2018-19 MAINSTAGE PERFORMANCES
SERGEI PROKOFIEV
CCM DANCE
April 26-28, 2019 Patricia Corbett Theater
CCM Mainstage Season Production Sponsor
CCM 1 Photography by Scott Kimmins
092018_Giving Ad (4.75x7.5) FINAL.indd 1
9/20/18 9:29 AM
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DIVISION OF THEATRE ARTS, PRODUCTION AND ARTS ADMINISTRATION PRESENTS
CINDERELLA Choreography by Karen Russo Burke Ensemble Director Michael Tevlin Music by Sergei Prokofiev
Costume Designer Lowell A. Mathwich
Repetiteurs Paul Gilliam, Gabrielle Sharp
Lighting Designer Nina Agelvis*
Set and Costumes Courtesy of Dayton Ballet and the Dayton Performing Arts Alliance
Sound Designer Lindsey A. Cohen*
Act II Scenery Courtesy of Charlotte Ballet: JeanPierre Bonnefoux, Artistic Director
Scenic Designer Ray Zupp Rehearsal Directors Deirdre Carberry, Jiang Qi, Judith Mikita, Michael Tevlin
Production Coordinator Chyanne Fischer* Production Stage Manager Chelsea D. Taylor*
* CCM Student
Cinderella will last approximately 1 hour and 20 minutes, including a 15-minute intermission between Acts I and II and a 5-minute pause between Acts II and III. The music for this production is provided by arrangement with G. Schirmer, INC., publisher and copyright owner. April 26-28, 2019 Patricia Corbett Theater Mainstage Season Production Sponsor Macy’s
Dance Department Supporter The Corbett Endowment at CCM
The video or audio recording of this production is prohibited. The University of Cincinnati does not discriminate on the basis of disability, race, color, religion, national origin, ancestry, medical condition, genetic information, marital status, sex, age, sexual orientation, veteran status or gender identity and expression in its programs and activities. The complete Notice of Nondiscrimination can be found at uc.edu/about/policies/non-discrimination. CCM 1
NOTES
CHOREOGRAPHER’S NOTE Cinderella, one of the most popular fairytales, is also one of the most beloved full-length ballets ever performed. Prokofiev composed the threeact ballet in 1940. He did not finish the score until 1945, and it was first performed at the Bolshoi Theatre. Sir Frederick Ashton of the Royal Ballet choreographed one of the most popular versions. He and senior dancer Robert Helpmann cast themselves as the ugly stepsisters. Audiences were shocked to see such physical comedy in a ballet. I remember watching this ballet on television as a young girl, and I was mesmerized. Needless to say, I had no doubts about casting male dancers to portray the stepsisters. The ballet has over three hours of music to tell the story; however, my version tells it in the better part of two hours. Many of the older story ballets were extended beyond the story to allow for the large dance rosters of the companies to perform. When choreographing a story ballet, the steps need to not only flow and look easy but be very clear in describing each character. The movement for a fairy would not be the same as that for one of the sisters. Working with dancers on that aspect of the art form is one of my favorite parts of choreographing. Trying to figure out how a bird or a courtier may act helps me dig deeper when I create the movement. I would like to take this moment to thank everyone at UC’s CollegeConservatory of Music for allowing me to set this ballet with the wonderful CCM Dance students. Everyone was so kind and open to the process, and I hope they have enjoyed it as much as I did. Karen Russo Burke Artistic Director, Dayton Ballet
ACKNOWLEDGEMENTS Special thanks to Amber Boyd, Will Brenner, Dr. Jon Divine, Heidi Dunning, Heather Graden, Jonnie Lynn Jacobs-Percer, Diana Queen, Rose Smith and Regina Truhart.
