CHAT KIEOSANGSONG PORTFOLIO 2015

C H AT TA W A N K I E O S A N G S O N G : P O R T F O L I O INTERIOR DESIGN 2011-2013 + LANDSCAPE ARCHITECTURE 2004-2009

“ D E S I G N : I N T E G R AT I O N B E T W E E N T H E R E A L W O R L D A N D T H E C O N C E P T U A L W O R L D ”

C H AT TA W A N K I E O S 701, 10th Avenue, Apt# 3F

I

Cellp

COMPUTER SKILLS

C h u l a lo n g ko r n U n i ve rs i t y , Fa c u l t y o f A rc h i te c t u re , B a n g ko k , T h a i l a n d Bachelor of Landscape Architecture

HAND DRAWING PRESENTATION

J u n 2 0 0 4 – M a r 2 0 0 9

ARCHITECTURAL LIGHTING DESIGN

N ew Yo r k S c h o o l o f I n te r i o r D e s i g n , N ew Yo r k M a ste r o f F i n e A r t s i n I n te r i o r D e s i g n G ra d u a te d w i t h “ H o n o r ”

FURNITURE DESIGN

S e p 2 0 1 1 – M a y 2 0 1 3

Landsca p e a rc h i te c t u re • Site a n a ly s i s • Site s u r vey • Site p l a n n i n g • Detai l d e s i g n • Lands ca p e m o d e l i n g • Const r u c t i o n d ra w i n g • Exten s i ve k n ow le d g e o f tropi ca l p l a n t

I nterior design • Space planning • Detail design • Green design • Material selection • Construction drawing • Consultant coordination • Interior modeling

N e w Yo r k , N Y 1 0 0 3 6

ACA D E M I C B AC KG R O U N D

LANDSCAPE ARCHITECTURE

EXHIBITION DESIGN

INTERIOR DESIGN

SET DESIGN

I N T ERIOR DESIGNER CARREER GOAL • To participate and gain experience a s a designer in an international desig n I n d u st r y.

• To utilize my diverse professional b a c k grounds and excellent academic qualifications toward a career in d e s i g n .

• To join a team where my diverse b a c kg ro u n d s and interests can be of value.

• To continue the life of learning an d ex p a n d on my pass ion in this subject • To cultivate great professional co n ta c t s .

I

P re s e n ta t i o n s k i l l s • h a n d d ra w i n g • p e n c i l co lo r • w a te r co lo r • p a ste l co lo r • m a r ke r co lo r

A rc h i te c t u ra l l i g h t i n g • L i g h t i n g l a yo u t p l a n n i n g • l i g h t i n g d e ta i l d e s i g n • l i g h t leve l a n a ly s i s • C o n st r u c t i o n d ra w i n g • E n e rg y a n a ly s i s • l i g h t i n g s p e c i f i ca t i o n • C o n s u l ta n t co o rd i n a t i o n

C o m p u te r s k i l l s • A u to - CA D • R ev i t • AG I l i g h t leve l a n a ly s i s • InDesign • I l l u st ra to r • P h o to s h o p • S ke tc h u p • 3 D M a x w i t h M e n ta l R a y a n d Vra y re n d e r i n g

S A N G S O N G ( C H AT ) hone; +1-917-930-0332

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E-mail; timeoutnz@hotmail.com

P R O F E SS I O N A L E X P E R I E N C E S E P 2 0 1 3 - P re s e n t Lighting Designer: CBBLD (Cline Bettridge

B e r n ste i n L i g h t i n g D e s i g n ) , N ew Yo r k , N ew Yo r k R e s p o n s i b i l i t i e s : A ss i st s e n i o r l i g h t i n g d e s i g n e r i n eve r y p h a s e o f

p ro j e c t i n c l u d i n g co n ce p t u a l d e s i g n , d e s i g n d eve lo p e m e n t . l i g h t i n g l a yo u t p l a n n i n g , l i g h t i n g d e ta i l d e s i g n , l i g h t leve l a n a ly s i s , co n st r u c t i o n d ra w i n g , e n e rg y a n a ly s i s , l i g h t i n g s p e c i f i ca t i o n , s u b m i t ta l rev i ew a n d co m m e n t , co n s u l ta n t a n d co n t ra c to r co o rd i n a t i o n .

P ro j e c t s : M o rg a n S ta n ley , T i m e s q u a re , N ew Yo r k , U S A

N Y U , N ew P h y s i c Fa c i l i t i e s , N ew Yo r k , U S A

N ew Yo r k P re s b y te r i a n A m b u ra to r y C a re C e n te r ,

N ew Yo r k, U S A

1 Pe n n P l a z a L o b b y R e n ova t i o n , N ew Yo r k , U S A

1 1 0 , F i e l d Po i n t C i rc le , N ew Yo r k , U S A

6 4 0 , Pa r k Ave n u e , N ew Yo r k , U S A

2 5 0 S o u t h S t re e t , N ew Yo r k , U S A M a r 2 0 1 3

R e s p o n s i b i l i t i e s :

Vo l u n te e r : A M / M O R A rc h i te c t u re L L P ( fo r m e r ly T U G S t u d i o ) , B ro o k ly n , N ew Yo r k D I F FA D i n n i n g b y D e s i g n i n sta l l a t i o n .

