Kaitiaki

K

A T

E

I P

A

P

A

T -

C

N

H

R

I

A

I

S

T

I

F

O

O

A N

S

T

A

E

L

R

M

K U

S

E

U

I M

K

A

I

T

I

A

K

I

T

A

N

G

A

Kaitiakitanga defined: Guardianship and protection of the environment; a way of environmental managing, protection, and preservation through a Maori worldview. Kaitiakitanga sometimes also applies to the guardianship of valued items ( s p e c i f i c a l l y, i t e m s t h a t h a v e a f a m i l y h i s t o r y ) . S u i t a b l e f o r a m u s e u m s u c h a s Te P a p a .

Through the development of this idea, an architecture that is closely connected to the native land and nature is to be created. The architecture must function to form guardianship of the land through actually managing environmental factors.

Both the building and patrons metaphorically become guardians of the land. The architecture should be able to create a ‘deep kinship’ between the environment and the patrons. The building p r o v i d e s a n o v e r a r c h i n g s e n s e o f s a f e t y, f o r t h e e n v i r o n m e n t and the patron. Environmental factors will be focused on for the majority of the development.

In the end, a spiritual space for New Zealanders, and the global patrons is to be created.

W H A I R E P O L A G O O N .

O I S R V J E

W W

H

A

R

E

W A

K A

E

L

L

I

N

G T O

N

W A T

E

R

F

R

O

N

T

.

D E C L Y Y Q U A

A Y Q U

D

L

I

N

S

P

L

A

Z

R F W H A

O

A W

S

I

T

E

L

L

I

N

G T O

N

W A T

E

R

B

E

R T

H

S

E

J

E

X

S I T E T E N S I

O

N

E R V O I

W

S

A

L

X

T

S I T E E N S I

O

T E

N

A

A R A N U I

O

P O N E K E

Y

D S

T

R

E

E

T

E

C

A

B

L

X

S I T E T E N S I

O

N

E S

T

R

E

E

T

W A

T

R

E

E

T

K

C O

E

F

I

E

L

S I

W A

I

P A

R

T A

N

G

I

P A

R

K

N

D S

T

R

E

E

T

R

A

E

E

N

T

A

K

N V E N T I O C E N T R E

T

R

S Y R

K A T

E

K

O

S

T

E

U

I

E

A

F

Q

E

T

K

T

0

1

0

2

0

5

0

1

0

0

2

0

0

M

E

P A

P A

I

N

C O

N

T

E

X

T

W H A I R E P O L A G O O N .

W

E

L

L

I

N

G T O

N

W A T E R

F

R

O

N T

W

S

I

T

E L L I

N G T O

M

A

N

A

W

H

E

N

1

W A T E R

B E R T H

E

W A I

0

N

0

2

U A

0

5

0

1

0

0

2

0

0

M

T A N G

I

P A R

K

S

P

R

O

G

R

A

M

M

E

The architecture programme was composed to make the Garden the main centrepiece of the new building. Concerning Kaitiakitanga, circulation was placed around this garden so visitors can ‘take watch’ over the New Zealand Native Bush. Exhibition spaces have then been branched off this space for e a s y n a v i g a t i o n . Ve n u e s l o o k o u t t o w a r d t h e ‘ G a r d e n A t r i u m ’ a n d Wa i t a n g i park. Entrance is toward the east directed to stream and lagoon.

