A person who’s exploring the intersection of creativity and structure, having a unique perspective on built form and urban envelope.
Currently immersed in the captivating world of architecture, where every line drawn and every curve imagined has the power to shape spaces and inspire emotions.
And Traveling through the journey of designing dreams and crafting the future!
Introduction to Rhino and Grasshopper l Bmssa l 2023
Bengaluru Architecture Open l Three Flaneurs l 2023
LANGUAGES
Kannada
English
Hindi
Telugu
Pg 5 Pg 14
Pg 20
REGAL PRAVAS
VIHARI
SANGAMA CULTURAL CENTER
REGAL PRAVAS
Typology : Hospitality building
Site location : Udaipur, Rajasthan
Year : 2023
Our project aims to to create a luxury hotel stay in Udaipur. It comprises of units of different typologies inclusive of variety of amenties like gymnasium,spa etc. The primary goal is to create a user-centric design that aims to enhance the experience as they indulge in luxury. our design aims to improve the quality of living.
The staggered arrangement of the unit blocks creates a rhythmic play on the facade, breaking up the monotonous nature from the outside. The angular form is intended as a way to captivate the user as it does not break the continuity of the viewer visual activity instead it lets the viewer to take the view in ,as they traverse through ,enough to pique their interest.
With a more modern and minimalist design, the elements of the hotel evokes memories of the palaces that were formerly there. these were hence created keeeping in mind the rich culture and heritage of the city.
COLLABORATORS:Megha Mary Anil M Chetan Kumar
Base
The building outline starts with a simple geometric form.
Extrude The building outline is extruded to create a volumetric mass.
Offset
Each division is offseted to create seamless division between outdoor and indoor space
Site context Incorporating climatic factors to enhance the performance of the structure.
Bend
Bending of the form to create an adaptive and responsive building form.
Final form
Deriving a functional and innovative volume.
LEGEND
1.RECEPTION AREA
2.SOUVENIR SHOP
3.CAFETERIA
4.ADMIN SHOP
5.STAFF LOUNGE
6.LOCKER ROOM
7.SWIMMING POOL
8.TYPE C-VILLA UNITS
9.PLAZA
10.RESTAURANT
11.KITCHEN
12.BANQUET HALL
FIRST FLOOR PLAN SECOND FLOOR PLAN
This hotel design blends luxury, comfort, and sustainability, offering guests a unique and immersive experience. Inspired by the surrounding environment, the structure is a modern interpretation of local culture and natural beauty, utilizing sustainable materials like bamboo and energy-efficient systems to minimize environmental impact. The architecture prioritizes natural light, open spaces, and seamless indoor-outdoor transitions to enhance guest interaction with nature.
The hotel features a wide variety of rooms, including suites with panoramic views, wellness areas, and state-of-theart amenities. Key elements include an infinity pool, green spaces, and a vibrant communal area that fosters interaction and relaxation. The design focuses on creating an oasis of tranquility whilepromoting social connectivity, making it both a retreat and a hub of activity.
VIEWING DECK
VIEWING DECK
SPA AND WELLNESS
GYMNASIUM BAR
RESTAURANT
SECTION DIAGRAM
SECTION DIAGRAM
Typology : Bus Station building
Site location : Yelahanka new town
Year : 8th Semester I 2024
Redesigning the current Yelahanka New Town Bus Station was the project’s mandate. The project was located in a busy region of Yelahanka New Town, ward 4, according to the conclusions drawn from the ward’s urban studies.
There was a lot of confusion at the location due to the current bus route and adjacent activities, thus better solutions and activity segregation were required.
The project is split into two sections: the mixeduse complex, which contains retail stores, business floors, and bus stations. and the other is the layout of the median that runs beside the property, which is home to several unofficial activities like parking, a children’s play area, small-scale retail, and a footbridge.
GROUND FLOOR PLAN
PLANNED SECTOR
UNPLANNED SECTOR
Ward 4 was divided into the planned sector and the unplanned sector, as we could see from the urban studies. This division may also be seen as a division of socioeconomic classes. Higher economic groupings were found in the planned sector, while lower economic groups were found in the unplanned.
The location of the site allowed for good integration and interaction between the two sectors because it was in the center of them.
The objective behind the design was for people to come together, put aside their differences, and understand the relationship between culture and community.
FIRST FLOOR PLAN
SECOND FLOOR PLAN
SECTION DIAGRAM OFFICE FLOOR PLATE CO-WORKING SPACE
SECTION DIAGRAM
SMALL RETAIL SHOPS
BUS STOP PLATFORM
LARGE RETAIL SHOPS
SKYWALK LEADING TO THE COMPLEX
UNDERSTAND CONTEXT. IN THE INIT/ COMMIT PHASE, MUCH OF WHAT WE DID WAS GEARED TO UNDERSTANDING THE ORGANIZATIONAL CONTEXT (CONSIDERING WHERE WE HAVE COME FROM, WHAT OUR CURRENT CONTEXT IS, AND WHAT OUR DESIRED STATE IS), BUILDING UP TO A SHARED VISION. THE OBJECTIVE IN META-ARCHITECTURE REQUIREMENTS IS TO GET MORE UNDERSTANDING OF THE CONTEXT OF USE. THE PRELIMINARY DECISIONS ABOUT THE SYSTEM, AND IN PARTICULAR DETERMINING SYSTEM SCOPE, RELY ON THIS UNDERSTANDING OF CONTEXT.