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SYNOPSIS
ACT I Cinderella, a lovely orphan, is busy with her daily chores. She has watched her beloved home become someone else’s following the death of her mother and the remarriage of her father to a self-serving woman with two odious daughters. Since her father’s death, Cinderella has become nothing more than a maid. Her two stepsisters are very demanding and taunt her constantly. One day, Cinderella’s stepmother comes into the kitchen and announces that they have been invited to the Prince’s ball, all except for Cinderella. The stepmother arranges for a dance master and a dress maker to come prepare them for the event. Cinderella is left alone to reminisce about happier days when her mother was alive. Soon, an old beggar woman appears and begs for alms. Cinderella gives her a small piece of bread and the old woman thanks the kind girl. Cinderella is so very kind that even the birds that live in the kitchen are her friends; they comfort her. As the stepsisters and their mother leave for the ball, Cinderella falls asleep. The mysterious beggar woman reappears and reveals herself as Cinderella’s Fairy Godmother. She transforms the kitchen and changes the birds into attendants. She also summons the Fairies of the Four Seasons to bring gifts to Cinderella to reward her for her kindness. Cinderella will go to the ball after all! The Fairy Godmother warns Cinderella that she must leave the ball before the clock strikes midnight. ACT II The ball has begun, and the courtiers dance. Cinderella’s stepmother and stepsisters arrive. They are all anxious to meet the Prince. Suddenly, an enchanting woman appears. She looks as though she is floating on air. Everyone is in awe of her, especially the Prince. The mysterious woman, of course, is Cinderella. As the evening progresses, the sisters put on a display of poor manners. Their antics do not intrude on the love-struck Prince and Cinderella, who spend the evening together dancing and unaware of anyone else in the room. Cinderella is so caught up with the beauty and excitement of the evening that she loses track of time and forgets the Fairy Godmother’s warning. The clock strikes twelve! The attendants hurry Cinderella back to her carriage. On the way, she loses one of her slippers. ACT III The Prince is distraught that he cannot find the enchanting woman who appeared at the ball. He found her missing slipper, and he decides to search the countryside for its owner. Back in her kitchen, Cinderella awakens. Was it all a dream? For comfort, she goes to the picture of her mother and discovers one slipper. She is convinced that she was actually in the palace and in the arms of the Prince. Cinderella overhears her stepmother and stepsisters talking about the Prince and his search for the mysterious ball guest. He will be coming to their house! Cinderella’s stepmother orders Cinderella to prepare the house for the Prince’s visit. He appears, and both sisters try on the slipper. Angry that the slipper does not fit either of her daughters, the stepmother demands to try on the slipper herself. As everyone is trying to help her fit into the shoe, the matching slipper falls out from Cinderella’s apron. Cinderella’s Fairy Godmother appears and reunites the lovers, who live happily ever after. CCM 3
THE VILLAGE NEWS ALUMNI APPLAUSE Claire Bergman (BFA Ballet, 2015) is in her fourth season with her hometown ballet company, the Dayton Ballet. Before coming to CCM, she trained at Pontecorvo Ballet Studios and danced with the Gem City Ballet. During her time at CCM, Bergman had the opportunity to dance in China with the Beijing Dance Academy and performed roles in Serenade, Giselle and other contemporary works. Since joining Dayton Ballet, she has enjoyed performing Jirí Kylián’s Sechs Tänze, Ron Cunningham’s The Great Gatsby and Stephen Mills’ Quartet from Five Flights Up. Asia Harrison (BFA Ballet, 2013) is a Cincinnati native who attended the School for Creative and Performing Arts before arriving at CCM. Since her graduation, she has taught dance at various studios in the Cincinnati area and been featured in eight music videos for local artists. As a singersongwriter, Harrison plays gigs with her band in Ohio and Northern Kentucky on a regular basis. She also performs as a dancer and musician under the stage name Bla’szé. David Odenwelder (BFA Ballet, 2011) danced and toured with the Cincinnati Ballet and the Neos Dance Theatre before winning the position he has held at the Alabama Ballet for nine seasons. Additionally, Odenwelder is on faculty at the Alabama Ballet School and the Alabama Ballet Tappers. At the Alabama Ballet, he has performed the roles of the Roper in Agnes De Mille’s Rodeo, Hilarion in Giselle, Gurn in La Sylphide: A Witch’s Revenge, Von Rothbart in Swan Lake and the Soldier Doll in George Balanchine’s The Nutcracker. Matthew Steinbrenner (BFA Scenic Design, 2006) has worked as the art director for many television specials, including the 2014, 2015 and 2018 MTV Video Music Awards, the 2015 and 2016 Oscars, and the 55th and 56th Annual Grammy Awards. He was also the art director for the 2007 Super Bowl Halftime Show, featuring pop sensation Prince. Recently, Steinbrenner worked with the Academy of Motion Picture Arts and Sciences and the Dolby Theater to redesign the “Winner’s Walk,” a corridor through which every Oscar winner leaves the stage after receiving his or her award. In 2015, Steinbrenner was honored by CCM’s Theatre Design and Production department with an award for outstanding alumni.
