Sy 4693 - Dai Fujikura Abandoned Time

al o

nl y or pe r

us

Dai Fujikura Abandoned Time

C op

yr ig

ht

by

R

ic or di Be r

lin

-F

for rock guitar and ensemble 2004 (rev. Oct. 2007)

Partitur Sy. 4693/01 ISMN 979-0-2042-4693-9

RICORDI

al o

nl y Heavy Rock sound like les Paul guitar through Marshall valve amplifier.

or pe r

1 Rock Guitar :

Flute (doubling Piccolo) Clarinet (in B-flat) Piano

-F

Percussion:

ic or di Be r

lin

4 wood blocks 4 Tom toms 2 suspended cymbals 1 Pedal Bass Drum 1 Gran Cassa 1 Vibraphone (need 2 bows) 1 Tam tam 1 Lion's Loar

R

1 Violin 1 Viola 1 Cello 1 Double Bass

ht

by

All the instruments must be amplified. (all the dynamics must be balanced by the mixer. i.e. fff on flute = fff on percussion)

yr ig

Commissioned by KANAGAWA ARTS FOUNDATION Written for ensemble “Nomad” for the 30th anniversary of the Kanagawa concert hall.

C op

us

The Score is in C Instruments:

"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. All grace notes must be played before the beat."

fff

  Percussion   Percussion

pedal bass drum

 



 Vibraphone   

4 tomtoms



sfz



 



fff

5



fff

  heavy distortion  Electric Guitar   

 

ff

5

    

    





  

 



  

  

 

  

  

      



    



sffffz secco

 

 

  

 

 







fff

Copyright 2006 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin





       sffffz





       sffffz

  

     

  

     

pizz.

mp



  

    

    

      





 



  

    

   

     



 



p



    



   

 



  

 

  

 



         

  

pizz.



p

 

 

 

  

 

sffffz

sffffz

with vib.

S.T.

  p

 



  

  

arco

  

arco

mp



with vib.

S.T.

    p

 

     

  

2 Suspended Cymbals



       



  



pp





p

 

mp

p



mp



        





   

   

mp



   



 



  

     



 



  

   



   mf

p

pizz. trem.

       

(solo)

p

 p



p

mf

pizz. trem.

 

mp



arco         mp

 

mf

   

pizz. trem.

mf

   gliss. 

     

 

f

   

gliss.

f

   

gliss.

f

    

gliss.

f

non vib.

 arco   p

p

non vib.

  arco    p

p

non vib. arco

     p

p

non vib.

  arco    p

p



     



     



    



ff

pizz. trem.



Copyright G.Ricordi & Co.Ltd, London. 2006

Sy. 4693/01



mp

 

with vib.

S.T.



       





mp



p

 



with vib.

S.T.

p

Gran Cassa

 

 

     

  

 

Dai Fujikura



p

mp

  



  

 

  

pppp

  

  



p

R  

5





   

  

hard sticks very fast tremolo



yr ig

 Double Bass  

  

 

        

          fff

4 wood Blocks







5

    

 



C op

Violoncello

  





sffffz

       

 

        Violin   

fff





tremolo at this rhythm 

Guitar: Heavy Rock sound like les Paul guitar through Marshall valve amplifier.

Viola



  



5

 

 



motor is always OFF

fff



suspended cymbal

                 

Piano

 

           fff



by

4 wood Blocks





      

  

al o

         

ht

Clarinet in Bb

sffffz



non vib.

us

5

  



q=72

q=54

with vib.

ic or di Be r

fff



q=47

or pe r

5



q=54

      

-F



        Flute    q=90

lin

All the instruments must be amplified. (all the dynamics must be balanced by the mixer. i.e. fff on flute = fff on percussion)

nl y

to ensemble nomad

Abandoned Time for rock guitar and ensemble (revised 2007 Oct)

    

   



p

   

p

 

   

       sub.

S.P.

p

    



sub. f

            

S.P.

f S.P.

         

sub. f



Alle Rechte vorbehalten All rights reserved / Tutti i diritti riservati



hard sticks

 



   3



p

 







 









p



6

   

  





  



   



 

  



C op

Db.



