An art exhibition that investigates and conveys the concepts of “Real-time” and “Trace” through the artistic practice of four individuals: Akras Pornkajornkijkul, Rungruang Sittirerk, Supapong Laodheerasiri, and Natthaphon Chaiworawat.
"Real-time" refers to computer systems or processes that can send information to be displayed instantaneously. Real-time systems are essential in many technological fields, including telecommunications, transportation, manufacturing, and financial services. For instance, stock market trading systems enable traders to make immediate decisions based on current market circumstances. "Traces" often refers to observable evidence or symbols left behind by an act or procedure.
In terms of mechanism, real-time and traces are related and interconnect with one other, particularly depending on each specific context. In "Engulfing, "Chaiworawat depicts traces of logic and emotions such as greed and fear using candlestick charts as a symbol in the stock and cryptocurrency markets via "Tradingview," a web-based tool that reveals traces of the moments of decision, confusion, and chaos in real-time.
Real-time can be additionally viewed in terms of humanity, which is linked to cognition and responsiveness, which is the basic essence of emotions. This allows us to evaluate and respond to sensory information rapidly and efficiently. Laodheerasiri conveys the ephemeral terms of existence in "Flags of Silence and Emptiness," which are conveyed into musical notes turned into group flags as a sign of joy and celebration.
In a socio-cultural context, real-time can be associated with communication and responsiveness that occur concurrently with information exchange. Physical interactions create traces of acts in both tangible and intangible forms upon which human beings can experience and react. In "Morphosyntopia", Pornkajornkijkul intends to observe an “Ant Colony" that controls and works together through the system of divisions and cooperation, resulting in a simulation of an ecosystem in a crisis environment. Sittirerk's research-based work, "It May Be Loud," depicts sound and motion pictures that arose from his examination of Bangkok's modern urbanization under the notion of capitalism, along with his personal experiences as a provincial person who must relocate to live in urban society.
This art exhibition collaborates with Chompoonut Jiranansiri, Pearnual pankam, Pongsathorn maneeprapan, Patarada sukchom, Sirichai Srisuwan and Saruta Yospiem, students in the Interactive Live Performance class, Department of Fine Arts, Faculty of Architecture, Art, and Design, King Mongkut's Institute of Technology Ladkrabang (KMITL) through their Live Art activities. Traces from their actions will be transformed into installation art that will be continuously developed until the end of the exhibition.
¹Ô·ÃÃÈ¡ÒÃÈÔŻзÕèÊÓÃǨáÅж‹Ò·ʹ¤ÇÒÁËÁÒ¢ͧ “àÃÕÂÅä·Á (Real-time)” áÅÐ “ËͧÃÍ (Trace)” ¼‹Ò¹¡ÃÐบǹ¡Ò÷ҧÈÔŻТͧบؤ¤Å 4 ¤¹ ä´้á¡‹ ͤÃÒÊ ¾Ã¢¨Ã¡Ô¨¡ØÅ, ÃØ‹§àÃ×ͧ ÊÔ·¸ÔÄ¡É, ÈØÀ¾§È àËŋҸÕÃÈÔÃÔ áÅгѰ¾Å ªÑÂÇÃÇѲ¹
“àÃÕÂÅä·Á” ¶Ù¡ãª้¾Ù´¶Ö§ã¹ÃÐบบ¤ÍÁ¾ÔÇàμÍà ËÃ×Í¡ÃÐบǹ¡Ò÷ÕèÊÒÁÒöʋ§μ‹Í¢้ÍÁÙÅãË้áÊ´§¼Åä´้ã¹ ·Ñ¹·Õ ÃÐบบàÃÕÂÅä·ÁÁÕ¤ÇÒÁÊÓ¤ÑÞã¹´้ҹ෤â¹âÅÂÕ໚¹Í‹ҧÁÒ¡ ÃÇÁ¶Ö§¡ÒÃâ·Ã¤Á¹Ò¤Á ¡Òâ¹Ê‹§ ¡ÒüÅÔμ áÅСÒÃบÃÔ¡Ò÷ҧ¡ÒÃà§Ô¹ μÑÇÍ‹ҧઋ¹ á¾Åμ¿ÍÃÁ¡Òë×éÍ¢ÒÂËØ้¹·ÕèÍӹǤÇÒÁÊдǡᡋ¼Ù้àÅ‹¹ãË้ÊÒÁÒöμÑ´ÊÔ¹ã¨ä´้Í‹ҧÃÇ´àÃçÇμÒÁÊÀÒÇÐμÅÒ´·Õèà¡Ô´¢Öé¹Í‹ҧ»˜¨¨Øบѹ·Ñ¹´‹Ç¹ ã¹¢³Ð·Õè “Ã‹Í§ÃÍ” â´Â·ÑèÇä»áÅ้ÇËÁÒ¶֧à¤Ã×èͧËÁÒÂËÃ×ÍÊÑÞÅѡɳ·ÕèÁͧàËç¹ä´้ «Öè§¶Ù¡·Ôé§äÇ้â´Â¡Òà ¡ÃзÓËÃ×Í¡ÃÐบǹ¡ÒÃàฉ¾ÒÐ
