Chuyue Jiang Selected Works 2019 -2024

ARCHITECTURE PORTFOLIO

Chuyue Jiang 2019 - 2024 SELECTED PROJECTS

CHUYUE (JAMES) JIANG Part II Architectural Assistant M.Arch | MSA 2022 - 2024 B.Arch | USYD 2019 - 2021 jiangchuyue1201@gmail.com + 4 4 74 64 8 102 24 linkedin.com/in/chuyue-jiang-8759ab268

SELECTED PROJECTS M.Arch 1

Metropolitan Prosthesis

Computational Architectural and Urban Design Group of 2

11

COO-Housing

DfMA and Student Accommodation Individual

19

In Praise of Void

Adaptive Reuse of The Heritage Building Group of 2

B.Arch 29

Sydney Harbour Drama House

A Floating Theatre: Cues from Teatro del Mondo Individual

35

Cambodian Rural Housing

Bamboo Housing: Technologically Vernacular Individual

39

The 'Refuge'

A Reflection on Climate Change Individual

Internship 43

Digital Modelling of

Hubei Science and Technology Museum

44

Design Practice

The kindergarten of OCT Binjiang 11th community

Metropolitan Prosthesis

M.Arch

Group of 2

Approaching A Zero-Carbon Future: Reimagine Urban Configurations for Future Spatial Challenges Design Brief By viewing the city through the lens of urban complexity and systems theory, I extrapolate a problematic future for East Manchester, where vehicles, transportation infrastructure, and dense urban fabric will reduce ground-level green spaces and limit pedestrian accessibility.

Key Terms Integrating computational design with synergetic theory, I envisioned new urban conf igurations by developing adaptive building typologies and generative urban connections, promoting sustainable traffic accessibility and energy generation for a zero-carbon city.

Urban transformation Sociotechnical systems New ground Multilevel mobility-oriented development Performance assessment

Tool Rhino Grasshopper Python Unreal Engine

1

Metropolitan Prosthesis

Constructing Design Problems From The Future Scenarios

The Values Of Extrapolating Future Scenarios

We conducted an in-depth analysis of East Manchester's development, future transportation trends, and global urbanisation patterns, employing the theoretical frameworks of systems theor y and urban complexity. Within the projections that are based on the research, we can build our future scenarios and identify key spatial challenges.

This exploration allows researchers and policymakers to gain insights into probable outcomes and characteristics of these systems. By investigating multiple scenarios, a deeper understanding of the range of possibilities is achieved, aiding in the formulation of informed decisions and policies that shape the future development of cities and regions.

System Theory

Computational Design Thinking

A holistic f ramework for understanding the structural and functional patterns of systems in various f ields such as technology and social sciences— by analyzing their component parts, interactions, and emergent properties.

Exploration Process Establishing Thesis Framework UNKNOWN

KNOWN

Emerging Technology

Policies, Ambitions, Strategies

UT

RE

3. F

1. BRIEF

Theories

U

East Manchester Dynamics Study

6.

Trends & Current Problems

Future Scenarios

Design Solutions

Spatial Problems Approach

4.

Identify Key Trends & Extrapolate Future Context

t Ini

ia lE xp eri cs me mi a n nts: Dive into Spatial Dy

Urban Complexity Complexity theor y in urban systems explores how simple rules and interactions among components lead to complex, adaptive behaviours in cities and regions.

2

OBJECTIVE

SUBJECTIVE

Theories

7. REFLECTION AND NEXT STEP

2. SITE

"... computational process start with elemental properties and g e n e ra t i ve r u l e s to e n d w i t h information which derives form as a dynamic system."

Synergetics Theory System components can reach stable states, typically resilient to slight disturbances. At critical points, stability can be lost, causing new configurations or behaviours to emerge.

M.Arch

Identified Design Problems

Locate the Stage for Design Interventions

Problem 1. Less Ground Communal & Green Space: the ground space is dominantly occupied by buildings, vehicles and transportation (infrastructures)

Cognitive Reconstruction

Group of 2

50 YEARS LATER

Problem 2. Limited Pedestrian Accessbility on the Ground: the dense of high-rise buildings limits the ground-level access and spatial connections, complicating daily commutes Problem 3. Urban Heat Island Effect & Excessive Energy Consumption (Embodied Carbon, etc.) and Carbon Emissions: caused by the dense built environment; it also leads to unsustainable building performance

Taking actions Cognitive Estrangement

Problem 4. Inadequate Sunlight Reaching the Lower Level: shadow casting on lower space

Design Context - City occupied by densely interwined elevated highways.

- Higher structures.

- Increase in the number of vehicles with faster speed.

- Separate building groups/areas.

Known

PRESENT

10 Years

25 Years

50 Years

100 Years

FUTURE

East Manchester 2073 ( Video Available )

3

Metropolitan Prosthesis

Design Guidance: Multilevel Mobility-Oriented Development After def ining our design direction, we drew inspiration f rom urban metabolism and synergetics theory. Through studying relevant books and case studies, we identif ied specific strategies, such as creating elevated green pathways and vertically layering transportation modes. By combining these resources, we determined our design approach to be Multilevel Mobility-Oriented Development (MMOD).

Design Approach

CORE - System Theory & Urban Complexity

MMOD • Redefine the Spatial Use

• Urban as Complex Systems continue the basic theoretical framework • Synergetics Theory by Hermann Haken develop with detailed concepts • Urban Metabolism a sustainability-related subtheory

• Multi-level Pedestrian Accessibility • Introduce New Building Typology, the Mobility Hub, as the Mobility Trasition Node & Spatial Connection Centre • Renewable Energy Generation

4

Research & Precedents • Parallel Cities : The Multilevel Metropolis book reference for urban-scale strategy • Precedent Studies • Manhattan: Access Trees, Hubs, and Enclaves • American Cities: Urban Pedestrian Networks • New York: The High Line • Japan: Miyashita Park • Towards Net-Zero Target & Precedents renewable energy regeneration technologies & Ken Yeang's projects

M.Arch

Group of 2

Tool 1: Mobility Hub’s Form Generation As transport hubs and energy stations, mobility hubs adapt to existing plots, buildings, and highways at busy junctions.

Using GH Python with relevant algorithms, the tower forms are generated to maximize the facade solar radiation while trimming the shape to optimize sunlight paths. While based on specif ic rules, 'bridges' are generated between mobility hubs and the highways aiming to provide chances for switching travel modes.

Rule-based Process Examples

Mobility Hub Typology

5

Metropolitan Prosthesis

Tool 2: Elevated Platforms & Connections Generation Integrating with some algorithms, pathways are generated centred on mobility hubs to enhance accessibility for pedestrians and cyclists. Adjacent building blocks are retrof itted with elevated platforms. By distributing mobility hubs across various busy joints, we generate city-scale iterations that address spatial problems, evaluating and ranking each option.

Cellular Automaton (CA)

Dijkstra's Algorithm

Circle Packing

Rule-based Process Examples

Land Use Information Input

Mobility Hub Serving Coverage

Pathways Between Neighbouring Blocks

Elevated Cyclist Pathways Calculation

Performance Criteria Examples: Evaluation Against Design Problems I. Proposed New Elevated Green Spaces

II. Residential & Ameniities Plots with Elevated Connectivity

V. Embodied Carbon of New Structures

New Elevated Multilevel Green and Communal Space Area / Original Ground Level Green Area (%) The Numbers of R&A Plots with Elevated Connectivity / The Numbers of All R&A Plots (%) Embodied Carbon of Materials Used * Corresponding Volume (t CO2e)

smallest

New Green

9 smallest

largest

Sustainable Travel Accessibility

Number Seed

308

ITERATION PROCESS: largest

smallest

0

6

largest

The Rules & Process of Generating Possible Solutions - Filter the Plots at the Elevated Highway Junctions - Select Number of Plots for Generating Mobility Hubs & Elevated Connections

10

Carbon Offsetting

Once the plots for mobility hubs are identified, Tool 1 will create hubs responding to the plot context, and Tool 2 will generate multilevel connections extending from each hub.

M.Arch

Group of 2

A User Interface for Generating and Accessing Design Solutions Qipei (Irene) Fang 22500044, Chuyue (James) Jiang 22500041

ew Menu

ng Point

ions, we first select four g 2-4 placement options ce of a hub then impacts aining hubs according to s. Meanwhile, each hub ctions responding to its

Options ( Interactive buttons available: please click the plot )

3 1 Options

2

2

3

Options

1 4

3

2

1

Options

2 1

Junction B Junction D Junction A

Junction C

24

Mobility Hubs Generated Pathways & Platforms Existing Buildings Connected by Pathways

Urban Performance New Elevated Green / Communal Spaces

Multilevel Connection - Residential & Amenities

Compiled Score Ranking Multilevel Connection - Commercial & Industrial

Reduced Traffic Carbon Emissions

Construction Embodied Carbon

Generated Renewable Energy

Negative Impact on Direct Sun Hours

487%

A 3

9

8

B 1

D 1

7

[%]

B 2

C 2

D 2

B 2

C 2

A 1

3

A 2

D 2

2

B 3

A 2

1

A 1

D 3

[%]

[%]

[%]

D 1

B 3

A 4

A 4

5 4

13,123

60.1%

[t CO2e]

[MWh/y]

[%]

C 1

B 1

6

31,121

A 3 C 1

0

Score

Iteration

66.7%

Sustainable Travel Accessibility

D 3

6.3% 10 34.6%

New Green

Carbon Offsetting B 2 D 2 D 1 C 2 D 3 B 1 A 1 A 3 A 2 C 1 B 3 A 4

7

Metropolitan Prosthesis

Transforming Future Scenarios Through Design Interventions We evaluated three design solutions—A3, C1, and B2—that stand out from twelve iterations across three rating categories.

