The Ballad of Baby Doe Digital Playbill by Central Florida Vocal Arts

THE BALLAD BABY DOE

A MESSAGE FROM

OUR FOUNDER

This season, we took audiences on powerful vocal voyages. We set sail with The Pirates of Penzance, fell in love with Florence in The Light in the Piazza, and now we take you to turn-of-thecentury Colorado with The Ballad of Baby Doe.

& EXECUTIVE DIRECTOR

Beyond the stage, our education programs are thriving... Through our Arts 1:1 initiative, nearly 100 students each week receive free one-on-one voice lessons in Title 1 schools in Orange and Osceola counties. We’re embedded in the community, partnering with organizations like Boys & Girls Club, Pace Center for Girls, Camp Boggy Creek, Winter Park Library, and The Center for Health & Wellbeing.

We’re looking forward to beginning renovations on our future home at 460 E New England—the former Winter Park Library. This isn’t just a building. It’s a commitment to the next generation. As a full time resident of the second floor, the CFVA Conservatory will be so much more than classrooms it will be a safe haven, a launchpad, and a legacy. A place where a young soprano finds her strength. Where emerging artists discover their voices... where every student hears, "Yes, you can. "

We’re looking forward to beginning renovations on our future home at 460 E New England—the former Winter Park Library. This isn’t just a building. It’s a commitment to the next generation. As a full time resident of the second floor, the CFVA Conservatory will be so much more than classrooms — it will be a safe haven, a launchpad, and a legacy. A place where a young soprano finds her strength. Where emerging artists discover their voices... where every student hears, “Yes, you can.”

I am so grateful to have you joining us in this spectacular journey!

Your investment in CFVA is an investment in people, potential, and the power of the arts to shape our collective future.

THERESA SMITH-LEVIN FOUNDER & EXECUTIVE DIRECTOR

PRESIDENT: Sean Meder

VICE PRESIDENT: Landra Wormack

SECRETARY: Mike Hamdan

TREASURER: Tom Cira

MEMBERS:

Mark Allen

Anne Marie Ciccone

Michele Daugherty

Valerie DeForest

Kait Doulou

Debbie Fahmie

Tobin Finwall-Baum

Keri Laine

Jeff Lee

Laura Walda

The Ballad of Baby Doe is a timeless American opera by the composer Douglas Moore. The opera’s premiere took place at the Central City Opera in Colorado in 1956.

Set amidst the Colorado Silver Boom, this story centers on the real-life figure Elizabeth “Baby Doe” Tabor, whose unwavering spirit and tender love for silver magnate Horace Tabor triumph amidst adversity.

There will be one 15-Minute Intermission

Friday April 25, 2025 at 8PM

Sunday April 27, 2025 at 3PM

STAGE DIRECTOR

PRODUCTION MANAGER

MUSIC DIRECTOR

STAGE MANAGER

ASSISTANT STAGE MANAGER

LIGHTING & PROJECTIONS DIRECTOR

PROP MASTER COSTUMER

Eric Pinder

Danielle Ziss

Julian Bond

Laurenna Roma

Chiquita Nicole Chambers

Kylee Taylor

Julia Lozada

Jan Marie Ferriola

CAST

BABY DOE

AUGUSTA TABOR

HORACE TABOR

MAMA MCCORT

WILLIAM JENNINGS BRYAN

YOUNG ELIZABETH

SILVER DOLLAR

Chris Fahmie

Katy Garner

Molly Ann Nicholson

Cameron Weger

Kenny Nisbett

Deanna Giron

Harrison Brousseau

Lyric Carden

Anais Nisbett

ENSEMBLE CAST

Brianna Gutierrez

Isabelle Kaltenbaugh

Mallory Latsko

Aidan Leary

Nicholas Matthews

Mark Metivier

Giovanni Murro

Hannah Runner

Marilyn Sharp

DIRECTOR’S WELCOME

ERIC PINDER STAGE DIRECTOR

“How will history remember you?”