B

U

B

B

L

E

D

I

A G

R

A

M

s

V

E

N

U

E

W

V V

E

N

U

E

E

N

U

E

M A N A H E N U

A

A

U

D

I

T

O

R

I

U

M

T

S

E

M

A

R

A

E

V

X

H

I

B

I

T

I

O

N

T

W

V

M A N A H E N U

U

D

I

T

O

R

I

U

M

R

A

E

M

A

R

A

E

N

U

E

G

A

R

D

E

N

C

O

E

N

U

E

C

R

U

R

I

U

F

F

I

C

D

E

N

E

C

A

X

H

I

B

I

T

I

O

N

K M S

T

R

U

T E Y P E 1

T

M A N A H E N U

P E Y P E

U M R I A T

G

A

R

D

E

F

F

I

C

E

N

I

T

I

O

S M A L L A U D I T O R I U M

2

T E Y P 1

T

T E S E W R O C

G

A

R

D

E

N O

V E N U T Y P E

V E N U T Y P E

X

T E M P O R A R Y H I B I T I O N ( P T Y P E 1

E

E 3

C

V E N U T Y P E

T

P E Y P E

T

R

C

R

T E Y P 1

C S

E

T E Y P 1

O

Y

E

R

E

M

A

R

A

E

E

F

A O

S Y

T E

T

R

T E Y P E 1

C

L

L

T

S

H

E

O

P

T

F

C

R

A

F

E

F

F

I

C

T

L

E

P

T

T

R

I

U

M

D

E

L

O

N

A

E

C

L E

L

F L

L

R

S

L

F

E F

A O

S Y

T E

R

E

R

A O

C O

C

K M S

G

A

R

D

E

A

F

N

E F

X

T E M P O R A R Y H I B I T I O N ( P T Y P E 1

T

T

X

P E R M A N E N T H I B I T I O N ( P T Y P E 1

E

T

R

I

U

T E Y P 2

T

O

R

A

G

E L F

E

L F

L

M

T L

T E Y P 2

M

P

H

I

T

H

E

A

T

R

E

E

T

A

O F

M

P

H

I

T

H

E

A

T

R

A

E

P E R M A N E N T H I B I T I O N ( P T Y P E 1

T

R

I

U

A

F

)

A

F

X

P E R M A N E N T H I B I T I O N ( P T Y P E 1

E

T E Y P 2

T

T

L

G L

A

R

D

E

O

N

F

T

O

L

F

G

T

N

T

M

T

N

F

R

O

F

O

F

I

N

F

A

R

D

E

N

O

O R

O O

P

0

R

2

0

O

5

G

R

A

0

M

1

M

E

O

N

E

0

0

M

0

1

P

0

R

2

0

O

5

G

R

A

0

M

F

O M

1

1

M

E

T

W O

0

0

M

A O

C

K M S

T

O

R

A

G

E

0

P

1

R

0

O

2

0

G

5

R

E

O F

L

I

O

)

E

T

T

B

S

E

E

T

L

R

M

E E

C C

T E Y P 2

T

P

E

)

O F

X

E

E

T

)

G

T T L

O F A

E

T T L S

T

A

W E S T O Y E R

T T L W E S T F O Y E R

R

T

T T L

T

T

F

O

T

T

L

T

)

T

A

H

R

T

B

T

S

R

T

N

D I L M O C H R O

T

A

E

A

T

E

G

L

D

M

F

I

R

E

L

V

T

A

L F

T

W

E

T

T E Y P 1

R

R

T

G

L

G

C

R

P

L

W

P E Y P E 2

A

D

I

T

R

E

V

T

L

L

T

C

R

C H I L R O D O M T

R

X

T E M P O R A R Y H I B I T I O N ( P T Y P E 1

O

E

T T

T

T

T

2

S M A L L A U D I T O R I U M

E 3

S M A L L A U D I T O R I U M

T L T

E 1

F

W

L

E 1

T

A

R

)