A3 is distinguished for creating the most green and activity spaces. C1 excels at generating pathways among mobility hubs and existing structures, enhancing connectivity. B2, strategically placing mobility hubs in dense residential areas, optimises and promotes walking and cycling routes.

C1: Top-Performing ‘Sustainable Travel Accessibility’ Option

8

( Video Available )

M.Arch

Group of 2

Key Learnings from This Project

( Video Available )

I learned computational design and systems thinking to analyze and solve design problems from multiple dimensions.

This non-linear approach allows testing and evaluating design outcomes iteratively, avoiding direct decisions. It enables the generation of more suitable solutions for various design goals and helps me understand the contradictions and balances in design choices.

B2: Top-Performing ‘Carbon Offsetting’ Option

9

10

COO - Housing

M.Arch

Individual

Co-Living Redefined: Crafting Flexible & Operable Accommodation with DfMA Design Brief The project provides affordable student accommodation with high-quality social spaces, guided by DfMA to achieve a zero-carbon goal. By analysing students' living preferences and anticipating future housing needs, I've introduced a temporal dimension to this project.

Key Terms Using DfMA and a panelised system, the design features adjustable spaces with foldable walls to accommodate different living styles and functions. This approach enhances social connectivity and adapts to evolving housing needs over time.

Tool

Design for Manufacture and Assembly

Rhino

Mass timber construction

Grasshopper

Diverse living experience

AutoCAD

Foldable walls

Revit

Social connection

VRay Enscape

11

COO - Housing

Social Connections and Diverse Living Styles Based on the client brief, it is evident that student apartments re q u i re va r i o u s h o u s i n g t y p e s a n d e n h a n c e d s o c i a l connections. Additionally, preferences for living styles will evolve. Social and economic conditions also influence the demand for different functional spaces. Therefore, it is crucial to design apartments that can adapt to these changing needs.

RESIDENTIAL MIX

SOCIAL SPACE SOCIAL SPACE GREEN SPACE

12

RESIDENTIAL

GREEN SPACE SOCIAL SPACE

GREEN SPACE

RESIDENTIAL

GREEN SPACE SOCIAL SPACE

SOCIAL SPACE

M.Arch

Individual

Customised Living Modes Based On People and Time Inspired by my research, I've recognised the complex factors shaping living requirements and their evolution over time.

I'm considering foldable walls to seamlessly integrate green, social, and residential spaces, facilitating transitions between community interaction and privacy. This adaptability would allow each living unit to offer customisable options.

The scenarios of the ensuite apartment time-based co-living modes

Co-working using the customised furniture

Sleeping

A study group is holded within the whole apartment unit

Having brunch together

The bed is folded to provide space for exercising

Prepare the dinner alone

2 Single ensuite units are connected into a 2b ensuite

Study alone

The flatemates gather together to watch a movie

13

COO - Housing

14

M.Arch

Individual

Hanging System

Ensuite Apartment Unit Components

Panel Unit Components

Internal Wall

External Wall & Facade

Panel Unit Components

Ensuite Apartment

Rigid insulation 5-layered CLT panel Rigid insulation Insulated plasterboard

Steel Stud Wall

CLT Party Wall

Insulated plasterboard Mineral wool insulation Steel stud frame Rigid insulation Steel battens Cement fibre cladding

Laminate Flooring & Limestone Tile

Insulated plasterboard Damp-proof membrane Timber stud frame Mineral wool insulation Plasterboard

Metal frame glazing wall

Timber Stud Wall

Unit Facade

Timber frame sliding glass door

CLT Flooring

Glulam Frame

Polycarbonate panels shading

45mm acoustic panels Steel frame and rail

Foldable Wall Panels

Verical Folding Shading

Aluminium frame

15

Plan

A

COO - Housing

Plan

A

B

C

C

D

E

H

G

I

J

K

L

M

N

O

1

2

2

E

F

H

G

I

J

K

L

M

N

O

1

3

2

Facades, Floorings, Ceilings Details

F

1

D

1

B

1

2

4

4

3

3 5 6

5

1

2 A

4

0

B

C

1

D

E

F

H

G

I

J

6

K

L

M

N

5 6

B

C

D

E

7th Floor Plan 7th Floor Plan

7th Floor Plan

F

H

G

I

J

K

M

2. Ensuite Flat Type 2.2

N

O

SCALE 1:100 0

2. Ensuite Flat Type 2.2

1

2

3

4

5

10

15

20

Planter: Plant Organic blended soil 138mm thick gravel Humidity retention material 15mm drainage cell Eco-Root barrier Waterproof Membrane 30mm glass fibre planter case SCALE 1:100

1

1. Ensuite Flat Type 1.2

L

1. Ensuite Flat Type 1.2

2. Ensuite Flat Type 2.2 0

3

2 2

1

2

3

4

5

10

15

20

Structure: 12mm Cement fibre cladding Cavity barrier on the side 27mm rigid foam insulation Damp-proof membrane 5-layered CLT panel 300×240mm glulam beam Damp-proof membrane 27mm rigid foam insulation 12mm Cement fibre cladding

3

4

16

4

6

A

Facade 0 - 4: 0 . S te e l s t u d e x te r n a l w a l l : insulated plasterboard, rigid insulation, damp-proof membrane, steel stud, calcium silicate cavity barrier, steel battens, cement fibre cladding.

1. Low-e double glazing windows in timber frame with a top-hung opening.

2. Low-e double glazing sliding doors in aluminium frame with a cement fibre covering.

3 . Ve r t i c a l f o l d i n g s h a d i n g system: aluminium f rame and 3-layered recyclable polycarbonate panel.

4. Low-e double glazing wall and sliding windows in aluminium frame.

O

5

1. Ensuite Flat Type 1.2

1

3

2

1

Balcony: Composite decking Drainage pipe

4

Flooring and Ceiling: White oak laminate flooring 18mm OSB subfloor 45mm EPS insulation Damp-proof membrane 5-layered CLT panel 150mm polyester ceiling insulation Aluminium hanging ceiling rail White oak laminate strip ceiling

M.Arch

Individual

Proposed Construction Process I

II

III

IV

V

VI

17

18

In Praise of Void

M.Arch

Group of 2

Programs Interaction: Exploring Ambiguous Void & The Emergence of the Spatial Multifunctionality Design Brief This adaptive retrof it project expands MMU's Bell House into a new Career Space, exploring spatial strategies through iterative testing. Juxtaposing polycarbonate facades with the brick exterior, the design creates a striking contrast.

Key Terms Within the constrained site, strategic use of void space based on computational iteration, and the interaction between different areas enhance functionality, meeting the client's needs for versatility and expanding possibilities in this dynamic campus building.

Tool

Adaptive Reuse

Rhino

Juxtaposition

Grasshopper

Ambiguous space Spatial connectivity

AutoCAD VRay

19

In Praise of Void

Atrium Atrium

Maximising Limited Space: Activity hall Atrium Activity hall Design for Multifunctionality and Interactivity

Learning pod

Whiteboard room Learning pod

Open-plan studio Open-plan Studio Social space

Social Space

Office

Office

Whiteboard room

Whiteboard Room

Cafe

Learning pod

Learning Pod

Cafe Bathroom

Terrace space

Terrace Space

Bathroom Kitchen

Bathroom

Cafe

Cafe

Kitchen Kitchen

Bathroom Exhibition Booking Free Informal Flow space access Exhibition Booking Professional Greens Enclosure Kitchen Free Open Kitchen Informal Flow space access plan Exhibition Booking Greens Enclosure Digital Natural Free Open equipment Flow space Student plan Student access Employer light Staff Professional

Informal

Student

Bathroom

(private space)

Cafe

20

Activity hall Activity Hall

Meeting Room

Terrace space Terrace space

Student

Atrium Atrium

Meeting room

Terrace space

Learning pod

Professional

(public space)

Open-plan studio

Activity hall

Open-plan The client specif ied the need forstudio diverse functional spaces, space Open-plancharacteristics. studio each with unique ThroughSocial diagrammatic Social space analysis of the client's brief, we identified keyOffice design focuses.

Social space Our approach centres on optimizing flow space, open-plan Office Meeting room Office layouts, and natural light to enhance the fluidity and comfort Meeting room of the environment. This design strategy aims to facilitate Whiteboard room Meeting room collaboration and communication among users.

Whiteboard room

Employer

Employer Employer

Staff Staff

Staff

Student

Enclosure Natural light Visual connection

Professional

Professional

Open plan Digital equipment

Informal Informal

Greens

Natural light Visual connection

Exhibition

Exhibition

Employer

Digital equipment

Flow space Flow

Space

Visual connection

Booking

Booking Staff

(space quality) Free Free access

Access

Enclosure

Enclosure

Open Open-plan plan

Greens

Greens

Digital Natural Natural equipment Digital light

Light

Equipment

Visual Visual connection

Connection

M.Arch

Group of 2

Strategy Exploration: Spatial Collaboration Study An abstract layout is arranged after we explore the relationship between programs. And I studied the possible interactions between different types of space to explore the emerging functions and the complementarity between programs.

