The Casa Interiors Auction September 2017 Catalogue

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September 16, Saturday

August 31 to

2:00 PM Onwards

September 13, 2017 10:00 AM - 6:00 PM

venue

contact

156 Jupiter corner

772-0414

Comet Street,

info@casadememoria.com

Brgy Bel-air, Makati City

CasaDeMemoria.Com @CasaDeMemoria

www.casadememoria.com

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visit 156 Jupiter corner Comet Street, Brgy Bel-air, Makati City contact 772-0414 info@casadememoria.com online CasaDeMemoria.Com @CasaDeMemoria Printed in the Philippines. Š Casa de Memoria. All rights reserved.

All material in this catalog may not be reproduced, transmitted or distributed in any form without the written permissions of Casa de Memoria Casa de Memoria reserves the right to accept or reject any article or material, and to edit this material prior to publication.

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Contents Auction Lots

8-111

Furniture

8 - 29

Carpets and Tapestry

30 - 35

Woodwork

36 - 39

Porcelain & Ceramics

40 - 57

Painting

58 - 71

Metalwork

72 - 77

Glass & Crystals

78 - 91

Miscellaneous

92 - 99

Silver

100 - 107

Ivory

108 - 111

Terms and Conditions

113

Contributors

123

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001

Set of Renaissance Style Chairs with Marble Accents 107 x 51 x 40 cm Set of 10

Set of 17th to 18th century Renaissance style chairs in oak with marble accents, which originated from France. Architectural in form, dominant elements are stylized leaves and foliages, guilloche, and rosette on back; female masque with swags on apron, followed by Corinthian column legs in front.

With signs of use and some defects.

PHP 150,000.00

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002

Portuguese Buffet Table 79 x 109 x 70 cm A Portuguese buffet table, probably 17th to 18th centuries. This antique table in palo santo wood strongly carries the Iberian spirit as exemplified by its turned legs, box stretchers, and metal mounts in chinoiserie stylization. The furniture is built with two drawers, and has bun feet.

With minor defect.

PHP 115,000.00

003

Régence Style Commode 88 x 132 x 65 cm French dated early 18th century commode in Régence style with bombé front and sides, cabriole legs and ornate feet, and ormolu mounts in rocaille and scroll motifs, with a marble top and exemplary marquetry which forms spikes and butterfly wings.

It is configured with two small top drawers and two broad ones below.

With defects.

PHP 350,000.00

004

English Chinoiserie Bureau-Cabinet 23.5 8 x 117 x 50 cm A chinoiserie bureau-cabinet in black-lacquered mahogany wood originating from Great Britain. Consists of a cabinet top and bureau base, the top has a series of small drawers, compartments and shelves hidden by its two door panels. The bureau has a fall-front top covering shelves and small drawers inside; with which a series of drawers follow underneath.

Having chinoiserie bronze handles and mounts, as well as dovetailed joinery, flamed mahogany interior, and its Georgian block bracket feet corroborate to the dated style, that is, circa mid to late 18th century.

With minor defects.

PHP 250,000.00

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005

Walnut Commode in John V style 96.5 x 132 x 64 cm Portuguese commode in walnut dating to the 18th century style of King John V. The serpentine façade has two small drawers on top, followed by two longer drawers below; while bronze keyhole plates and handles are in bird and floral forms. Apron and legs decorated with acanthus motifs, which stand on ball-and-claw feet.

With signs of use.

PHP 200,000.00

006

Regénce-Styled Mini Commode in Oak 50 x 60 x 38 cm Of French origin, dated 18th century, this oak commode is in Régence style. The furniture has a notable built as can be seen to its serpentine-curved front, carved sides, three large drawers with reliefs (i.e. cartouche) and Régence Rococo gilt metal mounts, and motifs of flower, foliage, and scroll embellishing the shaped apron. Its feet, specifically the front, are scrolled.

Generally stable.

PHP 180,000.00

007

Pombaline Style Side Cabinet with Ceramic Mounts 117 x 207 x 56 cm Pombaline style side cabinet with polychrome ceramic columns and mounts dated between the late 18th and early 19th centuries. Pombaline style was a reaction against the social trauma of Portuguese society after 1755 Lisbon earthquake that ruined grand monuments and palaces. This event led to structural restrictions; thus explains the restrictive

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appeal of this piece, especially its use of wood and application of painted ceramic mounts on sturdy areas. Two faux drawers can be found on the frieze; while two door panels hide interior shelving. This piece is also mounted with

bronze cartouches with putti masque – presenting how neoclassical taste was appropriated by this style.

With defects.

PHP 250,000.00

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008

19th Century French Card Table with Wooden Inlaid Work 75 x 84.5 x 40 cm A 19th century card table from France. This antique furniture is built with a top which can be folded out, and supported by a gate leg. The unfolded surface of the table’s top features marquetry work. It has a large drawer mounted with ormolu Rococo-styled escutcheon and handles. Also, it is embellished with light-toned wood veneer. The legs are squared and tapered.

With defects.

PHP 50,000.00

009

Simultaneous Dual File Cabinet in Later Georgian Style 157 x 52 x 36 cm This English file cabinet with raised, galleried and mirrored top pediment in late Georgian style, between late 18th and early 19th century. Notably mahogany wood with inlaid satinwood ornaments depicting Neoclassical motifs including paterae, foliate medallions, and linear borders defining the architectural appeal of the piece. Rare to find are its dual cylindrical file drawers that appear flat at front; but simultaneously open when pulled by the two round knobs at frieze. Pediment is designed in open segment with finials down the sides.

With signs of use.

PHP 120,000.00

010

Doña Maria I Style Commode 60 x 77 x 44.5 cm A Portuguese commode fashioned in Doña Maria style. It is dated between the late 18th and early 19th centuries, and specifically built from rosewood, satinwood, and boxwood.

The furniture impressively exhibits foliage and floral marquetry which embellish the top, sides, and front. Gilt metal applications serve as adornment as well of the two drawers, cabriole legs, and front feet.

With signs of use.

PHP 320,000.00

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011

Empire Styled Bookcase 156.5 x 154.5 x 54.5 cm Empire style bookcase with exquisite parquetry of exotic wood, early 19th century French. Three door panels are richly crafted with quarter-veneered kingwood, coupled with mahogany as crossbanding. Decorated with gilt Neoclassical elements, such as guilloche on frieze, rosette paterae,ribbing, garlands, torch with ribbon. Has a marbled top and turned toupee feet.

With signs of use.

PHP 250,000.00

012

Renaissance Revival Style Milanese Cabinet 113.5 x 81 x 41.5 cm Milanese low cabinet in Renaissance revival style dated 19th century. Ebonized and adorned with elaborate ivory inlaid work, its front impressively shows mannerist-inspired compositions such as arabesques, festoons, flowers, animal figures, and masks. The top and the sides, in contrast, have geometric shapes as motif. While the exterior noticeably has two pilasters, the cabinet’s interior is built with two adjustable horizontal shelves. The foot style illustrates bun for the front, and block for the rear.

With defect but generally stable.

PHP 150,000.00

013

French Neoclassical Style Display Cabinet-on-Base with Marquetry 250 x 154 x 44.5 cm A French Neoclassical-styled display cabinet, from the 19th century.

The furniture prides itself with prolific and complex marquetry representing foliage, ribbons, festoons, and palmettes. Its upper half is specifically configured with swan-neck bonnet-top pediment, turned columns, mirrored back, platform, and a central storage. The base, on the other hand, has a round mid-front (with two doors) which is contrasted by its flanks, two upper side drawers, and two glass-panelled doors. Its front feet are turned.

With signs of use.

PHP 250,000.00

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014

Renaissance Revival Style Low Cabinet 101 x 121 x 48 cm From Italy, dated 19th century. This antique low cabinet has notable architectonic built and richly embellished with reliefs/ carvings from top to bottom. Adhering to Renaissance revival style, the furniture has bulbous top and front sides as these sections are decorated with gadroons, leaf carvings, a mask, and reliefs of two figures (a woman and a horned man) simulating pillars. Furthermore, the piece is configured with two doors which bear motifs of palmette, rosette, scroll, and male masks.

The cabinet’s sides also have carvings, with rosette as the central decoration, and singerie front feet.

With signs of use.

PHP 120,000.00

015

Napoleon III Styled Ebonized Side Cabinet 102 x 137 x 42 cm Napoleon III style side cabinet made of ebonized mahogany with marble top, brass, bone and motherof-pearl inlays dated back to the latter half of the 19th century. Brass inlays on the panels are in Renaissance revival style, with inlaid bone details minutely depicting lilies and doves, which are both symbols of “purity.�

Behind the two-door cabinet are two (2) shelves.

With minor defect.

PHP 300,000.00

016

Renaissance revival style Bonheurdu-jour, 98 x 91 x 50 cm A 19th century Renaissance revival-style bonheur-du-jour, made of rosewood with marquetry of bone and other exotic wood. The curvilinear shaped furniture has a raised, galleried back with a small central mirror and two elevated small drawers at the sides. Olive green leather sits on desktop with three frieze drawers next to it. With castered plain cabriole legs.

With minor defects.

PHP 60,000.00

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017

Empire-styled Glass-topped Extendable Round Table 81 x 135 x 135 cm A 19th century Empire style extendable round table with later glass on top of mahogany from France. Four sphinxes in gilded wood, crowned with corinthian capitals, support the tabletop with flamed mahogany frieze. A quarter-fold, serpentine base adds gracefulness to this piece.

With sign of previous restoration.

PHP 280,000.00

018

Napoleon III Style Mirror-topped Gueridon with Undertier in Flame Mahogany 79 x 74.5 x 56 cm Napoleon III style French oval gueridon in mahogany has a mirror top and dates back to the late 19th century with ormolu decorations in Neoclassical motifs, such as its reticulated friezes, paterae, flutes, and turned feet. The handles are placed on both ends of the oval mirrored top, with quarterveneered flame mahogany lower shelf.

Generally stable.

PHP 100,000.00

019

Hard- and Burr-wood Glass Cabinet with Mirrored Back in Louis XVI Style 107 x 76.5 x 38 cm Louis XVI style glass cabinet made of exotic hardwood and burr-woods, decorated with gilded bronze elements, 19th century.

Its interior has mirror backing. Combined with burr-woods, calamander, mahogany, rosewood, and other exotic timbers, the furniture’s playfully textured surface renders this piece with high sophistication. Neoclassical elements are encapsulated by goÝt-grec (Greek taste) motifs, such as gilded bronze garlands, goat masques, rosettes, acanthus leaves. Jasperware plaques depicting Greek gods decorate the corner friezes. With turned feet.

With defects.

PHP 70,000.00

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020

Neoclassical Style Gilded Wood Settee and Armchairs with Cushions of Bird and Flower Motifs Settee: 112 x 170 x 68 cm; Armchair: 108 x 72 x 64 cm Set of 5 Gilded wood armchair in Neoclassical style dated to 19th century Portugal.

Carved with intricate goรปt grec motif, that includes stylized leaves, foliages, cereals, ribbings, paterae, and its fluted legs.

Cushioned back and seat in later fabric is decorated with stylized birds, floral and foliate figures in splendid colors over a pale off-white tone.

With signs of use.

PHP 500,000.00

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021

Milanese Cabinet with White Marble Top and Bone Inlaid Decoration 110 x 118 x 43 cm From Italy, dated 19th century. The furniture is typified as Milanese ebonized cabinet with white marble top. This impressive piece has noteworthy bone inlaid work which depicts Renaissance revival elements (i.e. foliages, masks, scrolls, dragons, and rosettes) on turned feet.

Generally stable.

PHP 120,000.00

022

Milanese Ebonized Cabinet with White Marble Top 110 x 118 x 43 cm A Milanese ebonized cabinet with bone inlay and white marble top dates back to the 19th century Italy. Magnificent penwork adding details to the bone inlay in Renaissance Revival motifs, such as stylized scrolls, foliages, dragons, rosettes, and masques. Bone inlay in rectilinear cuts also define contours of column, friezes and side panels. With turned feet.

With minor defect.

PHP 120,000.00

023

French Rococo Revival Style Chairs with Footstool 37.5 x 40 x 52 cm Set of 3 Pair of 19th century French chairs, with footstool, finely crafted of gilded wood framework and upholstered cushions.

Elaborate fabric embroidery in foliate and floral motifs adorned the cushions, while chair’s cartouche-shaped reclined back and wide seat provide an accent. Featured rocaille motif on wood carvings and cabriole style legs resonate the Rococo influence.

With defects.

PHP 60,000.00

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024

Don Joao V and Don Jose I Style Side Chairs 106 x 53 x 42 cm Set of 8 Set of eight (8) gilded wooden side chairs in juxtaposed styles of D. Joao V and D. Jose I of Portugal dated between 19th and 20th centuries. With serpentine top, pierced back splat and quatrefoil detail.

With buttoned cushioned seats in green tints; cabriole legs and feet with stylized leaf motifs; and curvilinear stretcher.

With minor defects.

PHP 240,000.00

025

Pair of Armchairs in Pau Santo Wood 114 x 57 x 53 cm Pair A pair of 19th century Portuguese armchairs, well-carved pau santo wood and juxtaposes Neoclassical and Rococo styles. Rocaille carvings on top rail and armrests, as well as turned-forms of stiles and castered front legs, combinely graced these pieces, while stylized gout grec (Greek taste) are on its apron.

Enlivening ecru-toned upholstery carries floral vine pattern in Georgian blue color.

With signs of use.

PHP 70,000.00

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026

027

84 x 41.5 x 36 cm

91 x 60 x 50 cm

Pair of Napoleon III Style Chairs Pair Dated 19th century, of French provenance. This pair of Napoleon III style lacquered chairs has noteworthy polychrome and gilt ornamentations as well as motherof-pearl inlays placed on the top rails. The stiles and the backs are both turned, while the seats are caned.

Supported by box-shaped stretchers, its legs were crafted with the two fronts turned.

Louis XVI Style Bergère A 19th century French bergère in the style of Louis XVI, with velvet upholstered back, armrest, sides, and seat.

It has a notable gilt beech framework, rounded back, scroll-arm terminals, fluted legs, and ornamented with bead trim.

With defects.

PHP 40,000.00

Stable.

PHP 30,000.00

028

Ebonized Fall-Front Desk in Napoleon III Style 138 x 71.5 x 39 cm This 19th century Napoleon III style secrétaire à abattant (fall-front desk) prides its aggrandizing brass inlay and ormolu decorations over the ebonized wood surface. Inside the fallfront are three drawers in burr-yew veneer. Following beneath the desk are four dovetailed drawers. With white marble top and turned feet.

Stable.

PHP 250,000.00

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029

Neoclassical style Armchair with Caned Seat Armchair: 90 x 60 x 46 cm; Side chair: 86 x 47 x 42 cm Pair Neoclassical style wooden armchair dated 19th century from Portugal. The piece is painted in beige decorated with polychrome floral and foliate ornaments throughout. The backrest is cut in a series of circles over a colonnade with caned seat.

With minor defects.

PHP 40,000.00

030

Napoleon III Period Vitrine in Boulle Style 128 x 78 x42 cm French vitrine in Boulle style dated back to the period of Napoleon III, late 19th century. The rocaille ornamentations of ormolu (gilded bronze) mounts add grace along the edges and baroque cartouches on corners of the furniture. Renaissance revival brass marquetry with inlaid tortuga shells on the surface of the black lacquered wooden case with bordeaux-toned shelved interior.

