pure white foam. The head fades relatively quickly, leaving a light level of foamy lace on the sides of the glass.

The aroma of the beer most heavily evokes a caramel smell mixed with some lighter graininess and moderate rye bread. Along with these aromas are some other notes of citrus orange and a bit of grass and floral hop.

The taste begins much heavier on the rye flavor than I would have thought from the nose. While not a super rye powerhouse, it does have a nice hit of it which lasts throughout the taste. At the front of the taste, there is a caramel and lighter fruit flavor of pear and citrus.

As the taste moves forward, the sweetness fades a bit as some of the caramel is lost. While this occurs, some spice flavors move onto the tongue, melding nicely with the rye flavors of the brew. With a bit of an herbal, grassy flavor joining the taste at the end, the rye moves from a smoother, bready nature to a slightly grainier flavor; one is left with a crisp and tasty rye bread flavor to linger on the tongue.

The body of the beer is on the average to slightly thinner side, with an average carbonation level. While just a tad more carbonation would have nicely complemented the blend of sweeter and drier rye flavors that transition throughout the taste, the slightly thinner body did just that rather well and helped leave the crisp and refreshing rye flavors on the tongue at the end.

Verdict: A quite easy-drinking and still very tasty rye brew that is blended nicely with sweet, spicy and crisp flavors, which really make for an easy drinking experience.

Enjoy Rye of the Tiger on draft at Salt Lake Brewing Company (Squatters Building). Kiitos’ Sahti is on draft and in 16-ounce cans to-go from the brewery. There aren’t a lot of Sahti-style beers around, so check this one out.

As always, cheers! CW

the BACK BURNER

BY ALEX SPRINGER | @captainspringer

Xiao Bao Bao Eyes Milk Block for Expansion

After the success of Xiao Bao Bao (xiaobaobaoslc.com) near Library Square, founders Romina Rasmussen, Derrick Yee and Dwight Yee recently announced plans to expand their beloved bao shop. This second location is scheduled to open at 428 E. 900 South in the Milk Block area sometime in June. It’s great news for fans of Xiao Bao Bao’s signature items, which incorporate traditional flavors from Asia and South America to create delightful, rotund bao that are extremely fun to eat. Xiao Bao Bao has also made a name for itself with its rotating menu of specials that have included both sweet and savory versions of the stuffed snack. We’ll keep an eye on this new spot’s progress for sure.

Fillings and Emulsions Comes to the Granatos Building

I recently wrote about the closure of West Valley’s location of local bakery Fillings and Emulsions (fillingsandemulsions.com), but it appears that when one door closes, another one opens itself up. Based on the Fillings and Emulsions Instagram page, the team has opened a location in the Granato’s building at 1391 S. 300 West. Fans of the bakery can expect its trademark cheesecakes, macarons, demi baguettes and plenty of the other sweet sundries that have made Fillings and Emulsions a local favorite. I’ve been appreciating the vibrant colors of the bakery’s new digs; it seems like it’s composed of a style that really complements Chef Diaz’s menu.

Brunch for the Culture at Flanker

Brunch events have evolved into a wide spectrum of nuance and diversion, and this upcoming Brunch for the Culture event at Flanker (flankerslc.com) sounds all kinds of interesting. Flanker’s Brunch for the Culture promises to bring a community-based vibe to its brunch event, which includes plenty of signature cocktails and samples from Flanker’s stellar brunch menu. That menu also includes some of the best stuff you can get for this chic mealtime experience—think chilaquiles with brisket and avocado, along with some country-fried chicken and eggs. It’s all going down on Jan. 26 from 2 p.m. to 6 p.m., and reservations can be made online.

Quote of the Week: “I love brunch because it’s breakfast and lunch and why not?”

– Lorena Garcia

Casting Away the Darkness

SLC metal band Harvest of Ash uses its new album to mark an emergence from troubled times.

BY EMILEE ATKINSON eatkinson@cityweekly.net @emileelovesvinyl

Starting anew. Rising from the ashes. A rebirth. You’ve heard it all before, but the sentiment lives on for a reason: When someone needs to start fresh, it’s worth acknowledging and celebrating.

