Martin Kline: The World In All Its Plenitude

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"…eversincehemadehisfirstmaturework,Klinehasfeltfreeto makepaintingsthatarenotflatandsculpturesthatarepowerfully pictorial. Heisnotjustinventive.Heisreliably-startlinglyoriginal."[1]

Carter Ratcliff, "Martin Kline: The World in All Its Plenitude", 2025, MartinKline,exhibition catalogue

The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline's long-standing engagement with encaustic. Kline's output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine. Left: Blues(detail)

Blue, 1997 Encaustic on panel

41 3/4 x 31 3/4 inches

LetterfromEgypt, 2013

Encaustic on panel

12 x 24 x 1 3/4 inches

BackFromVenice(I), 2019

Encaustic on panel

42 x 48 x 3 1/2 inches

Encaustic on panel

48 x 48 x 3 inches

BlueDrag, 2023

Encaustic on panel

68 x 48 x 2 1/2 inches

BlueLedaOmbre(IV), 2024

Encaustic on panel

42 x 42 x 3 inches

Bluecentric, 2024

Encaustic on panel

42 x 42 inches

BlueParadigm, 2010

Encaustic on panel

16 x 16 x 2 inches

Kline's nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as BlueOrderand BlueandWhiteImpression.The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as BlueGridare not as delineated and appear to meld into one another. These networks are transformed into more complex systems in BlueMosaico(Tondo)and in the camo-bot series such as PatchworkBlueand CamoBluebot.

On left: BlueandWhiteImpression(detail)

BlueMosaico(Tondo), 2024

Encaustic on panel

60 x 60 x 3 3/4 inches

CamoBluebot, 2025

Encaustic on panel

42 x 48 x 2 3/4 inches

Encaustic on panel

21 1/2 x 21 1/4 x 1 3/4 inches

FantasyFlower, 2002

Bronze (unique cast)

11 1/2 x 15 1/2 x 13 inches

Encaustic on panel

42 x 42 x 3 1/4 inches

BigBabyblueBloom, 2022

BlueLilacJewel, 2023

Encaustic on panel

48 x 48 x 3 1/4 inches

Fingerprint(blue), 2024

Encaustic on panel

58 x 48 x 2 5/8 inches

BlueOracle, 2023

Encaustic on panel

60 x 60 x 3 inches

BlueandWhiteImpression, 2023

Encaustic on panel

68 x 48 x 2 1/2 inches

Encaustic on panel

48 x 48 x 2 5/8 inches

BluetoWhiteGrid, 2023

Encaustic on panel

42 x 36 x 2 1/2 inches

Encaustic on panel

16 x 16 x 1 3/4 inches

RazzleDazzlemay be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline's line of enquiry comes from a narrative referenced in Leo Steinberg's essay "Other Criteria." In it, he touches on the 19th century artist Thomas Eakins' addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline's Hammockpaintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. RazzleDazzle,with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.

On left: RazzleDazzle(detail)

RazzleDazzle, 2017

Encaustic and hammock on panel

96 x 48 x 3 1/2 inches

Encaustic on panel

42 x 36 x 2 1/2 inches

YouaremyBlue, 2023

TectonicBlue, 2025

Encaustic on panel

42 x 48 x 3 1/4 inches

PatchworkBlue, 2017

Encaustic on panel

24 x 24 x 2 1/4 inches

BlueLedaOmbre(III), 2024

Encaustic on panel

48 x 48 x 3 inches

BluesGrid, 2023

Encaustic on panel

24 x 24 x 2 inches

BlueLedaTondo(I), 2024

Encaustic on panel

60 x 60 x 4 inches

Hippocampus, 2003

Bronze (unique cast)

61 x 14 x 9 inches

Audiences familiar with Kline's artistic trajectory will enjoy viewing the deep, midnight blue, almost black ThePrussianBlues(II),an encaustic on linen that would be a precursor to an important series in Kline's oeuvre, the white linen, or TabulaRasa, paintings. Other works on view include the artist's signature additive layered Bloom, Jewel,and Ledapaintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is DiagonalBlueGrowthonCanvas,a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.

On left: VenetianCoda(2024)

ThePrussianBlues(II), 2008

Encaustic on linen

40 1/4 x 40 1/4 x 2 1/2 inches

DiagonalBlueGrowthonCanvas, 1999

16 x 16 x 4 1/2 inches

Bronze (unique cast)

VenetianCoda, 2024

Encaustic on panel

42 x 36 x 3 1/4 inches

InnessinVenice(II), 2017

Encaustic on panel

34 x 45 3/4 x 1 3/4 inches

BlueMatrix, 2024

Encaustic on panel

42 x 36 x 2 3/4 inches

BlueAgnes, 2010

Encaustic on panel

24 1/8 x 24 1/8 x 2 1/8 inches

AbsolutistBlue, 2024

Encaustic on panel

48 x 48 x 3 1/4 inches

MementoMater, 2024

Encaustic on panel

60 x 60 x 3 3/4 inches

Apollodorus, 2025

Encaustic on panel

60 x 50 x 6 inches

BlueForest, 1998

Encaustic on panel

47 x 47 x 3 inches

LittleBlueHeart, 2000

Encaustic on panel

15 x 15 x 4 inches

Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.

