CSO Barber + Copland - program 01-19-24 by Charlotte Symphony

DIGITAL PROGRAM BOOK

January 19 & 2O 7:30 pm | Knight Theater Lidiya Yankovskaya conductor

Jennifer Koh

violin

charlottesymphony.org

CONTENTS

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WHAT’S INSIDE... A Message from the President & CEO 3 Our New Music Director 4 Concert Program 7 Artist Biographies 8 2023/24 Musician Roster 12 About the CSO 15 Program Notes 18 Annual Fund Donors 22 Corporate & Foundation Sponsors 28 Infusion Fund 31 Board of Directors & Trustees 32 Administration 33

join the musical dialogue What did you think of the performance?

@cltsymphony #cltsymphony

WELCOME

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Welcome to Your CSO! Welcome to a new year with your Charlotte Symphony — one that promises thrilling musical experiences and stronger community connections! As we look with anticipation toward the year ahead, we can also reflect upon some recent exciting developments and successes. A stand-out moment in December was the announcement of our new Music Director, the extraordinary Kwamé Ryan. We are thrilled to have such a dynamic and visionary leader joining the organization, to guide us into a future filled with innovative programming and musical excellence. I’m eager for you to feel his passion for music education and his dedication to community-building, which will undoubtedly deepen the CSO’s service to Charlotte, and bring extraordinary music-making to a wider audience. Don’t miss Maestro Ryan’s first concerts as our Music Director Designate, when he leads the Orchestra in works by Wang Jie, Tchaikovsky, and Brahms on April 5th and 6th! We also announced another exciting addition to the Symphony’s portfolio: CSO Roadshow, a new mobile stage set to launch this spring with performances in neighborhoods throughout Charlotte; each unique program devised in partnership with that local community. The coming years will see the forging of new grass-roots partnerships that extend the Symphony’s reach, and bring live music beyond the walls of our concert hall — for free — to public spaces throughout the City and County. The excitement continues throughout the rest of the season. February brings a special treat, when we present Vivaldi Reimagined: The Four Seasons in Music and Verse as part of our growing partnership with Queens University of Charlotte. In March, we’re celebrating the 100th anniversary of Gershwin’s timeless Rhapsody in Blue, and we continue the journey through the Star Wars universe with The Force Awakens in Concert. We look forward to having you with us. Wishing you and your family a joyous year ahead!

- David Fisk President & CEO

OUR NEW MUSIC DIRECTOR

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ANNOUNCING THE CHARLOTTE SYMPHONY’S NEXT MUSIC DIRECTOR

We are thrilled to announce that Kwamé Ryan, hailed as a “dynamic conductor” by The Baltimore Sun, will assume the role of your Charlotte Symphony’s 12th Music Director, beginning in 2024–25, ushering in a new era for the Orchestra’s 93rd season. “On my very first visit to Charlotte, I felt instantly connected with the dynamic energy of the city and then profoundly inspired by the wonderful musicians of the Charlotte Symphony Orchestra … I very much look forward to discovering how this exciting new partnership can enrich the orchestra’s legacy and the cultural fabric of Charlotte.” – Music Director Designate Kwamé Ryan Born in Canada and raised on the Caribbean island of Trinidad, Kwamé Ryan discovered his passion for conducting at the age of nine. He studied Musicology at Cambridge University and trained in conducting under the guidance of renowned composer/conductor Peter Eötvös. An active guest conductor, Ryan has led orchestras across the United States, UK, and Germany. In the fall of 2023, Ryan conducted the world premiere of Jake Heggie’s Intelligence at Houston Grand Opera, and in 2024, he makes his debut with Opera Theatre of St. Louis and the New York Philharmonic.

OUR NEW MUSIC DIRECTOR (continued)

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When not on the podium, Ryan dedicates his time to educational and community engagement initiatives. He has previously served as Musical Director of the National Youth Orchestra of France and as Director of the Academy for the Performing Arts at the University of Trinidad and Tobago. Additionally, Ryan is the host of “8 Minute Idea,” a podcast in which he offers insights, tools, and life hacks. “As a dynamic leader who understands the full potential of the relationship between an orchestra and its community, Kwamé will undoubtedly deepen the Charlotte Symphony’s service to Charlotte and the region, and, with his passion for music education, bring extraordinary, powerful music-making to a wider audience of all ages.” – President & CEO David Fisk

Ryan’s selection was unanimous by the Music Director Search Committee, comprised of Charlotte Symphony musicians, staff, and members of the Board of Directors. “From the outset, there was an incredible chemistry between Kwamé Ryan and the musicians which created an atmosphere of collaboration and inspiration. Kwamé’s dynamic performances, as well as his ability to connect with audiences in a meaningful way, truly distinguished him. We are thrilled to welcome this exceptional conductor to Charlotte!” – Bassist Jeffrey Ferdon and Principal Violist Ben Geller, who served on the Music Director Search Committee Kwamé Ryan will return to Charlotte this spring to conduct the Orchestra in two performances of Wang Jie’s Symphonic Overture “America, the Beautiful,” Brahms’s Symphony No. 1, and Tchaikovsky’s Variations on a Rococo Theme, April 5–6.

Your Charlotte Symphony Experience Whether you’re attending your first Symphony performance, or you’re a longtime subscriber, we’d like to extend to you a warm and inclusive welcome! Below is some helpful information to ensure you make the most of your Charlotte Symphony experience.

What should I wear? The Charlotte Symphony has no specific dress code. We encourage you to be comfortable and come as yourself in a style of your choice.