Jun 2009 - Apr 2011

R e s p o n s i b i l i t i e s :

L a n d s ca p e A rc h i te c t : Pa s a l a n d s ca p e C o . LT D . , B a n g ko k , T h a i l a n d A ss i st s e n i o r l a n d s ca p e a rc h i te c t i n eve r y p h a s e o f p ro j e c t i n c l u d i n g s i te p l a n n i n g , l a n d s ca p e d e s i g n , p ro j e c t co o rd i n a t i o n , s i te co n st r u c t i o n i n s p e c t i o n C e n t ra l P l a z a , K h o n - K h e n , T h a i l a n d E k a m a i C o n d o m i n i u m , B a n g ko k , T h a i l a n d C e n t ra l P l a z a , P i t s a n u lo k , T h a i l a n d N ovo te l H o te l , P h u ke t , T h a i l a n d

P ro j e c t s :

Mar 2008 - May 2008 AWARD WINNING 2 0 09 2 0 06

W inner, Tha-Lang Victo r y Monument, Phuket, Tha i l a n d Third Place, Thai Associ a t i o n of Landscape Architect’s Innovative Landscape Projects, Bangkok Thail a n d

R E FERENCES AVAILABLE UPON REQ U E S T

R e s p o n s i b i l i t i e s :

P ro j e c t s :

Mar 2007 - May 2007 R e s p o n s i b i l i t i e s :

P ro j e c t s :

J u n i o r L a n d s ca p e A rc h i te c t : B e l t C o l l i n I n te r n a t i o n a l LT D . , S i n g a p o re S i te p l a n n i n g , l a n d s ca p e d e s i g n , d e co ra t i ve a n d o r n a m e n ta l d e s i g n , p ro j e c t co o rd i n a t i o n We st i n H o te l , M u m b a i , I n d i a R a f f le H o te l , K o n o t ta I s l a n d , M a l d i ve Chonghua Hotspring Resort & Spa, Chonghua, China Ye n S o Pa r k , H a n o i , V i e t n a m I n te r n : B e l t C o l l i n I n te r n a t i o n a l LT D . , S i n g a p o re S i te p l a n n i n g , l a n d s ca p e d e s i g n , d e co ra t i ve a n d o r n a m e n ta l d e s i g n , p ro j e c t co o rd i n a t i o n , re s e a rc h , m a te r i a l s s o u rc i n g Fu m e n G a rd e n , N a n s h a , C h i n a S a m a ra ya V i l l a , G o a , I n d i a

A l l t h e works selected to show i n t h i s p ortfolio reflect my views tow a rd s architectural design wo r l d . S tart off with my Interior D e s i g n t hesis and studio design p ro j e c t s during my Master of F i n e A r t in Interior Design, w h i c h s h ow my best of imagina t i o n a n d sense of design while eve r y t h i n g is possible for school p ro j e c t s . Follow by some work ex a m p le s from professiona l wo r l d as a lighting designer i n N ew York City and Bangkok’s L a n d s ca p e Architect ,which management skills and responsibility to s a t i s f y c lient requirement along w i t h s e r v ing community and im p rov i n g t he environment are more i m p o r ta n t to pursue even small o n e s u n d er constraint in real life.