SLC metal band Harvest of Ash is doing just that with their new album Castaway, an album that symbolizes more than just a new music release, but a return to form for the band. Guitarist/vocalist Pepper Glass and drummer Mike DiTullio have been rocking together since the pandemic reared its ugly head. The two had played other genres of music, but came together because of their interest in playing a heavier metal sound. The two clicked, and the rest was history, as they say.

Along with previous bassist Jimi Jamez, the trio released their debut EP Deadlights in 2020, followed by Ache and Impulse in 2022. Castaway is a fresh start after some hard times, and Glass and DiTullio are excited for this new era of Harvest of Ash.

“It’s always both a very fulfilling thing, but also kind of a scary thing, to push your little baby out of the nest and let the rest of the world hear it,” Glass says. “It’s been a journey of new members, a long time writing songs, figuring out our direction and what we wanted to do for this one.”

“There was a couple of long spans of time in the last couple of years where I couldn’t play drums because I had a couple of injuries,” DiTullio adds. “Then we

found ourselves without a bass player, so we just decided to work on writing all the new songs, just the two of us for the most part.” Glass and DiTullio have since recruited Ben Dodds on bass, bringing them back to a trio.

Harvest of Ash describe the writing and recording of Castaway on their BandCamp page as “a dark time for the band,” but its release is symbolizing the group coming back into the light.

“[Castaway] was definitely related to some personal issues I’ve been dealing with, and issues surrounding COVID, and changes in my life where things kind of felt like they were falling apart and unraveling,” Glass explained. “This album reflects that, it’s about coming out of that.”

Glass also touches on how metal can often be misconstrued as being very negative and scary, but like any other form of art, it’s a great way to express yourself and your feelings.

“This is a very positive record, and it’s talking about reaffirming who you are and reaffirming your value in the world and what you can give to others, and your place in the world,” Glass said. “That’s really the main theme of the record … this of selfgrowth, but also acknowledging the dark times and the darkness and realizing that those things are all part of the trip and all part of the journey through life.”

Harvest of Ash are masters at creating this immersive, sludgy and epic metal sound on their music. Castaway is not only a marker for the band coming out of hard times, but it’s also a showcase of their talent—and it represents the band at their best. Their previous works are good, but there’s something special about this one.

Castaway opens with the title track, and will have you trudging through their doom/post-metal sound with them, marching steadily to the beat as the melodic sound envelops you. Sometimes metal is very heavy and very fast, and that’s good, but it’s also good to slow down a bit and really take in the chugging chords

and really sink your teeth in.

“Lyrically, [Castaway] charts a journey from selfcriticism and feelings of rejection to being happy with who you are and what you have become as a person,” the band describes on BandCamp. “A main theme of the work is the idea of ‘amor fati,’ or love of fate. This is the notion of living life in an authentic way, embracing every decision and path taken—good and bad—as uniquely your own, that you would do everything the same way again. This makes Castaway a deeply personal statement about when you feel the bottom has dropped out of your life, and reclaiming value in yourself during these times.”

When Castaway releases in March, Harvest of Ash are hoping the takeaway from the album will be personal for listeners, just as it was for them in its creation.

MUSIC

“We’re trying to get to where someone can listen and take something away or feel attached toward, saying, ‘Oh, that connects with me. I was feeling that as well,’” Glass emphasized.

Castaway will be out everywhere Friday, March 7, and on the following day Harvest

of Ash will be at Aces High Saloon playing a release show with local metal acts Glossa and Huldra. This epic lineup is not one to be missed, so be sure to mark your calendars. Even though Castaway isn’t being released for a couple months, it’s well worth the wait.

Glass and DiTullio put their all into this album, and it’s definitely something you need to experience for yourself. CW

Harvest of Ash

TUESDAYS

WEDNESDAYS

BEST BAR IN UTAH!

