Chulalongkorn University
A Musical Homage in Profound Reverence and Gratitude to Her Majesty Queen Sirikit The Queen Mother
Performed by Chulalongkorn University Symphony Orchestra and Festival Chorus
Under the Royal Patronage of Her Royal Highness Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarindra
7:30 PM, Tuesday, November 4, 2025
Chulalongkorn University Auditorium
Her Majesty Queen Sirikit The Queen Mother of the Kingdom of Thailand, is a paragon of generosity and compassion, whose boundless benevolence has touched the lives of all Thai people. In profound reverence and heartfelt homage to Her Majesty’s enduring grace, Chulalongkorn University proudly presents Mozart’s Requiem, performed by the Chulalongkorn University Symphony Orchestra under the Royal Patronage of Her Royal Highness Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarindra.
Since its establishment in 1990, the Symphony Orchestra has devoted itself to presenting musical works of exceptional artistry, carefully chosen for their beauty, depth, and expressive power, in order to offer audiences both aesthetic pleasure and meaningful experience. At the same time, these performances serve to cultivate the knowledge, skill, and artistry of the university’s musicians.
This tribute is the result of the unwavering dedication of faculty, staff, alumni, current students, university artists, and distinguished professionals, all working together to ensure that the performance is rendered with the dignity and honor befitting Her Majesty. On behalf of Chulalongkorn University, we extend our deepest gratitude to all who have contributed to making this musical homage possible.
Professor Wilert Puriwat, D.Phil. (Oxon) President
ในชวังเวัลาแห่งโศักัเศัร้าจากักัารเสด็จส้่สวัรรคาลัยขอุงสมเด็จพระนางเจ้าสรกัิติ์
นกัรอุงประสานเส่ยงนสติ์ปัจจบันและศัิษย์เกั่าจุฬาฯ
During this period of national mourning following the passing of Her Majesty Queen Sirikit The Queen Mother, the Chulalongkorn University Symphony Orchestra, under the Royal Patronage of Her Royal Highness Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarindra, is deeply committed to presenting a performance in tribute to Her Majesty’s enduring benevolence and lifelong contributions to the Thai people.
For this memorial performance, the Chulalongkorn University Symphony Orchestra presents Mozart’s Requiem, K. 626, one of the most significant and revered works in the history of Western music, composed by the Austrian composer Wolfgang Amadeus Mozart. The Requiem, as a genre of choral literature, is a sacred work based on the Roman Catholic prayers sung during the funeral mass, making it particularly appropriate to be performed at this time. The performance features soloists Chanya Maneewan (soprano), Patthanan Art-ong (alto), Pathorn Sawatisuk (tenor), and Tulanan Narasetapisarn (bass), together with the Chulalongkorn University Festival Chorus, comprising current students, alumni, and singers from other institutions. The orchestra is conducted by Dr. Pawasut Piriyapongrat, one of the Resident Conductors of the Chulalongkorn University Symphony Orchestra.
On behalf of the Chulalongkorn University Symphony Orchestra under the Royal Patronage of Her Royal Highness Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarindra, I would like to express my sincere gratitude to all institutions, organizations, staff members, musicians, and parents whose support has made this performance possible.
Asst. Prof. Col. Choochart Pitaksakorn Music Director
Requiem Mass in D minor, K. 626
I. Introit: Requiem
II. Kyrie
III. Sequence:
No. 1 Dies irae
No. 2 Tuba mirum
No. 3 Rex tremendae No. 4 Recordare
No. 5 Confutatis No. 6 Lacrimosa
IV. Offertorium: No. 1 Domine Jesu No. 2 Hostias
V. Sanctus
VI. Benedictus
VII. Agnus Dei
VIII. Communio: Lux aeterna
Wolfgang Amadeus Mozart (1756-1791)
Chanya Maneewan
Soprano
Pattanan Art-ong
Alto
Pathorn Swasdisuk
Tenor
Tulanan Narasetapisarn
Bass
Thanunya Jaturanont
Rehearsal Pianist
Dolhathai Intawong
Assistant Conductor
Natthita Wongprom
Assistant Conductor
Pathorn Swasdisuk
Assistant Conductor
Kittinant Chinsamran
Soloist Coach
Ruaychai Saengow
Concertmaster
Pawasut Piriyapongrat
Conductor
Choochart Pitaksakorn
Music Director
(Gabriel Fauré)
(Requiem Mass)
“Requiem aeternam
“Requiem”
(Wolfgang Amadeus Mozart),
(Johannes Brahms)
(Franz von Walsegg, ค.ศั.1763–1827)
(Giuseppe Verdi),
(Continuo)
(Lacrymosa)
(Kyrie),
(Offertory
(Franz Xaver Süssmayr, ค.ศั.1766–1803)
(Gottfried van Swieten)
(Johann Sebastian Bach)
แด่พระเมติ์ติ์าและพระปร่ชาสามารถัอุันเป็นแรงบันดาลใจนรันดร์แกั่ปวังชนชาวัไทย
The Requiem Mass is a musical form deeply rooted in the Roman Catholic liturgical tradition, originally written to accompany the Mass for the Dead. The word “Requiem” comes from the Latin phrase “Requiem aeternam dona eis, Domine,” meaning “Grant them eternal rest, O Lord.” Over the centuries, this sacred text has inspired composers to create profound musical settings that embody prayer, mourning, and the longing for eternal peace. Though its origins are religious, the Requiem has evolved into a universal expression of remembrance and compassion that transcends boundaries of faith and culture. Among the most celebrated settings are those by Wolfgang Amadeus Mozart, Giuseppe Verdi, Gabriel Fauré, and Johannes Brahms—each offering a distinct musical reflection on life, death, and the promise of peace.