INTERIOR DESIGN P R OJ E CT

FURNITURE DESIGN P R OJ E CT

EXHIBITION & SET DESIGN P R OJ E CT

01 - 36

V I S I O N S O F WA R

09 - 36

VO G E L C O L L E CT I O N

14 - 36

N E W YO R K U N I V E R S I T Y

27 - 36

A SS E M B L E D C H I A R

MUSEUM

THE MUSEUM OF ART

S C H O O L O F DA N C E

FURNITURE DESIGN

28 - 36

T R A N S FO R M E R

30 - 36

D OW N T H E R A B B I T H O L E

FURNITURE DESIGN

THE JOURNEY THROUGH THE PRINCIPLES OF DESIGN

31 - 36

FIFTH OF JULY

T H E AT E R S E T D E S I G N LANDSCAPE ARCHITECTURE P R OJ E CT

32 - 36

L A N D F I L L S P O R T PA R K

BROWNFIEL D S I T E R E C L A M AT I O N P R OJ E CT

33 - 36

PAT TAYA B E AC H R E S O R T

DESIGN & P L A N N I N G FO R H O S P I TA L I T Y

34 - 36

CENTRAL PLAZA

CENTRAL PLAZA DEPARTMENT STORE KHON-KHEN ARCHITECTURAL LIGHTING P R OJ E CT

35 - 36

WIESBADEN

E L E M E N TA R Y S C H O O L

36 - 36

1 PENN PLAZA

N E W YO R K , N E W YO R K

MASTER OF FINE ART IN INTERIOR DESIGN T H E S I S NEW YORK SCHOOL OF INTERIOR DESIGN

INTERIOR DESIGN P R OJ E CT

FURNITURE DESIGN P R OJ E CT

EXHIBITION & SET DESIGN P R OJ E CT

01 - 36

V I S I O N S O F WA R

09 - 36

VO G E L C O L L E CT I O N

14 - 36

N E W YO R K U N I V E R S I T Y

27 - 36

A SS E M B L E D C H I A R

MUSEUM

THE MUSEUM OF ART

S C H O O L O F DA N C E

FURNITURE DESIGN

28 - 36

T R A N S FO R M E R

30 - 36

D OW N T H E R A B B I T H O L E

FURNITURE DESIGN

THE JOURNEY THROUGH THE PRINCIPLES OF DESIGN

31 - 36

FIFTH OF JULY

T H E AT E R S E T D E S I G N LANDSCAPE ARCHITECTURE P R OJ E CT

32 - 36

L A N D F I L L S P O R T PA R K

BROWNFIEL D S I T E R E C L A M AT I O N P R OJ E CT

33 - 36

PAT TAYA B E AC H R E S O R T

DESIGN & P L A N N I N G FO R H O S P I TA L I T Y

34 - 36

CENTRAL PLAZA

CENTRAL PLAZA DEPARTMENT STORE KHON-KHEN ARCHITECTURAL LIGHTING P R OJ E CT

35 - 36

WIESBADEN

E L E M E N TA R Y S C H O O L

36 - 36

1 PENN PLAZA

N E W YO R K , N E W YO R K

Main exhibition space first approach

Floating box, surrounded by evilness of war, is core of the space and represents hope that floating inside Pandora box.

01 - 36

01

VISION S O F W A R MUSEUM

PROJECT D E S C R I P T I O N

T h e V i s i o n o f Wa r M u s e u m wo u l d ex te n d t h e m i ss i o n o f U n i te d N a t i o n s , to g e n e ra te t h e co n s e n s u s fo r p e a ce b y s h ow i n g t h e ev i l n e ss o f w a r.

T h e b u i l d i n g s e le c te d fo r t h e i n ve st i g a t i o n i s t h e S ta te n I s l a n d Fe r r y Te r m i n a l i n L owe r M a n h a t ta n ’s B a t te r y Pa r k , i n p rox i m i t y to t h e 9 / 1 1 M e m o r i a l a n d w i t h a d i re c t l i n e o f s i g h t to t h e S ta t u e o f L i b e r t y.

T h e b u i l d i n g i s d i v i d e d i n to t wo p a r t s : s u p p o r t p ro g ra m i n t h e ex i st i n g b u i l d i n g a n d t h e m a i n ex h i b i t i o n b u i l d i n g . L i ke Pa n d o ra B ox , w h o w a s a b le to ke e p H o p e i n s i d e t h e b ox , t h e d a r k a n d p i e rc i n g ex h i b i t i o n b u i l d i n g i s co n t ra ste d b y g low i n g m e m o r i a l b ox i n s i d e , a s p a ce f i l le d w i t h l i g h t a n d h o p e a n d p h y s i ca l ly co n n e c t s e a c h ex h i b i t i o n f lo o rs .

9/1

1M EM

OR

IAL

L O C AT I O N A N A LY S I S

V SUAL CONNECTION TO STATUE OF LIBERTY

Location of building is a perfect connector

Neighborhood Character Diagram 1&2 Family Residential

Inst itution

Multi - Family Residential

Industrial

Mixed Use

Parking Area

Open Space&Outdoor Recreation

Transportation&Utility

Commercial Area

Vacant Lots

Staten Island Ferry Terminal is in proximity to the 9/11 Memorial and with a direct line of sight to the Statue of Liberty.

Accessibility to Transportation Diagram Subway Station Bus Stop (M5, M25, M20) Bus Stop (M15, SBS) Bus Stop (M15)

Bus Route 1 Train Route 4 and 5 Train Route N and R Train Route Possibility to be Landmar k of Project

Nearby Services or Institutions Relevent to The Project Diagram Relevent Institution Open Space&Recreation Park National Museum of American Indian Museum of Jewish Herritage

Trinity Church Vietnam Veterans Memorial Plaza Statue Liberty Ferry Terminal Batterry Park Governer Island Ferry Terminal

02 - 36

S I T E A N A LY S I S

GOOD VIEW: BATTERY PARK

BUILDING MAIN APPROCH

GOOD VIEW: HUDSON RIVER BAD VIEW: BUILDING

I S O M E T R I C S TA C K I N G D I A G R A M Rooftop

3rd Floor

2nd Floor Exhibition Department Recreation Area Food Department Reception & Lobby Department

Entry Level

Administration Education Department Service Department Vertical Circulation

Basement

BACK ELEVATION

SIDE A ELEVATION

SIDE B ELEVATION FRONT ELEVATION

FRONT ELEVATION

SIDE A ELEVATION

03 - 36

B U I L D I N G I S O M E T R I C & E L E V AT I O N S BACK ELEVATION

Building Isometric & E leva t i o n s T h e I s o m e t r i c s h ow s t h e s m o o t h re l a t i o n s h i p b e t we e n a rc h i te c t u re a n d l a n d s ca p e o f t h e m u s e u m w i t h lo ca t i o n a n d s u r ro u n d i n g .

Fo r m o f t h e M a i n E x h i b i t i o n B u i l d i n g d e s i g n to p h y s i ca l ly co n n e c t b e t we e n t wo s y m b o l i c p l a ce s . O n e s h a r p p o i n t o f t h e b u i l d i n g i s p o i n t i n g to 9 1 1 M e m o r i a l , w h i c h re p re s e n t s t h e m o d e r n w a r. T h e o t h e r s i d e o f t h e b u i l d i n g i s fa c i n g to t h e S ta t u e o f L i b e r t y , w h i c h re p re s e n t s “ H O P E P E AC E a n d F R E E D O M ” .