For more alumni, student & faculty profiles, visit: ccm.uc.edu/villagenews CCM 4
CAST
IN ORDER OF APPEARANCE Cinderella.......................................YU-TING HUANG*+, MADISON HOLSCHUH#^ Stepsisters............................................................................. SAM GREEN, DAVID HARRIS Stepmother.......................................................... MADELINE KALLAY*+, JULIA TZE#^ Old Woman/Fairy Godmother........................................................ERIN DONNELLY*+, JUJU STOJANOVIC#^ (UNDERSTUDY: JONMARIE JOHNSON) Dance Master................................................................. ELLEN PIERCE*+, ERIKA SHI#^ Violinist......................................................AUDREY BURDICK#, EMILY KAVENAGH*, ZAYNE STAPLETON+^ Dress Maker.................................................................................ISABELLE CUMMINGS*+, MADELINE MONTGOMERY#^ Birds...............................................AUDREY BURDICK*+, ISABELLE CUMMINGS#^, ELAINA DIDIER#^, ANNA DONNELLY*+, EMILY GLACCUM#^, MADELINE MONTGOMERY*+, ELLEN PIERCE#^, LAUREN SOKOL*+ Attendants.......................................................CHIA-YI CHENG, REBEKAH DEGNAN, KATE DELON, GRACE MCCUTCHEON, SARAH SANTARSIERO, RINA TAKIKAWA Spring Fairy..........................................................CELINA MERRILL*+, MAEVE TOM#^ Summer Fairy............................ MADISON HOLSCHUH*+, LYDIA HUBACHER#^ Fall Fairy...................................................... KATE DELON*+, MADELEINE BROWN#^ Winter Fairy..........................................................YING-CHI LU*+, RINA TAKIKAWA#^ Courtiers...................................................... ALISON BARTELS*+, SOPHIA BEADIE*+, REBEKAH DEGNAN#^, JAKE ELWELL, MICHAEL HAVERTY, MILTON HOLLOWAY, JONMARIE JOHNSON*+, EMILY KAVENAGH#^, AMANDA KENNER#^, EMILY KLINE*+, DAVID LOPENA, GRACE MCCUTCHEON*+, ANNE MCGOVERN#^, ELIZABETH MCGOVERN*+, ALYSSA PANKEY#^, TWYLA POJETTA#^, ANNA LEE ROHOVEC*+, JILLIAN SADLER, OLIVIA THORNTON#^ Prince....................................................................................................................... IVAN BRAATZ Prince’s Assistant................................................................................ MILTON HOLLOWAY * Denotes performers on Friday, April 26 # Denotes performers on Saturday, April 27 at 2 p.m. + Denotes performers on Saturday, April 27 at 8 p.m. ^ Denotes performers on Sunday, April 28
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GUEST GUEST ARTISTS
KAREN RUSSO BURKE CHOREOGRAPHER Under the artistic direction of Karen Russo Burke, Dayton Ballet’s vision is one of diversity. Her emphasis on developing each dancer as an artist as well as a professional athlete challenges the dancers to new heights as well as making Dayton Ballet a company to recognize. Karen has created more than 30 works for the company, ranging from classical to contemporary. She has an affinity for story ballets such as Cinderella, The Nutcracker and Butterfly Suite. Her contemporary pieces — such as Dracula: Bloodlines, with original music by Austin Jaquith and libretto by Karen — are Dayton favorites. Her works No Strings Attached and Fate of Place have included collaborations with current musical composers such as Stella Sung, who recently served as the Dayton Performing Arts Alliance’s Music Alive Composer-in-Residence. Karen has been involved with Dayton Ballet since 1993. Prior to becoming artistic director, she served as a teacher, as director of Dayton Ballet II for 12 years, and as both ballet master and choreographer for the organization. She was also coordinator of Dayton Ballet’s “Dance Power” outreach program in 1997, directing and teaching inner-city