2024-25 Impact + Engagement Report

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MAKING A DIFFERENCE

The Cleveland Institute of Art has been making a difference in the community for more than 140 years. CIA shapes culture. It grows the economy. It serves as an intellectual hub. It makes Northeast Ohio a more vibrant and inclusive place to live. Simply put, CIA is a unique asset to Cleveland.

To contextualize just how big a difference our college of art and design makes, we publish the Community Impact + Engagement Report. This annual report details CIA’s community make-up, illustrates the college’s contributions to the creative economy, and shares how students and faculty work with community partners to make a difference.

ABOUT CIA

The Cleveland Institute of Art is a private, nonprofit college of art and design that has been the training ground for students for more than 140 years. The College was originally opened as the Western Reserve School of Design for Women in 1882.

CIA students have gone on to design international products. Their artwork has been exhibited in major museums and private collections around the world. Audiences and gamers have enjoyed their entertainment media for generations.

Mission

CIA’s mission is to cultivate creative leaders who inspire people, strengthen communities, and contribute to a thriving and sustainable economy through an innovative education in art and design.

Vision

The global community is engaged and enriched by art and design.

Values

Accessibility

Creativity

Excellence

Inclusivity

Individuality

Investment Responsibility Stewardship Transparency Wellness

Impact + Engagement Report images courtesy of Michael C. Butz, The Dark Room Co., Rob Deal, Kendra Drake ’25, Amber N. Ford ’16, Rustin McCann and Leah Trznadel ’19 as well as CIA students, faculty, staff and Board members.

Board of Directors Officers

Cynthia Prior Gascoigne

Board Chair

Fran Belkin

Vice Chair

August L. Fluker, Jr.

Vice Chair

John Mueller Vice Chair

Janet A. Spreen Vice Chair

Howard M. Groedel

Secretary

John Tortelli Treasurer and Assistant Secretary

Kathryn Heidemann President + CEO

Board of Directors

Josephine Anderson

Amy Bendall

William Busta

David Buttram ’89

Lisa Codispoti

Grosvie Cooley

Ruth Swetland Eppig

August L. Fluker, Jr.,

AIA LEED AP

Cynthia Prior Gascoigne

Matthew L. Greene

Howard M. Groedel

Heather Holmes Dillard

Curlee Raven Holton ’89 ≠

Christopher Howse

James Keene

James D. Lincoln

Jose Longoria ’81 ≠

Svetlana Loshakov, CFA

William N. Masters

Angela McDonald-Fisher

John Mueller

Laura F. Ospanik ’80

Paul D. Pesses

Michael H. Port

Kyla Epstein Schneider

Greg S. Shaw, PhD

Lynne Shlonsky

Robert M. Siewert, CFA

Mark K. Smith

Carey L. Spencer

Janet A. Spreen

Susan Stone

Martin Tarr

≠ National Director

Advisory Council* Co-Chairs

Kim Chapman ’17

William N. Masters

Marianne Bernadotte

Kim Chapman ’17

Elana Cohen

Chann Fowler-Spellman

Erica Hartman-Horvitz

Bryan M. Klinger ’93

Kelly Masters

Casey Monda

Warren L. Morris

Madeleine Parker

Stamy Paul

Barbara D. Richter, PhD

Karen A. Skunta ’74

Amy Viny

Susan Wadden ’99

Marjorie L. Williams

CIA’s Code of Regulations was amended June 11, 2025. Included in that process was the sunsetting of the Advisory Council, effective July 1.

CIA thanks all Advisory Council members for their service.

Directors Emeriti

Fran Belkin

Donald Insul

Gary R. Johnson

Jennie S. Jones

Clay Mock

Creighton B. Murch

John R. Nottingham ’72

John W. Spirk ’92

Lois J. Sussen ’92

Joy E. Sweeney ’58

President’s Cabinet

Kathryn Heidemann President + CEO

Amanda Fronek, PhD Dean of Students

Tony Ingrisano President, Faculty Senate

Matthew McKenna Associate Vice President of Information Systems + Technology

Malou Monago Vice President, Institutional Advancement + External Relations

Charise Reid Vice President, Human Resources and Support Services + Chief Equity and Inclusion Officer

Matthew Smith, PhD Chair, Staff Council

Yvette Sobky Shaffer Vice President, Enrollment Management + Marketing

John Tortelli Vice President, Business Affairs + Chief Financial Officer

Greg Watts Vice President, Academic Affairs + Provost

LEADERSHIP

STUDENTS CREATING COMMUNITY

CIA attracts art and design students from around the world and from all walks of life, thus contributing to the diverse cultural fabric of Northeast Ohio.

BY THE NUMBERS: STUDENT DEMOGRAPHICS

Students of

15% First generation to attend college Retention rate (Fall 2024 to 88% Fall 2025, first-time first-year) 98% Received financial aid

$39,578 Average financial aid award

Students from 33 states enrolled at CIA.

States where seven or more students came from

States where six or fewer students came from

Through international partnerships with colleges and universities across the globe, CIA also welcomed students from Albania, Argentina, China, France and Mexico

CIA’s presence in Ohio is strong and rooted in community. Out of CIA’s 562 students in 2024–25:

CIA is home to 13 majors across studio arts, design, craft and digital arts—nationally recognized programs that inspire students and allow them to explore their creative ideas and choose their career paths.

BY THE NUMBERS:

STUDENT DEMOGRAPHICS

Academic Program % of Student Body Enrolled 2024–25

Classroom Collaborations

CIA students worked with these external partners—and many more— during the 2024–25 academic year.

Artist Image Resource

ATNSC: Center for Healing & Creative Leadership

Canalway Partners

Case Western Reserve University

Chagrin Documentary Film Festival

Cleveland FES Center

Cleveland Museum of Natural History

Chrysler

Cleveland Metroparks Zoo

Cleveland Museum of Art

Dancing Wheels

Don’t Make a Scene

Duvel

General Motors

Higher Living Wheelchair Services

Literary Cleveland

In 2024–25, students also enrolled in minors in Creative Writing and Visual Culture.

