Annual Report 2022 1
CENTRAL COAST CONSERVATORIUM OF MUSIC
Photo by David Benson
2
| ANNUAL REPORT | 2021
SECTION
SUB SECTION
3
CENTRAL COAST CONSERVATORIUM OF MUSIC
4
| ANNUAL REPORT | 2021
SECTION
SUB SECTION
Contents President’s Report Treasurer’s Report Interim CEO’s Report Artistic Director’s Report About Us
6 10 12 14 16
Our Board
18
Our Staff
20
The Con Family
22
Our Students
24
Lessons & Programs
26
Instrumental Lessons
28
Vocal Lessons
30
Strings Program
32
Musicianship
34
Ensembles
36
Children’s and Youth Choirs
38
Children’s Music Program
40
Keyboard Club
41
Music Outreach
42
Schools Program
44
Music Therapy
47
University of New England
48
Con in the community
50
Concerts & Events
52
Sponsors, Donors & Affiliates
54
Scholarships & Bursaries
57
Our Alumni
68
Cover photo by Skylark Media
5
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
President’s Report
Thank you to our teachers and students who persisted with their music over the difficult COVID years and are now relishing learning and performing live. However, while we have enjoyed the opportunity to have the Central Coast Conservatorium of Music (CCCM) overrun with students and teachers once again, let us remember that the experiences of 2020 and 2021 altered and reshaped approaches to music teaching. In many ways our future has been reimagined and we have a great opportunity to extend our reach in the online and hybrid environments. As well as our welcome return to face-to-face teaching, here are some
CLAIRE BRAUND
other highlights from 2022.
MOVE BACK TO 45 MANN STREET After more than a year ‘camping out’ at 35 Mann Street, we were able to move back to the renovated building at the end of 2022. While the new building is not perfect, the reimagined light filled spaces with purposebuilt facilities for teaching and administration have transformed the building to something very special. The Conservatorium and the wider Central Coast community now have an engaged and beautiful place and a wonderful boutique concert hall at the heart of a city which is slowly, but surely, being redeveloped.
6
PRESIDENT’S REPORT
CLAIRE BRAUND
The Conservatorium and wider Central Coast community now have an engaged and beautiful place and wonderful boutique hall at the heart of a city which is slowly, but surely, being redeveloped.
On behalf of the board, I extend our deep gratitude to
particular securing a $247,599 grant at the end of 2022
builders, Buterin L’Estrange. Zac and his team laboured
from Create NSW to augment our building program and
long and hard on our building, with good humour
allow us to fit out the Robert Knox Hall and renovate
and always with the client in mind. Thank you also to
some very old teaching spaces in Georgiana Terrace.
architect Damien Furey, design architect Angelique Perak and to the de-facto project manager and building committee Chair, Rob Kitchen. Thank you also to the teachers, administration staff, management team and interim CEO, Bettina Pidcock, for bearing with the upheaval of the building, the move to and from 35 Mann Street and the mammoth task of cleaning up
The CCCM finances will continue to be prudently and sustainably managed as we address new challenges in 2023 and beyond, including grant funding declining in real terms and rising costs.
WELCOMED A PERMANENT CEO
39-years of accumulated possessions when we moved
At the end of 2022 and following a long search we
back in late 2022.
appointed Dr Lisa Barnes as the CEO of the CCCM. Dr
HEALTHY FINANCES On the financial front, we are in good shape with our revenues of $2.075M slightly up on the 2021 year. Surplus is a healthy $100k if we exclude the government construction grants which are now
Barnes came to the Conservatorium from Avondale University at Cooronbong, where she was Head of the School of Arts and Business. Growing up on the Central Coast, Dr Barnes spent much time performing in eisteddfods, with the Central Coast Concert Band and in musical theatre.
included in income. Surplus in any business is a good
Dr Barnes assumed the CEO mantle on 3 January
thing – particularly in a service based not for profit
2023, taking over from interim CEO Bettina Pidcock,
organisation which has a strong reliance on grant
who stepped in as interim CEO in November 2021
funding and philanthropy to get it through.
and saw us through the challenge of returning to
Particular thanks to 2022 Treasurer, Tracie Elvidge, for her financial oversight and leadership in getting us through the COVID and construction years in such solid shape. Thanks also to interim CEO, Bettina Pidcock, and Financial Controller, Rod Bowman for their work, in
face-to-face teaching after COVID, moving out of 45 and into 35 Mann Street and near completion of the major building project. Sincere thanks to Bettina for her leadership throughout 2022 and for staying the course. It was very much appreciated.
7
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
MOVING FORWARD WE WILL CONTINUE TO REFRESH THE BOARD At the AGM of 2022 we saw board members Jennifer Lush and Peter Brandon step down. Peter after a long association with CCCM during which he steadied the ship during one or two periods of turmoil, gave significantly of his time and knowledge and provided a solid foundation on which to build the organisation. Paul Murnane AM stepped onto the board, bringing deep board and corporate advisory experience, across the listed and not for profit sectors.
We are also very focussed on building faculty pride and invite all staff and current students to become strong advocates for CCCM.
BUILDING PARTNERSHIPS AND DEEPENING CONNECTIONS Key to the success of CCCM is growing our community and business partnerships across the Coast and ongoing engagement with other institutions and organisations who are working to create an educational precinct in Gosford. CCCM is well placed to continue to build solid relationships
Moving into 2023 we will continue to strengthen
with all members of Parliament on the Central
our governing body with the necessary skills
Coast. We will continue to engage with the NSW
and experiences to stand us in good stead as we
State Government about the development of a
navigate the ever-changing business landscape. The
TAFE campus in central Gosford and the University
CCCM Board roles are unpaid positions, meaning
of Newcastle which is building a campus on Mann
many hundreds of volunteer hours are devoted to
Street. Our vision is for the Conservatorium to
the Conservatorium by the board whose wisdom,
become part of a new enriched educational precinct
experience and willingness to roll their sleeves up and
and give us a greater platform from which to take our
appropriately support our small management team is
advocacy and to grow and build.
critical to the success of our organisation.
MAXIMISING OUR NEW CAMPUS
IN CONCLUSION The Central Coast Conservatorium of Music is a great
The key priorities for the Conservatorium in 2023
asset to the city of Gosford and the Central Coast.
will be focussed around maximising the utilization
Its students, staff and board are part of the rich and
of our campus at 45 Mann Street and expanding our
growing tapestry of creative and performing arts
footprint via new programs and offering lessons
bodies and artists whose gifts allow our minds to
in non-core hours to a new and different cohort
flourish and our souls to sing.
of students; such as adults returning to music education, preschool aged children and people living with a disability. 8
SECTION
SUB SECTION
Photo by Skylark Media
9
CENTRAL COAST CONSERVATORIUM OF MUSIC
Photo by Luke Butterly
10
| ANNUAL REPORT | 2022
TREASURER’S REPORT
TRACIE ELVIDGE
Treasurer’s Report TRACIE ELVIDGE The 2022 Financial Year was anticipated to be
Challenges continued with the renovation of 45
the first year since COVID 19 for the Central Coast
Mann Street which had impacts not only on teaching
Conservatorium of Music to move beyond a paradigm
spaces but also on the budget. The building industry
of survival to recovery. The organisation experienced
through 2021 and into 2022 was in the midst of
a drop in enrolments and teaching revenue but, as
material shortages and escalating prices, combined
a result of the winding back of COVID restrictions,
with a wetter than usual 2022, the renovation project
revenue from events was 10 times that earned
budget and timelines stretched well beyond the
in 2021. The organisation was also successful in
original plan. Our builders are to be thanked for their
applications for further building grants to improve its
flexibility and proactive responses to the challenges
45 Mann St home.
which helped contain costs as much as possible
Cash reduced in 2022 compared to the end of 2021, the result of the completion of payments for the building renovation.
through a very challenging project. The building is now a beautiful space for our community to enjoy and experience the pleasure of learning music. Another project commenced in 2022 was the
2022
2021
Revenue
$2,997,197
$2,619,177
Expenses
($1,997,006)
($2,055,363)
$1,020,191
$563,814
development of an online enrolment and payment portal for the Schools Program on our website. The aim was to improve our customer experience with an online enrolment and payment portal and create efficiencies in the enrolment process for the administration and
Profit
finance teams. This project is ongoing. With the appointment of Dr Lisa Barnes to lead the
This snapshot of the financial results for 2022
organisation into 2023, the new renovation almost
compared to 2021 may show a solid improvement
completed and the securing of further funding,
in income and profit, but this is not a direct result
the organisation is moving forward in 2023 with
of operations. The increase in revenue can be
strong leadership, a solid financial position and the
attributed to the increase in grants and the removal
upgraded spaces to deliver excellent programs.
of government stimulus funds as compared to
Thank you to all members of the finance team for
2021. The organisation was also able to achieve an
their efforts throughout 2022.
improvement in expenditure compared to 2021.