MUSIC PICKS

Cloonee @ The Marquis 1/23

With his 2018 release “Gospel” being described as “no-nonsense tech house,” that’s all you need to know about Cloonee (David Bissett). The tech house DJ and producer from Sheffield, U.K. brings simple, straightforward rhymes with catchy, vocal-driven hooks. It’s no small feat to go from a local club scene to international festivals like Tomorrowland, but Bissett has quickly climbed to the top of the electronic music industry. His skill lies in his ability to be a tastemaker, trendsetter, energize a crowd and showcase versatility through his music. He can fit into a lineup at Coachella just as easily as one at EDC Las Vegas. From his first hit “Estes” to his first Beatport no. 1 with “Be Good To Me,” it is no surprise that the legendary house producer Chris Lake signed him to his label Black Book Records. Bissett has pushed boundaries with house music by incorporating reggaeton sounds into his tech-house productions, shown in songs like “Sippin’ Yak,” “Mi Amor” (featuring fellow producer Wade) and “Fine Night.” It’s Sundance Film Festival season, so Park City will be much more packed than usual! Don’t miss out on all the late-night parties, including Cloonee at The Marquis on Thursday, Jan. 23. Doors open at 9 p.m. for this 21+ show. Tier 1 tickets cost $49.95 and are quickly selling out due to the Sundance rush. There are tickets at higher tier prices, so check out highaltitude.frontgatetickets.com for tickets and full event information. (Arica Roberts)

Cloonee

MUSIC PICKS

Alan Sparhawk @ Urban Lounge 1/24

It’s always risky to leave one’s day job and try something new. It’s no different for a musician who opts to detour from a longstanding ensemble and make a solo stand. Yet, as an exceedingly adventurous and prolific artist, Alan Sparhawk has never feared venturing into other sonic and psychic realms. The frontman for proto-progressive band Low, he’s frequently dabbled in various side projects that have found him expanding his musical reach in terms of both craft and creativity. Upon the passing of his wife and collaborator Mimi, Sparhawk undertook his first solo album, White Roses, My God. Both daring and dramatic, it ties together the tattered threads of grief, isolation and experimentation into a bold, varied and provocative pastiche, flush with hushed narratives, propulsive beats, mesmerizing melodies and unexpected soundscapes. It’s little surprise that the critical reaction has been so enthusiastic, courtesy of raves from The New York Times, Stereogum, Uncut and more. “I found that the sounds and the rigidity demanded a certain structure, a framework, and I was trying to improvise songs within that framework,” Sparhawk states on his website. “Which meant that the things that were organic had this freedom to be even more non-regimented. I really respect the moment when the music instigates transcendence.” As an audience, we can respect that as well. Alan Sparhawk’s The White Roses Tour with guest Circuit des Yeux comes to Urban Lounge for a 21+ show on Friday, Jan. 24 at 7 p.m. Tickets cost $25 (+ $9.46 service fee and $2.06 tax) at 24tix.com. (Lee Zimmerman)

Drusky, Wilbere, Jonas Swanson @ Kilby Court 1/25

There are so many shows to choose from this Saturday evening, but this local lineup should definitely be under consideration when looking for a night out. Headlining this show is Drusky, who always brings the noise and the angst to every performance. Their grunge-pop sound will resonate easily with those who love their music to be infused with heartbreaking religious trauma. Their 2024 debut album, Cake and Absinthe, features plenty of that, but it’s not so heavy that it’s a drag. Their melodic rock sound is easy to fall into, and you’ll have plenty of the tracks on repeat after your first listen of the album. Also on the bill is Wilbere, another alt/indie-rock band that you need to listen to ASAP. Their 2024 track “Tether” is a beautiful adventure chronicling the difficult task of trying to let go, but not being able to do so in the end. You’ll find plenty of joy in their 2023 EP Quiet Eyes as well, which will leave you wanting more. You’ll also be able to catch the musical stylings of Jonas Swanson at this local lineup. Come have some fun on Saturday, Jan. 25 at 7 p.m. Tickets for the all-ages show are $10 and can be found at 24tix.com. (Emilee Atkinson)

Futurebirds @ Commonwealth Room, 1/25

There’s a distinct Southern character to the music of Futurebirds. That shouldn’t be surprising, as the group originates from Georgia. In fact, Futurebirds began in Athens, the University of Georgia college town that gave the world R.E.M., Pylon and the B-52s. But Futurebirds doesn’t quite sound like Southern rock, nor does it make edgy “college rock” (as it was once known). Instead, the group serves up an amiable, psychedelically-tinged brand of country rock. Yet even that label doesn’t quite get to the heart of the band’s musical style, one informed by pop and jam band culture. Futurebirds came on the scene with 2010’s Hampton’s Lullaby, but the group truly found its footing with its second full-length, 2013’s Baba Yaga. The large group—currently featuring seven mem-