Collaboration Experiment among Specific Programmes

A -AAB-A -B =B- Social = B = Social = Social Social Space Space Space Space

꜁ Studio ꜁꜁ Studio ꜁Studio Pod Pod Pod Pod Studio

meeting meeting meeting meeting meeting room room room room room at at the at atthe at the the interlayer the interlayer interlayer interlayer interlayer asas as asas a prosthesis aaaprosthesis prosthesis a prosthesis prosthesis of of the of ofthe of the the two the two two two programs two programs programs programs programs

social social social social social space space space space space under under under under under cantilever cantilever cantilever cantilever cantilever

inserted inserted inserted inserted inserted pods pods pods pods pods working working working working working with with with with the with the the the studio the studio studio studio studio

Studio Studio Studio Studio +++Meeting +Meeting Meeting Meeting

AAA-A-B --BBB ===Terrace =Terrace Terrace Terrace

Studio Studio Studio Studio +++Hall +Hall Hall Hall +++Atrium +Atrium Atrium Atrium ===Mega =Mega Mega Mega hall hall hall hall

"All" "All" "All" "All" - -(A+B+C+...)

--(A+B+C+...)

(A+B+C+...)

(A+B+C+...) ===Social =Social Social Social Space Space Space Space

꜁꜁꜁A, ꜁A, ꜁꜁꜁B,Pod ꜁B,Pod ꜁꜁꜁C꜁CCC Pod Pod Pod Pod A, A, Pod Pod Pod Pod B,Pod B,Pod ...... ... ...

interlinked interlinked interlinked interlinked meeting meeting meeting meeting room room room room and and and and the the the the studio studio studio studio

terrace terrace terrace terrace inin in the inthe the the staggered staggered staggered staggered space space space space that that that that connects connects connects connects two two two two programs programs programs programs

mega-activity mega-activity mega-activity mega-activity hall hall hall hall

surrounded surrounded surrounded surrounded free free free free social social social social space space space space

parasitic parasitic parasitic parasitic learning learning learning learning pods pods pods pods

BATH BATH

programs programs programs programs displayed displayed displayed displayed atat at at the the the the entrance entrance entrance entrance

Indirect Connection Levels of contacting Direct Connection with the environment Indirect Connection Levels of contacting Possible Collaboration with the Connection environment Indirect Possible Collaboration Direct Connection Levels of contacting with the environment Direct Connection Possible Collaboration Main Circulation Indirect Connection

Pod ꜁ Studio

Indirect Connection Possible Collaboration Visibility Main Circulation Possible Collaboration Main Circulation Visibility

BATH

POD POD POD

Whiteboard Whiteboard Whiteboard Whiteboard + +Studio +Studio +Studio Studio + +Meeting +Meeting +Meeting Meeting Whiteboard Whiteboard Whiteboard Whiteboard ++++ Studio Studio Studio Studio ++++ Meeting Meeting Meeting Meeting

open-plan open-plan open-plan open-plan space space space space with with with with movable movable movable movable panels panels panels panels open-plan open-plan open-plan open-plan space space space space with with with with movable movable movable movable panels panels panels panels

Whiteboard + Studio + Meeting Whiteboard + Studio + Meeting open-plan space with movable panels

Whiteboard Whiteboard Whiteboard Whiteboard + Studio ++ Studio + Studio Studio + Meeting + Meeting Meeting +++ Meeting Studio Atrium Activity Hall open-plan Whiteboard space with + movable panels open-plan open-plan open-plan open-plan open-plan space space space space space with with with with movable with movable movable movable movable panels panels panels panels panels

+ Meeting centered activity space at the entrance open-plan space with movable panels

A - B = Social Space

Direct Connection

Levels of contacting with the environment Direct Connection

Main Circulation Visibility

BATH

BATH WHITEBOARD ROOM

∩∩ ∩ ∩ Atrium Atrium Atrium Atrium {A, {A, {A, B, {A, B, B, C, B, C, C, DC, DD ...} ...} D...}...} ∩ ∩ ∩ ∩ Atrium Atrium Atrium Atrium {A, {A, {A, {A, B, B, B, B, C, C, C, C, DDD D ...} ...} ...} ...}

vertial vertial vertial vertial atrium atrium atrium atrium linking linking linking linking vertial vertial vertial vertial atrium atrium atrium atrium linking linking linking linking various various various various programs programs programs programs ∩ Atrium {A, B, C, D ...} various various various various programs programs programs programs

∪∪ ∪ ∪ Hall Hall Hall Hall + +(Studio +(Studio +(Studio (Studio "rooms") "rooms") "rooms") "rooms") = =Mega =Mega =Mega Mega hall hall hall hall ∪ ∪ ∪ ∪ Hall Hall Hall Hall ++++ (Studio (Studio (Studio (Studio "rooms") "rooms") "rooms") "rooms") ==== Mega Mega Mega Mega hall hall hall hall multiple-programmatic multiple-programmatic multiple-programmatic multiple-programmatic syhthesis syhthesis syhthesis syhthesis multiple-programmatic multiple-programmatic multiple-programmatic multiple-programmatic syhthesis syhthesis syhthesis syhthesis ∪

AA-AB*(1/2)= -A-B*(1/2)= B*(1/2)= - B*(1/2)= Terrace Terrace Terrace Terrace AAA A --B*(1/2)= --B*(1/2)= B*(1/2)= B*(1/2)= Terrace Terrace Terrace Terrace

꜇ ꜇{A, ꜇{A, ꜇{A, Atrium Atrium Atrium Atrium B, {A, B, B, C, B, C, C, DC, DD ...} ...} D...}...} ꜇꜇꜇{A, ꜇{A, Atrium Atrium Atrium Atrium {A, {A, B, B, B, B, C, C, C, C, DDD D ...} ...} ...} ...}

terrace terrace terrace terrace emerged emerged emerged emerged ininthe inthe in the porous the porous porous porous programs programs programs programs displayed displayed displayed displayed atatthe atthe atthe entrance the entrance entrance entrance terrace terrace terrace terrace emerged emerged emerged emerged in in in in the the the the porous porous porous programs programs programs displayed displayed displayed displayed atatat at the the the the entrance entrance entrance entrance space space space between between between between programs programs programs programs "rooms") = Mega hallspace Aporous - B*(1/2)= Terrace programs Atrium space space space space between between between between programs programs programs programs

Hall + (Studio ∪ "rooms") = syhthesis Hall + (Studio Mega hall multiple-programmatic

꜇ {A, B, C, D ...}

{A, B, C,atDthe ...}entrance Atrium ꜇displayed programs ∩∩ ∩ ∩ ∪ ꜇ {A, ꜇꜇ {A, ꜇B,{A, Atrium Atrium Atrium Atrium {A, {A, {A, B, {A, B, B, C,B, C, C, DC, D ...} DD ...} ...}...} Hall Hall Hall Hall + (Studio ++ (Studio + (Studio (Studio "rooms") "rooms") "rooms") "rooms") == Mega Mega hall hall hall -AAB*(1/2)= -A - B*(1/2)= B*(1/2)= - B*(1/2)= Terrace Terrace Terrace Terrace Atrium Atrium Atrium {A, B, B, C,B, C, C, DC, D ...} DD ...} ...}...} A -AB*(1/2)= Terrace ∩atrium ∩...} Atrium {A, B, C, D l∪∪ +∪ ( S=tMega u=Mega ohall ꜁ Atrium Pod Studio, Pod Activity HallH a l multiple-programmatic Ad - Bisyhthesis = Social Space various programs space between Atrium D ...}displayed at the entrance Pod Studio {A, B, C, vertial linking terrace emerged in programs the porous programs vertial vertial vertial vertial vertial atrium atrium atrium atrium atrium linking linking linking linking linking multiple-programmatic multiple-programmatic multiple-programmatic multiple-programmatic multiple-programmatic syhthesis syhthesis syhthesis syhthesis syhthesis terrace terrace terrace terrace terrace emerged emerged emerged emerged emerged in in the in inthe in the the porous the porous porous porous porous programs programs programs programs programs displayed displayed displayed displayed displayed at at the at atthe at the the entrance the entrance entrance entrance entrance various programs space between programs "rooms") = Mega hall various various various various various programs programs programs programs programs space space space space space between between between between between programs programs programs programs programs ∩ {A,atrium Atriumvertial B, C,linking D ...}

Pod ∩ Studio, Pod ∩ Activity Hall

Visibility

ATRIUM Levels of contacting

extension and connection between Direct Connection Possible Collaboration Indirect Connection Main Circulation Visibility Possible Collaboration studio and the activity hall Visibility

Visibility

꜇꜇꜇{A, ꜇{A, Atrium Atrium Atrium Atrium {A, {A, B,B, B, B, C, C, C, C, DD DD ...} ...} ...} ...}

terrace terrace terrace terrace emerged emerged emerged emerged inin in the inthe the the porous porous porous porous space space space space between between between between programs programs programs programs

with the studio

parasitic parasitic parasitic parasitic parasitic learning learning learning learning learning pods pods pods pods pods