The fact that Mozart passed away before finishing one of his best-known works, Requiem Mass (Missa pro defunctis), is possibly the main reason for the myths and rumors surrounding the commission of the piece. The romanticization of Mozart being commissioned by an “unknown messenger” in the Hollywood film Amadeus (1984) has also played a significant role in spreading the myth to the public.
Requiem in D minor, K. 626 was, in fact, commissioned in the summer of 1791 by Count Franz von Walsegg (1763–1827), an amateur musician, under a contract requiring Mozart to keep the commission confidential, as Walsegg likely planned to claim the work as his own. The work was intended to premiere at the memorial service for Walsegg’s wife, Countess Anna von Walsegg, who died on February 14, 1791, at the age of 20.
Mozart, however, was busy with his operatic commissions for La clemenza di Tito and Die Zauberflöte, both scheduled to premiere in September, and postponed work on the Requiem until late November, when he began to succumb to his illness. By December 5, the day of his death, he had completed the Introit in full score and had written the vocal parts, continuo, and sporadic instrumental passages for the Kyrie , the Sequence (the first 8 measures of the Lacrymosa), and the Offertory. The Requiem was therefore left unfinished.
Constanze Mozart, his surviving wife with two children, enlisted the help of his students—Joseph Eybler (1765–1846), who completed only the orchestration of most of the Sequence, and Franz Xaver Süssmayr (1766–1803), who completed the rest of the work. To this day, several different versions of the Requiem have been produced based on Mozart’s sketches—either as new completions or revisions of Süssmayr’s version. However, Süssmayr’s version, which has remained the most widely known for centuries, is used in tonight’s concert.
An early performance of Mozart’s fragment of the Requiem took place on December 10, 1791, at his own memorial service organized by Baron Gottfried van Swieten, an Austrian nobleman with a Dutch origin and an avid patron of the arts. Then, on January 2, 1793, the work was premiered in its entirety in a benefit concert for Constanze Mozart and her children, also organized by van Swieten. The concert, however, was held unbeknownst to Count Walsegg, who later conducted what he considered the “premiere” of the work in memory of his wife on December 14, 1793, with his name listed as the composer.
Missa pro defunctis, or Mass for the Dead, developed as a significant part of Christian liturgy in the 4th century and was standardized in the 14th century, with the Sequence being the latest addition to the prescribed text. Mozart and Süssmayr employed the Requiem text in its entirety, without omission or repetition, adhering to the sacred music tradition. The musical structure follows the Baroque cantata mass genre, in which the longer texts of the liturgy are divided into shorter movements. The work is sung by a solo quartet and chorus accompanied by an orchestra in a predominantly colla parte style, which doubles the choral parts. Fugues and complex double fugues—characteristic of Baroque choral music, especially in the works of Johann Sebastian Bach—are also employed.
Though the Requiem is a posthumous collaboration between Wolfgang Amadeus Mozart and his student Franz Xaver Süssmayr, and not solely by Mozart, the work has proven to be a masterpiece in music history—admired for its beautiful contrapuntal writing from the Baroque, lush harmonic texture within the clarity of Classical harmony, and profound emotion that reflects the meaning of the text. Tonight, more than two centuries later, the Requiem
remains one of the most moving and enduring works in the choral-orchestral repertoire.
In this concert, the Requiem is presented as a musical homage in reverent remembrance of Her Majesty Queen Sirikit, The Queen Mother of the Kingdom of Thailand—a tribute to her boundless grace, benevolence, and the everlasting inspiration she has bestowed upon the Thai people.
Program note by Pawasut Piriyapongrat, DMA
Requiem aeternam dona eis
Domine: Rest eternal grant to them, O Lord, โปรดประทาน
et lux perpetua luceat eis. and let perpetual light shine upon them.
Te decet hymnus Deus in Zion, A hymn befits Thee, O God in Zion, บทเพลงสรรเส
et Tibi redetur votum in Jerusalem: and to Thee a vow shall be fulfilled in Jerusalem.
Exaudi orationem meam, Hear my prayer,
ad te omnis caro veniet. for unto Thee all flesh shall come. เพราะเ
Kyrie eleison, Lord, have mercy,
Christe eleison, Christ, have mercy,
Kyrie eleison.
Lord, have mercy.