With some defects, but generally stable

PHP 180,000.00

031

Center Table with Bird, Bamboo, and Floral Marquetry 78 x 99 x 65 cm European center table in ebony and other exotic woods featuring on top a marquetry of bird, bamboo, floral and vegetal motifs, dated back to the 19th century. Notice the excellently detailed bird figure on top, as well as the chinoiserie-inspired foliage and motifs like jasmine and peonies twined around the bamboo.

Stable.

PHP 70,000.00

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032

French Neoclassical-Styled Game Table 75.5 x 90 x 60 cm A late 19th century French game table in Neoclassical style with distinct wood veneer, geometric wood inlays, floral marquetry, and gilt brass application. The piece has an adjustable rectangular tabletop which can be unfolded to accommodate more people. Once outspread, the leather-covered surface can be seen. A concealed side drawer can also be found that serve as tabletop support.

Its legs which are turned, tapered, fluted and gilded, end with brass feet.

Generally stable.

PHP 70,000.00

033

Pair of Napoleon III Style Ebonized Side Cabinets with Ormolu and Sèvres-Styled Porcelain Insets 114 x 93 x 41 cm Pair This 19th century pair of Napoleon III style cabinets beautifully features ormolu mounts and Sèvres-styled porcelain insets. Rocaille relieves in ormolu, as well as inlaid brass bands gracefully render accent to these pieces. French figures on landscape are painted over the Sevres-styled porcelain. Interior has shelving and covered with fabric.

Generally stable.

PHP 500,000.00

034

Boulle-Styled Ebonized Side Cabinet with Ormolu Reliefs and Brass Inlays 109 x 129 x 42 cm A late 19th century ebonized side cabinet with white marble top in the manner of André Charles Boulle, embellished with ormolu mounts and intricate brass inlays. The frieze as well as the two panelled doors illustrate masks and arabesque inlaid work. As for the cartouches, quatrefoil and stylized foliage serve as the very ornamentation within. The furniture’s interior is built with two adjustable shelves.

Generally stable.

PHP 210,000.00

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035

Regency-Styled Wooden Armchairs 86.5 x 60 cm British late 19th century Regency style armchair in gilded and carved wood. The chair is elaborately designed with friezes of encircled links (for the arms), beaded mouldings (for the backrest and skirt), and motifs of palmettes and strings with pearls. The backrest and seat have silk upholstery in salmon tone, with curved front legs simulating bamboo.

With signs of use.

PHP 160,000.00

036

Eclectic Styled Backgammon Games Table 110 x 76 x 68 cm

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Eclectic-styled backgammon games table made of exotic woods and bone dates back between late 19th and early 20th century Europe. Backgammon board and pieces were hidden under the removable table top, which can also be flipped to use its red leather cover with gilt vegetal border.

Note the side-by-side mix of floral marquetry and trapezoidal bone inlays.

With turned legs, bun feet, and H-shaped stretcher.

With minor defects.

PHP 200,000.00

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037

Louis XVI Style Bookshelf 129 x 90 x 33 cm A Louis XVI-styled bookshelf in African wood, dated between the 19th and 20th centuries. This bookshelf is configured with brass gallery, application, and plain squared handles, two top drawers, a two-door cabinet, and pilasters, with feet made of wood and brass, tapered and turned.

With some defects.

PHP 70,000.00

038

DoĂąa Maria I Style Demi-Lune Game Table 76 x 98 x 48 cm This demi-lune game table in DoĂąa Maria I style dates between late 19th and early 20th century Portugal. It is made of mahogany with marquetry of lignum vitae and hawthorn decorating a blend of rocaille and Neoclassical elements of birds, torch, and volutes. The table top can be flipped to show a full-circle game table; with one hind leg movable to support the flipped top.

Generally stable.

PHP 60,000.00

039

Mahogany Veneered Writing Desk in Louis XV Style 78.5 x 147 x 83 cm This Louis XV style bureau plat (or writing desk), veneered in mahogany, dates back to the latter half of 19th and early half of the 20th centuries.

Serpentine-shaped gilded edges, the table top has an inset leather surface for writing. Three drawers with boxes are perfect for organizing writing materials and documents. Rocaille in gilded bronze embellish the frieze, cabriole legs and feet.

Generally stable, but with minor defects on surface.

PHP 150,000.00

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040

Chinoiserie Tea Table in Black Lacquered Wood with Foo Dogs Motif 45 x 97.5 x 52 cm Chinoiserie tea table in black lacquered wood decorated with Oriental elements dated between 19th and 20th centuries. Table top is designed with playful figures of foo dogs, plants, Chinese vase with herbs, hermit’s hat and staff. The furniture is gilded on the lower edges which gracefully bend from the planar top, down along its straight legs.

With signs of previous restoration.

PHP 40,000.00

041

Set of Portuguese Chairs 120 x 57 x 50 cm (armchair); 114.5 x 50 x 45 cm (chair) Set of 12

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A set of Portuguese chairs and armchairs, dated between the 19th and 20th centuries. It is composed of 12 chairs, two of which have armrests with scrolled terminals. Also, each chair is designed with high back and seat both upholstered in green fabric held in place by a series of ornamental tacks. As for the stylish front

legs, these are turned, tapered, and stopfluted. A well-carved X-shaped stretcher serves as support and decoration of the chair’s lower part.

Generally stable; but with minor defects on fabric.

PHP 140,000.00

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042

Large Portuguese Glass Cabinet 218 x 134.5 x 41.5 cm This large Portuguese glass cabinet is dated between late 19th and early 20th centuries, finely fashioned with ribbings along its edges, twisted columns, chinoiserie brass mounts.

The larger portion taken by the glass cabinet has its interior with wood shelving; while lower section consists of two drawers. Bas relief of a masque and foliage graced the frieze. With bun front and block rear feet.

With minor defect on glass.

PHP 160,000.00

043

Chinese Altar Table 79.5 x 127 x 40 cm A 20th century Chinese altar table exquisitely cut and carved with foliate and mythical motifs on its overhanging apron. Its legs are in rectangular form and bear intricate carvings of a dragon, which symbolizes power and good fortune.

With some defects, but generally stable.

PHP 70,000.00

044

Louis XVI Styled Gilt Chairs 91 x 42 x 46 cm Set of 11 Set of ten (10) side chairs and one armchair in gilt wood carved in the style of Louis XVI dated back to the 20th century France. Bordeaux-toned damask fabric was used to cushion rectangular backrests and trapezoidal seats. Elegant yet restrictive Neoclassical look can be seen on the paterae, fluted legs, and swirl ribbings.

Generally stable.

PHP 220,000.00

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045

Portuguese Side Table 58 x 60 x 40 cm Portuguese side table made of palo santo wood with brass chinoiserie mounts dated back to the 20th century.

It has a single long drawer with two drop handles on the sides. Notable are the ribbings throughout frieze, turned legs and H-shaped stretcher, and bun feet.

Generally stable.

PHP 45,000.00

046

European Sofa Front Table 49 x 133 x 72.5 cm Stylish and modern in form, this European sofa front table is dated 20th century. The piece has shaped corners and mahogany veneer which beautifully illustrates a reverse diamond pattern. Moreover, it can be observed that tabletop’s surface has distinctive color contrast, as the two sections have a darker tone. As for the furniture’s legs, each is fashioned in a three-pillar form, and specifically made of brass. These are supported by two square-like stretchers with inwardly-curved sides.

Stable.

PHP 30,000.00

047

Queen Maria I Style Chair 98 x 56 x 64 cm Pair Pair of Queen Maria I style chair in mahogany, dated back to the 20th century Portugal. Fashioned in curvilinear shape; has buttoned upholstered back and seat with crossstitched floral design; and with castered feet.

With minor defects.

PHP 100,000.00

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048

Ball Chair in the Style of Eero Aarnio From the model of Eero Aarnio 120 x 100 x 80 cm This innovative “globe chair” from Europe adheres to the 1963 “Ball Chair” model of the Finnish furniture designer, Eero Aarnio.

The chair is uniquely configured with lacquered fibreglass and aluminium, and has an upholstered interior in outstanding red tone. The modernist appeal and distinct structure of the piece made it an enduring icon of 20th century furniture design.

With signs of use.

PHP 230,000.00

049

Set of Gustavian Style Side Chairs with Caned Seats 86 x 42.7 x 46 cm Set of 12 Set of twelve (12) Gustavian style side chairs painted in white, dated back to the 19th century Europe, most likely from Sweden. Have trapezoidal back and seats; with back pierced in seemly interlaced circles, complemented by its caned seat. Fluted legs, guilloche band decorating the edges, and overall rectilinear form demonstrate the Neoclassical influence in these pieces.

With defects.

PHP 70,000.00

050

Chinoiserie Corner Chair in Doña Maria I Style 84 x 58 x 72 cm Fine corner chair with chinoiserie appeal, made of mahogany and other exotic woods in Doña Maria I style dated 19th to 20th century from Portugal. Has serpentine arch top, supported by two pierced back rail intervaled by three bulbous columns; and rectilinear square seat, straight legs with crossed-stretchers. Later cushioned seat is made of cross-stitch displaying figures of a bird, strawberries, and flowers; with stitched “JRF 1996” in proper right side. Wood fittings are done through turn-peg pin joints.

Generally stable.

PHP 30,000.00

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051

Regency Style Caned Bench with Maritime and Musical Motifs 83 x 171 x 48 cm Regency style bench with caned seat, made of ebonized and gilded wood dates back to the 20th century Portugal. Double-bar back painted with maritime symbols on upper bars and musical symbols at the lower bar.

Gracefully looking with its smoothly curled arms at sides and turned saber legs supporting the oblong long seat. Gilt linings perfectly accentuate the suave carving of the seat.

With signs of use.

PHP 70,000.00

052

053

197 x 55 x 55 cm

169.5 x 111 x 53.5 cm

Black-lacquered obelisk vitrine, with gilded details and cubic mirrored base, dates back to the 20th century Portugal. Interior of the glass-doored obelisk are shelved, while it stands over the square base with its four gilded globular feet. The base is mirrored on its sides; and with front door panel, base also serves as storage.

A 20th century French eclectic style cabinet on stand bearing tortuga shells and beautiful marquetry of flowers, birds, and insects on twodoored faรงade. Made of various exotic wood, which give the piece its exquisite visual texture. It is complemented by the infused NeoRenaissance motifs such as gargoyle masks, intricate foliate scrolls, and architectural appeal of the stand. Behind its two doors are series of drawers that suits storing items of varying sizes. Cartouche-plate drop handles, hinges, and locks are made of brass.

Black-lacquered Obelisk Vitrine with Gilt Details

With signs of use.

PHP 80,000.00

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French Eclectic Style Cabinet on Stand with Tortuga Shells and Marquetry

With signs of use and defects.

PHP 100,000.00

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055 054

Set of Italian Cantilever Chairs 80 x 55 x 51 cm Set of 5 An Italian set of modern chairs from the 1960s. The chairs are distinctly built of chromed metal framework, and with upholstered seats and backs in brown tone. Its overall appeal deviates from the traditional chair configuration as can be seen to the diagonally-bent legs and stretcher-styled feet. This innovative furniture set is classified as “cantilever chairs.”

Stable.

PHP 80,000.00

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T. Ammannati & G.P. Vitelli Signature “Sandwich”Chair

By T. Ammannati & G.P. Vitelli 73 x 63 x 83 cm Pair Pair of T. Ammannati & G.P. Vitelli’s signature “Sandwich” lounge chairs dated in the late 20th century Italy. Upholstered in dark brown leather on metal frame, these seats provide comfort while visually cast a nicely sleek, vintage look of the 70s.

In good condition.

PHP 50,000.00

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056

The Ship 245 x 100.5 cm This late 19th century English tapestry depicts a moored ship known as “The Ship.” It is one of the Holy Grail tapestry series originally crafted

by Morris & Co. in 1890, illustrating the tale of King Arthur and Knights of the Round Table, and their search for the Holy Grail. This panel shows the vessel they used for their voyage to Sarras, the island where the sacred relic was brought according to the Arthurian legend.

Interestingly, the tapestry has “1881” written on the reverse which, if considered as its production date, curiously suggests that the item predates the Holy Grail tapestries first commissioned in 1890. Two other inscriptions can be seen too—“RSSS” and “39941.”

With signs of use.

PHP 100,000.00

auction .0008 2017

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058

Pair of Floral Decorated Tapestries 66 x 65 cm

057

Castelo Branco Bedspread in Silk Embroidered Linen 240 x 180 cm This finely-crafted quilt (or bedspread) made of silkembroidered linen is dated between the 19th and 20th century Portugal. Such piece came from Castelo Branco, a municipality located at central Portugal which is known for its traditional embroidery using linen and silk threads. Adorning this Portuguese textile in shades of beige, brown, and blue are motifs of flowers, foliages, and a central cartouche with birds. The back is lined with cotton.

Pair Pair of Aubusson style tapestries simulating fringes, drapery, and tassels dated back to the 20th century Europe.

Dominantly beige in tone, the piece is decorated with garland of polychrome floral and foliate elements.

With some defects.

PHP 20,000.00

Stable. With signs of age.

PHP 80,000.00

059

Prayer Carpet 178 x 118 cm This West Asian prayer carpet is made of silk thread and filled with polychrome floral and plant motifs which elaborately and extravagantly crafted. This reflects an Islamic art style that discourages the use of human and animal figures. This is early 20th century.

With some defects.

PHP 100,000.00

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060

Charles X style Liturgical Candleholder with Masonic Symbol 163 x 43 x 43 cm Large liturgical candleholder made of gilded wood is in Charles X style of the 19th century France. Notable elements of the style, such as stylized leaves and paw feet are present in this piece. Its “cathédrale” aesthetic enlivens the late Medieval and Renaissance influences.

Interesting is the carved crossed-keys at the base, which on a glance would suggest its originating church’s obedience to the Holy See at Vatican. But with the keys inverted, they insinuate a Masonic symbolism.

Generally in good condition.

PHP 60,000.00

auction .0008 2017

www.casadememoria.com

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062

Igbo Mask 37 x 18 cm

061

Pair of French Torchères 162 x 26 cm Pair Dated 19th century, from France. This pair of “torchères” or torch lamps is made of gilt wood, of which carved with Neoclassical and Rococo motifs. Torchère was introduced in France in the late 1600s and originally functioned as candelabra. Eventually, candles were replaced by artificial ones and light bulbs as a major development, without compromising its basic function and aesthetic value. As for these French items, they were built with elaboratelydetailed tall stands and triangular bases. Wiring has already been attached.

A circa 19th century Igbo mask in carved and polychrome wood, from Nigeria. This valuable cultural artefact is associated with the Igbo indigenous people. The latter is considered as one of the largest ethno-linguistic groups in Africa and is known as skilled craftsmen. A testament to this group’s impressive and rich material culture is the Igbo mask, of which represents “unspecified spirits of the dead.” Furthermore, Igbo masks play a significant role in the group’s various social dramas or activities such as sacred rituals, burials, initiation, and public festivals.

With signs of use.

PHP 60,000.00

With minor defects.

PHP 90,000.00

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063

Pair of French Gilded Wooden Frames 68 x 57 x 46 cm Pair Pair of gilded wooden frames in Baroque style dated between 19th and 20th centuries from France. Asymmetric yet bold, with foliate scrolls on swirling C-form decorate the rectilinear window of the frames.

With signs of use.

PHP 50,000.00

064

Gilded Wood Carving of Imperial Figures 45 x 30 x 6 cm Fascinating gilded wood carving which depicts figures of the Imperial court dated back to 20th century China.