When do I applaud? Audiences applaud to welcome the concertmaster, conductor, and featured artists onstage. Some works may have several sections, or movements, separated by a brief silent pause. It is tradition to hold applause until the last movement. If you are unsure, wait for the conductor to face the audience. But if you feel truly inspired, do not be afraid to applaud!

Can I take photos? Certainly! We welcome and encourage you to capture and share photos before and after the concert, as well as during intermission. Feel free to use your cell phone for photography without flash during the performance, but please refrain from video or audio recording.

CONCERT PROGR AM

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Friday, January 19, 2024 at 7:30 pm Saturday, January 20, 2024 at 7:30 pm Knight Theater at Levine Center for the Arts

Lidiya Yankovskaya, conductor Jennifer Koh, violin [approx. 19 minutes] JENNIFER HIGDON (b. 1962) Cold Mountain Suite (Charlotte Symphony Co-Commission) [approx. 20 minutes] MISSY MAZZOLI (b. 1980) Violin Concerto (Procession) I. Procession in a Spiral II. St. Vitus III. O My Soul IV. Bone to Bone, Blood to Blood V. Procession Ascending Jennifer Koh, violin

INTERMISSION SAMUEL BARBER (1910-1981) Second Essay for Orchestra, Op. 17

[approx. 10 minutes]

[approx. 22 minutes] AARON COPLAND (1900-1990) Billy the Kid Ballet Suite I. Introduction. The Open Prairie II. Street in a Frontier Town III. Prairie Night (Card Game at Night) IV. Gun Battle V. Celebration (after Billy’s Capture) VI. Billy’s Death VII. The Open Prairie Again

concert duration: approximately 1 hour, 30 minutes. There will be one 20-minute intermission.

CONDUCTOR BIO

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Lidiya Yankovskaya guest conductor

Lidiya Yankovskaya is a fiercely committed advocate for Slavic masterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 17 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. As Music Director of Chicago Opera Theater, her daring performances before and amid the pandemic earned recognition from the Chicago Tribune, which praised her as “the very model of how to survive adversity, and also how to thrive in it,” while naming her Chicagoan of the Year. Following her debut at Santa Fe Opera in a new production of Dvořák’s Rusalka in summer 2023, Ms. Yankovskaya will conduct orchestras across the United States. She debuts at Atlanta Symphony Orchestra, Indianapolis Symphony Orchestra, Utah Symphony, North Carolina Symphony, Phoenix Symphony, Louisiana Philharmonic Orchestra, and Symphony San Jose. Ms. Yankovskaya deepens her ongoing relationship with the Chicago Symphony Orchestra, leading MusicNOW world premieres by Jessie Montgomery and Curtis Stewart, and designing a series of educational concerts. At Chicago Opera Theater, she leads a new Francesca Zambello production of The Nose and David T. Little’s Soldier Songs in the company’s 50th anniversary season. Ms. Yankovskaya has recently conducted Eugene Onegin at Staatsoper Hamburg, Symphony of Sorrowful Songs at English National Opera, Carmen at Houston Grand Opera, and Don Giovanni at Seattle Opera. Elsewhere she has led Der Freischütz at Wolf Trap Opera, Edward Tulane at Minnesota Opera, and Taking Up Serpents at Washington National Opera and the Glimmerglass Festival. On the concert stage, recent engagements include Los Angeles Philharmonic, New York Philharmonic, National Symphony Orchestra, Chicago Symphony Orchestra, Dallas Symphony Orchestra, Houston Symphony, and Julia Wolfe’s Anthracite (continued next page)

CONDUCTOR BIO (continued)

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Fields with Bang on a Can All-Stars and The Choir of Trinity Wall Street at Carnegie Hall. Ms. Yankovskaya has served as Artistic Director of the Boston New Music Festival and Juventas New Music Ensemble, which was the recipient of multiple NEA grants and National Opera Association Awards under her leadership. As Music Director of Harvard’s Lowell House Opera, she conducted sold-out performances of repertoire rarely heard in Boston, including Tchaikovsky’s The Queen of Spades, Britten’s A Midsummer Night’s Dream, and the U.S. Russian-language premiere of Rimsky-Korsakov’s The Snow Maiden. Her commitment to exploring the breadth of symphonic and operatic repertoire has also been demonstrated with the American premieres of Donizetti’s Pia de’ Tolomei, Rubinshteyn’s The Demon, and RimskyKorsakov’s Kashchej The Immortal and Symphony No. 1. An alumna of the Dallas Opera’s Hart Institute for Women Conductors and the Taki Alsop Conducting Fellowship, Ms. Yankovskaya has also served as assistant conductor to Lorin Maazel, chorus master of Boston Symphony Orchestra, and conductor of Boston Youth Symphony Orchestra. She has been featured in the League of American Orchestras Bruno Walter National Conductor Preview and Cabrillo Festival for Contemporary Music, and assisted Vladimir Jurowski via a London Philharmonic fellowship. Ms. Yankovskaya holds a B.A. in Music and Philosophy from Vassar College, with a focus on piano, voice, and conducting, and earned an M.M. in Conducting from Boston University. Her conducting teachers and mentors have included Lorin Maazel, Marin Alsop, Kenneth Kiesler, and Ann Howard Jones. Committed to developing the next generation of artistic leaders, she also volunteers with Turn The Spotlight, a foundation dedicated to identifying, nurturing, and empowering leaders — and in turn, illuminating the path to a more equitable future in the arts. Ms. Yankovskaya is the proud two-time recipient of Solti Foundation U.S. Career Assistance Awards. She has been a featured speaker at the League of American Orchestras and Opera America conferences and served as U.S. Representative to the World Opera Forum in Madrid. She was delighted to deliver the commencement address for graduates of the Bienen School of Music at Northwestern University.

