Art Market | San Francisco
April 20 – 23, 2023 | Booth C05
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Art Market | San Francisco
April 20 – 23, 2023 | Booth C05
TheMuseumofFoundObjects(MOFO)is a body of work that focuses on the ceramic appropriation of artworks and objects primarily sourced from online museum archives, such as the Metropolitan Museum of Art. The objects are displayed in a setting which evokes a poorly run and underresearched museum.
MOFO was a project I began during my residency at Sonoma Ceramics. My intention was to play with the notion that art objects are often appraised by their contexts alone. In an art world primarily motivated by markets, artworks are categorized by their value (historical, cultural, and monetary), and some fall through the cracks and are never put on the same pedestals as others, if they are recognized at all. Within these categorizations, objects can be cast off as second-rate or idolized through an exotified anthropological lens. While some objects will garner cult followings that understand their real merits in time, until then, they exist through those who hold the knowledge of their existence and those who choose to share them with the world.
Through this body of work, I do not criticize the artists themselves, for the most part. Rather, I critique how legacies are chosen and erased through almost arbitrary connotations of value resulting from consumer markets, Eurocentricity, and privileges of race, gender, etc. The concept of institutions, such as museums and public and/or private collections, guiding the public's tastes and exposure to artwork, leads to blind spots. Many artworks will never be in the limelight for a multitude of reasons, such as a lack of immediate popularity, a lack of understanding, or lack of interest from funders. Whatever the reason, the rift created follows the individual works indefinitely.
In The Museum of Found Objects, I use this opportunity to combine works into layered and comical – and intentionally confusing – mixtures that critique the divide among objects that institutions build upon. The works are bootlegged in clay from sources such as screenshots from online museum collections, pages from out-of-print catalogues, bookmarks from social media, and stills from documentaries (and typically from one image alone, with many of their edges, backsides, and level-sitting sides and scale left up to the imagination). These works are then further taken out of context with wall labels that emphasize them as objects they are not (e.g., a Ken Price cup as a relic from the volcanic explosion at Pompeii, a guitar made by a child as a Pablo Picasso sculpture, and an early Martin Wong piece as a taxidermized cryptid from Indonesia).
Through this installation, I want to mimic mishandlings, malaprops, and mistakes some of which I have observed in real museums. I believe it's essential to make fun of them - the mistakes, not the artworks for which I have a deep appreciation. The mistakes are often hidden behind the grandeur of art and the illusion of an all-knowing and correct/justified institution. I am just doing what museums occasionally do - mishandling works by composing them out of their original intention, falsely attributing them to the wrong artist or with the wrong history, overly glorifying certain fields of knowledge and some artists over others, and of course, looting them from where they belong. This body of work furthers my installations of fake establishments to continue exploring the value of art itself as an object. How do pieces of art fit into our globally marketfocused world? How are they commodified? On what is their value based? How do museums, galleries, and social structures of power and inequity shape our perceptions of what is valuable art and what is not?
– Reniel Del Rosario
Reniel Del Rosario (b. Iba, Philippines) uses ceramics, quantity, and satire to discuss themes of commodification and value. His projects range from interactive mimicries of consumer establishments, reimaginings of artifacts, and imperfect copies of already-existing objects. He holds a BA in Art Practice from the University of California at Berkeley. He is a 2019 recipient of the Center for Craft’s Windgate-Lamar fellowship, a 2022 SFMOMA Artists Soapbox Derby racer, and has been featured in publications such as Artforum and Bon Appetit. His work has been exhibited internationally through traditional and alternative venues such as the Contemporary Art Museum St. Louis, San Francisco Museum of Modern Art, Catharine Clark Gallery, Jane Lombard Gallery, Meta Open Arts, and simply on the public sidewalk. In 2023, Del Rosario will have a solo exhibition at Praise Shadows in Brookline, MA curated by Yng -Ru Chen.
11 x 22 x 23 inches
$2,800
9 1/2 x 8 1/2 x 5 1/2 inches
$650
6 x 5 1/2 x 3 1/2 inches
$400
Beaver, 2022 – 2023.
4 x 2 x 1 1/2 inches
Approx. 12.5 x 10 x 2 inches individually
Approx. 44 x 36 x 2 inches installed
$3,500
11 3/4 x 21 1/2 x 1 3/4 inches
$1,500
Definitely a Fragment of a Plate, 2022 – 2023.
8 x 7 1/2 x 1/2 inches
$400
7 x 12 x 8 inches
Disposable Plate, 2022 – 2023.
8 x 8 x 3 inches
$400
Plant, 2022 – 2023.
4 1/2 x 6 1/2 x 2 inches
$400
2 x 11 x 2 inches
Fixed Museum-Quality Antique, 2022 – 2023.
6 x 5 1/2 x 4 inches
33
$2,000
5 x 8 x 4 1/2 inches
5 1/4 x 7 x 3 inches
Remnants from the RMS Titanic, 2022 – 2023.
11 x 13 x 15 inches
Salad Plate, 2022 – 2023.
Ceramic
2 1/2 x 15 x 9 inches
$700
Scholar's Rock, 2022 – 2023.
14
6 1/2 x 10 x 5 1/2 inches
$800
24 1/2 x 17 1/2 x 1 1/2 inches
$2,000
Underproofed Pizza, 2022 – 2023.
2 1/2 x 12 x 11 inches
$600
8 x 7 x 7 inches
Worship Statuette, 2022 – 2023.
10 1/2 x 6 x 4 inches
$800
Depicting Early Concept of the Cosmos (Presumably Destroyed by the Catholic Church), 2022 – 2023.
17 x 17 x 16 inches
$2,000
Extremely Important Fragments, 2022 – 2023.
Ceramic Dimensions variable
$1,400
15 x 13 x 17 inches
$4,000
of a Totem Pole, 2022 – 2023.
15 x 10 x 9 inches
$1,800
Collection of Oriental Cups, 2022 – 2023.
3 1/2 x 36 x 5 inches
$600
12 x 12 x 4 inches
American Advertising Jug, 2022 – 2023.
Untitled from Rene Magritte’s ‘Bad Paintings’ , 2022 – 2023.
8 1/2 x 14 x 1 1/2 inches
$1,500
4 1/2 x 10 x 9 inches
$1,200
Commemorative T-shirt (... Rediscovery Awaits), 2022 – 2023. Edition of 19 $30
Commemorative Mug (Mug Mug), 2022 – 2023.
Edition of 10
$30
Commemorative Mug (Anthropological Array Mug), 2022 – 2023.
Edition of 10
$30
Commemorative Eraser (Erasing History), 2022 – 2023. Edition of 50
$5
Commemorative Pencil (Rewriting History), 2022 – 2023. Edition of 432
$1
Commemorative Enamel Pin, 2022 – 2023. Edition of 50
$10
Commemorative Button Pins (Loot Box Treasures), 2022 – 2023. Edition of 100
$2