SIDE A ELEVATION

SIDE B ELEVATION

FRONT ELEVATION

SIDE B ELEVATION

E X T E R I O R FA C A D E

BACK ELEVATION

FLOOR PLAN

E N T R Y F LO O R P L A N

04 - 36

2 n d F LO O R P L A N

B A S E M E N T F LO O R P L A N

R O O F TO P F LO O R P L A N

3 rd F LO O R P L A N

BUILDING SECTION Exhibition Building Section S e c t i o n s h ow s ve r t i ca l co n n e c t i o n b e t we e n f lo o rs . T h e co re o f t h e b u i l d i n g , w h i c h re p re s e n t s “ H O P E a n d P E AC E ” p e n e t ra te s t h ro u g h t h e b u i l d i n g f ro m b a s e m e n t u p to ro o f to p . T h e co re le t n a t u ra l l i g h t s h i n e d ow n t h ro u g h t h e b o t to m . N a t u ra l l i g h t i s g ra d u a l ly b r i g h te r a s v i s i to rs w a l k u p l i ke h o p e o f p e a ce e m e rg e f ro m d a r k n e ss o f w a r , c re a te d ra m a t i c a t m o s p h e re .

05- 36

Main exhibition space first approach

Floating box, surrounded by evilness of war, is core of the space and represents hope that floating inside Pandora box.

MEMORIAL POOL :

Light bulbs flying up trough the sky represent spirits of victims flying up to heaven.

06 - 36

GLASS FLOOR IN THE BOX :

Glass floor with engraving world map allows visitors to see through the floor to the memor ial pool on the lower level.

EXHIBITION SPACE :

Lines that cut through ceiling,wall and floor represent effect of war that nothing could stop it from devastate everything in it’s way.

FIRST APPROACH:

V i ew f ro m street look to m a i n exhibition area.

LOBBY AREA :

V i ew f ro m lo bby looking to reception desk.

07 - 36

UNDER THE TUNNEL :

View from entrance runnel look to the roof top bridge.

08 - 36

Exhibition Hall Entrance Corridor View from main exhibition building look to lobby area.

Rooftop Amphitheater

A m p h i t h e a te r fa c i n g Hudson R i ve r a n d o n t h e v i s ual axis of S ta t u e o f L i b e r t y , re presents H O P E , P E AC E A N D F REEDOM o f m o d e r n wo r l d .

G R A D U AT E SCHOOL PROJECTS

MASTER OF FINE ART IN INTERIOR DESIGN

NEW YORK SCHOOL OF INTERIOR DESIGN

INTERIOR DESIGN P R OJ E CT

FURNITURE DESIGN P R OJ E CT

EXHIBITION & SET DESIGN P R OJ E CT

01 - 36

V I S I O N S O F WA R

09 - 36

VO G E L C O L L E CT I O N

14 - 36

N E W YO R K U N I V E R S I T Y

27 - 36

A SS E M B L E D C H I A R

MUSEUM

THE MUSEUM OF ART

S C H O O L O F DA N C E

FURNITURE DESIGN

28 - 36

T R A N S FO R M E R

30 - 36

D OW N T H E R A B B I T H O L E

FURNITURE DESIGN

THE JOURNEY THROUGH THE PRINCIPLES OF DESIGN

31 - 36

FIFTH OF JULY

T H E AT E R S E T D E S I G N LANDSCAPE ARCHITECTURE P R OJ E CT

32 - 36

L A N D F I L L S P O R T PA R K

BROWNFIEL D S I T E R E C L A M AT I O N P R OJ E CT

33 - 36

PAT TAYA B E AC H R E S O R T

DESIGN & P L A N N I N G FO R H O S P I TA L I T Y

34 - 36

CENTRAL PLAZA

CENTRAL PLAZA DEPARTMENT STORE KHON-KHEN ARCHITECTURAL LIGHTING P R OJ E CT

35 - 36

WIESBADEN

E L E M E N TA R Y S C H O O L

36 - 36

1 PENN PLAZA

N E W YO R K , N E W YO R K

WELCOME HALL FROM TOP BRIDGE

View from the top bridge intend to reveal overlapping floor, which each floor is different in form and angle. The boundary line of unidentical floor created sense of movement in the vspace, which represents drawing’s line that give life to the drawing.

09 - 36

02

VOGEL C O L L E C T I O N MUSEUM OF ART

PROJECT DESCRIPTION

T h e re i s s o m e t h i n g b re a t h ta k i n g a b o u t a b st ra c t l i n e s o n p a p e r t h a t ca n co m e to l i fe . I n s p i red b y Vo g e l A r t M u s e u m ’s u n i q u e d ra wi n g co l le c t i o n , t h i s p ro j e c t u s e s s i m i l a r te c h n i q u e s a n d p ro ce ss e s i n a n a t te m p t “ b u i l t ” t h e s p a ce t h e s a m e w a y a d ra w i n g wo u l d b e “ co n st r u c te d . ”

T h e i n te r i o r re s p o n s e s to t h e co l le c t i o n b y ex p o s i n g t h e “ a rc h i te c t u ra l co n st r u c t i o n l i n e s . ” T h e s e “ co n st r u c t i o n l i n e s ” p a r t i c ip a te b y a ss u m i n g n ew p u r p o s e s a s i n te r i o r d e co ra t i o n s a n d st r u ct u ra l e le m e n t s .