àÃÕÂÅä·ÁáÅÐËͧÃÍÂÁÕ¤ÇÒÁàª×èÍÁ⧡ѹã¹á§‹¢Í§ÃÐบบ¡Åä¡ áÅÐÊÑÁ¾Ñ¹¸¡Ñ¹â´Âàฉ¾ÒÐμÒÁáμ‹ÅÐบÃÔบ· 㹼ŧҹ “Engulfing (ÀÒÇСÅ×¹¡Ô¹)” ¢Í§³Ñ°¾Å ä´้¶‹Ò·ʹËͧÃÍ (Trace) ¢Í§¡ÒÃãª้μÃáРàËμØ¼Å (Logic) áÅÐÍÒÃÁ³¤ÇÒÁÃÙ้ÊÖ¡ (Emotion) ÍÒ·Ô ¤ÇÒÁâÅÀ (Greed) áÅÐ ¤ÇÒÁ¡ÅÑÇ (Fear) ´้Ç¡ÃÒ¿á·‹§à·Õ¹·Õè¶Ù¡ãª้໚¹ÊÑÞÅѡɳã¹μÅÒ´áË‹§·Ø¹áÅÐμÅÒ´Ê¡ØÅà§Ô¹´Ô¨ÔμÍÅ (Cryptocurrency) â´Â¹Óàʹͼ‹Ò¹áÍ»¾ÅÔपѹบ¹àÇçบ·Õèª×èÍ “Tradingview” «Öè§áÊ´§ãË้àË繶֧ËͧÃÍ¢ͧª‹Ç§àÇÅÒ áË‹§¡ÒÃμÑ´ÊԹ㨠áÅÐÊÑบʹ¤ÇÒÁÍÅËÁ‹Ò¹áบบàÃÕÂÅä·Á
¤ÇÒÁ໚¹àÃÕÂÅä·Á ÂѧÊÒÁÒöμÕ¤ÇÒÁä»ã¹á§‹¢Í§¤ÇÒÁ໚¹Á¹ØÉ·ÕèÂÖ´â§¡Ñบ¡ÒÃÃÑบÃÙ้áÅСÒÃμÍบʹͧÍѹ໚¹Åѡɳо×é¹°Ò¹¢Í§¤ÇÒÁÃÙ้ÊÖ¡¢Í§Á¹ØÉÂ
áÅÐμÍบʹͧμ‹Í¢้ÍÁÙÅ·Ò§»ÃÐÊÒ·ÊÑÁ¼ÑÊä´้Í‹ҧÃÇ´àÃçÇáÅÐÁÕ»ÃÐÊÔ·¸ÔÀÒ¾ ¼Å§Ò¹ “Flags of Silence and Emptiness (¸§áË‹§¤ÇÒÁà§ÕÂบáÅФÇÒÁNjҧà»Å‹Ò)” ¢Í§ÈØÀ¾§È ä´้¹ÓàʹͤÇÒÁäÁ‹¨ÕÃѧÂÑè§Â×¹¢Í§ ªÕÇÔμ¼‹Ò¹¤ÇÒÁà§ÕÂบáÅФÇÒÁNjҧà»Å‹Ò
àÃÕÂÅä·Áã¹บÃÔบ··Ò§Êѧ¤ÁáÅÐÇѲ¹¸ÃÃÁ ÊÒÁÒöàª×èÍÁâ§件֧¾ÄμÔ¡ÃÃÁ¡ÒÃÊ×èÍÊÒà áÅСÒÃâμ้μÍบ·Õèà¡Ô´¢Öé¹¾Ã้ÍÁ¡Ñ¹¡Ñบ¡ÒÃáÅ¡à»ÅÕè¹¢้ÍÁÙÅ ¼‹Ò¹ÊÃ้Ò§»¯ÔÊÑÁ¾Ñ¹¸·Ò§¡ÒÂÀÒ¾
·Õè·Ôé§äÇ้«Öè§Ã‹Í§ÃÍ¢ͧ¡ÒáÃзӷÕè¨Ñบμͧä´้áÅШÑบμ้ͧäÁ‹ä´้ ¼Å§Ò¹ “Morphosyntopia” ¢Í§Í¤ÃÒÊ ÁÒ¨Ò¡¡ÒþÂÒÂÒÁÊѧà¡μ “ÍÒ³Ò¹Ô¤Á¢Í§Á´” ·Õè¨Ñ´¡ÒÃáÅзӧҹËÇÁ¡Ñ¹ã¹ÅѡɳСÒÃáบ‹§§Ò¹ (Division) áÅСÒÃËÇÁÁ×͡ѹ (Cooperate) ¹ÓÁÒÊÙ‹¡ÒèÓÅͧÃÐบบ¹ÔàÇÈÀÒÂãμ้ÊÀÒÇÐáÇ´Å้ÍÁ ÍѹàμçÁä»´้ÇÂÇÔ¡Äμ¡Òó (Crisis)
¼Å§Ò¹àÊÕ§áÅÐÀÒ¾à¤Å×è͹äËÇ “It Might Be Loud (àÊÕ§·ÕèÍÒ¨´Ñ§¢Öé¹)” ¢Í§ÃØ‹§àÃ×ͧ ໚¹¼Å§Ò¹ ·ÕèμÑé§ÍÂÙ‹บ¹°Ò¹¢Í§¡ÒÃÇԨѷÕèÊÓÃǨ¡ÒáÅÒÂ໚¹àÁ×ͧÊÁÑÂãËÁ‹¢Í§¡Ãا෾ÁËÒ¹¤Ã ÀÒÂãμ้°Ò¹¤Ô´áบบ·Ø¹¹ÔÂÁ «Öè§¼ÊÁÃÇÁà¢้Ò¡ÑบàÃ×èͧÃÒÇ»ÃÐÊบ¡ÒóʋǹμÑÇ㹰ҹФ¹μ‹Ò§¨Ñ§ËÇÑ´·Õèμ้ͧÂ้Ò¶Ôè¹°Ò¹ÁÒãª้ªÕÇÔμÍÂÙ‹ã¹Êѧ¤ÁàÁ×ͧ
¹Ô·ÃÃÈ¡ÒÃÈÔŻйÕéä´้ÃÑบ¤ÇÒÁËÇÁÁ×ͨҡªÁ¾Ù¹Ø· ¨ÔÃҹѹ·ÊÔÃÔ, á¾Ã¹ÇÅ ¾Ò¹¤Ó, ¾§È¸Ã Á³Õ»Ãоѹ¸, ÀÑ·ÃÅ´Ò ÊØ¢ªÁ, ÊÔÃÔªÑÂ
ÈÔŻРáÅСÒÃÍÍ¡áบบ ʶÒบѹ෤â¹âÅÂÕ ¾ÃШÍÁà¡Å้Òà¨้Ҥس·ËÒÃÅÒ´¡ÃÐบѧ 㹡ÒÃËÇÁáÊ´§¡Ô¨¡ÃÃÁÈÔÅ»ÐáÊ´§Ê´ ËͧÃͨҡ¡ÒáÃÐ·Ó ¢Í§¾Ç¡à¢Òä´้¶Ù¡á»ÃÊÀÒ¾ä»ÊÙ‹ÈÔÅ»ÐàªÔ§¨Ñ´ÇÒ§·Õè¶Ù¡¾Ñ²¹ÒÍ‹ҧμ‹Íà¹×èͧ仨¹¨บ¹Ô·ÃÃÈ¡ÒÃ
·ÓãË้àÃÒÊÒÁÒö»ÃÐÁÇżÅ
Íѹ໚¹ÊÑÞÅѡɳáË‹§¤ÇÒÁÃ×è¹àÃÔ§áÅСÒÃàฉÅÔÁฉÅͧ㹾×é¹·Õè¢Í§â¹้μ´¹μÃÕ·Õè¶Ù¡á»ÃÊÀÒ¾ãË้¡ÅÒÂ໚¹¸§ÃÒÇ
ÈÃÕÊØÇÃó áÅÐÈÃØμÒ ÂÈໂ›ÂÁ ¹Ñ¡ÈÖ¡ÉÒ㹪Ñé¹àÃÕ¹ Interactive Live Performance ÀÒ¤ÇÔªÒÈÔÅ»¡ÃÃÁ ¤³Ðʶһ˜μ¡ÃÃÁ
Information
Type: Installation Art
Year of Creation: 2023
Dimension: Variation by area
Information
Type: Installation Art