Tracie Elvidge, 2022 Treasurer
11
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Interim CEO’s Report The importance of this grant cannot be overstated – it enables us to build capacity, which in turn helps us to grow. It allowed the fit out of the Robert Knox Hall with state-of-the-art audio-visual equipment, that will make this a premium performance space. The program of works funded by this grant builds on the substantial work of the previous $2m grant, which was still in progress throughout the year. A further highlight was the successful renewal of our Department of Education funding. This is a triennial grant, and it requires a rigorous approach to developing goals and measurements of success.
BETTINA PIDCOCK I had the privilege of acting as the CEO of the Central Coast Conservatorium of Music for the entirety of 2022. While initially I thought I would act in this role for only a few months, it made sense to stay on until the refurbishment of our beautiful building at 45 Mann St was in sight.
CCCM was again confirmed as a Tier 1 Regional Conservatorium. As the year drew to a close, finishing touches to the building included the furniture and fittings, which make it an inviting space for students, parents and community. At last, we were able to return to our new home. Together with the board, we found a wonderful new CEO in Dr Lisa Barnes – a local who has a strong record of academic achievement and leadership that
The year held many challenges, with COVID still
will stand CCCM in good stead for years to come. I’d
rearing its head from time to time. Our application
personally like to thank the teachers, staff and board
for a Create NSW grant of $5m was not successful,
for their support during the year.
however, due to the quality of our submission, we were strongly encouraged to apply for $247,599 which we were successful in securing. The grant submission was a significant undertaking with outstanding contribution from senior staff and board members.
12
Bettina Pidcock, 2022 Interim CEO
CHIEF EXECUTIVE’S REPORT
BETTINA PIDCOCK
Photo by Xavier Cardozo
13
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Artistic Director’s Report
PATRICK BRENNAN Once again in 2022, the Central Coast Conservatorium
Harris and her team of educators worked diligently
of Music artistic team, administration and board
during 2022 to reinvigorate the Schools Program; the
worked tirelessly and cohesively to deliver an
fruits of which will be realised in the coming years.
outstanding education and performance program for our enthusiastic students, families and the Central Coast community. It was certainly a year of challenges, most of which were driven by the excitement around teaching face-to-face and performing to live audiences at venues on the Coast. This was an exciting period, a renaissance of growth in performance opportunities
Our ensembles program is a pillar of our performance program, providing students with excellent extension and development in their musical understanding and performing. Rehearsing and performing in ensembles also builds cohorts and friendships that so often last the test of time.
and musical engagement with our community and
The enthusiasm shown by our students and teachers
audiences of the past.
to learn and work in the ensembles, is evidenced by all
During 2022, the CCCM again dug deep in the Schools Program. Working in the schools’ environment is a challenging educational landscape to navigate, without the added stresses of rebuilding once thriving programs that were decimated in 2020 and 2021. Vicki 14
they have achieved over the course of the year. Some of these students will go on to forge careers in music and/or music education, while others will remain committed to making music in their community.
ARTISTIC DIRECTOR’S REPORT
PATRICK BRENNAN
Our ability to perform locally and further afield in
The financial support from the NSW Department of
2022 was critical for these programs to grow musically
Education, our donors and sponsors continues to be
with notable performances including: Opera in the
critical to giving our students access to high quality
Arboretum (Central Coast Chamber Orchestra), Opera
music education and performance opportunities via
Australia’s touring performance of The Barber of
our program of bursaries and scholarships. Thank you
Seville (Central Coast Children’s’/Youth Choir), NSSWE
for your continued support.
Spring Music Festival in Chatswood (Symphonic Wind Orchestra and Primary Wind Ensemble), Premier Ensembles Concerts and our local Band Fest.
Finally a big thanks to our teachers, the lifeblood of our organisation, who once again maintained extraordinary resilience, offered wisdom, and encouraged excellence,
Special mention must be made of the Central Coast
all of which continue to underpin and maintain our
Youth Orchestra students who auditioned and won
artistic and educational standards to the highest level.
positions in Regional Youth Orchestra NSW (RYO). These students represented our Conservatorium and the Central Coast playing with the Australian World Orchestra (AWO) and the Sydney Symphony Orchestra (SSO). Importantly these students made up one quarter of RYO NSW in 2022 with the orchestra being led by
The ongoing commitment of our staff and students to embrace performing at the Conservatorium and our associated venues, exemplifies the incredible spirit that has enabled us to flourish for 40 years and bodes well for us into the future.
the 2022 winner of the Allen Family Scholarship, Kaito Deed. Congratulations to these students and we look forward to sending many of them to participate in the RYO 2023 projects that include working with the SSO, AWO and the London Symphony Orchestra. In 2022 we saw the resumption of classes and one-toone lessons being delivered on multiple campuses for the duration of the year. Working on three separate sites created challenges for our teachers and the administrative team, but it was excellent to see students returning to near pre-pandemic numbers. Many of these students and staff participated in solo performance opportunities and workshops with
It was certainly a year of challenges, most of which were driven by the excitement around teaching face-to-face and performing to live audiences on the Coast.
notable performances including the Allen Family and Pearl Beach Scholarship Finals. 15
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
About Us
In 2023 the Central Coast Conservatorium of Music turns 40. That’s four decades of delivering quality musical education and concerts to people on the Coast. Today CCCM is a leader in music education and performance. We deliver quality musical education services that support grassroots learning through to professional practice while contributing to the culture, lifestyle and development of the community.
CCCM delivers quality musical education services that support grassroots learning through to professional practice.
Located in the heart of Gosford CBD within the recently refurbished historic former police station and courthouse on Mann Street, our programs are
of students of all ages via one-to-one lessons, group
funded by the local community through lesson
classes and ensembles - including our renowned
fees, sponsorship and donations – with additional
Central Coast Youth Orchestra, Primary Wind
assistance by the NSW Government.
Ensemble, Symphonic Wind Orchestra and Children’s
The Conservatorium was established in 1983
and Youth Choirs.
as one of the NSW Conservatorium of Music’s
The Conservatorium also holds popular community
Regional Music Centres, teaching classes out of the
events, concerts and workshops showcasing the
old Gosford Primary School plumbing workshop.
talents of students and teachers and involving
However, over the next five years student and
members of the wider music community.
teacher numbers grew exponentially, and it was clear that a larger, more permanent building was needed.
The building is also used for rehearsals and performances by various community groups, is the
In 1987 the Conservatorium found its new home
Australian Music Examination Board (AMEB) Central
in the old police Station and courthouse, and in
Coast Examination Centre, and plays an important
1993 its name was registered as Central Coast
role in the cultural development of our region.