STUDY MODEL

RE-BAR CEILING :

R e b a r ce iling leads u p to t h e b ox office on s e cond floor.

RECEPTION AREA :

R e b a r f ro m a rchitecture, c re a te a re ce ption area in i n terior space.

10 - 36

FLOOR PLAN

S E C O N D F LO O R P L A N

E N T R Y F LO O R P L A N

11 - 36

FO U R T H F LO O R P L A N

T H I R D F LO O R P L A N

CAFE AND GATHERING AREA

12 - 36

CAFE BAR

EXHIBITION AREA

13 - 36

MUSEUM BOOK STORE : Rebar book shelf with circular stair.

PRIVATE GROUP STUDY AREA

14 - 36

03

NEW YO R K U N I V E R S I T Y SCHOOL OF DANCE

PROJECT D E S C R I P T I O N

I n s pi re d b y t h e d y n a m i s m a n d s p e c i f i c s p e e d ( e n e rg y ) o f m a n y t y p o lo g i e s o f d a n ce , t h i s d e s i g n i n co r p o ra te s a s e r i e s o f c u r v i n g , a n g le d , s h i f t i n g , a n d ste p p e d e le m e n t s . T h e w a l l s ta ke o n fo r m s a n d c re a te a d y n a m i c a t m o s p h e re to re f le c t t h e t y p e s o f d a n ce e a c h s p a ce i s to h o u s e .

T h i s p ro j e c t fo u n d i n s p i ra t i o n s i n R u ss i a C o n st r u c t iv i st s i d e o lo g y , p a r t i c u l a r ly t h e wo r k s o f C h e r n i kh ov. H i s u s e o f d i a g o n a l a n d c u r ve d e le m e n t s c re a te d d y n a m i c s p a ce s a n d co n t ra ste d t h e C z a r ’s s p o n s o re d s y m m e t r i ca l st u rd y st r u c t u re s o f i t s t i m e .

C h e r n i k h ov a l s o i n t ro d u ce d i n d u st r i a l e le m e n t s in h i s wo r k s to s y m b o l i z e t h e i d e a o f b r i n g i n g Ru ss i a i n to t h e 2 0 t h ce n t u r y t h ro u g h i n d u st r i a l i z a t i o n w h o p a ve d w a y fo r m o d e r n i st s a n d d e co n st r u c t i v i st s .

I n t h i s p ro j e c t , s eve ra l t y p e s o f i n d u st r i a l m a te r i a l s a re u s e d : p e r fo ra te d m e ta l s c re e n s , co n c re te , I - b e a m s , te n s i le st r u c t u re s a n d d e co rat i ve e le m e n t s . L i ke R u ss i a n C o n st r u c t i v i st s m i g h t h a ve d o n e , a s p e c i a l a t te n t i o n i s p a i d to re fe re n ce s m a c h i n e s a n d m ove m e n t . T h e p ro j e c t fe a t u re s s w i n g s t h a t h a n g f ro m t h e ce i l i n g i n t h e l i b ra r y , lo b b y , a n d ro o f.

FLOOR PLAN

BASEMENT FLOOR = EXHIBITION

1 S T F L O O R = C A F E ’ & R E S TA U R A N T

2 N D F L O O R = A D M I N I S T R AT I O N

15 - 36

3RD FLOOR = LIBRARY

4TH FLOOR = STUDIO

5TH FLOOR = CAFE’ & STUDIO

THIRD FLOOR

FOURTH FLOOR

LIBRARY

STUDIO

BASEMENT FLOOR

GROUND FLOOR

E X H I B I T I O N S PAC E & A U D I TO R I UM

CAFE’ & RESTAURANT

16 - 36

ROOF TOP FLOOR C A F E ’ & O U T D O O R T H E AT E R

SECOND FLOOR ADMINISTRATION OFFICE

BASEMENT FLOOR EXH I B I T I O N S PAC E & A U D I TO R I U M

17 - 36

GROUND FLOOR CA F E ’ & R E S TA U R A N T

SECOND FLOOR ADM I N I S T R AT I O N O F F I C E

18 - 36

THIRD FLOOR LIBRARY

FOURTH FLOOR STUD I O

19 - 36

ROOF TOP FLOOR C A F E ’ & O U T D O O R T H E AT E R

20 - 36

BASEMENT FLOOR PERSPECTIVES & SECTIONS

21 - 36

1st FLOOR PERSPECTIVES & SECTIONS

22 - 36

3rd FLOOR PERSPECTIVES & SECTIONS

23 - 36

3rd FLOOR PERSPECTIVES

24 - 36

4th FLOOR PERSPECTIVE

25 - 36

C A F E ’ & A M P H I T H E AT E R P E R S P E C T I V E S

26 - 36

S E AT I N G A R E A P E R S P E C T I V E S & R O O F T O P S E C T I O N S

04

FOLDIN G C H A I R ASSEMBLED FURNITURE

1'-6" 1'-6"

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

1" 3'-24

2" 1"

27 - 36

11"

P R OJ E CT D E SCRIPTION

1'-43 4" 63 4"

The concept of this assembly c h a i r i s fo l d i n g p a n e l to i l l u m i n a te v i s u a l p e rce p t i o n a s t h e w h o le c h a i r w a s b u i l t i n o n e piece but actually it is assemble d f ro m f i ve p i e ce s . T h e c h a i r d e s i g n e d 1'-3" to b e m o d e r n , s i m p l i c i t y a n d p l a y f u l b y s h a p e t h a t look simple but have diagonal li n e t h a t c re a te re m a r k a b le fo r m a n d m a d e o f v i b ra n t co lo u r p l a st i c o r t ra n s p a re n t 1 p l a stic to create playful and modern fe e l i n g a n d a l s o t h e p l a st i c , w h i c18h" h a s l i g h t we i g h t , t h e re fo re t h e c h a i r i s d e s i g n e d 1" 12 to be moveable easily.