That question stayed with me as I explored the true stories behind the historical figures who inspired The Ballad of Baby Doe. History hasn’t always been kind. There was President Chester A. Arthur, who was reduced to an “accidental” president, and William Jennings Bryan often remembered more for his role in the Scopes Trial than his once-commanding political presence. But Horace Tabor and Elizabeth “Baby Doe” Tabor endure in our cultural memory, not for political achievements or courtroom debates, but for their deep—and controversial—devotion to one another.

Douglas Moore’s opera sanitizes life in the rugged mining towns of the American West, glossing over the stark realities of boom-andbust economies, extreme poverty, and unchecked opulence. And as Augusta, Horace’s former wife, keenly suggests, not all of his business dealings were above board and may have been on the shady side. Yet, opera is not the genre of historical scrutiny—it is the realm of passion, beauty, and the human heart. At its core, this piece is a love story, and few operas capture that spirit more poignantly than Baby Doe.

If this is your first time experiencing The Ballad of Baby Doe, you’re in good company. Not only is this a Central Florida premiere, but several longtime opera fans have told me this will be their first time seeing it staged. I’m thrilled to bring this quintessentially American story to life, filled with lovely post-Romantic harmonies and beautifully melodic arias.

It has been an honor to explore this work with such a dedicated cast and crew. I hope you are as moved by this opera as we have been in bringing it to you. I also want to thank you for supporting live performance—especially live opera. I’ve always believed that the arts are a mirror to our humanity. The works we create, support, and preserve will shape the way future generations remember us. And perhaps, that is the most enduring legacy of all.

SENIOR LIVING AT ITS FINEST

Elevating senior living to an art form, The Mayflower at Winter Park offers:

• A vibrant, stimulating lifestyle and gracious hospitality

• Maintenance-free living with luxury amenities

• Outstanding service and proven performance

• Guaranteed on-site, top-rated long-term healthcare

• Plus, brand-new Bristol Landing Waterside Residences.

If you’re considering a Life Plan Community, don’t hesitate. Learn more: Email living@themayflower.com or call to schedule an in-person tour.

SYNOPSIS OF SCENES

ACT ONE

Scene 1: Outside the Tabor Opera House

Scene 2: Outside the Claredon Hotel, later that evening

Scene 3: The Tabor apartment, several months later

Scene 4: The lobby of the Clarendon Hotel

Scene 5: Augusta’s parlor in Denver, a year later

Scene 6: A suite in the Willard Hotel, Washington, D.C. 1883

ACT TWO

Scene 1: The Windsor Hotel, Denver, 1893

Scene 2: A Club Room in Denver, 1895

Scene 3: The Matchless Mine, 1896

Scene 4: Augusta’s Parlor, November, 1896

Scene 5: The stage at the Tabor Grand Theatre, April, 1899

This project is funded in part by Orange County Government through the Arts & Cultural Affairs Program

THE CAST

MOLLY ANN NICHOLSON

Molly holds a Bachelor of Music from the University of North Florida and a Master of Music from Georgia Southern University, both in Vocal Performance. She has performed at LEGOLAND Florida and currently sings with the Voices of Liberty at EPCOT. Operatic roles include Musetta (La Bohème), Eurydice (L’Orfeo), Papagena (Die Zauberflöte), and Coco Chanel in the world premiere of Chanel No. 5. She toured Germany and the Czech Republic as a chorus member in productions of Le Nozze di Figaro, La Traviata, Il Barbiere di Siviglia, and La Bohème, and has appeared as soprano soloist in Messiah, Carmina Burana, and Elijah. When not on stage, Molly loves teaching voice and is grateful to her husband and family for their unwavering support.