L

C

R

E

T

E

D

T

L

R

P

T

T

L

I

L F

I

0

S

F

T

L

V

L

T

T

N

S

C

A

V E N U T Y P E

A

B

S

O

N N O C R T T I H O N

S M A L L A U D I T O R I U M

A

E

N

S

T

H

O

E

T

T

I

I

S

G

T

I

T

H N O

A

C

H

I

I

R

E

P

B

T

C O

O

E 3

M

I

M

U

I

N

A

H

H

R

A O

T

S M A L L A U D I T O R I U M A

X

T

R

W

R

E

E

T

A

O

X

C

B

T

S

F

F

M

E

S

T

E

N

E

F

O F

T

T R

M

E

O F

E

E

O

N N O C R T T I H O N

O F

D

D

E

L

L

R

N

G

T

T L T

R

S

N

A

A

T S E E R W O C

E

A

M

T S E A R E O C

U

R

T

G

U

F

O

T

V E N U T Y P E

I

O R T H O R E

F

T

R

A

E

A N

A

S

O

T

R

S

V

L

O

S

A

E

T

T

E

G

S

E

I

S

S

A

U

D

S

G

M

N

U

S A

E

E

A A

S E

T

M A N A H E N U

W

S

A

M

0

M

1

E

T

H

R

E

0

F

F

0

E

M

O F

O F

P

R

E

C

E

D

E

N

T

S

An influence for the form of design has come from the following precedents: Denver Art Museum, Guangzhou Opera House, Reykjavik C o n c e r t H a l l , a n d t h e M A AT M u s e u m . T h e D e n v e r A r t M u s e u m o f f e r e d a starting point to apply the ideas of Kaitiakitanga upon through a rigid form (representative of the Colorado Landscape). Guangzhou Opera house inspired a floating form through its ever-changing plans (getting larger or bigger). Reykjavik Concert Hall inspires through its provocative colouring (Red specifically; colour representative of earth and others for Maori).

M A AT M u s e u m t h r o u g h i t s f l o w i n g f o r m w h i c h b e c o m e s t h e l a n d s c a p e through being able to walk on its roof with ease.

With these ideas in mind together with the ideas of Kaitiakitanga, a new architecture has been created representative of our New Zealand.

This formulated by care and guardianship of the treasure which is our landscapes

D

E

N

V

E

R

A

R

T

M

U

S

E

U

M

.

G

U A

N

G

Z

H

O

U

O P E R A H O U S E .

M

A A T

M

U

S

E

U

M

.

R

E

Y

K

J A V

I

K

C O

N C E R T H A L L .

F

O

R

M 1

4

7

10

2

5

8

11

3

6

9

12

The Architectural Canvas was based on a dialogue based on a fortification as a literal protector of the land. Throughout this process, this idea has been deconstructed to fulfil the programme, the expression of the site, and the implementation of Kaitiakitanga to define the building.

Key elements considered: the surrounding underground stream (arisen up through the garden by a fragment of the land – distinguished by the chiselled cantilever); Wa i t a n g i P a r k ’ s i n t e g r a t i o n ; g u a r d i a n s h i p of the garden by a central circulation; the building becoming the land; observatories looking at key parks and garden landmarks; and the representation of the colour ‘red’ where land cannot be seen (one meaning is related to its relation to the earth).

D

E

C O

N

S T

R

U

C

T

I

V

I

S

M

D

I

A G

R

A

M

S

G

R

O

T

H

I

U

R

N

D

D

F

F

L O

L O

O

O

R

F

R

F O

I

R

U

S T

R T

F

H

L O

F

O

L O

R

O

S

R

0

I

N

T

I

A

L

F

L O

O

R

E

C O

F

1

0

2

P

L

0

5

A

N

0

I

F

N

D

F

L O

O

R

G

R

O

T

H

F

L O

O

R

T

H

I

1

0

0

U

R

N

D

D

F

2

0

F

L O

L O

O

0

M

O

R

R

F

F O

I

R

U

S T

R T

F

H

L O

F

O

L O

R

O

S

R

0

E

C O

F

1

0

2

0

5

0

I

F

N

D

F

L O

O

R

T

H

F

L O

O

R

1

0

0

1

4

.

.

2

.

3

.

7 .

5

.

6

.

1

0

E

X

T

R

U

S

I

O

N

I

T

E

1

R

8

0 .

0

1

2

A T

0

5

I

O

N

S

0

1

0

0

.

1

9 .

.

1

2

0

0

M

2

.

F O

R

M

D

R

A W

I

N

G

S

W H A I R E P O L A G O O N .

W

H

A

R

E

W A

K A

E

L

L

I

N

G T O

N

W A T

E

R

F

R

O

N

T

.

