Dakota Access Pipeline Mind Map

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Left: Found on NPR.com, photographed by Jose Luis Magana in 2017.

Left: Found on TIME, photographed by John Moore on October 1, 2016.

Right: Found on NPR.com, photographed by Cassi Alexandra on Thanksgiving Day 2016.

Right: Found on Forbes.com, photographed by Andrew Caballero-Reynolds on March 9, 2016.

Found on NPR.com, photographed by Andrew Cullen in September 2016.

Found on NPR.com, photographed by James McPherson in August 2016.

Dominant Narrative Found on The New York Times, photographed by Tom Stromme in 2016.

Found on NPR.com, photographed by Robyn Beck on September 3, 2016. Robyn Beck’s photograph exerts didactic art as a plan to address the impact that the construction throughout the Standing Rock Sioux reservation had on its own people. The strategy is considered didactic art instead of ambiguous because it clearly shows its purpose and message to viewers that there is physical and emotional empowerment in this scene.

Dakota Access Pipeline

Counter Narrative Found on magnumphotos.com, photographed by Alessandra Sanguinetti on October 10, 2016.

Found on Forbes.com, photographed by Michael Nigro on February 22, 2017. Michael Nigro’s photograph represents an ambiguous art strategy to vocalize through opaque art, that the Dakota Access Pipeline is having an effect on the Native American community there. The 1,134-mile pipeline that goes through four states and disturbs not only the sacred ground to the Standing Rock Sioux Tribe but their drinking water as well. It is considered ambiguous due to the fact that the message is opaque and nontransparent to viewers for which they are uncertain of what the meaning is behind the photograph.


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Dakota Access Pipeline Mind Map by Grace M Cesario - Issuu