            3

   



 

 

 



                   fff 

 



    



      

fff



    



        



sfffz

     

fff

4 Wood Blocks hard sticks very fast tremolo





    



 

heavy distortion



 

 







P.O.

     



P.O.

 



              



fff

   



  





fff

 

P.O.

fff

P.O.



    



 







     

   

pppp



sfffz

    

    

                      sfffz

nl y



   



 





 





 





 

      

sub. sub. f ppp

    

  

 



                  fff



    fff

                   

 

              

 

 

fff

sfffz

    



 



    



 







   





pizz.        p

    

 

             

pizz.    

  

 

  

 

fff



    

  

      

sfffz

      fff

RICL 172 Sy. 4693/01

 

sfffz

 

   

sfffz

 

 



 

mp

very fast tremolo

    



fff





 

 

pizz.

p

p

     pizz.

p

 

  = not to be plucked/played



 

pp



sfffz

    

 

2 suspended cymbal

pppp

fff

 



fff

       

Vc.



L.V.

         Vln.     





 



 



 

                      

   

Vla.





tremolo at this rhythm

No distortion.

E. Gtr.



5



 

fff



R



mp



    fff  



ht







yr ig

Pno.

5

   

 

 

mp

fff

  



al o



 

(2 Suspended Cymbals)







 

     

us

Tamtam



medium sticks

Vib.







or pe r



  Perc.  Cl.

Perc.



 

-F



by

Fl.

 

ic or di Be r

  13

lin

2

tremolo: off

"fender stratocaster", medium valve distortion with heavy compression Long sustain but not too distorted

 6 6 6                   

ff

 



fff



 



 

 5                 





 

    





 

5

5

ff

ff

   

ff

fff

             5 3 fff             3

fff



 

 

mf

  Perc.   Perc.



     



mf

    

Pno.

mf



 



with vibrato





 





bend チョーキング

  E. Gtr.    



 

        

 

  glis  s.  

  Vln.  

       gliss.       ff

 

 



molto vibrato espressivo

ht

yr ig

C op







  

3

            gliss.    

 Db.  

 



 



 



 

 



 



 



 



 



 







     





  



 



 



 





  



 



 



 



hard sticks

p

hard sticks f

sffffz

     

 

 



bend チョー キング



       





by

ff

p

p

mp



      

 

       gliss.            arco

Vc.





molto vibrato espressivo

S.P. arco

4 Tomtoms

 

S.P.

Vla.



 



    

 

 

molto vibrato espressivo

p

 

Gran Cassa



 

arco S.P.

        sffffz

sffffz

  

sffffz

3

mf



            ffff        ffff

 

bend チョー キング





p

 

nl y

           

    

us

p



 

or pe r

   

  

3

-F

Cl.

 

lin

p

    

q=47

ic or di Be r

25

R

  Fl.   

q=54

al o

q=36





ff

 



       

gliss.

 

 



gliss.

P.O.

    



  

  

P.O. non vib.        

sffffz

pp

       sffffz  



sffffz

gliss.

 

heavy distortion Fingertapping

   

arco

sffffz

3

non vib.

P.O.



pp



P.O. non vib.

   p

RICL 172 Sy. 4693/01

 

   ff

6

        

             

         

3

     





6

6

6 3                                           6

6

6

   

  

  

   gliss.

5

sfffzmp

ff

ff

 





5











gliss.



sfffzmp



 ff



 ffff

   

   5

sfffzmp

   

sfffzmp

   gliss.





5











gliss.



 



5

  

   

    





  

    5







 



 



 



 



 

 Vib.   

 

 

         



 



 



 





   Vln.          

   Db.  

6

    ffff    

ffff

ffff

       

   

   

  

   

 

ffff





fff





        ff       fff

fff



     

fff

        fff

        fff

 

pp



    



    

hard sticks







    



     

 





 



    

 

ffmf



non vib.

        ffmf pp

  

non vib.

pp

   



 

3

 

p

  

mf

p

   



      



     

    

    3

pp

 



   p

p

pp





 



 



 

 



 



 

 



 



 

p

p

 

sfffz

      sfffz

 

  





pp





                  fff pp

        

    

 

        

 

non vib.



with vib.

    p

  

 

mf 3

mf

S.T.

 p

p

mf

S.T.

 p

with vib.

p

3 mf

S.T.

 p

with vib.