Year of Creation: 2023
Dimension: Variation by area
Information
Type: Installation Art
Year of Creation: 2023
Dimension: Variation by area
Information
Type: Installation Art
Year of Creation: 2023
Dimension: Variation by area
AKRAS PORNKAJORNKIJKUL
https://eakchayong.wixsite.com/page
EMAIL: akras.por@gmail.com
Artist Statement
A contemporary young artist that giving attention to the interaction with the audience. He is a lecturer at Department of Fine Arts, School of Architecture, Art, and Design, King Mongkut’s Institute of Technology Ladkrabang (KMITL), Bangkok, Thailand.
He improve his experience by participating artist in residency programs and art symposiums nationally and internationally.
For his long-term goal, he try to become established artist along with develop arts eco-system in Thailand
Selected Exhibitions Profile
2023
• “RealTime Trace”, Group Exhibition at 6060 Arts Space, Bangkok, Thailand
2021
• “Hopeful Breeze”, Thailand Biennale 2021, Korat, Thailand
• “Trace of Transition”, S.O.E Ourcity Oldtown, Khon Kaen, Thailand
• “M(arry/one)y”, Expensive Love, Lhong 1919, Bangkok, Thailand
2020
• “Connection, The End is Now, Now is Here”: The Exploration of Drawing, SAC Gallery, Bangkok, Thailand
2019
• “Wheel of Enbrightenment”, Jaras Light Fest, Bangkok Art and Culture Centre, Bangkok, Thailand
• “Field Trip Project Asia : Thailand”, Bangkok Art and Culture Centre, Bangkok, Thailand
2017
• Equalize, Early Years Project for Young Artists, Bangkok Art and Culture Centre, Bangkok, Thailand
NATTHAPHON CHAIWORAWAT
https://natthaphonchai.com
EMAIL: chaiworawat@gmail.com
Artist Statement
Natthaphon Chaiworawat is an independent artist, art practitioner and researcher. He is also a Fine Art instructor at the Faculty of Architecture at King Mongkut’s Institute of Technology, Ladkrabang, Bangkok, Thailand.
