2023 PRO CH

Page 1

PORTFOLIO KUANGJI ZHANG

TABLE OF CONTENTS

MINING METROPOLIS Skyscraper Design

2020 Fall Individual work

SEXITUDE DWELLING Residentical Design

2018 Fall Individual work

METAL MÖBIUS Station Design

2020 Summer Individual work

IN BETWEEN Mixed-use Design

2019 Summer Individual work

Mineral Eruption

Individual work

Instructor: Maohua Xiong

Location: Ganzhou 2020 Fall

Under great pressure and fierce competition from contemporary society, the creativity and innovation of people are gradually exhausted. People are constrained within a uniform work “block,” which dulls human sensitivities, and reduces our capacity for human interaction. This negative environment affects the quality of work and the quality of the workplace.

The project aims to explore a new typology, by creating unique spaces that stimulate the senses. The transformation of spaces through program-oriented scenes forms a series of visual experiences that help people move away from programmed work to an individualcentered working mode that promotes creativity and innovation.

5 Mineral Eruption Maohua Xiong 2020 Fall
6 SCALE 1:120000/ 1:8000 1 O 1 2 3 Urban Planning Design Institute Of Ganzhou Datum, 2017 1 O 1 2 3 Explain the future in five years; this area develops a plan from traffic, yield, and area product with the surrounding neighboring country. A-1 B-1 C-1 B-2 C-2 B-3 C-3 A-2 blanket magmatic rock mantle metamorphic rock shale mica dormant volcano geological section the script of position the script of position pro the script of position pro max the script of section the script of section pro the script of section pro max the script of element the script of element pro the script of element pro max granite calcite A-3 c b a 3 2 1 3 2 1 3 2 1
7 E E-1 A-1 G-1 G-2 E-2 A-2 E-3
1
1
2 Project program 3 plot 1 plot 2 plot 3 plot 4 plot 5 plot 6 step 1 step 2 step 3 step 4 step 5 step 6 tTHE SUMMARY_ACT-ENVIRONMENT MAIN PLOT OF THE FILM SCENE ONE_INTRODUCTION TABLES OF FORM GENERATION SCENE EQUIPMENT_ADVANCE SCENE MINE_INVESTIGATION Act 1 Act 1 Equip. 1 Equip. 1 traditional technique Obviously Update with Tools Montage produce the connection of Environment Project (place) Display A-1 B-1 C-1 B-2 C-2 B-3 C-3 A-2 A-3 OFFICER AREA EMPLOYEE AREA MEETING AREA COMMUNICTION AREA MANGER AREA STRUCTURE AREA PUBLIC AREA
Project program
Project program
Project program 2 Project program
VOLUME GENERATION
FISSION-1 FISSION-2 FISSION-3 FISSION-4 FUSION-1 FUSION-2 FUSION-3 FUSION-4
9 1 1 6 2 2 7 4 9 5 5 11 12 10 3 3 8 CREATIVE OFFICE TRADITIONAL OFFICE INTERIOR GARDEN GARDEN PUBLIC SPACE PUBLIC SPACE TRADITIONAL OFFICE OFFICE MEETING ROOM GARDEN INTERIOR GARDEN LECTURE HALL 0 100 200 300 400 m 4 6 10 11 12 7 8 9 THE PLAN OF OFFICE AREA THE PLAN OF MIDDLE GARDEN

CENTRAL VERTICAL TERRAIN CAFTERIA

10
ROOF GARDEN BRIDGE

METAL MÖBIUS

Individual work

Instructor: Bing Zhang

Location: Ganzhou

2020 Summer

Historically, bus stops have been largely functional, and do not typically reflect their surroundings. The potential for them to react to nature and adjacent architecture creates an opportunity for complete integration with the urban fabric. Program becomes connected with environment, and the relationship between humans and architecture is reestablished.

16
2020 Summer
METAL Möbius Bing Zhang
01. 02. 03. Ganzhou Original Boundaries Government's Plan Site's Position/Role GREEN BELT NEXT TO BUS STATIONS BUS SHELTER WITH VEGETATION GREEN LAND AND BUS STOP BUS STATION WAITING ROOM UNDERGROUND GARAGE ENTRANCE BUS STATION SUPPORT FACILITIES MECHANICAL PARKING AREA THE SURROUNDING ENVIRONMENT The relationship between vegetation planting methods and green belt to absorb the noise. VEGETATION SURROUNDING THE IMMEDIATE PARKING FOREST OXYGEN BAR WAITING ROOM TEMPORARY PARKING SPACE SEPARATE PASSENGER FROM VEHICLE