E

P

A

P

A

Y Q U A

A Y Q U

T

D E C L Y

O I S R V J E

W

D

L

I

N

S

P

L

A

Z

R F W H A

O

A W

S

I

T

E

L

L

I

N

G T O

N

W A T

E

R

B

E

R T

H

S

E

J E R V O I

W

S

A

L

A

A R A N U I

O

P O N E K E

Y

D S

T

R

E

E

T

C

A

B

L

E S

T

R

E

E

T

W A

T

R

E

E

T

K

C O

E

F

I

E

L

S I

W A

I

P A

R

T A

N

G

I

P A

R

K

N

D S

T

R

E

E

T

R

A

E

E

N

T

A

K

N V E N T I O C E N T R E

T

R

S Y R

K A T

E

K

O

S

T

E

T E

U

I

A

F

Q

E

T

K

K A

0

1

0

2

0

5

0

1

0

0

2

0

0

M

I

T

I

A

K

I

I

N

C O

N

T

E

X

T

B 2.2

2.4

1.4 1 .1 2 1.7

6 .1

A

6.2 2 .1

1 .1

1.3 7. 5 7. 5 7. 7

1.8

7. 4

1.9

1.6

1 .1 0

1.9 1.9

7. 7 1 .1 0

1.9

1.9 1 .1 2

7. 1 7. 2

1 .1 2

1.5 1 .1 2

7. 6

7. 6

6.3

1.9

2 .1

2.3

3 .1 0 7. 3

7. 7

3.4 3.6 7. 7

6.4

3.4

1.8

7. 7 7. 7

7. 7 7. 7

7. 7

A 1 .1 2

1 .1 1

3 .1 1

7. 7

5.6 3.3 1.2

5.4 3 .1 2 5.2

1 .1 0

1 .1 0

1 .1 1

5.4 5.8

3 .1 2

5.5 1

0

2

0

5

0

1

0

0

B

0

M

1. MAIN & CIRCULATION.

2. GARDEN & OBSEVATORY.

3. EXHIBITION.

4. VENUE.

5. AUDITORIUMS

6. MARAE.

7. STAFF BLOCK.

1 .1 M a i n E n t ra n ce 1.2 Second (Formal) Entrance.

1.3 Main Atrium.

1.4 Information Centre.

1.5 Museum Shop.

1.6 Bags/Coats Storage and Security Room.

1.7 Cafe and Performance Area with Kitchen.

1.8 Main Circulation.

1.9 General Lifts.

1 .1 0 E m e rg e n cy C i rc u l at i o n .

1 .1 1 S e r v i ce C i rc u l at i o n .

1 . 1 2 To i l e t s .

2 .1 2.2 2.3 2.4 2.5

3 . 1 F o y e r.

3 . 2 P e r m a n e n t E x h i b i t i o n Ty p e 1 .

3 . 3 P e r m a n e n t E x h i b i t i o n Ty p e 2 .

3 . 4 Te m p o r a r y E x h i b i t i o n T y p e 1 .

3 . 5 Te m p o r a r y E x h i b i t i o n T y p e 2 .

3 . 6 Te m p o r a r y E x h i b i t i o n T y p e 3 .

3 . 7 Te m p o r a r y E x h i b i t i o n T y p e 4 .

3.8 Exhibition Museum Shop.

3.9 Exhibition Cafe and Perfomance Area.

3 .1 0 C h i l d re n Ro o m .

3 .1 1 B a c k S p a ce s .

3 .1 2 S u p p o r t a n d S to ra g e.

4 . 1 Ve n u e Ty p e 1 .

4 . 2 Ve n u e Ty p e 2 .

4 . 3 Ve n u e Ty p e 3 .

5 .1 5.2 5.3 5.4 5.5 5.6 5.7 5.8

6 .1 6.2 6.3 6.4

7. 1 7. 2 7. 3 7. 4 7. 5 7. 6 7. 7

Interior Native Garden.

Exterior Native Garden.

N a t i ve We t l a n d .

Amphitheatre.

O b s e r v a t o r y.

Small Auditorium.

Large Auditorium.

VIP Dressing Room.

Dressing Rooms.

B a c k s t a g e To i l e t s .

Crewroom.

Control Room.

Backspaces.

Wharenui.

Marae Atea.

Mana Whenua.

Support and Storage.

Reception.

Open Plan Office.

Staff Common Room.

M e e t i n g R o o m Ty p e 1 M e e t i n g r o o m Ty p e 2 .

S t a f f To i l e t s .

Staff Offices.