1'-3" SECTION LINE

1" 1'-82

1'-3"

15" 16 65" 53 8" 3" 16 8

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

5 16" 3" 8

1'-6"

15" 16 53 8"

5 16" 3" 8 1" 3'-22

1'-6"

21" 16

5" 2'-016 1'-6" 1'-6"

1" 3'-24

1'-6"

11" 1'-616

413" PRODUCED BY AN AUTODESK EDUCATIONAL 16 PRODUCT

TOP VIEW

87 8"

S I D E E L E V AT I O N

scale NTS

scale NTS

1'-3" 1" 18

1" 18

1" 12

1'-3" 11" 2 31" 8

1" 18

1" 1'-84

5" 2'-016

1'-6" 1'-6"

1'-3"

5" 616

1" 1'-82

1" 1'-82

1" 12

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT 3" 8

1" 1" 3'-22

11" 1'-433 "" 84

1'-6"

63 4" 1'-6"

B A C K E L E V AT I O N

F R O N T E L E V AT I O N

scale NTS

scale NTS

TRANSPARENT PLASTIC

SCREW

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

1" 3'-22

1" 1'-82 1" 3'-24

2"

1" 1'-84

1" 38

1'-3"

11" 1'-6" 8 1 1" 1 " 216 1" 2 38

1'-3"

1" 18

1" 12

1" 1'-82

1" 3'-24

1" 1'-82

1" 3'-24

2" 1"

1'-6" 1" 3'-24

2"

11"

1" 413 16"

11"

11" 1'-616

87 8" 1'-43 4"

63 4"

3" SECTIO 1'-4N 4 scale NTS

63 4"

28 - 36

05

INTERL O C K I N G L O U N G E TRANSFORMER FURNITURE

PROJECT DESCRIPTION

T h e co n ce p t o f t h i s t ra n s fo r m e r i s t h e m o d u le o f c h a i r t h a t ca n co n ve r t to co f fe e ta b le a n d b y i n te r lo c k i n g to e a c h o t h e r. M o re ove r , t h ey ca n co n ve r t to b e lo u n g e c h a i r , b e n c h a n d i f h a ve s o m e a m o u n t o f t h e m t h ey ca n a r ra n g e to b e t h e s e t of f u r n i t u re . T h e m a te r i a l s o f t h i s f u r n i t u re a re co m b i n a t i o n b e t we e n b i rc h ve n e e r p ly wo o d w i t h a l i g h t sta i n , c le a r l a c q u e r f i n n i s h o r p a i n te d f i n n i s h m e d i u m g lo ss a n d t h e co lo r p ow d e r co a t f i n n i s h o n a l u m i n u m f ra m e . T h e fo r m o f t h i s f u r n i t u re i s i n s p i re d b y t r i a n g le s h ap e t h a t a ss e m b le to g e a t h e r to c re a te i n te re st i n g fo r m o f n e g a t i ve s p a ce ( vo i d ) a n d p o s i t ve s p a ce ( s o l i d ) . T h i s f u r n i t u re i s s i m p l i c i t y a n d u s e o f a f fo rd a b le m a te r i a l t h e re fo re , t h ey a re a f fo rd a b le p r i ce a n d a l s o e a s y to co n ve r t a n d u s e i t fo r f u l l e f f i c i e n t .

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

E L E V AT I O N A

scale NTS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

scale NTS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

E L E V AT I O N B

scale NTS

scale NTS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

E L E V AT I O N B scale NTS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

E L E V AT I O N A

TOP VIEW

scale NTS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

TOP VIEW

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

29 - 36

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

M AT E R I A L Birch veneer plywood with a light stain, clear lacquer finnish or painted finnish medium gloss

E L E V AT I O N D scale NTS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

s ca le N T S

E L E V AT I O N D scale NTS

Birch veneer plywood with a light stain, clear lacquer finnish or painted finnish medium gloss Birch veneer plywood with a light stain, clear lacquer finnish or painted finnish medium gloss Powder coat finnish on aluminum frame

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

E L E V AT I O N C

S c rew

Form core cushion fablic finnish PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

s ca le N T S

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Black color powder coat finnish on aluminum PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT frame

Powder coat finnish on aluminum frame

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

E L E V AT I O N C

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Birch veneer plywood with a light stain, clear lacquer finnish or painted finnish medium gloss

White color powder coat finnish on aluminum frame

SECTION

scale 3” = 1’-0”

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

06

DOWN T H E R A B B I T H O L E THE JOURNEY THROUGH THE PRINCIPLES OF DESIGN

30 - 36 P R OJ E CT D E SCRIPTION

The exhibition space consists of 8 booths, each 10’w x 10’d x 8’h. The spaces try to convey abstractly the seven principles of design by utilizing furniture and finishes from 8 different manufacturers. The Unity exhibit also works as a lounge space grounded to the floor where visitors can have a seat and take and take refreshments. The use of bright colors,dry ice fog, atmospheric sounds and the hanging aspect of most of the exhibits combine to create a fun, whimsy space that will surely be memorable to anyone who enters it for the first time.

