Auction 0016 Age of Exploration: East Meets West

Age of Exploration auction 0016 auction 0016

may 2019

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preview

May 11, 2019, Saturday

April 29 to May 10, 2019

2:00 PM onwards

10 AM – 6:00 PM

venue

contact

Palacio de Memoria

253-3994

95 Roxas Boulevard, Barangay Tambo, Parañaque City

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hello@casadememoria.com CasaDeMemoria.Com @CasaDeMemoria

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visit 95 Roxas Boulevard, Barangay Tambo, Paraùaque City contact 253-3994 hello@casadememoria.com online CasaDeMemoria.Com @CasaDeMemoria Printed in the Philippines. Š Casa de Memoria. All rights reserved. All material in this catalog may not be reproduced, transmitted or distributed in any form without the written permissions of Casa de Memoria Casa de Memoria reserves the right to accept or reject any article or material, and to edit this material prior to publication.

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Contents

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Auction Lots

4 - 127

Furniture

4 - 15

Carpets & Tapestry

16 - 19

Woodworks

20 - 27

Porcelain & Ceramics

28 - 55

Paintings & Prints

56 - 79

Metalworks

80 - 85

Glass & Crystals

86 - 89

Miscellaneous

90 - 99

Silver

100 - 105

Ivory

106 - 127

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Furniture The Age of Exploration brought with it an intense fascination with the cultures of the New World. Chinese, Japanese, and Indian art and fashion was seen with increasing novelty.

The Rococo style, very popular in Europe with the new wealth, shared a commonality with these cultures. Asian motifs soon made its way into furniture. The most popular of the styles was “chinoiserie”, from the French “Chinois” or Chinese. The Western aesthetic is now inspired

by Eastern design. Hence, East Meets West begins to unfold.

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001

having black lacquered wood border with

Chinese Foldable Screen depicting Imperial Court Ladies Spread: 246 x 183 cm

parcel-gilt stylized dragons. In whole, panels show court ladies in their daily activities.

Well-attended courtesans in the interiors speak of their privileged ranks. Across the field, other court ladies entertain themselves, doing painting, playing xiangqi (Chinese checkers),

With signs of age.

and observing the scenery.

Chinese six-paneled foldadble screen illustraded with imperial court scenes. Early 20th century,

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PHP 140,000.00

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002 Japanese Art Nouveau Screen Panels Spread: 173.5 x 175 cm Generally stable.

Japanese Art Nouveau style screen panels, with mother-of-pearl inlay depicting scenes. From the Meiji period (1868-1912) each screen presents a different phase about what appears as geisha training an apprentice. Next to them are birds on tree, also in mother-of-pearl. Rosewood framework carved with vegetal motif along edges, and birds on lower reserves. Carved phoenix reliefs crowning the friezes.

PHP 50,000.00

003 Portuguese “Haute Epoque� Wooden Bed small: 211 x 121 x 122 cm large: 213 x 121 x 126 cm Pair With signs of age and some defects.

Haute Epoque wooden bed, possibly oak, having imposing floral and swirling foliate carvings crowing the headboard. Dated 17th century, legs carved with rosette and acanthus elements. Footboard and lower part of headboard in criss-crossed bobbin.

PHP 30,000.00 8

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004 Dutch Renaissance Cabinet in Pau Santo and Oak 183 x 68 x 178 cm With signs of age.

Mid-17th century Renaissance Dutch cabinet in pau-santo and oak. Detachable parts profusely carved showing reliefs of fruits and floral wreaths, lion and frowning masks, and ribbings. Built with shelved interiors and two large doors ornamented by three columns, of which the central one conceals its keyhole. With double flattened bun feet.

PHP 80,000.00

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005

Damascus sgabello-styled

Damascus Sgabello-Styled Table with Inlaid Bone Decoration 86 x 56 x 91 cm With minor defects. Lacks key.

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rectangular table with bone inlays, dated late 19th to early 20th century. Profusely embellished inlaid ivory in geometric, foliate, and floral patterns. Square tapered legs are connected by a stretcher in linear, curved, and circle motifs.