He believes that creative thinking is linked and visualized from abstraction into concrete images in a way that links circumstances together in order to create a suitable outcome. Inspecting activities and circumstances in between time and space that exist in our everyday life, but may not be perceived consciously, affects Chaiworawat’s comprehension about the real meaning of “self” or “belonging”. His intention is to concretize internal abstraction of time (body) and space (mind), including visual and perceptual mechanisms, in a simple way. In order to contribute an “area” that manifests the value of the before, the now and the afterward, that lets us to look back to ourselves with common perceptions in different way.
Chaiworawat participated in several exhibitions, of which he stands out: PAErsche LAB17 / Performance-Art-Conference Kulturbunker Köln-Mülheim Cologne Germany; Young Portfolio 2015 Kiyosato Museum of Photographic Art Takane-cho Hokuto-shi Yamanashi Japan; Asiatopia – Performance Art Conference 2016 Bangkok Art and Culture Centre(Bacc) Bangkok Thailand; SELF FESTIVAL Palazzo Ca’ Zanardi Venice Italy; Real Humans Arles Weekend Contemporain Galerie Joseph Antonin Arles France; Art en Capital Grand Palais Paris France; Copenhagen Photo Festival Carlsberg Brewery Copenhagen Denmark.
Selected Exhibitions Profile 2023
• “RealTime Trace”, Group Exhibition at 6060 Arts Space, Bangkok, Thailand
2022
• “Contemporary Video Art, Thailand - Austria/Eu Friendship” organized by KMITL and Bangkok Art and Cultural Center (BACC), Bangkok, Thailand.
2021
• “Future Tense”, The Jim Thompson Art Center, Bangkok, Thailand
• “International Multimedia Art Festival“, Serbia.
RUNGRUANG SITTIRERK
EMAIL: papwheelchair@gmail.com
Artist Statement
Rungruang Sittirerk was born in 1988 at Chiangmai, Thailand. He graduated in Bachelor of Fine Arts (Sculpture) from King Mongkut’s Institute of Technology Ladkrabang University, Thailand in 2010, and received the Master of Fine Arts (Visual Art) from Silpakorn University in 2015.
His works focus on modern capitalism and globalization. He connects issues through the stories of displaced people in the urban areas and through exploration of content relevant to people of the working class. He was chosen as a young artist in the “Brand New 2018” and in 2019 he was selected to participate in the EARLY YEARS PROJECT. He still has shown work both at home and abroad, such as Seven master samurai project exhibited at the Art Center, Chiang Mai Art Center, Somewhere Not Here at Tentacle N22 Thailand, OITA Sculpture Festival in OITA, Japan.
Selected Exhibitions Profile
2023
• “RealTime Trace”, Group Exhibition at 6060 Arts Space, Bangkok, Thailand
• “To And Fro” Project, Group Exhibition of Future Project at Jim Thompson Art Center, Bangkok Thailand.
2022
• “Matsu Project, Freedom is the first and last step” Group Exhibition. Taiwan.
2021
• “In the dream I look out to see only the star” Solo exhibition, Richard Koh project gallery, Bangkok Thailand.
2020
• “The metamorphosis”, Escape route, Bangkok Art Biennale
• “The end is now, Now is here : The Exploration of Drawing”, SAC Gallery, Bangkok, Thailand.
SUPAPONG
LAODHEERASIRI
EMAIL: supapong1985@gmail.com
Artist Statement
Supapong Laodheerasiri was born in Chiang Rai, Thailand in 1985. He graduated with Bachelor of Fine Arts in Painting (First Class Honours) from Faculty of Fine Arts, Chiang Mai University, Chiang Mai, Thailand in 2009 and graduated with Master of Fine Art with Merit from The Glasgow School of Art, Glasgow, Scotland, United Kingdom in 2018. He is currently a lecturer at Department of Fine Arts, School of Architecture, Art, and Design, King Mongkut’s Institute of Technology Ladkrabang (KMITL), Bangkok, Thailand.
Furthermore, he is also a multidisciplinary artist, who usually uses various mediums to create artworks, for example, painting, mixed media, installation art and text-based art.