MUSIC PICKS

bers—has been quite prolific; since its start, Futurebirds has released two live albums, five studio full-lengths (2024’s Easy Company is the latest) and no fewer than eight EPs. They’re fond of collaboration as well: My Morning Jacket’s Carl Broemel has worked with the group on select recordings. With support from opening act Abby Hamilton, Futurebirds come to the Commonwealth Room for this 21+ show at 8 p.m on Saturday, Jan. 25. Tickets are $30 and are available at axs.com. (Bill Kopp)

Doom Night @ The International 1/28

Sometimes you hear true greats in music talk about ideas seemingly coming from another plane, with them being the vessels to communicate it. David Payne, Jeremy Divine and Katy Ducos appear to exemplify that. They create special performances that exist in the moment like the great jazz improvisers have, although they may or may not make jazz. After a decade of running their art-and-music night at another local venue, The Midnight Jaguarz have moved

their Doom Night showcase to Tuesdays at the International Bar in SLC. Their improvisations span the full range from near deathly silence to full on white noise. The instruments used in no way limit the sonic range; sure, there is a jazz improvisational base, but Payne and company’s music long ago left easy categorization behind. I mean, it’s the same with all art: “Nice” stuff that you “like” eventually becomes monotonous. The Midnight Jaguarz takes you out of that comfort and makes you listen or see afresh, and start taking notice of the details and differences again. All that work on improvisation doesn’t go to the detriment of shared feelings for melody and rhythm; at the end of the day, the music itself is really accessible. Everyone who’s willing to give the whole thing a try can really just turn up, relax, soak it all in and walk away having taken something out of the experience. Blue Clay and the Salt Lake City Demons open. Catch these artists on Tuesday, Jan. 28, doors at 9 p.m. Tickets for the 21+ show are FREE and can be found at internationalbarslc.com. (Mark Dago)

free will ASTROLOGY

BY ROB BREZSNY

ARIES

(March 21-April 19)

Author Anaïs Nin wrote, “Life shrinks or expands in proportion to one’s courage.” I bring this to your attention because you Aries folks now have a mandate to expand your life through courageous acts, thoughts, and feelings. I suggest we make the Arctic fox your power symbol. This intrepid creature undertakes epic migrations, journeying over 2,000 miles across sea ice, using starlight and magnetic fields to navigate. Let’s dare to speculate that you have something in common with it; let’s propose that you are equipped with an inner guidance system that gives you a keen intuitive sense of how to maneuver in unfamiliar territory. PS: Anaïs Nin has another tip: “We don’t see things as they are, we see them as we are.”

TAURUS

(April 20-May 20)

Taurus archeologist Howard Carter made a spectacular discovery in 1922: the intact tomb of the Egyptian Pharaoh Tutankhamun, more than 3,300 years after his death. It was filled with more than 5,000 artifacts, became a global sensation and to this day remains the most famous find from ancient Egypt. A short time before he succeeded at his five-year quest, Howard Carter nearly gave up. But then his sponsor agreed to provide funds for a few more months, and he continued. In this spirit, Taurus, I urge you to keep pushing to fulfill your own dream. Renew your faith. Boost your devotion. Remember why you feel so strongly.

GEMINI

(May 21-June 20)

The James Webb Telescope is the largest telescope in space. Recently, it discovered hundreds of galaxies that no humans had ever before beheld. They are very old, too—far more ancient than our own Milky Way Galaxy. I propose we make this marvelous perception-enhancing tool a symbol of power for you. According to my analysis of the astrological omens, you now have a robust potential to see things that have always been invisible, secret or off-limits to you. Some of these wonders could motivate you to reinterpret your life story and reshape your future plans.

