Celeste Tellarini portfolio 2019

IMAGINARY MEMORIES

selected works 2016 | 2019

celeste tellarini

academic+competition

PROFILE

Celeste Tellarini celeste.tellarini@gmail.com +39 3493786448

EDUCATION MArch - Exchange 2018 | now @ Manchester School of Architecture MArch Architecture and Urban Design 2017 | now @ Politecnico di Milano BA degree in Architectural Design (110/110) 2014 | 2017 @ Politecnico di Milano School of Set Design 2013 | 2014 @ Brera Fine Arts Academy, Milan Applied Arts (100/100) 2008 | 2013 @ ◲ Istituto Statale d’Arte, Monza WORK Internship 2017 @ Consalez Rossi AA via Cadolini 32, 20137 Milan (Italy) http://consalezrossi.com EXHIBITIONS + AWARDS Jicwood prize - Sheppard Robson 2019 @ Manchester School of Architecture shortlisted villard:19 2018 @ SAAD - Ascoli Piceno exhibition on post-earthquake reconstruction proposals a landmark for Laveno Mombello 2017 @ MIDeC - Museo Internazionale Design Ceramico exhibition on re-use strategies for the abandoned factory LANGUAGES Italian mothertongue English C1 SKILLS x/5 Autocad Archicad Rhinoceros Grasshopper SketchUp

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5 4 2 2 3

Photoshop 5 InDesign 5 Illustrator 5 Animate 2

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hand drawing model making 3D printing book binding

celeste tellarini

CONTENT

THE URBAN DOMESTICITY OF THE INHABITABLE WALL A research on life between two faces of the same place Residential ABSTRACT Concept models conceptual sculptures THE BUSYBODY AND THE PART-TIME HERMIT &rchitecture Residential + age-friendly EARTHWORK architecture museum Public/cultural COMMON GROUND post-earthquake reconstruction Urban reconstruction LIBRARY+ Pinocchio’s Library Public/cultural

celeste tellarini

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THE URBAN DOMESTICITY OF THE INHABITABLE WALL

THE URBAN DOMESTICITY OF THE INHABITABLE WALL A research on life between two faces of the same place

Residential tutor: Camillo Magni @ AUIC Politecnico di Milano, Architectural Design Studio, MArch 1 March - June 2018

0 // understanding the context and its essence - the concept of “pairs and faces� highlights the characteristic of this area: two different realities - local and metropolitan - are colliding. _understanding the city = impressions and interpretations 1 // investigating the role of both the outside/public and indoor/private space in the series of actions that create the domesticity sphere of different actors. _understanding the actors = atlas of domesticities 2 // the categories of leisure and relationships are able escape the traditional limit of domesticity and reach the public space, colonizing the inhabited wall. _urban rooms 3 // exploring, building, mixing, adding, pouring, waiting. _making = understanding

[ with H. Adi Ramadhan, G. Massenz ]

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A research on life between two faces of the same place

THE URBAN DOMESTICITY OF THE INHABITABLE WALL

A research on life between two faces of the same place

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THE URBAN DOMESTICITY OF THE INHABITABLE WALL

urban rooms and public spaces = the ground floor

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A research on life between two faces of the same place

THE URBAN DOMESTICITY OF THE INHABITABLE WALL

1:200 model understanding the ground floor through a “basso rilievo”

A research on life between two faces of the same place

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piazza + underpass - the unexpected public room

piazza near a wall - opening rooms in the concrete mass

THE URBAN DOMESTICITY OF THE INHABITABLE WALL

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A research on life between two faces of the same place

THE URBAN DOMESTICITY OF THE INHABITABLE WALL

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A research on life between two faces of the same place

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THE URBAN DOMESTICITY OF THE INHABITABLE WALL

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A research on life between two faces of the same place

THE URBAN DOMESTICITY OF THE INHABITABLE WALL

A research on life between two faces of the same place

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ABSTRACT

ABSTRACT Concept models

conceptual sculptures tutor: Paolo Belloni @ AUIC Politecnico di Milano, Design Studio, BA 1 September 2014

Developing ideas starting from abstract models and shaping different materials to get to know their different properties and characteristics _STRUCTURE wood + white cardboard

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25x25x50

_MASS wood / concrete

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15x15x18 + 20x20x25

_SURFACE steel / white cardboard

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20x15x30 + 12x7x15

[ individual work ]

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concept models

steel surface

surface

concrete mass

structure + base

ABSTRACT

concept models

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THE BUSYBODY AND THE PART-TIME HERMIT

THE BUSYBODY AND THE PART-TIME HERMIT &rchitecture

Residential + age-friendly tutor: Stefan White + Mark Hammond @ MSA Manchester School of Architecture, MArch 2 Feb - May 2019

how does a model designed with the consideration of varied levels of social interactions enable a new age friendly community?