Little Tikes

moCa Cleveland

Print Club of Cleveland

Spirit of Leadership

Stellantis

Studio West 117

University of Akron Biomimicry Research Center

Zygote Press #42 GAME DESIGN

ACADEMICS STUDYING ART + DESIGN

FACULTY+STAFF SHAPING YOUNG MINDS

CIA faculty are dedicated to teaching students in an environment designed exclusively for creative thinkers, while staff play crucial roles in

Irina Zavatski ’01, vice president of Chrysler design, and Ryan Nagode ’03, vice president, head of interior design— both at Stellantis— discuss their work on the Chrysler Halcyon concept car, Dodge Charger Daytona BEV and Jeep Wagoneer S BEV during the 2025 Cleveland Auto Show.

CIA graduates propel creative and entrepreneurial conversations locally and nationally, and work for— and with—some of the most recognizable brands in the country.

71%

2024 graduates working full-time, part-time or freelancing in an artor design-related environment or are continuing their studies in graduate school

#8

BY THE NUMBERS: ALUMNI CLEVELAND

ALUMNI ACHIEVING SUCCESS

5,753 Active alumni 3,443 Living in Ohio (60%) 2,924 Living in Northeast Ohio (51%)

1,659 Living in Cleveland (29%)

BEST CITY FOR NEW GRADUATES

CBS NEWS (2024)

ECONOMIC IMPACT DRIVING THE ECONOMY

CIA is the educational engine that drives Northeast Ohio’s creative economy—an economy that, worldwide, generates $2 trillion annually and employs 30 million people.

$26.7 million Induced impact

$23.4 million

Direct and indirect impact

$55.2 million

CIA’s cumulative economic impact on Cuyahoga County

$3.2 million Student impact

$971,000 Student partnerships

$349,000 Events

$215,000 Visiting artists and lectures

$44,000 Cinematheque

INDUCED IMPACT

Result of increased household spending resulting from CIA.

DIRECT IMPACT

Immediate economic effects generated by CIA activity.

INDIRECT IMPACT

Secondary effects that occur as a result of CIA activity.

Source: Economic Impact Analysis of the Cleveland Institute of Art on Cuyahoga County, Carnegie Mellon University Heinz College of Information Systems and Public Policy

PREPARING FOR THE FUTURE

Samantha Mack, a Life Sciences Illustration senior, recently interned at the Barrow Neurological Foundation in Phoenix, where she created educational materials to guide post-operative patients through their journey. She also interned virtually for Lupine Studios, where she designed products for the Belize Zoo. The experience she gained will help her pursue a career in medical illustration.

The ability to work so closely with my mentors and work directly with clients gave me a solid understanding of how a professional workflow can look. This insight makes me feel like I’m entering the job market with knowledge that I couldn’t have otherwise gotten. I’m more confident in my ability to speak with people in the industry, and I’m more aware of what my career may look like.”

Samantha Mack ’26 Life Sciences Illustration

Students and alumni can leverage their degrees to smoothly transition into a professional career, whether that means building a studio practice, joining an established business, becoming an entrepreneur or pursuing an advanced degree.

At American Greetings, we’ve found CIA prepares artists who bring a rare balance of craftsmanship, conceptual thinking and creative problemsolving—making them an exceptional fit for our Creative Team.

Greetings

CAREER CENTER BUILDING A PIPELINE

These companies hired employees or interns from CIA’s Class of 2024, the most recent year for which data is available, or met with future hires during CIA Career + Graduate School Fairs in 2024–25.

ENROLLMENT INITIATIVES INCREASING PATHWAYS

CIA strategically works to meet prospective students’ needs by creating new entry points for pursuing an education in art and design. Examples from previous years include joining the Say Yes Cleveland scholarship program and partnering with College Now Greater Cleveland to serve as a host site for its impact! after-school program.

Spring>Summer program

Launched in 2024, CIA’s Spring>Summer program provides a new opportunity for first-year students to enroll at CIA during spring semester and pursue their passion for a career in art and design on a timeline that works for them.

Participating students took coursework in Foundation and Liberal Arts during Spring 2025 semester, a typical 16-week semester, and then in summer, they completed their first-year coursework during an accelerated nineweek term. Those students then transitioned to their sophomore year at the beginning of Fall 2025 semester.

Articulation agreements

Articulation agreements make it easy for students to transfer to CIA by providing transfer credit and scholarship support to students who complete a specified curriculum at another college. Eligible students enter CIA as sophomores and directly begin their BFA program in one of CIA’s majors in visual arts, craft, digital media and design. CIA has signed three articulation agreements in the last three years.

2024: Lakeland Community College in Kirtland 2023: Davis University in Toledo 2022: Cuyahoga Community College in Cleveland

Students used to have to wait an entire year to start in CIA’s first-year program if they didn’t enroll in the fall. With the number of students who are opting to wait to go to college, we started Spring>Summer to make sure CIA’s BFA program is as accessible as it can be.”
Yvette Sobky Shaffer Vice President, Enrollment Management + Marketing

CIA’s Interactive Media Lab is a catalytic hub for creative learning, cross-sector innovation and workforce development—and it’s the only facility of its kind in Ohio.

Opening Doors

The CIA community and external partners got their first glimpse of the IML during its soft-launch phase in early 2025. CIA’s Industrial Design, Animation, Game Design and Creative Writing programs collaborated to film Operation: Blast-Off in the IML’s XR Studio, and throughout the year, news about the IML made headlines across Northeast Ohio.

Cleveland Institute of Art’s new Interactive Media Lab aims to position school at forefront of art, design and tech

January 1, 2025

Cleveland Institute of Art hopes $13M media lab sparks creative, business growth

By

June 4, 2025

Cleveland Institute of Art unveils Interactive Media Lab, hopes to spur creative and economic development

By

June 8, 2025

CREATIVITY WORKS PREPARING FOR CAREERS

Creativity Works is a self-initiated internship program with the goal of supporting a student’s professional development. Participating students create proposals that align with their long-term professional goals. Creativity Works is made possible by the generous support of the Fenn Educational Fund of the Cleveland Foundation and the G.R. Lincoln Family Foundation.

BY THE NUMBERS: STUDENT DEMOGRAPHICS

Community Partners

Creativity Works students partnered with the following organizations in 2024–25:

1300 Gallery

Baseball Heritage Museum

Breckenridge Village

Cleveland Hopkins International Airport

Cleveland Public Library

Cleveland School of the Arts

Fairmount Center for the Arts

Future Ink Graphics

Gallery 202

Holden Arboretum

Judson Park

Kemper House

Laura’s Home Women’s Crisis Center

Little Rose Tavern

Madison Public Library

Mentor Ridge

Museum of Creative

Human Art

Observatory Park

Praxis Fiber Workshop

The Preserve

Progressive Field

Shaker Historical Society

SPACES

Stella Maris

University Hospitals

YWCA Greater Cleveland

PUSHING BOUNDARIES

Nicole Alvarez ’26 honored the Cleveland Buckeyes’ 1945 Negro League World Series championship with Hidden All-Stars, an exhibition at the Baseball Heritage Museum.