CANCER

(June 21-July 22)

One theory says that humans evolved to be afraid of reptiles because our early ancestors were frequently threatened by them. Among the most commonly feared creatures in modern culture are snakes. And yet, as anyone knows if they’ve studied mythology, snakes have also been symbols of fertility and healing in many cultures. Because they periodically shed their skin, they also represent regeneration and rebirth. I’m hoping you don’t harbor an instinctual aversion to snakes, Cancerian. The coming weeks will be a favorable time for you to call on and benefit from their iconic powers.

LEO (July 23-Aug. 22)

In the coming months, be extra creative as you enhance your network of connections and support. Encourage your allies to provide you with tips about opportunities and possibilities that you would not otherwise know about. Ask them to serve as links to novel resources that will nurture your long-term dreams. Here’s an idea to energize your efforts: Get a vivid sense of how trees use vast underground fungal webs to communicate with each other. (Learn more here: bit.ly/ TheWoodWideWeb) Knowing about this natural magic may impregnate your subconscious mind with evocative suggestions about how to be ingenious in weaving the kind of community you want.

VIRGO (Aug. 23-Sept. 22)

I love my job as a horoscope writer. What could be more fun than analyzing cosmic signs to generate inspirational counsel for my readers? It’s a big responsibility, though. I am intensely aware of how crucial it is that I craft my messages with utmost care and compassion. Having been scarred as a young adult by reckless, fear-mongering fortune-tellers, I’m rigorous about nurturing your free will, not undermining it. I want you to be uplifted, not confused or demoralized as I was. With these thoughts in mind, I invite you to take a vigorous

inventory of the effects that your work and play have on the world. Are they aligned with your intentions? Are your ambitions moored in impeccable integrity?

LIBRA (Sept. 23-Oct. 22)

Why are diamonds so valuable? I’m skeptical. High-grade diamonds are not as rare as public perception would lead us to believe. Yes, they are extraordinarily hard and scratchresistant, but is that a reason to regard them as a sublime treasure? I acknowledge they are pretty in a bland way. But other gems are more intriguingly beautiful. Maybe the most important reason they are prized is that diamond sellers have done effective campaigns to promote them as symbols of love and luxury. All this is a prelude to my message: Now is an excellent time to think deeply about what is truly beautiful to you—and take steps to bring more of it into your life. For you Libras, beauty is an essential ingredient in your life’s purpose.

SCORPIO (Oct. 23-Nov. 21)

The way that ancient Romans made concrete was more ingenious than modern methods. Their manufacturing materials included “lime clasts,” which gave the concrete self-healing qualities. When cracks arose, they fixed themselves. That’s why Roman aqueducts built 2,000 years ago can still convey water today. Metaphorically speaking, I hope you will work on building similar structures in the coming weeks. It’s time to create strong foundations that will last for a very long time.

SAGITTARIUS (Nov. 22-Dec. 21)

Do you harbor a yearning to learn a new language, new skill or new trick? The coming weeks will be a favorable phase to get serious about doing it. Have you fantasized about embarking on an adventure that would expand your understanding of how the world works? The time is right. Have you wished you could attract an inspirational prod to unleash more creativity and experiment freely? The astrological omens suggest that inspirational prod is imminent. Have you wondered whether you could enhance and fine-tune your receptivity—and thereby open up surprising sources of fresh teaching? Do it now!

CAPRICORN (Dec. 22-Jan. 19)

Bristlecone pine trees grow very slowly, but they are hardy and long-lived. Their wood is so dense and strong that it’s virtually immune to disease, insects and erosion. They grow in places that are inhospitable for many other trees, flourishing in cold, windy environments where the soil is not particularly rich in nutrients. For the bristlecone pine, apparent obstacles stimulate their resilience. I don’t want to exaggerate the ways they remind me of you Capricorns, but you and they certainly have affinities. I believe these shared qualities will be especially useful for you in the coming weeks.

AQUARIUS (Jan. 20-Feb. 18)

In old Hawaii, it was forbidden for ordinary people to touch objects that belonged to the chiefs or to anyone with spiritual powers. Other taboos: Never walk across the shadow of an important person and never wear red and yellow feathers. Our modern taboos are different, but often equally rigid. For example, you are probably hesitant to ask people how much money they make or what their relationship status is. What are other taboos you observe? I won’t outrightly advise you to brazenly break them, but now is a good time to re-evaluate them—and consider changing your relationship with them.