G

R

O

U

N

D

F

L O

O

R

P

L

A

N

B

A

1.8 1.9 1 .1 0

1.9 1.9 1 .1 0

1.9

3 .1

1.9

4 .1

1.9

4 .1

1 .1 2

1 .1 2

3.2

4.3

3.4 3.4

1.8

A 1 .1 2

1 .1 1

3 .1 1

3.3 3.3

3 .1 2 5.2 1 .1 0

1 .1 0

1 .1 1

3 .1 2

1

0

2

0

5

0

1

0

0

B

0

M

1. MAIN & CIRCULATION.

2. GARDEN & OBSEVATORY.

3. EXHIBITION.

4. VENUE.

5. AUDITORIUMS

6. MARAE.

7. STAFF BLOCK.

1 .1 M a i n E n t ra n ce 1.2 Second (Formal) Entrance.

1.3 Main Atrium.

1.4 Information Centre.

1.5 Museum Shop.

1.6 Bags/Coats Storage and Security Room.

1.7 Cafe and Performance Area with Kitchen.

1.8 Main Circulation.

1.9 General Lifts.

1 .1 0 E m e rg e n cy C i rc u l at i o n .

1 .1 1 S e r v i ce C i rc u l at i o n .

1 . 1 2 To i l e t s .

2 .1 2.2 2.3 2.4 2.5

3 . 1 F o y e r.

3 . 2 P e r m a n e n t E x h i b i t i o n Ty p e 1 .

3 . 3 P e r m a n e n t E x h i b i t i o n Ty p e 2 .

3 . 4 Te m p o r a r y E x h i b i t i o n T y p e 1 .

3 . 5 Te m p o r a r y E x h i b i t i o n T y p e 2 .

3 . 6 Te m p o r a r y E x h i b i t i o n T y p e 3 .

3 . 7 Te m p o r a r y E x h i b i t i o n T y p e 4 .

3.8 Exhibition Museum Shop.

3.9 Exhibition Cafe and Perfomance Area.

3 .1 0 C h i l d re n Ro o m .

3 .1 1 B a c k S p a ce s .

3 .1 2 S u p p o r t a n d S to ra g e.

4 . 1 Ve n u e Ty p e 1 .

4 . 2 Ve n u e Ty p e 2 .

4 . 3 Ve n u e Ty p e 3 .

5 .1 5.2 5.3 5.4 5.5 5.6 5.7 5.8

6 .1 6.2 6.3 6.4

7. 1 7. 2 7. 3 7. 4 7. 5 7. 6 7. 7

Interior Native Garden.

Exterior Native Garden.

N a t i ve We t l a n d .

Amphitheatre.

O b s e r v a t o r y.

Small Auditorium.

Large Auditorium.

VIP Dressing Room.

Dressing Rooms.

B a c k s t a g e To i l e t s .

Crewroom.

Control Room.

Backspaces.

Wharenui.

Marae Atea.

Mana Whenua.

Support and Storage.

Reception.

Open Plan Office.

Staff Common Room.

M e e t i n g R o o m Ty p e 1 M e e t i n g r o o m Ty p e 2 .

S t a f f To i l e t s .

Staff Offices.

F

I

R

S T

F

L O

O

R

P

L

A

N

B

A

1.8 1.9 1 .1 0

1.9 1.9 1 .1 0

4 .1

4 .1

1.9 3 .1

1.9 1.9

1 .1 2

3 .1 0

4.2 1 .1 2

3.7

3.5 3.8 1.8 2.4

A

1 .1 2 5.7

1 .1 1

3 .1 1

3.3

3.6

3 .1 2 5.2 1 .1 0

1 .1 0

1 .1 1

3 .1 2

1

0

2

0

5

0

1

0

0

B

0

M

1. MAIN & CIRCULATION.

2. GARDEN & OBSEVATORY.

3. EXHIBITION.

4. VENUE.

5. AUDITORIUMS

6. MARAE.

7. STAFF BLOCK.

1 .1 M a i n E n t ra n ce 1.2 Second (Formal) Entrance.

1.3 Main Atrium.

1.4 Information Centre.

1.5 Museum Shop.

1.6 Bags/Coats Storage and Security Room.

1.7 Cafe and Performance Area with Kitchen.

1.8 Main Circulation.

1.9 General Lifts.

1 .1 0 E m e rg e n cy C i rc u l at i o n .