S.T.

    p mp

   p

with vib.

3



mp

  p

p

 

  



p

p

mp

   p

mp



p

 



       

P.O.

sfffz P.O.

        sfffz

         P.O.

sfffz

       P.O.

fff

   

 



        sub.      mf      

   

 

 

 





   

sub. mf

"fender stratocaster", medium valve distortion with heavy compression Long sustain but not too distorted

   

    

RICL 172 Sy. 4693/01

 

pppp

 

 

    



hard sticks very fast tremolo



   

3 pp

mp





p

      

mp

p

 

            

pp

  

4 wood blocks

    

     ffmf

ffmf

mf



mp

    

   

non vib.

pp

pp

p

3

nl y

      



pp

      

   





     

  

pp



    



          fff  tremolo at this rhythm





        

 



fff

C op

6

Vc.

mf 2 susended cymbals

 

             E. Gtr.     

Vla.

sfz

p

 



 

us



         pedal bass drum



   ffmf      ffmf pp

q=47

     

or pe r

    

 



pp



q=54

-F

fff on the rim of Tamtam

   



with vib.

lin

  

 



ic or di Be r

   



 Perc.   

Pno.

fff

  

R

Perc.

  

 

q=36 non vib.

by

Cl.



  

ht

Fl.

   

yr ig

   32

al o

4

 

  



pizz. trem.

bend チョーキング

  

mp

 

   

       

          

   

     

      

    

   

mf pizz. trem.

mf pizz. trem.

mf pizz. trem.

    mf

3

 

 

      3

3

3

      

3

 

       3

2 sus. cymbals

     





pp



mp

 



 

   glis

s.

     

 

S.P. arco



 



 



 





ff

 Db.  

 

   





ff

ff

  3

3

 











S.P. arco

arco



p

 P.O.     gliss.                 5

mf

P.O.          5      

p



 

mf

f



 

f



  

 



 

  

 

  





pp

p



 



       



   

 



 



   

 



 



   

 



 



          

 secco 

     

fff



  

 

Tamtam arco

mf

No distortion

fff

 3 L.V.                      pp

sffffz



sffffz

fff

(natural harmonics)

(natural harmonics)

 S.P.    P.O.                

  

 

    

                

3

 

pp

3      

pp

 

pp

fff

 pizz.                    sffffz S.P.

P.O.

fff

 

L.V.



p

S.P.    

 

3

             

  S.P. P.O. pizz.     arco                    sffffz fff

fff

RICL 172 Sy. 4693/01

sffffz ppp

tremolo at this speed    



   

    

 

heavy distortion

f

 

  

   

sffffz

f



fff



 



f





 

gliss.

 P.O.      gliss.              p

S.P. arco

3





s.

C op

 

glis 

mp

R

  



  

5 5              



mf

ff

Vc.

 

Lion's Roar



3

Vla.



 



  gl iss.     E. Gtr.   

Vln.

 

by

Pno.



fff

-F



ht

Perc.

  

yr ig

Perc.

mf

fff

                    sffffz



5

al o

 

mf

us

p

    5                  



lin

 Cl.    

5

                  

or pe r

p



 

41

ic or di Be r

  Fl.   

q=54

nl y

q=72

accel.

                   

          

 

    tremolo on the bridge

arco



       pp

  p

 

nl y

6

q=54

al o

q=42

   

   

    

 

       

 

 Cl.  

  

  

   



      

 

 

 

 

 









arco

Vib.



 



mf



   





 



 

 

 



 





5



  S.P.



  

 

 

 port.  

 

 

     

        

by

  

 with rvib. t.      po  pp mf

gliss.

port.

  

  

R

3

         

yr ig

Vc.

Db.

mf



   

Vla.

 



 

 

  

port.

 

 

 

  gliss. 