1. Dies irae
Dies irae, dies illa, Day of wrath, that day
Solvet saeclum in favilla: shall dissolve the world into embers,
Teste David cum Sibylla. As David prophesied with Sybil.
Quantus tremor est futurus, How great the tremblin will be,
Quando judex est venturus, When the Judge shall come,
Cuncta stricte discussurus! the rigorous investigator of all things!
2. Tuba mirum
Tuba mirum spargens sonum The trumpet, spreading its wondrous sound
Per sepulchra regionum, through the tombs of every land, ดังไปทัวัหลุมศัพทกัแห่งหน
Coget omnes ante thronum, will summon all before the throne.
Mors stupebit, et natura, Death will be stunned, likewise nature,
Cum resurget creatura, When all creation shall rise again
Judicanti responsura. to answer the One judging.
ควัามติ์ายและธรรมชาติ์ิจะประหลาดใจ
เมอุสิ�งท่�ทรงสร้างไวั้จะลกัข้�นมาอุ่กั
เพอุติ์อุบพระติ์ุลากัาร
Liber scriptus proferetur, A written book will be brought forth, หนังส่อุทบันท้กัไวั้จะถั้กันำอุอุกัมา
In quo totum continetur, In which all shall be contained, ทกัสิ�งลวันม่บันท้กัไวั้ในนั�นทั�งหมด
Unde mundus judicetur. and from which the world shall be judged,
Judex ergo cum sedebit, When therefore the Judge is seated, เมอุพระติ์ุลากัารประทับนั�ง
Quid-quid latet apparebit: whatever lies hidden shall be revealed,
Nil inultum remanebit. no wrong shall remain unpunished.
Quid sum miser tunc dicturus? When then am I, a poor wretch, going to say?
Quem patronum rogaturus? Which protector shall I ask for,
Cum vix justus sit securus. when even the just are scarcely secure?
3. Rex tremendae
Rex tremendae majestatis, King of terrifying mejesty, พระมหากัษติ์รยทน่าเกัรงขาม
Qui salvandos salvas gratis, Who freely saves the saved:
Salva me fons pietatis. Save me, fount of pity.
4. Recordare
Recordare Jesu pie, Remember, merciful Jesus, ข้าแติ์่พระเยซิ้ผู้้้กัรณิาโปรดทรงระล้กั
Quod sum causa tuae viae, that I am the cause of your sojourne; วั่าข้าพเจ้าเป็นเหติ์ุให้พระอุงค์เสด็จมา
Ne me perdas ilia die. Do not cast me out on that day.
Quaerens me, sedisti lassus; Seeking me, you sat down weary; เมอุทรงเสาะหาข้าพเจ้า พระอุงค์ทรง
Redemisti crucem passus: having suffered the Cross, you redeemed me.
Tantus labor non sit cassus. May such great labor not be in vain.
Juste judex ultionis, Just Judge of vengeance,
Donum fac remissionis, grant the gift of remission
Ante diem rationis before the day of reckoning.
Ingemisco, tamquam reus: I groan, like one who is guilty;
culpa rubet vultus meus: my face blushes with guilt.
Supplicanti parce Deus. Spare Thy supplicant, O God.
Qui Mariam absolvisti, You who absolved Mary [Magdalene],
Et latronem exaudisti, and heeded the thief, ทรงสดับฟ้ังโจร [บนไมกัางเขน]
Mihi quoque spem dedisti. have also given hope to me.
ทรงประทานควัามหวัังให้กัับข้าพเจ้า เช่นกััน
Preces meae non sunt dignae: My prayers are not worthy, คำภ์าวันาขอุงข้าพเจ้าไมค้่ควัร
Sed tu bonus fac benigne, but thou, good one, kindly grant
แติ์่ขอุผู้้ทรงม่พระทัยด่โปรดประทาน
Ne perenni cremer igne. that I not burn in the everlasting fires. ใหข้าพเจ้าไมถั้กัเผู้าไหม้ไปในเพลิงนรันดร
Inter oves locum praesta, Grant me a favored place among Thy sheep,
Et ab haedis me sequestra, and separate me from the goats, และแยกัข้าพเจ้าอุอุกัจากัฝ่้งแพะ
Statuens in parte dextra. placing me at Thy right hand.
5. Confutatis
Confutatis maledictis, When the accursed are confounded,
Flammis acribus addictis, consigned to the the fierce flames:
Voca me cum benedictis. call me to be with the blessed.
Oro supplex et acclinis, I pray, suppliant and kneeling,
Cor contritum quasi cinis: my heart contrite as if it were ashes:
Gere curam mei finis. protect me in my final hour.
6. Lacrimosa
Lacrimosa dies illa, O how tearful that day, ในวัันแห่งน�ำติ์า
Qua resurrget ex favilla, Judicandus homo reus. on which the guilty shall rise from the embers to be judged.
Huic ergo parce Deus. Spare them then, O God.
Pie Jesu Domine, Merciful Lord Jesus,
Dona eis requiem. Grant them rest.