My experience during Creativity Works helped push me beyond the projects I usually do. The project and grant gave me agency and allowed me to be ambitious. Creativity Works expanded my skillset as an artist and helped me see more of my potential.”

Nicole Alvarez ’26

Painting

CIA’s Multicultural Orientation Series for Artists In College (MOSAIC) program is designed to support historically underrepresented students by providing a more personalized orientation as they transition from high school to college.

BY THE NUMBERS:

MOSAIC 2024–25

17 Student participants

5 Peer mentors

The program was created in 2022 and is open to all incoming first-year students. Participants are introduced to academic and support resources, given tours of campus and University Circle, and matched with a peer mentor who supports them throughout their first year.

MOSAIC BUILDING FUTURES

Students in MOSAIC are some of our most creative, resilient and highest performing. Thinking back to the last cohort, I’ve witnessed how much they’ve grown in just a year from an academic standpoint and in general!”

STUDENT SUCCESS CREATING CONFIDENCE

Emmy Corsaro ’26 likes to help people. She’s already found many ways to do that during her three-plus years studying Sculpture + Expanded Media at the Cleveland Institute of Art, and after she earns her BFA in spring 2026, she intends to pursue a career in art therapy.

During her CIA journey, Corsaro received a bit of help herself by participating in two CIA programs. They—as part of her overall CIA experience—helped instill a level of confidence the Painesville, Ohio native hadn’t yet felt.

“I’m a completely different person than I was in high school. I used to be so anxious and constantly feel like I had to change who I was to make other people happy. And once I got to art school, I had a moment one day during freshman year when I was like, ‘I don’t have to

do that,’” she says. “Like, everyone here likes me, and I don’t have to pretend to be someone I’m not so that they like me. As time has gone on, I’ve gotten a lot more confident and comfortable here.”

Those helpful CIA programs were MOSAIC, which is designed to support historically underrepresented students by providing a more personalized orientation as they transition from high school to college, and Creativity Works, a self-initiated internship program that supports professional development goals for students studying fine arts and crafts.

First-year students who participate in MOSAIC (Multicultural Orientation Series for Artists In College) are given early access to CIA. They move into residence halls earlier than other students, during which time they’re introduced to academic and support resources,

given tours of campus and University Circle, and matched with a peer mentor who supports them throughout their first year.

Corsaro is a first-generation student. When it came to the ins and outs of navigating college, she says, “I didn’t understand how any of that stuff worked at the time, and nobody in my family really knew how that worked.”

MOSAIC helped. Corsaro found the early move-in particularly valuable because it gave her time to get settled and get acquainted with roommates and soon-to-be classmates.

“It was really great. I felt like I gained an advantage because I got to see spaces on campus before my peers did,” she says. “I was feeling underprepared, and then I got that ‘little bit extra’ that made me feel like I was on par with everybody else.”

Her MOSAIC experience resonated—so much so that, in the spirit of wanting to help others, Corsaro decided to be a peer mentor in the program her junior year. She supported three students, along the way helping them with creative projects, time management, résumé writing and interpersonal issues.

“As a mentor, it was a lot more pressure than I thought it would be—but I saw the benefits within [my mentees],” she says. “I feel like having that person there that they knew they could rely on, that’s how it was helpful for them.”

Creativity Works is another program Corsaro participated in her junior year. The self-initiated internship program requires students to create proposals that align with their long-term professional goals.

Outside of CIA, Corsaro works as an activity assistant at Mentor Ridge, a senior-living facility in Mentor, Ohio. She leads residents in various group activities, including an art class that’s grown to be one of the facility’s most popular under her direction.

“I work really well with old people, and it’s something I’m really passionate about,” she says. “Working with them and doing art with them, I realized I wanted to go into art therapy and continue working with them—especially memory-care patients. I feel like that was the biggest inspiration for my Creativity Works project.”

For Creativity Works, Corsaro organized and led 16 workshops at five senior-living facilities across Northeast Ohio. She guided participants through weaving and painting, encouraging them to embrace the action of making and to express their creativity.

“The majority of them had never done art before,” she says. “People who have never done art before or don’t really have experience doing art, they realize they enjoy it and find confidence and comfort in that.”

All told, 65 senior residents participated. Corsaro curated their work into Senior Empowerment: Art by New and Seasoned Artists, an exhibition at Judson Park’s George A. Streeter Gallery in Cleveland. She says, “[The exhibition] was something tangible for them. It definitely brought a lot of validity to their artistic pursuits, which was one of my biggest goals.”

Corsaro credits both Creativity Works and MOSAIC for having a “huge” impact.

“It definitely goes back to a confidence thing, and also, getting my name out there,” she says. “Before MOSAIC and CW—this is going to sound stupid—but if you Googled my name, nothing really came up. And now, I got notoriety. I made connections. I wasn’t really applying to shows or putting myself out there, and now, I’ve been in like a lot of shows because I became confident enough to put myself out there in a professional sense.”

Opposite Page: Cleveland Institute of Art student Emmy Corsaro, standing, leads residents of Mentor Ridge Health and Rehabilitation Center in an art class as part of her Creativity Works project.

Below: Corsaro, a Sculpture + Expanded Media major, stitches together a sculpture in her CIA studio.

Before Mosaic and CW … if you Googled my name, nothing really came up. … I wasn’t really applying to shows or putting myself out there, and now, I’ve been in like a lot of shows because I became confident enough to put myself out there in a professional sense.”

2024–25 FINANCIAL SUMMARY

For many years, CIA’s primary source of income has been tuition and fees. On occasion, the College has experienced years in which that is not the case. This year is one of those years.

While tuition and fees were the primary source of revenue, significant gifts to the endowment were the primary source of the increase in CIA’s overall revenue. While these gifts, mostly designated for scholarships, will provide long-term support for students in need through endowment distributions, they provide no benefit to fund current year operations.