SANGAMA CULTURAL CENTER
Typology : Exhibition/Cultural building
Site location : Sri Rangapatna
Year : 7th Semester I 2023
the brief of the project was to design a cultural center in srirangapatna to show the rich culture and history of the place. our aim was to research on meta architecture and performative architecture and implement them in our design.
the exhibition blocks display the town’s history, from the Vijayanagara Empire, through the reigns of Hyder Ali and Tipu Sultan, to the British conquest. Artefacts, models, and multimedia displays will be included to engage visitors.
the workshop spaces are created to conduct traditional crafts, such as Mysore painting, silk weaving, and local culinary arts, will allow for cultural immersion and skill learning.
Drawing from Srirangapatna’s proximity to the Cauvery River, water features and gardens inspired by Mughal landscaping were incorporated, offering serene outdoor spaces for relaxation and reflection.
UNDERSTAND GOALS. IN THE INIT/ COMMIT PHASE, WE IDENTIFIED THE ARCHITECTURE STAKEHOLDERS. THESE INCLUDED USERS OF THE SYSTEM AS WELL AS BUSINESS STAKEHOLDERS. WE NEED TO UNDERSTAND THE IMPORTANT GOALS THAT VARIOUS STAKEHOLDERS HAVE FOR THE SYSTEM (IN USE) AND THE ARCHITECTURE (SUPPORTING SYSTEMS UNDER DEVELOPMENT AND EVOLUTION). WE USE STAKEHOLDER PROFILES TO CAPTURE THE BUSINESS GOALS AND SYSTEM/ARCHITECTURE GOALS OF THE STAKEHOLDERS (INFLUENTIAL INDIVIDUALS, AND GROUPS OF STAKEHOLDERS).
SET SCOPE. THE STAKEHOLDER PROFILES ARE ANALYZED TO EXTRACT GOALS RELATING TO SYSTEM FUNCTIONALITY, AND SYSTEM PROPERTIES. SYSTEM FUNCTIONALITY CAN BE SHOWN AS USE CASES ON A USE CASE DIAGRAM FOR THE SYSTEM. USERS, AS WELL AS RELATED SYSTEMS, OUTSIDE THE SCOPE OF THE CURRENT SYSTEM, ARE PLACED AS ACTORS OUTSIDE THE SYSTEM BOUNDARY.
WHILE THE USE CASE DIAGRAM SHOWS SYSTEM FUNCTIONALITY THAT IS DETERMINED TO BE IN SCOPE, A NARRATIVE OR OTHER MECHANISM IS NEEDED TO RECORD FUNCTIONALITY AND PROPERTIES THAT ARE RULED OUT OF SCOPE AND THE RATIONALE FOR DOING SO.
DEFINE THE ARCHITECTURE OBJECTIVES, AND PRINCIPLES OR STRATEGIES
JECTIVES
LEGEND
1.MAIN ENTRY/EXIT
2.PARKING
3.TICKETING COUNTER
4.ADMIN BLOCK
5.EXHIBITION BLOCK
6.WORKSHOP SPACE
7.AUDITORIUM
8.SEMINAR ROOMS
9.AR/VR ROOMS
10.SOUVENIER SHOP
11.CAFETERIA
THE BRIEF IS CONVERTED INTO THREE RATIONAL BUILDING VOLUMES
FACADE LINES THE VOLUMES ARE ROTATED TO ADAPT TO THE SITE SURROUNDINGS
FLOWS AND ARRIVAL
THE VOLUMES ARE SHAPED TO CREATE CLEAR ARRIVALS AND CONNECTIONS
4 BLOCKS EACH WITH AN INDIVIDUAL IDENTITY AND ENVIRONMENT
INSIDE-OUT
THE FOUR BLOCKS OPENS UP TO THE CENTRAL COMMUNAL SPACE
ZONES
GROUND FLOOR PLAN
FIRST FLOOR PLAN
The Learning Orchard
Typology : Instituitional building
Site location : Nelamangala, Bangalore
Year : 6th Semester I 2022
The learning orchard is the educational block that is a part of a fashion institue which was designed in nelamangala. the site having varied contours and level differences, my design was oriented around the visual experiences provided by the change in perspective throughout the site.
The building is approached by triangular plaza, that acts a democratic space for group gatherings and temporary exibitions. the plaza consits a pathway that spans through the axis of the plaza, which would act as a stage for ramp walks on special ocations. this plaza also acts as the central access to all the blocks in the site.
The educational building is the heart of the whole institute, where most of the learning spaces is situated like seminar halls and classrooms. the block is divided two built forms to facilitate lighting and ventilation, and these built forms are connected at each level by foot bridges.
CONCEPT DIAGRAM
GROUND FLOOR PLAN
FIRST FLOOR PLAN
FLOOR PLAN
SECOND
ISOMETRIC DIAGRAM
FOURTH FLOOR
SEMINAR ROOMS-4
CLASSROOMS-4
THIRD FLOOR
SEMINAR ROOMS-4
CLASSROOMS-4
SECOND FLOOR
SEMINAR ROOMS-4
CLASSROOMS-4
FIRST FLOOR
SEMINAR ROOMS-4
CLASSROOMS-4
STAFF ROOM
GROUND FLOOR
SEMINAR ROOMS-4
CLASSROOMS-4
FACADE DETAIL
VAULTED FLOOR SYSTEM
PRECAST CONCRETE LOUVERED PANELS
GLASS PANELS
Working Drawings
working drawings play huge role in architecture. this semester gave us an introduction to working drawings, where we learnt how to communicate through our drawings. this consists of basic working drawings of a residential house. where we details out all the plans sections and other details such as kitchen, toilet and staircase.