1. Domine Jeu
Domine Jesu Christe, Rex gloriae, Lord Just Christ, King of glory, พระเยซิ้คริสติ์เจ้า
libera animas omnium fideliem defunctorum liberate the souls of all the faithful departed
de poenis inferni et de profundo lacu: from the pains of hell and from the deep pit;
libera eas de ore leonis, deliver them from the lion’s mouth; โปรดชวัยเขาใหพ้นจากัปากัสิงโติ์
ne absorbeat eas tartarus, let not hell swallow them up, อุย่าให้นรกักัล่นเขา
ne cadant in obscurum; let them not fall into darkness: อุย่าให้เขาติ์กัลงไปในทม่ดมิด
sed signifer sanctus Michael but let Michael, the holy standard-bearer,
แติ์่ขอุใหม่คาเอุลผู้้้ถั่อุธงศัักัดิสิทธิ
representet eas in lucem sanctam: bring them into the holy light, นำเขาไปอุย้่ในแสงสวั่างศัักัดิสิทธิ
Quam olim Abrahae promisisti, which once Thou promised to Abraham ติ์ามท่�พระอุงค์ทรงสญ่ญ่าไวั้แกั อุับราฮััม et semini ejus. and to his seed.
และล้กัหลานขอุงเขา
2. Hostias
Hostias et preces tibi, Sacrifices and prayers of praise, เครอุงบ้ชาและคำภ์าวันา
Domini, laudis offerimus: O Lord, we offer to Thee, พระเจ้าข้า
tu suscipe pro animabus illis, Receive them, Lord, on behalf of those souls
quarum hodie memoriam facimus: we commemorate this day. ทข้าพเจ้าทั�งหลายระล้กัถั้งในวัันน่
fac eas, Domine, Grant them, O Lord, โปรดประทานให้เขาเหล่านั�น
de morte transire ad vitam. to pass from death unto life, ผู้่านจากัควัามติ์ายไปส้่ช่วัติ์
Quam olim Abrahae promisisti, which once Thou promised to Abraham
et semini ejus. and to his seed.
Sanctus, Sanctus, Sanctus, Holy, Holy, Holy,
Dominus Deus Sabaoth. Lord, God of Hosts.
Pleni sunt caeli et terra
Heaven and earth are full สวัรรค์และโลกัเติ์็มไปดวัย gloria tua. of Thy glory.
Osanna in excelsis.
Hosanna in the highest.
Benedictus qui venit
Blessed is he who comes ถัวัานพระพรแด่ผู้้เสด็จมา
in nomine Domini. in the name of the Lord. ในพระนามพระเจ้า
Osanna in excelsis.
Hosanna in the highest.
Agnus Dei, Lamb of God,
qui tollis peccata mundi, who takest away the sins of the world,
dona eis requiem sempiternam. grant them rest everlasting.
Lux aeterna luceat eis, Domine: May light eternal shine upon the, O Lord,
Cum sanctis tuis in aeternum: in the company of Thy saints forever and ever;
quia pius es. for Thou are merciful.
Requiem aeternam dona eis
Domine, Rest eternal grant to them, O Lord,
et lus perpetua luceat eis. and let perpetual light shine upon them
นรันดรแกั่พวักัเขา
(Chulalongkorn University Concert Choir) ระหวั่างป
(Thai Youth Choir)
Bali International Choral Festival 2023 ท่�ประเทศัอุินโดน่เซิ่ย
(World Youth Choir) จัดโดย International Federation for Choral Music
Tan Dun และ J ö rn Hinnerk Andresen
Hanz Zimmer, Marvel Movie Music
Chanya graduated with First-Class Honors in both her Bachelor’s and Master’s degrees in Western Music (Voice Major) from the Faculty of Fine and Applied Arts, Chulalongkorn University, where she studied voice performance and pedagogy under Asst. Prof. Dr. Kittinan Chinsamran.
During her studies, she won first place in the 28th CU Singing Contest, was a member of the Chulalongkorn University Chamber Choir (CUCC) (2022–2023), and the Thai Youth Choir (TYC) (2023–2024). She also participated with Thai Youth Choir in the Bali International Choir Festival (BICF) 2023 in Indonesia. In 2024, Chanya was selected to represent Thailand as a member of the World Youth Choir, performing in Germany, Italy, and the Netherlands under the direction of Tan Dun และ Jörn Hinnerk Andresen. She also sing in a chorus and opera chorus in concerts including Hollywood Soundtracks by Hanz Zimmer, Marvel Movie Music and the Madamme Butterfly opera with Royal Bangkok Symphony Orchestra. Chanya was appointed as a teaching assistant for the choral class while pursuing her master’s degree. She is currently a part-time lecture for choir at the Pre-college Program, College of Music, Mahidol University.