POD

Atrium + Activity Hall

Main Circulation

Levels of contacting ATRIUM with the environment

Main Circulation

Main Circulation

AAA-A-B*(1/2)= --B*(1/2)= B*(1/2)= B*(1/2)= Terrace Terrace Terrace Terrace

multiple-programmatic multiple-programmatic multiple-programmatic multiple-programmatic syhthesis syhthesis syhthesis syhthesis

WHITEBOARD ROOM

BATH

with the environment

Indirect Studio Connection + Activity Hall

∪ ∪ ∪ ∪ Hall Hall Hall Hall +++(Studio +(Studio (Studio (Studio "rooms") "rooms") "rooms") "rooms") ===Mega =Mega Mega Mega hall hall hall hall

vertial vertial vertial vertial atrium atrium atrium atrium linking linking linking linking various various various various programs programs programs programs

BATH

CAFE

ATRIUM CAFE

POD

BATH

WHITEBOARD ROOM

BATH BATH

ATRIUM

Direct Connection

∩ ∩ ∩ ∩ Atrium Atrium Atrium Atrium {A, {A, {A, {A, B,B, B, B, C, C, C, C, DD DD ...} ...} ...} ...}

open-plan open-plan open-plan open-plan space space space space with with with with movable movable movable movable panels panels panels panels

WHITEBOARD ROOM

CAFE

Entrance Entrance

Whiteboard Whiteboard Whiteboard Whiteboard +++Studio +Studio Studio Studio +++Meeting +Meeting Meeting Meeting

WHITEBOARD ROOM BATH

space that connects two

A - B*(1/2)= Terrace terrace emerged in the porous

meeting room at the interlayer as social space under cantilever a prosthesis of the two programs m u l t i p l e - p r o g r a m m a t i c terrace emerged in the vertial atrium linking porous space between various programs syhthesis programs

꜇

Studio + Activity Hall

Possible Collaboration

ATRIUM

inserted pods working with the studio

Indirect Connection

HALL ACTIVITY HALL ATRIUM ACTIVITY HALL ACTIVITY HALL CAFE ACTIVITY HALL CAFE

Entrance

Entrance

surrounded surrounded surrounded surrounded surrounded free free free free social free social social social social space space space space space

social space under cantilever

Direct Connection

Levels of contacting with the environment

surrounded free space "All" "All" "All" "All" - (A+B+C+...)

-- (A+B+C+...)

(A+B+C+...)

- (A+B+C+...) = Social ==social Social = Social Social Space Space Space Space

mega-activity mega-activity mega-activity mega-activity mega-activity hall hall hall hall hall

BATH

POD POD

inserted pods working ꜁ A, ꜁꜁ A, ꜁A, ꜁ B,Pod ꜁꜁ B,Pod ꜁B,Pod ꜁C ꜁꜁ C... ꜁C C Pod A, Pod Pod Pod B,Pod ... ......

Pod Pod Pod Pod

Studio Studio Studio Studio + mega-activity Hall ++ Hall + Hall Hall + Atrium ++Atrium + Atrium Atrium = Mega == hall Mega = Mega Mega hall hall hall hall

terrace terrace terrace terrace terrace in in the in inthe in the the staggered the staggered staggered staggered staggered space space space space space programs that that that that connects that connects connects connects connects two two two two programs two programs programs programs programs

KITCHEN

POD

meeting room at the interlayer as a prosthesis of the two programs

Levels of contacting with the environment

POD

centered activity space at the entrance

Entrance

BATH

extension and connection between studio and the activity hall

parasitic learning pods

Pod ꜁ A, Pod ꜁ B,Pod ꜁ C ...

STUDIO STUDIO Entrance STUDIO

BATH

BATH

surrounded free social space

BATH

STUDIO STUDIO

KITCHEN

POD

BATH

"All" - (A+B+C+...) = Social Space

BATH

POD

mega-activity hall

ATRIUM

POD

Studio + Hall + Atrium = Mega hall

BATH

KITCHEN POD

꜁ ꜁A, ꜁A, ꜁A, ꜁ ꜁B,Pod ꜁B,Pod ꜁B,Pod ꜁ ꜁CPod ꜁C꜁C Studio Studio Studio Studio + +Hall +Hall +Hall Hall + +Atrium +Atrium +Atrium = =Mega =Mega =Mega Mega hall hall hall hall "All" "All" "All" "All" - (A+B+C+...)

--(A+B+C+...)

(A+B+C+...)

- (A+B+C+...) = =Social =Social =-Social Social Space Space Space Space = Social Space Studio +Atrium Hall + Atrium = Mega hall "All" (A+B+C+...)

Pod Pod Pod Pod Pod A, Pod Pod Pod B,Pod ......

C...꜁...A, Pod ꜁ B,Pod ꜁ C ... ꜁꜁꜁꜁A,A,A, ꜁꜁꜁꜁B,Pod ꜁꜁꜁꜁CCCC......

Studio Studio Studio Studio ++++ Hall Hall Hall Hall ++ +Atrium +Atrium Atrium Atrium === = Mega Mega Mega Mega hall hall hall hall "All" "All" "All" --(A+B+C+...)

--(A+B+C+...)

(A+B+C+...)

(A+B+C+...) =-=== Social Social Social Social Space Space Space Space A, Pod Pod Pod B,Pod B,Pod B,Pod ... ...A, Pod ꜁ B,Pod ꜁ C ...

Pod Pod Pod Pod Studio +Hall Hall +hall Atrium = Mega hall "All" "All" (A+B+C+...) = Social Space "All" - (A+B+C+...) = free Studio + + Atrium Pod Studio ꜁Pod mega-activity mega-activity mega-activity mega-activity hall hall hall parasitic parasitic parasitic parasitic learning learning learning learning pods pods pods pods꜁ parasitic Pod surrounded surrounded surrounded surrounded free free free free social social social social space space space space mega-activity hall learning pods surrounded social space mega-activity mega-activity mega-activity hall hall hall hall parasitic parasitic parasitic parasitic learning learning learning learning pods pods pods pods surrounded surrounded surrounded surrounded free free free free social social social social space space space space Social Space =mega-activity Mega hall mega-activity hall parasitic learning pods surrounded free social space A - B = Terrace

POD

KITCHEN

BATH

AA-AB -A-B = B -= B Terrace =Terrace Terrace A -=Terrace B = Terrace A A ---B --B BB B == == Terrace Terrace Terrace Terrace = Terrace AinAA-inAthe = Terrace terrace terrace terrace terrace inB the inthe staggered the staggered staggered staggered space space space space terrace in the staggered space that that that that connects connects connects connects two two two programs two programs programs programs terrace terrace terrace terrace in inin in the the the the staggered staggered staggered staggered space space space space that connects two programs terrace in thetwo staggered space that that that that connects connects connects connects two two two programs programs programs programs that connects two programs terrace the staggered A -AAB-A -in B =B- Terrace = B = Terrace = Terrace Terrace

Studio + Meeting

STUDIO

BATH

terrace in the staggered space that connects two programs

Atrium ꜇ {A, B, C, D ...} BATH

Studio Studio Studio Studio Meeting +Meeting +Meeting Meeting Studio ++ +Meeting Studio Studio Studio ++++ Meeting Meeting Meeting Meeting MEETING ROOM Studio +Studio Meeting Studio + Meeting interlinked interlinked interlinked interlinked meeting meeting meeting meeting room room room room and and and and the the the studio the studio studio studio interlinked meeting room and the studio WHITEBOARD ROOM interlinked interlinked interlinked interlinked meeting meeting meeting meeting room room room room and and and and the the the the studio studio studio studio ACTIVITY MEETING ROOM interlinked meeting room and the studio HALLMEETING ROOM interlinked MEETING ROOM Studio Studio Studio Studio + Meeting ++meeting Meeting + Meeting Meeting room MEETING ROOM and interlinked interlinked interlinked interlinked interlinked meeting meeting meeting meeting meeting room room room room room and and and and the and the the the studio the studio studio studio studio the studio ACTIVITY CAFE KITCHEN

interlinked meeting room and the studio

programs displayed at the entrance CAFE

BATH

OFFICE OFFICE OFFICE OFFICE OFFICE

POD

Entrance

A - B*(1/2)= Terrace

POD

Hall + (Studio ∪ "rooms") = Mega hall

BATH

TERRACE TERRACE TERRACE TERRACE TERRACE

POD

with with with with the the the studio the studio studio studio inserted inserted inserted inserted pods pods pods pods working working working working with with with with the the the the studio studio studio studio

∩∩ ∩ ∩ ∩∩ ∩ ∩ Pod Pod Pod Pod Studio, Studio, Studio, Studio, Pod Pod Pod Pod Activity Activity Activity Activity Hall Hall Hall Hall

MEETING ROOM

BATH

cantilever

social social social social space space space space under under under under cantilever cantilever cantilever cantilever

Atrium Atrium Atrium Atrium + Activity ++Activity + Activity Activity Hall Hall Hall Hall

