The English Garden October 2025 - Sample

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Walled gardens are an everyday feature of large country estates, but the splendid example at Broughton Grange defies all expectation. Rather than being a tucked-away working area for growing flowers and vegetables, it’s arguably the visual centrepiece of this intricate 25-acre garden. As for the walls, there are only two: on the west and north sides. The eastern edge is bordered by a series of neatly clipped beech tunnels, while the southern boundary is left open with the Oxfordshire countryside spread out rather like a stage set before it.

It’s this considered use of its elevated position that lends the walled garden its magic, according to head gardener Andrew Woodall. “We’ve got this amazing backdrop,” he enthuses. “We can’t buy that landscape and we can’t rent it, but we can borrow it. For me, it’s the icing on the cake.” In autumn it turns wonderful shades of gold and rust, echoing the colours of the three terraces that make up the walled garden. There are biscuit tints in the beech topiary, cornus turns scarlet and the seedheads of grasses that weave through herbaceous perennials catch the soft light. “Each terrace flowers at a slightly different

“We can’t buy that landscape and we can’t rent it, but we can borrow it. It’s the icing on the cake”

stage, but you get the continuity of topiary running all the way through,” says Andrew, who came to Broughton Grange in 2006 and now heads up a team of full-time, part-time and seasonal workers.

The walled garden was redesigned by Tom Stuart-Smith and completed in 2001. The top terrace features prairie-style planting – salvias, geraniums and Digitalis grandiflora – punctuated by smart columns of clipped yew. It’s home to a greenhouse that raises pot plants, tomatoes and seedlings. Elsewhere shaped apple trees enclose a fruit cage, while stepover apples edge beds that are filled with beans, lettuce and rhubarb.

The planting, while designed to peak in summer, has plentiful autumn and winter interest thanks to the many grasses, including Calamagrostis brachytricha, the Korean feather reed grass, and molinia, and the practice of leaving herbaceous perennials, such as phlomis, Eryngium x zabelii and achillea, standing until late December. The central terrace is dominated by a large, rectangular pool with raised pavers acting as stepping stones down one side of it. Beech topiary adds year-round

Cornus kousa var. chinensis drips scarlet leaves over the parterre, its planting filling a frame of Euonymus japonicus ‘Jean Hugues’.

On the south-western edge of St Albans, winding paths lead into a heart-warming garden that embraces autumn flowers and family memories. The borders are as vibrant and colourful as most gardens’ in midsummer, and although the plot is only 53m by 12m it seems far larger thanks to mature trees and shrubs creating structure and curving paths offering tantalising glimpses around every corner.

When Heather and Peter Osborne moved here in 1988, the long rectangular garden consisted of an uninspiring lawn and a collection of straggly conifers. Family life fully occupied Heather’s time until, in 1993, she began to make changes to the garden. After completing the RHS Level 2 in Horticulture and a garden design course at nearby Oaklands College, Heather added south-facing beds across the garden to divide the space and meandering paths to lead the eye (and the feet) on a botanical journey of discovery.

She recalls how difficult the heavy red clay was to work with at first: “It was full of flints and stones, like a bog in winter and rock hard in summer, with so much clay that you could make pots out of it!” She enlisted the help of her teenage children and together they laid the stones into “lots of little paths that go in and around” and added so much grit, sharp sand and home-made compost that the beds all now have workable fertile soil – although she still encounters pockets of clay from time to time.

Over the past 35 years, Heather has planted specimen trees to create privacy and focal points around the garden. Initially, your eye is drawn to the pale-edged foliage of Cornus alternifolia ‘Argentea’, the silver pagoda dogwood, then onto a central Cornus controversa ‘Variegata’, with elegant tiered branches that provide a striking contrast of colour and form, with a large birch tree at the end of the garden. Heather is enthusiastic about all cornus species, especially the flowering dogwoods: “I love the fact that you get a long season with them and then you get the little strawberry-like fruits.”

For Heather, many of the trees in the garden are imbued with personal meaning. “I’ve got lots of memory trees,” she says. “I planted Prunus serrula ‘Dorothy Clive’ in memory of my mum.” She explains that this Tibetan cherry came from the Dorothy Clive Garden in Shropshire, one of the special places she used to visit with her mother. Other memory trees with superb winter bark include the birches Betula utilis subsp. jacquemontii and Betula ‘Fascination’, planted to celebrate the birth of her first two grandchildren.

