

Editor's Note

Greetings to DOES Magazine readers! It has been quite a journey releasing DOES Magazine first issue. And thanks to every staff, writers, curators, and even readers' enthusiasm, we were able to pour our bestintothis.
DOESisamagazinefocusingonart and lifestyle, where we bring to you the best content; news, history, trending topic, and even must-have(s) fashion items. DOES will always try to be the leading magazine going forward, we will strive to be people's choice and prioritize our readers' satisfaction. Whether it is a thought-provoking articles, insightful histories, and even our very own corner: #HotClassic where we curate the hottest classic cars discussed.
We hope you enjoy our aesthetic moodboardandourpeacefulvisual. EnjoywhatyouDOES!
WithLove, ChawlaFatmaduri
Trending Art at RM

Inspired by human's interpersonal communication with their God,Kim Namjoon carved The Desolation of Smaug as if he were to ascend to primordial godhood.

Anaheim Nicole Z, 1999
Growing up in a religious family, Nicole has always been taught to love what God has given us, and this oil painting is just another way of showing her gratitude.
The Desolation of Smaug Kim Nam Joon, 1994 Space Jam

Jake Sim, 2003
Galaxy Undercover, Sim Jake's previous digital project, sold at $2million here on RM Sotheby. This time, bidders are expecting at least the same price.
RM Sotheby's Auction
The Wind Rises Hayao Miyazaki, 2020
Hayao Miyazaki has been busy creating masterpiece upon masterpiece in his home studio while teaching on Cambridge School of Arts and Humanities.
Tadao Ando, 2011 David
Carved to perfection, this sculpted figure of David ison ouction with no reservation. Has been displayed for over a decade in Florence, Tadao Ando finally lets his masterpiece go


The Creation of Adam Michael Angelo, 2005
After years of putting it on hold, bidders could finally let out a sigh of relief following Michael Angelo's most famous work; The Creation of Adam on auction.

The French

Are True Trendsetter
Fouquet was no visionary. In his miniature portrait painting he was a passionately observant realist, an interpreter of the active life around him.
French painting, like France itself, took time to develop. It all began with Medieval manuscript illumination, notably Romanesque illuminated manuscripts(c.1000-1150),Gothicilluminated manuscripts (c.1150-1350), and finally International Gothic illuminations. These book paintings, themselves influenced by Carolingian and Ottonian models as well as Byzantine art, went on to influence FrenchGothicpainting(exemplifiedby the early 14th century workshop of Jean Pucelle, who was noted for the Belleville Breviary (1326) and the Hours of Jeanne d'Evreux (1328, The Cloisters, Metropolitan Museum) as well as the more courtly International Gothicstyle.
Not long afterwards, the primitive school of Avignon produced one of the world's most moving religious paintings, the famous Avignon Pieta (1460) by Enguerrand de Charenton (Quarton) (1410-66) - see also his Coronation of the Virgin by the Holy Trinity(1453-4), into which the artist has poured whole chapters of medieval imagery, enlivened and polished by a sophisticatedFrencheye.
Contemporary with these Avignon artists, Jean Fouquet, born in Tours, educated in Paris, strongly influenced by Flemish painters and miniaturists.


But she is familiar with the work of his Italian contemporaries, produced the most accomplished paintings of his generation: including masterpieces like the Portrait of Charles VII of France (c.1443-5).

Kim Taehyung:


The New Face In Art Community
Much like the other members of BTS, deep intellect. The way he looks at the curiosity.

BTS, V is profoundly gifted and filled with a world seems to be full of wonder and

Whether it be through photography, writing, music, or even playing games, there are plenty of times V has proven to have an exceptional mind. V thrives on being the artsy type. He has an extravagant passion for photography, and his photos evoke many different emotions. He’s also enamored by many differentartistssuchasVanGogh or Jean-Michel Basquiat. He once revealed that he was practicing drawing and asked to keep it a secret, though he revealed his ownsketchesmomentslater.

The History of Art During World War
Contemporary with these Avignonartists,JeanFouquet,born in Tours, educated in Paris, strongly influenced by Flemish painters and miniaturists, but familiarwiththeworkofhisItalian contemporaries, produced the most accomplished paintings of his generation: including masterpieces like the Portrait of Charles VII of France (c.1443-5) in the Louvre, andtheexquisitelymoderndiptych known as the Melun Diptych (c.1452)
The area is now divided between the Koninklijk Museum in Antwerp and the Gemaldegalerie, Berlin. Fouquet was no visionary. In his miniature portrait painting he was a passionately observant realist, an interpreter of the active life around him. His larger panel paintings contain some of the most robust and sympathetic examples of European portraiture.
Later, the French kings, especially Charles VIII and Francis I, were caught in the spell of the Italian Renaissance.

Francis I induced Leonardo da Vinci to execute commissions for him in France and when he came to focus the whole of his ambition as a patron of the arts on the great Palace at Fontainebleau - for details, see Fontainebleau School (1528-1610)he again imported a group of Italian artists to decorate it with mural painting and sculpture.