Conservatorium Inc. Today CCCM provides music programs to hundreds
16
ABOUT CCCM
INTRODUCTION
Photo by Terri Dawson-Winiata
17
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Our Board CLAIRE BRAUND | PRESIDENT Claire is a Central Coast-based businesswoman and co-founder of Women on Boards. She is an experienced Non-Executive Director on small private businesses and large not-for-profit organisations who serves on the boards of WOB Australia Pty Ltd and Coast Shelter Emergency Accommodation Ltd,. A 2011 Churchill Fellow for her research into gender balance on boards, Claire has deep expertise in diversity and inclusion and is a well-known speaker and commentator in the area. She is also a graduate of the Benevolent Society’s Sydney Social Leadership Program . Claire’s interest in Central Coast Conservatorium of Music stems from her love of the visual and performing arts and the impact they have in the development of children and advancement of society. Elected to the Board in 2016.
TRACIE ELVIDGE | 2022 TREASURER Tracie is a senior business and finance professional experienced in the SME sector. She has been a member of several leadership teams guiding strategy for financially sustainable businesses and holds an executive position with Macarthur Group Holdings. Tracie started piano at a young age and for over 30 years has been teaching private students of all ages. She has previously studied clarinet and continues to study classical singing with regular performances with the Sydney Philharmonic choirs. Elected to the Board in 2019. Resigned November 2022.
KATE MCCALLUM | SECRETARY Kate McCallum is a leading Australian financial adviser and co-founder and director of award-winning firm, Multiforte Financial Services. She has an extensive background in business strategy and finance, having held executive positions at Westpac, BT Financial Group and Commonwealth Bank. Kate is a published author, media commentator, successful business woman and recipient of multiple awards in the Financial Services industry. Kate holds a BA Hons from the University of Sydney, an MComm from the University of New South Wales, and post-graduate qualifications in financial advice and applied finance. 18
ABOUT CCCM
BOARD MEMBERS
HILARY DAY Hilary graduated as a physiotherapist from Cumberland College of Health Sciences and has worked for the Central Coast Local Health District for 22 years and Residential Aged Care for 17 years. She is committed to providing free public health services to the residents of the Central Coast and brings to the board her skills as a coordinator gained through wide teamwork experience. In her music profession, Hilary achieved her diploma in cello and was employed as the cello tutor at the Central Coast Grammar School for 18 years, as well as many years teaching privately.
ROB KITCHEN Rob is a civil engineer working with deep expertise as a project manager for large scale private, Local and State Government projects. He previously worked with Pacific Link Housing to increase its housing portfolio and with the NSW State Government at the Department of Land and Property and the Department of Planning on the $1 billion mixed use redevelopment of Gosford Waterfront. Rob is Chair of Coast Shelter Emergency Accommodation Ltd and has extensive international experience in the whole range of construction processes from conception to completion. Elected to the Board in 2019.
PENNY LEE Penny is an experienced legal professional who worked as a legal adviser to the British government in London for eight years. Prior to this, she provided legal advice to the United Nations in West Africa and works for the NSW Government. Penny holds a Bachelor of Laws, a Master of Laws and an Arts degree. She specialises in 19 governance and procedures and has developed and implemented significant strategic
operational procedures for the NSW Government. Penny also plays the violin . Elected to the Board in 2019.
PAUL A MURNANE AM Paul has more than 35 years of diversified experience in investment banking/financial services, consulting, and general management in Australia and overseas. Paul has wide experience both as a non-executive chair and director and as an advisor to many boards in the public listed, private unlisted, and government sectors and has extensive experience in the not-for-profit sector. Paul serves on the boards and committees of organisations involved in philanthropy, education, social enterprises and corporate governance and is a former non-executive with the Australian String Quartet where he served for a 13-year term. Elected to the Board in 2022.
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Our staff ADMINISTRATION
MUSICIANSHIP
PERCUSSION
Dr Lisa Barnes * Chief Executive Officer 2023
Head of Department Phillip Rutherford
Sean Steele + schools
Bettina Pidcock (Interim CEO 2022)
Melissa Lark
Rod Bowman Financial Controller
STRINGS
Patrick Brennan Artistic Director
Head of Department Karina Moss-Hollands Violin + schools
Nicky Castle Events Manager Geraldine Cardozo Marketing Manager Sharon Ferguson Accounts & Payroll Office Kathleen Novosel * Administration Assistant Lilli Barnes * Administration Assistant
TEACHERS WOODWIND Head of Department Rosalie Bourne * Flute + schools Joanne Arnott - Recorder + schools Brendan Berlach - Saxophone + schools Patrick Brennan - Bassoon Derek Galloway - Flute + schools Vicki Harris - Saxophone, clarinet + schools Jennifer Knight - Flute Kevin Smith - Clarinet, saxophone + schools Nicole Wyatt - Flute + schools
Chaylah Chivas- Violin Heather Hinrichs - Cello Marina Hopcroft - Violin Suzie Kim - Violin Fiona Lugg - Bass Emma Townsend - Violin Ashley Turner - Bass
PIANO Head of Department + Curriculum Coordinator Carl Schmidt Matthew Brooks Liam Burrows * Aaron Carey Kimberly Gilbert Sharon Hatton Elisabeth Jacobs Liisa Mannukka Lilli Naulu Svetlana Vokurka
Michael Sparks + schools
BRASS Head of Department Trish O’Hearn Trumpet + schools Radu Boros - French horn E-Yang Liu - Brass + schools David Markham - Brass + schools Tim Rees - Brass Phillip Rutherford - Brass + schools
VOCAL Michaele Archer Yvette Masters Tim Page Liam Burrows *
CHILDREN’S MUSIC PROGRAM Melissa Lark Joanne McMahon Mandy Yule
MUSIC THERAPY
GUITAR
Emma Townsend
Head of Department Guy Strazz
Teachers marked ‘+ schools’ also teach in the Schools Program.
Steve Smillie + schools
* These staff members joined the Conservatorium in 2023.
ABOUT CCCM
STAFF MEMBERS
21
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
The Conservatorium Family: From students to teachers At Central Coast Conservatorium of Music we live by the motto music is for life. We pride ourselves on creating a nurturing, welcoming learning environment that guides students through their music education, from preschool through to tertiary education and beyond. No wonder then that so many of our former students have returned to CCCM as teachers.
“I would sit there every week looking at a musical instrument poster in the tutor’s room, that’s where I discovered the violin when I was six,” says Suzie, who also picked up clarinet and viola along the way. “I’ve essentially grown up within the CCCM taking part in their wind ensembles, Central Coast Youth Orchestra, Saturday String Program and conducting classes but also making the most of the CCCM’s diverse connections with other regional conservatoriums and touring orchestras and musicians.”
SUZIE KIM
Suzie also loves being a part of a student’s journey through music, whether they are in kindergarten just
When she’s not busy unearthing hidden musical gems
starting or an adult wanting to get into music. “Being
written for viola, Central Coast Conservatorium strings
part of their growth and guiding them towards their
tutor and former student, Suzie Kim, is inspiring
fullest potential is a magical feeling as a teacher,
and guiding the next generation of Central Coast
personally. Seeing a student’s reaction when they
musicians to fulfill their music potential. “Music is such
understand a concept or successfully play a passage
an important part of growing up because skills that
for the first time, allows me to feel that I’ve made a
you develop by being a musician carry with you into
positive difference in them presently but also for their
adulthood,” says Suzie, who teaches violin and viola.
future.” She is also passionate about giving back to
She got into music through her mum, who was having
the Central Coast community and being part of the
flute lessons at the Conservatorium.
region’s proud artistic cultural heritage.
22
THE CON FAMILY
AARON CAREY
STUDENTS TO TEACHERS
KIMBERLY GILBERT
Aaron Carey began as a piano student at a very
No-one knows the benefits of learning the keys from
young age and learned with CCCM’s Head of Piano,
a young age than former CCCM superstar student
Carl Schmidt. He completed his AMEB piano studies
Kimberly Gilbert who is guiding the next generation
with A+ High Distinction in Grade 8, as well as
of young piano players joining Keyboard Club.
achieving a Band 6 in both HSC Music 2 and Music Extension (Performance) in 2018 and was the winner of The Pearl Beach Senior Music Scholarship and People’s Choice Award in 2018.