At CIA, we recognize the significant financial investment for education made by students and families. Concentrated efforts are made to keep tuition increases below national averages while providing the highest quality education in a state-of-the-art environment.

REVENUE EXPENSES

Breakdown of CIA’s operating revenue sources

Gifts, grants and bequests: $12,747,329 (40%)

Net tuition and fees: $11,435,648 (36%)

Auxiliary enterprises: $3,402,580 (11%)

Endowment spending:* $2,522,793 (8%)

Governmental grant assistance: $1,039,975 (3%)

Other: $479,465 (2%)

TOTAL: $31,627,790

*For current operations, managed and funds held by others

ENDOWMENT

At June 30, 2025, the market value of endowment assets was $51.7 million, comprised of $11.7 million of funds held in trust and $40 million* of CIA-managed investments.

Endowment support includes distributions from endowment funds held in trust and distributions from the CIA-managed portfolio. A majority of the endowment distributions are used for need- and merit-based financial aid awarded to students.

This year saw tremendous growth in the endowment. New gifts totaling $11.1 million, primarily for scholarships—including one for $8.6 million—were added to the managed investment portfolio during the fiscal year. These gifts combined with investment returns of

Breakdown of CIA’s operating expenses.

Academic and Student Services: $15,451,613 (63%)

Administrative Support $2,620,172 (11%)

Plant Operations & Maintenance: $2,416,506 (10%)

Auxiliary Enterprises: $2,373,684 (10%)

Fundraising: $1,633,483 (6%)

TOTAL: $24,495,458

11.4 percent provided significant positive growth to the endowment. CIA is fortunate to have generous friends and alumni who care deeply for the institution and are able to provide such significant, long-term financial support.

The overall asset allocation of the CIA-managed portfolio at June 30, 2025: Domestic

*exclusive of New Market Tax Credit-related loan

The Cleveland Institute of Art is profoundly grateful for the individuals and organizations that supported the College during the 2024–25 fiscal year.

Contributions by Source

Individuals

Organizations

Government

Gift Purposes

Scholarships

Annual Fund/Operations

Campaign/IML

Faculty/Student Success

$11,315,716 (89%)

$856,357 (7%)

$425,778 (3%)

$149,477 (1%)

TOTAL $12,747,329

$10,696,239 (84%)

$2,042,067 (16%)

$9,022 (<1%)

TOTAL $12,747,329

HOW YOU GAVE SUPPORTING THE COLLEGE

TRANSFORMATION CAMPAIGN INVESTING IN INNOVATION

CIA’s Transformation Campaign is an ambitious comprehensive campaign that increases student scholarships, strengthens resources for student and faculty success, supports the Jane B. Nord Center for Teaching + Learning and contributes to campus enhancements such as the Interactive Media Lab.

With an eye to the future, we seek to make critical investments to support our students, future-proof our curriculum and expand our value proposition as a college— investments that will keep CIA a strong and vibrant center of learning for future generations of artists and designers.”

The public phase was launched in November 2024 during a celebratory event that included a state-of-the-college address from President + CEO Kathryn J. Heidemann; a panel discussion titled The Art of Disruption: Exploring the Role of Technology in Art + Design and the Creative Economy; and student- and faculty-led experiences using AR and VR technology.

Pacesetters $5,000+

Grosvie and Charles Cooley

August Fluker and Jennifer Coleman

The Harry K. & Emma R. Fox

Charitable Foundation

Mrs. Harriet J. Goldberg / Victor & Harriet Goldberg

Family Foundation

Graffiti HeArt

The Hankins Foundation

Bonnie Hagerman

Svetlana Loshakov

Kelly and William Masters

Angela McDonald-Fisher

Roy Minoff and June Scharf

Clay Mock

John Mueller and Ann Zoller

Ohio Arts Council

Joseph B. O’Sickey ’40 Trust

Cynthia and Michael Resch

Laura Roulet - Hernandez

Robert and Christiane Siewert

UB Greensfelder LLP

USI Insurance Services

Benefactors $3,000+

Louisa S. Bonnie ’81 and Gregory Scarich

Brenda and Marshall Brown

Kim ’17 and George Chapman

Lisa Codispoti

Cowan Pottery Museum Associates

The Jean, Harry and Brenda Fuchs

Family Foundation

Christopher Gentner ’89

Kathryn Heidemann and Jonathan Golli

The Laub Foundation

Judith ’90 and S. Sterling McMillan III

Malou and Fred Monago

Mr. and Mrs. Frank Porter

Greg S. Shaw Ph.D.

Meg and R. Thomas Stanton

Susan C. Stone

Marty and Ann ’86 Tarr

Bonnie and John Tortelli

S.K. Wellman Foundation

Members $1,500+

Anonymous

Lisa and Chad Arfons

Jane and Wink Baldwin

Nancy and Robert Bostwick

Clearstead

Cleveland Arts Prize

Consulate of Mexico

Diane P. Daniels ’84

Ann and David ’67 Deming

Mr. and Mrs. David S. Dickenson II

Timothy Elek, Jr. ’04

Family of Anthony Eterovich

Cindy and Tom Flynn

Kevin J. Geiger ’89

Judith Gerson / Judith Gerson Charitable Trust

Carolyn Heidemann

Lynda and Don Insul

Andrea and Mark Kohoot

Kate and Matthew McKenna

Medical Mutual of Ohio

Jess Monago

John P. Murphy Foundation

David and Inez Myers Foundation

August Napoli, Jr. / The Napoli Group LLC

Northeastern Ohio Art Dealers Association

Jill and Scott ’91 Richardson

Judith Salomon and Jerry Weiss

Charna Sherman

Lynne and James Shlonsky

Karen Skunta ’74 / Karen Skunta & Company

Laura and Charles Stack / Longview Foundation

Turner Construction Company/ The Turner Construction Company Foundation

Bradley and C.J. van Hoek

Kim and Greg Watts

Dr. Daniel T. Weidenthal, M.D.

Al and Gary Zvosec

The longer I am at CIA, the more I realize how important my artistic journey is to me and the world around me. Without opportunities and support like scholarships, I genuinely don’t think I would come close to being the artist and person I am today.”