OFFICE

POD

a prosthesis of the two programs

meetingroom room at the interlayer as meeting at the ∩ ∩ ∩ ∩ ∩ ∩ ∩ ∩ Pod Pod Pod Pod Studio, Studio, Studio, Studio, Pod Pod Pod Activity Activity Activity Activity Hall Hall Hall Hall meeting meeting meeting meeting room room room room atPod at the at the atthe interlayer the interlayer interlayer interlayer as as as a prosthesis of the as two programs interlayer as a prosthesis of a meeting aprosthesis ameeting prosthesis aprosthesis prosthesis ofofthe of the of the two the two two programs two programs programs programs meeting meeting room room room room atat at at the the the the interlayer interlayer interlayer interlayer as as as as the two programs aaaprosthesis aprosthesis prosthesis prosthesis ofofof of the the the the two two two two programs programs programs programs

centered centered centered centered centered activity activity activity activity activity space space space space space at at the at atthe at the the entrance the entrance entrance entrance entrance

KITCHEN

SOCIAL SOCIAL SPACE SOCIAL SPACE SOCIAL SPACE SOCIAL SPACE SPACE

ACTIVITY HALL

the space entrance centered centered centered centered activity activity activity activity space space space atatat at the the the the entrance entrance entrance entrance

Pod ꜁ Studio

Pod ꜁ Studio inserted pods working ꜁ ꜁Studio ꜁Studio ꜁Studio AA-AB -A-B= B -= B Social =Social =Social Social Space Space Space Space Studio Pod Pod Pod Pod with the studio social space under cantilever inserted pods working social space under parasitic learning pods ꜁ ꜁ ꜁ ꜁ AA A A --space B --B B B ==space == Social Social Social Social Space Space Space Space Pod Pod Pod Podpods Studio Studio Studio Studio social social social social space space under under under under cantilever cantilever cantilever cantilever inserted inserted inserted inserted pods pods pods working working working workingwith the studio

Studio Studio Studio Studio + Activity ++Activity + Activity Activity Hall Hall Hall Hall BATH

WHITEBOARD ROOM

Pod Studio, Pod Activity Hall

meeting meeting meeting meeting room room room atat at at the the the the interlayer interlayer interlayer interlayer as as as ∩ ∩ Podroom Studio, Podatas Hall meeting room theActivity interlayer as aPod aa prosthesis a∩ prosthesis prosthesis prosthesis of of of of the the the the two two two two programs programs programs programs ∩ ∩ ∩ ∩ ∩ ∩ ∩ Pod Pod Pod Studio, Studio, Studio, Studio, Pod Pod Pod Pod Activity Activity Activity Activity Hall Hall Hall Hall

extension extension extension extension extension and and and and connection and connection connection connection connection between between between between between studio studio studio studio studio andand and and the and the the the activity the activity activity activity activity hallhall hall hall hall

TERRACE

POD

centered activity space at the entrance Atrium Atrium Atrium Atrium + +Activity +Activity +Activity Activity Hall Hall Hall Hall centered activityactivity space atspace the entrance centered at Atrium Atrium Atrium Atrium + + +Activity +space Activity Activity Activity Hall Hall Hall Hall centered centered centered centered activity activity activity activity space space space atatthe atthe atthe entrance the entrance entrance entrance

Set V Embody

꜁Pod AAA-A-B ==Social =Social Social Social Space Space Space Space Pod Pod Studio Studio Studio꜁ B, A - B = Social Space Pod Pod A-B =--BBB=Social Space A,꜁꜁꜁Studio ꜁Pod social social social social space space space space under under under under cantilever cantilever cantilever cantilever inserted inserted inserted inserted pods pods pods pods working working working working A B = Social Space Pod C ꜁ social space under cantilever with with with with the the the the studio studio studio studio...

∩ ∩ ∩ ∩ ∩ ∩ ∩ ∩ Pod Pod Pod Pod Studio, Studio, Studio, Studio, Pod Pod Pod Activity Activity Activity Activity Hall Hall Hall Hall ∩ ∩ Activity Hall Pod Pod Studio, Pod

Atrium ∩ {A, B, C, D ...}

studio studio studio studio and and and the and the the activity the activity activity activity hall hall hall hall and the between studio extension extension extension extension extension and and and and and connection connection connection connection connection between between between between between studio studio studio studio studio and and and and and the the the the the activity activity activity activity activity hall hall hall hall hall activity hall SOCIAL SPACE

STUDIO

studio and the activity hall Studio Studio Studio Studio + +Activity +Activity +Activity Activity Hall Hall Hall Hall extension and connection between extension connection Studio Studio Studio Studio +connection ++Activity +and Activity Activity Activity Hall Hall Hall Hall studio and the activity hall extension extension extension extension and and and and connection connection connection between between between between

Atrium Atrium Atrium Atrium +Activity Activity Activity Hall Hall Hall HallHall Atrium + Activity Atrium ++++Activity Activity Hall

centered centered centered centered activity activity activity activity space space space atat at at the the the the entrance entrance entrance entrance Atrium +space Activity Hall

Set IV Surround

Whiteboard + Studio + Meeting

POD

Studio Studio Studio Studio +++Activity Activity Activity Hall Hall Hall Hall Studio + Activity Hall Studio ++Activity Activity Hall extension extension extension extension and and and and connection connection connection connection between between between between Studio +and Activity Hall extension and connection studio studio studio studio and and and the the the the activity activity activity activity hall hall hall hallbetween

terrace emerged in the porous space between programs

MEETING ROOM

BATH

multiple-programmatic syhthesis

KITCHEN

Set III Overlap

vertial atrium linking various programs

OFFICE

BATH

Set II Distantly Connect

open-plan space with movable panels

TERRACE

SOCIAL SPACE POD

Set I Connect

inserted pods working with theprograms studio displayed at the entrance

Visibility

21

In Praise of Void

Exploring Spatial Forms: Iterating Void Space Distributions and Proportions Each cube represents a particular set of programmes, so this iteration process helps us to discover the possibilities of spatial arrangement in three dimensions. Moreover, the relationship between the void and solid is visualized and compared among different iterations.

By incorporating void spaces of varying proportions, the design generates distinct block arrangements and forms. This allows for manual exploration of each model's potential spatial use, establishing an initial suitable layout. Subsequently, different programs are arranged based on this foundational model.

Static

Void

Staggered

Referring to the solid space with particular functiions (including both open-plan and enclosed space).

Referring to the void space for potential visitor circulation and potential routes for natural light pouring from the skylight.

Reffering to the possible location of inserting some interesting rooms between floors, like activity hall or lecture room.

30% occupied + 70% void

50% occupied + 50% void

70% occupied + 30% void

Input

22

Generated Iterations

Final Iteration

Axo - Static Space

Section

(long section cut through the middle)

M.Arch

Group of 2

Final Program Arrangement

n la -p n e Op

St u In dy cu ba

io ud St

to rs Pa Rontry om

To i

let

s s y or udbat t S u c In e ag Ro or t S El Te of ev rra a to ce Me r Ro eti n om g

St ) u Ro dy ed rv om In e s cu Of ba (pre fic to e r To ile Of ts fic e

So

St

ci

al

air s

Sp ac e

Te c Ro hn om ica l

ity iv t Ac

ll Ha

fe Ca

En

St u Ro dy o I W m n cu hi ba to Di teb r sa o bl ar ed d Re R T ce o pt oile om ts io n

tra

nc e

) rd ya k ac

1 En

fe Ca

tra

nc e

(B

2

23

In Praise of Void

XXXXXX This detailed drawing pays attention to the bottom part of the building - the new entrance, ground foundation, primary column, and the back of the old building. In order to support the top cantilever structure, we use a double universal column as the primary column. The facade at the entrance is a connection of double glazing and polycarbonate. And the glass facade is touching the old brick wall hermetically.

Rebuilt old facade keeping the existing structure (top to bottom):

3mm thick aluminium column case

30mm thick plasterboard

Steel plate connecting two steel columns

96mm thick rigid wood fibre insulation

475×424mm uc steel column welded to the bottom plate

215×102×65mm standard brick wall

24mm thick steel plate Non-shrink cementitious grout

Concrete masonry block Waterproofing membrane 45mm thick rigid insulation

The concrete foundation of the old building

215×102×65mm standard brick wall

20mm thick steel plate welded and bolted to fix two steel columns U-shape steel plate connecting the column case Aluminium column case bolted to the u-shape steel plate Aluminium cap filling the gap 475×424mm uc steel column welded to the bottom plate Steel case welded to the column holding the horizontal steel rail 240×60mm steel chanel

Reinforced concrete pile cap Concrete slab flooring system (top to bottom): 600×600mm stone tile flooring Tile bond coat 48mm thick cement mortar bed Damp proof membrane 240mm thick reinforced concrete slab Damp proof membrane 75mm thick rigid insulation 240mm thick gravel Ø300mm concrete pile 6000mm deep in the ground

Double glazing low-e glass facade panel Double glazing system (left to right): Aluminium plate cap Sealant Aluminium space bar

120×30mm steel fin supporting the facade DETAIL A: THE MAIN COLUMN AND FOUNDATION CONNECTION @1920 × 1080 pixels

Joint Isometric Foundation Structure and the Primary Column

24

1:20

DETAIL B: THE MAIN COLUMN, OLD FACADE AND NEW FACADE PLAN SECTION @1920 × 1080 pixels

1:5

M.Arch

Circulations

Group of 2

Activity Hall Connecting The Social Space for Bigger Event

25

26

Personal Reflection

My Master of Architecture course are divided into two categories: basic practice in residential design and retrof it, and an innovative thesis project. These projects enhanced my software skills, regulatory knowledge, and I became familiar with the trends and conditions of the British built environment.