Kimberly started her musical journey with the Con in our Children’s Music Program when she was just two years old. She went on to study piano and cello and was a member of the Central Coast Youth Orchestra.
Carl said he was excited to see his former student,
Graduating from Sydney Conservatorium of Music,
Aaron, now inspiring other young piano players as a
Kimberly has returned to CCCM as Keyboard Club
tutor at the Keyboard Club.
tutor and also an associate artist, accompanying
“I have had the privilege of guiding Aaron from the
students in concerts and recitals.
early stages of his musical development. His innate
“It’s such an honour to be a teacher at the same
passion and talent for music have been evident from
institution where I developed my love for music
the start. Aaron is a versatile musician who excels
and spent my entire young life admiring the
not only in playing the piano, but also in singing. He
amazing teachers that guided me on my path,”
has a great spirit of generosity and enjoys passing
she says. In 2022 Kimberly performed with the
on his musical knowledge to others, sharing his
Australian Youth Orchestra.
abilities and joy of music through his teaching.”
23
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
SNAPSHOT OF STUDENT DEMOGRAPHICS
192 secondary students
119
total number of students
24
instruments currently being taught
24 schools
& 618 24
students in the schools program
ABOUT CCCM
OUR STUDENTS
102
35
school bands
adult students
2
800+
14 students identify as indigenous
primary students
82
preschool aged students
25
CENTRAL COAST CONSERVATORIUM OF MUSIC
26
| ANNUAL REPORT | 2021 2022
Lessons & Programs SECTION
SUB SECTION
INSTRUMENTAL LESSONS
28
VOCAL LESSONS
30
STRINGS PROGRAM
32
MUSICIANSHIP
34
ENSEMBLES
36
CHILDREN’S/YOUTH CHOIR
38
CHILDREN’S MUSIC PROGRAM
40
KEYBOARD CLUB
41
27
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Photo by Skylark Media
STUDENT SPOTLIGHT: KAIRAVAN SELVARAJAN Kairavan learns guitar with Guy Strazz and also has trumpet lessons as well as playing drums, piano, violin and ukelele. When did you start playing music? I was two when my mum enrolled me in the Children’s Music Program classes with Mrs Yule. I was also a member of the Children’s Choir with Joanne McMahon. What do you like about guitar? I like the fact that it’s a portable instrument. It also strengthens my “ear music” which is beneficial in allowing me to learn other instruments. How do you make sure you do your practice? We have a daily routine at our home. My siblings and I usually practice our instruments in different rooms before we go to school. It makes us feel happy and ready for 28
the day. Sometimes we practice songs together or I might help one of them achieve the right sound for their song. I really look forward to this start to my day because I get to share my enjoyment of music with the rest of the family....and sometimes the neighbours! Who is your musical inspiration? I grew up listening to different family members sing or play instruments so loved being able to join them in my own special way. What has been the highlight of your music career so far? I had the awesome opportunity to perform the guitar (acoustic and electric) with several locally renowned young Tamil musicians and special guest singer Prakash K from Sri Lanka’s “The Voice” in front of a crowd of around 800. It was a concert organised by the Jaffna Hindu Ladies College Alumni to celebrate their 30-year anniversary. As a special bonus I performed with one of my mentors, my uncle Ganathipan Aruneswaran, and my sister Yaalini.
LESSONS & PROGRAMS
INSTRUMENTAL LESSONS
Instrumental Lessons
The beginning of 2022 saw the welcome return of face-to-face music lessons for students and teachers in our temporary premises at 35 Mann Street. Our core program of private one-to-one instrumental lessons enrolled hundreds of students from beginner children to advanced school students, adults and tertiary students in everything from viola to vocal lessons. One-to-one lessons offered were: • Woodwind: Clarinet, flute, bassoon, saxophone and recorder • Brass: Trumpet, trombone, French horn, tuba, euphonium • String: Violin, viola, cello, double bass • Guitar and bass guitar • Piano • Percussion • Vocal Our lessons for children and adults - including UNE Advanced Music Performance in BMus students studying through CCCM - included individual lessons on campus or in schools as well as AMEB and HSC support and exam prep, masterclasses and workshops with guest musicians.
29
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Vocal lessons
Central Coast Conservatorium of Music offers singing lessons for students of all levels and experience - from classical and contemporary to jazz and musical theatre as well as the vocal program for UNE Bachelor of Music degree - under the guidance Michaele Archer, Yvette Masters and Tim Page. In 2022 many of our one-to-one vocal students also participated in ensembles including the Central Coast Children’s/Youth Choir where they performed as the Children’s Chorus for Opera Australia’s production of Barber of Seville. Students won several scholarships and prizes including first prize in McDonald’s Performing Arts Challenge in the Music Theatre section and the Bouddi Performing Arts Scholarship and were selected for the top 50 for Australian Idol. Our singers were featured soloists in concerts including Youth In Performing Arts (YIPA) and performed as part of the vocal department performance program in our Costume Cabaret, Classical Concert, and end of year Contemporary Concert as well as soloists for several Central Coast Philharmonia concerts. Our Year 12 singers received excellent marks for HSC performances with results in Band 6.
30
LESSONS & PROGRAMS
VOCAL LESSONS
What were some of the highlights for you in 2022? 2022 was a big year for me. A stand out for me was playing my absolute dream roll of Elle Woods in Legally Blonde the Musical. I was honoured to win the Richard Newton 2022 Senior Vocal Scholarship and 2022 Pearl Beach Scholarship. Another big highlight was also winning the Sydney Eisteddfod (Musical Theatre section) . I always love performing at Youth in Performing Arts, but 2022 was extra
STUDENT SPOTLIGHT: MIA CROSS
special as I won the YIPA/Gosford North Rotary Club
Mia Cross (pictured left) was the 2022 Pearl Beach
How do you approach your practice? Positively. I just
Senior Scholarship recipient and winner of the Richard
have some fun with it. I don’t approach practice as
Newton Senior Vocal Scholarship. She is a vocal
a chore or something I have to do but something I
student with Yvette Masters, focusing on musical
want to do.
theatre and jazz, and also learns piano, plays guitar and ukulele. Have you always loved to sing? I used to set up weekly concerts in our lounge room and sell my family tickets and popcorn. My first performance was when I was 9, in my school talent show. I loved being up on the stage and knew from that moment on that’s what I wanted to do for the rest of my life.
Bob Pye Memorial Scholarship.
Who is your musical inspiration? Kristen Chenoweth, Barbara Streisand and Ariana Grande - I think her vocal tone is effortless. What do you hope to do in the future? In my immediate future I want to do well enough in my HSC to be able to perform at Encore. In 2024, I want to study Music/Musical Theatre at the Conservatorium of Music in Sydney and then at Western Australian
What do you enjoy most about your lessons
Performing Arts. My ultimate goal is to perform on
with Yvette? Yvette has taught me so much. I
stage on Broadway and London’s West End. I just want
look forward to my weekly lessons. Singing with
to sing and perform for the rest of my life.
CCCM has given me many other opportunities like performing with the harmonious vocal ensemble Ebb & Flow and performing at the Central Coast Philharmonia Choir concerts. What do you love about singing? I love the journey that music takes you on and the story that I can tell through song. I love to share that with everyone. I’m at my happiest when I sing. The stage is my home.
