CSO Bruch Violin Concerto - program 02-24-23

DIGITAL PROGRAM BOOK

FRANCK SYMPHONY in D minor

February 24 & 25 Knight Theater

Mei-Ann Chen conductor Calin Ovidiu Lupanu violin

charlottesymphony.org

CONTENTS

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WHAT’S INSIDE...

A Message from the President & CEO 3 Concert Program 5 Artist Biographies 6 2022-23 Musician Roster 10 Musician Spotlight 12 About the CSO 13 Spotlight: Music & the Holocaust 14 Program Notes 16 Annual Fund Donors 22 Corporate & Foundation Sponsors 28 Giving Societies 30 Infusion Fund 33 Board of Directors & Trustees 34 Administration 35

join the musical dialogue What did you think of the performance?

@cltsymphony #cltsymphony

WELCOME

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Welcome to your CSO! I’m delighted to welcome you back to another exciting month at the Charlotte Symphony! As we begin the celebration of Black History Month, it feels important to reflect on the immense contributions of Black composers and performers in orchestral music.

Throughout February, we will be sharing notable performances of works by Black composers, the history of Black pioneers in classical music, and information about the Black composers and artists of today who are enriching the classical music scene and inspiring countless future musicians.

I invite you to visit our website to learn more about how we are showcasing the music of Black composers and artists in our programming this season, including in a recently announced concert at Johnson C. Smith University on March 21 that showcases the music programs of JCSU side by side with the Charlotte Symphony.

We also continue to share the joy of music with children in communities across the region through our many education and community engagement programs. We believe that music has the power to change lives, and we are committed to making sure that everyone has access to exceptional performances and educational resources.

I hope you will join us in celebrating Black History Month by experiencing the music and stories of these important figures in the world of classical music. It is our goal to make the Charlotte Symphony a welcoming and inclusive space for our entire community. I look forward to seeing you at the Symphony.!

David Fisk President & CEO

The CSO is…

MORE THAN WHAT’S ONSTAGE.

Did you know that the Charlotte Symphony is much more than what you see on the Belk and Knight Theater stages?

Beyond the Classical, Pops, Family, and Movie Series in the theaters, we work to uplift, entertain, and educate our community through inclusive education programs and community performances.

• The CSO has three programs for young musicians: the Youth Orchestra, the Youth Philharmonic, and the Youth Ensemble.

CSO musicians participate in coaching throughout the year, and even perform with the young musicians!

• Reaching approximately 15,000 students each season, we also have extensive school programs, including Project Harmony, “Music and the Holocaust,” and “One Musical Family” Education Concerts.

• We perform throughout the region, from community parks and schools to breweries, senior care centers, and places of worship all season long.

The CSO is…FOR EVERYONE. To learn more, visit charlottesymphony.org

CONCERT PROGR AM

Friday, February 24, 2023 at 7:30pm Saturday, February 25, 2023 at 7:30pm Knight Theater at Levine Center for the Arts Mei-Ann Chen, conductor Calin Ovidiu Lupanu, violin

FANNY MENDELSSOHN HENSEL (1805-1847) Overture in C major MAX BRUCH (1838-1920) Concerto for Violin No. 1 in G minor, Op. 26 I. Prelude: Allegro moderato II. Adagio III. Finale: Allegro energico Calin Ovidiu Lupanu, violin INTERMISSION CÉSAR FRANCK (1822-1890) Symphony in D minor I. Lento - Allegro non troppo II. Allegretto III. Finale: Allegro non troppo

concert duration: approximately 1 hour, 40 minutes.

There will be one 20-minute intermission.

This weekend’s concerts are made possible in part by the generosity of

The Symphony Guild of Charlotte

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CONDUCTOR BIO

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Mei-Ann Chen guest conductor

Praised for her dynamic, passionate conducting style, Taiwanese American conductor Mei-Ann Chen is acclaimed for infusing orchestras with energy, enthusiasm, and highlevel music-making, galvanizing audiences and communities alike. Music Director of the MacArthur Award-winning Chicago Sinfonietta since 2011, Ms. Chen has been Chief Conductor of Austria’s Grosses Orchester Graz at Styriarte since fall 2021, making her the first female Asian conductor to hold this position with an Austrian orchestra. She continues as the first-ever Artistic Partner of Houston’s ROCO (River Oaks Chamber Orchestra), a post she was named to in 2019. She begins her new role as Artistic Partner with Washington state’s Northwest Sinfonietta this fall. Highly regarded as a compelling communicator and an innovative leader both on and off the podium, and a sought-after guest conductor, Ms. Chen continues to expand her relationships with orchestras worldwide (over 120 orchestras to date).

Maestra Chen’s upcoming 2022-23 season engagements include debuts with Germany’s Staatsorchester Darmstadt, Orchestra national Capitole Toulouse (her France debut), and in the US with the Rochester and Buffalo philharmonic orchestras, and the Hawaii Symphony. Return guest engagements in the United States include the American Composers Orchestra, in a program presented by Carnegie Hall featuring Mark Adama’s Last Year (NY premiere) and two world premieres: a Carnegie Hall co-commission by Yvette Janine Jackson, and one by Inti Figgis-Vizeuta, as well as California’s Pacific Symphony, Santa Fe Pro Musica, and in Sweden with Norrlandsoperan.

Recent guesting highlights include England’s BBC Symphony in London, Finland’s Helsinki Philharmonic Orchestra, Liechtenstein Symphony Orchestra, Norway’s Oslo Philharmonic and Norwegian Radio Orchestra, Het Residentie Orkest in The Netherlands, Malmö and Norrlandsoperan in Sweden, Taiwan Philharmonic, Spain’s Basque National Orchestra, Austria’s Tonkünstler-Orchester, Finland’s (continued next page)

CONDUCTOR BIO (continued)

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Tampere Filharmonia, Germany’s Musikalische Adademie des Nationaltheater-Orchestesters Mannheim, and NDR Radiophilharmonie Hanover, Sweden’s Gävle and Helsingborg Symphonies, Switzerland’s Luzerner Sinfonieorchester, Taiwan’s Kaohsiung Symphony Orchestra at Weiwuying (the world’s largest performing arts center since 2018), in addition to US return engagements with the San Francisco, Atlanta, Detroit, Pacific, and Toledo symphonies.

As Music Director of Chicago Sinfonietta, Ms. Chen has made two recordings for Cedille Records: Project W - Works

by Diverse Women Composers (March 2019) and Delights and Dances (June 2013). In 2018, Innova Records released River Oaks Chamber Orchestra’s debut album ROCO: Visions Take Flight, featuring 5 commissioned contemporary works conducted by Ms. Chen.

Honors include being named one of the 2015 Top 30 Influencers by Musical America; the 2012 Helen M. Thompson Award from the League of American Orchestras; Winner, the 2007 Taki Concordia Fellowship founded by Marin Alsop; and 2005 First Prize Winner of the Malko Competition (she remains as the only woman in the competition history since 1965 to have won First Prize), and ASCAP awards for innovative programming.

Born in Taiwan, Ms. Chen came to the United States to study violin in 1989 and became the first student in New England Conservatory’s history to receive master’s degrees simultaneously in both violin and conducting, and she earned a Doctor of Musical Arts degree in conducting at the University of Michigan.