Most of his artworks focus on questions about perception interpretations, definitions, ambiguities of meanings and understanding that relate to social issues. His artworks have been exhibited nationally and internationally such as United Kingdom, Germany, South Korea and Taiwan.
Selected Exhibitions Profile 2023
• “RealTime Trace”, Group Exhibition at 6060 Arts Space, Bangkok, Thailand
• “Circumstances Beyond Our Control”, Inkhong Art Space, Bangkok, Thailand
• “Trash : Treasure”, Solo Exhibition at ATTA Gallery, Bangkok, Thailand
2022
• “Collective I: City Recall”, Artground hQ, Ulsan, South Korea
• “Everyday Giving”, Buddhabaramee Thai Buddhist Temple Taiwan, Tainan, Taiwan
2021
• “I Am a Good Online Shopper, So I Try To Be a Good Painter 2”, Solo Exhibition at ATTA ‘N’ ATTA Art Space (ATTA Gallery), Bangkok, Thailand
• “Future Tense”, The Jim Thompson Art Center, Bangkok, Thailand
• “Pandemicship_on_AIR”, Fish Art Center, Taipei, Taiwan
Acknowledgement
As the organizer of the “REALTIME TRACE” Exhibition, I’m delighted to thank the School of Architecture, Arts, and Design (AAD) at King Mongkut’s Institute of Technology Ladkrabang (KMITL) for the grants to promote creative research initiatives. Also, colleagues who have become my close friends from the Department of Fine Arts that participated and exhibited their practices together, as well as the group of students from the Interactive Live Performance Class in organizing live performance art shows for the exhibition. And any people who are interested in this exhibition.
Thank you to the 6060 Arts Space Gallery for hosting and assisting us in making this exhibition a great success
ÊÓËÃÑบ·Ø¹Ê¹Ñบʹعâ¤Ã§¡ÒÃ
ÇÔ¨ÑÂÈÔÅ»ÐÊÃÒ§ÊÃä ÍÕ¡·Ñé§à¾×è͹ËÇÁ§Ò¹ÀÒ¤ÇÔªÒÈÔÅ»¡ÃÃÁ ·Õè¡ÅÒÂÁÒ໚¹à¾×è͹ʹԷ 㹡ÒÃ
ÁÒËÇÁ·´Åͧ áÅШѴáÊ´§¼Å§Ò¹Ã‹ÇÁ¡Ñ¹ μÅÍ´¨¹¡ÅØ‹Á¹Ñ¡ÈÖ¡ÉÒ㹪Ñé¹àÃÕ¹ Interactive Live
Performance ·ÕèËÇÁ´Çª‹Ç¡ѹ¨Ñ´áÊ´§¼Å§Ò¹ÈÔÅ»ÐáÊ´§Ê´ ãËà¡Ô´¢Öé¹ã¹¹Ô·ÃÃÈ¡Òà áÅмÙà¢Ò àÂÕèÂÁªÁ·Ø¡·‹Ò¹·ÕèãˤÇÒÁʹã¨ã¹¹Ô·ÃÃÈ¡ÒùÕé
¢Í¢Íบ¤Ø³á¡ÅÍÃÕè 6060 Arts Space 㹡ÒÃàÍ×éÍà¿Íʶҹ·Õè áÅÐÍӹǤÇÒÁÊдǡ¨¹·ÓãË ¹Ô·ÃÃÈ¡ÒùÕéÊÓàÃç¨ÅØÅ‹Ç§ä»ä´´Ç´Õ
³Ñ°¾Å ªÑÂÇÃÇѲ¹
Natthaphon Chaiworawat
㹰ҹм٨Ѵ¹Ô·ÃÃÈ¡Òà “REALTIME TRACE” ¢Í¢Íบ¤Ø³ ¤³Ðʶһ˜μ¡ÃÃÁ ÈÔÅ»ÐáÅСÒà ÍÍ¡áบบ ʶÒบѹ෤â¹âÅÂÕ¾ÃШÍÁà¡ÅÒà¨Ò¤Ø³·ËÒÃÅÒ´¡ÃÐบѧ