If you weren’t learning singing, what other instruments would you like to learn? I think I would always want to play piano. I probably might have wanted to learn violin. When you’re not playing – or practicing – what do you like to do? I’m never not singing! I am always singing at home, trying to improve my technique. I like to perform with the Gosford Musical Society. It’s my
What tips do you have for other young singers? For
home away from home. I also like to perform in plays
me, it’s relaxing and being in the moment. But it is so
in various community theatre groups. I also take dance
easy to let nerves get the better of you. You have to
classes in tap, jazz, contemporary and ballet.
remember that your body is your instrument.
31
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Strings Program
The Central Coast Conservatorium of Music has a
• Technique Class (Junior and Advanced) -
thriving strings community, and offers one-to-one
Technique classes are for students playing
lessons in:
in the String Ensemble and Central Coast
• Violin
Chamber Orchestra and are an invaluable tool
• Viola • Cello • Double Bass In addition our popular Saturday Strings is a graded ensemble program that offers students the opportunity to progress on their instruments while playing in a group and making friends. The program is open to from preliminary to AMus A and includes: • Mini Strings - For beginner students who want to explore playing string instruments in a fun group environment.
in learning and consolidating all aspects of string technique and is designed to supplement students’ learning in their one-to-one lessons. • Beginner Double Bass - beginner group double bass class. Central Coast Chamber Orchestra is a select group of talented strings students who rehearse on Tuesday afternoons and perform in regular concerts including the Opera in the Arboretum event at Pearl Beach and Crossroads Chamber Music Festival. Many of these students also played with Central Coast Youth Orchestra Central
• Junior Strings - For intermediate students.
which in 2022 performed Faure’s Requiem with
• Rotary Targeted Strings - For intermediate to
Central Coast Philharmonia Choir.
advanced students and recipients of the Rotary Strings Scholarship. • Chamber Music Groups - Students learn leadership, independence and musicianship in groups of three to five players. Each receives individual parts and the guidance of a chamber music coach.
32
LESSONS & PROGRAMS
STRINGS PROGRAM
STUDENT SPOTLIGHT: KRIS COX Krys Cox (pictured right) has been learning cello for eight years and flute for two years. She won the 2023 Central Coast Conservatorium of Music’s Junior Instrumental Scholarship and an Allen Family Scholarship Junior Encouragement Award. Krys learns cello with Heather Hinrichs, flute through the Central Coast Conservatorium School Band Program and is a member of the Central Coast Youth Orchestra. When did you start learning music? I started playing cello when I was three years and eight months. I also have been playing flute in my school band since 2020. Why did you decide to play the cello? I had a choice between either violin or cello. I picked the cello because I liked the sound and how it looks. What do you love about playing music? Expressing my feeling without any words and I like to enjoy my time with “Chocolate” (my cello). What do you enjoy about being in the youth orchestra? It is great to meet other people who also share my passion of music and hear what a group of young people can play so beautifully in a short period time. What’s the hardest thing about playing the cello? As a little child who always loves to play with other kids Photo by Skylark Media
in the park, and do other outdoor activities, it was hard for me to find my time to practice every single day as my mum asked me to. But now I am much older so I organise my daily schedule. Who is your musical inspiration? I like to go and watch concerts at the Sydney Opera House and I think Argentine cellist Sol Gabetta is the best. What has been the highlight of your music career so far? Getting scholarships including the 2023 Central
What do you hope to do in the future? Inspire more young children to try cello because I think that the world is in need of more cellists. What other instruments would you like to learn? Definitely try a violin or piano I think.
Coast Conservatorium Junior Instrumental first prize
When you’re not playing – or practicing – what do
and Allen Family Junior Encouragement Award and
you like to do? I love to read books and also do sport
joining the very talented Central Coast Youth Orchestra.
and exercise.
33
CENTRAL COAST CONSERVATORIUM OF MUSIC
34
| ANNUAL REPORT | 2022
LESSONS & PROGRAMS
MUSCIANSHIP
Musicianship
Our Musicianship classes help students develop all
Classes are based on experience levels - from beginners
aspects of musical understanding and application,
to HSC support - and cover the following topics:
with musicianship students often accelerating
• Reading music accurately.
practical progress on their instrument.
• The structure of music
2022 saw the welcome shift back from Zoom to face-
• Aural abilities i.e., ‘ear training’.
to-face Musicianship classes. The group music theory
• Sight reading skills.
classes are held on a weekly basis and have been developed by Dr Phillip Rutherford, who has a PhD in Music (Composition) from Sydney Conservatorium of Music. Melissa Lark also takes Musicianship classes on a Tuesday.
• Sight singing skills. • Music history • Music appreciation of all styles of music, from classical to popular
STUDENT SPOTLIGHT: XAVIER CARDOZO Bassoon student Xavier Cardozo learns with Patrick
“Studying musicianship, alongside my practical one-
Brennan and has been studying Musicianship with
to-one bassoon lessons and being part of ensembles
Phillip Rutherford since he was in Year 6, from Grade
including the Symphonic Wind Ensemble and then
1 to Grade 6. Xavier also attends the Conservatorium’s
the Central Coast Youth Orchestra has given me a
HSC Support Class to deepen his understanding of the
holistic understanding of music and equipped me
HSC Music 2 and Music Extension syllabus. In 2022
with the skills to become a better musician,” he said.
he also played with Regional Youth Orchestra NSW and attended Sydney Symphony Orchestra’s Playerlink program in Bellingen. Xavier is also a student in CCCM’s Conducting
Xavier hopes to study a Bachelor of Music (Performance) at Sydney Conservatorium of Music and in 2023 has been selected to take part in the Australian Youth Orchestra’s Young Symphonists Program.
Extension program for Youth Orchestra members. 35
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Ensembles Playing with others is an important part of learning music. The Central Coast Conservatorium of Music
CENTRAL COAST YOUTH ORCHESTRA
has various ensembles for different ages and playing
Our flagship ensemble, the Central Coast Youth
levels giving our students the benefit of collaborating
Orchestra is renowned in the community for its
with others, performing in concerts and having fun
exceptional level of musicianship and captivating
while learning music. Our audition-based Premier
performances. CCYO is made up of the Central Coast’s
Ensembles are:
top string, woodwind, brass and percussion students,
CENTRAL COAST PRIMARY WIND ENSEMBLE
many of whom represent our region at a state level as members of the Regional Youth Orchestra NSW. In 2022 all our Premier Ensembles performed
Also known as ‘Super Band or PWEs’ this is a musical
in four highly anticipated end-of-term Premier
extension program for primary school musicians who
Ensembles Concerts and collaborated with affiliate
play woodwind, brass or percussion instruments on
organisations including Central Coast Philharmonia
the Central Coast. The ensemble aims to complement
Choir and Central Coast Concert Band.
and enhance the learning and performance experiences gained in our school band program by challenging students who have already gained a high degree of musical proficiency at a young age.
CENTRAL COAST SYMPHONIC WIND ORCHESTRA The Central Coast Symphonic Wind Orchestra, or SWO, is a high-calibre symphonic wind ensemble program for high school student musicians who play woodwind, brass or percussion instruments and have gained a high-degree of musical proficiency on their instrument. The orchestra rehearses and performs challenging repertoire that compliments and enhances the learning and performance experiences gained in one-to-one lessons and school band. 36
GUITAR ENSEMBLE Steve Smillie’s Guitar Ensemble is a group made up of loyal and dedicated adult players that have been connected with CCCM for more than 20 years. The Classical Guitar Ensemble ran for the first half of 2022.
JAZZ ENSEMBLE The Central Coast Conservatorium Jazz Ensemble is a beginner jazz ensemble comprised of school-age and adult CCCM students, run by CCCM jazz bass teacher Ashley Turner. The ensemble meets and performs regularly throughout the year.