Bianca Curry-Naguit ’26 Painting

Friends $500+

Dene Miller Alden ’67

Linda Arbuckle ’81

Robert Arko ’82 and Aura Oslapas ’80

Hillary Brady

William Brouillard and Jessica Winiarski

Denise and David Buttram ’89

Marc Byrnes

Elana Cohen

Bonnie and Michael Cole

James Cowan

Chandra and Manohar Daga

Jane Forbes ’75

Amanda Fronek

Peggy and John Garson

Katherine Geraci ’03 and Robert Oberndorf

Giant Eagle, Inc.

Goodman Real Estate Services Group LLC

Pat and William Hanavan

Patricia Ward Heinke ’55

Bettyann and W. Farley Helms

Linda Hirshberg

John Hoyt ’66

Hope Hungerford

Sarah Jane Ingraham ’59

Sabrina A. Inkley

Mary Ann Katzenmeyer

Kaufman Family Charitable Trust

Nancy and Joseph Keithley / Joseph P. and Nancy F. Keithley Foundation

Sarah Kemp ’23

Ursula Korneitchouk

Judi and Steve Kovach

Linda and Jack Lissauer

Mary ’90 and Tom McKane

Mary McLeod ’59

Marlene and Rob Mishler

Rita Montlack and Howard Freedman

Sarah Ott-Hansen

Stephan Paliwoda

Stamy Paul

Gwenn Pokorny / Pokorny Family Foundation

Norine and John ’71 Prim

Mr. and Mrs. Alfred M. Rankin, Jr.

Audrey and Albert Ratner

Charise and Rondale Reid

Alita and Rick Rogers / Richard and Alita Rogers Family Foundation

H. Savery Fitz-Gerald Rorimer ’70

Jordi ’23 and David Rowe

Deepika Sastry

David and Betty Schneider / Betty T. and David M. Schneider Foundation

Meredith Seikel

Jerry Smith

Yvette Sobky Shaffer

Mackenzie Stubbins

Judy Takács ’86 and Scott Pendergast

Corey Thrush ’99 and Daniel Cuffaro ’91

Bonnie ’79 and Benjamin ’78 Upton

Jennifer van Dijk

Trudy and Steven Wiesenberger

Marjorie Williams

Students, faculty, staff and Board members marked the opening of Nunes Student Plaza in April. Thanks to President Emeritus Grafton Nunes’ vision, donor generosity and student input, this green space now serves as a place for the CIA community to gather and connect.

Sustaining $250+

Anonymous

Joann and Thomas Adler

Cindy and Bob Bruml

Tuni and Lee Chilcote

Bernadine Cockey

Mrs. Barbara Y. Galvin

Stacy and Michael Goldberg

Margaret and James ’68 Hackstedde

Dr. Joseph F. Hahn

Cynthia and Charles ’71 Herndon

Heather Holmes and Goren Dillard

Henry Kleinhenz

S. Lee Kohrman*

Sue Ellen Korach

Steven Litt

Kate Macek and Ian Hill

Don Margoni

Marianne Meil

Mr. William T. Moore, III ’84

Larry ’74 and Carol Nagode

Nancy Neville

Brian Roseman ’98

Wendy Collin Sorin ’93

Elizabeth and Frederick Specht

Gary Spinosa ’72

Mary Lee and Richard Tierney

Renee Trznadel

Elaine Urban ’57

Meredith and Michael Weil

Katherine and Neil Wensink

Melissa and William Werner

Supporting $100+

Dr. Louise Acheson and Mr. Kenneth J. Vinciquerra

Sheila and Herb André de la Porte

Leslye ’76 and Keith Arian

Herbert Ascherman, Jr.

Tom Austin

Donna and Herb ’69 Babcock

Cynthia Bassett

Elizabeth and Henry Benatti

Marcie Bergman and Alan Rauss

Kim Billings-Diehl ’81

Jennifer Biskind ’81

Joanne Blazek ’55

Julia and Charles Bolton

Robert Bruch

Jeanne and Stephen Bucchieri

Marilyn ’56 and Robert Buttriss

Michael Costanzo

Frank Demmers

Margaret Denk-Leigh and Matthew Leigh

James DeRosa

Janis and Paul DiCorleto, PhD

Jim and Elizabeth Dopoulos

Catherine Eckdall ’72

Leigh and Andrew Fabens

Ted and Michelle Farinacci

Robert ’75 and Heidi Fatica

Margaret Fischer ’69

Sarah and Kirk Fisher

Amity and Jef Fowler

Ann and Marc Freimuth

Barbara and Roger French

Maureen ’95 and Ronald Fry

Carl Gaertner

Paula Gillam ’75

Sally Gries

Carol J.P. Griffith

Michael Gutzwiller ’83

Jeanne Shuttleworth and Michael Hearn ’85

Sean Hearns

Mr. and Mrs. David R. Hexter

Brian Hlynosky

Jeanetta Ho ’96

Jean ’67 and Richard Hoffman

Jane and Michael Horvitz

Chris Howse and Lisa Bottoms

John Hrehov ’81

Michael Hric ’07

Laurie ’86 and Les Jacobs

Sue Kaufman

Jung Sun Park and Thomas W. Kelley ’00

Theresia and Stuart Kline

Anne Kmieck ’83

Hallie and Eric Kogelschatz

Joan and Andrew Kohn

Ross Kotkowski

Dianne Kotrlik-Thompson ’67 and Tom Thompson

Ronald Krasney

Charlene and Don ’72 Krejci

Barbara and George Kres Beach

Mara A. Lavitt ’79

Joanne Lebozzo

Carolee Lesyk

Lynne Lofton ’97

Jennifer Long ’94 and Brian Jablonski

Jeanne Longmuir

James Malley*

Margaret R. Maloney

Sheila Markowitz

Carol and Charles Mayer

Natalie Mead

Sally and Donald Messinger

Eric ’95 and Debra Meyenberg

Ricki Miller

Thomas Mills ’78 and Susan Werner ’80

Marjorie and Dan Moore III

Beryl and Irwin Moore

Rachel Morris

Jeffrey Nasca ’88

Dawn ’95 and Steve Petrill

Nancy and Jim Petro

Jan Rapp ’77

Cynthia ’82 and Richard Roach

Michael Roby ’68

Thomas Roese ’71

Eileen and Sam Roth / Art Source Cleveland

Joyce and Robert Schaefer

Irene and Anthony ’55 Schepis

Jimmy Schlemmer

Brant Schuller ’90

William Schumann

Mrs. Toby Siegel

Richard Skerl, Jr. ’90

Gregory Slaby

Petra Soesemann ’77

Denise ’06 and William Stewart

Dianne Stiver-Lang ’86 and Roy Lang

Sandra Stoyanoff

Diana and Eugene Stromberg

Sue Wall

Harriet Warm

Sarah Weiner

Mrs. Lita Weiss

Helene Whittingham

David Williams ’85

Mrs. Pamela Young

Andrea Zeilinger

Allen Zimmerman

Rachel Zinram

Because

of this scholarship,

I’m able to work hard knowing well that a donor believes in me to succeed in the future. Moreover, because of the scholarship, I proudly work without looking back, allowing me to outwork my classmates while exceeding my professor’s expectations.”