1 .1 1 S e r v i ce C i rc u l at i o n .

1 . 1 2 To i l e t s .

2 .1 2.2 2.3 2.4 2.5

3 . 1 F o y e r.

3 . 2 P e r m a n e n t E x h i b i t i o n Ty p e 1 .

3 . 3 P e r m a n e n t E x h i b i t i o n Ty p e 2 .

3 . 4 Te m p o r a r y E x h i b i t i o n T y p e 1 .

3 . 5 Te m p o r a r y E x h i b i t i o n T y p e 2 .

3 . 6 Te m p o r a r y E x h i b i t i o n T y p e 3 .

3 . 7 Te m p o r a r y E x h i b i t i o n T y p e 4 .

3.8 Exhibition Museum Shop.

3.9 Exhibition Cafe and Perfomance Area.

3 .1 0 C h i l d re n Ro o m .

3 .1 1 B a c k S p a ce s .

3 .1 2 S u p p o r t a n d S to ra g e.

4 . 1 Ve n u e Ty p e 1 .

4 . 2 Ve n u e Ty p e 2 .

4 . 3 Ve n u e Ty p e 3 .

5 .1 5.2 5.3 5.4 5.5 5.6 5.7 5.8

6 .1 6.2 6.3 6.4

7. 1 7. 2 7. 3 7. 4 7. 5 7. 6 7. 7

Interior Native Garden.

Exterior Native Garden.

N a t i ve We t l a n d .

Amphitheatre.

O b s e r v a t o r y.

Small Auditorium.

Large Auditorium.

VIP Dressing Room.

Dressing Rooms.

B a c k s t a g e To i l e t s .

Crewroom.

Control Room.

Backspaces.

Wharenui.

Marae Atea.

Mana Whenua.

Support and Storage.

Reception.

Open Plan Office.

Staff Common Room.

M e e t i n g R o o m Ty p e 1 M e e t i n g r o o m Ty p e 2 .

S t a f f To i l e t s .

Staff Offices.

S

E

C O

N

D

F

L O

O

R

P

L

A

N

B

A

1.8 1.9 1 .1 0

1.9 1.9 1 .1 0

3 .1

1.9

3.6

1.9

1.9

1 .1 2

1 .1 2

3.9

4.2

1.8

A

3.2 1 .1 2

1 .1 1

3 .1 1

5.7

5.7

3 .1 2

5 .1 1 .1 0

1 .1 0

1 .1 1

5.5 5 .1

5.3

3 .1 2

5.3

1

0

2

0

5

0

1

0

0

B

0

M

1. MAIN & CIRCULATION.

2. GARDEN & OBSEVATORY.

3. EXHIBITION.

4. VENUE.

5. AUDITORIUMS

6. MARAE.

7. STAFF BLOCK.

1 .1 M a i n E n t ra n ce 1.2 Second (Formal) Entrance.

1.3 Main Atrium.

1.4 Information Centre.

1.5 Museum Shop.

1.6 Bags/Coats Storage and Security Room.

1.7 Cafe and Performance Area with Kitchen.

1.8 Main Circulation.

1.9 General Lifts.

1 .1 0 E m e rg e n cy C i rc u l at i o n .

1 .1 1 S e r v i ce C i rc u l at i o n .

1 . 1 2 To i l e t s .

2 .1 2.2 2.3 2.4 2.5

3 . 1 F o y e r.

3 . 2 P e r m a n e n t E x h i b i t i o n Ty p e 1 .

3 . 3 P e r m a n e n t E x h i b i t i o n Ty p e 2 .

3 . 4 Te m p o r a r y E x h i b i t i o n T y p e 1 .

3 . 5 Te m p o r a r y E x h i b i t i o n T y p e 2 .

3 . 6 Te m p o r a r y E x h i b i t i o n T y p e 3 .

3 . 7 Te m p o r a r y E x h i b i t i o n T y p e 4 .

3.8 Exhibition Museum Shop.

3.9 Exhibition Cafe and Perfomance Area.

3 .1 0 C h i l d re n Ro o m .

3 .1 1 B a c k S p a ce s .

3 .1 2 S u p p o r t a n d S to ra g e.