พ.ศั. 2555 และ Magnificat in D Major
Tuan และ Thomas Moser เป็นติ์้น
Franz Lukasovky, Loh Siew
2555
คณิะกัรรมกัารอุุดมศั้กัษาให้เข้ารวัมค่ายดนติ์ร่ The 22nd International Summer Academy (ISA) 2012
ท่�ประเทศัอุอุสเติ์ร่ย
University for Music and Performing Arts
ปัจจบันพัทธนันทรับราชกัารในติ์ำแหน่งค่ติ์ศัิลปิน (นกัรอุง)
Pattanan Art-ong, Mezzo-Soprano, received her bachelor’s degree with First-Class Honors in Music Performance from the Faculty of Fine and Applied Arts, Chulalongkorn University, under the guidance of Professor Duangjai Thewtong. She later received a music talent scholarship to pursue further studies at the Conservatory of Music, Rangsit University, majoring in Music Performance, where she studied with Assistant Professor Dr. Kittinant Chinsamarn until completing her degree.
Pattanan began her classical singing journey through participation in choral activities. She was a member of the Thai Youth Choir from 2007 to 2009, and since 2008, she has been a member of the Chulalongkorn University Choir under the direction of Dr. Pawasut Piriyapongrat. During her time with the choir, Pattanan was selected as a soloist on several occasions including Mass by Igor Stravinsky (2010), (2011), Mass in C Minor Magnificat in D Major
Pattanan continued to further her vocal studies under the guidance of Susheilagh Angpiroj. She also participated in various masterclasses with internationally renowned singers such as Franz Lukasovsky, Loh Siew Tuan, and Thomas Moser, among others. In 2012, she was awarded a short-term scholarship from the Office of the Higher Education Commission of Thailand to attend the 22nd International Summer Academy (ISA) 2012 in Austria, organized by the University of Music and Performing Arts, Vienna.
Pattanan currently holds the position of Singer at the Music Division, Office of Culture, Sports, and Tourism, Bangkok Metropolitan Administration. In addition, she is a part-time lecturer in Vocal Performance at the Conservatory of Music, Rangsit University, and in the Western Music Program, Faculty of Humanities, Kasetsart University.
ติ์ามแนวัคิดขอุงโคดายจากั Kodály Zoltán Pedagogical Institute of Music, Liszt Ferenc Academy of Music
กัารขับรอุงและกัารสอุนขับรอุงจากั Dr. Renáta Darázs และ Dr. János
Klézli
เส่ยง Bangkok Consort Singers ทม่เป้าหมายในกัารเชอุมโยงวััฒนธรรมดนติ์ร่เกั่าและดนติ์ร่รวัมสมัยเข้า
ภ์าธรยังทำงานในฐ์านะกัรรมกัารกัอุติ์ั�งสมาคมผู้้้อุำนวัยเพลงขับรอุงประสานเส่ยง (ประเทศัไทย)
Pathorn received Master of Arts in Kod Zoltán Kodály Pedagogical Institute of Music, Liszt Ferenc Academy of Music, Hungary, where he studied voice and voice pedagogy with Dr. Ren Darázs and Dr. János Klézli. He recieved Bachelor of Education in Music Education (first class honours, gold medal) from Chulalongkorn University where he studied voice with Weewan Tonechai and choral conducting with Dr. Pawasut Piriyapongrat.
As a singer, Pathorn had been member of Thai Youth Choir (2012-2014), The Bangkok Voices (2014-2017, 2020-2022) and Chulalongkorn University Concert Choir (2015-2020). Pathorn was selected to participate with international ensembles on various occasions such as the World Youth Choir (2017, 2018 & 2023) and Asia Pacific Youth Choir (2023, 2024) in Hungary, Croatia, Slovenia, Serbia, Bosnia & Herzegovina, Malaysia, South Korea & China.
Currently, Pathorn serves as part-time lecturer at Department of Conducting and Large Ensemble, College of Music, Mahidol University.
Apart from teaching, Pathorn is music director and conductor of Bangkok Consort Singers, an ensemble that aspire to introduce western early music with a blend of contemporary music to the Thai choral scene. Pathorn is also founding committee to Thailand Choral Directors Association.
College Bots Choir
ร่
Central High School
Concert Choir และ Central Singer
2550
(Vocal Performance)
เขาได้แสดงเป็นนกัรอุงบาริโทนเด่�ยวัในคอุนเสรติ์เพลงศัักัดิสิทธิ�และอุุปรากัร รวัมกัับวัง Thailand
Philharmonic Orchestra และกัารผู้ลติ์ขอุงวัิทยาลัยดริยางคศัิลป
อุาท Messa di Gloria โดย Puccini และ Ein deutsches Requiem โดย Brahms
“College of Music Concerto–Aria”
Thailand ซิ้�งได้แสดงในงานสำคญ่ระดับนานาชาติ์ิหลายประเทศั
Hotel Muse, Rossano Restaurant, Banyan Tree Hotel และ Best Western Hotel
Tulanan started his music study by learning to play piano at the age of 5, and later he started to sing at the age of 10. He graduated from Bangkok Christian College, where he had participated in many musical activities as a member of Bangkok Christian College Bots Choir and also an exchange student to Central High School, St. Paul, Minnesota where he joined Central High School Concert Choir and Central Singer. In 2007, he was accepted to study at College of Music, Mahidol University, Thailand in Vocal Performance under the instruction of Dr. Jan-Ate Stobbe. He has performed in some of the voice department recitals and choir concerts. He also is a bass sectional leader in the Mahidol University Choir, and in charge of the Male Choir.