PISCES (Feb. 19-March 20)

As winter progresses, each day is longer and each night shorter. Most humans feel an undercurrent of joy that the amount of light in the world is growing. But as an astrologer who appreciates cycles, I like to honor the beauty and powers of darkness. That’s where everything new gets born! It’s where the future comes from! In ancient Hawaiian religion, the word kumulipo meant “beginning-in-deep-darkness.” It was also the name of a prayer describing the creation of the world. In the coming weeks, I believe you will be wise to tap into the rich offerings of darkness.

urban LIVING

Bad Landlords

I’mnot sure if President Donald Trump intends to keep the Department of Justice as part of government. But after going through investigations in and out of office, he certainly wants to punish many affiliated with the DOJ.

Two weeks ago, Special Counsel Jack Smith said that, basically, if Trump hadn’t been re-elected he would have been found guilty of trying to influence the 2020 election. The DOJ enforces federal laws, works to prevent crime and terrorism, promotes national security and protects consumers by ensuring healthy business competition.

The latest bombshell out of the DOJ (in cooperation with several state attorneys general as co-plaintiffs) is a case against several of the largest corporate landlords in the country, accusing them of “participating in algorithmic pricing schemes that harmed renters.” The complaint alleges landlords—Greystar Real Estate Partners, Blackstone’s LivCor, Camden Property Trust, Cushman & Wakefield Inc./Pinnacle Property Management Services, Willow Bridge Property Company, RealPage, Inc., and Cortland Management—all participated in a scheme to decrease competition among landlords in apartment pricing, harming millions of American renters. Together, these landlords operate more than 1.3 million units in 43 states and the District of Columbia.

At the same time, the Justice Department filed a proposed consent decree with Cortland that requires it to cooperate with the government, stop using its competitors’ sensitive data to set rents and stop using the same algorithm as its competitors without a corporate monitor.

The complaint alleges corporate landlords worked with competitors about rents, occupancy and other sensitive topics and future pricing plans that included planned price increases through “call arounds,” which they nicknamed “market surveys.”

For instance, landlords discussed, via user groups, how to modify the software’s pricing methodology, as well as their own pricing strategies.

In one example, executives from two companies worked with another as to their plans for renewal increases, concessions and acceptance rates of rent recommendations Sharing information with competitors to increase prices is a big no-no and can be considered “price fixing.” You simply can’t use competitors’ data to run your models. Soliciting, disclosing or using any competitively sensitive information with any other property manager as part of setting rental prices or generating rental pricing recommendations only hurts renters and helps landlords/owners/investors.

Cortland manages more than 80,000 rental units in 13 states. Imagine the impact that one company has on renters and rent rates! Many of the firms under investigation operate apartment buildings in Utah—in Salt Lake City, Ogden-Clearfield and Provo-Orem and from St. George to Park City at the Canyons Village. ■

CROSSWORD PUZZLE

ACROSS

1. It comes to mind

5. Presidential nickname

8. About to run out

11. Sonnet division

13. Reaction to some memes

14. Additional

15. Rodeos and Axioms, e.g.

16. Miranda July novel that made The New Yorker’s “The Essential Reads 2024” list

18. Netflix “true story” miniseries that was #2 on The Guardian’s “50 Best TV Shows of 2024”

20. Quaff made with honey

21. Build up

25. Jason who’s one half of Jay & Silent

Bob

28. Screw up

30. Andean wool source

31. Wood-chopping tools

32. Iconic toy store ___ Schwarz

33. Onetime office note-takers

34. Dinghy propeller

35. Poker-themed roguelike deck-builder nominated for The Game Awards’ 2024 Game of the Year

37. “___ Been Everywhere”

38. Marvel mutant with cold powers

40. “___ Meninas” (Velazquez painting)

41. “Slumdog Millionaire” actor Kapoor

42. Reserved

43. Attached document, sometimes

44. Super Bowl XLIV MVP Drew

45. Tailless breed

47. Growing business?

49. Country crossover album that made many “Best of 2024” lists

54. Character paired with Wolverine in a 2024 title, the highest-grossing R-rated film ever

57. ___ del Fuego

58. Where eye color comes from

59. Penn who’s not opposite Teller

60. Pants length measurement

61. ___ see ew

62. Greek letter found within other Greek letters

63. “Don’t change that,” to an editor

DOWN

1. “___ little too late for that”