Finely crafted relief and pieced details in carving perfectly captured the social history of ancient Chinese world.

The seated emperor surrounded by dancing figures and horsemen also shows the embedded notion of ever-dynamic life-force (or qi). The celestially-inspired architecture of the palace, infused with tree elements, render a perfect illustration of harmony with nature – a principle of Daoist tradition.

Generally stable.

PHP 120,000.00

auction .0008 2017

www.casadememoria.com

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065

Chinese Porcelain Perfumers Representing Foo Dogs 13 x 10 x 5 cm Pair Dated between the late 17th and early 18th centuries, of Chinese origin. This pair of porcelain perfumers fascinatingly depicts imperial guardian lions (also known as “foo dogs”) with two human figures atop them. These Oriental pieces are glazed and bear the colors of green, yellow, and reddish brown. They are laid on wooden bases resembling a leaf, and with pierced decoration.

With signs of age and previous restoration.

PHP 95,000.00

066

Pair of Foo Dogs Bisque Porcelain in “Tiger Skin Pattern” 20.5 x 8 x 3 cm Pair Pair of Foo dogs in polychrome bisque porcelain dates back to the late 17th to 18th centuries Kangxi style.

Splashed in three color (sancai) lead glaze: yellow and green (known as ‘egg and spinach’), as well as with ‘dark purple aubergine’; this scheme renders the piece a “tiger skin pattern” (hu pi ban).

With minor defects, but generally stable.

PHP 120,000.00

auction .0008 2017

www.casadememoria.com

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067

French Gueridon with Sèvres Style Porcelain Top

By Sèvres 77 x 54 x 54 cm Late 18th century French gueridon with Sevres porcelain top has gilt bronze framework carrying floral and vegetal motifs.

Its slender tripod legs, joined by a stretcher, are out-turned and end with hoof-styled feet. Marked with double L monogram on its reverse, the porcelain piece represents King Louis XV (center) surrounded by the most important women of his life—Marie Leszczyńska (wife and queen consort) and their daughters.

With defect but stable.

PHP 100,000.00

068

Pair of Wall-Mounted Flower Pots in Chinese Porcelain 39.5 x 25 cm Pair Dated between late 18th and early 19th centuries, this pair of Chinese wall-mounted flower pots in mottled colors are mainly dominated by shades of green, yellow, and pink. Panels on these pieces illustrate a landscape, several oriental objects, two Chinese figures in a garden, and peonies guarded by a fence.

Stable.

PHP 120,000.00

069

Pair of Queen Maria I Style White Glass Bottles 30.5 x 11 cm Pair A pair of white-opaque glass bottles in Doña Maria I style from 19th century Portugal. Carrying polychrome decorations of dotted pattern, flowers, and festoons evoking Neoclassical appeal. Notice the gilding on bottles’ rims and lids.

With signs of use.

PHP 30,000.00

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070

Vieux Parisian Porcelain Vases 43 x 33 cm Pair A pair of Vieux Paris porcelain vases decorated in gilt and polychrome, which dates back to the 19th century France. Stands for “old Parisian” style, these porcelain pieces are profusely ornamented with gold paint in vegetal and linear forms. Intricately stylized ribbon, grapes, and vine cast embellishments embrace the contours of the vases, while figures of putti joyfully rest at the front base. Polychrome illustration of flowers graces the façade of both pieces. Chinoiserie gilt ornamentation is painted at the back.

With minor defects, but generally stable.

PHP 40,000.00

071

Antique French Porcelain-Mounted Ormolu Candelabra 67.5 x 30 cm Pair Of French origin, dated 19th century. The pair of Rococo revival style candelabras in gilt bronze has six foliate arms set, and built with Sèvres-style cobalt blue porcelain body. The latter is adorned by a polychrome and gilded cartouche illustration of a French couple in a garden.

These elegant pieces rest on ormolu bases which carry motifs of foliage, flower, bead, and scroll.

With signs of use.

PHP 60,000.00

072

Garniture Clock in Neoclassical Style 67.5 x 27.5 cm Neoclassical-styled garniture clock in polychrome porcelain with ormolu ornaments dates back to the 19th century France. Gilded bronze mounts add elegance to the vase-shaped piece; from finial on top, vegetal ribbings along edges, stylized ribbon above the dial, handles with femme masque, down to foliate tripod. Strong shade of blue enamel is gracefully designed with swaying gold foliages. While painterly illustration of landscape scene, peopled with linearly depicted fine French ladies, offers a contrasting visual texture and warmth. Details of dial show an introduced Neo-Gothic taste; the gothicized numerals surrounding a depicted cupid pulled by butterflies, and the trefoil-shaped clock hand.

With signs of use. Mechanism requires recalibration.

PHP 130,000.00

auction .0008 2017

www.casadememoria.com

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073

Green-and-black-glazed Ceramic Vase in Neoclassical Style 38 x 45.5 x 42 cm Green-and-black-glazed ceramic vase mounted with Neoclassical style brass ornaments, 19th century from France. Fashioned as kantharos, notable are its highwinged handles in restrictive angular form. Band of stylized foliate windings decorate the mid-section of the vessel, while it is also elevated by brass base. Captivating dripping effect of pine green and black is achieved in the ceramic glaze, a technique known as “reflowing decoration.�

Generally stable.

PHP 35,000.00

074

Italian Majolica Charger with Scene of Man and Mermaid Diam.: 60.5 cm Of Italian provenance, dated 19th century. This majolica large dish refers to the style of the 16th century Renaissance. With monochrome white background, the earthenware body is profusely decorated with polychrome figures of cherubim, caryatid, and human and animal hybrids. The central image depicts entwined bodies of a fisherman and a siren with cherubs above them.

Stable.

PHP 35,000.00

075

Italian Majolica Charger with Two Men and a Bull Scene Diam.: 47 cm Fascinating 19th century Italian majolica charger depicts mythological scene of a young man beheading an older man with a bull. Inspired by Renaissance maiolica, this revivalist piece differs by its softer and paler colors, as well as its thicker contours defining the subject. Bordering the well is ring of flames, followed by intricate swirls of foliages with meddling cartouches and masques. Unmarked.

With minor defects. but generally stable.

PHP 25,000.00

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076

Italian Majolica Charger with Figure of Lovers Scene Diam.: 47 cm A 19th century Italian majolica large plate in 16th century style. The earthenware in opaque white glaze is generously-filled with motifs of griffins, flowers, foliages, and caryatids. Depicted at the central section is an image of a soldier in the arm of a beautiful woman, and with two other soldiers peering at them.

Stable.

PHP 25,000.00

077

Polychrome Pierced Ceramic Tea Pot 20.5 x 20 cm An antique polychrome pierced ceramic tea pot dated back to the late Qing dynasty period style. Glazed in green color covered with drawn yellow and aubergine toned flowers. Centered is a figure of an official on outdoor scenery. The handle and nose are detailed with fine lines.

Has a detachable cover in teardrop shape.

With minor defects, but generally stable

PHP 30,000.00

078

Vista Alegre Porcelain Plates Set with Polychrome Fruit Motif Diam: 23 cm Set of 21 A set of Vista Alegre porcelain plates from mid-19th century Portugal. Lips are in pale green tone and gilded on rim and well sections. Beautifully painted fruits in polychrome decorate each piece. Carrying Vista Alegre mark no. 16, indicative of its production between 1852 and 1869.

Generally stable.

PHP 115,000.00

auction .0008 2017

www.casadememoria.com

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079

Pair of Chinese Porcelain Jars 36 x 20 cm Pair A pair of Chinese Canton porcelain vases, depicting court scenes on upper portion and Chinese warriors engaged in a battle on the lower part, dates back to the late 19th century. Floral and vegetal motifs are generously spread throughout the vases. Relief of salamanders and lion handles add details along the neck.

In good condition.

PHP 80,000.00

080

Pair of Viena de Austria Porcelain Plates

By Ernst Wahlis Diam.: 25 cm Pair Pair of Viena de Áustria porcelain plates, illustrating hand painted classical scenes of women and cherubs, dates between the late 19th and early 20th centuries.

With gilt borders and deep blue rim, with latter embellished by polychrome palmette and coquille elements. The pair are marked with a crown, “EW,” and “Turn Wien” (referring to Bindenschild and Ernst Wahlis), as well as “B. 50. D. 94.”

Stable.

PHP 50,000.00

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081

Rocaille decorated Vista Alegre Porcelain Dinner Service Set Approx. Diam: 35 cm Set of 87 Vista Alegre porcelain dinner service set, consisting 36 dinner plates, 12 dessert plates, 12 bread plates, 11 soup bowl; a gravy bowl; salt shaker; 3 tureens, one with tray; one salad bowl; 2 conserveiras, 1 mustard bowl, and 6 trays. With serpentine edges and rocaille decorations, the pieces are also illustrated with colourful landscape scenes. With Vista Alegre mark no. 25, indicative of its production between 1881 and 1921.

With signs of use.

PHP 150,000.00

auction .0008 2017

www.casadememoria.com

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082

Vista Alegre Porcelain Cachepot in Neoclassical Style 25 x 33 cm Vista Alegre porcelain cachepot with decorations in Neoclassical style dated between late 19th and early 20th century Portugal.

Gilded on the lip and ornamented with garlands, ribbons, and flowers in gilt and reddish tones. It carries Vista Alegre mark no.

26 (1888-1921).

With minor defects.

PHP 20,000.00

083

Meiji Period Blue-and-White Porcelain Vase 23 x 19 x 19 cm A Japanese blue-and-white porcelain vase dated between the late 19th to early 20th centuries. This Meiji period vase has hand painted decoration of an Oriental landscape. The scene illustrates a river viewed through a forest. It has a broad shoulder adorned with a linear pattern, and tapers down the base with a dotted motif.

Stable.

PHP 15,000.00

084

Vista Alegre Porcelain Pot with Lid

By Vista Alegre 44.5 x 26 cm Early 20th century Vista Alegre porcelain jar with cover in monochrome green color, decorated with gilt illustrations of peafowls, swimming ducks, butterflies, and floral and foliage motifs. Marked no. 31, it indicates the piece was produced between 1924 and 1947.

Generally stable.

PHP 50,000.00

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085

Vista Alegre Porcelain Service Set

By Vista Alegre Approx. diam.: 25 cm Set of 53 Vista Alegre porcelain set with blue and gilt decorations of flowers, foliages and fruits. Differently marked with V.A. mark nos. 11, 20, and 23; and the set also have a Bazar Central logo with details “Clerigos 78,” and “Porto.”

These points out their provenance from Bazar Central, a “concept store” located at Rua dos Clérigos 78 in Porto.

Stable.

PHP 130,000.00

auction .0008 2017

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086

Gilded Globule Artepiù Ceramic Lamp

By Ceramica D’Este Artepiù 37 x 28 x 28 cm A 20th century gilt ceramic lamp produced by Artepiù in Este, Italy. The lamp has a spherical form and a fluted body, except for the mid portion. Atop the round body is the socket shell. It rests on a monochrome black base, of which bears the “Artepiù Este” mark.

Stable.

PHP 50,000.00

087

Gilded Artepiù Ceramic Lamp with Painted Birds

By Ceramica D’Este Artepiù 51 x 25 cm Artepiù ceramic lamp from the historic town of Este, Italy dated 20th century. This rotund-shaped, gilded piece is decorated with a family of long-necked bird figures on swamp.

Signed “Artepiù Este” beneath the base, the ceramic piece has its roots from the centuries-long devotion of both men and women of Este on perfecting the craft of ceramic making.

Stable.

PHP 35,000.00

088

Artepiú Ceramic Lamp with Yellow Floral Decorations

By Ceramica D’Este Artepiù 45 x 25 cm A 20th century ceramic lamp, of Italian provenance. Crafted specifically in the notable town of Este in Padua, this piece simulates a metallic background with polychrome illustration of a multi-coloured bird and a butterfly hanging around a branch of flower. The Italian ceramic lamp is fashioned in “rouleau” manner, and rests on a black circular base. The reverse carries the mark “Artepiu Este.”

In good condition.

PHP 35,000.00

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089

Limoges Porcelain Dinner Service Set

By Limoges Platter: 38 cm Set of 68 A 20th century dinner service set in Limoges porcelain, each gracefully detailed with foliate and floral motifs in gold. The porcelain set is comprised of 13 shallow plates, 12 fruit plates, 12 soup plates, 12 sweet dishes, 8 varied sized platters, 2 chargers, 2 gravy bowls, 1 salad bowl, 3 écuelles with cover in different sizes. The set carries three marks: B & Co. Limoges France in green, L. Bernardaud & Co. Limoges in red, and a cartouche with texts inside “José Alexandre 8, Rua Garrett, 18 Lisboa.”

Stable.

PHP 280,000.00

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090

Vista Alegre Porcelain Set of Cups and Saucers

By Vista Alegre 15.5 cm (saucer); 9 cm (cup) Set of 12 Set of six (6) Vista Alegre porcelain cups with saucers, with polychrome floral and foliate details, as well as gilded rim, handle and base. They carry V.A. mark no. 32, indicative of production between 1947 and 1968. “Pintado à mão” marking beaneath means the decorations are hand-painted.

Stable.

PHP 25,000.00

091

Vista Alegre Porcelain Plates with Polychrome Bird Species Decorations Diam.: 26 cm Set of 8

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Set of Vista Alegre porcelain plates with polychrome decorations of birds.

With gilt edges and green toned lip sections, the plates carry mark no. 30 that indicates their date of production between 1980 and 1992, specifically as special editions made in 1986/87. Species of birds in these pieces are identified as: [1] woodcock (Scolopax rusticola, Linnaeus); [2] great bustard (Otis tarda

L.); [3] song thrush (Turdus philomelos); [4] wood sandpiper (Tringa glareola L.); [5] pigeon (Columba avium L.); [6] European turtle dove (Streptopelia turtur L.); [7] quail (Coturnix coturnix, L.), and; [8] red-legged partridge (Alectoris rufa hispanica).

Generally stable.

PHP 90,000.00

auction .0008 2017

092

Vista Alegre “Indias” Model Porcelain Service Set Diam: 26 cm; 32 cm; 44 cm Set of 154 Dubbed as “Indias”model, this combined Vista Alegre dinner service and tea-and-coffee sets dated back to the late 20th century.

Dinner service carries mark no. 36, indicating its production between 1980 and 1992. It includes 24 flat dishes, 12 soup dishes 12 fruit dishes, 11 dessert dishes, tureen, salad bowl, gravy boat with tray, pair of azeitoneiras [for olives], 2 chargers, 2 platters, 9 cups of tea and 13 saucers, 12 cups of coffee and 9 saucers, coffee pot, tea pot, 2 milk jugs, 2 sugar bowls, a cake dish and pan.

While the other set have mark no.32 (19471968), which includes 10 consommé cups, and 10 cups for coffee with 14 saucers.

Generally stable.

PHP 150,000.00

auction .0008 2017

www.casadememoria.com

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093

Vista Alegre Octagonal Vase

By Vista Alegre 15 x 17 x 17 cm Vista Alegre octagonal vase in white porcelain with parcel-gilt decoration dated 20th century. Palmette relieves band around the upper and lower sections. Bird on braches and two mask relieves add details on the mid-section. V.A. mark no. 34, indicative of production between 1971 and 1980.

With minimal defect but stable.