Next are the undergraduate projects that emphasise the study of regional culture, the social and natural environment, architectural theory and history. The design process involves research and reflection to develop a narrative while exercising aesthetics and imagination. With fewer constraints, the focus is on innovative concepts and visual expression.

The most valuable lesson was adopting a system thinking to design. This method departs from the traditional linear design process, instead utilising the mechanisms and rules based on targets. By employing computational design methods to iterate options and assess outcomes, I expanded my design capabilities and methods significantly.

Throughout these processes, I developed skills in creating design concepts and gained an understanding of various contexts and design considerations. This experience broadened my architectural knowledge, fostered connections across different fields, and inspired me, further strengthening my passion for architectural design.

27

28

Sydney Harbour Drama House

B.Arch

Individual

A Theatre Inspired by Classics: Dialoguing with the Site's Cultural Backdrop Design Brief

Key Terms

Taking cues f rom Aldo Rossi’s Teatro del Mondo, the project involved designing a f l o a t i n g t h ea t re t h a t re s p o n d s to Sydney’s coastal and drama culture. This undergraduate project aimed to deepen our understanding of architectural theory and classic case studies.

I aim to create a transformable, movable theatre that reflects the dynamic nature of action and time. Using a lattice structure and modular components, it offers diverse spaces and a rich experience, enhancing public engagement with the seashore and drama atmosphere.

Tool

Transformative design

Rhino

Modular design

Grasshopper

Lattice structure

AutoCAD

Symbolism and poetics Temporality and impermanence

VRay

SECTIONAL PERSPECTIVE

Outdoor platforms used as an amphitheatre

The main theatre with a pit orchestra (probably be preserved for a long time)

COMPONENTS DIAGRAM

Modular panels can be transported by tower cranes

Roof garden

Spiral stairs and a platform touching the sea surface for playing with the tide

SMALL THEATRE POSSIBLE TRANSFORMATION

Small theatre -- chamber music room (easily demolished / replaced)

29

Sydney Harbour Drama House

Concept Collages The Spirit of Theatre -- Starting with "Place of Action"

The collage drawings shows my formal concpet and the relationship between the building and the place.It is like a symbolic and white pure lattice

I began with the etymology of 'theatre,' which includes The history of Theatre meanings like 'plays, writing, production, and stage,' extending to 'a place of action.' I intend to craft a theatre that stands as both iconic and poetic, designed to ignite visitor curiosity and encourage participation in diverse activities. The theatre features adaptable structures that support dynamic spatial performativity, enabling it to host a variety of events over time.

box floating over the sea. It looks like a monument or an alien spaceship, or Monolith in the movie 2001 A Space Odyssey. Such construction is like a prototype that has great potential to transform anyno shapes.

Furthermore, the pure No white color and such geometrical form have any "We into have contemporary theatre. agitators’ theatre, no tribunal, nostrong forcecontrast which to does not merely comment on life, but shapes it." places of the city.

– Frederick Kiesler, Endless eatre (Shelter Magazine, 1932)

Research"The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an

Concept Collage

autonomous activity."

Theatre Hisotry ANCIENT GREECE

PERIOD

FEATURES

ANCIENT ROME

- Use the natural landforms - Amphitheatre - Rounded Stage

- Built in the city - Half-rounded Stage

Ancient Theatre of Epidaurus

Roman Theatre of

Theatre in Sydney

RENAISSANCE

BAROQUE

19th CENTURY

BEFORE WWII

- Influenced by the Shakespeare's Theatre -Direct communication between audience

-Horeseshoe shapes of auditorium

-Typical and classical forms of theatre -Focus more on audience's sight

-Systematic design for theatres -Influenced by Bauhaus

Globe Theatre

Teatro alla Scala

Prague National Theatre

The Total Theater of Bauhaus

AFTER WWII -Various planning of stages and auditoriums -Emphasize the communication between audience and performers -The symbolic forms of theatre are emerged -Develop with the need of various new types of performance

EXAMPLES Walt Disney Concert Hall

Sydney Opera House

"The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity."

Sydney is a viable city which owns featured space spirit, and where people pay great attention to performing arts like music, dance, drama, and opera.

These types of art provides people with historic interest and culture exchange. Therefore, many theatres were built in the urban areas that offer various choices for audience. Besides, theatres activate their districts and make up valuable and attractive spots for the community. It is feasible and worthy to build theatres.

Sydney Drama Culture

Sydney Opera House

The Wharf Theatre

Roslyn Packer Theatre

Capitol Theatre

Sydney Lyric

The State Theatre

On the banks of the Sydney Harbour

On Dawes Point

22 Hickson Rd, Walsh Bay

13 Campbell St, Haymarket

55 Pirrama Rd, Pyrmont

49 Market St

Concert Hall, Joan Sutherland Theatre, Drama Theatre, Utzon Room ...

Wharf 1 & Wharf 2

One major theatre

One major theatre (with movable walls)

One major theatre

1,384 to 1996

2,034

LOCATION

PERFORMANCE VENUES

CAPACITY

2,679 (Concert hall) 1,507 (Joan Theatre) 544 (Drama Theatre)

339 (Wharf 1) 205 (Wharf 2)

896

One major theatre

2,094

TOURISTS/ LOCALS

PHOTOS

TOURISTS

LOCALS

Sydney, a vibrant city with a distinct spatial spirit, places high importance on performing arts such as music, dance, and opera. These arts foster historical interest and cultural exchange, leading to the construction of numerous theaters in urban areas. These theaters not only provide diverse options for audiences but also energize their neighborhoods, becoming valuable and attractive community hubs.

30

Outdoor Theatre

Meeting

Stage & Auditorium

Reception for people coming by ferry

Amenities

Dressing Room VIP Room

Bar

Office

B.Arch

Back Stage Side Stage Back Stage Serve two Theatres

Main Theatre (90 seats)

Storage

BACK BACK BACK BACKOF OF OF OFSTAGE STAGE STAGE STAGE

STAGE STAGE STAGE STAGE&&& &AUDITORIUM AUDITORIUM AUDITORIUM AUDITORIUM

MIN MIN MIN MIN

MAX MAX MAX MAX

MIN MIN MIN MIN

MAX MAX MAX MAX

MIN MIN MIN MIN

Staff Rooms

Dressing room

Dressing room

Cafe

Cafe & Bar Gift Shop

Gift shop Foyer (Main entrance)

Staff entrance

MAX MAX MAX MAX

Storage Monitoer Room

ELEMENTS ELEMENTS ELEMENTSDICTIONARY DICTIONARY DICTIONARY STAFF STAFF STAFF STAFFFACILITIES FACILITIES FACILITIES FACILITIES

Small Theatre (180 seats)

Individual

MAX MAX MAX MAX

Foyer Toilet

W/C W/C /C C

Programmatic Diagram OF OF OF OF OF OF OF OF OF OF OF OF OF OF OF OF DRESSING DRESSING DRESSING DRESSING SS SS SS SS OP OP OP OP MEETING MEETING MEETING MEETING LUNCH LUNCH LUNCH LUNCH

HIER ER IER IER

AM AM AM AM

W/C W/C W/C W/C

VIP VIP VIP VIP AUDITORIUM VIP VIP VIP AUDITORIUM AUDITORIUM AUDITORIUM VIP

ROOM ROOM ROOM ROOM

Amenities

Reception

BACK BACK BACK BACKSTAGE STAGE STAGE STAGE

Office

Amenities

STAGE STAGE STAGE STAGEfor people

Stay Stay Stay StayReady Ready Ready Ready

Stage & Auditorium

Basic Basic Basic Basicsteel steel steel steelcolumns columns columns columns Bar with with with withalumimium alumimium alumimium alumimiumwrapping wrapping wrapping wrapping Take Take Take TakeTime Time Time Time

Theatre

Office

Balustrade Balustrade in safety glass Balustrade in safety glass Balustradein insafety safetyglass glass and and aluminium and aluminium andaluminium aluminium

Columns Columns Columns connection connection connection Columns connection Meeting VIP Room with with withsteel steel steelnode node node with steel node Back Stage

Stage & Auditorium

Reception for people coming by ferry

Dressing Room Outdoor

coming by ferry

Outdoor Theatre

Meeting Directly Directly Directly Directly

Programmatic Diagram Dressing Room Double Double glazing Doubleglazing glazing Double glazing VIP Room sliding doors sliding doors sliding doors sliding doors

Double Double glazed windows Double glazed windows Doubleglazed glazedwindows windows Bar

Back Stage

Side Stage TH: TH: TH: TH:THRESHOLD THRESHOLD THRESHOLD THRESHOLD

Back Stage Serve two Theatres

Main Theatre (90 seats)

Storage

Small Theatre (180 seats)

Main TheatreStorage Storage 1.Function boxes surround the two theatres (90 seats)

OF: OF: OF: OF:OFFICE OFFICE OFFICE OFFICE AM: AM: AM: AM:AMENITIES AMENITIES AMENITIES AMENITIES SS: SS: SS: SS:SIDE SIDE SIDE SIDESTAGE STAGE STAGE STAGE OP: OP: OP: OP:ORCHESTRA ORCHESTRA ORCHESTRA ORCHESTRAPIT PIT PIT PIT