During his undergraduate years he performed as a baritone soloist in sacred music concerts and operas with Thailand Philharmonic Orchestra and College of Music, Mahidol University Production. The works include Messa di Gloria by Puccini, Brahms’ Deutches Requiem with Mahidol University Choir.
In September 2010, he won the 1st prize in “College of Music Concerto - Aria” at College of Music, Mahidol University. He graduated in 2011, and was awarded a scholarship by OEAD to join the International Summer Academy “Vienna-Prague-Budapest”!, after that he was part of a group “VIVA Pop-Opera”, which debuted in Bangkok and had tours in South Africa and Zimbabwe. From then until now he’s a member of a Pop Opera group called “FIVERA” under BEC-Tero Music Thailand, which has performed in many big events in Peru, Brazil,UK, Germany, Switzerland, Indonesia, Laos, Vietnam, Malaysia, Myanmar, India, Singapore, and China. The group is also a regular performer at Hotel MUSE, Rossano Restaurant, Banyantree Hotel and Best Western Hotel. Up until now, he and FIVERA has been performing in many prestigious events over 18 countries around the world.
In 2020 he was chosen as one of the 16 contestants from around the world to participate in “Road to Yalta” competition, which he performed in Semi-final and Final round.
Tulanan is presently a highly sought-after independent voice teacher and performer basing in Bangkok.
Master of Music (Church Music)
ปรญ่ญ่าเอุกั Doctor of Musical Arts (Choral Music) จา of Southern California
(Thai Youth Choir)
(CU Concert Choir)
Venezia in Musica
(Mixed Chamber Choir)
CU Silver Voices
ในด้านประสบกัารณิ์ในฐ์านะผู้้้อุำนวัยเพลงในเวัท่ระดับนานาชาติ์นั�น
Grand Prix
เยาวัชนประเทศัไทยท่�เปิดกัวั้างในระดับนานาชาติ์ิเป็นประจำติ์ั�งแติ์ป พ.ศั.2557 และ 2559 ติ์ามลำดับ
Dr. Pawasut Piriyapongrat earned her Bachelor’s degree with honors in Music Education from the Faculty of Education, Chulalongkorn University. She later received her Master of Music in Church Music and Doctor of Musical Arts in Choral Music from the University of Southern California.
Dr. Pawasut has almost 30 years of continuous experience directing choirs. She conducted Thai Youth Choir from 2007 to 2009. Also in 2007 she established the Chulalongkorn University Concert Choir, leading the ensemble in many performances both in Thailand and abroad, including in the United States, China, Singapore, and Malaysia. In 2014, she took the choir to compete in the Venezia in Musica competition in Italy, where they advanced to the Grand Prix round and won a gold medal in the Mixed Chamber Choir category.
She has also served as chorus master for performances with several leading professional orchestras in Thailand, as well as with international orchestras, including the Andrea Bocelli World Tour concert in 2016. In 2018, she conducted a performance before His Holiness Pope Francis during his visit to Thailandm and founded the CU Silver Voices, a choir of Chulalongkorn University senior alumni in 2020.
Internationally, Dr. Pawasut has been invited as a guest conductor, clinician, and adjudicator at choral festivals and competitions in the United States, China, the Philippines, Indonesia, Italy, Malaysia, Singapore, and Sri Lanka. Her work has been associated with major international choral organizations and university choral programs in the US.