 

  



 

      RICL 172 Sy. 4693/01



  

 

 

 

 

 

 

 

fff

fff

 3

4 wood Blocks



      fff              

5

5



      

fff

3

 

4 tomtoms

5



        fff

fff



 



 

 

 

     



 



       

    



   

  

  

 

  

fff

 





          

5

   

         

gliss.

fff



5

      fff

     

   

 

 

 





 





5

    

3

 

 



3





     

     

    

     

  gliss.  liss.    g 3

3

 





                  fff





 

3

 





q=90

   

p

p

   

   gliss.      

mf







3

    

HARD STICKS





    





                   

 



lin



 



bend チョーキング

           

  

 

ic or di Be r

"fender stratocaster", medium valve distortion with heavy compression Long sustain but not too distorted bend チョーキング rock vibrato

 E. Gtr.   

Vln.



 



ht





 

C op

Pno.







 

or pe r

Perc.



 

-F

 Perc.

us

   Fl.   48

 

 

5



 

    

  

 



   



  

 



  

 



  

                 fff 



sfz suspended cymbal

Perc.

Vib.

  

fff







  



    ff

3

3

3

       

non vib.         Vln.  

Vla.

 secco 

               3

non vib.      

3

 

   

Tamtam



 

  







 

 

 

     tremolo: off   

Db.



              sffffz

      



senza sord.

  

 pizz.           

ht



fff

with hard stick 





  

fff

sffffz

 pizz.           fff

Gran Casa

sfz

hard sticks very fast tremolo on the rim of Tamtam



f

  

  







pizz.

sffffz

 



heavy distortion

 











  

 

sfffz

 

sfffz

 

 

 

sffffz

fff

yr ig

        non vib.





              

  



C op

Vc.





fff

non vib.



sffffz

heavy distortion

E. Gtr.

fff

violently

        fff 

tremolo at this rhythm





      

Pno.





ic or di Be r



            sffffz

R

pedal bass drum

   Perc.  

nl y

 



7

al o



  

sffffz

by

 Cl.   

fff



us

            

or pe r



  

lin

 56      Fl.  

q=47

-F

q=54

non vib.





 

 



      sfffz   

hard sticks

    

sfffz







 

  

sfffz

fingertapping

                                                

f

                         

6

6

 

 

6

 

 

6

6

 

 

 

 

6

 

 

6

 

 

6

 

 

 

fff pizz.





fff



          3

3



3







3

              









3















3











3













fff

 fff

         3

3

3

RICL 172 Sy. 4693/01



 3





 3





 3





 3



nl y

8

q=42

  Piccolo                   fff pp                          pp fff              













 Perc. 



Perc.







Vib.







 









Vc.

Db.







3

  



3







 

arco



3

 

 



arco S.P.

 

f

arco

 

 

f





gliss.





f

   



f

S.P.

S.P.



arco S.P.

R



 

by

Vla.





   

ht



 

yr ig

 

 

C op

Vln.

 

6

or pe r





gliss.

gliss.

 

fff





 

 

  

fff



  

fff

RICL 172 Sy. 4693/01

                f                  sub.    pp

                  

 

 

sfffzp

 



 



 

 



 



 

 



S.P.

 

      

 

       fff

 



 

        fff

 



sfffzp

sfffzp



     

fff

sfffzp

  

fff

 gliss.

 



sub. pp

6 6 6 6 6 6 6 6 6 6                                                                                           6 6 6 6 6

E. Gtr.

ic or di Be r

Pno.

4 tomtoms

-F

   

fff

lin

Cl.

ff

us



Fl.

al o

  

  61

 

  fff

           

 

 

tremolo on the bridge

pp

p

         p

        

S.P.

p

S.P.          p

       

  

               Vib.   

Perc.

 



  





 



 



  



            3

                       



  

 

mf

 

4 Wood Blocks





hard sticks

      

sub. mp

     

 mp     

3

3

3

                   sub. mp         

f

 



 

 

 

ht





C op

 



f

molto  S.P.                   mf

 Db.  





R

by

                   mf more bow pressure scratching noise

Vc.