The brief is to understand how the Northern Gateway can be changed to promote a more age-friendly community. How does a model designed to engage residents abilities, interests and levels of interaction as a basis for urban regeneration enable the development of new age friendly communities?

In response to our research question, the fundamental solution is how to categorise different types of residents not based upon their age, but by level at which they interact with the rest of their community.

active

passive

inactive

With these general categories we are able to narrate the types of residents on a spectrum ranging from being a very active member of their community, to wanting to keep to themselves as well as all the residents in between. [ individual work ]

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&rchitecture

THE BUSYBODY AND THE PART-TIME HERMIT

300

600

900

1200

EGGINGTON STREET + SMEDLEY DIP

300

sub-boudaries of the different sectors within the Norther Gateway area + identification of Red Bank

0

900

COLLYHURST VILLAGE

VAUXHALL GARDENS 600

600 SOUTH COLLYHURST

RED BANK

NEW TOWN 900

300

NEW CROSS

1200

0m

900

600

300

150

450

600

300

750

0

900

1050

1200 m

1050

150

03

05 300

900

04 04

450

02

750

07 02

600

600

750

opportunities vs constraints

01 450

01 03

900

300

1050

150

0m

1050

150

900

300

750

450

600

600

450

750

300

900

150

1050

0m

1200 m

150

1050

300

900

450

750

600

600

750

450

900

300

1050

150

1200 m

1050

900

750

600

450

&rchitecture

300

150

functions in the context: temporary + fixed

1200 m

0m

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THE BUSYBODY AND THE PART-TIME HERMIT

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&rchitecture

shared + communal

private + communal

public + private

THE BUSYBODY AND THE PART-TIME HERMIT

&rchitecture

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groundfloor plan : happenings and public activities

THE BUSYBODY AND THE PART-TIME HERMIT

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&rchitecture

flexible seriality - a wardrobe, a door, a microstudio or a vestibule?

fluid room - the shared space within the socially active co-living scheme

THE BUSYBODY AND THE PART-TIME HERMIT

&rchitecture

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opening to the shared space: a micro living room

closing the door: a hidden microstudio?

THE BUSYBODY AND THE PART-TIME HERMIT

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&rchitecture

THE BUSYBODY AND THE PART-TIME HERMIT

Socially active

John Wallis gashion reporter

Edward Folks weekend cyclist

Celine Trout half of a “living apart together� couple

James Scuot ex pro golfer - still has his swing

Elisabeth Bennet gardening goddess

Chloe Pagani proud 1/4 italian writer

Socially inactive

Jake Mustard straightedge minimalist

Isabelle Allen magic realism enthusiast

Lyn Slater accidental icon

Jim McGuirk professor wannabe

Hilbert + Greta 1830s stamp collectors

&rchitecture

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socially active x2

socially active

socially active

THE BUSYBODY AND THE PART-TIME HERMIT

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&rchitecture

flexible seriality - a wardrobe, a door, a microstudio or a vestibule?

fluid room - the shared space within the socially active co-living scheme

THE BUSYBODY AND THE PART-TIME HERMIT

&rchitecture

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EARTHWORK

EARTHWORK architecture museum

Public/cultural competition June 2019

EXPLORING THE GROUNDSCAPE The earthwork is the first action of building. In the groundscape of Berlin the Museum of Architecture takes the form of an unveiled archaeological settlement challenging us to question the history of urban stratifications over time. An institutional building rests above the site, protecting it whilst hosting cultural educational functions.

A NEW CLASSIFICATION SYSTEM Subdividing the history of architecture through the definition of different spatial typologies instead of relying on a typical chronological classification.

Cathedrals, boxes, surfaces, temples and objects become the new categories in which the whole human opera can be inscribed. [ with R. Orsini ]

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architecture museum

EARTHWORK

1 Public 2 Group Study 2.1 Model Workshop 3 Library 4 Permanent exhibition 5 Service Mechanical Room

3.5

4

-5.5

5

1 3

3.1 -5.5

7

2

6

UNDERGROUND - EXHIBITION 1 2 3 3.1 3.2 3.3 3.4 3.5

Foyer + Reception 205sqm Temporary exhibition 1875sqm Permanent exhibition [4500sqm] Cathedrals 650sqm Boxes [-1] 1800sqm Surfaces 415sqm Temples 1200sqm Objects 400sqm