GUEST ARTIST BIO

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Calin Ovidiu Lupanu violin

Born in Timisoara, Romania, violinist Calin Ovidiu Lupanu is the Concertmaster of the Charlotte Symphony. Mr. Lupanu completed his undergraduate studies at the Music Academy in Bucharest, where he served as Concertmaster of the conservatory’s Chamber Orchestra. During his summers as a student, Mr. Calin Lupanu performed in festival orchestras in Lanciano, Italy as Assistant Concertmaster and the Young Soloists Orchestra “Fiori Rari” in Lugano, Switzerland as Concertmaster. Upon graduation, Mr. Lupanu was appointed Violin Professor at the Music Academy.

While in Bucharest, Lupanu joined the newly formed Lipatti String Quartet as first violin, continuing in that capacity for ten years. In 1995 the quartet was named Quartet-inResidence at the University of Wisconsin at Milwaukee, where Lupanu earned a Performance Certificate in Chamber Music, studying with Ralph Evans, Efim Boico, and the members of the Fine Arts String Quartet. During its studies at UWM, the quartet was featured as Ensemblein-Residence with the Pabst Theater. Prize winners at the London International String Quartet Competition, the Fischoff Chamber Music Competition and the Dmitri Shostakovich Competition in St. Petersburg, Russia, the Lipatti Quartet was invited by the Dmitri Shostakovich Foundation to participate in the celebration of the 90th anniversary of the composer’s birth with a performance at the Opera Comique in Paris, France. In 1997, the Quartet became Quartet-in-Residence at Northern Illinois University, working with the renowned Vermeer Quartet. While there, Lupanu completed his Master’s Degree and earned a Performance Certificate, studying with Shmuel Ashkenasi and Mathias Tacke. Additionally, the Lipatti Quartet has performed in master classes with many of the world’s most respected chamber ensembles, including the Amadeus, American, Borodin, Cleveland, Emerson, Guarneri, Juilliard, Orion, Takacs, and Tokyo String Quartets. The Lipatti Quartet toured extensively in the USA, Germany, Great Britain, France, and Romania. (continued next page)

GUEST ARTIST BIO (continued)

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Lupanu’s awards as a soloist include the First Prizes of the International Violin Competition in Stresa, Italy, and the National Violin Competition in Suceava, Romania. Prior to winning the national audition for the Charlotte Symphony position, Lupanu served as Associate Concertmaster of the Green Bay Symphony Orchestra, Concertmaster of the Evansville Philharmonic, Principal of the Alabama Symphony, and Concertmaster of the West Virginia Symphony, as well as being the first violinist of the Montclaire Quartet.

In addition to his season-long responsibilities in Charlotte, Lupanu maintains a busy summer schedule, participating in such festivals as Bach and Beyond, Aspen, Lower Saxony, Strings in the Mountains, and the Colorado Music Festival, the latter of which he has been a member since 1998 and served as Concertmaster from 2004 until 2022, being the longest serving Concertmaster in the history of the Colorado Music Festival.

An active chamber musician, Lupanu has collaborated with the Fine Arts Quartet, Angela Cheng, Jon Nakamatsu, Christopher Taylor, Orion Weiss, Andres Cardenes, Lynn Harrell, Desmond Hoebig, Jose Feghali, Olga Kern, Joshua Roman, Phillip Bush, and was featured as a soloist with the Evansville Philharmonic, Alabama Symphony, Green Bay Symphony, Charlotte Symphony, and the Colorado Music Festival Orchestra.

A very dedicated teacher, Lupanu maintains an active teaching studio in Charlotte and served as Lecturer in Strings at the University of North Carolina-Greensboro.

Since 2016, Calin Lupanu and his wife, Monica Boboc, have started the non-profit ensemble and series, Chamber Music for All, committed to providing high quality chamber music performances and educational projects, accessible to both younger audiences as well as experienced listeners.

Chamber Music for All performs concerts throughout Charlotte greater area.

Mr. Lupanu plays a violin made by Pierre Silvestre in Lyon, France in 1857.

MUSICIANS

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YOUR CHARLOTTE SYMPHONY Christopher Warren-Green, Conductor Laureate & Music Adviser Christopher James Lees, Resident Conductor FIRST VIOLINS

DOUBLE BASSES

Calin Ovidiu Lupanu, Concertmaster The Catherine & Wilton Connor Chair

Kurt Riecken, Principal

Joseph Meyer, Associate Concertmaster

Jeffrey Ferdon

Kari Giles, Assistant Concertmaster

Jason McNeel

Judson Baines, Assistant Principal

Ernest Pereira°* Susan Blumberg°°

FLUTES

Jane Hart Brendle

Victor Wang, Principal The Blumenthal Foundation Chair

Emily Chatham°° Ayako Gamo Jenny Topilow°° Dustin Wilkes-Kim Hanna Zhdan SECOND VIOLINS Oliver Kot, Principal The Wolfgang Roth Chair Kathleen Jarrell, Assistant Principal The Pepsi-Cola Foundation of Charlotte Chair Carlos Tarazona° Monica Boboc Tatiana Karpova Ellyn Stuart Martha Geissler Sakira Harley VIOLAS

Amy Orsinger Whitehead Erinn Frechette PICCOLO Erinn Frechette OBOES Hollis Ulaky, Principal The Leo B. Driehuys Chair‡ Erica Cice Terry Maskin ENGLISH HORN Terry Maskin CLARINETS Taylor Marino, Principal The Gary H. & Carolyn M. Bechtel Chair Samuel Sparrow

Benjamin Geller, Principal The Zoe Bunten Merrill Principal Viola Chair

Allan Rosenfeld

Alaina Rea, Assistant Principal *

E♭ CLARINET

Chihiro Tanaka, Acting Asst. Principal

Samuel Sparrow

Ellen Ferdon Cynthia Frank

BASS CLARINET

Viara Stefanova

Allan Rosenfeld

Ning Zhao Matthew Darsey†

BASSOONS

CELLOS

Joshua Hood Naho Zhu†

Jonathan Lewis, Principal The Kate Whitner McKay Principal Cello Chair Allison Drenkow, Assistant Principal Alan Black, Principal Emeritus Marlene Ballena Jeremy Lamb Sarah Markle

Joseph Merchant, Principal

CONTRABASSOON Naho Zhu†

MUSICIANS (continued)

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HORNS

TIMPANI

Byron Johns, Principal The Mr. & Mrs. William H. Van Every Chair

Jacob Lipham, Principal The Robert Haywood Morrison Chair

Andrew Fierova Robert Rydel

PERCUSSION

Richard Goldfaden Philip Brindise†

Brice Burton, Principal HARP

TRUMPETS Alex Wilborn, Principal The Betty J. Livingstone Chair

Andrea Mumm Trammell, Principal The Dr. Billy Graham Chair

Jonathan Kaplan Gabriel Slesinger, Associate Principal* The Marcus T. Hickman Chair TROMBONES John Bartlett, Principal Thomas Burge BASS TROMBONE Scott Hartman, Principal TUBA Colin Benton, Principal The Governor James G. Martin Chair

This roster lists the full-time members of the Charlotte Symphony. The number and seating of musicians onstage varies depending on the piece being performed. ° Non-revolving position °° Alternates between first and second violins † Acting member of the Charlotte Symphony ‡ Funded by The Symphony Guild of Charlotte, Inc. * On leave

ARTISTIC OPERATIONS Michael Reichman, VP of Artistic Operations & General Manager Carrie Graham, Director of Artistic Planning Tim Pappas, Acting Director of Operations Nixon Bustos, Principal Music Librarian Bradley Geneser, Assistant Librarian Erin Eady, Acting Personnel Manager John Jarrell, Stage Manager

The Charlotte Symphony is a proud member of the League of American Ochestras.

