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December 6, 2022

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The

Charger Bulletin

The student news source for the University of New Haven

Volume 104, Issue 11 |December 6, 2022| West Haven, Connecticut

Battle of the Bands puts talent head-to-head BY MIA ADDUCI Campus News Editor Friday night found the German Club packed once again for a killer Music Industry Club (MIC) event. This time, a collection of six campus bands took turns showcasing their musicality in a head-to-head competition against each other. Logan Dumas, campus’ favorite emcee, broke the news to the crowd that the German Club did in fact prohibit moshing in this space. This was met with roaring disapproval from those in attendance, and when reviewing the acts that they showed up to watch, there’s no surprise that everyone wanted to erupt into chaos in front of the stage. The first band to take to the stage was Sock Drawer, composed of first-year students. This band kicked off the night with vibes that were classic 2010s punk. Their lead singer, Alyssa Gonzalez, was a total powerhouse, with vocals that were absolutely explosive. This group produced incredibly mature sounds for being so young in the game and clearly did not come out Friday night to be overlooked. One of the songs that the group performed was called “Polar Sunrise.” They told the audience that the song was written just a few days prior to the performance but you would never be able to tell. The performance of this single was backed by rapidly flashing red lights, which completed the vibes perfectly. Sock Drawer was very dynamic onstage and started the lineup off strong with energy levels that were through the roof and did not waver once during their set. Syfon was the second group of the night and they seriously made the walls of the German Club

No Rush! performs at the Battle of the Bands, West Haven, Dec. 2, 2022. Photo courtesy of Charger Bulletin/Andrea Rojas.

shake like they never have before (so much that if you stepped outside, their performance was still crystal clear). They brought proper screamo to the lineup in ways you would never expect from a group of college kids. Their ability to juxtapose insane deep vocals with intense, high-pitched screams with seamless transitions in a perfect ratio was masterful, to say the least. They said they wanted to give the crowd “music to make your f***ing ears bleed,” and they

absolutely delivered. Syfon put an even darker spin on sounds that were totally metal; by the end of the set, you definitely felt as if your rib cage was about to shatter while flashes of red danced across your vision as they transitioned to the next set. Syfon’s lung power was insane and it was hard to tell whether the notes they held were longer than the hair on their heads. Bands within this genre typically produce music that makes it hard to tell one of their songs apart

from the next; it’s very easy for radioactive sounds to all sound the same. However, this group pulled off immense diversity, even in such a short set, that was nothing short of admirable. They were followed by another band that’s hot out the gate, and it was no surprise that No Rush! was voted in as the crowd favorite of the night. Their charisma was absolutely captivating and they drew in the largest crowd out of any other band who performed. These guys knew exactly how

to target their audience and even said that “we’re gonna kick it back to some early 2000s sh*t.” They led into their set with a cover of “American Idiot” and later followed with “Sugar, We’re Going Down.” The drummer in this pop punk boy band really left his mark. First year Matthew Giammanco produced clean and powerful sounds that stood out from every performance of the night.

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Leaving it on the field: Baseball’s deadliest pitch discussed on “In Conversation” BY JUSTIN COVIELLO Contributing Writer

Last Tuesday, Media Services recorded another installment of their “In Conversation” series in the television studio housed in the Bergami Center for Science, Technology and Innovation. This episode featured a dialogue between two ESPN employees and current adjunct professors at the University of New Haven, with former ESPN executive Joe Franco interviewing current, award-winning ESPN producer/ director Andy Billman, to discuss Billman’s newest documentary, “War on the Diamond.” The documentary depicts the story of the only time a professional baseball player has ever died from injuries

sustained on the diamond. The story goes that, on Aug. 16, 1920, New York Yankees sidearm pitcher Carl Mays threw his first pitch to Cleveland Guardians’ (then known as the Cleveland Indians) shortstop Ray Chapman, hitting him in the left temple. Chapman passed away due to his injuries early the next morning. Billman’s production seeks to educate us on the long-standing rivalry between these two ball clubs which persists today. He learned about the story of Ray Chapman when he directed another ESPN project, “Believeland,” about the history of Cleveland sports. When he was pitched the idea for “War on the Diamond,” Billman said “[I] would like to do this film a lot, and I do know the history,

but I’d like to put my own twist to it.” This culminated in War on the Diamond’s probe into how that one fateful pitch would kick off what is now a century-long rivalry. Throughout the interview, Billman describes the various roadblocks he and his team faced during production, mainly surrounding circumstances which arose during the COVID pandemic, such as subjects of the film feeling uncomfortable appearing for an in-person interview, as well as trying to shoot B-roll for the film, due to the resoundingly barren environments that were Major League Baseball stadiums for a significant portion of the 2020 and 2021 baseball seasons. Additionally, since this story is from 1920, it was impossible to

find footage, with Billman saying, “there’s no video… there’s no CNN headline news articles or magazine shows… How do you make a story come alive that’s 100 years old?” To overcome this, the documentary relies on storytelling through reenactments to give the audience a visual element to the testimonies given, including ones from Ray Chapman’s sister, a documentarian of his life and legacy, as well as soundbites from Mays. The film focuses on four points, described by Joe Franco as “tragedy, the rivalry, a love story and a change by Major League Baseball of a rule in 1971.” On the rivalry, Billman and his documentary paint it as one which extends well beyond the incident in 1920.

Cleveland Guardians pitcher Bob Feller was known to have a “tumultuous relationship” with the New York media in the 1930’s. George Steinbrenner, infamous owner of the New York Yankees who guided them to seven World Series championships, bought the team in 1973 after being denied a bid by his hometown Guardians in 1971. It even continues today with Guardians first baseman Josh Naylor showboating a home run with a “rock-a-bye baby” motion directed at the Yankees’ bench in the 2022 American League Divisional Series, only for New York to return the favor by using the same taunt en route to a 3-2 comeback series victory. From Tris Speaker

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December 6, 2022 by The Charger Bulletin - Issuu