children the art of dance. As a professional dancer for more than a dozen years, Karen had leading roles in ballets by dance legends such as Antony Tudor, José Limón, Gerald Arpino, Paul Taylor and current choreographers such as Septime Webre. In 2005, Karen was honored by her prior professional company, American Repertory Ballet, for her commitment and excellence in the field of dance. She was awarded the Ohio Arts Council Excellence in Individual Creativity Award in 2006, and in 2010 the Dayton Business Journal honored her for her professionalism in the arts community. She has taught at Wright State University, University of Dayton, Stivers School for the Arts, the University of Cincinnati College-Conservatory of Music, Rutgers University and the Princeton Ballet School. As a member of the Dayton Performing Arts Alliance, Karen is enjoying her continuing production collaboration with Dayton Opera and Dayton Philharmonic Orchestra. Her choreography and staging has been seen in many operas and Season Opening Spectaculars, such as The Book Collector and Carmina Burana in 2016. She is looking forward to being able to work with Tom and Neal on many more wonderful DPAA productions.
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IVAN BRAATZ GUEST PERFORMER, PRINCE Ivan Braatz was born and raised in the San Francisco Bay Area. He began his ballet training at the San Francisco Ballet School, where he trained for six years. He then trained at Houston Ballet Academy for one year. Ivan has performed corps de ballet roles with both companies. Highlights of his career thus far include performing in Christopher Wheeldon’s Cinderella, Stanton Welch’s Romeo and Juliet and as Russian in Helgi Tomasson’s The Nutcracker. This is Ivan’s second season with Dayton Ballet.
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STAFF
PRODUCTION STAFF PROFILES NINA AGELVIS, Lighting Designer Graduate student from Taipei, Taiwan At CCM: Associate Lighting Designer for Birthday Variations, Assistant Lighting Designer for The Government Inspector. Elsewhere: Lighting Designer for Yaya’s Dance Academy (Industry, California), Assistant Lighting Designer for the Wooden Floor (Santa Ana, California), Lighting Designer for the Bare Bones Dance Company (Irvine, California), Master Electrician for the Oklahoma Shakespeare Company (Oklahoma City, Oklahoma). LINDSEY A. COHEN, Sound Designer Junior from Columbia, Maryland At CCM: Sound Designer for Ariodante, Production Sound Engineer for The Turn of the Screw, Assistant Sound Designer for Guys and Dolls. Elsewhere: Sound Designer for In The Heights at Annapolis Summer Garden Theatre (Annapolis, Maryland), Sound Intern at the Contemporary American Theater Festival (Shepherdstown, West Virginia), A1 for Fly By Night at Ensemble Theatre Cincinnati. CHYANNE FISCHER, Production Coordinator Senior from Gardnerville, Nevada At CCM: Stage Manager for Jazz Nutcracker, Dance Student Choreographers Showcase, Assistant Stage Manager for Transformations, Production Assistant for Swan Lake. Elsewhere: Assistant Stage Manager for Circus 1903 at the Paris Las Vegas Hotel and Casino, Cirque Paris at the Eldorado Resort Casino (Reno, Nevada). CHELSEA D. TAYLOR, Production Stage Manager Graduate student from Houston, Texas At CCM: Production Stage Manager for Legends of Dance, Suor Angelica, Masterworks and Beyond, Dance Student Choreographers Showcase, Her Naked Skin, Assistant Stage Manager for Ariodante and Cendrillon. Elsewhere: Stage Manager for Seussical, Assistant Stage Manager for Urinetown: The Musical and Twelfth Night at Lost Nation Theatre (Montpelier, Vermont), Stage Manager for MFA and Undergraduate Playwriting Conferences at the John F. Kennedy Center (Washington, DC).