GUEST ARTIST BIO

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Jennifer Koh violin

Grammy Award-winning violinist Jennifer Koh is recognized for her intense, commanding performances, delivered with dazzling virtuosity and technical assurance. She is a forwardthinking artist dedicated to exploring a broad and eclectic repertoire, while promoting equity and inclusivity in classical music. She has expanded the contemporary violin repertoire through a wide range of commissioning projects and has premiered more than 100 works written especially for her. This season, Koh continues her New American Concerto series, an ongoing, multi-season commissioning project that explores the form of the violin concerto and its potential for artistic engagement with contemporary societal concerns and issues through commissions from a diverse collective of composers. She performs the seventh world premiere in the series, Nina Young’s Violin Concerto Traces with the LA Chamber Orchestra, as well as Vijay Iyer’s Trouble and Missy Mazzoli’s Procession with orchestras around the world. Koh also performs works from her critically acclaimed solo and duo commissioning projects including Alone Together, Bach and Beyond, Bridge to Beethoven, Limitless, and Shared Madness. She also begins a new role as Artistic Director of the Fortas Chamber Music Concerts at the Kennedy Center, where as part of the series she performs Two X Four (two violinists x four composers), joining forces with her mentor Jaime Laredo and members of the Juilliard Orchestra in double-violin concertos by Bach, Philip Glass, David Ludwig, and Anna Clyne; and in the spring she is joined by Missy Mazzoli for an all-Mazzoli program of solo violin and duo works. Koh has appeared with orchestras worldwide including the New York, Los Angeles, and Helsinki Philharmonics; Cleveland, Mariinsky, Minnesota, and Philharmonia (London) Orchestras; and Atlanta, Baltimore, Boston, BBC, Chicago, Cincinnati, National, New World, NHK, RAI (Torino), and Singapore Symphonies. Named Musical America’s 2016 Instrumentalist of the Year, and “A Force of Nature” by the American Composers Orchestra in 2019, Koh has won the International Tchaikovsky (continued next page)

GUEST ARTIST BIO (continued)

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Competition in Moscow, Concert Artists Guild Competition, and an Avery Fisher Career Grant. She has a BA in English literature from Oberlin College and studied at the Curtis Institute, where she worked extensively with Jaime Laredo and Felix Galimir. She is an active lecturer, teacher, and recording artist for Cedille Records. Koh is also Artistic Director of arco collaborative, an artist-driven nonprofit that fosters a better understanding of our world through a musical dialogue inspired by ideas and the communities around us.

MUSICIAN ROSTER

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YOUR CHARLOTTE SYMPHONY Kwamé Ryan, Music Director Designate Christopher James Lees, Resident Conductor Christopher Warren-Green, Conductor Laureate FIRST VIOLINS Calin Ovidiu Lupanu, Concertmaster The Catherine & Wilton Connor Chair Joseph Meyer, Associate Concertmaster Kari Giles, Assistant Concertmaster Susan Blumberg°° Jane Hart Brendle Cynthia Burton Ayako Gamo David Horak† Lenora Leggatt Jenny Topilow Dustin Wilkes-Kim Hanna Zhdan SECOND VIOLINS Oliver Kot, Principal The Wolfgang Roth Chair Kathleen Jarrell, Assistant Principal The Pepsi-Cola Foundation of Charlotte Chair Carlos Tarazona° Monica Boboc Martha Geissler Sakira Harley Tatiana Karpova Ellyn Stuart VIOLAS Benjamin Geller, Principal The Zoe Bunten Merrill Principal Viola Chair Kirsten Swanson, Acting Asst. Principal† Ellen Ferdon Cynthia Frank Wenlong Huang Viara Stefanova Ning Zhao CELLOS Jonathan Lewis, Principal The Kate Whitner McKay Principal Cello Chair Allison Drenkow, Acting Asst. Principal Alan Black, Principal Emeritus* Marlene Ballena Jeremy Lamb Amy Sunyoung Lee Sarah Markle Oksana McCarthy†

DOUBLE BASSES Kurt Riecken, Principal* Jason McNeel, Acting Principal Judson Baines, Assistant Principal* Justin Cheesman, Acting Asst. Principal Jeffrey Ferdon Luis Primera† FLUTES Victor Wang, Principal The Blumenthal Foundation Chair Amy Orsinger Whitehead Erinn Frechette PICCOLO Erinn Frechette OBOES Erica Cice, Acting Principal The Leo B. Driehuys Chair‡ Teil Taliesin† Terry Maskin ENGLISH HORN Terry Maskin CLARINETS Taylor Marino, Principal The Gary H. & Carolyn M. Bechtel Chair Samuel Sparrow Allan Rosenfeld E♭ CLARINET Samuel Sparrow BASS CLARINET Allan Rosenfeld BASSOONS Joseph Merchant, Principal Joshua Hood Nicholas Ritter CONTRABASSOON Nicholas Ritter

MUSICIAN ROSTER (continued) HORNS Byron Johns, Principal The Mr. & Mrs. William H. Van Every Chair Andrew Fierova Philip Brindise† The Robert E. Rydel, Jr. Third Horn Chair Richard Goldfaden Andrew Merideth† TRUMPETS Alex Wilborn, Principal The Betty J. Livingstone Chair Jonathan Kaplan Gabriel Slesinger, Associate Principal The Marcus T. Hickman Chair TROMBONES John Bartlett, Principal Thomas Burge

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TIMPANI Jacob Lipham, Principal The Robert Haywood Morrison Chair PERCUSSION Brice Burton, Principal HARP Andrea Mumm Trammell, Principal The Dr. Billy Graham Chair