MUSICIAN SPOTLIGHT

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KARI GILES

Assistant Concertmaster Member of CSO since 2006 hometown: Western NC

FUN FACTS • I love playing all types of music, and recently bought an electric 5-string violin!

• Beautiful and eclectic shoes are my weakness. My newest pair were inspired by the amazing conductor Marin Alsop!

• Being in the woods is one of my favorite places to be. Horseback riding at the Anne Springs Close Greenway is so relaxing.

For more information about Charlotte Symphony musicians, visit

charlottesymphony.org

ABOUT THE CSO

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One of the premier music organizations in the Southeastern United States and the oldest operating symphony orchestra in the Carolinas, the Charlotte Symphony Orchestra (CSO) connects with more than 100,000 music lovers each year through its lively season of concerts, broadcasts, community events, and robust educational programs. The CSO is committed to its mission of uplifting, entertaining, and educating the diverse communities of Charlotte-Mecklenburg and beyond through exceptional music experiences.

The Charlotte Symphony upholds the highest artistic integrity and takes bold steps to engage with its community through music. Its 62 professional, full-time musicians perform throughout the region — from community parks and breweries, to places of worship and senior care centers — and offer significant educational support, aimed at serving the underresourced areas of our community.

The Charlotte Symphony is deeply committed to the notion that music, accessible to all and experienced in its many forms, enriches and unifies our community. The CSO believes in equity and inclusion and strives to be an industry leader in imaginative, relevant programming by intentionally seeking out women conductors, underrepresented in our industry, and conductors, composers, and guest artists of color.

Founded in 1932, the Charlotte Symphony plays a leading cultural role in the Charlotte area and aims to serve the community as a civic leader, reflecting and uniting our region through the transformative power of live music.

OUR MISSION The Charlotte Symphony uplifts, entertains, and educates the diverse communities of Charlotte-Mecklenburg and beyond through exceptional musical experiences.

OUR VISION Reaching out through the transformative power of live music, the Charlotte Symphony will be a civic leader, reflecting and uniting our region.

For more information, visit us online at

charlottesymphony.org

SPOTLIGHT: MUSIC & THE HOLOCAUST

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MUSIC AND THE HOLOCAUST MAKES AN IMPACT On November 18, 2021, The Gizella Abramson Holocaust Education Act was passed into law, making North Carolina one of just nineteen states in the United States to mandate Holocaust education in public middle and high schools. With the act taking effect in the 2023–24 school year, the Charlotte Symphony’s Music and the Holocaust program is poised to address the growing need for supplemental education about the Holocaust in our schools.

Music and the Holocaust features an ensemble of Charlotte Symphony musicians performing music of significance during this tumultuous period in history. Through this music, students learn about Jewish culture and the horrors of the Holocaust. The music features a mix of traditional Jewish music — which was forbidden and considered “degenerate” by the Nazis — music composed in the concentration camps, and music that evokes survival and healing. Each concert includes narration and projected images that explore pre-WWII Jewish culture, the Third Reich’s attempts to control art and culture, the role of music and musicians in the concentration camps, and how the European Jewish community refused to be silenced.

Mitch Rifkin is Chairman of the North Carolina Holocaust Foundation, a non-profit that helps fund the many programs offered by the North Carolina Council on the Holocaust such as teacher workshops, traveling plays and exhibits, and speaking engagements.

Why was The Holocaust Education Act so important to advance the work that you’re already doing? “[The Act] passed after a lot of hard work, as you can imagine. We are excited about the fact that it came about because of all the right reasons. Not just talking about the horrors of the holocaust, but about how the holocaust came to be and that it could happen again — meaning the hatred prevails — and how one man was able to exterminate 12 million people.”

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SPOTLIGHT: MUSIC & THE HOLOCAUST

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How is the Foundation and the N.C. Council on the Holocaust preparing educators for this upcoming school year?

“To teach this topic properly, educators need to understand the facts behind the holocaust. We hold nine seminars a year where we bring teachers in to learn these facts and how to address holocaust denial and distortion. We also sponsor a bus trip that takes educators to the Holocaust Memorial Museum in Washington D.C. It truly is enlightening for them, and they come back and tell other teachers about their experiences. The curriculum being written by the Council is designed to teach the holocaust correctly, how it came to be, so we can avoid this happening again.”

How can a program like the Charlotte Symphony’s Music and the Holocaust help to educate students?

“Music is important, there’s no question. When I attended Music and the Holocaust, I noticed that the students were engaged, they weren’t wiggling in their seats, they were paying attention to the music, so that’s 90% of the battle — getting them engaged. I think your music and this topic are current. The rise of hatred in America, and globally, today is horrific. There is so much hatred in the world, and certainly the rise of antisemitism is a daily occurrence. When you see people like Kanye West and Kyrie Irving, with a huge following on social media, put that junk out there and no one contradicts them, it’s horrible. But we contradict it. And we try to bring forth the understanding of how we, as a people, should be more tolerant of each other.”

Learn more about the

Charlotte Symphony’s Music and the Holocaust

PROGR AM NOTES by Ken Metzer

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FANNY MENDELSSOHN HENSEL born: November 14, 1805 in Hamburg, Germany died: May 14, 1847 in Berlin, Germany

Overture in C Major (1830)

Fanny Mendelssohn was, like her brother Felix, a remarkably gifted composer, pianist, and conductor. But her fate as a musician, dictated by the times in which she lived, is reflected in this advice from her father, Abraham, given on Fanny’s twenty-third birthday: “become more steady and collected, and prepare more earnestly and eagerly for your real calling, the only calling of a young woman — I mean the state of a housewife.” The following year, Fanny married artist Wilhelm Hensel.

Despite barriers, Fanny Mendelssohn Hensel composed many outstanding works. Among them is the Overture in C, composed in 1830, and performed as part of the private concerts the Mendelssohn family held in their Berlin home.

It does not appear that the Overture received a public performance during the composer’s lifetime. For decades, the score resided in Berlin’s Mendelssohn Archive. Judith Rosen, a board member of San Francisco’s Women’s Philharmonic, visited the archive. There, she secured permission for release of the score for performance and recording. In May of 1992, the Women’s Philharmonic, conducted by Music Director JoAnn Falletta, gave the public premiere of the Mendelssohn C Major Overture. Those same artists recorded the work for Koch International Classics.