PHP 15,000.00

094

Vista Alegre Porcelain Krater

By Vista Alegre 28.5 x 19 x 19 cm Vista Alegre porcelain calyx-krater in parcel-gilt, black and serpentine green tones, dated back to the early 20th century Portugal. Its calyx-krater form is drawn from the classical Greek’s mixing vessel for wine. Black surface of the vessel emphasizes the gilded lid, handles with mask relieves, palmette decorations and paw feet. The item was made between 1947 and 1968, as indicated by V.A. mark no. 32 underneath.

With minimal defects.

PHP 40,000.00

95

Artepiú Ceramic Lamp with Polychrome Floral Decorations 49.5 x 29 cm Artepiú ceramic lamp with gilt and polychrome floral and leaf decorations dated between 20th and 21st century from Italy.

It illustrates an overlapping of hand-painted floral and leaf details throughout the body. It has receptacle for bulb on top, as well as a plug at the base.

Stable.

PHP 35,000.00

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096

Joana Vasconcelos’ “Versaille” in Vista Alegre Dining Service Set

By Joana Vasconcelos 23.5 x 33.2 x 18.3 cm 105 Vista Alegre table service set in porcelain carrying Joana Vasconcelos’ “Versailles” black and gold decorations dates the 21st century.

This set consists 24 shallow dishes, 2 soup bowls, 12 fruit bowls, 12 dessert bowls, 12 tea cups and saucers, 8 cups and saucers for coffee, teapot, coffee maker, 2 milk jugs, 2 sugar bowls, 2 patty-pans, 2 trays, 2 round trays, salad bowl and tureen with tray.

The Portuguese artist Joana Vasconcelos, was born in Paris in 1971 but lives and works in Lisbon. Notable for her controversial piece “A Noiva” (The Bride) during the 2005 Venice Biennale, Vasconcelos was conferred with the Order of Prince Henry in 2009.

With signs of use.

PHP 170,000.00

auction .0008 2017

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097

Portrait of Lord Thomas Erskine

By Morris 28 x 23 cm British 18th century oil on copper portrait of Lord Thomas Erskine of Scotland (1705-1766), depicted facing his right, while donning a periwig and a maroon coat.

Son of the 6th Earl of Mar, John Erskine, whose title Thomas did not inherit due to his father’s involvement in the First Jacobite Rising of 1715.

At the back is an inscription, which states: “The Right Hon. Thomas Lord Erskine, eldest son of John Earl of Mar Done, from Mr. Alvarez. Original picture by Mr. Morris of The City of Bath 1763.” Also, a document by Button Gallery, 200-year old institution named after its founder W. Russell Button, is attached.

Stable.

PHP 50,000.00

098

The Madonna and Child with St. Anthony of Padua 23 x 18.5 cm An 18th century oil on copper painting from Portugal. The art piece depicts the Madonna and Child with St. Anthony of Padua. In this Portuguese work, St. Anthony is portrayed in a Franciscan habit, with hands crossed and placed on his chest, as to signify adoration to the child Jesus. Mary who seems to be in a seated position and the child Jesus can be seen holding a white lily which alludes to Our Lady’s annunciation and the Lord’s resurrection.

With minimal defect.

PHP 180,000.00

auction .0008 2017

www.casadememoria.com

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099

Portrait of a Lady 50 x 39 cm Pastel painting on paper over canvas depicting a noblewoman dates back to the French school of 18th century. Dressed in blue, the lady is exquisitely embellished with jewelry of fine stones, from her powdered hair, delicate ears, down to her collar covered with fine linen. The composition of her rosy skin, finely threaded eyebrows, well-rounded eyes, prominent nose, and delicate lips evokes a Machiavellian gaze; thus, projecting an astute portrait for a woman of power and high stature.

With some defects.

PHP 35,000.00

100

Madonna and Child Painting on Wood 21.5 x 15 cm Oil painting on wood of the Madonna and Child dated back to the 19th century Portugal. Vividly painted in deep colors, the Virgin represents the virtues of modesty (ochre veil), serenity (blue mantle), purity (white garment), and compassion (red robe). At her arms is the Infant Jesus who looks downwardly, resonating a virtue of mercy. Both the Mother and Child share this virtue which is represented by the white handkerchief they both hold. That is, handkerchief as symbolic of the grieving Mother to the eventual sacrifice of the Lord.

Generally stable.

PHP 50,000.00

101

Madonna and Child Jesus 48 x 40 cm 18th to 19th century Spanish school, this oil painting on canvas depicts the Madonna and Child. Both figures have curled brown hair, covered by golden halos that allude to their holy nature. The Madonna wears a crown (referring to her as the Queen of Heaven), robed in red and mantled in blue, while she carries both the Infant Jesus with leaves and the globus crucible (i.e., orb symbolizing the Lord’s dominance). Such iconography speaks of the influence of Jesus of Prague since the early 16th century in Spain.

Generally stable, but with signs of age.

PHP 100,000.00

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102

Our Lady with Child Jesus and St. John 24.5 x 29 cm 18th to 19th century oil painting on metal from Portuguese school features Madonna and Child with young St. John the Baptist. The two saints show posture of worship toward the son of God. While Mary looks after the sleeping infant Christ, St. John stares at the Virgin Mary, representing his high veneration to the Blessed Mother of God. With defect but stable.

PHP 80,000.00

103

Untitled (The Young Jesus at the Temple) 83 x 111 cm (without frame); 103 x 131 cm (with frame) Oil painting on canvas, of European provenance, depicts young Jesus preaching at the temple. The young Christ wears a blue robe, his hands in benediction gesture while he stands amidst the group of elders. Standing at his far right are the Blessed Mother and St. Joseph. This mystery is recounted in thegospel of Luke (2:41-52).

With defect.

PHP 180,000.00

104

Untitled (The Last Communion of St. Jerome) 93.5 x 64.5 cm (without frame); 120 x 100 cm (with frame) Portuguese school of the 18th to 19th century oil painting on canvas depicts the last communion of St. Jerome, after the school of Domenichino (also known as Domenico Zampieri). Domenichino was an Italian painter who lived from 1581 to 1641 and known for his Baroque classicist works. In this piece, an expiring St. Jerome receives the viaticum (last of the Sacraments) while surrounded by his disciples and St. Paula. Above are cherubs and an angel, suggesting the presence of God. This painting comes with a coeval gilded frame.

In good condition.

PHP 200,000.00

auction .0008 2017

www.casadememoria.com

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105

Risen Christ with Mary Magdalene 121 x 80 cm (without frame); 158 x 118 cm (with frame) European school of the 18th to 19th centuries, this oil painting on canvas illustrates the resurrection of Christ witnessed by Mary Magdalene. Set on a background with nearby palm trees and wall in rough ashlar, where the Lord wears a red garment, signifying his divine and kingly status, while he gestures “touch me not� by his left hand. The patroness of penitence knelt before the risen Lord, alluding to her renewed faith. Cherubs above represents the presence of God the Father.

With defect.

PHP 250,000.00

107

106

Portrait of Pina Manique in Gouache on Paper 38 x 30 cm

62

Three Girls with a Bird Cage Attributed to Francis Wheatley, R.A. 27 x 20 cm

Portrait of Pina Manique (1733-1805), a renowned Portuguese magistrate, done in gouache on paper dated between late 18th to early 19th century. This portraiture presents the official in his study sitting comfortably on his seat while writing a note on desk. His room is styled in Neoclassical decoration, which was introduced to Portuguese culture during the Pombaline period of late 18th century.

Oil painting on canvas attributed to Francis Wheatley, R.A. depicting three girls with a bird cage, dated between late 18th and early 19th century. Set in a rural locale, an uneven fence secludes their simple house and its grassy yard from the woods at the background. The earth-tone-dominated milieu is visually balanced by the girl in blue dress, who seemly comforts another girl in red holding a bird. The youngest of them who carries the bird cage, gazes back to their observer, to us who stand before and beyond the canvas.

With some defects.

With defects.

PHP 35,000.00

PHP 25,000.00

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108

Pair of Miniature Portraits 13.5 x 11.5 cm; 12 x 11.5 cm Pair A pair of miniature portraits of a lady and a gentleman with metal ring and encased in bone frame, dated back to the 19th century Great Britain. On the one hand, the male portrait appears heavily painted and linear, which characterizes him with a serious and strong persona. Given the thicker look of his colors, it indicates the use of metal support for the enamel paint. On the other hand, the lady’s warm, painterly appeal alludes to the application of sfumato which further enlivens her smile. Achieving nearly transparent colors on her portrait signifies the use of thin ivory sheet, backed with silver for illumination, as enamels support.

Male portrait, in good condition. Female portrait, with some defects.

PHP 20,000.00

109

Untitled 119 x 93.5 cm (without frame); 138 x 112 cm (with frame) Austrian 19th century oil on canvas painting depicts a reminiscing boy surrounded by a fishing net, cloth bag, seashells, basket, shoe, and spare of clothes. Portrayed seated on a large rock, with legs crossed, while gazing upward with his chin rests on his right hand. Interplay of light and shadow, as well as the placing of warm subject over cool-toned background, created an implied depth.

At the back is a stamped inscription: “W. Koller & Cie in Wien Silberne Medaille.�

With signs of previous restoration.

PHP 250,000.00

110

Hunt Scene in the Woods 32 x 45 cm Oil painting on canvas of a hunt scene in the woods dated back to the 19th century British school. Simulating sunset by using warm palette over the scenery, two men with guns and hounds are searching for a wild game. While few meters from them is a shepherd, standing in leisure, watches their activity.

Centrality of the zigzag path and the framing by swayed trunks of trees with leaves textured in stippling grants the landscape a sense of depth; suggesting that there is a longer period of hunting to go.

Generally stable.

PHP 35,000.00

auction .0008 2017

www.casadememoria.com

63

111

Portrait of a Woman 56 x 44 cm A European lady with an Iberian appeal portrayed in oil painting on canvas dating back to the 19th century. With minimal jewelry and dressed in fine black garment with lace frills and skirt in white. Placing of the subject on a dark background focused the attention to her warm and glaring presence.

Stable.

PHP 80,000.00

112

Group of Cattle on Landscape 87 x 114 cm A 19th century oil on canvas depicting group of cattle in landscape, done by Auguste Balquet. Well-textured figures of red and black toned cattle captivatingly occupy the center. Notice the female shepherd and her black dog watching over the herd. The curved depiction of the current renders an extended view toward the picturesque rural community across the horizon. Société des arts du Canada (1894, pp. 4-5) mentioned this artist was exhibited several times, and has a solid name, in Paris.

With defects.

PHP 70,000.00

113

City View with Boats 60 x 90 cm Framed in a coeval gilded wood frame, this 19th century European school oil painting on canvas depicts a seascape, with ships at the distance and a boat at the fore. Bright moonlight casts a dramatic contrast of light vis-à-vis the devouring darkness of the scene. The reflected light along the waters renders gleaming texture. Unsigned.

With signs of previous restoration.

PHP 80,000.00

64

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114

Venus Sniffing Roses 116 x 92 cm Oil painting on canvas represents Venus, done in the European school of 19th century. Venus is clothed in a nearly thin, white fabric edged in gold, giving emphasis to her voluptuous figure. Her porcelain pale complexion glows rosily, which complements her curled, golden hair embellished with bands of pearls and precious stones.

With defects.

PHP 150,000.00

115

Portrait of a Gentleman

By C. Klein 116 x 87 cm Portrait of a gentleman from Germany, signed C. Klein and dated 1863. Looking dignified with his black coat, perfectly coupled with silky black ascot on his neck over his white shirt – a fashion of men of the high society in the 19th century. Portrayed holding his gloves instead, which, aside from projecting his high status, it also tries to capture his subtle expressions. His closed fists suggest firmness which corroborate to his serious facial expression. His hands also exposed a wedding ring in his right hand.

With defects and signs of previous restoration.

PHP 40,000.00

116

Rural Scene in the Style of 19th Century English School 23 x 33 cm Bounded by a coeval gilt frame, this landscape painting is done in oil on panel. It adheres to the style of 19th century English school, and provides a majestic view of a rural scene. The fore, painted in warm and dark tones, illustrates a traditional wood-and-stone house surrounded by verdant trees and plants. Three cows can be seen wandering at the house’s front, and touched by warm sunlight, of which implies dusk. Contrasting the fore is the coolness/lightness of the background with a view of an edifice, trees, and mountains from afar. On its frame, an attached plate can be seen with an inscription, “Escola Inglesa – Séc. XIX.” Stable.

PHP 45,000.00

auction .0008 2017

www.casadememoria.com

65

117

St. Anthony of Padua, Oil on Glass 26 x 20 cm Oil painting on glass representing St. Anthony of Padua with the Infant Jesus dated back to the 19th century Portuguese school. The Saint is depicted in his brown Francisca robe, while carrying the infant Jesus who embraces him on neck. Before them is an open text, most like the Holy Bible, with lilies on top of a table. The saint is honoured as the patron for finding lost things, which was ascribed to the event that when a novice in his hermitage left and stole his book of psalms with his annotations, he prayed for the book be returned. The novice gave back the book, and returned to the Order as well.

With minor defect.

PHP 30,000.00

118

Women at the Patio 76 x 89.5 cm An oil painting on wood panel dated in the 19th century European school depicts women of different cultures gathered at a patio of a Palladian edifice. Various articles of trade are present before them.

A bearded man silently tries to steal, while another man witnesses his act. An African child stares at this witness, suggesting learning life’s know-how from adults through observation. Two ladies near the edifice point toward the thief, while the fine lady behind them directly gazes toward us, invoking our conscience to interact with this narrative.

With minor defects, but generally stable.

PHP 120,000.00

119

Portrait of a European Lady 55 x 49 cm Of European provenance, dated between the 19th and 20th centuries.

This portrait in oil on canvas features a seated fine-looking lady.

Facing her right and fixed, she is portrayed having a center-parted hair, and wearing a rose-toned, off-the-shoulder dress with lace collar and long sleeves. Such fashion was the trend in early to mid-19th century Europe. It can also be observed that the woman holds a white flower, as she comfortably sits on a Rococo-styled fauteuil. The painting is bounded by a gilt wood frame with elaborate rocaille carvings.

Stable.

PHP 70,000.00

66

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120

Sketch of Two Girls 37 x 48 cm (with frame); 22 x 28 cm (without frame) This European art piece in pencil on paper is dated between the 19th and 20th centuries. It is a “study,” of two girls: one in profile is awake, while the other has almost fully-shown face, but asleep. In glassed gilded wooden frame.

Stable.

PHP 15,000.00

121

Portrait of a Dutch Woman following the school of Antonis Mor 40 x 34.5 cm (without frame); 60.5 x 56 cm (with frame) An oil on canvas painting dated between the 19th and 20th centuries.

This European painting adheres to the school of Antonis Mor, a 16th century Dutch painter. The artwork, which was inspired by Antonis’ 1554 portrait, depicts a close-up illustration of his wife, Metgen. The latter is portrayed wearing a black dress with high-necked chemise worn open. Such clothing represents the Dutch fashion during the mid-16th century.

Stable.

PHP 50,000.00

122

Belle Époque Ceramic Plaque Portrait of a French Lady 40 x 32 cm Finely made ceramic plaque portraying a lady in blue dress, dated back to the 19th century Belle Époque France. Gorgeously dressed in pale blue dress, the fine French lady is slightly reclines to the left, with arms embraced as rested on a pedestal. Her golden Victorian hat with rose-toned feathers perfectly matches her bouquet de corsage. Wearing cross necklace and wedding ring, these suggest little clues about the subject. Yet being well-lighted over a monotonous dark background, the subject’s calm expression and gaze at afar mystifies her character.