 

yr ig

Vla.



f

more bow pressure scratching noise molto S.P.



   

nl y   

        

 

 



                          



                               



 



 



 





mf



 



          



   



 



 



  

 



 



  



 



 



 



 



  



  

RICL 172 Sy. 4693/01

 

q=36

 

q=52





 





        



    



    

4 Wood Blocks espressivo



hard sticks

sub. mp

mf

mp





 

mp

         p





    





    





    

arco

3

             sub. mp        sub. mp

mp

more bow pressure scratching noise molto S.P.

mf

 



pp



mp

sub. mp

            Vln.       



pp

al o

 



mf

Pno.



us

 

 

        

or pe r





  

-F

  

 



non vib.

 

lin

Cl.



q=54

ic or di Be r

 66        Fl.   

9

 

P.O.

pp

P.O. pp





P.O.

pp

P.O.



pp

  

        

 



S.P.     p

  

        

 





  

       

 

  

       

 



    

   

    

  

    

S.P.

p





S.P.

p

        

P.O.







p

nl y

10

pp

Perc.

   

 



 Vib.   

 



  

mf

very fast tremolo 4 wood blocks

  

 

3          pppp        hard sticks              

mp

mp

3



Pno.

           mp          



  Vln.  

mp

   



 



 

       mf       

  

trem.

         p P.O.

norm.

 

          f

Db.

  

     

trem.

f

  

 

trem.

           P.O.

p

norm.

mfp

        

  

          

mfp

f

           

norm. trem.

p

p

mf





mp

  



  

 





 

p

p

   

mp

p

p

 

 



           3



   



   p

with vib.

   

f

p

   

3

mf

(solo)



p

mf

p

S.T.

 



p

with vib.

3

p mf with vib.

 

p

3

mf

with vib.

S.T.

   

non vib.

 

          mf 



by

mfp

              

ht

 

p

norm.

yr ig

Vc.

     

          P.O.

C op

Vla.

 

 



p

 

mf

  

mfp

     

3

p

 



mf

senza pedal

     

 



mf





p



p

S.T.



  p

S.T.



 

 



 

p

          

  

     pp

  

 

 

      



 

 

 



           

             



               

3







f

  

   

    

 

 

hard sticks

3

   

p

      

          









3

     

al o

                    pp   mf

p

3

us

mf



or pe r



mf pp

with vib.

  

lin

  

Cl.

pp

Flute

ic or di Be r



                   

R

  Fl.  

q=40

non vib.

-F

q=47

77









S.P.

f



        

S.P.



 



 



   

  



           



 

 

             



 

 

             



 

 

p

p

mp

 

mp

 

 

mp

p

mp

 

 

(solo)

p

S.P.





  



 

p



p

RICL 172 Sy. 4693/01





p

S.P.



 

p

con sord (preferably Practice Mute)

 

S.P.



  

pp

  

  

 

nl y

qK =q

pp

  

  

    

 





 



q=60



 



 



 

 



 



 

 



 



 



 



Perc.

  



 



 



 



 



 



  



 



 





                                             

              p

f

            

p

f

   



 

  



 



 



 



       Db.    ff Vc.









                                       ff           

fff senza pedal (together with piano)

                 

                            fff 

 



    

 

4 Tomtoms



                   

 

                                       

 

 



 

senza pedal (together with vibraphone)



 



 



 

 



 



 



 

 



 



 



 



 

 



 



 



 



 

 



 



 



 





 



by

Vla.

           

p

      



ht

Vln.

      

 

yr ig

E. Gtr.



f

C op

Pno.

      

ff

-F

   

lin

 

 

ic or di Be r



R



 



or pe r





 

 

  

  Vib.   

 



Cl.

Perc.

 

al o



us

    86

Fl.

11

RICL 172 Sy. 4693/01

senza sord.



 



 



   

sfffzp

fff

Cl.

     

          4 wood 2 suspended Blocks cymbal

           fff

  

   



sfffzp                 

Pno.



 



  

 



 



 



 



     

 



 



    

 



 

 



 

       ff  



 



 





 





sffz



 



   



sub. sffz

f

        

   

   

     

   

   

sfffzp

fff

Vc.