Side Stage Back Stage

Small Theatre

2.Programs are set to be attached to the theatre boxes Serve Theatres (Behindtwo or Below, keep at least one side(180 facing the seats) outer views)

Monitoer Room Dressing room

Dressing room

Cafe

Foyer (Main entrance)

Interior Interior Interior Interiorwall wall wall wallpanels panels panels panels (timber,aluminium, (timber,aluminium, (timber,aluminium, (timber,aluminium,...) ...) ...) ...)

are are re areset set set setto to to tobe be be beattached attached attached attachedto to to tothe the the thetheatre theatre theatre theatreboxes boxes boxes boxes 3.Various 3.Various 3.Various 3.Variousentrances entrances entrances entrancesare are are areset set set setfor for for forthe the the thebuilding building building building w, w, w, , keep keep keep keepat at at atleast least least leastone one one oneside side side sidefacing facing facing facingthe the the theouter outer outer outerviews) views) views) views) (Staff/ (Staff/ (Staff/ (Staff/audience audience audience audienceentrance entrance entrance entrancefrom from from fromthe the the thesite site site siteand and and andvisitors visitors visitors visitorscome come come comeby by by byferry) ferry) ferry) ferry)

Panels, Volumes and Units Dictionary

Exterior Exterior Exteriorwall wall wallpanels panels panels Gift shop Exterior wall panels Foyer (aluminium (aluminium (aluminiumin in instone stone stone texture) texture) texture) (aluminium in stone texture) Staff entrance

Acoustics Acoustics Acousticswall wall wallpanels panels panels Acoustics wall panels

5.Lattice are set to support the volumes growing along with the boxes and transformed into an organice shape.

Exterior Exterior Exteriorpathway pathway pathway Exterior pathway (aluminium...) (aluminium...) (aluminium...) (aluminium...)

Smaller Smaller Smallerpathway pathway pathwayunit unit unit Smaller pathway unit

Green Green Green Greenroof roof roof roof

Cafe & Bar Shop Curved safety glass Curved safety glass panel CurvedGift safety glasspanel panel Curved safety glass panel

Double Double glazing panel Double glazing panel Doubleglazing glazingpanel panel

Foyer (Main entrance)

4. Boxes are surrounded by the complex circulations which make it very interesting and playful to climb and wander in the building.

6.Stories 6.Stories 6.Stories 6.Storiesare are are arehappening happening happening happeninginin in inthe the the theorganic organic organic organicfloating floating floating floatinglattice. lattice. lattice. lattice.

Staff Rooms Cafe

Gift Shop

Toilet

eeeset set set setto to to tosupport support support supportthe the the thevolumes volumes volumes volumesgrowing growing growing growingalong along along along es xes xes esand and and andtransformed transformed transformed transformedinto into into intoan an an anorganice organice organice organiceshape. shape. shape. shape.

Dressing room

Cafe & Bar Dressing room

Storage Monitoer Room

Staff Rooms

Gift shop Staff entrance

3.Various entrances are set for the building (Staff/ audience entrance from the site and visitors come by ferry)

Foyer 6.Stories are happening in the organic floating lattice.

Toilet

Curved Curved safety glass panel Curvedsafety safetyglass glasspanel panel Curved safety glass panel

Interior Interior floor panel Interior floor panel Interiorfloor floorpanel panel (timber (timber flooring) (timber flooring) (timberflooring) flooring)

Ferry Ferry Ferry Ferryroute route route route 1.Function boxes surround the two theatres

2.Programs are set to be attached to the theatre boxes (Behind or Below, keep at least one side facing the outer views)

3.Various entrances are set for the building (Staff/ audience entrance from the site and visitors come by ferry)

1.Function boxes surround the two theatres

in safety glass connection uminium eel node

3.00 3.00 3.00 3.00

Double glazed windows Balustrade in safety glass Double Double glazedglazing windows Point Point Point Pointwhere where where wherefaces faces faces facesthe the the thecity city city city views views views views and aluminium sliding doors

Double glazing Vegetation container Vegetation container Vegetation container Vegetation container sliding doors

Structural Structural unit Structural Structuralunit unit unit (steel (steel rod cross bracing) (steel (steelrod rod rodcross cross crossbracing) bracing) bracing)

2.Programs are set to be attached to the theatre boxes (Behind or Below, keep at least one side facing the outer views) Elevator Elevatorunit unit Elevator unit Elevator unit

3.Various entrances are set for the building (Staff/ audience entrance from the site and visitors come by ferry)

Exterior Exterior Exterior Exteriorpathway pathway pathway pathwayunit unit unit unit connecting connecting connecting connectingsite site site siteand and and andbuilding building building building

Staircase Staircase Staircase Staircase

6.90 6.90 6.90 6.90

Terraced Terraced Terraced Terracedfields-like fields-like fields-like fields-likeplatforms platforms platforms platforms respecting respecting respecting respectingthe the the theexisting existing existing existinglandform landform landform landform

10.50 10.50 10.50 10.50

Series Series Series Seriesof of of ofart art art artworks works works worksusing using using usingthe the the the previous previous previous previousindustrious industrious industrious industriousmaterials materials materials materials 4. Boxes are surrounded by the complex circulations which make it very interesting and playful to climb and wander in the building.

wall wallpanels panels stone texture)

Double glazing panel Acoustics wall panels

5.Lattice are set to support the volumes growing along with the boxes and transformed into an organice shape.

Lawn Lawn Lawn Lawnplaced placed placed placedin in in incircles circles circles circlesfollowing following following following the the the theshapes shapes shapes shapes of of of ofindustrial industrial industrial industrial tanks tanks tanks tanks Curved Double safety glazing glass panel panel

6.Stories are happening in the organic floating lattice.

4. Boxes are surrounded by the complex circulations Curvedmake safetyitglass which verypanel interesting and playful to climb and Dressing Dressing room Small Small Smalltoilet toilet toilet1111 Dressing Dressingroom room roomwander in the building.

Small toilet

5.Lattice are set to support the volumes growing alongSmall withtoilet the and transformed Small into an Small toilet 2222 Small Small Small storage storage storage storage Small Small toilet toiletboxes organice shape.

6.Stories are happening in the organic floating lattice.

Dinning Dinning Dinning Dinningarea area area areaunit unit unit unit

3.00 3.00 3.00 3.00

pathwayunit athway nium...)

Low Low Low Lowlevel level level levelencircled encircled encircled encircledpavement pavement pavement pavement

Upper Upper Upper Upperlevel level level levelpark park park parkpathway pathway pathway pathway

Interior floor panel Smaller pathway unit (timber flooring)

SCALE SCALE SCALE SCALE 1:1000 1:1000 1:1000 1:1000 Interior floorglass panel Curved safety panel (timber flooring)

VIP VIP VIPlounge lounge lounge VIP lounge Curved safety glass panel

Toilet Toilet Toilet Toilet

Meeting Meeting Meetingroom room room Meeting room

Staff Staff lunch room Stafflunch lunchroom room Staff lunch room

Bar Bar Bar Barexample example example exampleunit unit unit unit

Master Plan 31

Sydney Harbour Drama House

The City as Stage And The Building as Storytellers The images illustrate this building through the eyes of both an audience member and a performer. It depicts a vast lattice structure floating on the sea, resembling a sculpture animated with singing and dancing. This structure serves as a panoramic platform. With free entry and exit, it integrates the city and the sea into its stage, making the building itself a performer immersed in an ongoing drama.

32

B.Arch

Individual

Project featured on Australian Design Review https://www.australiandesignreview.com/architecture/design-projects-university-of-sydneys-graduate-show/

33

34

Cambodian Rural Housing

B.Arch

Individual

Designing for Locals by Merging Innovation and Tradition Design Brief This project, located in a village near Phnom Penh, Cambodia, aims to design affordable housing for locals. It began with extensive research into the area's climate, traditional housing and people's habit to ensure the designs are culturally and environmentally appropriate.

Key Terms Bamboo, chosen for its sustainability and strength, is used in innovative umbrellashaped structures to enhance ventilation and provide rain shelter. The design also includes stilt house features for spatial flexbility and flood mitigation.

Tool

Bamboo structure

Rhino

Rural housing

Lumion

Vernacular architecture

AutoCAD

Field research

Sketching

Sustainable materiality

Physical Model

35

Cambodian Rural Housing

Design Principles Based On An Ethnographic Study Climate - Shelters for heavy rains and sunlight exposure Religion - Forms inspired by Buddhism architecture Housing history -House on stilts Living habits - Flexible plans and good ventilation Environment and economy - Bamboo as main materials Village culture - Community connection

'Umbrella'

Flexible plans of living

Ventilation

House on stilts

The big roofs in organic shapes surround

Several different platforms are built on the stilts

From the bottom to the top, the stilts and the

Like traditional Khmer houses, the house is

the main part of the house to provide a protection for the dwellers from rain and

providing different functions for the dwellers as it can maximize the use of small space.

void between roofs allow a good ventilation for the house. And central bamboo structure

designed on the stilts and it is about 3 meters above the ground. It can protect the main part

sunlight. Otherwise, the cladding and the roof can protect the bamboo structure from the 'Umbrella'

And the large intact platform are flexible for a living space with different need like dinning Flexible plans of living

tube also helps improve the ventilation.

of the house from the flood. Platforms built on

Ventilation

stilts provide space for daily activities House onopen stilts

the main part of the house to provide a protection for the dwellers from rain and sunlight. Otherwise, the cladding and the roof

providing different functions for the dwellers as it can maximize the use of small space.