2. Paint badly

3. Organic catalysts

4. Sky blue shades

5. Permanent “QI” panelist Davies

6. Not as shy

7. “Grey’s Anatomy” star Pompeo

8. “Skip To My ___”

9. Hockey star Bobby

10. “Isle of Dogs” director Anderson

11. Member of the fam

12. Out sailing

14. Personnel concern

17. Was defeated by

19. Best possible

22. Froglike, to biologists

23. Film appropriate for all ages

24. Art studio props

25. “Little Red Book” ideology

26. Bet at Churchill Downs

27. “___ American Band” (1973

Grand Funk Railroad album)

29. Author Dahl

32. Season ticket holder

33. School elders, for short

35. Half a stereotypical interrogation team

36. Confection that gets pulled

39. Shared albums around the 2000s?

41. Seat adjunct

43. JFK’s craft in WWII

earthenware

51. Elm, palm, or maple

Part of QED

L.A. football player

Part of a party spread

Period of history

Financial help

Last week’s answers

Complete the grid so that each row, column, diagonal and 3x3 square contain all of the numbers 1 to 9. No math is involved. The grid has numbers, but nothing has to add

44. Zombie chant 46. Got up 48. Play’s opener 50. Mexican

vessel

NEWS of the WEIRD

BY THE EDITORS AT ANDREWS MCMEEL

Wait What?

In early November, Emily James, 27, of Kansas City, Missouri, underwent a most unusual and expensive ($17,000) body-altering surgery, the New York Post reported. The trans woman had six ribs removed from her ribcage in order to achieve a smaller waist. The recovery gave her plenty of time to think about what she wanted to do with those extra ribs—yes, the hospital gave them to her—and her options seemed limitless: Make them into dog toys, boil them down for broth, have an “Emily barbecue.” But eschewing all the cannibalistic notions, James has come up with the perfect project: “I plan on having someone make a crown and, like, incorporate my bone pieces in there,” she said. “Getting my ribs removed doesn’t change the fact that I’m a kind, loving trans girl. It’s my money, my body and I’m going to do what I want with it.” Yas queen.

Compelling Explanation

San Mateo, California, police arrested a Kentucky man early on the morning of Jan. 12 for a suspected hit-andrun incident, CBS News reported. Frank Falcone, 62, told officers that he was driving northbound on Pacific Boulevard when a southbound car came toward him with its high beams on. The lights disturbed Falcone “because of the brightness and potential radiation,” he said, so he rammed the other car. When it stopped, he allegedly rammed it two more times. Falcone fled the scene and told officers he evaded them because people impersonate cops. He was arrested on suspicion of assault with a deadly weapon.

Precocious

A 12-year-old boy in Michigan was charged with joy riding, operating a motor vehicle without a license, carrying a concealed weapon and possession of marijuana on Jan. 12, MLive.com reported. The boy’s parents contacted the county sheriff when they realized their Chevy Blazer was missing, saying their son had taken it. They tracked his progress into Clare County, where deputies were alerted to be on the lookout. By the time he was stopped, he had driven more than 90 miles; officers found a 12-gauge pump-action shotgun and ammunition, along with a little weed, but said there was no indication he planned to use the gun. He did tell deputies he was unhappy at home. He was released to his parents.

Um ...

Nigerian gospel singer Timileyin Ajayi, 30, was arrested on Jan. 12 as he carried a bag that contained the severed head of his reported girlfriend, the BBC reported. The bag drew the attention of people who held him until police arrived. “The suspect was found with a fresh human head,” Nasarawa police said, “and when we got to the scene, we rescued him from being mobbed.” Other parts of the deceased’s body were found at his home. Abby Simon, friend of the 24-year-old victim, said Ajayi was not her boyfriend. “Even if she was his girlfriend, she didn’t deserve to die this way,” Simon said.