CAMERON WEGER

Cameron Weger, mezzo-soprano from Austin, Texas, holds a degree from the Butler School of Music at UT Austin, where she performed with the Butler Opera Center. She has appeared in scenes as Olga (Eugene Onegin), Cherubino (Le nozze di Figaro), Annio (La clemenza di Tito), and Jeanette in the American premiere of Bortniansky’s Le Faucon. A featured soloist in the Texas premiere of Remembrance, Cameron is an alumna of Houston Grand Opera’s Young Artist Vocal Academy and the Music Academy of the West’s Lehrer Vocal Institute. She has worked with Deborah Voigt, Sasha Cooke, Karen Slack, and Jodi Benson, and recently appeared as Signora Naccarelli in The Light in the Piazza.

KENNY NISBETT

Born in the United States Virgin Islands, Lyric Baritone Kenny Nisbett is over the moon being able to perform in his first principal role in a full length opera. Playing characters such as “The Commentator” in Derrick Wang’s Scalia Ginsburg or “Gianni Schicchi” in Puccini’s one act named after said character, Kenny Nisbett is no stranger to comedic roles and is excited to play such a complex character like Horace Tabor. Even more than that, Kenny Nisbett is most excited to sing On stage with his daughter who is, funnily enough, playing his daughter in the show too! Kenny would like to give a very big shout out to his wife Chelsey Nisbett who has always been his biggest supporter!!

DEANNA GIRON

Deanna L. Giron is a seasoned performer whose lyrical voice and heartfelt storytelling have captivated Central and South Florida audiences. Known for her timeless elegance, Deanna specializes in vintage music, bringing the golden eras of Jazz, Swing, and Classic Broadway to life. She also enjoys reimagining contemporary pop hits in a vintage style, like Postmodern Jukebox, blending nostalgia with a fresh twist. In addition to her performance career, Deanna is an adjunct voice instructor at Seminole State College, where she enjoys mentoring the next generation of singers.

HARRISON BROUSSEAU

Harrison Brousseau has never run for President in the 19th century before, but he’s sure he’d likely lose. He may win the hearts of his family and friends, but many of them wouldn’t even have legally been able to vote for him at the time. Nor should they vote for Harrison, really. He doesn’t know nearly enough about the economy of the 19th century, nor the intricacies of policies foreign and domestic. The closest (and much more reasonable and infinitely less devastating) thing you can do to voting for Harrison, is following him on Instagram at @ harrisonbrousseau or going to his website harrisonbrousseau.com

LYRIC CARDEN

Lyric is ecstatic to be a part of this production. She enjoys all aspects of performing and can’t wait to be a part of her first Opera.

ANAIS NISBETT

Anais started her performing arts career last summer with CFVA’s Summer Institute. Anais has always loved being on stage and has always found her way to a microphone. Whether it was offering to sing Baby Shark for a mic check at her grandfather’s wedding or matching pitch with her dad at three hours old in the hospital after being born, her dad always knew she would be a performer and is proud to share the stage with her for this production.

ENSEMBLE CAST

CHRIS FAHMIE

Christopher Fahmie is thrilled to be part of CFVA’s production of *The Ballad of Baby Doe*! Previously, they tackled the role of Van Helsing in CFVA’s *Dracula* and brought some island vibes as Tully Mars in Athens Theatre’s *Escape to Margaritaville* in DeLand. When not on stage, they navigate the exciting world of real estate, making this opera a fun change of pace. Sharing the stage with such an amazing cast and crew has been an absolute joy—thanks for making the experience unforgettable!

KATY GARNER

Katy, an Orlando local, is thrilled to return for her third production with Central Florida Vocal Arts. She previously appeared in The Light in the Piazza (Ensemble) and The Pirates of Penzance (Edith). Her professional opera debut was with Opera Naples as soprano section leader in Die Fledermaus and La Traviata during the 2015–2016 season. She landed her first leading role as Monica in Menotti’s The Medium through Valencia College’s Opera/Theatre Workshop. Additional credits include Miss Silverpeel in Mozart’s The Impresario and The Bird in Edward Barnes’ A Muskrat Lullaby. Inspired by a lifelong dream of playing Christine Daaé in The Phantom of the Opera, Katy continues to grow as an artist with CFVA and is grateful for the unwavering love and support of her boyfriend.