This roster lists the full-time members of the Charlotte Symphony. The number and seating of musicians onstage varies depending on the piece being performed. ° Non-revolving position °° Alternates between first and second violins

BASS TROMBONE Scott Hartman, Principal

† Acting member of the Charlotte Symphony

TUBA Colin Benton, Principal The Governor James G. Martin Chair

‡ Funded by The Symphony Guild of Charlotte, Inc. * On leave

ARTISTIC OPERATIONS Michael Reichman, VP of Artistic Operations & General Manager Carrie Graham, Senior Director of Artistic Planning Tim Pappas, Director of Operations Nixon Bustos, Principal Music Librarian* Erin Eady, Personnel Manager Claire Beiter, Operations Coordinator John Jarrell, Stage Manager

The Charlotte Symphony is a proud member of the League of American Ochestras.

February 2 & 3 7:30 pm | Belk Theater

Carolyn Kuan, conductor

Drew Petersen, piano

704.972.2OOO | charlottesymphony.org

ABOUT THE CSO

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One of the premier music organizations in the Southeastern United States and the oldest operating symphony orchestra in the Carolinas, the Charlotte Symphony Orchestra (CSO) connects with more than 100,000 music lovers each year through its lively season of concerts, broadcasts, community events, and robust educational programs. The CSO is committed to its mission of uplifting, entertaining, and educating the diverse communities of Charlotte-Mecklenburg and beyond through exceptional musical experiences. The Charlotte Symphony upholds the highest artistic integrity and takes bold steps to engage with its community through music. Its 65 professional, full-time musicians perform throughout the region — from community parks and breweries, to places of worship and senior care centers — and offer significant educational support, aimed at serving the underresourced areas of our community. The Charlotte Symphony is deeply committed to the notion that music, accessible to all and experienced in its many forms, enriches and unifies our community. The CSO believes in equity and inclusion and strives to be an industry leader in imaginative, relevant programming by intentionally seeking out women conductors, underrepresented in our industry, and conductors, composers, and guest artists of color. Founded in 1932, the Charlotte Symphony plays a leading cultural role in the Charlotte area and serves the community as a civic leader, reflecting and uniting our region through the transformative power of live music.

OUR MISSION The Charlotte Symphony uplifts, entertains, and educates the diverse communities of Charlotte-Mecklenburg and beyond through exceptional musical experiences.

OUR VISION Reaching out through the transformative power of live music, the Charlotte Symphony will be a civic leader, reflecting and uniting our region.

For more information, visit us online at

charlottesymphony.org

February 16 – 18 Knight Theater Keitaro Harada guest conductor

Calin Ovidiu Lupanu concertmaster

Featuring Wieniawski's Concerto for Violin No. 2

704.972.2OOO | charlottesymphony.org

PROGR AM NOTES by Ken Meltzer

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JENNIFER HIGDON born: December 31, 1962 in Brooklyn, New York

Cold Mountain Suite (2022) Charlotte Symphony Co-Commission premiere: September 23, 2022 in Wilmington, DE

approx. duration: 19 minutes

Cold Mountain, an opera by Pulitzer Prize-winning composer Jennifer Higdon, was commissioned by Santa Fe Opera, Opera Philadelphia, North Carolina Opera, and Minnesota Opera. The libretto, by Gene Scheer, is based upon the 1997 historical novel by Charles Frazier about a wounded Confederate soldier who deserts the cause to return home to his beloved. Cold Mountain earned the 2015 International Opera Award for Best New Opera Premiere, and received two Grammy nominations. The orchestral Cold Mountain Suite was commissioned by New Music for America in cooperation with the League of American Orchestras and an outstanding group of consortium orchestras, including the Charlotte Symphony. While creating this suite, it was a wonderful challenge to determine which music to feature in order to create a dynamic and engaging orchestral work. Because Cold Mountain is about love, war, and death (imagine that in an opera!) there was a lot of dramatic music from which to pick. I chose various arias, duets, and quintets, with the idea that they would be arranged not in story order, but in a manner to create the greatest contrast for the listener. The beginning and end of the suite come from the opening of Act 2 and the closing of Act 1 — purely for its style of ramping up. It then quickly moves into the Storm Music; followed by the quintet, I Should Be Crying; the duet, Orion (which I calculated would need two weeks to write, but in an amazing fit of inspiration, came to me in one day — the very thing creative types dream about); the fiddling duet, Bless You Ruby; Ada’s contemplative aria, I Feel Sorry For You; then music from the scene where Inman and Ada finally get together after 4 years of his being away at war; and finally to the music that ends Act 1 to close out the suite. After taking 28 months to write this opera, and having lived with the characters so deeply in my heart and soul, it is truly a privilege to share this music with you. Thank you for joining us on this journey through Cold Mountain. – Jennifer Higdon (Program Notes continued next page)

PROGR AM NOTES (continued)

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MISSY MAZZOLI born: October 27, 1980 in Lansdale, Pennsylvania

Violin Concerto (Procession) (2021) premiere: February 3, 2022 in Washington, DC

approx. duration: 20 minutes

Missy Mazzoli’s Violin Concerto (Procession) was commissioned for violinist Jennifer Koh by the National Symphony Orchestra, the Cincinnati Symphony Orchestra, and BBC Radio 3, with support by ARCO Collective. Violin Concerto (Procession) casts the soloist as a soothsayer, sorcerer, healer, and pied piper-type character, leading the orchestra through five interconnected healing spells. Part one, “Procession in a Spiral,” references medieval penitential processions; part two, “St. Vitus,” is an homage to the patron saint of dancing, who could reportedly cast out evil spirits; part three, “O My Soul,” is a twisted reworking of the hymn of the same name, and part four, “Bone to Bone, Blood to Blood,” derives its name from the 9th-century Merseburg Charm, a spell meant to cure broken limbs. In the final movement, “Procession Ascending,” the soloist straightens out the spiral of the first section and leads the orchestra straight into the sky. Violin Concerto (Procession) was commissioned by the National Symphony and the Cincinnati Symphony for soloist Jennifer Koh. – Missy Mazzoli