The understorey is densely planted with ferns, low grasses and hostas that add texture and provide a

Above The path gently curves down the length of the garden, beyond the terrace with its tabletop collection of potted sempervivums.

Left A bed of droughtresistant planting that includes late-flowering sedums and verbenas. Far left Pink collarette Dahlia ‘Hartenaas’.

Himalayan HOMAGE

Conifers, magnolias and beech form part of a fascinating and deeply forested backdrop at the Himalayan Garden and Sculpture Park in North Yorkshire.

The Himalayan Sculpture Park and Garden in North Yorkshire is a modern take on the Victorian horticultural homage to the Himalayas. Begun in the 1990s with a focus on spring specialities, it’s now bursting with year-round colour thanks to carefully selected trees

WORDS CLARE FOGGETT PHOTOGRAPHS JOE WAINWRIGHT

Ever since the botanist Joseph Dalton Hooker ventured to the Himalayas on his 1847 plant-hunting expedition, this species-rich, biodiverse region has held a fascination for British plant lovers. It’s no wonder – on that trip alone, Hooker brought back a plethora of exciting plants, including rhododendrons, conifers and orchids and paved the way for future expeditions that brought us drumstick primulas and blue meconopsis poppies.

The ‘big names’ in Victorian plant hunting followed – George Forrest, Frank Kingdon-Ward, Reginald Farrer, Joseph Rock – bringing home more rhododendrons, plus primulas, poppies, gentians, anemones, corydalis, lilies and bamboos. To accommodate all these thrilling new plants, Himalayan gardens sprung up in botanic and private gardens across the UK, from the Royal Botanic Garden in Edinburgh to Bodnant in North Wales. Today, botanists and plant lovers still make trips to the Himalayas, although visits now are usually for the purposes of conservation and research, or simply to admire plants in their natural habitat, rather than extracting plants from the wild as the Victorians did. It’s all made the Himalayas slightly magical in gardeners’ eyes – a far-flung region of incredible plant diversity, misty forests in the clouds, tall trees towering over valleys, slopes carpeted by ferns and moss, studded with sky-blue meconopsis and the flouncy flowers of rhododendrons in spring. But if you’re as likely to make it to the Himalayas as you are to scale Mount Everest, don’t feel you need miss out on the spectacle. Hidden down a narrow lane, not far from the North Yorkshire village of Grewelthorpe, is a pretty good facsimile: The Himalayan Garden and Sculpture Park.

Set in a steep-sided valley with a series of lakes at its bottom, this homage to the Himalayas is the creation of Peter and Caroline Roberts, but it’s relatively young compared to its Victorian counterparts: the Roberts moved here with their family in 1996. “It started small,” says Will Roberts, Peter’s son who, with his wife Sophie, has cared for the garden since 2018. “Dad wanted to do something with the garden and met with a few people who suggested a Himalayan garden would be perfect for this spot. The undulating topography of the site creates a microclimate within different parts of the garden, and the soil is acidic, which lends itself nicely to rhododendrons, azaleas and magnolias. He visited lots of other gardens for inspiration along the way, including Bodnant, Castle Howard and Muncaster Castle, and he met a rhododendron expert, Alan Clark, who was famous for going to the Himalayas and collecting seed,” Will explains.

The garden now extends to 45 acres of woodland, and is believed to house the North East’s largest collection of rhododendrons, azaleas and magnolias.

Grass ROOTS

Over 30 years, Neil Lucas has been quietly effecting change through his use of grasses, love of wildlife and innovative way of cutting back perennials. The result is a textural dream of a landscape at Knoll Gardens in Dorset

WORDS AMBRA EDWARDS PHOTOGRAPHS ANNA OMIOTEK-TOTT
Superb autumn colour from scarlet euonymus with a supporting cast including Pennisetum ‘Black Arrow’ and Aster ‘Silver Spray’.
Pennisetum and bistort line an entry point to the dramatic Dragon Garden, which was replanted in 2023.

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