 

P.O.    fff

 Db.  

P.O.

 

fff

sfffzp

     



  fff

 

 

 

sffzp







sffzp



  





 





 

fff

fff



          



 





 



 



 

  

gliss.

   



f



sub. sffz f molto S.P.

      

 

sfffzp

ht

Vla.

sfffzp



gliss.

yr ig

P.O.

  

C op

   

   

 

R

fff

    

by

  

P.O.

  Vln.  

sfffzp

  

 

norm. fingertapping norm. (D and B are open strings) on grace notes        no-trill                                                                                                                                

very heavy distortion fingertapping

E. Gtr.

 

 

sffz

fff

   



ic or di Be r

Vib.

   

 

fff

  Perc.   

   

    

al o

 

  

-F

   91

Fl.



q=72

us

       

or pe r

q=90

lin

12

nl y

over blow to upper harmonics

qK =q

S.P.

f

III    

  



 fff

 

 

gliss.

  RICL 172 Sy. 4693/01

 

 

  



     



 



    

   

 

 

sffzp

molto S.P.

          fff  

  

 

mp

sffzp molto S.P.

  

  mp

sffzp









Vib.













p



    

Pno.



 



    

 fff



sffffz





      

fff

       



sffffz



 

  



f





        f

       f 









 

 

    

  



  

           sfffzp

 



 



            p

 



 



       

 



 



     

 



 





   





  

 

nl y





sfffz

     

 

  

 

p









     

 p                       p

13

al o



sffffzmf

         sffffzmf mp

  



pedal Bass Drum

Perc.

 

          sfffzp

us



or pe r





mp

   

q=72 q=qK

-F

Cl.

 

lin

98

ic or di Be r

 Fl. 

non vib.

q=108 qK =q

sfffz



     sfffz

norm.                                                                                               E. Gtr.                             ff

  





  

     gliss. sffffzmf







Db.



 

      gliss. sffffzmf    



sffffzmf

gliss.





P.O.

  

p



ht

  

Vc.



p

yr ig

Vla.

C op

mp

  

P.O.





  

  

  

  

  

  

           sfffzp

R

   gliss.      sffffzmf

by

  Vln.   

sub. ff sfffz







 



 

 RICL 172 Sy. 4693/01

 



 



 



 



           sfffzp  P.O.      sfffzp

 



nl y

q=108

 





mf

3



qK =q



3



 

Pno.



ff

ff

         



 3      







3















R

by 

 mf



ht 

C op

Db.

mf

 

Vc.





mf



 

sffffzf

 

 



 







3





3

             





3





     



 



 



 



 

 

   

 

                     ff

 

  ff



                





3

exaggerated





3

 3

exaggerated



  



  

sub. f

  





pizz.



 

  





 

 

 

 

   fff



  

fff

      fff

RICL 172 Sy. 4693/01



pizz.

 

 

     

   

 



pizz.



pizz.



 

    

  3

3



   3

3

  



     3

  

  

fff

exaggerated



 

              

    

 



               

                       



yr ig

Vla.





fff

 



  



  Vln. 



ff



 E. Gtr.                         

   fff

ff

          



fff

3



3



ic or di Be r

Vib.   

           



exaggerated

exaggerated

3

  

al o

mf



us

Cl.





or pe r

Fl.





-F

  104



lin

14

3

       3

 



 

    

 3

 



 

  

  

 

  



 





 



arco

 



 



arco

 



 



arco

 

arco

 

q=72

  

sffffz

Perc.

p

   





  



3

3

mf

GRAN CASSA (hard sticks)

ffff

3







3

      3

3

3

3

3

3



3

3





 





sffffz

  E. Gtr.   

    

 

 

 

        sffffz

      arco

Db.

sffffz

 

 

pp



by



ht

pp

  

 

non vib.

  

C op

Vc.

3

yr ig

        sffffz



S.P.

f

ff

sffffz

Vla.

3

3

p



 

ff

ff  

 ffff



fff

espressivo            



 



 



 

3



fff

 



f

fff

 espressivo            

 

S.P.



f

fff



   

3

fff



 



 





 

 

 

f (no cresc. no dim.)