นีักดีนีตร Musician
ไวิโอลนี 1
Violin 1
รวัยชัย แซิ่โงวั Ruaychai Saengow
นพินประภ์า วัณิ่สอุน
ชอุผู้กัา อุรณิศัร่
ชินพงศั ไหลสกัุล
Pimyada Wongjaroenying
Napinprapa Vaneesorn
Chophaka Arunsri
Chinnaphong Laisakul กัานติ์สน่
Karnsinee Suriyapattamalai
Apichaya Taveechokrieangrai
Anita Yunyongkul ไวิโอลนี 2 Violin 2 ฟ้้าใส
Fasai Buranasiri
Atipa Wisedopas
ติ์ร่รติ์น Pym Treeratt อุภ์กัช
Apikoch chuankratoke
อุุปถััมภ์์ทานนท Nitada Upatamtanont
หงษาภ์้ธร Siraphop Hongsaphuthon
ภ์ัคกัร ถัิรมงคลชัย Pakkakorn Thiramonkolchai
ศัศัิมา เกัล่�ยงเกัิด Sasima Kleangkird
วิิโอลา Viola
ภ์ัทรพล บญ่ฉิม Phattharaphon Boonchim ณิฐ์มน อุศัวัโกัวัิท Natamon Atsavakovith ปาณิัสม ดำรงศัร Panas Damrongsiri
ทอุงพัดภ์้่ Kotchapan Thongpadphoo สรกัร แกัวัสุข Sirikorn Kaewsuk
ภ์าทวักัร เน่ยมเทศั Phatwakorn Neamthes
เชลโล
ทศัพร โพธิ�ทอุง
Thosaporn Pothong อุญ่มณิ่ ภ์คพรวัวัรรธน
Anyamanee Phakhaponwiwat ปณิยนุช รติ์นกัุล
Punyanuch Rattanakul
Chompunuch Pakaponwiwat รัชมาลย จติ์รภ์ิรมย
Rachmal Jitpirom
Double Bass
วังศัอุนุสรณิ
Phumraphi Wong-anusorn
Phuwadatch Charrungmung
สอุนศัร่ Supakorn Sonsri
Natthachai Sisakulwararuk บาสซินี นนทปร่ชา อุุ่นเจรญ่
Nonthapreecha Uncharoen มนภ์ัทร
Monpatr Sutthirat ทรัมเป็็ต ปณิวัรรธน สงคราม Poonnawat Songkram
Tippawan Santhisiri
Siwat Sopacharoen
Akarawat Prabnarong
Pollawit Jaichon
Waraphorn Tuankruea
คย์บอรดี/ ออร์แกนี Keyboard/ Organ
อุรกัมล นาวัาผู้ล
Ornkamol Nawaphol
เฟสตวิัลคอรัส Festival Chorus
โซิป็ราโนี Soprano
ซิอุนาติ์ Kanyawee Sornati
กััสมาพร เพ่งเล็งด่ Kassamapohn Penglengdee กัานติ์สน่
Kansinee Wongsopa
Chanakarn Monnithikorn
Chanya Popaitoon
Thofan Wongwaipairoje ทิพยวัภ์า
Thipvipha Pupipatphol
แกัวัสวัรรณิ Teweesom Kaewsuwan
Thunchanok Thammasanya
Thunchanok Subunnaroj ธญ่ญ่า ช้ธญ่ญ่ะ Tanya choothanya ธญ่รศัม พฒิโชติ์รติ์น Tanyarat Phuttichotirat
นภ์ัสสรณิ แสงศัร่ Napassorn Sangsri
Namploy Kamolwisetkul
นรินทร เภ์ติ์ราไชยอุนันติ์ Nirin Petrachaianand
เนติ์รนภ์างค
Natnapang Rittap
ปณิาล่ อุุษณิพงศั Panalee Usanapong
ปนติ์า จวันเจนกัิจ Panita Junjenkit
ปราณิิสา พงศั์เดชา Pranisa Phongdacha
ปวัรศัา บวัเกัิด Pavarisa Buakeod
ธรรมประโชติ์ Palita Thumprachot
Punyanut Chala-adisai
Pimboon Ashlee Nitithum
Pimonpat Buranapunyaporn
Patranit wijitsumpan
Phufah Thumasing
ลัลนา หน้เรขา
วััชรินทร ปารสุทธกัมล
วัิสาขา ภ์้มรติ์น
ศัศันันท ติ์ันละมัยงาม
ศัภ์กัานติ์
สวัรินทร ปิงยศั
Lunlana Nurekha
Vacharin Parisuthikamol
Visakha Bhumiratana
Sasinan Tanlamaingam
Suphakan Peamyoosuk
Sawarin Pingyot
Sitaporn Yupanondh
Sirikorn Jeerasawadsopon
สภ์ัสสร หงสสร
Supassorn Hongsiri สภ์าพร
Supaporn Chiertusanaprakit
Apinporn Chaiwanichsiri
Apisada Maneewongvijit
ชุนเจรญ่ Onicha Choonjaroen
Aurawan Songkul
Aphitchaya Amonthepadul
Asirada Savantracha
อัลโต Alto
กัษมา ชวััยวััง Kasama Chawaiwang
กัาญ่จนา ริมพณิิชยกัิจ Kanchana Rimpanichayakit
กัติ์ิมา ยุทธวังศั Kitima Yuthavong
ข้าวั สภ์ารติ์น Kao Suparat
จติ์ติ์ิมา กัาญ่จนพังคะ CHITTIMA KANCHANABANCA
จติ์รวััฒนา จารุวััฒนชัย Jitwatana Jaruwatanachai
จ่ยอุง ยุน Ji young Yoon
Julaluck Phedphongpol
Jenista Chinraksiri
Chattamon Panprasert