ACT 1

ACT 1

31 - 36

07

FIFTH O F J U L Y SET DESIGN

PROJECT DE S C R I P T I O N

F i f t h o f J u ly i s t h e p l a y s e t i n a n a l l A m e r ica n S o u t h e r n M i ss o u r i fa r m h o u s e i n t h e 8 0 s . D es p i te t h e a p p e a ra n ce o f a p i c t u re s q u e l i fe i n a n a l l A m e r i ca n s m a l l tow n , t h e sto r y i s q u i te co m p lex .

T h e p lo t revo lve s a ro u n d a re l a t i o n s h i p b e t we e n a “ b ro ke n ” g a y ve te ra n s co m i n g b a c k f ro m V i e t n a m Wa r a n d h i s l a n d s ca p e love r.

T h e h o u s e re p re s e n t s t h e ve te ra n a n d i s l i te ra l ly i n te r n a l ly r u n s d ow n , w a l l p a p e r r i p p i n g o f t h e s e a m s . T h e m a n s i o n sto o d a s a re m i n d e r o f w h a t w a s , b e fo re t h e b r u ta l i t y o f w a r. O u t s i d e , t h e re a l m o f t h e b oy f r i e n d , u n a f fe c te d b y w a r , i s st i l l n u r t u r i n g , l us h a n d f u l l o f l i fe .

I n t h i s p ro j e c t t h e fo c u s l i e s b e t we e n t h e t h i n a n d a l m o st pa p e r l i ke fa ça d e o f t h e h o u s e w h e re t h e t wo wo r l d s i n te rs e c t . T h e t wo a c t p l a y l i te ra l ly s e t s b e t we e n t h e i n te r i o r a n d t h e ex te r i o r o f t h e h o u s e : t h e l i v i n g ro o m a n d w ra p a ro u n d p o rc h .

UNDERGRAD SCHOOL PROJECTS

BACHELOR OF LANDSCAPE ARCHITECTURE

CHULALONGKORN UNIVERSITY, THAILAND

INTERIOR DESIGN P R OJ E CT

FURNITURE DESIGN P R OJ E CT

EXHIBITION & SET DESIGN P R OJ E CT

01 - 36

V I S I O N S O F WA R

09 - 36

VO G E L C O L L E CT I O N

14 - 36

N E W YO R K U N I V E R S I T Y

27 - 36

A SS E M B L E D C H I A R

MUSEUM

THE MUSEUM OF ART

S C H O O L O F DA N C E

FURNITURE DESIGN

28 - 36

T R A N S FO R M E R

30 - 36

D OW N T H E R A B B I T H O L E

FURNITURE DESIGN

THE JOURNEY THROUGH THE PRINCIPLES OF DESIGN

31 - 36

FIFTH OF JULY

T H E AT E R S E T D E S I G N LANDSCAPE ARCHITECTURE P R OJ E CT

32 - 36

L A N D F I L L S P O R T PA R K

BROWNFIEL D S I T E R E C L A M AT I O N P R OJ E CT

33 - 36

PAT TAYA B E AC H R E S O R T

DESIGN & P L A N N I N G FO R H O S P I TA L I T Y

34 - 36

CENTRAL PLAZA

CENTRAL PLAZA DEPARTMENT STORE KHON-KHEN ARCHITECTURAL LIGHTING P R OJ E CT

35 - 36

WIESBADEN

E L E M E N TA R Y S C H O O L

36 - 36

1 PENN PLAZA

N E W YO R K , N E W YO R K

08

LANDFILL SPORT PARK BROWNFIELD SITE RECLAMATION PROJECT

PR OJ E CT D E S C RIPTION

MASTER PLAN

This public sport park inserts an e d u ca t i o n a l e le m e n t i n to a n a t u ra l s e t t i n g . T h e g o a l o f t h e m a ste r p l a n i s to s u b t ly bring awareness to the way water i s re c yc le d . T h i s p ro j e c t i n co r p o ra te s we t l a n d a s b o t h w a te r fe a t u re s a n d fo r w a te r treatment. The sustainable landsca p e d e s i g n s u p p o r t s d i f fe re n t e co lo g i ca l s y ste m s fo r d i f fe re n t a re a s o f t h e p a r k .

32 - 36

09

PATTAYA BEACH RESORT LANDSCAPE DESIGN FOR HOSPITALITY

P R OJ E CT DESCRIPTION

Pattaya Beach Resort is unl i ke o t h e r re s o r t s i n Pa t ta ya k n ow n fo r i t s lo u d d r u n ke n p a r t i e s . I n ste a d t h i s resort aims for the quieter eco-tra ve le rs , w h o w a n t to b e i m m e rs e d i n to t h e n a t u ra l l a n d s ca p e . C l u ste rs o f d welling units are carefully placed . T h e d e s i g n re s p e c t s t h e l a n d w h i le p rov i d i n g t h e o cc u p a n t s w i t h p r i va te rooms immersed in nature. Additi o n a l p ro g ra m s a re a l s o a d d e d to a cco m m o d a te ca m p e rs w h i c h a re a n a t te m p t to bring people out of their units a n d d i re c t ly e n g a g e i n n a t u re ’s o u t d o o r ro o m .