Signed “Marguerite Bouteilloux 1889.”

In good condition.

PHP 70,000.00

auction .0008 2017

www.casadememoria.com

67

123

Young Lady Gardener

By James Noah Lee 29 x 25 cm An oil painting on canvas depicting a young lady gardener dated between late 19th and early 20th century Great Britain. Done in warm tones and notably exhibits a painterly textured flatness of paint, the girl holds a bouquet of yellow flowers on right hand, and a basket of various flowers by her left. The work is ascribed to British artist James Noah Lee (1839-1920), which signature is on the top right corner.

With minor defects, but generally stable.

PHP 60,000.00

124

Untitled 72.5 x 72.5 cm (without frame); 100 x 100 cm (with frame) A 20th century artwork from Germany, done through oil on canvas.

It impressively features Madonna della Sedia (Madonna of the Chair) as the subject, after Raphael. This beautiful art piece can be viewed as homage to the Italian master’s early 16th century work which he originally painted on wood. On the reverse, an inscription is stamped that gives us an idea of the painting’s context and provenance. The detail states: “Meinem lb. Werner / zum Andenken an die erste hl.

Communion 134.1941 / Von deiner Tante / M. Imelda O.S.B. / Ador.

Perp. / Pinx. 1941 Bonn – End.” [To my lb. Werner / In memory of the first St. Communion 13.4.1941 / From your aunt / M. Imelda O.S.B. / Ador. Perp. / Pinx. 1941 Bonn – End.].

In good condition.

PHP 70,000.00

125

Poultry

By José Gyrão (1840-1916) 33 x 22 cm Oil painting on wood illustrates poultry by Portuguese artist José Gyrão (1840-1916) dated 1907. Standing over a pile of hay is a paired rooster and hen, where the male stands out over the bluish sky background. The hen blends with the surrounding hay, as it matches her ecru color. Done in painterly manner, strokes of the poultry are rendered soft as for their feathers; whereas bristly strokes define the hay at foreground; however, the flatness of the sky background amplifies the tactile effect on the visual plane.

Generally stable.

PHP 250,000.00

68

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126

Untitled 100 x 71 cm An early 20th century art piece, oil on canvas to be exact, which presents a lovely image of mother and daughter near the shore. Such subject in the history of painting was quite unpopular for artists in the past centuries as opposed to other trends like historical events, portrait of nobilities, sceneries, religious icons, among others. Occupying the bottom center of the canvas are the two female figures whose clothing are boldly painted and reflect the 19th century style, and seems to be conversing about the floral adornment of the mother.

Furthermore, it is worth observing how their gestures and facial expressions connect with one another, hence, producing an effective depiction of motherhood, care and love. As for its background which dominates the piece, the artist skilfully utilized chromatic contrast to illustrate the cloud-filled sky, the sea and the shore.

With slight defect.

PHP 100,000.00

127

Still Life

By David Levy Lima 108 x 69 cm This 20th century oil painting on canvas of a still life was painted by a Cape Verdean artist David Levy Lima (born, 1945). Warm palette dominates the execution of the artist’s painterly technique. Strong lighting diagonally coming from upper left corner emphasizes the increasing volume of fruits and flowers on the right; while the darkening along the left side creates a receding effect, thus renders a sense of depth. A member of GAPS (Grupo de artistas Portugueses), this self-taught artist started in 1972 by joining solo and group exhibitions, which eventually led to his exposure in the international scene.

Generally stable.

PHP 120,000.00

128

Motherhood

By Bertha Rioboo 63 x 47 cm A signed art piece in oil on wood, from 20th century Argentina. This modern work by Bertha Rioboo captivatingly depicts an image of mother and child. Here, the mother affectionately embraces her son—an act to show genuine love and motherhood. Abstract realist in style, Rioboo employed light palettes of gold, flesh, brown, and blue which strongly complemented the artwork’s theme.

Generally stable.

PHP 30,000.00

auction .0008 2017

www.casadememoria.com

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129

Table Clock with Young Girl in Bronze 74 x 37 cm A 19th century Neoclassical style French table clock with bronze sculpture of young girl. Signed CYP Veno and dated 1853, the bronze cast figure of probably representation of the Roman goddess of beauty is crowned and surrounded with roses, while carrying a pair of doves on her lap. The white enamelled dial bears Roman numerals, with the tip of clock hands shaped as spade and cloves. With undecipherable brand.

With minor defects. Clock mechanism requires recalibration.

PHP 60,000.00

130

Pair of Napoleon III Style Bronze Candelabra and CloisonnĂŠ 49 x 25 cm Pair Of French provenance, dated 19th century. This pair of Napoleon III style candelabras is beautifully made of cloisonnĂŠ and gilt bronze. Each is configured with five lights, curvaceous arms, and a conflation of Baroque, Rococo, and Neoclassical elements. Some portions such as the capital, column, and base have stylized foliage and floral engravings, and enamel-painted in blue, red, and yellow palettes. The base has outstanding reliefs of female masks, mythical fish figures, acanthus leaves, and scrolls.

With minor defects.

PHP 140,000.00

auction .0008 2017

www.casadememoria.com

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131

Pair of Louis XVI Style Bronze Candelabras on White Marble Bases 56 x 36.5 x 18.5 cm Pair A pair of Louis XVI style bronze candelabras on white marble bases. These 19th century French pieces are configured with four ormolu lights each, and foliate arms. Seated putti serve as the very columns, with the figures portrayed carrying the arms. The pair rest on white marble bases, adorned with ormolu applications in bead and foliate motifs.

Stable.

PHP 50,000.00

132

Empire Style Footed Brass Bowl 36.5 x 35 cm An Empire style brass bowl on base, from late 19th century France. This finely-crafted bronze piece is decorated with Neoclassical motifs which include gadroons, female masks, scroll/foliate handles, cut decoration around the vessel’s neck, a turned mid column, and griffin-styled legs. The latter were fashioned as outward-splayed and end with both claw and scroll feet. This French piece rests on a quadrupod base.

Stable.

PHP 45,000.00

74

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133

Socrate

By Silva Gouveia 40.7 x 17 x 13 cm From Portugal, dated early 20th century. Done via lost-wax casting, this bronze sculpture of Socrates portrays the iconic Greek philosopher in an upright position, and dressed in robe and cloak.

The artist’s rendition of Socrates image (i.e. face), to note, closely adheres to the figure’s known depiction in sculptures—with penetrative, bulging eyes, snub-nosed, wavy hair, and prominent moustache and beard. Engraved texts can be found on its square base which include “Socrate,” the artist’s signature, and place and date the item was crafted.

Its artist, Francisco da Silva Gouveia Pereira (1872-1951), was a Portuguese native. He was mentored by distinguished French sculptors such as Jean Antoine Injalbert and Auguste Rodin.

Gouvea Pereira was a recipient of silver medal during the Great Universal Exhibition in Paris (1900), and was ordained as knight of Orden Militar de Santiago de la Espada by Carlos I of Portugal.

Stable.

PHP 55,000.00

134

Sitting Woman with Pigeon in Bronze 26 x 21 cm A bronze cast sculpture representing a sitting woman with a bird dated between late 19th and early 20th century France. The lady bears exquisite soft features, which can be seen as she embraces a pigeon next to her bosom. She holds a piece of her garment by right hand, so to provide a resting place for the creature; while her left hand is gestured right below her chin, suggesting gracefulness of character. She sits with poise over a field detailed with some flowers.

Stable.

PHP 40,000.00

auction .0008 2017

www.casadememoria.com

75

135

Pair of CloisonnĂŠ Chinese Horses 66 x 71 cm Pair Pair of Chinese horses in cloisonnĂŠ dated between late 19th and early 20th centuries. Dominated by blue toned enamels embellished with splendid floral and vegetal ornaments, over their brass bodies. Unadorned brass material defines the strands of mane, tail, and shoe areas, as well as the contours of their accessories.

Generally stable.

PHP 200,000.00

136

French Two-Tiered Bar Cart in Brass and Wood 79 x 77.5 x 44 cm From France, dated early 20th century. This two-tiered bar cart in brass has detachable wooden shelves with pierced frames. Noteworthy here are the fluted handles and legs with wheels.

With defect.

PHP 30,000.00

76

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137

Ballerina

By Somsak Kongnaphakdee 30 x 24 x 25 cm Moving away from the conventional representation of a ballerina, and strikingly illustrates balance vis-à-vis poise.

In this piece, the ballerina is depicted in an arabesquelike ballet stance—that is with her arms outstretched, left leg raised, and standing tiptoed through the right leg. Such difficult position, however, is not manifested on the figure’s face—an interesting contrast of the very act. This bronze sculpture has Thai provenance and dated 20th century. It is fourth out of the ten copies made, and carries the artist’s signature, Somsak Kongnaphakdee.

Stable.

PHP 50,000.00

138

“Nobleza En El Campo”

By Nicolas Domecq Ybarra 18 x 33.5 x 17 cm Bronze figure titled “Nobleza en el Campo” by the renowned Spanish sculptor and founder of World Arabian Horse Organization Nicolas Domecq Ybarra (born 1944).

The piece represents a bull standing before a bowl, which suggest the animal is being fed by. The large animal has marks on her body, namely: “27” on her loin and “crowned D” at her right hind limb. Bull is central in the well-known Spanish festive game called “corrida de torros.”

Signed and marked 48 out of 50 edition. Dated 1989.

Stable.

PHP 50,000.00

auction .0008 2017

www.casadememoria.com

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139

French Régence Style Giltwood Mirror 236 x 135 cm An 18th century French gilt wood mirror in Régence style.

This large antique mirror has an elegant gilded frame that features exquisite carvings of masks, acanthus leaves, ribbon, scrolls, garlands, flowers, rosette, and latticework.

Such decoration is beautified even more by the frame’s redcolored interior with foliage motif in gold, which strongly complements the reliefs. The top, shaped as an arch and with cut cornice, is graced by a Régence female mask.

With defect but generally stable.

PHP 200,000.00

140

Rococo Style German Gilt Wood Mirror 179 x 124 cm This Rococo style gilt wood mirror dates back to 18th century Germany. Notice the heavy design of the piece, especially on the cresting which was typical of the favoured features at the time. Intricate foliate and floral decorations speak of the infused Rococo preference.

With signs of use.

PHP 170,000.00

auction .0008 2017

www.casadememoria.com

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141

Pair of Neoclassical Styled Trumeau Mirrors 169 x 93 cm Pair Beautiful pair of trumeau mirrors from France dated in the latter half of 18th century early Neoclassical style. Restricted in its rectilinear shape, the furniture is painted in pale olivine green and decorated with gilded flowers, foliages, husks, paterae, ribbing, ribbons, and swags. On top of both mirrors are almondshaped landscape paintings peopled with couples and farmers respectively.

With minor defects.

PHP 630,000.00

142

Doña Maria I Styled Gilt Mirror 196 x 97 cm A 19th century Portuguese rococo style mirror with gilt wooden frame. The appropriated rococo style, known in Portugal as Doña Maria I style, is presented by its cartouche on top, latticed pediment, and scrolls. The linear carving of the frame, on the other hand, renders the piece a restrictive and bold look.

With defects.

PHP 170,000.00

143

Votive Candle holder in Bell-shaped Cranberry Glass with Neo-Gothic Ormulu Stand 33 x 19 cm A 19th century French candle holder in gilt bronze and glass.

This elegant piece was inspired by late Medieval Period candle holders, and specifically adheres to the Gothic Revival style. It’s red-toned glass offers lighting with warm and solemn aura—a fitting illumination for its votive purpose. The ormolu stand is built with three scroll handles, a round base, and a circular glass holder with fleur-de-lis-like motif. As for the cranberry glass, it is bell-shaped with a clear base tip.

Stable.

PHP 30,000.00

80

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145

Pair of Girandoles in Rock Crystals and Bronze 76 x 48 x 30 cm Pair

144

Louis XIV-Styled French Mirror 122 x 84 cm A French antique mirror dated between the 19th and 20th centuries, in the style of Louis XIV. The mirror prides itself with beautiful foliate carvings with corners having protruding leaf adornment.

With signs of age.

PHP 100,000.00

A 19th century pair of girandoles in crystal and gilt bronze. Adhering to the Revival style, the stylish French piece prides itself with five lights, rock crystals in various shapes (i.e. flower, pendeloque, diamond, pendalogue), slender and curvy branch-like arms, and tripod (outturned) legs over a triangular base.

Girandole is a type of candelabra with “ornamental branches” which became prominent in French and English households during the 18th century. Such lighting device was considered an object of luxury back then due to its elaborate and beautiful craftsmanship.

With defects.

PHP 550,000.00

146

American Brilliant Period Cut Glass Punch-Bowl 26 cm (height); 30 cm (diam.)

A late 19th to early 20th century American punch-bowl. This blownglass piece is defined by its intricate handmade wheel-cut patterns, cut and scalloped rim, fluted underside, and engraved base surface.

Such complex and quality glass cuts reflect the uniqueness of this piece made during the “Brilliant” period.

In good condition.

PHP 30,000.00

auction .0008 2017

www.casadememoria.com

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147

Art Deco Opaline Bowl 8 x 29.5 x 29.5 cm A French opaline glass bowl carrying geometric decoration dated in the first half of 20th century.

Notable for its milky, bluish white color as well as its Art Deco sunburst cut. Bars a marking “FRANCE” near the lip In good condition.

PHP 40,000.00

148

Verlys Art Deco-Styled Frosted Glass Piece

By Verlys 44 x 38 cm A glass decorative piece fashioned in Art Deco style. Of French provenance, it is dated early 20th century. This fine-looking piece in frost glass has an oval form and moulded rim which simulates a series of curved and twisted strands. It carries the mark “A Verlys France,” which is associated to Société Holophane Français.

The French institution, established in 1920, was originally known for its production of vehicular headlights. However, in 1925, it ventured into art glass making by opening a department, branded as Verlys, which focuses on the said craft.

Stable.

PHP 25,000.00

149

Saint-Louis Crystal Glass Set in Art Deco Style Aprox.: 38 cm Set of 50 Set of crystal glass set from Cristalleries de Saint-Louis dated back to the early 20th century France. The set consists 12 of water, 11 of wine, 12 of liquor, 12 of champagne, 1 bottle, and 1 jar.

The simple yet elegant hexagonal cut of these Saint-Louis glass crystals resonate the prevalent Art Deco taste of the 1920s till 40s.

With minor defects.

PHP 40,000.00

82

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151

Portuguese Bicolor Crystal Decanter in Val Saint Lambert Manner 31 x 7.5 x 13 cm

150

Art Deco Julien France Opalescent Glass Bowl

By Julien Diam.: 35.2 cm

An early 20th century bicolor crystal decanter in Val Saint Lambert manner.

The pyramid-shaped piece is stunning for its French blue color and intricate engravings which demonstrate Art Deco elements. Moreover, it is adorned by silver application formed as both handle and support of this delicate item. Serving as its central decorative motif is a coat of arms with figures of shield, cornucopias, garland, and a fleur-de-lis-like crest.

Stable.

PHP 25,000.00

Of French origin, dated early 20th century.

Adhering to the style of Art Deco, this finelycrafted bowl represents foliage motif at the center. Such decoration is complimented by the series of geometric figures surrounding it. This decorative piece is specifically made of frosted glass in translucent blue color. It bears the mark “Julien France.”

Stable.