MissyMazzoli.com

(Program Notes continued next page)

PROGR AM NOTES (continued)

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SAMUEL BARBER born: March 9, 1910 in West Chester, Pennsylvania died: January 23, 1981 in New York, New York

Second Essay for Orchestra Opus 17 (1942) premiere: April 16, 1942 in New York

approx. duration: 10 minutes

During the time Samuel Barber composed his Violin Concerto (1940), he also worked on the Second Essay for Orchestra. Barber completed the Second Essay on March 15, 1942. The following day, Barber shared the score with conductor Bruno Walter, who was interested in featuring American works in his concerts with the New York Philharmonic. Walter and the New York Philharmonic performed the world premiere of Barber’s Second Essay for Orchestra at New York’s Carnegie Hall on April 16, 1942. A month later, Eugene Ormandy conducted the Philadelphia Orchestra in the Second Essay. The work soon received further performances by several prominent orchestras, further solidifying Barber’s reputation in the United States and throughout the world. The Second Essay’s arresting opening measures feature the flute, and then the bass clarinet, introducing a wide-ranging dolce, espressivo theme over hushed accompaniment by the bass drum (Andante, un poco mosso). The melody is soon developed by other winds and finally, the strings, as the music builds to a radiant climax. The violas sing the second principal theme (Con moto), related to the first and developed in energetic fashion by the orchestra. A sforzando chord by the entire ensemble heralds a vibrant fugue, based upon a puckish theme (again related to the first) and launched by the clarinet (Molto allegro ed energico). The fugue reaches a hushed, mysterious resolution. The Second Essay concludes with a majestic chorale transformation of music from the work’s opening section (Più tranquillo, ma sempre muovendo).

(Program Notes continued next page)

PROGR AM NOTES (continued)

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AARON COPLAND born: November 14, 1900 in Brooklyn, New York died: December 2, 1990 in North Tarrytown, New York

Billy the Kid Ballet Suite (1940) premiere: November 9, 1940 in New York

approx. duration: 30 minutes

At the age of twenty, American composer Aaron Copland journeyed to Paris where he worked with the legendary teacher, Nadia Boulanger. While in Europe, Copland was greatly impressed by the nationalist music of Russian composers Modest Mussorgsky and Igor Stravinsky. Upon his return to the United States in the early 1920s, Copland decided that he would attempt to create a parallel genre; that is, to compose music “that would immediately be recognized as American in character.” Copland’s desire to compose in an “American” fashion ultimately manifested itself in two compositional styles, not necessarily independent from each other. One technique featured the incorporation of the jazz idiom into classical works. The other method, and the one for which Copland is best known, involved the use of American folk subjects and/ or melodies, as exemplified by such works as Rodeo (1942), Lincoln Portrait (1942), and Appalachian Spring (1944). Another composition in that genre is the ballet Billy the Kid (1938). Copland composed the score at the request of Lincoln Kirstein for his Ballet Caravan. When the Brooklyn-born Copland expressed some reservations about whether his life experience equipped him to compose music about the Wild West, Kirstein replied that the famous outlaw depicted in the ballet had, too, been born in Brooklyn! At Kirstein’s suggestion, Copland included a number of cowboy songs in his ballet score. The Ballet Caravan presented the world premiere of Copland’s Billy the Kid at the Chicago Civic Opera House on October 16, 1938. In that performance, Copland’s score was performed by piano duet. Copland later created a six-movement suite for orchestra from the original ballet score. William Steinberg conducted the NBC Symphony in the November 9, 1940 premiere of the Billy the Kid Suite.

SUPPORTERS

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We gratefully acknowledge these generous donors to the Charlotte Symphony Annual Fund. This list reflects gifts received between July 1, 2023 through December 31, 2023

BENEFACTOR CIRCLE $100,000+ Catherine & Wilton Connor*

Douglas Young

$50,000 – $99,999 J. Porter & Victoria Durham Jane & Hugh McColl*

Patricia & Thrus Morton

$25,000 – $49,999 Anonymous Joan & Mick Ankrom Ruth & Richard Ault Dr. Milton & Arlene Berkman Philanthropic Fund Judith & Mark Brodsky Roberta H. Cochran Jean & Dick Cornwell Linda & Bill Farthing Karen Fox

Maria & John Huson Richard Krumdieck Jacqueline B. Mars Patrick J. O'Leary Richard J. Osborne Debbie & Pat Phillips Kathy & Paul Reichs Carolyn Shaw Andromeda & John Williams

$15,000 – $24,999 Anonymous (2) Melissa & Daren Anderson Nicola & Emanuel Clark Ralph S. Grier Mary & Michael Lamach Betty P. & Jeffrey J. Lee

DeDe & Alex McKinnon Ulrike & Alex Miles Robert Norville Judy & Derek Raghavan Sherry & Thomas Skains Sienne & Adam Taylor

$10,000 – $14,999 Anonymous (3) Joye D. Blount & Jessie J. Knight Jr. Katharine & Frank Bragg Mr. & Mrs. R. Alfred Brand III Lynne & Colby Cathey Margarita & Nick Clements Jeanie & Tom Cottingham Lisa & Carlos Evans Robin & Christoph Feddersen Caren & Charles Gale Janet M. Haack Susan & Chris Kearney Ginger Kelly

Ms. Nina Lesavoy Laura & Perry Poole Ann & Fritz Rehkopf Kelli & Michael Richardson Mrs. Rosalind S. Richardson Pat Rodgers Amanda & Corey Rogers Marjorie Moses Schwab Melinda & David Snyder Drs. Jennifer Sullivan & Matthew Sullivan Mary Claire & Dan Wall Jill & Kevin Walker Lisa & Richard Worf

* The Charlotte Symphony recognizes donors of exceptional generosity whose cumulative giving to the CSO exceeds $1 million with the designation of Music Director Society.