The Overture begins with an extended and graceful slowtempo introduction (Andante). A scurrying string figure (Allegro di molto) and orchestral fanfares (L’istesso Tempo) herald the principal quick tempo section, featuring two principal themes. The first is a vibrant sequence, introduced by strings (Con fuoco). The violins also sing the flowing second principal melody. The first theme predominates the development section, and is also proclaimed fortissimo by the ensemble for the start of the recapitulation. The second theme returns as well, as the Overture in C propels to a rousing close. (continued next page)

PROGR AM NOTES (continued)

Fanny Mendelssohn, sketched in 1829 by her husband, artist Wilhelm Hensel.

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Self-portrait of Fanny’s husband Wilhelm Hensel (1794–1861).

The Music Room of Fanny Hensel, watercolor drawing by Julius Eduard Wilhelm Helfft (1818 - 1894)

(Program Notes continued next page)

PROGR AM NOTES (continued)

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MAX BRUCH born: January 6, 1838 in Cologne, Germany died: October 2, 1920 in Friedenau, Germany

Violin Concerto No. 1 in G minor Opus 26 (1866) premiere: April 24, 1866 in Koblenz, Germany

Max Bruch began composition of his First Violin Concerto at the age of nineteen, finally completing the work nine years later. The first performance took place on April 24, 1866, at a concert of the Music Institute of Koblenz on the Rhine. Bruch, then Music Director of Koblenz, conducted the Gürzenich Orchestra of Cologne. The Orchestra’s concertmaster, Otto von Königslöw, served as soloist.

Shortly after the premiere, Bruch decided to revise the Concerto. He forwarded the score to the eminent Austro-Hungarian violinist, Joseph Joachim. Due to the improvisational spirit of the Concerto’s opening movement, Bruch had contemplated renaming the work a “Fantasy.”

Joachim disagreed, commenting: “For a fantasy, the last two movements are too completely and symmetrically developed. The different sections are brought together in a beautiful relationship, yet and this is the principal thing— there is sufficient contrast.”

Bruch followed Joseph Joachim’s counsel. After penning extensive revisions, the composer dedicated the final version of his First Violin Concerto to Joachim, who gave its premiere in Bremen in 1868, with Bruch conducting. In 1906, at his 75th birthday party, Joachim stated: “The Germans have four violin concertos,” and named those by Ludwig van Beethoven, Felix Mendelssohn, Bruch, and Johannes Brahms. While Joachim praised each of these magnificent works, he commented: “Max Bruch wrote the richest and most enchanting of the four.”

The Concerto is in three movements. The first (Vorspiel.

Allegro moderato), which Bruch calls a “Prelude,” begins in dramatic fashion, with a dialogue between orchestra and soloist. The soloist introduces both of the principal melodies, highly contrasting in character. A reprise of the (continued next page)

PROGR AM NOTES (continued)

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opening orchestra-soloist dialogue leads to a brief passage, serving as a bridge to the slow-tempo movement, which follows without pause. That second movement (Adagio) is based upon a pair of lovely melodies, again both introduced by the soloist. The Finale (Allegro energico) presents an almost continuous series of technical challenges for the soloist, who concludes the Concerto with a fiery, Presto sequence.

Bruch pictured working at the piano, an instrument he loathed, with its “dull rattle-trap;” as he famously remarked, “The violin can sing a melody better than the piano can.”

Sculpture of Bruch on the tower of the Cologne City Hall, restored after the Allied bombing of the city during World War II.

(Program Notes continued next page)

PROGR AM NOTES (continued)

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CÉSAR FRANCK born: December 10, 1822 in Liège, Belgium died: November 8, 1890 in Paris, France

Symphony in D minor (1888)

premiere: February 17, 1889 in Paris

The Franck D minor, one of the most performed and beloved 19th-century French symphonies, had a decidedly inauspicious beginning. Franck was highly revered as a virtuoso organist, and professor at the Paris Conservatoire. His compositions, however, did not always inspire the same level of adulation.

Franck’s disciple and champion, composer Vincent d’Indy, gave this unforgettable eyewitness account of the premiere of the D-minor Symphony: The Symphony was given for the first time on February 17, 1889, by the Société des Concerts du Conservatoire. The performance was quite against the wish of most performers of the famous orchestra, and was only pushed through thanks to the benevolent obstinacy of the conductor, Jules Garcin.

The subscribers could make neither head nor tail of it, and the musical authorities were in much the same position. I inquired of one of them—a professor at the Conservatoire, and a kind of factotum on the Committee—what he thought of the work. “That, a symphony?” he replied in contemptuous tones.

“But, my dear sir, who ever heard of writing for the cor anglais in a symphony? Just mention a single symphony by Haydn or Beethoven introducing the cor anglais? (Annotator’s note: Haydn had in fact composed a Symphony that included not one, but two English horns, the 1764 “Philosopher,” No. 22 in E-flat major.) There, well, you see—your Franck’s music

may be whatever you please, but it will certainly never be a symphony!” This was the attitude of the Conservatoire in the year of grace 1889.

At another door of the concert-hall, the composer of Faust, escorted by a train of adulators, male (continued next page)

PROGR AM NOTES (continued)

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and female, fulminated a kind of papal decree to the effect that this symphony was the affirmation of incompetence pushed to dogmatic lengths.

(Charles) Gounod must be expiating these words in some musical purgatory; for, coming from an artist such as he was, they can never have been sincere nor disinterested.

For sincerity and disinterestedness we must turn to the composer himself, when, on his return from the concert, his whole family surrounded him, asking eagerly for news. “Well, were you satisfied with the effect on the public? Was there plenty of applause?”

To which “Father” Franck, thinking only of his work, replied with a beaming countenance: “Oh, it sounded well, just as I thought it would!”

Over time, the strengths of the Franck D minor Symphony have revealed themselves to performers and audiences alike. The Franck D minor charts a dramatic symphonic journey that, as d’Indy observed: “is a continual ascent towards pure gladness and life-giving light, because its workmanship is solid, and its themes are manifestations of ideal beauty.”

The Franck D minor Symphony is in three movements. The first opens with a slow-tempo introduction (Lento) and the central three-note motif, reminiscent of both the “Muß es sein?” (“Must it be?”) theme in the final movement of Beethoven’s String Quartet, Opus 135, and the opening of Franz Liszt’s symphonic poem, Les préludes. That introduction leads to the orchestra’s tempestuous outburst (Allegro ma non troppo), also based upon the three-note motif. The second movement (Allegretto) serves the dual function of the Symphony’s slowtempo movement and lively scherzo. Over harp and pizzicato strings, the English horn sings a plaintive cantabile melody. A scurrying passage for muted strings inaugurates an episode that recalls the quicksilver charm of Felix Mendelssohn’s incidental music for A Midsummer Night’s Dream. The triumphant finale (Allegro non troppo) reprises melodies from the Symphony’s earlier movements.

SUPPORTERS

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We gratefully acknowledge these generous donors to the Charlotte Symphony Annual Fund.