PHP 30,000.00

152

Cristalleries de Saint Louis’ Tommy Service Glasses

By Maison Saint Louis Jug: 29 cm; Water: 19 cm Set of 50 Tommy glassware set by the great glass masters of Cristalleries -de Saint Louis in France, designed in 1928. Mixed of diamond, bevel, pearl, and star-shaped cuts, Tommy design became one of the established icons of the seasoned glass company.

The set at hand includes 1 jug, 16 water, 16 liquor, 17 Porto wine, 14 white wine, and 16 champagne glasses.

With signs of use.

PHP 50,000.00

auction .0008 2017

www.casadememoria.com

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153

Maria Theresa Style Chandelier 95 x 80 x 80 cm This 20th century Maria Theresa style chandelier from Europe celebrates both beauty and spirituality. Glass crystals in rosette and pendants engraved with images of crosses, cherubs and IHS (i.e., a monogram of Christ), are held together by brass metal framework in floral and vegetal forms. It has candle-like receptacles for light bulbs.

With signs of use.

PHP 160,000.00

154

D. Maria Style Chandelier 100 x 87 x 87 cm A D. Maria style chandelier from 20th century Portugal. This magnificent piece is specifically made of silver-plated metal (for the framework) and cut-glass and crystal pendants. The latter were fashioned in various forms such as spear, ball, octagon, baguettes, and serpentine arms. This Portuguese chandelier, furthermore, carries the form of “sac a perles� (bag of pearls) as exemplified by the lower portions configuration and visual appeal.

Stable.

PHP 180,000.00

84

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155

Murano Glass Chandelier in “Bordo Giallo�

115 x 120 x 120 cm This truly exquisite 20th century Italian piece is a Murano chandelier, fashioned in floral and leaf forms with bordo giallo (yellow edge) through glassblowing technique. Finely detailed with its grids and lines throughout, and seemly swaying stems which extend from its axial center. Yellow tint on the edges of the glasswork accentuates its sophisticated craftsmanship. Wires and bulb receptacles are installed for electrical lighting.

With signs of use.

PHP 220,000.00

156

Set of Harcourt Empire Baccarat Crystal Glass Tumblers Pitcher: 23 x 20 cm; Tumblers: 13 x 8.5 cm Set of 12 Set of Harcourt Empire Baccarat crystal glass tumblers, notable for their hexagonal cut and, majestic gilt decoration. Carrying 20th century modern Baccarat marking beneath the base, this Harcourt design continues its legacy of gracing the tables of kings, emperors, popes, and poets alike for more than 170 years (see Baccarat: art de vivre, 2014; The Art of Baccarat, 2014).

With minor defects.

PHP 70,000.00

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www.casadememoria.com

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157

Clear Crystal Glass Set with Round Cuts and Faceted Stems Approx.: 18 cm Set of 51

Set of clear crystal glasses dates back to the 20th century Europe. It consists 7 of water, 10 of red wine, 11 of white wine, 7 of liquor, 7 of Porto wine, and 9 of champagne sizes. Finely fashioned round cuts and faceted stems fancily amplify the crystal glasses’ refractive property.

With minor defects.

PHP 35,000.00

86

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158

La Filigrana Set of Bicolored Large Glasses

By La Filigrana 12 x 8.5 cm Set of 8 Of Italian manufacture, dated 20th century. The set is composed of eight (8) bicolored large glasses from the historic Murano in Venice. These drinking glasses were fashioned with a broad rim and tapers at the bottom. Their blue and frost-like colors are beautifully designed in alternating sequence. Each piece carries the “La Filigrana” brand mark along with a swirled circle and “Murano (Italy)” inscription.

Stable.

PHP 10,000.00

159

Vintage French Gilded Lip Crystal Glasses Set 20 x 8 cm Set of 12 This set of vintage gilded crystal cordial glasses from France dated back to the 20th century. The thick and thin rings envelope the lips of the glassware; followed by bridge flutings and faceted stem. The round foot is designed with sunburst splits.

Stable.

PHP 50,000.00

auction .0008 2017

www.casadememoria.com

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160

Set of French Cognac Crystal Glasses 11 x 9 cm Set of 6 Dated 20th century, of French provenance.

This set of six cognac crystal glasses has notable gilded lips with long and continuous tube-like relief pattern. Each glass’ underside has fluted facet and hexagonal-shaped stem.

The round base’s reverse carries a crown mark.

Stable.

PHP 30,000.00

161

Vintage Old Fashion Style Glass wirh Gilded Lip and Strawberry Diamond Cut 9 x 7 cm Set of 6 Vintage old fashion style crystal glass set with gilded lips dated back to 20th century France.

Noticeable is the strawberry diamond cutting at the lower band of the glass ware. Unmarked.

Stable.

PHP 30,000.00

88

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162

Blue-to-clear Brillian cut crystal Glass Decante in Val Saint Lambert Style 44 x 10 x 10 cm An exquisite Val Saint Lambert style blue-to-clear glass decanter with cover dated 20th century from Belgium.

It prides its royal blue tone that enlivens the finely made brilliant period cut, which is known for amplifying of crystal glass’ innate refractive property. With tear-drop shaped cover in bridge flutes, and has sunburst split cut underneath.

Generally stable.

PHP 6,000.00

163

Set of La Filigrana Bicolored Large Glasses

By La Filigrana 12 x 8.5 cm Set of 8 This 20th century Italian glass set was specifically handcrafted in Murano. It is comprised of eight (8) large drinking glasses configured with alternating colors of green and white (frost-like). The set bears the mark of “La Filigrana,” of which accompanied by a swirled circle and “Murano (Italy)” inscription.

Stable.

PHP 8,000.00

164

Vintage La Filigrana Murano Green Stripped Old Fashion Glass 9 x 8 cm Set of 8 Mid-20th century Murano glass set in old fashion form colored in green and gradient translucent white stripes.

Marked “la filigrana Murano (Italy)” beneath the base. Its style casts a nostalgia of the Art Deco feel.

PHP 6,000.00

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89

165

Pair of Murano Royal Blue Vases with Bubble Patterns 32 x 21 cm Pair Pair of royal blue Murano glass vases with gold fleck patterns dated back to the mid-20th century Italy. The asymmetric form of the glassware, combined with the bubble features of the surface, gives them a vintage appeal. Unmarked.

Stable.

PHP 50,000.00

166

Vintage La Filigrana Murano Blue stripped Old Fashion Glass 9 x 8 cm Set of 8 A set of vintage Murano glass in old fashion form which is dated back to mid-20th century. The royal blue and gradient white-to-clear stripes are inspired by the Art Deco style of the early to mid century taste.

Marked “la filigrana Murano (Italy).�

Stable.

PHP 6,000.00

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167

Set of Lalique Crystal Glass Plates Diam: 21.5 cm Set of 13

A Set of Lalique crystal glass plates dated back to the late 20th century France.

Beautifully engraved and etched with decorations featuring different sailing ships. It carries modern “Lalique ® France” mark, indicative of its production since 1978.

Stable.

PHP 150,000.00

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168

Baroque Style Oratorio in Carved and Gilt Wood 66 x 42 x 24 cm In the style of Baroque as exhibited by its heavy form and elaborate carving/reliefs. This Portuguese oratorio in gilt wood dates back to the 18th century. It is configured with three glass panels placed at the front and the sides. The item is uniquely and intricately-detailed with bulbous motifs of cherubs, flowers, acanthus leaves, scrolls, and rocaille. Atop is an impressive finial of acanthus leaf with a cartouche in it. Just below it are reliefs of the crown of thorns and nails, two of the several Arma Christi or items associated with Jesus Christ’s Passion.

With defects but generally stable.

PHP 120,000.00

169

Louis XVI Styled Mantle Clock 31 x 15 x 10 cm Louis XVI style mantle clock, made of ormolu (gilded bronze) glass case on white marble base dated back to the 19th century France. Louis XVI style is notable for its restrictive appeal; thus the rectilinear case. The swirling ribbons, pearl-like ribbings, and stylized foliages are also distinctly ascribed to his style and revivalism can be seen on this piece, particularly on the finial of lyre and torch embraced by laurel leaves on top, as well as the vase with twin nymphs below the dial. Fascinating is the dial section; numbered in Sevres blue color, and freshened up by polychrome rose swags. Stylized vines ornamented the gilded hands of the clock. Glass case allows a view on clock’s mechanism.

Mechanism requires recalibration.

PHP 80,000.00

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170

Pair of Louis XVI Style Putti Candlesticks 29 x 10.5 cm Pair These putti candlesticks in gilt bronze adhere to the style of Louis XVI. The pair, dated 19th century, notably stands on marble bases.

The ormolu putti figures distinctly serve as the columns wherein they are portrayed standing in one foot and lifting the Neoclassicalinspired capitals/sconces. Such style also highlights the shaped white marble bases as exemplified by its festoons and twisted cord motifs.

In good condition.

PHP 70,000.00

171

Table Oratory in Carved and Gilt Wood 89 x 65 x 43 cm From 19th century Europe, made of carved and gilt wood.

This religious piece typified as “oratorio” is built with glass panels for its front and sides, and silk-covered interior. It adheres to the Baroque revival style as seen to its scallop and scroll motifs, specifically the cornice and feet. The top’s four corners have pinnacles which interestingly portray onion dome-like forms.

With defects.

PHP 40,000.00

172

Louis Colet as “Sappho”

By Jean Jacques Pradier 46 x 45 cm French bronze sculpture on mantle clock depicting Sappho pondering with lyre and scroll by Swiss sculptor Jean Jacques Pradier (1790-1852) dated 19th century.

Signed “Pradier” and has “Susse Frere Foundry” mark at her seat. Susse mark suggests this piece could have been part of Susse’s exhibit at the Salon of 1848, roughly four years before Pradier created the larger marble of the same subject that is now at Musée d’Orsay. The subject is said to be based on the French poet Louis Colet (1810-1876).

Clock requires recalibration. Generally stable.

PHP 100,000.00

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173

Pair of Neoclassical Style Ormolu Tazza on Marble Base 33 x 28 cm Pair Pair of 19th century Italian ormolu (gilded bronze) tazza on black marble base are fashioned in Neoclassical style.

Interesting pair of dragon figures topped the rim of the tazzas. Neoclassical elements as guilloche, acanthus foliages, ribbings, and other decorations render details on the stem down to the rectilinear marble base.

Generally stable.

PHP 40,000.00

174

Louis XVI Style Candleholder Putti 30 x 23 cm Pair Exquisite piece of Louis XVI style candleholders decorated with putti and roses in ormolu (or gilded bronze) over a white marble base, dated between late 19th and early 20th century. Livened by the swirls of foliages, the two flowers stretch as candle sockets. Unmarked.

Generally stable.

PHP 140,000.00

175

F. Ardvani Parisian Ormolu Clock in Neoclassical Style

By F. Ardvani 16 x 10 x 6.5 cm F. Ardavani Parisian gilded bronze (ormolu) clock in Neoclassical style dated between late 19th and early 20th centuries. Figure of a putti climbing on the left side of the round clock, trying to look at the bird’s nest finial on top. The clock has a columnar base rested on a vermillion toned marble. Mechanism has markings: initials “S.F.”, “R.A.”, “895 E.D.” Clock requires recalibration. Generally stable.

PHP 50,000.00

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95

176

French Three-Piece Garniture of Clock and Tazzas in Bronze and Bicolored Marble Clock: 32.5 x 48 x 17.5 cm; Vessels: 23.5 x 15.5 x 12.5 cm Set of 3

An early 20th century French garniture in bronze and veined bicolored marble.

The exquisite set of three is comprised of an arched-top marble clock and a pair of bronze tazzas (bowls) as side pieces. The clock is beautifully adorned with two bronze putti at the sides, while the tazzas exhibit Neoclassical taste. Clock’s interior plate has engraved numbers “9446,” while its base’s reverse features two more

inscriptions. Its veined marble bases in yellow and black colors have fluted fronts, specifically the lower portion.

Clock requires recalibration. Generally stable.

PHP 150,000.00

177

French Bar Cart in Brass and Glass 73 x 82 x 48.5 cm An early 20th century French bar cart in brass and glass. This transportable piece is configured with turned handles, pierced frames, glass shelves, and medium-sized wheels. The simplicity yet elegant built of this piece matches the very mediums used.

Generally stable.

PHP 70,000.00

96

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178

Set of 8 Antlered skulls as Hunting Trophies 30 x 25 cm Set of 8

A set of 8 hunting trophies of antlers, most likely roe deer, from Hungary dated 20th century. Each skull is displayed on a wooden support and is labelled. As one of Europe’s most sought-after destination for hunting, Hungary strongly regulates the activity by requiring prior license to hunters (see Sevako. hu).

With minor defects.

PHP 35,000.00

98

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179

Chinese Six-Fold Screen in Lacquered Wood and Cloisonné 194 x 267 cm

A large 20th century Chinese six-fold screen in lacquered wood. This Oriental piece is composed of six panels that have pierced top and bottom, and represents motifs of dragon, chinoiserie in red and gold. On this piece are beautifully-made cloissonné sections depicting various Chinese things in vivid palettes.

Generally stable.

PHP 150,000.00

180

Neoclassical Styled Dressing Screen 169 x 156 cm A 20th century Neoclassical styled dressing screen with red and yellow striped panels from Spain. Floral relief decorates the top, while guilloche bands decorate the rectilinear wooden frame. The vertical stripes of red velvet on yellowtoned canvas panel reflect the possible Catalonian origin of the piece.

Generally stable, with minor defects.

PHP 120,000.00

181

WMF Silver-plated Card Tray Depicting Aquarius

By Württembergische Metallwarenfabrik 27 x 27 cm This early 20th century Art Nouveau silver-plated card tray illustrating feminine Aquarius is done by WMF [Württembergische Metallwarenfabrik]. WMF specializes in tableware and trays, which Art Nouveau works were coveted in the early 1900s. The feminine figure was gracefully standing on one side,while holding a jug receiving a pouring water. The rest of the tray is detailed with fine vines and grapes.

Stable.

PHP 20,000.00

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99

100

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182

Victorian English Silver Salt Cellar and Spoon

By Hillard & Thomason 5.5 x 16 x 23 cm 98.5 grams Set of 8 Set of four (4) salt cellars and spoons in Victorian English sterling silver, which dates back to the late 19th century. Weighing 98.5 grams, this set carries Birmingham city marks (a striding lion and an anchor), as well as its maker’s mark H&T (for Hillard & Thomason, since 1847), and a “P” date mark signifying their production between 2 May and July 1890. Bearing chasings of vegetal elements, these Victorian sterling pieces are preserved with its original case, which has leather exterior and rose silk-cum-purple velvet interior.

With minor defects

PHP 11,000.00

183

Cutlery in English Silver

By Various makers 32 x 5 cm 5,472 grams Set of 83 Associated to different makers, but unquestionably of English origin.

This admirable silver and silver-plated cutlery is composed of 83 pieces in total which includes tablespoons, teaspoons, dessert spoons, meat forks, fish forks, dessert forks, meat knives, fish knives, dessert knives, and serving cutlery. Dated between the 19th and 20th centuries, the set is well-detailed with floral and shell reliefs, as well as engraved texts and monogram. Guarantee marks can be seen such as Sheffield crown, lion passant guardant, Alexander Clark Co. Ltd. mark (registered in 1912), Newcastle marks of 1857, and William Chinnery mark (registered in 1825) among others, hence indicating the items’ provenance, maker, silver purity, and date of production.

Stable.