THE CIRCULAR ARC OF MÖBIUS

MAIN BUILDING STRUCTURE

UNDERGROUND PARKING

RESIDENTIAL AREA

TogeTher inserTing missing
Two
The
To
The building
The volume of The
The mobius arc The volume of The underground layer is
inTo The arc and
wiTh The ground layer
The funcTions of The Two
objecTs
are embedded
and superimposed on
each oTher The objecTs on Top level are absTracTed, blending The upper and lower spaces
funcTions beTween
objecTs
Three volumes combine The same funcTion To enhance The feels of space
divide
floors, melT
ground floor inTo
embedded
combined
BUS TRAFFIC STREAMLINE
SUNKEN PLAZA
MAIN TRAFFIC FLOW LINES
19 RESTING AREA PUBLIC SPACE OFFICE WAITING ROOM PUBLIC SPACE LECTURE HALL BAR 8 8 11 11 12 12 9 9 10 10 UNDERGROUND FLOOR OFFICE GARDEN PUBLIC SPACE CAFETERIA THE SECURITY CHECK STOREAGE WAITING HALL 1 1 5 5 6 6 7 7 2 3 3 4 GROUND FLOOR

IN BETWEEN Individual work

Instructor: Ping Xiao

Location: Ganzhou

2019 Summer

In big cities, it is easy to ignore the relationship between buildings. The area between two structures is often left barren and its potential for activation unconsidered. This project, IN BETWEEN, seeks to improve the interstitial space between buildings and incorporate new function for the architecture to meet community needs.

27
IN BETWEEN Ping Xiao 2019 Summer

Public Area

Located on the ground floor, and open to the surrounding public environment. People rest here, especially elderly visitors during long working days.

Computer Area

Located on the top floor, the facade of the building is modeled after the space capsule, which lends a deep feeling from science fiction. Playing games is the main function of this area, where the main users are young people who come to relax after work.

Design Origin

People tend to focus on large areas for social interaction and relaxation. However, small areas in and around buildings can bring functional and spatial improvements to the architectural environment.

Snack Area

Located on the middle floor, people can communicate between the buildings, rest, and circulate through the structure. A suspended snack bar allows people to shop in the middle of the space.

Locate: Ganzhou City, Jiangxi Province, China
29
THE CUBE LAB MODULE A-1 MODULE B-1 MODULE C-1 MODULE A-2 MODULE B-2 MODULE C-2 MODULE A-3 MODULE B-3 MODULE C-3
30 SECTION VIEW

skylight

Middle Structure

The empty part in the middle is equipped with a suspended coffee bar, breaking the traditional shopping experience

Middle Column

The coluns take the force in the middle space and transmit the force to the buildings on both sides

Top Part

The rest platform in the middle IN BETWEEN provides a place for people to drink tea, chat and rest, and serve as a corridor among buildings

Section of Middle Space

Each unit is connected to each other, forming a whole between the two, as a main functional space

Media Space

sightseeing platform

It provides a private environment for individuals or couples to look at the outside scenery and share their stories

Public Bar Integrate with all parts of the building

Media room, a unique interior space, giving users an interest in the space

IN BETWEEN Core

Spiral Staircase

Connect the upper and lower floors, and at the same time, you can see the surrounding environment during use

Four Units

IN BETWEEN intermediate space is composed of four independent units, each with its own unique function

Three Window Frame

Various forms of windows help IN BETWEEN in the cracks get direct sunlight from all angles

Interior Structure

The basic part of the building, attracting more people

Load-bearing Column

The main load-bearing components on the ground floor are huge and empty, making people fascinated

31
AXONOMETRIC
EXPLODED

SEXITUDE DWELLING

Individual work

Instructor: Hai Yuan

Location: Ganzhou 2018 Fall

In the face of a changing world, young people have begun to perceive themselves differently, in the context of themselves, their friends, and their family. This has resulted in a social shift towards personal exploration, redefining traditions, and an opening of the collective social conscience towards acceptance of everyone, no matter the color of their skin, who they love, or who they are.

This project utilizes architectural intervention to express the shift in understanding of sexual orientation in contemporary society (in China?? Cause definitely not America). Individuals can be hesitant to be themselves and fully express who they are. Each structure represents a piece of LGBT culture, where those less accepting can learn about people different from themselves, and in doing so contribute to a common understanding of the humanity of others.

11 SEXITUDE DWELLING Hai Yuan 2018 Fall

Homosexuals hide in the crowd, it's hard for us to see their existence, some open their doors and reveal their secret to the people around themsome homosexual try to hide their gender identity with their tough attitude, and some homosexual try to hide their gender identity with their tough attitude. The second group is like a hedgehog, with sharp spines on the outside that resist all approaching people, but fragile on the inside, unable to withstand any damage.

Queer people, who do not identify their genders, trying to suppress their body in various ways, makeing them ill and suffering physically and mentally. People know little about them, they want to change their genders. However, they will not be accepted by either group in most cases. What queer people need is public acceptance and freedom, not pathological torture of their own bodies.

The relationships between lesbians seem to be more postive compared to the othe kinds. They help each other, share the same interests, and which forms an interdependent and intertwined relationship. Even though, the public often find it difficult to accept their behavior, yet most of them hardly care to show their preference opposite in public.

14

Relationships involve interdependence and mutual erosion, in which one partner plays the dominant, controlling role and tries to take control over the other. Biologically, boys are in dominant postition regardless of other circumstance.

15

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
2023 PRO CH by Kuangji Zhang - Issuu