4 . 1 Ve n u e Ty p e 1 .

4 . 2 Ve n u e Ty p e 2 .

4 . 3 Ve n u e Ty p e 3 .

5 .1 5.2 5.3 5.4 5.5 5.6 5.7 5.8

6 .1 6.2 6.3 6.4

7. 1 7. 2 7. 3 7. 4 7. 5 7. 6 7. 7

Interior Native Garden.

Exterior Native Garden.

N a t i ve We t l a n d .

Amphitheatre.

O b s e r v a t o r y.

Small Auditorium.

Large Auditorium.

VIP Dressing Room.

Dressing Rooms.

B a c k s t a g e To i l e t s .

Crewroom.

Control Room.

Backspaces.

Wharenui.

Marae Atea.

Mana Whenua.

Support and Storage.

5.6

Reception.

Open Plan Office.

Staff Common Room.

M e e t i n g R o o m Ty p e 1 M e e t i n g r o o m Ty p e 2 .

S t a f f To i l e t s .

Staff Offices.

T

H

I

R

D

F

L O

O

R

P

L

A

N

N E P O D E S O L C E G

A

R

D

E

N

S

I

D

Above the Interior Garden and Marae, dynamic panels open and close to keep guard of the vegetation and treasures beneath. These elements control the amount of sunlight into the building together with others designed to lower the greenhouse effect through successful ventilation.

These elements create interesting light shafts into the garden representative of the roof of a forest coming into the space.

G

A

R

D

E

N

D Y

N

A

M

I

C

P A

N

E

L

A X O

N

O

M

E

T

R

I

C

2.3

6.3

4.2

3 .1

3.9

3 .1

1 .1 2

2.4

3 .1

3.5

3 .1

1 .1 2

4.3

3 .1

3.4

3 .1

1 .1 2

6.4

3 .1

3.4

3 .1

1 .1 2

2 .1

3.2

3.7

3 .1 0

3.2

1.5

1.6

1. MAIN & CIRCULATION.

2. GARDEN & OBSEVATORY.

3. EXHIBITION.

4. VENUE.

5. AUDITORIUMS

6. MARAE.

7. STAFF BLOCK.

1 .1 M a i n E n t ra n ce 1.2 Second (Formal) Entrance.

1.3 Main Atrium.

1.4 Information Centre.

1.5 Museum Shop.

1.6 Bags/Coats Storage and Security Room.

1.7 Cafe and Performance Area with Kitchen.

1.8 Main Circulation.

1.9 General Lifts.

1 .1 0 E m e rg e n cy C i rc u l at i o n .

1 .1 1 S e r v i ce C i rc u l at i o n .

1 . 1 2 To i l e t s .

2 .1 2.2 2.3 2.4 2.5

3 . 1 F o y e r.

3 . 2 P e r m a n e n t E x h i b i t i o n Ty p e 1 .

3 . 3 P e r m a n e n t E x h i b i t i o n Ty p e 2 .

3 . 4 Te m p o r a r y E x h i b i t i o n T y p e 1 .

3 . 5 Te m p o r a r y E x h i b i t i o n T y p e 2 .

3 . 6 Te m p o r a r y E x h i b i t i o n T y p e 3 .

3 . 7 Te m p o r a r y E x h i b i t i o n T y p e 4 .

3.8 Exhibition Museum Shop.

3.9 Exhibition Cafe and Perfomance Area.

3 .1 0 C h i l d re n Ro o m .

3 .1 1 B a c k S p a ce s .

3 .1 2 S u p p o r t a n d S to ra g e.

4 . 1 Ve n u e Ty p e 1 .

4 . 2 Ve n u e Ty p e 2 .

4 . 3 Ve n u e Ty p e 3 .

5 .1 5.2 5.3 5.4 5.5 5.6 5.7 5.8

6 .1 6.2 6.3 6.4

7. 1 7. 2 7. 3 7. 4 7. 5 7. 6 7. 7

Interior Native Garden.

Exterior Native Garden.

N a t i ve We t l a n d .

Amphitheatre.

O b s e r v a t o r y.

Small Auditorium.

Large Auditorium.

VIP Dressing Room.

Dressing Rooms.

B a c k s t a g e To i l e t s .