PHP 615,000.00

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184

Set of Sterling Silver Teaspoons

By Barker Bros. Ltd. 9.8 x 2 cm 38 grams Set of 6 A set of six silver teaspoons, from early 20th century England.

It is made of sterling silver, with each piece carrying a set of distinctive British hallmarks. The marks include lion passant guardant (indicating its .925 silver purity), Birmingham city mark, letter O in an octagon (date letter for 1938), and B.B. over SLd within a shield (maker’s mark of Barker Bros. Ltd.).

On its case, an inscription in gold is imprinted that states: “L. H. C. 23-9-39.” The set approximately weighs 38 grams.

Stable.

PHP 5,000.00

185

Hamilton & Inches’ Sterling Silver Coffee Spoons Set

By Thomas Brandbury & Sons 8.3 x 1.2 cm 38 grams Set of 6 A set of six English sterling silver coffee spoons by Hamilton & Inches and dated back to the early 20th century. These pieces bear Sheffield marks dated 1938 (V, crown and striding lion), as well as maker’s mark of Thomas Brandbury & Sons (TB&S). Weighing 38 grams, the Lot still have their original case with leather exterior, and silk and velvet interior.

Generally stable.

PHP 5,000.00

186

Set of Teaspoons and Tong in Sterling Silver

By Cooper Brothers & Sons 10.5 x 22 cm 94 grams Set of 7 Dated early 20th century, of English provenance. This excellent sterling silver set is comprised of six teaspoons and a tong, all of which have shell-shaped handle tip. A set of British hallmarks is engraved in each piece which includes lion passant guardant mark (signifying its .925 silver purity), Sheffield crown (city mark), small p within an octagon (date letter for 1907 to 1908), Cooper Brothers & Sons maker’s mark, and Rd 605905 (registry number and date for 1912). The set approximately weighs 94 grams, and comes with a case.

Stable.

PHP 11,000.00

102

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187

Italian Sterling Silver Bowl 14.4 x 28 cm 858 grams An Italian silver bowl from the late 20th century. The piece is notable for its impressive chased decoration and repousse work which illustrate C-scrolls, foliages, roses, and daisy. Its lip is shaped and bordered by distinctive reliefs which adhere to the item’s prevalent motif. It has four feet, of which resembles leaf. Two marks are visible in this item: an .800 standard mark and an unidentified maker’s mark (a five pointed star and Italian registration no. 205 P within a lozenge). The latter has been the official national Italian silver hallmark since 1968. Also, an inscription can be found that states: “CESELLATO A MANO” (translated as “chiselled by hand”).

Stable.

PHP 100,000.00

188

Neo-Rococo Styled Italian Silver Teapot 40 x 30 cm 2,095.5 grams Italian silver teapot in Rococo revival style dated in the mid-20th century. At the base is its maker’s mark “star – 162 – PA” which identifies the place of production in Palermo. It also carries “800” guarantee mark, which is the Italian silver standard. The piece is intricately designed with swirling foliages and scrolls throughout, bird-head fashioned pout, and wooden handle.

In generally good condition.

PHP 250,000.00

189

Peruvian Tureen with Cover in Sterling Silver

By Camusso 29 x 36 cm / 1,235 grams Of Peruvian origin, this sterling silver tureen with cover dates back to the 20th century. The elegant piece carries a Neoclassical appeal as shown by its bead and pointed arch-like series adorning the top and base. Still, the most distinctive trait of this silver piece is its swan-shaped handles and finial which impressively feature the bird’s head and wings. The cover’s two swans are facing each other, and fascinatingly illustrate a heart-like shape. Also, a series of leaf reliefs shows the impressive craftsmanship done in this piece.

This Peruvian tureen in sterling silver was crafted by Camusso Silverware & Fine Jewelry, a distinguished institution in South America. The aforesaid was founded in 1933, and since then has been manufacturing a wide range of exclusive and quality silver pieces. Its marks are engraved on the base, handles, and finial.

In good condition.

PHP 145,000.00

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190

Portuguese Silver Ink Desk Set

By José Gonçalves Russo 20 x 826 x 16 cm 500 grams Set of 4 Dated late 19th century, of Portuguese origin. The silver ink desk set is comprised of an ink bottle, a bone powder bottle, a tray, and a bell. Except for the two bottles, the entire set is made of Portuguese silver embellished with embossed and engraved reliefs. Motifs of flowers, foliages, bead, twisted cord, and scrolls, as well as a partially casted backdrop of trellis, grapes, and vines serve as the set’s embellishment. The set carries the maker’s mark of José Gonçalves Russo, and a Porto assay mark which indicates its use between 1877 and 1881.

With defect.

PHP 55,000.00

191

Butter Dish with Stand in Portuguese Crystal and Silver 10 x 19.5 cm 148 grams Pair A late 19th to early 20th century butter dish with stand from Portugal. The butter dish is specifically made of crystal with exquisite cut decoration around its body. Its cover and the salver stand which were crafted from Portuguese silver carry rocaille and coquille motifs. A pair of marks indicates this item’s provenance and silver purity: Porto assay mark .833 (boar head and II, 1866-1938) and an unidentified maker’s mark.

Stable.

PHP 18,000.00

192

Portuguese Silver Ice Bucket

By Leitão & Irmão 15.5 x 16 cm 669 grams Crafted in Portuguese silver, dated between the late 19th and early 20th centuries. This ice bucket has a wide and curled rim, a tapered body, and lip and base fashioned with thread-like edges. The handle is also styled in the aforesaid manner. Some engraved decoration can be seen on the curled rim and the body’s lower part. There are two identified marks that include Lisbon assay mark (boar and I) and Leitão & Irmão maker’s mark. The marks indicate that the item has a .916 silver purity and already in force between 1886 and 1938.

With defect.

PHP 45,000.00

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193

Portuguese Silver Basket Centerpiece with Mirror Centerpiece: 9 x 34 x 18 cm; Mirror: 50 x 38 cm Pair This 19th to 20th century Portuguese silver centrepiece with mirror is lavishly detailed with reliefs of scallops, acanthus leaves, S- and C-scrolls, and dotted motif.

Beneath its base are the following details: Centro de mesa em prata Portuguesa corpo de secção eliptica com profusa decoração em relevo de enrolamentos vegetalistas, aletas, concheados e flores, com floreira, grelha vazada e base em espelho com moloura de prata. Marca de contraste “Águia.” Comprimento: 50 cm. It carries an Aguia .833 mark which indicates its production or use between 1886 and 1938.

Stable.

PHP 220,000.00

194

Cutlery Set in Portuguese Silver Laddle: 30 x 5 cm; Tablespoon: 20 x 4 cm 2187 grams Set of 40 Set of cutlery in Portuguese silver dated between late 19th and early 20th century. It is composed of 12 tablespoons, 12 meat forks, 12 knives, and 4 serving cutlery pieces. Handles are engraved with design inspired by Queen Maria I style. Bearing a boar assay mark (Javali II) which indicates the pieces’ production between 1887 and 1938. Also has a maker’s mark, but undeciphered. The knives are marked “GUILLERMO HOPPE SOLINGEN.” Stable.

PHP 245,000.00

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195

Belle Époque Portuguese Silver Five-Light Candelabra

By Almeida Miranda & Filho 60 x 31 cm 10,560 grams Pair A pair of ‘Belle Époque’ Portuguese silver five-light candelabra dated back to the early 20th century.

Crafted during a great political change in Portuguese history; that is, when the royal family was replaced by newly birthed Portuguese Republic. Highly architectonic with its Baroque styled vegetal elements: from bobeches, swirling arms, stem, down to its base.

Floral swags attached to the arms are inspired by Doña Maria I style. Carries Porto assay mark, indicative of its production between 1887 and 1937; but this is further specified by its maker’s mark, Almeida Miranda & Filho (1909-1921).

With minor defect.

PHP 1,240,000.00

196

Neoclasssical-Styled Portuguese Silver Bowls

By Joaquim do Nascimento Bastardo, Lda. 12 x 33 x 17.5 cm 1,791 grams Pair Pair of Portuguese silver bowls in Neoclassical style dated back to the 20th century. These ellipticallyshaped bowls have scrolled handles on both ends, which are topped with acanthus relief. The pair bears an eagle assay mark of Porto, indicative of its production between 1938 and 1984; as well as its maker’s mark Joaquim do Nascimento Bastardo (est.

1961).

Generally stable.

PHP 170,000.00

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197

Madonna and Child Jesus Ivory Sculpture 43 x 9 x 7 cm An ivory sculpture of Madonna and child, dated between the 19th and early 20th centuries. In this piece, the Virgin Mary is portrayed in a standing position, with the child Jesus (who carries an orb) on her left arm. Moreover, the two figures can be seen holding/touching a bird, of which signifies soul, sacrifice, death, and resurrection.

Interestingly, this sculpture’s base shows an unidentified coat of arms which can be attributed to an archbishop.

The ivory work has Oriental provenance.

In good condition.

PHP 550,000.00

198

Ivory Sculpture of Warriors 26 x 9 cm Pair A late 19th to early 20th century pair of ivory tusk sculptures from China. The pair shows an exceptional Asian craftsmanship as can be seen to its meticulous details. Represented here are deeply carved Chinese warriors on horseback and donning armours painted in black. The figures, as hinted by the sculptures’ back side, are traversing a mountainous landscape. The ivory sculptures rest on wooden bases.

Stable.

PHP 120,000.00

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109

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199

Ivory sculpture of Shou Lao with a child, Taoist Deity of Longevity 31 x 7 cm From China, dated late 19th to early 20th centuries. This ivory sculpture depicts Taoist deity of longevity Shou Lao, dressed in draped robes and holding a short staff with peaches and tassels attached to it. He also clutches a basket of mudan (peony), of which alludes to wealth and honour in Chinese culture. Seated in front of the standing deity is a child who also holds a branch of flowers. Shou Lao is one of the Sanxing (three stars or deities). Peach is symbolic of long life, while his staff means wisdom. Marked.

Stable.

PHP 80,000.00

200

Guanyin 31 x 7 cm An early 20th century ivory image of Guanyin and a girl originated from China. Rendered with empress-like stature, and a hand gesture representing repellence of evil, the Guanyin is also known for granting children to couples which the lotus flowers represent. Notice the fine penwork and smooth drape carvings. It carries an inscribed marking at its base.

Stable.

PHP 80,000.00

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201

Figures of Horses in Bas-Relief 0 x 15 cm [relief ]; 19 x 23 cm [with frame] A 19th century Italian bas-relief in fine carving, depicts drinking horses at the center, bordered by foliages, twin putti on top, and farm objects beneath. Possibly gypsum plaster, its brown patina prides an elegantly natural aging. Beautifully framed in Baroque style carved wood painted in dark, sultry faux rosewood; and has a rocaille style brass stand. Its aesthetics reflect the animalesque movement and the emerging La Belle Époque at the time.

With signs of previous restoration.

PHP 15,000.00

202

River Landscape in Conté Crayon on Paper

Untitled (Landscape)

By Sandro Natullo

14.5 x 14.5 x 1.5cm [frame];

10 x 14 cm [painting];

Diam: 7 cm [painting]

27 x 30.5 cm [frame]

Conté crayon on paper dated back to the 19th century Germany, beautifully illustrating a receding river reflecting the image of surrounding tall trees across the horizon. A cluster of houses can be found on the left side, where a tall tree has widely stretched, leafless branches. Note that the spire-like forms of trees and brachiating leafless branches can be ascribed to Gothic influences. Encapsulated in warm-toned round wooden frame with parcel gilt decorations, and has a convex glass covering. The objet d’art comes with a stand.

A 20th century oil painting on hardboard representing landscape by the Italian artist Sandro Natullo.

Interestingly the art-piece demonstrates various juxtapositions, such as the heavy brushstrokes on foreground details of trees, water, land vis-à-vis softened sky; also the used of warm tones of brown, ecru, ochre and pink against the cool tones of pale blue, white and gray. Has a parcel gilt and black painted wooden frame with surrounding carvings, as well as green velvet window.

Generally stable.

PHP 12,000.00

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With minor defects, but genrally stable.

PHP 20,000.00

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156 Jupiter cor. Comet Street, Brgy. Bel-Air, Makati City, Metro Manila, Philippines

Terms and Conditions Casa de Memoria (hereinafter, “CDM”) will conduct its business activity in accordance with these Terms and Conditions of Sale and any other terms and conditions that are individually specified. CDM will act as an agent for the sellers of the Lots sold at auction. The seller shall be solely responsible to the buyer for any breach of the contract of sale. However, in instances where CDM owns a Lot, it shall act as seller and the contract of sale will be between CDM and the buyer.

Article 1: Objects The present Terms and Conditions of Sale regulate the business activity of the company, CDM, and govern and contractual relations established with it.

Article II: Definitions In these Terms and Conditions of Sale, the following definitions apply: a. Catalog- All and any of CDM’s advertising, brochures, price lists or any other publications, regardless of their nature. b. Buyer’s Premium- The commission charged on a purchase, calculated as a percentage of the Hammer Price and paid by the Buyer at the Applicable rate. c. Sales Commission- The commission charged on a sale, to be deducted from the Hammer Price and borne by the Seller at the applicable rate. d. Buyer- The person who has presented the highest bid at the time of the Hammer Price, represented directly or via a third party, in accordance with these Terms and Conditions of Sale.

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e. Expenses- The costs incurred by CDM, according to price list, in relation to the sale of any lot, associated with catalog fee, illustrations, publications, advertising, restoration, insurance, packaging, storage and transport, of the lots plus VAT applicable to such Expenses. f. Total Amount Due- The Hammer Price of a sold lot, plus the Buyer’s Premium and any eventual additional charges and expenses due from the Buyer in the event of non-compliance, in accordance with the provisions established in Articles 10 & 11. g. Original Works of Art- Corresponds, under the terms of the Berne Convention & International laws, and The World Intellectual Property Organization Copyright Treaty (“WIPO Copyright Treaty,”) to works of graphic or plastic art, such as pictures, collages, paintings, drawings, engravings, prints, lithographs, sculptures, tapestries, ceramics, glassware, and photographs, provided they are made by the artist himself or are copies considered to be original works of art, and should be numbered, signed or in any other manner authorized by him. h. Hammer Price- The price for which a lot has been adjudicated by the auctioneer to the corresponding buyer.

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i. Amount Due- The net amount owed to the seller, i.e the Hammer Price of the sold lot minus the Sales Commission at the Applicable Rate and the Expenses and any other amounts that the seller owes to CDM on any basis, always subject to the addition of VAT at the applicable rate. j. Applicable Rate- The rates that apply to the Sales Commission and Buyer’s Commission, which are practiced and duly publicized or specified by CDM. k. Seller- the person or entity that signs an auction sales contract with CDM.

Article III: Pre-Auction Viewing and Inspection a. CDM does not perform a full and complete due diligence audit on each Lot. Representations made

by CDM about the Lots are based on information provided by the sellers. As such, CDM does not guarantee the accuracy of such information. CDM shall not be liable for any misrepresentation or wrong information provided by the sellers with respect to the Lots.

Prospective buyers acknowledge these facts and accept their responsibility to carry out such investigations and inspections as may be necessary to satisfy themselves with respect to the Lots in which they may be interested in prior to the sale. b. The properties to be sold may be inspected by prospective buyers at pre-auction viewings. Prospective buyers are strongly encouraged to personally examine the Lots prior to the sale. c. In accepting bids for Lots, CDM assumes that prospective buyers have undertaken a full inspection of the Lots prior to bidding and that they have verified the condition of the Lots as well as the descriptions. d. CDM and the sellers do not provide any guarantee with respect to the Lots sold at auction. Said Lots are sold on an “as is” basis. All sales are final.