Rosso Fiorentino (1494-1540), Francesco Primaticcio (1504-1570), and Nicolo dell'Abbate (1510-71) brought with them to France.

10 Must-Have







Watercolor Watercolor

Interest in painting in watercolor has perhaps never been stronger. No longer stigmatized as only a "sketch" medium, serious artists are constantly pushing the boundaries of what watercolor can be. From dancing, vibrating, light-filled passages to richlycoloredtransparentdarks,from cascading wet washes to staccato dry brush effects, watercolors can produce painting effects which no othermediumcanmatch.
In the hands of a Master, a rapidly executed watercolor thrills with its immediacy, energy and sheer boldness. What may appear simple in execution can take years to perfect, and this quality often discourages all but those artists who have the determination and discipline to undertakethechallengeoflearningto paintinwatercolor.

At COP27, Artists Are Installing Their Work to Urge Heads of State to Act on Climate Change

A study found that people’s attitudes toward climate change differ depending on the temperatures they are experiencing at the time—that those sitting in, say, a hot office are more likely to consider global warming a critical threat.

Now, at the 2022 United NationsClimateChangeConference (COP27) in Sharm El-Sheikh, Egypt, a new art installation literalizesthisphenomenon.

Shehab’s work will remain on view at the COP 27 “Green Zone” pavilion through the end of the expo on November 18. After that, Fine Acts will publish an online manual for others to recreate Heaven & Hell intheAnthropoceneelsewhereunder anopenlicense.
The project is one of several produced to accompany the conference, as artists leverage their workinanefforttourgeactionfrom the nearly 100 heads of state in attendance.
The idea, according to the project’s description, is to “make people feel like stakeholders in our collective future and to drive action towards makingchangepossible.”
The artwork, called Heaven & Hell in the Anthropocene, comprises a pair of identical-looking rooms. Inside, visitors are confronted with drastically different sights, sounds, temperatures, and smells, depending on which of the two spaces they opted to enter. One roomrepresentsheaven,theotherhell. “For many, the perception of eternity is divided between the two poles of heaven in hell,” explained artist Bahia Shehab, who conceived the installation in collaboration with the creativestudioFineActs.


“Living in the Anthropocene–the most recent period in Earth’s history when human activity started to have a significant impact on the planet’s climate and ecosystems—we need to ask ourselves, what’s our eternity reallygoingtolooklike?”Shehabwent on. “Are we going to heaven, or are we goingtohell?”

Techniques: Sharpen
Use the right grip
The first step is to master howtoholdapencilcorrectly. Chiu recommends holding the pencil like you could a piece of charcoal, and using the side oftheleadtodraw,ratherthan the point. This helps keep the pencilsharperforlonger.
"When covering large areas, I shade with my pencil perpendicular to the line I'm drawing to get wide, soft lines," he adds. "For details, I hold my pencil parallel to my lines to get sharp, narrow marks."
Consider lines
The kind of marks you're makingwillshapethefeeland look of your pencil drawing. Things like how fast you draw a line and the weight you put into a stroke will change the look of the line. "A heavy line is dark and definite; a lightly drawn line is pale and exploratory," says Spicer. "When you are starting out, try to avoid uncertain, featherymarks."
Start with an underdrawing
Many artists prefer to start their pencil drawing by laying out the scene with a rough, light underdrawing – this can be especially useful if the end game is a precise line drawing."Havingamorefluid foundation helps you see the end result without the intimidating commitment of getting everything perfect," says artist Timothy von Reuden.
Left-to-right
Pencils are prone to smudging, and the softer they are, the more difficult it is to keepthingsclean.

Pencil Drawing Techniques: Pro-Tip to Sharpen Your Skill
For a pencil underdrawing, make sure you use a hard lead (around 2H) to ensure the lines are light and easy to erase.Alternatively,youcould use a digital underdrawing, printed at 1 per cent Opacity. Either way, make sure this acts as a foundation rather than a strict guide. "I strongly believeinlettingintuitiontake over in the creation process, so I work with the underdrawing more as a guideline," continues Von Reuden.
Try a blind contour drawing

One common exercise to start out with is blind contour drawing. "Set up a subject in front of you and fix your eye on the top of it, placing your pencilonyourpaper.
Without looking down at the paper, trace your eye around your subject, following its edges and contours, and as you do so, let your pencil follow the same journey on thepaper,"explainsSpicer.
Vary thickness
Varying the thickness of the line you use help guide your viewer through your drawing, explains Von Reuden. Thicker lines can helpindicateimportance.
Mix shading techniques
There are lots of different pencil drawing techniques relating to shading. Chiu uses two main approaches. The first is with all the lines going in the same direction. "This makes my shading appear more cohesive, and helps my details pop out from the lines I'm using for shading," he explains.
The second method involves working in patches of shading, to help define shape. "Patches of lines go around the form, which help keepthingsinperspective,"he says.