SUPPORTERS (continued) VIRTUOSO CIRCLE $5,000 – $9,999 Wedge & Debbie Abels Howard P. Adams & Carol B. McPhee Jeannette & Francisco Alvarado Philipp J. Bischoff & Dawn Beatty Katrice & Steve Boland Mary & Charles Bowman Nancy Brand & Bill Freeman Barbara & Twig Branch Robin & William Branstrom Katherine & Thomas Bunn Shirley & Michael Butterworth Mr. & Mrs. Keith Cockrell Tammy & Malcomb Coley Morgan & Brain Cromwell Denise & Peter DeMaio Donna & Alvaro de Molina Mary Anne Dickson Peggy & Richard Dreher Mary & Robert Engel Heather & Thomas Finke David J.L. Fisk & Anne O'Byrne Joan & Parker Foley Carol & Ron Follmer Eileen Friars & Scott Pyle Patty & Alex Funderburg Dr. Robert A. Gaines & Toni Burke Sarah & Frank Gentry Laurie & Barry Guy James & Rebecca Hovis Shirley & Bob Ivey Chris Jensen Page & Ed Kizer Hartmut & Irene Kossack Vivian & Robert Lamb Anna & Lazlo Littmann Zaydee López-Ibáňez Tanya & Steve Makris Leslie & Michael Marsicano Susanne & Bill McGuire Mr. & Mrs. Paul McIntosh Susan & Loy McKeithen Mrs. Sandra Levine Dick Metzler Chuck Miller & Marcy Thailer Elizabeth & Jay Monge Mr. & Mrs. Brian T. Moynihan Holly & Jason Norvell Kim & Torsten Pilz Emily & Nima Pirzadeh Nancy & Charlie Robson Sara Garcés Roselli & Dan Roselli Bette Roth Ylida & Bert Scott Laura & Michael Schulte

page 23 Susan & Donald Sherrill Glenn Sherrill, Jr In honor of Robin Branstom Mr. & Mrs. Harley F. Shuford, Jr. Mr. & Mrs. Pope A. Shuford Nancy E. Simpson Lori & Eric Sklut Kevin Taylor Chris & Jim Teat Judith & Gary Toman Mr. & Mrs. C.L. Trenkelbach Suzie & Nick Trivisonno In Memory of Tess Verbesey Kevin & Jill Walker Floyd Wisner & Glenda Colman Sidney & Bobby Youngs Joan Zimmerman Abby & Albert Zue

$3,500 – $4,999 Anonymous Mr. James Biddlecome, in Loving Memory of Bernadette Zirkuli Biddlecome Si & Michael Blake Ms. Judith Carpenter Sally & Derick Close Mary & Phil Delk H. Clay Furches Leigh & Watts Humphrey David S. Jacobsen Richard I. McHenry & Cynthia L. Caldwell Arrington & Burch Mixon Courtney Reichs Mixon Linda & Tony Pace Marsha & Robert L. Stickler Kathleen & Daniel Troy Karen & Ed Whitener George McLendon & Carol Quillen

$2,500 – $3,499 Anonymous Julian Andretta Merilyn & Craig Baldwin Mrs. Harriet B. Barnhardt Bill & Georgia Belk Tiffany & Jason Bernd Jan & Bob Busch Cathy Bessant & John Clay Mr. & Mrs. Alan Blumenthal Amy & Philip Blumenthal Dr. & Mrs. O. Robert Boehm Ann Thomas Colley Dorothy & Mike Connor Melissa Cornwell Deborah J. Cox & Bob Szymkiewicz Alfred & Amy Dawson (continued next page)

SUPPORTERS (continued) $2,500 – $3,499 (continued) Chris & Elizabeth Daly In Memory of Betty Haggarty Peter De Arcangelis Cheryl DeMaio Peggy & Charles Dickerson Timothy & Kara Gallagher Harvey & Cindy Gannt Todd & Andrea Griffith Mr. Billy L. Gerhart, in memory of Judith Gerhart Mariam Abdul Hamid Ivan Hinrichs Brian & Juliet Hirsch Christy & Ben Hume Fran & Greg Hyde Jim & Peggy Hynes Bruce & Martha Karsh Ginger Kemp Mr. & Mrs. Luke Kissam Dr. & Mrs. Christ A. Koconis Meghan & Luis Lluberas James Lynch Dottie & Jim Martin Rob Roy McGregor Dee Dee McKay Diane & Aderito Morais Joan Morgan Celene & Marc Oken Dr. Reta R. Phifer Mr. Vincent Phillips & Mr. Paul Pope Kathleen D. Prokay Mr. & Mrs. Robert R. Rollins, Jr. Dr. Mahesh Sardesai Paulette Sherrill George & Tricia Sistrunk Emily & Zach Smith Morris & Patricia Spearman Elizabeth Connor Stewart Dottie Stowe in loving memory of Dickson Stowe Dr. Mark R. Swanson Drs. Chris & Lillian Teigland Eric & Annette Telljohann In Memory of Dr. Chandler Thompson Dr. John A. Thompson, Jr. & Dr. Lee Rocamora Dr. Cynthia H. Tyson Mindy & Don Upton Paul & Susan Vadnais Bill & Rita Vandiver Dr. Shante Williams Steph & Gemo Yesil