SECTION
STUDENT SPOTLIGHT: ELANA SYDENHAM Elana Sydenham is a flute and piccolo student with Central Coast Conservatorium of Music’s Head of Woodwind, Rosalie Bourne. A 2022 Allen Family Scholarship finalist Elana has performed with Regional Youth Orchestra NSW and Sydney Youth Orchestra. When did you start playing music? When I was eight years old Why did you decide to play the flute? My brother inspired me to play the flute. I heard him playing
SUB SECTION
Who is your musical inspiration? I mentioned my brother, he learnt from Vanessa Couper and so did I when I first started. I also had Jennifer Knight for a short while and now Rosalie Bourne. My teachers are all amazing and a great inspiration to me. So are my fellow flute players, Emma, Kayla and Sophie. What has been the highlight of your musical career so far? There have been many, especially over the last year. I have enjoyed taking part in the Sydney Eisteddfod, NSW Flute Society Eisteddfod & Gala Day. I have performed in Youth in Performing Arts and the Pearl Beach Senior Scholarship Concert. The Allen
when I was very young and I wanted to do the same.
Family Scholarship was definitely a highlight for me.
What do you love about playing music? I enjoy
What do you hope to do in the future? I would like
playing for others and seeing their enjoyment listening to the music, anything from solo to orchestra and even musicals. What’s the hardest thing about playing the flute? The hardest thing is when I’m nervous playing is harder because air flow isn’t as steady and your fingers can get sweaty and shaky. How do you make sure you practice? I record the time I practice so that way I can see over the week how much time I had on my flute. I prefer to do a few shorter sessions than very long ones to make up the time.
to play professionally and be in a famous orchestra. In the shorter term, I am enjoying working together with Emma on some duets that we hope to perform to an audience soon. If you weren’t learning flute, what instrument would you like to learn? My sister does saxophone and I am a little envious so I would like to have a go at it. I also enjoy vocals. When you’re not playing flute what do you like to do? I like to exercise and play team sport, so I do swimming training and water polo but it has become less often as my music takes up most of my time now.
37
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
STUDENT SPOTLIGHT: MITCHELL FRITH French Horn player Mitchell Frith (pictured
Children’s & Youth Choir
right in pink shirt) learns with Central Coast Conservatorium teacher Radu Boros (Royal Australian Navy Band) and is a member of the Central Coast Senior Wind Orchestra and Youth Orchestra, as well as the Central Coast Children’s/Youth Choir. When did you start playing music? March 2017 Why did you decide to play the French horn? It chose me! I went to an instrument try out and after trying the euphonium, picked up the French horn and have been playing it ever since. What do you love about music? It carries me away from normal everyday life. I can create anything I want and play beautiful music. What do you enjoy about being in an ensemble/ choir? Working together to create beautiful songs and music. Everyone’s different talents joined together as a team create wonderful items. What’s the hardest thing about playing the
In 2022 the Central Coast Conservatorium of Music relaunched our two choir programs: • Children’s Choir Program for ages 9-14 • Youth Choir Program, for ages 14+ The Children’s/Youth Choir is sponsored by Central
French horn? The intonation What has been the highlight of your music career so far? Playing at the Air Force Cadets Musician Camp at Richmond Air Base and singing with the Children’s Choir with Opera
Coast Philharmonia Choir. Students learn the basics
Australia in The Barber of Seville.
of reading music, and beginner vocal techniques,
What do you hope to do in the future? I’d like to
including how to warm up their voices safely, how to sing beautifully together and with a conductor. Students also learn performance skills including understanding stage directions, and learning fun choreographed movements to enable students to
join a professional orchestra or Defence band. If you weren’t learning the horn, what other instruments would you like to learn? Percussion or piano.
present with confidence on stage. In 2022 the choir
When you’re not playing –
performed with Opera Australia in their regional tour
or practicing – what do you like
of Barber of Seville as well as with Central Coast
to do? Cricket, cadets and flying
Philharmonia and Central Coast Youth Orchestra.
gliders and small aircraft.
38
SECTION
SUB SECTION
Photo by Skylark Media
39
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Children’s Music Program Our Children’s Music Program (CMP) is a sequential
• Baby classes (0-2 years)
program for children aged 0 - 10 years, developed
• Toddlers (2-3 years)
by our team of dedicated music teachers - Joanne McMahon, Mandy Yule and Melissa Lark - who have been nurturing a love for music in babies, toddlers, preschoolers and school aged children for over 25 years. We encourage children to participate individually and as part of a group, nurturing their creativity and imagination and most importantly instilling a love of music.
• Pre-school classes (4-5 years)
THE LEVELS PROGRAM Our Children’s Music Program offers tailored music education for school-aged children, aged 5 to 10 years. This program embraces musical development and teaches music performance and theory at
Students of our CMP program have gone on to
advancing levels as children progress.
continue their music education with one-to-one
There are three levels with each level spanning one
lessons into high school and further education and continue onto professional music careers.
school year to complete (four terms). Students will study both choral work and learn to play several
In 2022, we saw a welcome return to face-to-face
musical instruments.
CMP lessons - held off-site at Gosford Presbyterian
PROFESSIONAL DEVELOPMENT
Church with renovations still continuing to our Gosford campus - with around 60 children enrolled
In September 2022 CMP teacher Joanne McMahon
in the group classes.
attended the National Kodály Music Teachers
EARLY CHILDHOOD MUSIC Our Early Childhood Music group classes are for children aged 0-5. The teaching philosophy
Conference where the theme was ‘Spring into Spring’. “Many amazing national and international Kodály teachers led keynote addresses, musicianship, methodology and elective sessions throughout the
underpinning these creative music play classes
four days,” said Joanne.
embraces learning and social development through
“There were so many practical things presented for
participation in engaging musical activities and engages students in a fun and interactive program that involves singing, dancing, movement and various props to enhance their learning and class experience. These include: 40
the classroom and so much to reflect upon from the keynote addresses, particularly the big issue of the day: how do we get music education and music specialists in all primary schools and preschools?”
LESSONS & ENSEMBLES
KEYBOARD CLUB
Keyboard Club In 2022 we launched our new Keyboard Club. Led by
Keyboard Club is an ideal feeder program into the
our expert music teachers, this exciting new group
one-to-one lesson stream and allows young students
program provides students with the opportunity
(and parents) to ‘try out’ the piano before committing
to build a fantastic knowledge base of musical
to the full cost of one-to-one tuition.
techniques that will assist them not only with keyboard playing, but any other instruments they choose in the future.
For most of 2022 Keyboard Club was held in our Demountable 1 classroom while behind the scenes work was underway building the brand new glass-
It is anticipated that a significant number of new
walled Keyboard Lab as part of the makeover to 45
one-to-one piano students will come via the
Mann Street. In December, 10 Kawai keyboards were
Keyboard Club program.
installed in the new Keyboard Lab ready for Term 1
Delivered in 2022 by Kimberley Gilbert, Aaron Carey
of 2023.
and Sharon Hatton the classes have a maximum
In 2022 we ran six Keyboard Classes with a total of
capacity of eight students and are grouped by age:
27 students, with a view to developing the program
5-7 Years, 8-10 Years, 9-11 Years, 10 –12 Years,
further in 2023.
13-15 Years.
41
CENTRAL COAST CONSERVATORIUM OF MUSIC
42
| ANNUAL REPORT | 2022
Music Outreach
SECTION
SUB SECTION
SCHOOLS PROGRAM
44
MUSIC THERAPY
47
UNIVERSITY OF NEW ENGLAND
48
43
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Schools Program
The Central Coast Conservatorium of Music’s Schools
All lessons and band rehearsals are held at school
Program is an entry-level band program designed to
during school hours with the exception of the band
give primary school students the opportunity to learn
rehearsals which are usually held before school.
an instrument of their choice and to participate in their school band.
Students learn alongside their peers in small groups with experienced specialist teachers and conductors
In 2022, we had 618 children enrolled in 24 schools
from the Conservatorium, with the opportunity
and playing in 35 school bands.
to later move into private lessons and the CCCM’s
The CCCM Schools Program offers: • One-to-one or small group lessons at school with CCCM teachers • Whole band rehearsals with CCCM conductors • Performance opportunities at school and external events
44
Premier Ensembles as they progress. All beginner students start in the Training Band where they are taught the fundamentals of how to play their instrument and how to read music. Regular performance opportunities enable students to also learn performance skills and to showcase what they have learnt.