Angel Ramirez-Banda ’28 Graphic Design

State of Ohio Support

In recognition of the mutually beneficial educational relationship between Cleveland State University (CSU) and the Cleveland Institute of Art—as evidenced through academic support, student and faculty advancement and enrichment, as well as various discounts—

CSU disbursed funds to CIA that the State of Ohio had previously appropriated to the university for capital construction at the College. These funds were used toward the renovation of CIA’s Joseph McCullough Center for the Visual Arts and construction of the new George Gund building.

Organizational Matching Gifts

Amica Companies Foundation

Eaton

Epic Games

Glenmede Trust Company

KeyBank Foundation

Parker Hannifin

PNC Foundation

Frederick S. Upton Foundation

Gifts in Kind

AJ Almy ’20

Darby Bentoff

Blick Art Materials

Bright Idea Shops

Cleveland Museum of Natural History

Jim Dakin

Susan ’98 and Matt Danko

Denise Gatsos

Katherine Geraci ’03 and Robert Oberndorf

Jennie and Trevor Jones

Mary and Charles Kehres

Koose Confections

Toby D. Lewis*

Mitchell’s Fine Chocolates

Patrick Moore

Thomas Robbins-Milne

Erwin Rowland

Loren Smith

Martha Stitt

Stone Oven Bakery and Cafe

Deborah Tobis

Aleksei Vlasov ’23

Trudy and Steve Wiesenberger

Christian Wulffen

Zolten Wood Design

In Honor of

John Ewing

Kathryn Heidemann

Hlynosky Family

Brian Jasinski

Mark Knight

Paul Pesses

Nancy Schwartz-Katz

In Memory of

Jerome M. Aidlin

Jane and Rick Bauschard

Margaret “Peggy” Buck

Brandon Cartellone

Tina Cassara

Paul Eickmann

Simone Frajndlich

Marilyn Farinacci

Carl F Gaertner

Joyce Geib

Gerald P. Hirshberg

Joan Yellen Horvitz

Mary Beth Hoyt

B. Scott Isquick

Thomas Jasinski

Robert Jergens

Dennis Kaufman

Elsie Kamis Kres + Virginia Kimmich Beach

Paulette Krieger

Hilda N. Mattlin

John Paul Miller

Ambrozi Paliwoda ’32

Marjorie Werner Picchi ’54

Fred Richards

Otto Schoeniger

Viktor Schreckengost

Frances Taft

Angeline Tomcho

Judith Weidenthal

Samuel G. Weiner ’40

Roslynne Wilson, PhD

Michael H. Young ’71

EXPANDING HORIZONS

Theadis Reagins ’26 was one of eight Cleveland artists selected to participate in the prestigious Prizm Art Fair during Miami Art Week 2024. Reagins was able to travel to Miami to show his work in person thanks to a CIA scholarship. The College offers 11 traveling scholarships and was able to use one of those stipends to fund Reagins’ trip.

To have my work shown at Prizm Art Fair as part of Miami Art Week meant a great deal, especially introducing myself as an artist on a global stage and showing that I have a place in the larger art world.”

Theadis Reagins ’26

Painting and Printmaking

Heritage Circle Honor Roll

Established in 1982, the Heritage Circle recognizes those individuals who plan to make an investment in the future of the Cleveland Institute of Art through a bequest, gift annuity or other planned gift arrangement. These special gifts sustain the College’s reputation for excellence and enhance the quality of its artistic and academic programs.

Anonymous

Carol Adams ’70

Richard M. and Dene Miller Alden ’67

Josephine and A. Chace Anderson

Jean E. Appleby and David Edelstein

Fran and Jules Belkin

Peter Paedra Bramhall ’70

Gary Bukovnik ’71

William Busta

Caroline “Drew” Davenport ’89

Mark A. Dreger

George* and Becky Dunn

Merle Edelman ’52

James P. Grigg

Margaret Ann Gudbranson

Patricia Ward Heinke ’55

Jeanetta Ho ’96

Etole ’56 and Julian* Kahan

Gloria and David* Kahan

Henry Kleinberg

Ray Kowalski ’57

Joseph P. Naujokas

Laura Ospanik ’80 and Stephen Robbins

Rich Petruska

Steven Albert Ramsey ’83

Thomas Roese ’71

Debra and Warren Rosman

Jerry Smith

Joy Praznik Sweeney ’58

Charles S. Tramontana ’64

Jennifer L. Tucker ’88

Sue Wall

Georgianne Grande Wanous ’66

Cydney Weingart ’73

Marilyn J. White ’79

Trudy and Steven R. Wiesenberger

Anna* and Emma ’48 Yarlekovich

Steven A. Zilber

I was truly lucky to have received generous scholarships that made it possible for me to attend the Cleveland Institute of Art. Now I donate to CIA because I believe in paying it forward to help today’s students attend CIA, and maybe they will decide to pay it forward too. It’s great to know how much a scholarship award can make a difference.”