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PATRON CIRCLE $1,500 – $2,499 Anonymous Marcia Adams Ross & Michele Annable Clay & Denise Armbrister Dan & Barbara Austell Dianne & Brian Bailey Sharon Baker & Peter Moore Mr. & Mrs. Taylor Batten Erskine & Crandall Bowles Kelly & Jackie Brown Sarah & Marco Carbone Ms. Catherine P. Carstarphen Mr. Brent Clevenger Neil & Claire Cotty Elizabeth Betty Eaton William & Patricia Gorelick Family Foundation Angela & Michael Helms Mr. & Mrs. Benjamin F. Hill, Jr. Mr. James Howell & Mrs. Deanna Kelly Joan Irwin Gene & Helen Katz Christopher James Lees Stacy & Adam Marino Anna Marriott Ms. Rosemarie Marshall & Mr. Lee Wilkins Mr. Glenn Mincey & Mrs. Macie Mincey Eleanor W. Neal Caroline Olzinski Pamela Pearson & Charles Peach John & Susan Rae Jane Perry Shoemaker Katie & Raleigh Shoemaker Ken Spielfogel & Richard Withem Robert & Maxine Stein Gail & Scott Syfert Tillie S. Tice Jenny & Ken Tolson James H. Trexler & Kelly Zellars Vera Watson Grant Webb Linda & Craig Weisbruch Cricket Weston & David Molinaro Mrs. Eugenia N. White Bryan Wilhelm Noni Williams Deems Wilson Ms. Deborra Wood & Mr. Russell Propst

For more information on how to make a gift to the CSO Annual Fund, please contact Libby Currier, Director of Individual Givings, at 704.714.5137 or lcurrierl@charlottesymphony.org. (continued next page)

SUPPORTERS (continued) $1,000 – $1,499 Anonymous (5) Ashley & Steve Allen Kathleen & Richard Anderson Mary Lou & Jim Babb Mr. & Mrs. Lincoln A. Baxter Morgan & Katie Beggs Katherine W. Belk John & Katherine Beltz Shirley W. Benfield Donald H. & Barbara K. Bernstein Family Foundation Ms. Brett Blumenthal & Mr. David Wax Carole Bourret Khary Brown in Memory of Kyden Justice Brown Herbert Browne Mr. Charles Budd Jane & Larry Cain Maggie Callen Bill & Pauline Chinnis David M. Cody Mr. Mark Copeland & Mrs. Kathleen Goldammer-Copeland Ann F. Copeland Dr. & Mrs. Mark Couture Sarah & Larry Dagenhart Gwin Dalton Rufus Dalton Dan & Jeannette Davis Dr. Kandi & Gary Deitemeyer Dena Diorio Ralph & Troyann Dougherty Matt & Julie Drinkhahn Jay & Lisa Duggins Shobhan & Pritika Dutta Virginia Dulaney Bob & Judy Erb Martin Ericson, Jr. Julie & Tom Eiselt Lisa & Carlos Evans Trae & Kate Fletcher Ms. Toni Freeman Stephen C. & Jean S. Geller Jenn & Taylor Gherardi Kathy Gray Joyce & Ed Hamilton Anne J. Henderson Mical Hutson Paul & Linda Ibsen Martha D. Jones Lea & Stuart Johnson Mr. & Mrs. John E. Kibler Joan Kirschner Marilyn Kroll Jonathan Lamb Ms. Barbara Laughlin

page 25 Mark & Katherine Love Lucinda Nisbet Lucas Dr. & Mrs. Randolph Mahnesmith Mrs. Allison Malter Holly & Christopher Maurer Ms. Nydia McCrohan Shawn & Kelly McGrath Martha Monserrate Susan D. Montgomery Janet Preyer Nelson Peter & Janet Nixon Mr. & Mrs. E. O. Oakley Michael & Debbie O’Hara Karen L. Oldham Elaind Papadimitriou Arvind & Helen Patil Gwen Peterson & Tom Hodge Catherine Philpott Lucy Quintilliano & Leonard Fumi Dr. & Mrs. R. Pinkney Rankin, Jr. Morry Alter & Joan Rasmussen Brendan Reen Dave & Anne Regnery Rita & Thomas Robinson Sally & Russell Robinson Mrs. Gail Salmon Dr. Stephen P. Schultz & Donna Dutton Thomas & Natasha Scrivener Mr. & Mrs. William Seifert Molly & Conrad Sloan Scott Smith Murray & Hazel Somerville Kathryn Stewart Al & Alice Sudduth Ann & Wellford Tabor Richard R. Taylor Mr. & Mrs. Hans Teich Catherine Thompson B. Maureen Turner Vint & Libby Tilson Sarah S. Tull Drs. Iris Cheng & Daniel Uri Dr. & Mrs. Bill Chu & Jin Wang Ward Wellman & Laura Meyer Wellman Pam & Steve West Peter White David Wilcox Mr. Gary Wilhite Ms. Judith Wood Eugene Woods Ms. Barbara Yarbrough

$500 – $999 Anonymous (4) Michael & Lee Abbott Doug & Linda Abel Mark Abrams & Iris Prandi (continued next page)