SECTION
SUB SECTION
PARTICIPATING SCHOOLS • Central Coast Adventist School • Coast Christian School • Empire Bay Public School • Erina Heights Public School • Gosford East Public School • Gosford Public School • Holgate Public School • Kincumber Public School (Guitar Program) • Lakes Grammar • Lisarow Public School • Narara Public School • Pretty Beach Public School (Recorder Program) • Our Lady Star of the Sea • Point Clare Public School • St Edwards Catholic College • Rudolf Steiner School (Strings Program) • St Aloysius College, Sydney • St John Fisher (Guitar Program) • St John the Baptist Catholic School • St Joseph’s Catholic College • St Patrick’s Catholic Primary School • St Philip’s Christian College • Umina Beach Public School • Valley View Public School
45
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
After a year of training, most students are then ready to move into their school’s Concert Band where the students are extended on their instrument and introduced to many different styles of music. The Concert Band regularly performs at school assemblies and other events and is the senior ensemble group at each school. The Schools Program is an excellent and affordable way for children to start in music.
SCHOOLS GUITAR PROGRAM Our Schools Program also includes a Guitar Program currently running in three schools - St John Fisher, Kincumber Public School and St Patrick’s Catholic School and run by Steve Smillie. This includes small group guitar lessons run in school.
BANDFEST 2022 After two years of COVID restrictions we were back in 2022 and were once again able to offer this exciting performance opportunity to our Schools Program students. We had 17 schools participate with 22 band performances from our Training Bands and Concert Bands and a large audience of family and friends to support our students. We also had a guest performance from the Primary Wind Ensemble to showcase what students can be aiming to achieve as they progress through the Schools Program.
46
The Schools Program is an excellent and affordable way for children to start in music.
MUSIC OUTREACH
Music Therapy
MUSIC THERAPY
Goals such as increasing social skills, providing ways to interact and communicate verbally and non-verbally, developing cognitive awareness, gaining sensory motor skills, promoting relaxation, providing opportunities for reminiscence, working towards rehabilitation and providing opportunities for self-expression can all be addressed through various music therapy techniques.
The Central Coast Conservatorium of Music is a registered NDIS Provider and is pleased to be offering a Music Therapy program led by registered
Many people of all ages and abilities can benefit from music therapy, including children and adults with: • intellectual and physical disabilities
music therapist - violinist and chamber musician,
• mood disorders
Emma Townsend.
• neurological disorders
Our program provides tailored music therapy for
• rehabilitation for stroke patients
individuals and groups. This service is open to people
• behavioural issues
of all ages and abilities, providing client-centred goals
• elderly and dementia patients
and objectives. Music Therapy differs from music education as its main goal is not to develop musical skills or learn a new instrument, but rather to aim to improve a person’s health, functioning and well-being
In 2023 our Music Therapy classes moved to being offered on-site from a new purpose-built Music Therapy Studio at 45 Mann Street.
in a therapeutic setting that uses music interventions as the primary tool. 47
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
University of New England
To help our senior music students progress to tertiary music study, Central Coast Conservatorium of Music has partnered with University of New England, which allows tertiary students to receive face to face tuition while they complete their Bachelor of Music online and remain on the Central Coast. The Instrumental and Vocal Studies program offers a sequence of advanced performance training units over the course of the three-year Bachelor of Music degree. Utilising the experience and expertise of CCCM’s teachers, each unit incorporates weekly one to one instrumental and vocal lessons alongside a host of activities provided through the CCCM.
Photo by Xavier Cardozo
48
MUSIC OUTREACH
UNIVERSITY OF NEW ENGLAND
STUDENT SPOTLIGHT: TIM PAGE Award-winning actor, opera singer and musical theater star - and Central Coast Conservatorium of Music vocal teacher - Tim Page started his Bachelor of Music Degree with University of New England through CCCM in 2021. “I thought it was wonderful that our Con could offer vocal tuition as part of the online degree course through UNE and I figured if I was going to encourage any of my students to do the course, I should find out first-hand what it was like and what was involved.” A vocal tutor at CCCM for 10 years, in 2021 Tim started his BMus (Bachelor of Music) with UNE. Trained as an actor and singer in New Zealand, Tim Page joined NZ Opera when he was 19. After arriving in Australia in 1973, Tim joined the Australian Opera for the production of War and Peace which opened the Sydney Opera House. He has since sung in many operas, musicals and concerts around the world including spending two years in the original cast of Andrew Lloyd Webber’s Aspects Of Love. He was also awarded a Best Actor Star Award for his portrayal of Danforth in The Crucible by Arthur Miller. “I have found the online communication of the course to be informative and well delivered. In several instances the tutors have travelled down from Armidale to hear examination participation, recitals or performance pieces being delivered. Otherwise they assess these performances from the
encourage students to consider this option of
videos that each student must also provide to the
gaining a music degree. You can specialise in the
UNE site.”
performance of most instruments taught at the Con
Tim said the course is very flexible and the UNE
– including voice, of course.”
staff are very knowledgeable and supportive.
As well as teaching at CCCM, Tim sings with the
“I have enjoyed writing and presenting several
Central Coast Philharmonia Choir and has directed
cabaret-style performances mainly of music theatre
three productions for Central Coast Opera.
songs and also produced a 15-minute sample of an original musical that I had written. I would 49
CENTRAL COAST CONSERVATORIUM OF MUSIC
50
| ANNUAL REPORT | 2022
SECTION
SUB SECTION
Con in the community CONCERTS & EVENTS
52
SPONSORS & DONORS
54
SCHOLARSHIPS & BURSARIES 56
Photo by Brian Haslam
51
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Concerts & Events Central Coast Conservatorium of Music offers students
Concerts which featured performances from our
and our broader community a wide range of free and
Primary Wind Ensemble, Symphonic Wind Orchestra,
ticketed concerts throughout the year that attract
Central Coast Youth Orchestra, Children’s and Youth
audiences from across the Central Coast and Sydney.
Choirs and special guests.
A strength of CCCM’s concert program is the wide variety of concert formats it presents that feature students, teaching staff musicians, community musicians, guest artists and professional ensembles.
Highlights in CCCM’s 2022 Events Calendar included the Opera in the Arboretum (featuring musicians from the Con’s Chamber Orchestra and conducted by the Artistic Director Patrick Brennan) at Pearl Beach
2022 saw the welcome return of live events to
Arboretum, Pearl Beach Junior Showcase and Senior
the Central Coast giving many of our students and
Scholarship Concerts held at Pearl Beach Memorial
teachers the chance to again take part in festivals,
Hall and the Crossroads Chamber Music Festival and
concerts, workshops and masterclasses on the Coast.
Allen Family Scholarship & Supporters Concert, both
This included our regular Student Showcase Concert
held at Greenway Chapel.
Series to our popular end-of-term Premier Ensembles 52
CON IN THE COMMUNITY
We also partnered with leading artistic organisations to offer students remarkable music education
CONCERTS & EVENTS
2022 HIGHLIGHTS
and performance opportunities. This included our
CONCERTS AND FESTIVALS
Children’s Choir performing with Opera Australia
• Opera in the Arboretum
in The Barber of Seville at Art House Wyong,
• Crossroads Chamber Musical Festival
selected Regional Youth Orchestra NSW students
• Central Coast Music Festival
performing alongside Sydney Symphony Orchestra
• NSSWE Spring Festival
and Australian World Orchestra musicians at Sydney Opera House, and hosting the Australian Haydn Ensemble’s Spring Academy. Selected piano students attended masterclasses at Greenway Chapel with Sydney International Piano Competition winners Calvin Abdiel and Alexander
• Central Coast BandFest STUDENT SHOWCASES • Allen Family Scholarship and Supporters’ Concert
Gadjiev (pictured below) while brass students were
• Pearl Beach Junior Showcase and Senior Scholarship Concerts
invited to attend a masterclass with Opera Australia
• Premier Ensembles Concerts
trumpeter Brian Evans. Our Central Coast Youth Orchestra also partnered
• End of term Student Concert Series • Vocal Department Showcase Concerts
with Central Coast Philharmonia for its Hope & Consolation concert, performing Faure’s Requiem, and our Premier Ensembles partnered with Central Coast Concert Band for two concerts as well as musicians from Sydney’s Scots College.