BRIANNA GUTIERREZ

Brianna (Bee) Gutierrez is a Lake Helen local, avid theatre goer and performer. She was most recently seen in A Gentleman’s Guide to Love and Murder as Sibella at Shoestring Theatre, a local community theatre she frequents. Bee has performed with CFVA in The Light in the Piazza as Ensemble and she’s very excited to be part of another beautiful production. She is also on the Board of Directors at Shoestring Theatre as the Social Media Liaison. Some of her favorite acting credits include: A Gentleman’s Guide to Love and Murder (Sibella), Into the Woods (Little Red Riding Hood), How to Succeed in Business Without Really Trying (Smitty), and The Light in the Piazza (Ensemble/Maid).

ISABELLE KALTENBAUGH

Isabelle is excited to work with CFVA for the first time in “The Ballad of Baby Doe.” Her most recent production was as a Roving Violin player in “Natasha, Pierre and the Great Comet of 1812” at Theater West End in Sanford. Outside of performing, Isabelle is graduating from UCF this May with her Bachelor’s in Aerospace Engineering and pursuing a graduate degree in the same field.

MALLORY LATSKO

Soprano Mallory Latsko, a Sarasota native and graduate of the University of Central Florida, is currently based in Central Florida. She recently appeared in CFVA’s 2024 Pirates of Penzance and performs regularly with their Belles and Beaux a cappella quartets. Passionate about opera, she is thrilled to return to the stage for The Ballad of Baby Doe. Mallory also sang in Miami Lyric Opera’s 2023 productions of Suor Angelica (Novizia) and Cavalleria Rusticana, and has performed with the Opera Orlando chorus. Additional highlights include her work as a vocalist with flamenco companies Alborea Orlando and Flamenco Del Sur.

AIDAN LEARY

Aidan is thrilled to return for his second CFVA production after performing in The Pirates of Penzance this summer. A junior in the B.A. Theatre Studies program at the University of Central Florida, he also minors in Creative Writing and Education. Past credits include Imogen Says Nothing (U/S Henry Condell), The Pirates of Penzance (Ensemble), May We All (Earl), and Seussical The Musical (Horton). After graduation, Aidan plans to continue performing and writing, while mentoring future artists. He serves as Social Media Manager for UCF’s chapter of Alpha Psi Omega (@apoucf) and is passionate about graphic design and marketing.

GIOVANNI MURRO

Giovanni (Gio) Murro, a New Jersey native, is grateful to perform again with Central Florida Vocal Arts. He recently appeared as Fabrizio in The Light in the Piazza at Lakeland Community Theatre and previously in CFVA’s The Pirates of Penzance. Favorite credits include The 25th Annual Putnam County Spelling Bee (Chip Tolentino), Bare: A Pop Opera (Zach), Hairspray (Sketch), and Titanic the Musical (Frederick Fleet). In addition to theater, Gio has performed at Universal Orlando for the past eight years and is proud to be part of the CFVA staff.

NICHOLAS MATTHEWS

Nicholas holds a Bachelor of Arts in Music from Rollins College and is a two-time winner of the Central Florida NATS classical division. His musical theater credits include Joseph and the Amazing Technicolor Dreamcoat (Joseph), RENT (Roger), Next to Normal (Gabe), and Godspell (Disciple). Operatic roles include Les Contes d’Hoffman, Le nozze di Figaro, Amahl and the Night Visitors, The Barber of Seville, and most recently, Prince Charming in Cendrillon. Additional stage work includes Sweeney Todd, The Full Monty, The Crucible (Reverend Parris), and Cat on a Hot Tin Roof (Reverend Tooker). Classical highlights include Vivaldi’s Gloria at Carnegie Hall, Beethoven’s Ninth Symphony with the Royal Philharmonic Orchestra, and The Fellowship of the Ring in Concert. He most recently portrayed Mozart in Rimsky-Korsakov’s Mozart and Salieri at the Timucua Arts Foundation.