This list reflects gifts received between July 1, 2022 through January 1, 2023

BENEFACTOR CIRCLE $100,000+ Anonymous Catherine & Wilton Connor

Douglas Young

$50,000 – $99,999 Roberta H. Cochran Ellen M. Fitzsimmons & Greg Rogowski

$25,000 – $49,999 Joan & Mick Ankrom Richard & Ruth Ault Dr. Milton & Arlene Berkman Philanthropic Fund Mark & Judith Brodsky DG Brungard Foundation Jean & Dick Cornwell Linda & Bill Farthing John & Maria Huson

Jane & Hugh McColl Patricia & Thrus Morton Patrick J. O’Leary Richard J. Osborne Paul & Kathy Reichs Carolyn Shaw John & Andromeda Williams

$15,000 – $24,999 Ralph S. Grier Richard Krumdieck Betty P. & Jeffrey J. Lee DeDe & Alex McKinnon

Debbie & Pat Phillips Judy & Derek Raghavan Ann & Fritz Rehkopf

$10,000 – $14,999 Anonymous (3) Francisco & Jeannette Alvarado Katharine & Frank Bragg Mr. & Mrs. R. Alfred Brand III Lynne & Colby Cathey Margarita & Nick Clements Christoph & Robin Feddersen Karen Fox Janet M. Haack Chris & Susan Kearney Ginger Kelly

Page & Ed Kizer Ms. Nina Lesavoy Susan & Loy McKeithen Alex & Ulrike Miles Robert Norville Mr. & Mrs. Jerry Richardson Mary Anne Rogers Mike Rutledge Thomas & Sherry Skains Richard & Lisa Worf

For more information on how to make a gift to the CSO Annual Fund, please contact Libby Currier, Annual Fund Manager, at 704.714.5137 or lcurrierl@charlottesymphony.org.

SUPPORTERS (continued) VIRTUOSO CIRCLE

page 23 Kevin & Jill Walker Floyd Wisner & Glenda Colman

$5,000 – $9,999 Howard P. Adams & Carol B. McPhee Tiffany & Jason Bernd Joye D. Blount & Jessie J. Knight Jr Steve & Katrice Boland Mary & Charles Bowman Bill & Robin Branstrom Jan & Ed Brown Shirley & Michael Butterworth The Jack H & Ruth C. Campbell Foundation Mr. & Mrs. Kieth Cockrell Malcomb & Tammy Coley Jeanie & Tom Cottingham Donna & Alvaro de Molina Mary Anne Dickson Peggy & Richard Dreher Mary & Robert Engel Thomas & Heather Finke David J.L. Fisk & Anne O’Byrne Carol & Ron Follmer Dr. Robert A. Gaines Charles & Caren Gale The Gambrell Foundation Sarah & Frank Gentry Joy S. Greene Chris Jensen Hartmut & Irene Kossack Robert & Vivian Lamb Laszlo & Anna Littmann Zaydee López-Ibáňez Leslie & Michael Marsicano Susanne & Bill McGuire Mr. & Mrs. Brian T. Moynihan Emily & Nima Pirzadeh Mr. & Mrs. Jerry Richardson Sally & Russell Robinson Nancy & Charlie Robson Pat Rodgers Cory & Amanda Rogers Sara Garcés Roselli & Dan Roselli JD & Katrina Schurter Mrs. Ylida Scott Mr. & Mrs. Harley F. Shuford, Jr. Lori & Eric Sklut Emily & Zach Smith Melinda & David Snyder Ms. Andrea J. Stevenson Kevin Taylor Drs. Jennifer Sullivan & Matthew Sullivan Chris & Jim Teat Drs. Chris & Lillian Teigland Judith & Gary Toman Mr. & Mrs. C.L. Trenkelbach Suzie & Nick Trivisonno In Memory of Tess Verbesey

$3,500 – $4,999 Wedge & Debbie Abels Philipp J. Bischoff Jan & Bob Busch Judith Carpenter Brian & Morgan Cromwell Joan & Parker Foley H. Clay Furches Richard I. McHenry & Cynthia L. Caldwell Mr. & Mrs. Paul McIntosh Elizabeth J. McLaughlin Chuck Miller & Marcy Thailer Mr. Glenn Mincey & Mrs. Macie Mincey Tony & Linda Pace Edgar & Karen Whitener

$2,500 – $3,499 Anonymous (3) Julian Andretta Mrs. Harriet B. Barnhardt Bill & Georgia Belk Cathy Bessant & John Clay Ms. Melody Birmingham Si & Michael Blake Mr. & Mrs. Alan Blumenthal Dr. & Mrs. O. Robert Boehm Twig & Barbara Branch Ann Thomas Colley Dorothy & Mike Connor Melissa Cornwell Chris & Elizabeth Daly in Memory of Betty Haggarty Alfred & Amy Dawson Peter De Arcangelis Phil & Mary Delk Cheryl DeMaio Peggy & Charles Dickerson Mrs. Carolyn Faison Alex & Patty Funderburg Timothy & Kara Gallagher Harvey & Cindy Gantt Mr. Billy L. Gerhart, in memory of Judith Gerhart Todd & Andrea Griffith Angela & Michael Helms Ivan Hinrichs Brian & Juliet Hirsch Carol A. Hitselberger & Robert Petty Jim & Peggy Hynes Shirley & Bob Ivey David S. Jacobson Ginger Kemp (continued next page)

SUPPORTERS (continued) $2,500 – $3,499 (continued) Bruce & Martha Karsh Dr. & Mrs. Christ A. Koconis Meghan & Luis Lluberas George McLendon & Carol Quillen Rob Roy McGregor Dee Dee McKay Dick Metzler Jay & Elizabeth Monge Diane Morais Joan Morgan Holly & Jason Norvell Celene & Marc Oken Dr. Reta R. Phifer Kathleen D. Prokay Mr. & Mrs. Robert R. Rollins, Jr. Bette Roth Nancy E. Simpson George & Tricia Sistrunk Marsha & Robert L. Stickler Mrs. H. Dickson Stowe Dr. Mark R. Swanson Deborah J. Cox & Bob Szymkiewicz Richard R. Taylor Eric & Annette Telljohan In Memory of Dr. Chandler Thompson Dr. John A. Thompson, Jr. & Dr. Lee Rocamora Dr. Cynthia H. Tyson Drs. Iris Cheng & Daniel Uri Paul & Susan Vadnais Ms. Dana Vestal Ellen & Jimmie Wade Mary Claire & Dan Wall Dr. Shanté Williams

PATRON CIRCLE $1,500 – $2,499 Anonymous Marcia Adams Melissa & Daren Anderson Ross & Michele Annable Dan & Barbara Austell Dianne & Brian Bailey Sharon Baker & Peter Moore Merilyn & Craig Baldwin Erskine & Crandall Bowles Brian Bridgford & Sally Gambrell Bridgford Mr. Donald Butler Ms. Catherine P. Carstarphen David M. Cody Neil & Claire Cotty Arlene H. Elisha Mrs. Geraldine S. Emmert Mr. Peter F. Guild Katherine G. Hall

page 24 Anne J. Henderson Steven Hershfield & Mary Jo Germain Mr. & Mrs. Benjamin F. Hill, Jr. Joan Irwin Gene & Helen Katz Dr. & Mrs. Jack Kramer Anna Marriott Ms. Rosemarie Marshall & Mr. Lee Wilkins Jim & Dottie Martin Cricket Weston & David Molinaro Eleanor W. Neal Caroline Olzinski Mr. Vincent Phillips & Mr. Paul Pope Torsten & Kim Pilz John & Wilma Pinter Larry & Dale Polsky John & Susan Rae Mr. & Mrs. Pope A. Shuford Morris & Patricia Spearman Robert & Maxine Stein Ann & Wellford Tabor Tillie S. Tice James H. Trexler & Kelly Zellars Daniel & Kathleen Troy Mindy & Don Upton Vera Watson Grant Webb Linda & Craig Weisbruch Mrs. Eugenia N. White Deems Wilson Ms. Deborra Wood & Mr. Russell Propst