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STAFF
PRODUCTION STAFF
Technical Director.....................................................................Christian Phillip Wade Assistant Stage Managers.............................................Erin Duffey, Richard Zenk Production Assistant....................................................................................Briana Czatt Assistant Lighting Designer..............................................................Andrew Stewart Assistant Technical Director................................................................Sawyer Clifton Master Electrician.......................................................................... Zachary Lipo-Zovic Assistant Master Electrician/Deck Chief............................ Christopher Jacobs Assistant Master Electrician/ Light Board Operator............ Taylor Durantini Spot Light Operators.................................................Jason Bowden, Travis Byrne, Olivia Darling Light Deck Crew......................................................................................... Mallory Bruno Electrics Shop Assistants/Lighting Graduate Assistants...........Nina Agelvis, Evan Carlson, Jeremy Mayo, Michael E. Nardella, Nicholas Smith Set Construction Crew.........................................William Baker, Paige Baumann, Benjamin Beardon, Leah Berry, Aiden Bezark, Jacob Blumberg, Jason Bowden, Noah Buyak, Anna Campisano, AJ Civello, Austin Cleri, Neuma Cohen-Denson, Hanna Collins, Shakoria Davis, Noam Denenberg, Taylor Duranti, Maya Eberhardt, Emma Fitzgerald, Madisen Frazier, Charles Gidney, Iris Harmon, Madelyn Hawver, Emma Heath, Rachel Jones, Liza Lagerstrom, Eli Lucas, Ian MacIntosh, Jacob Mallory, Jack McElroy, Geoffrey Mintz, Gabriel Nasato, Stephanie O’Rear, Lily Olsen, Dustin Parsons, Abby Sauer, Yue (Jenny) Shi, Sara Sonnier, Kristina Steinmetz, Madison Storie, Kaylin Story, Gabby Ullman, Megan Vaughn, Isabella Wagner, Julianna Weis-Palacios, Griffin Whitaker, Avery Woodruff Scene Shop Assistants................................................ Jacob Bober, Zach Buscher, Sawyer Clifton, Sedona Isch, Cari Kamper, Andrew Leone, Andrew Martin, Cole Nevins, Aaron Palmer, Sam Petersen, Lynae Smith, Chris Wade, Monica Walker, Ben Woida, Cole Wright Set Crew............................................................ Geoffrey Mintz, Chesney Mitchell, Jake Waford, Jordyn Walker, Avery Woodruff Props Graduate Assistants...............................Ashley Crockett, Sidney Martin
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Production Sound Engineer.................................................................... Haruka Iihoshi Sound Prep/Load In/Load Out................................................................... Abby Sauer Sound Shop Graduate Assistants........................ Hankyu Lee, Edward Mineishi Wig and Wardrobe Supervisors................. Cheyenne Holbert, Jerome Horng Wig Shop Graduate Assistants.................Meredith Keister, Samantha Kittle, Oran Wongpandid Stage Management Office Assistants.................................................Jeff Harwood, Carmen R. Lawrence The opening night performance of Cinderella was live streamed. The video team included: E-Media Division Head................................................................................... Kevin Burke E-Media Division Technical Production Manager..........................Kenneth Allen Video Team......................................................................Jack Bolander, Cassidy Frew, Hannah Hautz, Skylar Heizar, Jon Kilberg, Abigail Lehman, Issabella Pope, Andrew Size Video Technical Director..............................................................................Chris Glover Video Project Manager..........................................................................Clarence Brown Assistant Project Manager.............................................................. Colin MacGeorge
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SPONSORS 2018-19 SPONSORS & PARTNERS CCM recognizes and thanks the following corporations, foundations and individuals for their generous support:
Louise Dieterle Nippert Trust Scholarship and Resident Artist Sponsor
The Andrew W. Mellon Foundation CSO/CCM Diversity Fellowship and Opera Fusion: New Works Sponsor
The Corbett Endowment at CCM Dance Department Supporter & All-Steinway School Sponsor
ArtsWave H. Wayne Ferguson Family Foundation Community Partners
Macy’s Mainstage Season Production Sponsor
Mr. & Mrs. Edward S. Rosenthal Opera Department Sponsor
Elizabeth C. B. & Paul G. Sittenfeld Musical Theatre Senior Showcase Sponsor
Dr. & Mrs. Carl G. Fischer Musical Theatre Production Sponsor
Genevieve Smith Opera Production Sponsor
The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel Visiting Artists Sponsor
Jan Rogers Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation Choral Studies Sponsors
Ms. Margaret L. Straub & Mr. Neil R. Artman Studio Drama Series Sponsor
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The Estate of Mr. William A. Friedlander Mrs. William A. Friedlander Dr. Randolph L. Wadsworth Mr. & Mrs. Frank Bloom Mr. & Mrs. J. David Rosenberg Mr. & Mrs. Harry H. Santen Mr. & Mrs. Thomas E. Stegman Elizabeth C. B. and Paul G. Sittenfeld Mr. & Mrs. Theodore W. Striker Mrs. Harry M. Hoffheimer Ariel Quartet Sponsors
Mr. & Mrs. Joseph W. Hirschhorn Orchestral Sponsor
J. Brett Offenberger & Douglas E. Duckett Cincinnati Dreams Come True, Inc. Musical Theatre Birthday Cabaret Sponsor
Graeter’s Ice Cream Musical Theatre Performance Sponsor
Trish & Rick Bryan The Otto M. Budig Family Foundation CCMpower The CCM Harmony Fund: Challenging Hate and Prejudice through Performing Arts The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation Jeff Thomas Catering Dianne & David Rosenberg Event Sponsors
The Sarah Marvin Foundation for the Performing Arts Classical Guitar Sponsor
Rafael & Kimberly Daniel de Acha Foundation Opera d’arte Sponsor
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CCMPOWER The University of Cincinnati College-Conservatory of Music has both a national and international reputation for excellence. In order to bring and retain top talent, CCM must be able to offer competitive scholarship and grant opportunities to our students. CCMpower raises funds through membership and special events in order to provide the resources that attract the best and brightest students. These dollars also provide funding for students to travel the country to perform in auditions, competitions and attend professional development conferences and internships. In addition, CCMpower provides faculty funding to invite top artists in their field to work with our students in master classes and private lessons. Please join us today by becoming a member of CCMpower. Because you understand the value and benefit of what is being taught and the talent that is being nurtured, we hope you’ll support CCM and the next generation of students. With warmest regards, Arlene Katz President, CCMpower
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STAFF
FACULTY AND STAFF Division of Theatre Arts, Production and Arts Administration (TAPAA) Denton Yockey, Division Head, TAPAA/Executive Producer Aubrey Berg, Chair of Musical Theatre Department Michael Blankenship, Resident Scenic Artist Rebecca Bromels, Arts Administration Angelika Bonyhatti-Kovacs, Dance Accompanist Deirdre Carberry, Resident Dance Choreographer/Ballet Michael Carr, Musical Theatre Instructor/Movement Rebecca Childs, Musical Theatre Instructor/Music Theory Colleen Condit, Program Manager, Dance Tracy Connor, Acting Instructor/Improv Elaine Cox, Financial Administrator, TAPAA Anne Cushing-Reid, Arts Administration Instructor Denise Dal Vera, Business Skills for the Actor Instructor Vincent DeGeorge, Weinberger Chair, Musical Theatre/Opera Performance Gema Diaz, Dance Instructor Wendy Dorn, Theatre Design and Production Instructor Isabele Elefson, Dance Instructor Gregory S. Falcione, Resident Master Electrician Susan Felder, Acting/Movement James H. Gage, Resident Lighting Designer Jeri Gatch, Dance Instructor Stephen Goers, Musical Theatre Instructor/Music Director Roger Grodsky, Musical Theatre Vocal Coach/Conductor Robin Guarino, Chair of Opera Department Patti Hall, Program Manager, TAPAA Mark Halpin, Resident Scenic Designer Jean Hamilton, Arts Administration Department Director Richard E. Hess, Chair of Acting Department Jonnie Lynn Jacobs-Percer, Dance Instructor/Ballet Qi Jiang, Chair of Dance Department Katie Johannigman, Musical Theatre, Choreographer and Director k. Jenny Jones, Acting/Movement, Stage Combat Michele Kay, Chair of Theatre Design and Production Department/Stage Management Diane Lala, Resident Musical Theatre Director/Choreographer/Jazz/Pilates