Laura Ospanik ’80 CIA Board of Directors

DONORS SCHOLARSHIP + ENDOWMENT

Ansel Adams Scholarship

Joseph B. Milgram, Jr.* / The Joseph B. Milgram Trust

Erwin Angala ’00 Scholarship in Industrial Design

Hillary Brady

Erin Callis

Frank Demmers

Sean Hearns

Brian Hlynosky

Michael Hric ’07

Ross Kotkowski

Natalie Mead

Jung Sun Park and Thomas W. Kelley ’00

Belkin Scholarship

Fran and Jules Belkin

Norita Wyse Berman Memorial Award for Excellence in Painting

Jodi and Scott Schumann

Dennis Buck ’73 Scholarship for Excellence in Photography

Ronald Buck

Center for Teaching and Learning Endowment Fund

Laura Ospanik ’80 and Stephen P. Robbins

Ethel “Boots” ’74 and Thomas Clark Memorial Scholarship

Jackson and Lois Mowry

Cleveland Art Association (carta) Scholarship

Cleveland Art Association

Cleveland Art Association in memory of Horace Potter (1898) Memorial Scholarship

Cleveland Art Association

Cleveland Arts Prize in honor of John Paul Miller ’40 Scholarship in the Visual Arts

Cleveland Arts Prize

Dylan Collier Memorial Scholarship

Glenda Henderson*

R. Guy Cowan Pottery Association Scholarship for Excellence in Ceramics

Cowan Pottery Museum Associates

Ruth Swetland Eppig and the Sears-Swetland Family Foundation Fund for

Student Success

Ruth Swetland Eppig and the Sears-Swetland Family Foundation

Anthony W. Eterovich Memorial Scholarship Fund

Karen Eterovich-Maguire and John Maguire

Brian Kohr

Audrey ’48 and Harvey Feinberg Scholarship

Elise John

Kathy and Albert Leffler

Gail Saraydar

Myrna Saraydar

William Clay Ford Automotive Design Scholarship

Ford Motor Company

William O. Frohring Graphic Design Award

William O. and Gertrude L. Frohring Foundation

Ted Frost ’88 Scholarship for Travel

Jennifer and Jack Davis

Brenda Fuchs Scholarship in Painting

The Jean, Harry and Brenda Fuchs Family Foundation

Fund For Our Future

Joan McConnell ’52*

The Gallery Group Scholarship

The Gallery Group, Inc.

Myrtle Waintrup Givelber ’31 Prize for Artists Anonymous

William Randolph Hearst Scholarship

The Hearst Foundations

Joan Yellen Horvitz Scholarship Fund

Joan L. Yellen Horvitz Trust

John Huntington Fund for Education Scholarship

The John Huntington Fund for Education

Institute of Mexicans Abroad (IME) Becas Scholarship

Consulate of Mexico in Detroit

John Jackson ’77

Memorial Scholarship

Helen Zakin

Frances V. Kaufman Scholarship Fund

Stephanie and Andrew Doben

Larry Havre Kline Prize for Excellence in Photography

Chris and Jonathan Kline

James N. Kline

Sheryl and Judson Kline

Klinger-Prendergast Scholarship for Non-Traditional Students

Nora Prendergast and Bryan Klinger ’93

Sharon Lynn Kumin Scholarship for Excellence in Interior Design

Robin Kumin

Herbert F. Leisy Family Endowed Fund

Herbert Leisy, Jr.*

Lozick Industrial Design Scholarship

Lozick Family Foundation

Mandel Leadership Scholarship

Jack, Joseph and Morton Mandel Foundation

Eleanor Bonnie McCoy Scholarship

Louisa Bonnie ’81 and Gregory Scarich

Joseph McCullough ’48 Scholarship for Excellence in Painting

Beth and Warren McCullough

Medical Mutual Scholarship Fund

Medical Mutual of Ohio

Meisel and Pesses Family Scholarship

Meisel & Pesses Family Foundation, a supporting foundation of the Jewish Federation of Cleveland

Kim and Paul Pesses

Meisel-Pesses Family Foundation Scholarship

Kim and Paul Pesses

Warren & Betsi Morris Scholarship

Warren and Betsi Morris

Joseph B. ’40 and Algesa

O’Sickey Scholarship

Joseph B. O’Sickey ’40 Trust

Ospanik Scholarship

Laura Ospanik ’80 and Stephen P. Robbins

Daniel Postotnik ’84

Memorial Scholarship

Patricia Bode

Joan T. Neubecker ’85

Caroline Brewer Goff Prentiss Scholarship

Caroline Brewer Goff Prentiss Fund of the Cleveland Foundation

Jordi and David Rowe

Family Grant

Jordi ’23 and David Rowe

The Jordi Rowe Painting Grant

Jordi ’23 and David Rowe

Hazel Haynes Schmitkons ’61 Scholarship for Excellence in Painting

Vernie Nethercut

Thomas Sluberski Fund for Summer Programs

Thomas Sluberski* Trust

MAKING A DIFFERENCE

CIA received a historic $8.6 million gift from the Joan L. Yellen Horvitz Trust in 2024. This transformative gift represents the largest one-time gift and largest scholarship gift in CIA’s history. Funds established the Joan Yellen Horvitz Scholarship, a full scholarship covering tuition and fees that can be awarded to multiple students, known as Horvitz Scholars.

Because of this scholarship, I’m able to continue growing as both an artist and person. ... This scholarship helps me believe that there are people out there who wish to see people succeed as artists. It helps me believe that there is a chance for me to successfully enter the world as an artist confidently. It has helped me believe that I am capable of reaching farther with my dreams and goals.”

Camila Ramirez ’29 Horvitz Scholar, Craft + Design student

Professor Emerita Barbara Stanczak ’90 Scholarship Fund

Christopher Stanczak

Julian Stanczak ’54 Scholarship

Cleveland Art Association

Christopher Stanczak

Daniel H. Straffon Memorial Scholarship

Cynthia and Peter Straffon

Rochelle and Jonathan Straffon

Priscilla Thompson Memorial Scholarship

Neil L. Thompson

Sue Wall Scholarship in Painting

Sue Wall

Wenda von Weise ’75 Memorial Scholarship in Fiber

Anne and Charles von Weise

Erica E. Weiss Memorial Scholarship Fund

David Weiss

Mildred Williams Eynon

Wooddell ’25 Scholarship

Lois and Derry Eynon

Eleanor A. and Jack D. Zipp Scholarship for Excellence in Glass

Amy and Thomas Zipp

DONORS CINEMATHEQUE

Leaders $10,000+

Anonymous

Janet Rosel Smith and Mark Smith

Pacesetters $5,000

Cynthia and Michael Resch

Benefactors $3,000+

Nance Hikes

Members $1,500+

John Kaminski

Albert Leonetti and Ruth Anna Carlson

Friends $500+

Baker-Nord Center for the Humanities

Laura Bauschard

Mr. and Mrs. Fred Bidwell

Matt Bowes and Rebecca Gunter

Mike Caldwell ’91

Mark Cole

Fred Dillon

David Goldberg

John and Jeanne Jenks

Malou and Fred Monago

James Simler

Judy Takács ’86 and Scott Pendergast

Steven A. Zilber / Zilber Family Foundation

Kyle Zook

Sustaining $250

Sarah Buck

William W. Currie

Margaret and Peter Dobbins

Diane Fitzpatrick

Karen and Curt Henkle

Henry Kleinberg

Steven Litt

Frederick McGuire

Linda L. Meixner Ph.D.