33 - 36

MASTER PLAN

LANDSCAPE ARCHITECTURE P R O F E S S I O N A L W O R K PA S A L A N D S C A P E . C O . LT D , T H A I L A N D

INTERIOR DESIGN P R OJ E CT

FURNITURE DESIGN P R OJ E CT

EXHIBITION & SET DESIGN P R OJ E CT

01 - 36

V I S I O N S O F WA R

09 - 36

VO G E L C O L L E CT I O N

14 - 36

N E W YO R K U N I V E R S I T Y

27 - 36

A SS E M B L E D C H I A R

MUSEUM

THE MUSEUM OF ART

S C H O O L O F DA N C E

FURNITURE DESIGN

28 - 36

T R A N S FO R M E R

30 - 36

D OW N T H E R A B B I T H O L E

FURNITURE DESIGN

THE JOURNEY THROUGH THE PRINCIPLES OF DESIGN

31 - 36

FIFTH OF JULY

T H E AT E R S E T D E S I G N LANDSCAPE ARCHITECTURE P R OJ E CT

32 - 36

L A N D F I L L S P O R T PA R K

BROWNFIEL D S I T E R E C L A M AT I O N P R OJ E CT

33 - 36

PAT TAYA B E AC H R E S O R T

DESIGN & P L A N N I N G FO R H O S P I TA L I T Y

34 - 36

CENTRAL PLAZA

CENTRAL PLAZA DEPARTMENT STORE KHON-KHEN ARCHITECTURAL LIGHTING P R OJ E CT

35 - 36

WIESBADEN

E L E M E N TA R Y S C H O O L

36 - 36

1 PENN PLAZA

N E W YO R K , N E W YO R K

34 - 36

10

CENTR A L P L A Z A K H O N - K H E N DEPARTMENTSTORE

P R OJ E CT D ESCRIPTION

This playful plaza in front of o n e o f T h a i l a n d ’s m a j o r s h o p p i n g m a l l e c h o e s t h e T h a i N o r t h - E a ste r n l i fe l i fe st y le : Fu n loving, easy going and full of joy. B e i n g s i te s p e c i f i c , t h e d e s i g n a l s o h o n o re d m a n y e le m e n t s w h i c h a re u n i q u e to t h e area: Their handicrafts techniqu e s , M u d - M e e s i l k , a n d eve n t h e i r u n i q u e m u s i ca l i n st r u m e n t t h e L a o re e d .

The plaza and landscape elem e n t s i n s e r t a n exc i te m e n t a n d a h u m a n s ca le to t h e st re e t s ca p e to e a s e t h e h a rd l i n e c reated by the inward looking “big- b ox ” m a l l . I n T h a i l a n d , m a l l s i s w h e re o u r d e m o c ra c y i s p l a ye d o u t , a s t h i s i s w h e re p e ople of all social economic levels b r u s h s h o u l d e rs . T h e f ro n t p l a z a i s d e s i g n e d a s b o t h a g ra n d m a l l e n t r y a n d a p l a ce w here people can gather.

ARCHITECTURAL LIGHTING DESIGN P R O F E S S I O N A L W O R K S CLINE BETTRIDGE BERNSTEIN LIGHTING DESIGN, NEW YORK, USA

INTERIOR DESIGN P R OJ E CT

FURNITURE DESIGN P R OJ E CT

EXHIBITION & SET DESIGN P R OJ E CT

01 - 36

V I S I O N S O F WA R

09 - 36

VO G E L C O L L E CT I O N

14 - 36

N E W YO R K U N I V E R S I T Y

27 - 36

A SS E M B L E D C H I A R

MUSEUM

THE MUSEUM OF ART

S C H O O L O F DA N C E

FURNITURE DESIGN

28 - 36

T R A N S FO R M E R

30 - 36

D OW N T H E R A B B I T H O L E

FURNITURE DESIGN

THE JOURNEY THROUGH THE PRINCIPLES OF DESIGN

31 - 36

FIFTH OF JULY

T H E AT E R S E T D E S I G N LANDSCAPE ARCHITECTURE P R OJ E CT

32 - 36

L A N D F I L L S P O R T PA R K

BROWNFIEL D S I T E R E C L A M AT I O N P R OJ E CT

33 - 36

PAT TAYA B E AC H R E S O R T

DESIGN & P L A N N I N G FO R H O S P I TA L I T Y

34 - 36

CENTRAL PLAZA

CENTRAL PLAZA DEPARTMENT STORE KHON-KHEN ARCHITECTURAL LIGHTING P R OJ E CT

35 - 36

WIESBADEN

E L E M E N TA R Y S C H O O L

36 - 36

1 PENN PLAZA

N E W YO R K , N E W YO R K

11

WIESBADEN ELEMENTARY SCHOOL

L1 - (3) units, end-to-end L1A - (4) units, end-to-end

X

XX 04 XX XX

XX

XX XX

35 - 36

DN UP DN

SE R DO VI OR CE

EL

EV

.

UP

12

1 PENN PLAZA NEW YORK, NEW YORK

36 - 36

“TO BE CONTINUE.......”