Article IV: Descriptions of Property a. Statements made by CDM in the catalogue or website, in condition reports, or made orally or in

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writing elsewhere, are statements of opinion. Therefore, these statements cannot be construed or relied on as factual representations, implied or express warranties or assumptions of liability. CDM and the sellers shall not be liable in any way for errors or omissions in the catalogues or any supplemental material. Buyers have the duty to satisfy themselves about the condition of the Lots sold at auction and the matters referred to in the catalogue entries. b. References in the catalogue entry or the condition report to damage or restoration are for guidance only.

These references should be evaluated by personal inspection by the bidder or a knowledgeable representative. c. The absence of any reference to the condition of a Lot does not imply that the Lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Similarly, a reference to particular defects does not imply the absence of others. d. CDM and the sellers do not make any express or implied warranty or representation of any kind or nature with respect to the merchantability, quality or fitness for certain purposes, the accuracy of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any Lot sold. e. In making express statements in its catalogue descriptions or condition reports, CDM shall exercise such reasonable care as is consistent with: (1) its role as auctioneer; (2) the information provided by the sellers; (3) scholarship and technical knowledge; and (4) expert opinions as of the date these expert opinions are made.

Article V: Estimates a. Each Lot in the catalogue is given a low starting bid. This estimate represents the range which, in the opinion of CDM, represents a fair and probable auction value. This estimate does not include the Buyer’s Premium referred to in Section 10 hereunder. b. Pre-sale estimates are intended only as a guide for prospective buyers and are subject to revision. The actual prices realized for items can also fall below or above the range of these estimates. Thus, an estimate of

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the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Article VI: Admission to the Auction a. CDM has the right at their absolute discretion to refuse to allow prospective buyers admission to or participation in an auction. b. Prior to bidding, all bidders are required to complete and sign registration forms and provide a government issued identification card (e.g., a passport or driver’s license). c. Bidders present at the live auction shall express their interest to participate in the auction by providing CDM with their full credit card details and shall execute an undertaking allowing CDM to charge a ten percent (10%) penalty on the final bid on the aforementioned credit card in the event that the bidder is unable to pay the full purchase price in accordance with the terms and conditions of Section 10. d. Upon completion of the above admission process, CDM shall issue bidding paddles to the bidders.

Article VII: Sale and Withdrawal from Sale a. Unless otherwise announced by the auctioneer, all bids are per Lot as numbered in the catalogue. b. CDM reserves the right to withdraw from any sale any of the Lots listed at any time prior to the commencement of bidding for such Lot and shall have no liability whatsoever for such withdrawal. c. Unless otherwise indicated, a Lot shall be offered subject to a minimum price (the “Reserve”). The Reserve shall not exceed the low pre-sale estimate at the time of the auction. As a general rule, the Reserve is agreed upon by CDM and the sellers. CDM has the right to set the Reserve in the absence of an agreement with the seller.

Article VIII: Bidding a. Bidders shall be personally liable for their bids unless they have secured CDM’s prior written consent to act as agents for identified third parties acceptable to CDM. Bidders who act as agents shall be jointly and severally liable with their principals. b. Absentee Bids - CDM shall use reasonable efforts to carry out written absentee bids delivered prior to the sale. If written bids for identical amounts are received for a particular Lot and these turn out to be the highest bids at the auction, the Lot will be sold to the person whose bid was received and accepted first.

The execution of absentee bids is a free service that is undertaken subject to other commitments of CDM during the auction. CDM shall not be liable for failure to execute a written bid or for errors or omissions committed in connection with said bid. c. Live Online Bids- CDM shall use reasonable efforts to carry out live online bids that are placed or delivered in accordance with the terms and conditions set forth in the agreement between CDM and the third party provider of the online bidding platform.

If live online bids for identical bids are received for a particular Lot and these turn out to be the highest bids at the auction, the Lot will be sold to the person whose bid was received and accepted first. The execution of online bids is a free service that is undertaken subject to other commitments of CDM during the auction.

CDM shall not be liable for failure to execute an online bid or for errors or omissions committed in connection with said bid. d. Telephone Bids- CDM shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. CDM shall not be liable for its failure to contact said bidders or for any errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of CDM during the sale.

Article IX: Conduct of Auction a. The auctioneer has the discretion to commence and advance the bidding at the levels and increments which he considers appropriate. The auctioneer also has the right to divide or to combine any Lots. As

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a general rule, CDM will follow ten percent (10%) increments, subject to the condition that said increment may change from time to time or at any time during the auction if the auctioneer sees the need. b. To implement the Reserve, the auctioneer may open bidding on any Lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the Reserve, by placing successive or consecutive bids for a Lot or by placing bids in response to other bidders. Unless otherwise indicated in the catalogue or by an announcement at the auction, CDM acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property. c. The auctioneer may refuse to acknowledge any bidder and to reject bids. If any dispute arises between two or more bidders or in case of error, the auctioneer may decide the same or may re-offer and resell a Lot. The auctioneer has the right to determine the successful bidder and take such other actions as he deems fit under the circumstances. If any dispute arises after the sale, CDM sales record shall be conclusive. d. The auctioneers bidding increments:

RANGE

INCREMENT

1,000 to 10,000

1,000

10,000 to 20,000

2,000

20,000 to 100,000

5,000

100,000 to 300,000

10,000

300,000 to 1,000,000

20,000

1,000,000 to 2,000,000

50,000

2,000,000 +

100,000

The bidding increments, however, are subject to change at the discretion of the Auctioneer.

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Article X: Purchase of Lots a. Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer.

The striking of the auctioneer’s hammer shall mark the acceptance of the highest bid (the “Hammer Price”) and the conclusion of a contract of sale between the seller and the buyer. b. Upon the striking of the auctioneer’s hammer, the buyer shall become liable for the payment of the Full Purchase Price (as such term is defined under Article 11 below). The buyer shall likewise assume full risk and responsibility for the purchased Lot (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works) upon the striking of the auctioneer’s hammer.

Article XI: Payment a. In addition to the hammer price of the Lot, CDM shall collect from the buyer a premium (the “Buyer’s Premium”). The Buyer’s Premium shall be fifteen percent (15%) of the hammer price. No Value-Added Tax (VAT) will be charged on the hammer price, but twelve percent (12%) VAT will be added to the Buyer’s Premium. The buyer shall shoulder the payment of the VAT on the Buyer’s Premium. CDM reserves the right to revise these rates and/or announce special premiums at any time. A portion CDM’s buyer’s premium will be donated to CDM’s foundation of choice. b. The buyer shall pay the full amount due (i.e., hammer price, buyer’s premium and any applicable fees, taxes and charges) in cleared funds not later than five (5) business days after the date of the auction (the “Full Purchase Price”). Unless prior written arrangements have been made, the Full Purchase Price shall be paid in Philippine Pesos (or converted to Philippine Pesos based on the conversion rate at the time of payment). The buyer shall be solely responsible for any currency conversion charges and wire transfer fees. c. Unless prior written arrangements have been made, payment shall be made in Philippine Pesos.

CDM shall accept payments in cash, bank transfer, or checks. Checks should be made payable to Galeria Renascimento Commercial Enterprises Inc. . d. Payments by wire transfer should be directed to:

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Checking Account of Galeria Renascimento Commercial Enterprises Inc. doing business under the name and style of Casa de Memoria under SA# 2753-0059-97.

Article XII: Transfer of Title and Release of Lots a. Title over a purchased Lot will not pass to the buyer until and unless CDM receives the Full Purchase Price in cleared funds. In the event that a buyer purchases several Lots, the title over these Lots shall not pass to the buyer until CDM the Full Purchase Prices for all Lots. b. The buyer shall arrange for the collection of the purchased Lots within three (3) business days from the date of the auction. CDM shall not be liable for any damage to the Lots that are left in its premises for more than three (3) business days following the sale.

Fees and expenses for the collection and transportation of Lots sold at an auction shall be for the account of the buyer.

those issued by the National Museum. CDM and the sellers make no representations or warranties as to whether any Lot is subject to import/export restrictions or embargoes. Moreover, CDM and the sellers do not warrant that buyers will be able to secure the necessary permits for their Lots. The denial of any relevant permit or license shall not be a valid ground for the cancellation or rescission of the sale or any delay in payment. e. Any other taxes or fees that may arise in relation to the purchase of a Lot shall be for the sole account of the buyer.

Article XIV: Remedies Incase of Buyer’s Default a. Non-Payment or Non-Withdrawal of the Purchased lots- If any lot has not been paid for in full and withdrawn under the deadlines and in accordance with the Terms and Conditions established in Article 11, Section b,CDM, in its capacity as the Seller’s representative, may, without prejudice to any other rights to which it is entitled, adopt one or more of the following courses of action:

Article XIII: Packing and Handling of Lots a. The packing and handling of the purchased Lots shall be at the buyer’s risk. CDM shall in no way be liable for any acts or omissions of third party packers or shippers, regardless of whether these third party packers or shippers were recommended by CDM upon the buyer’s request. b. CDM may coordinate delivery of the purchased Lots to preferred location at the buyer’s expense and risk.

The Lots will only be released after payment in full of all removal, storage, handling, insurance costs and any other expenses incurred, together with payment of all other amounts due to CDM. c. Buyers shall secure the necessary insurance policies for their purchased Lots and pay the applicable insurance premiums thereon. d. Buyers shall be solely responsible for obtaining any necessary export, import, national heritage, or other permits for their Lots, including but not limited to

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i. Initiate legal proceedings against the Buyer in order to be compensated for losses deriving from non-compliance with the contract, with interest, legal fees and costs to the fullest extent permitted under applicable laws;. ii. Charge late payment interest at the prevailing legal rate on the Total Amount Due until full receipt thereof. iii. Resell the lot in question or initiate proceedings for it to be resold, in an auction or via a privately negotiated sale, in which case the non-complying Buyer should pay CDM any outstanding amount in relation to the Total Amount Due (after deduction of any partial payment that has occurred and addition of any supplementary cost arising from the respective sale), wherein any remaining amount, if it exists, shall pertain to the non-complying Buyer. iv. Remove, store and insure the lot(s) at the non-complying Buyer’s expense, wherein

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CDM shall decide whether or not the storage should occur in its own warehouses or in other warehouses chosen by it.

b. Any illustrations or representations in catalogues are solely intended for identification of the items put up for sale.

v. Withhold the lot in question or another lot that has been sold to the non-complying Buyer in the auction in question or in another auction, and only release it after full payment of the Total Amount Due.

c. Buyers accept and will be satisfied with the lots, in the state in which they were found prior to the auction, and will freely judge whether or not the lots correspond to the description that has been supplied.

vi. Reject or ignore any bid presented by the non-complying Buyer or by another person acting in his name in any subsequent auction or request and obtain a deposit by the non-complying Buyer before accepting or considering any bid presented in the future. vii. Take all and any steps that are deemed to be appropriate, at any time, in order to receive full payment of the Total Amount Due from the non-complying Buyer, and also achieve compensation for the existing debit from the sales price of any item owned by the non-complying Buyer that at any time is held

by CDM, on any basis. viii. to exercise a lien over any of the defaulting buyer’s property in the possession of CDM, provided that CDM may arrange for the sale of such property and apply the proceeds of the sale to the amounts owed to it within fourteen (14) days from its notice to the buyer regarding the exercise of its lien; ix. to release the name and address of the defaulting buyer to the seller to enable the latter to commence legal proceedings to recover the amounts due as well as legal costs, provided that CDM shall take reasonable efforts to inform the buyer prior to the release of this information; x. to effect any combination thereof.

d. Neither CDM nor its representatives, workers or employees may be held responsible for any errors related to the description, genuineness or authenticity of any lot, given that no guarantee is provided by CDM or by its representatives, workers or employees in this regard.

Article XVI: Rights on Photographs and Publications a. The Seller grants to CDM the right to photograph and publish texts, photographs or illustrations of any kind, and in any form, in relation to any lot held by CDM for the purposes of sale, and also use these texts, photographs or illustrations of any kind, together with any others that are supplied by the Seller, at its own initiative, at any time, whether or not connected to organization of the auction.

Article XVII: Sale of Original Works of Art a. If the item sold in an auction is an Original Work of Art, it may be subject to either the Trade-Related Aspects of Intellectual Property Rights (TRIPS Agreement), the Berne Convention for the Protection of Literary and Artistic Works, and the WIPO Copyright Treaty.

Article XV: State and Authenticity

Article XVIII: General Provisions

of the Lots

a. All images, illustrations and written material produced by or for CDM for the auction are its exclusive property. CDM shall have the discretion to use these materials for its own purposes.

a. Considering that the items sold in an auction normally have significant age, all items are sold in the state in which they are found- with defects, imperfections and any descriptive errors or omissions.

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b. CDM and the sellers do not warrant that the buyer

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will acquire any copyright or reproduction rights to any Lot sold. CDM expressly reserves the right to reproduce any image of the Lots sold in this catalogue. c. All measurements, weights and sizes stated in the catalogues of CDM are approximate. CDM is not responsible for damage to glass covering paintings, drawings, and other works or frames regardless of cause. d. CDM shall not be liable for errors that may occur in the operation of the video or digital screen and in the quality of the image. e. Employees of CDM may bid only if they do not know the Reserve. They must likewise fully comply with the internal rules of CDM on employee bidding. f. The relationship between prospective buyers, CDM and the sellers shall be governed by the following:

i. these Terms and Conditions; ii. any amendments to these Terms and Conditions that are made through posted notices or auctioneer’s announcements during the auction;

i. These Terms and Conditions are not assignable by any buyer without the prior written consent of CDM. However, these Terms and Conditions are binding on the buyer’s successors, assigns and representatives. j. No act, omission or delay by CDM shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

Article XIX: Jurisdiction a. These Terms and Conditions and all related matters and transactions shall be governed by Philippine law. The parties agree that any legal action, suit or proceeding shall be instituted at the competent court in Makati City, to the exclusion of all other venues, the buyer hereby waiving all such other venues. This clause is for the benefit of CDM only and as a result, CDM shall not be prevented from instituting proceedings in any other courts having jurisdiction.

iii. any additional notices and terms that may be incorporated into the catalogues or website of CDM or in showroom notices, or announced by the auctioneer during the course of the auction; and iv. any contracts, agreements or documents signed by the parties relevant to the auction sale.

In case of conflict on the provisions of any of the foregoing sources of terms and conditions, the guidelines in a document of a later date shall prevail. g. No oral or written statements made by CDM in its advertisements, bills of sale, showroom notices or announcements or through the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability on the part of CDM. h. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law.

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Documents All registration forms for absentee bidding, telephone bidding, online bidding, and bidding during the auction itself may be found at www.CasaDeMemoria.Com

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Contributors Angelique Marie L. Miranda

Gregg Alfonso G. Abbang

Director

Gregorio R. Caliguia III Research Specialists

Tiffany Pauline D. Mathay Operations Manager

Margie D. Heramia Ma. Jovita A. Del Rio

Paola Angelica Z. Mathay

Rosemarie B. Rodriguez

Finance Manager

Casa Team

Camille Marina Viola D. Lhuillier

Miguel Rosales

Marketing Manager

Creative Consultant

Serious Studio

Jinggo Montenejo

Branding & Design

Lifestyle Photography

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