4 5 6 7

Gift Shop Restrooms + Lockers Service Mechanical Room Public Museum’s Archive

architecture museum

185sqm 55sqm 105sqm 70sqm

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EARTHWORK

3.1 St Nikola Kirche 1230 AD

Welsh Tribal house 3000 BC

Kizhi Pogost Crystal Palace 1798 AD 1851 AD

Zoning Law 1922 AD

Central Research Institute 1968 AD

Bauhaus 1925 AD

National Assembly of Bangladesh 1961 AD

Bruder Klaus Chapel 2007 AD

3.2 Paviland Cave

St Peter’s Catacomb 0 AD

Palazzo Strozzi 1489 AD

Bregenz Kunsthaus 1997 AD

3.3 Indonesian Hut

Domus romana

Maison Domino 1914 AD

Falling Water 1939 AD

TWA Flight Center 1962 AD

‘Floating’ 1966 AD

Opera House 1973 AD

Jussieu Library 1992 AD

House with One Wall 2007 AD

3.4 Parthenon 438 BC

Old St Peter 320 AD

Todai-Ji 738 AD

Proposal for St Maria Novella 1420 AD

Palazzo della Triennale 1933 AD

AT&T Building 1984 AD

20th Century Museum 2019 AD

3.5 Sunqitun 4000 BC

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Great Sphinx 2500 BC

Ziggurat Ur 2000 BC

Pantheon 124 AD

‘Pyramid’ 18th century

Funerary Monument 1920

The Big Duck 1930 AD

architecture museum

London City Hall 2002 AD

EARTHWORK

0.00

-1.50

3

5 -1.50

3 1

2 0.00

4

5 -1.50

0.00

5

5

6

GROUNDSCAPE - PUBLIC 1 Public space for events and exhibitions 2 Museum’s Access 3 Library and Workspaces Access 4 Café/Restaurant 5 Service Access 6 Loading Area

architecture museum

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COMMON GROUND

COMMON GROUND post-earthquake reconstruction

Urban reconstruction Tutor: Stefano Boeri @ AUIC Politecnico di Milano, Urban Design Studio, MArch 1 Oct 2017 - Feb 2018

What is left? What to start again with? What is the light among the dark rest of the catastrophe?

The same experience, a common disaster, a unifying sorrow, this is what linked people by an event, a horrible moment that created a zero level in the city structure, in the community life, and in peoples’ memory.

We reflected upon what, in such an unsteady and weak situation, could be the support to hold on to, and instead of looking high for imposing technical structure, we looked down to our feet and to the land we walk on. We took this land, this ground as a common effective reality, as an opportunity to change, to start from a common foundation, a common memory, a common ground.

The common ground suggested to us a range of solutions from the urban scale to the building scale taking into account the delicate context of the village, with its intricate cultural and historical background.

We do believe that moving through the landscape, urban or natural, the walking experience on it and inside of it, can be the way to deal with an unfaithful territory, the way to feel again the land as home. [ with R. Salomoni, O. Celik ]

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post-earthquake reconstruction

COMMON GROUND

CONCA AMATRICIANA _The pedestrian infrastructure The reading operation of Conca Amatriciana territory made us think it as a centralised network, so that we aim to link the fractions and the landmarks in the surroundings through a light infrastructure that can bring people once again closer to their land.

In this case, the ‘common ground’ is shaped as a pedestrian infrastructure, a system of pathways that can really gather the context with the core of Amatrice and create a unifying system, a fluid that makes the experience of the land by walking possible.

post-earthquake reconstruction

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COMMON GROUND

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post-earthquake reconstruction

COMMON GROUND

OLD TOWN _‘Low relief ground’ and public islands Considering the land as the main resource, we meant to clear the foundation of the new Amatrice removing all the debris above and underneath the ground in order to provide a more stable level for the entire city centre, a new soil to start life again.

post-earthquake reconstruction

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LIBRARY+

LIBRARY+ Pinocchio’s Library

Public/cultural competition Oct - Nov 2017

Aiming to be the very house to hold fairytales and everyday storytellers, the building contains an extensive programme of educational facilities made of spaces thought for children both physically and mentally.

To promote a vibrant and encouraging atmosphere for its students and the surrounding city, the main focus was to translate a child-like energy into the design. In this way the project seeks to undo the strictness often found in traditional library environments and reinforces the significance of engaging children in an environment in which learning can be interactive and experiential.

Following the typical central Italy village configuration, the library seeks to enhance the concept of the winding street surrounded by buildings.

To emphasize the experience of walking through a village, the path is designed to include several ramps accessible to everyone, that shape the walkway and the interior spaces, to create a continuous system. [ with R. Salomoni, M. Tavola ]

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&rchitecture

playground - the torquoise tower

th greenhouse - learning by making

LIBRARY+

&rchitecture

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from the city through the library, to the greenhouse

internal srteet - reproposing the urban fluid space through the buildings

LIBRARY+

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&rchitecture

LIBRARY+

&rchitecture

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IMAGINARY MEMORIES

Celeste Tellarini celeste.tellarini@gmail.com +39 3493786448

celeste tellarini