MARTIN KLINE

Born 1961, Norwalk, Ohio. Lives and works in Milan, New York

Education

1983 Bachelor of Fine Arts, Ohio University, Athens, Ohio

Solo Exhibitions

2025 MartinKline:TheWorldinAllItsPlenitude, Heather Gaudio Fine Art, Greenwich, CT

2023 InMonochrome,Heather Gaudio Fine Art, Greenwich, CT

2021 AlloverPaintings, Heather Gaudio Fine Art, New Canaan, CT

2019 HammockPaintingsandRecentWorks, Heather Gaudio Fine Art, New Canaan, CT

2018 White(1992-2018), Gallery NAGA, Boston, MA

JewelPaintings, Meredith Long & Company, Houston, TX

2016 PaintingandSculpture,Heather Gaudio Fine Art, New Canaan, CT

2015 DreamsofVenice, Thomas Agnew's Gallery, London

DreamsofVenice,Gallery Naga, Boston, MA

2013 TabulaRasa, Gowen Contemporary, Geneva, Switzerland

RecentWork,Meredith Long & Company, Houston, TX

ExcerptsinEncaustic,Nassau County Museum of Art, Roslyn, NY

2012 MartinKline:RomanticNature(Retrospective),New Britain Museum of American Art, New Britain, CT

2011 ExcursionswithMartinKline, Meredith Long & Company, Houston, TX

AbstractionRootedintotheWorld,Gowen Contemporary, Geneva, Switzerland

2009 NatureintoStructure, Meredith Long & Company, Houston, TX

2008 Monochrome,Jason McCoy Inc., New York, NY

2007 NatureandCulture,Haggerty Museum of Art, Milwaukee, WI

2006 MadeinJapan,Jason McCoy Inc., New York, NY

MadeinJapan(with Elsa Peretti), Tiffany Windows, New York, NY

2005 TruthAwakensasFiction:TheArtofMartinKline,Jason McCoy Inc., New York, NY

CopenhagenSuite,NewQi/stickPaintings,Jason McCoy Inc, Copenhagen

StainlessSteelPainting,Jason McCoy Inc., New York, NY

PaintingSculpture,Marlborough Chelsea, New York, NY

2000 NewWorks,Marlborough Gallery, New York, NY

1996 Grids,65 Thompson Street, Gagosian Gallery, New York, NY

MartinKline,Allez les Filles Gallery, Columbus, OH

1995 LargeWatercolors,ACP Gallerie, Zurich, Switzerland

1993 17Drawings,ACP Gallerie, Zurich, Switzerland

1985 Drawings,Oregon Information Technology Institute, Portland, OR

1984 EgyptianThemes,Sumus Gallery, Portland, OR

1983 LineDrawings,Small Space Gallery, Athens, OH

Selected Group

2022 NewAcquisitionsandOldFriends,Allen Art Museum, Oberlin, OH

2021 RepetitionasStrategy,1945toNow,Allen Art Museum, Oberlin, OH

ThreeCenturiesofAmericanArtAntiquitiesEuropeanandAmerican Masterpieces,TheFayezSarofimCollection,Houston Museum of Fine Arts, Houston, TX

NightVision,NocturnalMusings,Gallery Naga, Boston, MA

2020 DarkCarnival,Carrington Arts, Sandusky, OH

2019 Under the Microscope, Carrington Arts, Sandusky, OH

202018-3838(Pantonecoloroftheyear),Heather Gaudio Fine Art, New Canaan, CT

BlueHour,Gowen Contemporary, Geneva, Switzerland

2016-17 PaintingsAfterPostmodernism,Brussels, Vanderborght and Cinema Galleries Belgium/USA, traveled to Malaga, Palacio Episcopal Malaga, Reggia Di Caserta, Italy

2013 WaxWorks, Harvard University Art Museums, Sackler Museum, Cambridge, MA

2011 Powders,aPhialandaPaperBook,Marlborough Chelsea, New York, NY

Piel/Skin,Isabel la Catolica, Mexico City, Mexico

2010 PaintingandSculptureatLehmannMaupin,Lehman Maupin, New York, NY

AntiIcon,Eaton Fine Art, Inc., West Palm Beach, FL

2007 Grids:CarlAndre,JenniferBartlett,MartinKline,SherrieLevine,SolLeWitt, AtsukoTanaka,JohnTrembley,DanWalsh,JackieWinsor,Paula Cooper Gallery, New York, NY