You Had One Job

Brigantine (New Jersey) police were called to a home on the Jersey Shore on Jan. 13 after a neighbor found a toddler wandering around outdoors, NBC Philadelphia reported. The neighbor recognized the child and returned them to their home, where she found babysitter Jena Davidson, 35, passed out on the floor. First responders took Davidson to the hospital, where it turned out she had “consumed a significant amount of the homeowner’s alcohol to the point that she became unconscious and unresponsive,” police reported. She was charged with endangering the welfare of a child.

Bright Idea

Toilet paper shoppers in Kagoshima Prefecture in southern Japan have a new option, GoodNewsNetwork.org reported on Jan. 14: rolls made from used diapers and other hygiene products. The cities of Shibushi and Osaki worked together to recycle disposable diapers starting in April 2024. The used items are sanitized, bleached and

shredded into a pulp to be mixed with recycled paper, to the tune of 30,000 rolls in the first two months of production. They’re sold at $2.70 for a dozen rolls. “Please support this eco-friendly product, which aims to promote a sustainable society by reusing local resources,” said Takumi Obo, spokesperson for the Osaki Municipal Government’s SDGs Promotion Council.

Least Competent Criminal

Victoria state police in Australia released a video on Jan. 9 in an effort to identify two would-be arsonists who bungled their crime, Yahoo! News reported. In the video, two people in dark hoodies attempted to set fire to a Melbourne fast-food outlet on Christmas morning, but one of them became engulfed in flames. The footage shows the person removing their fiery trousers and running away bare-cheeked; the other person was seemingly unharmed.

Irony

On Dec. 18 at the Family Dollar store in Mulberry, Florida, two shoplifters worked together to pull off a cleaning products heist, the Miami Herald reported on Jan. 10. The Polk County Sheriff’s Office, referring to the couple as Mr. Clean and Ms. Dookie until an arrest is made, hatched a plan to distract employees. “The man walked around the store gathering nearly $500 worth of merchandise (like lots of Gain, Tide and Clorox products),” officers said, “whilst the woman ... (used) the restroom, without going to the restroom.” While employees cleaned up the mess, Mr. Clean walked past the registers and out to a Ford van, where Ms. Dookie joined him, and they drove away. The odd couple are still at large.

Unclear on the Concept Hampton, Virginia, police officer J’ron Harry lost his job after a less-than-satisfying encounter with a prostitute on Dec. 30, WAVY-TV reported. Harry met 20-year-old Alexus “Dream” Copeland on an app and arranged to meet her that day at an apartment in Virginia Beach, police say. They agreed to shower together, but Copeland never came into the bathroom, instead lifting Harry’s phone, keys, wallet and car (with police credentials). Police were able to track down the car in Norfolk; Copeland told them Harry had given her permission to borrow his car, but she was charged with grand larceny, credit card fraud and prostitution. Harry was not charged but was terminated on Jan. 7.

Wrong Place, Wrong Time

A coyote “made a mistake” on Jan. 13 and ended up in the refrigerated case of the produce section at an Aldi store in Chicago, WLS-TV reported. It was sequestered behind a selection of fine cheeses after roaming around the parking lot just minutes earlier. “It picked an odd location,” said Stan Gehrt with the Cook County Coyote Project. “They do this sometimes. They’re trying to hide from us.” Gehrt said many of the animals who end up in a sketchy situation are those who haven’t found a mate yet. The coyote will be evaluated by the Flint Creek Wildlife Rehabilitation group, which will determine whether it can be released back into the wild.

Mistaken Identity

As a group of schoolchildren walked home on Jan. 13 in Syracuse, New York, Onondaga County Sheriff’s deputies approached the kids and said one girl, wearing a pink jacket and camo pants, was the suspect in a car theft nearby. WSTM-TV reported that another child started recording video as the 11-year-old girl and her friends denied the accusation and deputies put her in handcuffs. They showed the kids a picture of the suspect and said, “Girl, you gonna tell me this ain’t you?” Eventually, one deputy noticed that the suspect had longer hair and “apologized,” saying, “I’m sorry about it, but you matched the description pretty clearly.” The sheriff’s department reviewed the situation and claimed the detainment was “lawful and reasonable,” but Sheriff Toby Shelley met with the girl’s mother afterward and called their conversation “productive.”