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Wendy LeBorgne, Voice Pathologist Marie-France Lefebvre, Opera Coach Patricia Linhart, Voice/Musical Theatre D. Lynn Meyers, Drama Instructor/Audition Techniques Judith Mikita, Interim Dance/Modern Kathryn Miller, Resident Properties Artisan Steve Miller, Associate Director of Theater Ops Dean Mogle, Resident Costume Designer Laura Molander, Theatre Costume Draper Susan Morrison, Costume Shop Manager Susan Moser, Acting and Opera Instructor/Theatre Movement Robert G. Pavlovich, Acting for the Camera/Theatre History David Ralphs, Dance Accompanist Katelyn Groh Reid, Instructor/Dialects Brant Russell, Acting/Script Analysis/Artist in Society/Director Ted Seaman, Dance Accompanist Rebecca Senske, Associate Costume Designer Stirling Shelton, Technical Director Marcus Shields, Interim Opera Director D’Arcy Smith, Voice Production/Vocal Coach Julie Spangler, Musical Theatre Instructor/Music Director Sharon Stith, Financial Administrator, TAPAA Kristin Suess, Arts Administration Instructor/Career Management Tricia Sundbeck, Dance Instructor Douglas Sutton, Dance Accompanist Michael Tevlin, Resident Dance Choreographer/Ballet Matthew Tibbs, Resident Sound Designer Regina Truhart, Costume Technology Thomas C. Umfrid, Resident Scenic Designer Kathryn Webster, Acting Instructor, Voice Production Kyle Wichman, Scene Shop Foreman Mark C. Williams, Lighting Technology and Design Karen Wissel, Dance Instructor/Modern Kelly A. Yurko, Resident Make-Up and Wigs Designer
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CCM ADMINISTRATIVE STAFF Stanley E. Romanstein, Dean & Thomas James Kelly Professor of Music Stephanie Schlagel, Interim Associate Dean and Director of Graduate Studies John Martin, Assistant Dean, Preparatory and Community Engagement Anne Cushing-Reid, Director of Engagement, Special Programs and Partnerships Andrea M. Fitzgerald, Assistant Dean, Enrollment Services Kandice Odister, Admissions Program Manager Diane White, Director of Business Affairs Steve McConnell, Business Manager TJ Hizer, Human Resources Consultant Karen Tully, Senior Director of Development and External Relations Sarah Mizelle, Director of Development and External Relations Olivia Coletta, Assistant Director of Development and External Relations Jamie Muenzer, Associate Director of Alumni Relations Curt Whitacre, Director of Marketing and Communications Mikki Graff, Graphic Designer Rebecca Butts, Assistant Public Information Officer Jonathan Dellinger, Alexandra Doyle, Public Information Assistants Mark Lyons, Photographer Rayburn Dobson, Jr., Senior Director of Performance Operations John McDonagh, Director of Facilities and Performance Services Eric Wolfley, Director of Piano Services Rebekah Whitacre, Piano Technician Simรณn Sotelo, Director of Recording Services Eric Louie, Scheduling Manager Jeanne Rose, Box Office Manager Emily Bauer, Albert Carter, Hannah Hoffman, Box Office Assistant Managers Grace Ankenbauer, Lilly Bedell, Emma Brueneman, Nia Burns, Ashley Centers, Jack Clayton, Claire Davis, Rory Hefner-Templar, Sarah Huesman, Christopher Jacobs, Brent Levy, Shannon Lock, Trey Peterson, Tony Smith, Box Office Staff Ilona Eke, Eric Morin, Corey Wickline, House Managers Kate Alexandra, Faroq al-Rajoub, Andrew Baker, Taiga Benito, Lily Couch, Olivia Darling, Christina Emery, Carmen Granger, Jennelle John-Lewis, Hannah Lohr-Pearson, Emily Mays, Acacia McCray, Michele Mensah, Sarah Minneman, Geoffrey Mintz, Nolan Monigold, Danny Mylott, Anurag Neti, Vraj Patel, Erin Rowland, Haleigh Sano, Sarah Sheerajin, Max Schaefer, Laura Sink, Gabby Ullman, House and Operations Staff Jos. Berning Printing Company, Printing House Industries, Neutra Text Font Design