 



    

 



 



fff

      

fff

                      

    

  gliss.   mp



  gliss.     mp





  

    

gliss.

mp



sub. f

 



 

 

  

 



       fff

 



       

 



 



 fff   







fff     

fff

RICL 172 Sy. 4693/01

 

2 Suspended (hard sticks) Cymbals

fff

molto vibrato



3

 

molto vibrato

S.P.

3

3

3

molto vibrato  espressivo             

R

 

3

15

fff

                    

                                                               

ff

  Vln.  

 

3

lin





       

 

3

ic or di Be r

Pno.

3

3 3                                        

3

3

       3

sffffz

 

fff

mp

3

3

  

           

                 3

mf

  Vib.        



 

mp



              

PEDAL BASS DRUM



 Perc.    





  



al o

        



us

sffffz



   

or pe r



-F

 110       Fl.   Cl.

nl y

q=qK



   

 

Perc.

Vib.

Pno.

 









 

 



   



fff

fff

4 wood Blocks

   



 



     

 5

 

 



    

fff







fff

  



ic or di Be r

   plucked normally                                             E. Gtr.       



              sub.

    





  



fff



sfffz

5

 



sfffz

5

4 tomtoms

  fff

         

fff

 

sfffz

5

   



  



us





   

or pe r

Cl.

 

-F

115

lin

 Fl. 

        

(heavy distortion)

Mute strings with left hand except for the accented notes heavy distortion

  





Vc.

Db.





 

     P.O.



R

fff

fff

  P.O.



 





 

fff

 

      





      5









 

5

          







    

5





5

f

P.O.



 

5

      

by

ht



 



yr ig



Vla.

 



C op

 

(D is open string)

               

fff

fff

Vln.

al o

q=60

q=90

16

nl y

q=qK

5

 5

    



















f

 



   f



     

   

(P.O.)

f

RICL 172 Sy. 4693/01

 

            5

 

 

 

 

 

 

5

 

 

 

 

 

 

 

 

 

 

5

 

 

 

 

 

5

 

 

 

 

 

 

nl y  

















non vib.

 

-F

 

ffff

     





     sfffz



  

Vla.

  S.P.

Vc.

   

5

 





 

 





 









 









gliss.





        

5



 

5

C op

 

  5

 

   

5

S.P.

 

5

   



R



by

S.P.

 



ht

S.P.    Vln. 











gliss.

5





 

 



gliss.





 

5

  







5

        









gliss.





 



 

     5

  

5

5

5



 

  















sfffz

fff 2 SUSPENDED CYMBALS

sfffz

 



 



   

    

fff

         



 

 

  

 

fff

         fff

RICL 172 Sy. 4693/01





           

5

5

 

               

fff

5







Gran Casa

            



 



 

 



 



 



 

 

 

f



tremolo at this rhythm (manually  with  volume) norm. very fast trem.

   

 

 

                                                                                                                 (B is open string) (G is open string)

 



fff





                4 TOMTOMS





 

ffff

lin



ic or di Be r



q=36

 

PEDAL BASS DRUM

                  

   E. Gtr.      

Db.



yr ig

Pno.

    

Perc.

Vib.

 

or pe r



   

us

 Cl.      Perc.

    

al o

 

   Fl.  119

17

  

      fff  P.O. non vib.       

    

ffff

P.O. non vib.



 

 no tremolo   

   

with Rock vibrato

         ff

 

  

 

     



  

 

     



  

 

P.O. non vib.        



  

 

ffff

P.O. non vib.

ffff

ffff

nl y

18

Perc.

Vib.

Pno.