SUPPORTERS (continued) $500 – $999 (continued) Mr. Lester Ackerman & Mr. Layton Campbell Larry Anderson Leigh & Rhonda Armistead JWD Atchison Bob & Cathy Becker Emerson Bell Ms. Melody Birmingham James Broadstone Aram & Scott Bryan Greg & Mary Lou Cagle Barbara F. Caine Ms. Lisa Callen Mary Case Amanda & Kevin Chheda Hobart B. Cheyne Dr. W. Gerald Cochran & Mr. Timothy D. Gudger Mr. Thomas E. Collins, Jr. Mrs. Jane M. Conlan Jack Cook Dr. Kilian Cooley Martin & Leslie Cooper Ellen M. Crowley Mr. Todd Croy Mrs. Judy Crozier Angela & Jesse Cureton Craig Selimotic Danforth Dr. Roy E. DeMeo, Jr. & Ms. Linda A. Evanko Doug & Diane Doak Cheryl Drake-Bowers Rebecca Elliott Gloria Evans Melisa & Frank Galasso Dr. John & Eileen Gardella Pete & Stacy Gherardi Donna Gibson Sarah Goad Mr. Walter H. Goodwin, Esq. Dan & Linda Gordon Ms. Cynthia Greenlee Tara & Richard Harris Mr. & Mrs. Lowrance Harry Mr. Charles Haughey Patrick & Johanne Hawk Mr. & Mrs. Michael D. Heafner Mr. Stefan Heinzelmann Robert Henderson Logan & Jennifer Henderson Barbara Holt Dr. & Mrs. Alexander Horowitz Pete & Phyllis Johnson Vickie & Eugene Johnson Michael & Priscilla Johnson Tim & Kathryn Johnson Joseph & Patty Kahle Emily Kalfayan Steven & Mary Kesselman James King Nancy H. Kiser Dr. & Mrs. Jack Kramer

page 26 Theodore & Dorothy Kramer Fran & Bart Landess Linda Lane Harry & Gloria Lerner Jerome & Barbara Levin Mr. Michael Lewandowski Mr. George Linfors Shira Lissek Kathryn Long Mark & Katherine Love Vi Lyles Dr. & Mrs. William W. MacDonald Leigh & Bruce March Linda Marshall Paula & Francis Martin Wendy & Ed Matthews Mr. & Mrs. Kiran H. Mehta Eric Miller Anne & Brad Mitchell Christopher Montgomery Sally & Tom Moore Fran & Gary Morrison Carla & Robert Murray Nancy Olah & Bill Pace Cookie & Jerry Parnell Janet & Rick Pfeiffer Wilma & John Pinter Mr. & Mrs. Rodney C. Pitts Jeanine & Naeem Qasim Sabine & Haywood Rankin Ana & Manuel Rey Megan & Jose Rosado Shonn Ross Nancy Rutledge & Jim Rutledge Christine & Robert Rydel Alyssa Sharpe Katy & Raleigh Shoemaker Michael Silverman Carol Smith Dr. & Mrs. Henry L. Smith II John-Palmer Smith Rebecca & Eric Smith Julia J. Souther Mary & Bill Stanton Mr. & Mrs. Larry Stern Catherine & William Stone Claudia & Wesley Sturges Brenda & George Sweet Ms. Sarah Teague Gretchen & Jean-Claude Thill Tim Timson Melanie & James Twyne Sandy & Greg Vlahos Minyan Wang Lyman Welton Harriet & Barnet Weinstock Mr. & Mrs. John A. Yakob Susan & Dan Yardley

SUPPORTERS (continued)

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The Encore Society includes individuals who have made provisions for the CSO in their estate plans. We are honored to recognize their support: Lucille & Edwin Jones Paul and Paula McIntosh Nellie McCrory† M. Marie Mitchell† Cricket Weston & David Molinaro Joan & Richard Morgan Don C. Niehus Eva Nove Richard J. Osborne Gwen Peterson & Tom Hodge James Y. Preston† Mrs. Clayton (Dusty) Pritchett Ann & Fritz Rehkopf Elizabeth Waring Reinhard Nancy W. Rutledge Mike Rutledge Harriet Seabrook Mr. & Mrs. William Seifert Morris & Patricia Spearman Bob & Maxine Stein Dr. Ben C. Taylor III Mr. & Mrs. Hans Teich Cordelia G. Thompson Tim Timson Jenny & Ken Tolson Ms. Debora Wood & Mr. Russell Propst

Anonymous (3) Geraldine I. Anderson† Richard & Ruth Ault Baldwin Family Trust Barnhardt Thomas Trust Larry & Joyce† Bennett Donald H. & Barbara K. Bernstein Mark & Louise Bernstein† Rosemary Blanchard† Twig & Barbara Branch Saul Brenner Mike & Joan Brown† Mrs. Joan Bruns† Jan & Bob Busch Dr. Helen G. Cappleman, Ph.D.† Jim Cochran† Robin Cochran Tom Covington Charles & Peggy Dickerson Mr. Martin Ericson, Jr. David J.L. Fisk & Anne P. O’Byrne Peter & Ann† Guild William G. & Marguerite K. Huey Fund† Dr. Nish Jamgotch, Jr. Betty & Stanley Livingstone† † Deceased

Leave a lasting legacy of great music through your planned gift. For more information, please contact Shayne Doty at 704.714.5104.

Support your CSO. With your gift, the Charlotte Symphony uplifts, entertains, and educates the diverse communities of Charlotte-Mecklenburg and beyond through exceptional musical experiences.

Every gift makes a difference. Make your contribution today:

charlottesymphony.org/give-today