And the large intact platform are flexible for

can protect the bamboo structure from the rainwater.

a living space with different need like dinning space, reception and space for daily activities.

Sustainable material

Levels of privacy

Face the south

Commune housing

Bamboo is a traditional building material that has been used in Cambodia for centuries.

It is lightweight, extremely flexible and rapidly renewable compared to timber.

Bamboo is shakingmaterial off its reputation as a poor Sustainable

As there is no solid walls in the design, the privacy of the space is decided by the height and length of the roof. So the roof with organic shapes can offer different levels of privacy for the living space.

Levels of privacy

In Cambodia, the wind is in north-south direction, and the sunlight is from the south, so I set the most opened sides of the houses to face the south for a better ventilation and sunlight. the south Face

The houses in organic shape are more flexible and adaptable for a commune. The circulation becomes more interesting and the communication between the neighbors is improved.

Commune housing

As there is no solid walls in the design, the privacy of the space is decided by the height and length of the roof. So the roof with organic shapes can offer different levels of privacy for the living space.

In Cambodia, the wind is in north-south direction, and the sunlight is from the south, so I set the most opened sides of the houses to face the south for a better ventilation and sunlight.

The houses in organic shape are more flexible and adaptable for a commune. The circulation becomes more interesting and the communication between the neighbors is improved.

rainwater.

The big roofs in organic shapes surround

Bamboo Joint Details

man’s material Bamboo is a traditional building material that has been used in Cambodia for centuries.

It is lightweight, extremely flexible and rapidly renewable compared to timber.

Bamboo is shaking off its reputation as a poor man’s material

36

After extensive research, observation, and sketching, I established core design principles to ensure reasonable design. I studied bamboo construction techniques, precisely calculated each joint, and built a 1:20 scale model f rom bamboo sticks to facilitate discussions with local residents.

space, reception and space for daily activities.

Several different platforms are built on the stilts

From the bottom to the top, the stilts and the

with perfect ventilation.

Like traditional Khmer houses, the house is

void between roofs allow a good ventilation for the house. And central bamboo structure tube also helps improve the ventilation.

designed on the stilts and it is about 3 meters above the ground. It can protect the main part of the house from the flood. Platforms built on stilts provide open space for daily activities with perfect ventilation.

B.Arch

Individual

37

38

The 'Refuge'

B.Arch

Individual

Can Architecture Inspire Climate Change Awareness?

Design Brief

Key Terms

The severe bushf ires in Sydney in 2020 h i g h l i g h te d t h e i m p a c t s o f c l i m a te c h a n g e , p ro m p t i n g m e to c o n s i d e r whether architecture could serve as a form of installation art to draw attention to this urgent issue.

EGO

When a small tree becomes a symbol of hope and memory, what was once common becomes rare and precious. My concept is to create a refuge for nature.

Through diverse vertical space designs, human activity areas and plant containers are juxtaposed in a monumental tower.

ECO

Tool

Climate change

Rhino

Architecture as a manifesto

Grasshopper

Artificial nature

AutoCAD

Environmental awareness

VRay

Culture of congestion

EVO

39

Seed Vault

ureRefuge Refuge re ture Refuge ture Refuge re Refuge ure Refuge

way which is spiraling irs climbing up. And wing some photos and pway way which which isisup. spiraling spiraling pleclimbing who want toAnd get irs airs climbing up.

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The The nn them them freely. freely.

The Refuge

Library I & Study room

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14 main main circulation. circulation.

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Nature Refuge Vertical Circulation with laboratory provideing long-term storage of duplicates of +45.10of the building seeds conserved in genebanks around the world. This provides security of the world’s foodwith supply of vault seedsoccupies in genebanks due to accident, Equipped staffagainst rooms,the theloss seed the underground levles failures, funding cuts, provideing and naturallong-term disasters. storage of duplicates of of the building with laboratory +41.50equipment seeds conserved in genebanks around the world. This provides security of the 12 world’s food supply against the loss of seeds in genebanks due to accident, +37.60equipment failures, funding cuts, and natural disasters.

SECTIONAL PERSPECTIVE

NATURE REFUGE DIMENSION Exhibition III & Wind Turbine Exhibition Exhibition III III & & Wind Wind Turbine Turbine

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Library II Poo Library II Poo

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Not like the bars and cafe, this restaurant is equipped with a normal kitchen and toilets,people can have meals and rest here. And of course, flower bed or the nature refuge is placed aside used as a transition to the next program.

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is set between the two programs. The space beneath the garden is thought to

mal vertical farming amal vertical farming ed layers.

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Nature Refuge NatureRefuge Refuge Nature

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Restaurant I & Garden I

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II

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m Nature Refuge 10m Vertical Circulation m Circulation m Refuge Vertical Circulation Nature Refugem NNature Vertical m m undergroundmlevles m rooms, the seed vault occupies the Equipped with staff Vertical Circulation Nature restaurant space is made provideing up ofmseveral thatofRefuge have bars, mof mspace m cafe, m ofThe the building with laboratory storage duplicates of The entrance the building starts withlong-term a small park boxes like with various +132.90 seeds conserved in genebanks around the world.

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This library ism more like book storage space, asthe it protects books from m people Equipped with staff rooms, the seed vault occupies underground levles space more interesting as apeople can climb on this lawn between the two sunlight in a enclosure space.

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menables m Thehav pool is designed to enhance the isconept of nature refuge through m Space m and are dusts-removing abilities. high broad that the a The theme of the On Garden II isishand, artificial forest.

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La Vertical Circulation Nature Refuge Vertical Vertical Circulation Circulation Nature Nature Refuge Refuge A laboratory and a roof garden are chose to be placed at the highest levels

someit books canasstop at these slabs anytime. a study room can work a video hall as well.

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Ga den Transition Space 2 Library II Ga den COMPOSITION SPACE DIAGRAM +51.10 Transition Space Seed Vault

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Vertical Circulation Nature Refuge Vertical Nature Vertical Circulation Circulation Nature Refuge Refuge The third exhibition is mainly and outcomes about +69.50 6 for show some research N the The isis mainly show research and outcomes about dust particles, and some futurefor methods responding to problems.

The third third exhibition exhibition mainly for show some some research andclimate outcomes about NNature +67.10 dust particles, and some future methods responding to problems.

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On be thetransported other hand handto the m space m hallNcan +64.70 Nature Refuge Vertical Circulation Right after the exhibition is the lecture which is opened to public, can in dust or particles can the laboratory above for doing research and process. can help help suck suck in more more dustsome or sand sand particles which can be be transported transported to to them m m which Nature Vertical Circulation and it can work as videosome hall asresearch well. Theand bigprocess. staff room is rightRefuge on the lecture laboratory above for above foraisdoing doing some research and m m stairs m mprocess. mlaboratory Theand bookshelves placed slabs which arem like up. And staff can work restthe here.

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Not like the bars and cafe, this restaurant is equipped with a normal kitchen space that has frames growing crops infirst vertically stacked Itkitchen aims Not like the and cafe, this restaurant is equipped with aalayers. normal and toilets,people can have meals and rest here.

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ItItbed aims aims to and toilets,people can have meals and rest here.

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space has multiple functions including theatre and holographic Exhibition II: The second exhibitionThe issphere designed Nature Refugeto the Vertical projection room. ItCirculation aims toin bringaa dramatic and vivid performance visitorsand to let them get a better understanding about the present circumstance corridor-like gallery consisting of ramp steps.

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Scale: 1:200 Grid unit: meter 0

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On On be the thetransported other other hand handto the the This library is more like a book storage space, as it protects books from laboratory above for doing research andwhich process.

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Size M

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b

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Vertical Circulation Vertical Circulation Circulation Vertical

The sphere space has multiple functions including theatre and holographic spruce,needle juniper, Sabina chinensis and pitch pine are planted here The sphere space has multiple functions including theatre and projection room.

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The pool is designed to enhance the conept of nature refuge through a Refuge point Vertical container for water.Circulation On the other hand, the pool canNature add an interesting for the building. The pool space is equipped with change rooms and toilets in The pool is designed to enhance the conept of nature refuge through a it. The different circulations for men and women are planned well. container for water. On the other hand, the pool can add an interesting point for the building. The pool space is equipped with change rooms and toilets in it. The different circulations for men and women are planned well.

8

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Section a-a 1

Vertical Circulation

the the nature nature refuge refuge isis placed placed aside aside used used as as aa transition transition to to the the next next program. program.

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Not like the bars and cafe, this restaurant is equipped with a normal kitchen and can cafe, have this meals and rest is here.

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41

42

Works From Internships

- Project Engagement: Hubei Science and Technology Museum (Program Area: 70,000m2) - Experience: Conducted site modeling and research, performed precedent studies, and explored computational design methods for modeling the façade.

43

幼儿园平面图

Works From Internships

- Project Engagement: The kindergarten of OCT Binjiang 11th community ( 9 classes in total ) - Experience: Finished one interim design plan individually and presented it to the project director.

幼儿园平面图

44