MARK METIVIER

This is Mark’s second production with CFVA after appearing in this summer’s production of The Pirates of Penzance. New York City credits include AIDA at the Metropolitan Opera, Father in Children of Eden, El Gallo in The Fantastiks, and Bottom in A Midsummer Nights Dream. TV/Filim credits include The Perfect Murder on Investigation Discovery, The Wolf of Wall Street, The Road Less Travelled by: A walk across America for Civil Rights and the O.I.F. Best Picture nominee, The Autopsy. Mark began his career in New York at the age of 17, graduating from Fordham University at Lincoln Center. He recently received his degree for sports broadcasting from The Dan Patrick School of Sportscasting at Fullsail University. All love and gratitude to the Advent Health transplant team, Team Mark, of course Publix Supermarkets and Matt, Mom and Tom, without whom he would not be on stage. Thank you. “I am the storm”.

HANNAH RUNNER

Originally from Alexandria, Virginia, Hannah moved downcoast to study musical theatre at Berry College in Georgia before settling in Florida. She has since worked with the Opera Orlando chorus in several productions and concerts, most recently as ensemble in their double bill of 4 LOST SANTAS and AMAHL AND THE NIGHT VISITORS. This past Halloween, she had the pleasure of working in entertainment at Universal Studios Orlando. This is Hannah’s first show with CFVA, and she certainly hopes it won’t be the last. She would like to thank her parents and husband for their constant support.

MARILYN SHARP

Marilyn Sharp, soprano, is based in Central Florida. Her operatic roles include Krystyna Żywulska in Another Sunrise, Milada in the premiere of Unbroken, Zerlina in Don Giovanni, Micaëla in Carmen, Despina in Così fan tutte, La Maestra delle Novizie and Prima Sorella Cercatrice in Suor Angelica, Mrs. Nordstrom in A Little Night Music, Lucy in The Telephone, and Gretel in Hansel & Gretel. As a concert soloist, she has performed in Messiah, Vivaldi’s Gloria, Haydn’s Creation, and appeared with The Gainesville Orchestra for their 40th Anniversary Ruby Gala. In addition to classical work, Marilyn regularly performs jazz, musical theatre, and rock, showcasing her versatility across genres. She holds a Master of Music in Vocal Performance from the University of Florida.

THE CREW

ERIC PINDER

Eric Pinder has been active in the Orlando theatrical scene for over 30 years. Besides theme parks and dinner shows, he has performed and directed plays, musicals, operas, and operettas with Lockstock in Urinetown and Lucius in Explorer’s Club among his favorite roles. He has been in over 20 Fringe Festivals writing such hits as Driving Miss Cherry Blossom and Skip Peril as well as last year’s award winning Cocaine Bear:The Opera. As Artistic Director for CFVA and Opera Del Sol, he has directed Hansel & Gretel, The Secret Garden, and A Little Night Music. When he isn’t creating art you can find him watching hockey. Love always to Dwayne.

DANIELLE ZISS

Danielle Ziss is an artist, director, and writer, serving as the Director of Productions for Central Florida Vocal Arts. She co-hosts and produces Orlando Story Club, Central Florida’s premier storytelling competition, now in its 11th year. Her work has been featured at the Dr. Phillips Center, SAK Comedy Lab, FusionFest, and Fringe Festivals across Florida. A world traveler to over 90 countries, Danielle has lived across the U.S. but proudly calls Orlando home, drawn to its vibrant creative community. When not working, Danielle enjoys snuggling her three-legged cat, Isa, and bonding with friends over board games and escape rooms.

THE CREW

JULIAN BOND

Julian Bond is a British composer, pianist, and conductor trained at London’s Guildhall School of Music and Drama. He has been the recipient of many awards, including the European Junior Piano Festival, the EMI “Make Music” composing competition, the Alexander Grotsz Prize for Composition (London) and in 2005 he was ranked as one of the country’s top ten young film score composers by Turner Classic Movies, under the auspices of the late Elmer Bernstein. Julian’s music is featured in film, television, and live performances worldwide. Since 1998, he has collaborated with the Walt Disney Company as a pianist, arranger, and recording artist.