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www.uc.edu/ce/olli (513)556-9186 CCM 23
INFO
GENERAL INFORMATION CCM BOX OFFICE: Located in the CCM Atrium, the Box Office is open Monday through Friday, 12:30-6 p.m.; Saturday, noon-4 p.m.; and one hour prior to curtain for Mainstage performances. MasterCard, Visa and Discover cards are accepted. CCM Box Office, P.O. Box 210003, Cincinnati, OH 45221-0003; 513-556-4183. PARKING: Convenient parking is available in the CCM Garage at the base of Corry Boulevard off of Jefferson Avenue. Additional parking is available in garages throughout the UC campus. Any questions concerning on-campus parking should be directed to UC Parking Services at 513-556-2283. TAX CREDIT: If you find that you cannot attend your performance, your tickets may be donated for tax credit as a charitable contribution. Simply notify the Box Office prior to the performance to release your seats, and give your name and address. A tax donation receipt will be mailed to you. EMERGENCY CALLS: If you are likely to receive an emergency call during a performance, please leave your name and seat location with the House Manager. If you have a beeper, we also request that you leave it with the House Manager along with your seat number so as not to disturb the audience and performers. In case of emergencies, this will help us locate you as quickly as possible. LOST AND FOUND: 513-556-9413 HOUSE POLICIES: The House Manager has been instructed
to minimize the disturbance to patrons already seated when accommodating latecomers. The director and producer of each production select times that are least likely to interrupt the performance, and latecomers will be seated only during these times. Latecomers who miss these opportunities will not be admitted until intermission. Children under the age of six will not be admitted. CAMERAS, PHONES AND RECORDING DEVICES: The use of cameras, with or without flashes, recording devices, cellular phones and other electronic devices inside the theater is prohibited. Please leave them with the House Manager. SMOKING AND REFRESHMENTS: Smoking and refreshments are not permitted in the theater. Effective May 1, 2017, smoking and tobacco use (including chewing tobacco and electronic cigarettes)
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shall be prohibited by students, staff, faculty, visitors, vendors and contractors at all times in or on University of Cincinnati properties, including events on university property during non-school hours. This includes all shelters, indoor and outdoor theaters and athletic facilities, bridges, walkways, sidewalks, residence halls, parking lots, and street parking and garages owned by the university. HEARING ENHANCEMENT: Telex listening devices are available for checkout during performances in both Patricia Corbett Theater and Corbett Auditorium. Please inquire at the Box Office. WHEELCHAIR SEATING: Wheelchair seating is available in both Corbett Auditorium and Patricia Corbett Theater. Seating is limited, so reservations should be made with the Box Office when ordering tickets. These seats are subject to availability. GROUP SALES: The Box Office can accommodate groups for major productions and concerts. Preview and benefit performances are also available for some productions. For more information, call the CCM Box Office at 513-556-4183. CCM ONLINE: ccm.uc.edu JOIN THE CCM FACEBOOK COMMUNITY: www.facebook.com/ UCCollegeConservatoryofMusic FOLLOW CCM ON TWITTER: twitter.com/uc_ccm VIEW CCM ON INSTAGRAM: instagram.com/uc_ccm READ THE CCM VILLAGE NEWS BLOG: ccmpr.wordpress.com The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.
KNOW YOUR EXIT
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JOHN HARRISON
home
•
VISUAL CONVERSATIONS
a new book that transports readers into the homes of 21 prominent Cincinnatians featuring interiors by John Harrison • photos by Robert A. Flischel • words by John Faherty BOOKS AVAILABLE FOR PURCHASE AT ANY JOSEPH BETH BOOKSELLERS LOCATION: $50
www.johnharrisonhome.com 100% of proceeds benefit THE CCM HARMONY FUND: CCM 26
CHALLENGING HATE AND PREJUDICE THROUGH PERFORMING ARTS