 

 

 

p

   





mfp

mf

p

 



 



 

 





 



 



 



  





 



 



 



  





 



 



 





 



 





 



 



 





   

3

        

        

    

3





 

3

 



 

 

    



 

 

f

yr ig

ht

by

    f









 

 

mp

      mf   

mf

  



  



mf

p

   

  

 



mf

p

mf p







mfp

mf

p

 

 

mf

p





mf

p



 

mf

p

 



mf



 

 







RICL 172 Sy. 4693/01



 mf







mf

p

p

   



mf



p

 

 

 

   

mf

p

mf

p

 



 p

p

mf

mf

p

mf









mf

p





 mf

 



 



 



 



 





   

 



 



 



     



 



  

 

   



  p

  p

 

p

 



 mf



p



    

  

mf

 

tremolo at this rhythm (manually with volume) 3







 3   

extremely slow arpeggio

      g liss.                    3 mp             p



mf

p





mf

p





p mf

 



mf



mf

 

 



 p



 



  p mf

 





 mf



3

mfp





gliss .         gliss .           

mf p

 



 

p

 

mp



mfp mf

 

mp

p



   

   

  

mp





mf

3



f

arco

   gliss.               

 

C op

  

 

R



f

Db.

mf



mf

Vc.

mfp



  E. Gtr.   

Vla.

mp



  

Freely, take your time. (until the end)

Vln.

mp



q=60



Perc.

  

al o



 

us

    

 

lin

Cl.

 

or pe r



ic or di Be r

Fl.

-F

    124

qK =q

q=40

To conductor: from here, follow the guitar player.

mf

p

mf

p

 

   



   

mf

p



 

   

mf



p mf

p

mf

p mf

p



 



mf

p mf

p

 





nl y 

3



 











      



  







mf



p



mf

p

mf

p

mf

p



Vc.

 mf











   

p

mf





mf

p

mf







mf

p

mf

  

  

 









  

  gliss.  

 



  



mf

p

mf

 





  

p

   p









mf

p

mf

p







mf

 mf



mf

 

p

 



 





p

mf

p

mf



mf

p







mf

   p

   p



 



  



 

   3

3

3





mf

    gliss.        

3

  

p

 



 

  

us

p



  





p

mf





mf

 







  



p

mf

p

mf

 

 p

mf

p

mf



 

 p

mf

p

mf



 



3







 



3

 

 

extremely slow arpeggio

     3



  

  







p

  

mf



p



mf

p

mf

p

mf



 





 





 





 



RICL 172 Sy. 4693/01

mf



mp

  



p



  

 

 mf

ht



mf

   

3

    

Vla.

Db.

 

  



  



  



19





 

p



or pe r

Pno.



p



 

Vln.

mf

 

Vib.

E. Gtr.

p



mf

yr ig

Perc.





-F

mf

p

  

lin



mf

C op

Cl.

p



ic or di Be r

 

mf



R



by

   133

Fl.

al o

qK =q q=90



3



nl y

q=qK q=60

 E. Gtr.

Vln.







   

 





                3



mf

 







 

p

mf

p

mf

p

mf













mf

p

mf

p

mf

p





   

 

 

mp

   

p

mf

p

  mf

   

p

 mf

 p

   

mf

p













       

   

 

       



no tremolo No distortion. extremely slow arpeggio

         

   

   

   

   

 mf

 p



       





no tremolo No distortion. extremely slow arpeggio

             

   

   

 

 

 

 

 

p

mf

p

mf

mf

p

mf

p

mf

p

mf

p

mf



 





 





 





mf

p

mf

p

mf

p

 

mf

p





 





mf



p

mf

p

 

mf

p

 

RICL 172 Sy. 4693/01

p

mf

 



mf

p

 

   



 



  

mf

   

   

  

  



 

 





 

 





 

 



mf



    

p

  

us

mf





no tremolo No distortion. extremely slow arpeggio

   



mf

p

   

Lontano



Vc.

   

 3    







p





  

Vla.



mf



or pe r

   

   

p

Db.

3

 



 

p

 

-F



mf



lin

Pno.

  

p





 

mf





Vib.

p

 



 

mf

 



ic or di Be r



p



R

    

mf



yr ig

Perc.

p



C op

Cl.

mf





p



by



ht

   138

Fl.

al o

20





          



 





 

 





 

  jeté

  mp

      



pp sub.pizz. mf very fast trem.

 

















 

 



 

  

    

 

  

    

ppppizz. very fast trem.

ppp

 