MASTERCLASSES & WORKSHOPS • Brass Masterclass with Brian Evans • Piano Masterclasses with SIPCA winners Calvin Abdiel and Alexander Gadjiev • Woodwind Workshop • Australian Haydn Spring Academy MUSICAL COLLABORATIONS • Opera Australia & Central Coast Children’s Choir - Barber of Seville • Central Coast Philharmonia & Central Coast Youth Orchestra - Hope and Consolation • Central Coast Concert Band & Central Coast Youth Orchestra - On With the Show! • Central Coast Concert Band featuring PWEs and SWO • Regional Youth Orchestra - with Sydney Symphony Orchestra & Australian World Orchestra
53
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Sponsors & Donors The Central Coast Conservatorium of Music relies
Thank you to the following organisations, individuals
on the generous support of our community to help
and businesses who supported CCCM in 2022:
us achieve our goals of nurturing students’ creative
• Ray and Helen Allen
potential through the magic of music, inspiring
• Ruth D’Arth
involvement with music, and developing the performers of the future.
• Warrick Baker • Bamvino Cellars
Thanks to the support of government, foundations,
• Central Coast Council
sponsors and donors, we are able to support
• Central Coast Philharmonia Choir
motivated students to participate in music education and grow through music, regardless of their economic circumstances.
• Madeleine Easton • Coast Magazine • Coast Realty
Support provided by individuals, corporations
• Charmian Gadd - Patron
and businesses allow for the development and
• Greater Bank
implementation of programs, projects and resources. These partnerships make it possible for our students, teachers and the community to access world-class music education, resources and performances here on the Central Coast. Philanthropic support has helped Central Coast Conservatorium of Music with: •P roviding scholarships to students • Purchasing new instruments for our musicians • Supporting our vital schools program
• Greenway Chapel • Russell Grove • Ian and Liz Hemphill • John and Jean Irvine • Kawai Australia • Lyndall Foldvary-Khouri • Lynne and Robert Lillico • Eva Mitro • Music Centre Gosford • NSW Regional Conservatorium • NSW Government • Pearl Beach Association • Pearly’s Cafe • Rotary Club of Woy Woy • Art House Wyong
54
SPONSORS & DONORS
AFFILIATE ORGANISATIONS
AFFILIATE ORGANISATIONS One of the greatest benefits of our community affiliations is the opportunity it provides our students and teachers to share, engage and develop with peers and colleagues who share similar challenges and opportunities with arts on the Central Coast. Many Conservatorium students and staff members are also members of these affiliate organisations. • Central Coast Philharmonia Choir • Central Coast Concert Band • Concertante Ensemble • Crossroads Music Festival • Symphony Central Coast
55
CENTRAL COAST CONSERVATORIUM OF MUSIC
Photos by Skylark Media
56
| ANNUAL REPORT | 2022
SCHOLARSHIPS & BURSARIES
Scholarships & Bursaries Our scholarships and bursaries program enables talented students to undertake music lessons, experience performance opportunities and gain recognition for their achievements. Our scholarships include merit-based and encouragement awards, schools-based scholarships and equity bursaries for students and families experiencing financial hardship. Our ambition is to expand our scholarships program to provide as many students as possible with the life-changing benefits of a music education.
NAME
Value
Funding
Type
CCCM Senior Instrumental Winner
$1,000
CCCM
Competitive
CCCM Senior Instrumental Finalist
$750
CCCM
Competitive
CCCM Junior Instrumental Winner
$750
CCCM
Competitive
CCCM Junior Instrumental Finalist
$500
CCCM
Competitive
Allen Family Senior 1st place
$2,000
Donor
Competitive
Allen Family Senior 2nd
$1,000
Donor
Competitive
Allen Family Senior 3rd
$500
Donor
Competitive
Allen Family Junior Encouragement Award x 3
$500
Donor
Competitive
Pearl Beach Association Senior Scholarship
$1,000
Donor
Competitive
Irvine Family Senior Piano Scholarship
$1,000
Donor
Competitive
Frances Grove Memorial People's Choice Award
$500
Donor
Competitive
Pearl Beach Association People’s Choice Runner-Up
$250
Donor
Competitive
John L. Drummond Bassoon Scholarship
$2,000
Donor
Merit
Richard Newton Senior Vocal Scholarship
$1,000
Donor
Competitive
Murray Khouri Woodwind Scholarship x 2
$1,000
Donor
Merit
57
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Meet our Alumni
on video many times). Lyn Brislan was an incredible teacher who taught me from day one until professional level at the age of 18. I played in the Youth Orchestra and also a wind quintet each Friday after school. I have fond memories of inspiring conductors Chris Bearman and later Patrick Brennan. Phillip Rees was also very encouraging and took the junior orchestra. I also grew up doing many ‘performance practices’ which helped me build confidence in performing as well as ensemble skills and did all the musicianship and theory classes on offer. One of the highlights of my time at the Con was the very first time I played in an ensemble. It was directed by Chris Bearman and Lyn Brislan. We were performing a production of the Truthful Elf. There were a lot of wonderful string players who were a few years older than me who became a constant source of inspiration throughout my time at the Con. A lot of those players have gone on to be professional musicians today.
ALYSE FAITH, MSO ACADEMY
I come across Con alumni in the music profession quite often which really shows how much of an impact the Con made on many students during my era there.
Acclaimed Australian flautist Alyse Faith spent 11 years
The teachers and peers at the Con were a consistent
at Central Coast Conservatorium of Music, taking one-
influence on my childhood and teenage years. The Con
to-one lessons and as part of the Central Coast Youth
has really formed who I am and was the source of my
Orchestra and other ensembles. In 2012, Alyse earned
discovery and learning in music. It was where I found
the Associate in Music Diploma Australia (AMusA) in
how joyous and magical music could be and it was a
flute with Distinction, then graduated with a Bachelor
place which allowed me the freedom and curiosity in
of Music (Honours) at the Melbourne Conservatorium
learning that one has as a child. I try to hold onto that
of Music (MCM) in 2017. She later went on to study for
feeling now that I work as a musician as an adult.
a Master of Arts in Performance from London’s Royal Academy of Music. Alyse now plays with Melbourne Symphony Orchestra as part of the MSO Academy.
I would say to students starting to learn at CCCM to really embrace everything and soak up all that your teacher has to offer. Also make the most of playing in
“I remember when I was about seven my Mum took me
the ensembles, as that’s where you can make friends
to the Conservatorium to enquire about piano lessons!
and discover orchestral repertoire. It was my regular
I said that I’d like to learn piano but what I’d REALLY
experience of playing in the Youth Orchestra which
like to learn was the flute (after seeing Playschool
really gave me a head start at the Australian Youth
Meets the Orchestra with Sydney Symphony Orchestra
Orchestra and also in university orchestral playing.
58
SECTION
SUB SECTION
Photos by Xavier Cardozo
59
CENTRAL COAST CONSERVATORIUM OF MUSIC
| ANNUAL REPORT | 2022
Proudly funded by
45 Mann Street, Gosford NSW 2250 02 4324 7477
centralcoastconservatorium.com.au 60
Photo by Xavier Cardozo