$1,000 – $1,499 Anonymous (2) Ashley & Steve Allen Kathleen & Richard Anderson JWD Atchison Mary Lou & Jim Babb Mr. & Mrs. Lincoln A. Baxter Morgan Beggs John & Katherine Beltz Shirley W. Benfield Donald H. & Barbara K. Bernstein Family Foundation Mr. James Biddlecome In Memory of Bernadette Zirkuli Biddlecome Ms. Brett Blumenthal & Mr. David Wax Carole Bourret Khary Brown Herbert Browne Jane & Larry Cain Maggie Callen Ralph & Sam Canfield Ms. Elizabeth Carr Bill & Pauline Chinnis Mr. Mark Copeland & Mrs. Kathleen Goldammer-Copeland (continued next page)

SUPPORTERS (continued) Ann F. Copeland Sarah & Larry Dagenhart Gwin Dalton Christopher & Elizabeth Daly Dan & Jeannette Davis Ralph & Troyann Dougherty J. Porter Durham, Jr. Elizabeth Betty Eaton Bob & Judy Erb Lisa & Carlos Evans Trae & Kate Fletcher Lucy Quintilliano & Leonard Fumi Jenn & Taylor Gherardi Carol & Joseph Gigler Barry & Laurie Guy Joyce & Ed Hamilton Patrick & Johanne Hawk Fran & Greg Hyde Paul & Linda Ibsen Martha D. Jones Vickie & Eugene Johnson Lea & Stuart Johnson Mr. & Mrs. John E. Kibler Joan Kirschner Mr. & Mrs. Luke Kissam Marilyn Kroll Maria Kurtz Lucinda Nisbet Lucas James Lynch Holly & Christopher Maurer Ms. Nydia McCrohan Shawn & Kelly McGrath Martha Monserrate Susan D. Montgomery Eugene P. Kueny & Don C. Niehus Peter & Janet Nixon Mr. & Mrs. E. O. Oakley Michael & Debbie O’Hara Anita & Gale Pendergraph Barbara M. Pooley Dr. William G. Porter Morry Alter & Joan Rasmussen Rita & Thomas Robinson William R. Rollins Mrs. Gail C. Salmon Dr. Stephen P. Schultz & Donna Dutton Jane Perry Shoemaker Katy & Raleigh Shoemaker Michael Silverman Molly & Conrad Sloan Catherine Thompson Murray & Hazel Somerville Ken Spielfogel & Richard Withem Al & Alice Sudduth Adam & Sienne Taylor Mr. & Mrs. James Traylor Mr. & Mrs. Hans Teich Sarah S. Tull

page 25 Mrs. William K. Van Allen Mr. & Mrs. Michael Van Glish Bill & Rita Vandiver Dr. & Mrs. Bill Chu & Jin Wang Pam & Steve West Peter White David Wilcox Bryan Wilhelm Ms. Judith Wood Mrs. Anne Yudell

$500 – $999 Anonymous (3) Michael & Lee Abbott Doug & Lynda Abel Mark Abrams & Iris Prandi Mr. Lester Ackerman & Mr. Layton Campbell Larry Anderson Leigh & Rhonda Armistead Mrs. Natascha A. Bechtler Bob & Cathy Becker Dr. John L. Bennett & Mr. Eric T. Johnson Jeffrey Boghosian David Bower & Ann Richardson Ms. Marianne Bragg James Broadstone Aram & Scott Bryan Mr. Charles Budd Greg & Mary Lou Cagle Barbara F. Caine Ms. Lisa Callen $500 - $999 cont.

Amanda & Kevin Chheda Hobart B. Cheyne Ms. Michele T. Classe Mr. Brent Clevenger Dr. W. Gerald Cochran & Mr. Timothy D. Gudger Mr. Thomas E. Collins, Jr. Dr. & Mrs. Charles E. Cook Dr. Kilian Cooley Dr. & Mrs. Mark Couture Mr. & Mrs. Alpo F. Crane Ellen M. Crowley Mrs. Judy Crozier Craig Selimotic Danforth Dr. Roy E. DeMeo, Jr. & Ms. Linda A. Evanko Thomas & Kris Duffy Virginia Dulaney Ms. Helen Edwards Rebecca Elliott Martin Ericson, Jr. Dr. & Mrs. J. Murray Fadial Doug Faris Tom & Gail Fennimore Lawrence W. Fetner, Jr. Robert & Catherine Flynn Melisa & Frank Galasso (continued next page)

SUPPORTERS (continued) $500 – $999 (continued) Dr. John & Eileen Gardella Stephen C. & Jean S. Geller Mr. & Mrs. Kodwo Ghartey-Tagoe Pete & Stacy Gherardi Sarah Goad Mr. Walter H. Goodwin, Esq. Dan & Linda Gordon Ms. Cynthia Greenlee Mr. & Mrs. Raymond Groth Ms. Tara Harris Mr. & Mrs. Lowrance Harry Mr. Charles Haughey Mr. & Mrs. Michael D. Heafner Mr. Stefan Heinzelmann Logan & Jennifer Henderson Mr. James Howell & Mrs. Deanna Kelly Ben & Christy Hume Pete & Phyllis Johnson Michael & Priscilla Johnson Tim & Kathryn Johnson E. Joann Jones Joseph & Patty Kahle Eugene & Alice Merrill Kavadlo Steven & Mary Kesselman Nancy H. Kiser Theodore & Dorothy Kramer Jonathan Lamb Christopher James Lees Jerome & Barbara Levin Mr. Michael Lewandowski Mr. George Linfors Kathryn Long Mr. Calin Lupanu Dr. & Mrs. William W. MacDonald Bruce & Leigh Marsh Francis & Paula Martin Tom & Sandy Meckley Mr. & Mrs. Kiran H. Mehta Roy H. Michaux Anne & Brad Mitchell Sallie & Joe Moody Tom & Sally Moore Gary & Fran Morrison In Memory of Patricia Nims Karen L. Oldham Nancy Olah & Bill Pace Pamela Pearson & Charles Peach Gwen Peterson & Tom Hodge Janet & Rick Pfeiffer Catherine Philpott Mr. & Mrs. Rodney C. Pitts Jeanine & Naeem Qasim Dr. & Mrs. R. Pinkney Rankin, Jr. Haywood & Sabine Rankin Jane & Milburn Ratteree

page 26 Brendan Reen Casey Rentch Nancy Rutledge & Jim Rutledge Robert & Christine Rydel Mr. & Mrs. William Seifert John Schroeder, in honor of Patty McArthur Mr. Andrew Silliker Carol Smith Dr. & Mrs. Henry L. Smith II Rebecca & Eric Smith Scott Smith John-Palmer Smith Julia J. Souther Mr. & Mrs. Larry Stern Kathryn Stewart Sam & Martha Stowe Wesley & Claudia Sturges George & Brenda Sweet Ms. Sarah Teague Tim Timson Jenny & Ken Tolson James & Melanie Twyne Greg & Sandy Vlahos Lyman Welton Barnet & Harriet Weinstock Dr. Thomas H. White Mr. & Mrs. John A. Yakob Ms. Barbara Yarbrough Dan & Susan Yardley Dr. & Mrs. T. Price Zimmermann