LAURENNA ROMA

Laurenna, “Renn”, is a local freelance stage manager, and she is overjoyed to be working on her fourth production with CFVA. Past credits include: The Light in the Piazza (CFVA, PSM), The Pirates of Penzance (CFVA, PSM); Scalia/ Ginsburg (CFVA, PSM); The Smoking Gun (Bert Rodriguez Production, PSM); Dracula The Musical (CFVA, PSM) and Camelot & Camelittle (Orlando Family Stage, ASM). During this production Renn can be found running around like a maniac with a headset on. She is incredibly grateful to her family and friends for their constant support of her control-freak tendencies.

CHIQUITA NICOLE CHAMBERS

Chiquita Nicole is a passionate singer-songwriter whose music blends the soulful vibes of R&B, neo-soul, and jazz. Her lyrics are deeply personal, drawn from her life experiences, and resonate with listeners seeking connection and empowerment. Known for her captivating voice and heartfelt delivery, Chiquita has been performing in the Orlando area since 2016 and has gained recognition for her unique sound. With a debut album Stories of My Life already released and an upcoming cover single, Chiquita is continuing to grow her musical journey, offering her audience authentic stories that inspire and uplift.

KYLEE TAYLOR

Kylee Taylor is a Lighting Designer and Sound Engineer from Orlando, Florida. She is currently working as a Production Coordinator for The Imagination House and a Stage Manager and Technician for BlueLaLa Entertainment. Past credits include Lizzie! with Florida Theatrical Association (Lighting Designer), The Curious Incident of the Dog in the Night-time with William Daniel Mills Co. (Lighting Designer), Varietease XX with The Imagination House and BlueLaLa Entertainment (Stage Manager, Assist. Lighting Designer), and The Pirates of Penzance with CFVA (Lighting Designer). She would like to thank her family, friends, and boyfriend for their support.

JULIA LOZADA

Julia Lozada is an experienced props master and creative producer with a passion for bringing stories to life through immersive and visually stunning design. With a background in theatrical production, film, and themed entertainment, Julia has worked on a diverse range of projects, from operas to film sets. Their keen eye for detail, deep understanding of historical and contemporary aesthetics, and expertise in sourcing and crafting props make them an invaluable asset to any production. Julia’s work emphasizes authenticity, creativity, and seamless integration of props into storytelling, ensuring every scene is rich with meaning and visual appeal.

JAN MARIE FERRIOLA

Jan Marie is a first-time costume designer passionate about bringing characters to life through fashion and artistry. Based in Orlando, she holds a degree in Fine Art and Fashion Merchandising, allowing her to blend creativity with technical expertise. With a deep appreciation for storytelling and design, Jan Marie is excited to make her mark in the world of costume creation, crafting unique and expressive pieces that enhance the visual narrative.

VOLUNTEER & ENGAGE

Be a part of our arts community by volunteering with Central Florida Vocal Arts!

From building and painting set pieces, to assisting with costumes and make-up, your time is a valuable asset you can share to make an impact on our arts community.

Invite friends, family and colleagues to join you at a performance. Host a club or office fundraiser to support CFVA through the United Arts Collaborative Campaign.

Invite your favorite young performer to register for our Summer Institute! Visit CentralFloridaVocalArts.Org

SPECIAL THANKS TO

This project is funded in part by Orange County Government through the Arts & Cultural Affairs Program

MAESTRO

$2500 - $9,999

Mark and Andrea Allen

Anne Marie and John Ciccone

Valerie and Mike DeForest

Central Florida Foundation

Ginsburg Family Foundation

Helpful Hands Inc.

Bradford and Jennifer Benn

The Fairwinds Foundation

The Harvey & Carol Massey Foundation

Ms. Danielle Rowe

The Woman’s Club of Winter Park

Zimmerman Family Foundation

SPECIAL THANKS TO

ARTIST SUPPORTERS

$500 - $2499

Bank OZK

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