Chanaporn Thaweechart
Yadares Chuchaisri
Natthita Wongprom
Natnaree Ruangdech
ณิิชาภ์ัทร โกัมลบติ์ร Nichapat Komolbutr
ธนญ่ญ่า จติ์ุรานนท Thanunya Jaturanont
ธนิดา คริสติ์ภ์ัทร Thanida Crisatapat
ธนติ์า ศัภ์ธรรมพทกัษ Thanita Suphathamphithak
ธญ่ญ่ฐ์ติ์า พัชรวัิวััฒนกัุล Thanthita Phatcharawiwatkul
ธญ่ญ่ลกัษณิ หวัยหงษ์ทอุง Thanyaluck Huayhongthong
ดลหทัย อุินทวังศั Dolhathai Intawong นฤด่ สารวัฒ Narudee Sarawut
นลิน พวังควัามสุข Nalin Phuangkhuamsuk
นาติ์าชา ปุช Natasha Puig
Pranee Sansaneeyakiat
Pitiporn Sreshthaputra
Phanitsara Chaowalit
จรังบญ่กัุล phannee chirangboonkul
Pimonpun Thamavuthipisal พิยดา
Piyada Rungruang ภ์ัคธ่มา ใจรกัษ Phaktheema Jairak
Malliga Limpianunchai
รติ์นมน เงินชาร่ Rattanamon Ngerncharee
วัชิราภ์รณิ คล�ำคง Wachiraporn klamkong
วัภ์า
Vipa Amornsuppakit
วัภ์าณิ่ ทอุงใบ Wipanee Thongbsi
สภ์ารติ์น ทอุงใบ Suparat Thongbai สุรดา
Surada Leeratanakul
Apichaya Emarat
Iaree Arayaprayoon
Tenor
Krittapat Sanitrum
ปากัวัิเศัษ Kanokpol Pakwiset
ทิพยรติ์น Korrakrit Thipparat
Koravit Singphet
กัอุงภ์พ อุอุนนอุม Kongphob Onnom
กัติ์ติ์ทติ์ สวัรรณิดวัง Kittithat Suwanduang
จกัรภ์ัทร เดชะพันธ Jackapat Dechaphan
เจน นำชัยศัร Chen Namchaisiri
ชนนณิภ์ัทร พามา Chonnapat Parma
ณิฐ์พล เดชรกัษา Natthapon Dechraksa
ทินภ์ัทร ด่านกัักัขัง Tinnapat Dankakkhang
ธนกัร กัิจสวััสดิ Thanakorn Kitzawat
ธนพล เกัิดผู้ล Thanaphol Kerdphol
ธนบด่ เติ์ิมวััฒนาภ์กัด่ Tanabade Termwattanapakdee
Thiraphat Sutthijit
Nuekruk Baingern
Bordintorn Pensute
Paphontanai Nakchumnan
Prasert Parisuthikamol
สุดคง
Pawarit Sudkong
Pongsapak Uppapattavanit
Yuttawee Saguanphetjinda
Rawee Tahtniyom วั่รภ์ัทร กัอุราช
ศัิลา ฮัาดนาร่
ศัภ์ธัช บรรดาศัักัดิ
Weeraphat Korach
Sila Hadnaree
Supatat Bandasak
ศัภ์ฤกัษ ศัร่พิมล Suppalerk Sripimon สมบ้รณิ
Somboon Roekwibunsi
Sittiporn Wisuttpaet
Tiansin Sundarajamara
วัามะลุน Atipun Wamaloon
Bass
ปญ่จธนมงคล Krittanut Panchatanamongkol
เดวัิด ซิอุ Samuel David Shu
Napat Ruankaew
ณิภ์ัทร สันติ์นมติ์ร Napat Suntinimit
ณิฐ์นันท ยงพฤกัษา Nutthanun Yongpruksa
ดุลยติ์ม ติ์ินติ์ิเฉลิม Dulayut Tantichalerm
เติ์ิมทอุง บุนนาค Thermthong Bunnak
ธนกัฤษ ติ์ิยานนท Thanakrit Tiyanont
ธนนท แซิลิ�ม Thanon saelim
ธนาธิป แสงจันทร Thanathip Saengchan ธรรมศัักัดิ สิงห์คำ Tammasak Singkham
มงคลฤกัษ Thanat Mongkolrerks
อุุติ์ทาสา Pradipas Uttasa
Parin Jirapatrasilp
Pannanon Somwitoon
กัอุงสกั้ล Pongsakorn Kongsakul
Phachara sawekwatchari
Pansawut Juphokaew พานทอุงแท แสงสิทธิ
Panthongthae Saengsit พิทวััส กัรสิทธิศัักัดิ Pittawat Kornsittisak
Peeranut Chansuras รชติ์ วััดปั�น Rachata watphan
วัรรณิภ์พ วับ้ลพัฒนะวังศั Wanapop Vibulpatanavong สุคณิัชญ่
Sukanut Posrisook
อุมานติ์ จันทรวัิโรจน Amanut Chantarawirote อุุดมสุข สุรชาติ์ิธำรงรติ์น Udomsook Suracharttumrongrat
โอุบชน โลพศั Opchon Lopis
King Mongkut’s Institute of Technology Ladkrabang
Conservatory of Music, Rangsit University
Faculty of Fine and Applied Arts, Srinakharinwirot University
Princess Galyani Vadhana Institute of Music
Horwang Music Academy, Horwang School
Department of Music, Faculty of Humanities, Kasetsart University
The College of Dramatic Arts