$250 – $499 Anonymous (3) Paula Andretta Andrew & Karen Antoszyk Judi Bainbridge Dr. & Mrs. Michael J. Bell Sam & Nancy Bernstein Ms. Deborah Berry Mr. & Mrs. Alexander Bierce Stuart Blackmon Lawton & Janette Blandford Megan Blankemeyer List Ken & Nelle Brown Mr. Nicholas Bonevac Steve Bost David H. & Barbara J. Burns John Carr Robert & Jo Anne Caruso Mary Case Amy Cathey Rev. Janice Chalaron Ms. Catherine Choudary Gray Clark Mortimer & Josephine Cohen Fund Ms. Dorothy Cole (continued next page)

SUPPORTERS (continued) Ron & Shirley Coffman Tom Covington Mr. Todd Croy Leeda Currin Mr. Michael Curtis Rennie Cuthbertson Rufus Dalton Francis T. Davis Virginia A. Davis Doug & Diane Doak Dr. Kathleen A. Doman Mr. & Mrs. Fang Dong Mike Dyer John Alday & Rebecca Fant James C. Fort Chakana Fowler Jerry Fox Toni Freeman Richard & Karen Fuentes Dr. & Mrs. Richard Gellar Donna Gibson Berkley & Audean Godehn Craig & Myra Green Mr. & Mrs. William Griesmyer Spencer Guthery John & Mary Habit Elizabeth Hage Mr. Christopher Harris Roger K. Hill Barbara Holt Ms. Kelli Hopp-Michlosky Dr. & Mrs. Alexander Horowitz James Horton & Kathy Reardon Norman Harasymchuk Karin & Robert Hudson Betty Hunter Patricia W. Ingraham Cynthia B. Irby Marjorie James Margot Kaiser Mr. H.G. Karn & Mrs. Sandra Washburn Madhu Katta Judy & Ron Kaufman John J. Kelly, Jr. Carolyn Wells Kibler John & Ardis Koch Mrs. S. Lacy Ms. Wendy Laxton Steven Light John J. Locke Skip & Ginny Long Dr. & Mrs. Thomas T. Long III Dr. David Lowry Mr. Charles McKinley Yvonne Mack Staci & Adam Marino

page 27 Ms. Rosemarie Marshall & Mr. Lee Wilkins Joan W. Martin & Pat Burgess Theodore & Katherine Martinez Ed & Wendy Matthews Steve & Tammy Matula Jill Maxwell Kim & Alan Maxwell Ms. Judy Mayo James & Stephanie McGarvey Eric Miller Kimberly Moore-Wright Glenn A. Muegel David H. Nance & Jennifer Nance Sara & Tom Nolan Dr. & Mrs. Michael E. Norman Dimitris & Jennifer Papageorgiou Cookie & Jerry Parnell Rose & Bailey Patrick Bradley & Sharon Patterson Mr. Conrad Puckett Mr. Mason & Dr. Krista Rankin Stephen & Melissa Ratliff $250 - $499 cont.

Emily & Brian Reinicker Dr. Livia Robicsek Mr. & Mrs. Albert E. Rodgers Sarah E. Schoedinger Eileen Scholl Merle & Judy Schuh Dr. & Mrs. Marvin Shapiro Ginny Shaw Fred H. Smith James & Ellie Stephens William & Catherine Stone Larry Stratemeyer Charlene Sturgill Brenda Gail Summers Ms. Jena M. Summerville Carrie & Jeffrey Teixeira Nancy & Dick Thigpen Gretchen & Jean-Claude Thill Melissa M. Tolin Patti Tracey & Chris Hudson Cynthia Turner Sarah & Tim Turner Rebecca Valenstein Minyan Wang Jenny & Henry Ward Ms. Leslie Webster Mr. Erik Weghorst Mr. & Mrs. Tom Weidman Mr. & Mrs. Richard J. Wertheimer Mrs. Carol Wilson Allen & Clara Wolfe Karen & Charles Wolff

SPONSORS

page 28

CORPORATE PARTNERS We are grateful for the following outstanding corporate funders:

$250,000 +

$100,000 - $249,999

$20,000 - $49,999

$10,000 - $19,999

$5,000 - $9,999 Atrium Health Kingfisher Capital The Dunhill Hotel

For more information, please contact Amanda LoCascio, AVP - Institutional Philanthropy at 704.714.5138 or alocascio@charlottesymphony.org

SPONSORS

page 29

GOVERNMENT & FOUNDATION SUPPORT We are grateful for the following outstanding foundation and government funders:

$100,000 +

$50,000 - $99,999

Dickson Foundation

The Truist Charitable Fund is a donor-advised fund created by Truist and administered by The Winston-Salem Foundation

$20,000 - $49,999

DG Brungard Foundation Mariam & Robert Hayes Charitable Trust The Trexler Foundation

$10,000 - $19,999

Blumenthal Foundation Charlotte Mecklenburg Community Foundation Cole Foundation Dunspaugh-Dalton Foundation, Inc. John S. & James L. Knight Foundation The Maurer Family Foundation

$5,000 - $9,999 AT&T Foundation The George W. & Ruth R. Baxter Foundation The Jack H & Ruth C. Campbell Foundation The Charlotte Assembly

$2,500 - $4,999 Barnhardt/Thomas Trust Kathryn Stephenson Pipe Organ Endowment Foundation Stanly County Community Foundation Winer Family Foundation

For more information, please contact Toni Freeman, Grant Writer at development@charlottesymphony.org

SUPPORTERS

page 30

We invite your firm to join this special group of corporate supporters committed to keeping the music alive — enriching Charlotte and the surrounding communities as a first-class place to work and live.

$5,000 +

$2,500 - $4,999 GreerWalker Moore & VanAllen Park Inc.

$500 - $2,499 Carter Troutman Pepper LLP World Famous Golf Carts of South Carolina For more information, please contact Amanda LoCascio, AVP - Institutional Philanthropy at 704.714.5138 or alocascio@charlottesymphony.org

The Charlotte Symphony Orchestra recognizes donors of exceptional generosity whose cumulative giving to the CSO exceeds $1 million with the designation of Music Director Society.

Anonymous (2) Bank of America Corporation Catherine & Wilton Connor Goldman, Sachs & Co. The Leon Levine Foundation John S. & James L. Knight Foundation Mr. & Mrs. Hugh L. McColl, Jr. Robert Haywood Morrison Foundation C. D. Spangler Foundation The Symphony Guild of Charlotte, Inc. Wells Fargo Corporation For more information, please contact Leslie Antoniel, AVP of Development, at 704.714.5139 or lantoniel@charlottesymphony.org.

