Harbouring Fanon

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Harbouring Fanon A series of ten prints Hand coloured woodcut and transfer with gold dust. 500m x 380mm

This series of prints merges the concept of harbours as both a literal place, a space in which ships are anchored and merchandise, ideas and languages are exchanged with the concept of giving harbour or shelter to a particular vision of the world. I draw on two visual tropes, early cartography which track European Empires initial forays into depicting the harbours of potentially profitable territories and the contemporary mapping of space via Google Maps. These two tropes are separated by time but are conflated onto specific harbours. The gold light that spills from the lighthouses depicted in the images can be read as the lure of gold and wealth that drew Europeans to these African harbours. Alongside this interpretation and in dialectical relationship to it is the interpretation that the light is a metaphor for the writings and life of Franz Fanon. I also see this series as a non-mimetic portrait of Franz Fanon through a depiction of some of the literal harbours he travelled to in his lifetime. The ten prints track his life from his birth place on the island of Martinique to the place where he died, Bethesda, Maryland. The information on his life that I refer to in this document comes from https://en.wikipedia.org/wiki/Frantz_Fanon


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