Crewroom.

Control Room.

Backspaces.

Wharenui.

Marae Atea.

Mana Whenua.

Support and Storage.

7. 4

7. 5

7. 5

Reception.

Open Plan Office.

Staff Common Room.

M e e t i n g R o o m Ty p e 1 M e e t i n g r o o m Ty p e 2 .

S t a f f To i l e t s .

Staff Offices.

S

E

C

T

I

O

N

A

L O

N

G

I

T

U

D

I

N

A

L

P

E

R

S

P

E

C

T

I

V

E

S

E

C

T

I

O

N

5.7 1.9

3 .1

1.9

3 .1

1.9

3 .1

5.3

5 .1

5.8

3.9

3.5

5.7

3.4

3.4

5.2

5.8

1.4 2 .1

1.9

3 .1

3.4

2 .1

1. MAIN & CIRCULATION.

2. GARDEN & OBSEVATORY.

3. EXHIBITION.

4. VENUE.

5. AUDITORIUMS

6. MARAE.

7. STAFF BLOCK.

1 .1 M a i n E n t ra n ce 1.2 Second (Formal) Entrance.

1.3 Main Atrium.

1.4 Information Centre.

1.5 Museum Shop.

1.6 Bags/Coats Storage and Security Room.

1.7 Cafe and Performance Area with Kitchen.

1.8 Main Circulation.

1.9 General Lifts.

1 .1 0 E m e rg e n cy C i rc u l at i o n .

1 .1 1 S e r v i ce C i rc u l at i o n .

1 . 1 2 To i l e t s .

2 .1 2.2 2.3 2.4 2.5

3 . 1 F o y e r.

3 . 2 P e r m a n e n t E x h i b i t i o n Ty p e 1 .

3 . 3 P e r m a n e n t E x h i b i t i o n Ty p e 2 .

3 . 4 Te m p o r a r y E x h i b i t i o n T y p e 1 .

3 . 5 Te m p o r a r y E x h i b i t i o n T y p e 2 .

3 . 6 Te m p o r a r y E x h i b i t i o n T y p e 3 .

3 . 7 Te m p o r a r y E x h i b i t i o n T y p e 4 .

3.8 Exhibition Museum Shop.

3.9 Exhibition Cafe and Perfomance Area.

3 .1 0 C h i l d re n Ro o m .

3 .1 1 B a c k S p a ce s .

3 .1 2 S u p p o r t a n d S to ra g e.

4 . 1 Ve n u e Ty p e 1 .

4 . 2 Ve n u e Ty p e 2 .

4 . 3 Ve n u e Ty p e 3 .

5 .1 5.2 5.3 5.4 5.5 5.6 5.7 5.8

6 .1 6.2 6.3 6.4

7. 1 7. 2 7. 3 7. 4 7. 5 7. 6 7. 7

Interior Native Garden.

Exterior Native Garden.

N a t i ve We t l a n d .

Amphitheatre.

O b s e r v a t o r y.

Small Auditorium.

Large Auditorium.

VIP Dressing Room.

Dressing Rooms.

B a c k s t a g e To i l e t s .

Crewroom.

Control Room.

Backspaces.

Wharenui.

Marae Atea.

Mana Whenua.

Support and Storage.

Reception.

Open Plan Office.

Staff Common Room.

M e e t i n g R o o m Ty p e 1 M e e t i n g r o o m Ty p e 2 .

S t a f f To i l e t s .

Staff Offices.

S

E

C

T

I

O

N

B

T

R

A

N

S V

E

R

S

E

P

E

R

S

P

E

C

T

I

V

E

S

E

C

T

I

O

N

M

A

I

N

E

N

T

R

A

N

C

E

G

A

R

D

E

N

&

A T

R

I

U

M

E

A S T

E

R

N

W

E

T

L

A

N

D

&

S

E

C O

N

D

E

N

T

R

A

N

C

E

L

A

R

G

E

A U

D

I

T O

R

I

U

M

W A

I

T A

N

G

I

P A

R

K

O

B

S

E

R V A T O

R Y

T

E

P A

P A

T O

N

G

A

R

E

W A

‘

K A

I

T

I

A

K

I

’