SUPPORTERS

page 31

The Encore Society includes individuals who have made provisions for the CSO in their estate plans. We are honored to recognize their support: Anonymous (3) Geraldine I. Anderson† Richard & Ruth Ault Baldwin Family Trust Barnhardt Thomas Trust Larry & Joyce† Bennett Donald H. & Barbara K. Bernstein Mark & Louise Bernstein† Twig & Barbara Branch Saul Brenner Mike & Joan Brown† Mrs. Joan Bruns† Jan & Bob Busch Dr. Helen G. Cappleman, Ph.D.† Jim Cochran† Robin Cochran Tom Covington Charles & Peggy Dickerson Mr. Martin Ericson, Jr. David J.L. Fisk & Anne P. O’Bryne Peter & Ann† Guild William G. & Marguerite K. Huey Fund† Dr. Nish Jamgotch, Jr. Betty & Stanley Livingstone†

Nellie McCrory† M. Marie Mitchell† Cricket Weston & David Molinaro Joan & Richard Morgan Don C. Niehus Eva Nove Richard J. Osborne Gwen Peterson & Tom Hodge James Y. Preston† Mrs. Clayton (Dusty) Pritchett Ann & Fritz Rehkopf Elizabeth Waring Reinhard Nancy W. Rutledge Mike Rutledge Harriet Seabrook Mr. & Mrs. William Seifert Morris & Patricia Spearman Bob & Maxine Stein Dr. Ben C. Taylor III Mr. & Mrs. Hans Teich Cordelia G. Thompson Tim Timson Jenny & Ken Tolson Ms. Debora Wood & Mr. Russell Propst

† Deceased

Leave a lasting legacy of great music through your planned gift.

For more information, contact Leslie Antoniel at 704.714.5139.

Support your CSO. With your gift, the Charlotte Symphony uplifts, entertains, and educates the diverse communities of Charlotte-Mecklenburg and beyond through exceptional musical experiences.

Every gift makes a difference.

Make your contribution today:

charlottesymphony.org/give-today

March 24 & 25 Belk Theater

Jessica Cottis, conductor Charlotte Master Chorale “Engaging” (The Scotsman) conductor Jessica Cottis returns to lead the Charlotte Master Chorale and your CSO in Mendelssohn’s expansive Symphony No. 2, “Hymn of Praise.”

704.972.2000 | charlottesymphony.org

The Charlotte Symphony is supported, in part, by the Infusion Fund and its generous donors.

Multimillion Dollar Commitment City of Charlotte $1.5 million and above Bank of America C.D. Spangler Foundation / National Gypsum Company John S. and James L. Knight Foundation Trane Technologies $600,000 - $1 million Albemarle Foundation Atrium Health Barings Duke Energy Honeywell JELD-WEN, Inc. LendingTree Foundation Lowe’s Companies, Inc. Novant Health Red Ventures Truist $300,000-$600,000 Ally Financial The Centene Charitable Foundation Childress Klein Properties Coca-Cola Consolidated Deloitte EY The Gambrell Foundation Moore & Van Allen PwC Robinson, Bradshaw & Hinson, P.A. Rodgers Builders Wells Fargo Up to $300,000 Fifth Third Bank Foundation For The Carolinas Deidre and Clay Grubb Leslie and Michael Marsicano Jane and Hugh McColl Nucor Corporation PNC Bank Premier, Inc. Jane and Nelson Schwab

LEADERSHIP

page 34

BOARD OF DIRECTORS Linda McFarland Farthing Chair John Williams Vice Chair Mick Ankrom Treasurer David Fisk President & CEO Melissa Anderson Joye D. Blount Mike Butterworth Manny Clark Nick Clements Catherine Connor

Mary Delk* Denise DeMaio Richard Krumdieck Alex McKinnon Ulrike W. Miles Glenn Mincey Robert Rydel* Ylida Scott Melinda Snyder Jennifer Sullivan Jenny Tolson* Jenny Topilow* Kevin Walker *ex officio

BOARD OF TRUSTEES Richard Osborne, Chair Gov. James G. Martin Ruth & Richard Ault Jane & Hugh McColl Kat Belk Susan & Loy McKeithen Arlene & Milton Berkman Elizabeth J. McLaughlin Jason & Tiffany Bernd George McLendon Mary & Charles Bowman Patrick J. O’Leary Frank Bragg Debbie & G. Patrick Phillips Robin & Bill Branstrom Paul Reichs Derick & Sallie Close Nancy & Charles Robson Robin Cochran Patricia A. Rodgers Wilton Connor M.A. Rogers Jeanie & T. Thomas Cottingham III Dan & Sara Garces Roselli Brian Cromwell Laura & Mike Schulte Alessandra & Pasquale De Martino Carolyn Shaw Alvaro & Donna de Molina Tom Skains Peggy & Richard Dreher Emily & Zach Smith Lisa Hudson Evans Bob & Marsha Stickler Todd Gorelick Adam Taylor Janet Haack Cynthia Tyson Reginald B. Henderson, Esq. Braxton Winston Mark & Whitney Jerrell Richard Worf Jeff Lee Albert Zue

ADMINISTR ATION

page 35

EXECUTIVE David J. L. Fisk, President & CEO Samantha Hackett, Executive Administrator ARTISTIC OPERATIONS (see p. 11) DEVELOPMENT Shayne Doty, Vice President of Development Leslie Antoniel, Associate Vice President of Development Libby Currier, Annual Fund Manager Tammy Matula, Database Manager Jennifer Gherardi, Campaign Coordinator Senta Harvey, Annual Fund & Sponsorships Associate FINANCE & ADMINISTRATION Angel Adams, Vice President of Finance & Administration Lissette Rodriguez, Staff Accountant Chazin & Company, Financial Services Amy Hine, Office Administrator HUMAN RESOURCES Maribeth Baker (Catapult), Human Resources Counselor LEARNING & COMMUNITY ENGAGEMENT Aram Kim Bryan, Vice President of Learning & Community Engagement Emily Gordon, Project Harmony Manager Dylan Lloyd, Youth Orchestras Manager Peyton Wulff, Learning Manager Jirah Montgomery, Youth Orchestras Assistant MARKETING Mical Hutson, Vice President of Marketing & Audience Development Deirdre Roddin, Director of Institutional Marketing & Communications Nicole Glaza, Senior Manager of Digital Marketing Chad Calvert, Visual Communications Manager Laura Thomas, Marketing Manager Meghan Starr, Patron Communications Manager Garrett Whiffen, Ticketing Manager

128 S. Tryon Street, Suite 350 Charlotte, NC 28202 tickets: 704.972.2000 office: 704.972.2003

charlottesymphony.org

March 10 & 11 Knight Theater

Paolo Bortolameolli conductor

Paolo Bortolameolli joins the CSO to lead an exploration of music and art with works by composers Pablo Picasso worked with and admired, including two ballets for which he designed costumes and sets: Igor Stravinsky’s Pulcinella and Erik Satie’s Parade.

A special collaboration with The Mint Museum

704.972.2000 | charlottesymphony.org