2005 EncausticWorks2005,Samuel Dorsky Museum of Art, State University of New York, New Paltz, NY

2004 LosMonocromos,Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

TheWesternTradition:ArtSincetheRenaissance, Harvard University Art Museums, Fogg Art Museum, Cambridge, MA

2003 RecentAcquisitions:WorksonPaper,Metropolitan Museum of Art, New York, NY

DrawingModern,WorksfromtheAgnesGundCollection,Cleveland Museum of Art, Cleveland, OH

ProcessandPossibility:ContemporaryDrawingintheMuseumofFineArts CollectionHouston,Museum of Fine Arts Houston, TX

AlHeld,MartinKline,KimAnno:Watercolors,Chautauqua Center for Visual Art, Chautauqua, NY

2002 EncausticPainting,Cummings Art Center, Connecticut College, New London, CT

Mono-Chrome,Paul Rodgers 9W Gallery, New York, NY

NatureFoundandMade,Chambers Fine Art, Rocks and Art, New York, NY

2001 Watercolor:InTheAbstract,The Hyde Collection Art Museum, Glen Falls, NY

Michael C. Rockefeller Arts Center Gallery, Fredonia, NY; Butler Institute of American Art, Youngstown, OH; Ben Shahn Gallery, William Patterson University, Wayne, NJ; Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL

2000 ChelseaArt2000,Gagosian Gallery, New York, NY

1999-2000 DrawingsandPhotographs,Matthew Marks Gallery, New York, NY

WaxingPoetic:EncausticArtinAmerica, The Montclair Art Museum, Montclair, NJ; Knoxville Museum of Art, Knoxville, TN

1998 Trace,Bard College, Annandale- on-Hudson, NY

Drawings,James Graham & Sons, New York, NY

1997 IntimateUniverse(Revisited),Robert Steele Gallery, New York, NY

The James Howe Gallery, Kean University, Union, NJ

1996 Bad Ragaz, Grand Hotels Resort, Ornamente und Strukturen

1995 OrnamentaleTendenzen:MartinKline,ClaudeSandos,SusannaTaras, Galerie der Stadt, Kornwestheim, Germany

1993 Drawings,30thAnniversaryExhibitionLeo Castelli Gallery, New York, NY

DrawingtheLineAgainstAIDS,Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum SoHo, New York, NY

AMomentBecomesEternity:FlowersasImage,Bergen Museum of Art and Science, Paramus, NJ

1992 FreedomofExpression‘92,Metro Pictures Gallery, New York, NY

1991 Drawings,Lorence Monk Gallery, New York, NY

Entr'Acte,Michael Walls Gallery, New York, NY

1986 BigSkyBiennialIV,Idaho State University, Pocatello, ID

GaryForner,MartinKline,NanYragui,Coos Art Museum, Coos Bay, OR

1985 StocktonNationalPrintandDrawingExhibition,Stockton, CA

OregonBiennial,Portland Art Museum, Portland, OR; Coos Bay Art Museum, Coos Bay, OR Biennial

1984 AllOregonArtAnnual,Oregon State Fair, Salem, OR

Collections

Albertina, Vienna, Austria

Albright-Knox At Gallery, Buffalo, NY

Allen Memorial Art Museum, Oberlin College and Conservatory, OH

The Atlantic Pacific Fellowship, Miyakonojo, Japan

Baltimore Museum of Art, Baltimore, MD

Museum of Fine Arts, Boston, Boston, MA

The Brooklyn Museum of Art, Brooklyn, NY

CCS Bard, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY

The Cleveland Museum of Art, Cleveland, OH

Corning Museum of Glass, Corning, NY

Figge Art Museum, Davenport, IA

Harvard University Art Museums, Fogg Art Museum, Cambridge, MA

The High Museum of Art, Atlanta, GA

The Museum of Fine Arts, Houston, Houston, TX

Johns Hopkins University, Baltimore, MD

Kemper Museum of Contemporary Art, Kansas City, MO

The Kennedy Museum, Ohio University, Athens, OH

The Metropolitan Museum of Art, New York, NY

Morgan Library & Museum, New York, NY

Nasher Museum of Art, Duke University, Durham, NC

New Britain Museum of American Art, New Britain, CT

Portland Art Museum, Portland, OR

Princeton University Art Museum, Princeton, NJ

Triton Foundation, Belgium

Wadsworth Atheneum Museum of Art, Hartford, CT

The Whitney Museum of American Art, New York, NY

The Yale University Art Gallery, New Haven, CT

All images © 2025 Martin Kline, Photography © 2025 Andy Wainwright

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