Lexi and Ian Mercer

Jo Ellen and Michael Rogoff

Michael Ruffing

Maria Shuckahosee

Supporting $100+

Edward Alix

Michael Armin

David C. Barnett

John Bartolozzi

Roger Blatnick

Laura Bozell

Phyllis Brody

Lynn and Jeff Callahan

Barbara Care and Brian Barbuto

Bonnie and Michael Cole

Mary Ann Conn-Brody

Don DiFrancesco

Morris Everett / The Last Moving Picture Co.

Kathy and John Ewing

Sally Fahrenholz

Robert Fairchild

Steven Fitch

Nancy Fleming and Ted Takacs

Barbara French

Jana Sward Friess

Eugene C. Gartland, Jr.

Ern Gerardo

Karsten Goldman

Melodie Grable and Thomas Coffey

Kirsten and Tom Hagesfeld

Pat and William Hanavan

Susan and John Hersch

Annie Holden

Tamara Host

Gale and Jim Jacobsohn

Kathryn Karipides

Stephanie Klem and Linton Lewis

Ursula Korneitchouk

Nathan Kossover

Frederick Lautzenheiser

Jill and James Levin

Lara Mancinelli

Karen Marano and Francesco Melfi

Michelle and Joseph Martello

Christopher Martin

Paul Mason

Kelly McCrone

Paul Meyer

Carole and Russell Miller

Mark Miller and Timothy Walsh

Jill Nealon-Rowland and John Rowland

Debi Nemec

Nancy Newman and Frank Giaimo

Laura Paglin

Linda Park

Lisa Pasquale

William Peterson

Costa Petridis

Daniel Powers

John Reilly

Kathryn Reinhardt

Cindy and Jonathan Rogen

Debra and Warren Rosman

Joseph Sarasa

Brian Schriefer

Martha Scott

Jane and Eric Shapiro

Beth and Dean Slejko

Kevin Smith

Jeanne Marie Stumpf-Carome

Christine and Jesse Theis

Fusun Tuzcu

Monica, Edward and Linden Wagner

Mike Wendt

Susan Strauss and Christopher Wozniak

Sharon Yarnell

Linda Zeravica

Barbara S. Zoss

REINBERGER GALLERY

Reinberger Gallery supports the creative work of professional artists by providing quality exhibition opportunities and serves as an educational resource for the CIA community by encouraging artistic growth and experimentation.

BY THE NUMBERS:

Exhibitions

18 Exhibitions organized

8,623 Gallery visitors

Artist talks/lectures

13 Public lectures

878 Lecture attendees

Reinberger Gallery and its ambitious public programs offered visitors to CIA a variety of ways to explore creativity while advancing the College’s mission as a multidimensional site for learning—fostering experimentation, play, community engagement and dynamic partnerships. … These projects tackled urgent and culturally relevant issues, centering art and design as a critical and necessary practice in shaping the future for the better.”

COMMUNITY PARTNERS

Fenn Educational Fund

PREMIER

$50,000+

carta

Cleveland Foundation

Cuyahoga Arts & Culture

Hearst Foundations

John Huntington Fund for Education

The Leonard Krieger Fund

The G.R. Lincoln Family Foundation

The Lozick Family Foundation

Jack, Joseph and Morton Mandel Foundation

Meisel & Pesses Family Foundation

John P. Murphy Foundation

The Eric & Jane Nord Family Fund

Sears-Swetland Family Foundation

State of Ohio

PLATINUM

$20,000–$49,000

Fenn Educational Fund of the Cleveland Foundation

Louise H. and David S. Ingalls Foundation

GOLD

$10,000–$19,999

The George W. Codrington Charitable Foundation

Ford Motor Company

The Murch Foundation

RPM International, Inc.

Stellantis

SILVER

$5,000–$9,999

Consulate of Mexico in Detroit

The Harry K. & Emma R. Fox Charitable Foundation

William O. and Gertrude L. Frohring Foundation

Graffiti HeArt

Hyster-Yale Materials Handling, Inc.

UB Greensfelder

USI Insurance Services

BRONZE

$1,500–$4,999

Clearstead

Cleveland Arts Prize

Cowan Pottery Museum Associates

The Jean, Harry and Brenda Fuchs

Family Foundation

The Gallery Group, Inc.

The Laub Foundation

Medical Mutual of Ohio

David and Inez Myers Foundation

S.K. Wellman Foundation

From left: Jamie Brinker, Natalie Russell, Cyd Brown, Casey Wehrman and Lilly Ross jump for joy following the 2025 Commencement ceremony.

Invest in the future

Every fall, something extraordinary at the Cleveland Institute of Art: Students step onto campus for the first time, eager to pursue their creative passions and excited about what the future holds. It’s the moment many dream of.

As their journey unfolds at CIA, they grow as artists, designers and individuals. They find their voices. They take risks. They learn to see the world—and themselves—in new ways. They also forge lifelong friendships with classmates, learn from faculty who are practicing artists and designers, and explore emerging technologies like those available at CIA’s Interactive Media Lab.

When they walk across the stage at Commencement, they carry more than a diploma. They carry the promise of having an impact—the promise of inspiring people, strengthening their communities and contributing to a thriving and sustainable economy.

For many students, that CIA journey is only possible because someone believed in their potential. Someone like you.

We invite you to play a meaningful role in their journey by making a gift to CIA. Supporting the College means supporting the intellectual, artistic and professional development of our students. Your generous gift helps fund the CIA’s operational needs, from student financial aid and departmental support to public programming, which benefits our students, faculty and the entire Northeast Ohio community.

In short, your gift will truly make a difference.

Ready to make a gift to CIA? Visit cia.edu/donate.

Every student’s journey here is shaped by the generosity of those who believe in their ability to create and contribute. If you’re considering joining this community of support, we welcome you. Together, we’re investing in a future full of possibilities.

Learn more about CIA’s Transformation Campaign at cia.edu/campaign.

JOIN CIA SUPPORTING STUDENTS

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