PHP 35,000.00

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006 Damascus SgabelloStyled Wooden Armchairs 56 x 52 x 127 cm Pair With signs of previous restoration.

Pair of Damascus wooden sgabello-styled armchairs, with geometric-shaped bone inlay throughout, creating rosette patterns.

Dated early 20th century, these paired furnishings witnessed the last imperial powers of the world, the Ottoman Empire.

PHP 25,000.00

007 Chinese Side Chair with Foliate Carvings 51 x 45 x 99 cm With signs of age.

Chinese early 20th century side chair in ebonized wood, with exquisite carvings of scrolls, flowers (e.g. chrysanthemums) and foliages throughout its body. Seat widens from the back to front. With cabriole legs.

PHP 25,000.00

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008 Chinese Stool with Alabaster Inset height: 46 cm; diam: 36 cm Generally stable.

Chinese late 19th to early 20th century wooden stool, with alabaster inset. Wooden stool’s frieze carved with clouds, having mask reliefs on knees, ending with claw feet. Squareshaped stretcher stabilizes the legs.

PHP 12,000.00

009 Chinese Jardinière Stand in Carved Tamarind with MarbleCentered Top 31 x 31 x 47 cm With signs of age.

Minguo period (1912-1949) Chinese low jardinière stand in tamarind wood, with marblecentered top. With prunus and foliate motifs intricately-carved throughout its body. Legs in cabriole connected by a stretcher; top’s borders with beaded pattern.

PHP 20,000.00

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010 Chinese Meditation Chair 53 x 42 x 70 cm With defects.

Meditation chair – commonly low or close to ground, so user can easily reach objects from the floor (such as scholar’s reading books).

Top rail with bat (fu) detail which is a symbol of happiness and good fortune; back and armrests carved into cloud scrolls. Hides secret compartment on the seat. From early 20th century China.

PHP 15,000.00

011 Set of three (3) Parcel-gilt and caned Neoclassical Style Side Chairs 50 x 45.5 x 91.5 cm Set of 3 With signs of age.

Set of three (3) Neoclassical style side chairs with parcel-gilt rectilinear mouldings and sage green tone. From 19th century, having backrests and seats caned in soliya

PHP 30,000.00

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012 Pair of European Painted and Gilded Fauteuils with Rocaille Motif 64.5 x 47.5 x 109.5 cm Pair Stable.

Pair of 20th century European fauteuils with upholstered backs and seats in red fabric.

Painted and gilded wooden frame, with curvy, scrolled terminals, and cabriole legs. Rocaille carvings embellish the top, arm supports, apron, and knees.

PHP 25,000.00

013 Louis XV style Chinoiserie RedLacquered Table 93 x 50 x 77 cm With defect.

French 19th to 20th century Louis XV style red-laquered table with chinoiserie motif.

With one main drawer and four small ones.

PHP 25,000.00

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014

Flemish-Spanish 19th century

FlemishSpanish Vitrine Cabinet with Trestle Table in Ormolu and Tortugashells 76 x 39.5 x 135 cm (vitrine); 89 x 44 x 72 cm (base) With signs of use.

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vitrine cabinet on trestle table.

Finials, frieze, and mounts in ormolu; with tortuga shells, ebonized and exotic wood throughout the cabinet. Upper cabinet has shelved interior against “bordeaux� fabric backing, and claw and ball feet.

PHP 60,000.00

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015

BargueĂąo in parcel-gilt,

BargueĂąo in ebonized and gilt wood, with Mythical scenes on Ivory inlay 110 x 38 x 165 cm With signs of use.

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ebonized, and exotic wood from 20th century Spain.

Upper cabinet having eight (8) external and eight (8) internal drawers; and three on trestle table. With penwork on inlaid ivory depicting mythological scenes.

PHP 240,000.00

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016 Qing dynasty red lacquered and parcel-gilt tall domed-top cabinet 72 x 52 x 91 cm With signs of use.

Late 19th century, upper cabinet crowned with parcelgilt and reticulated frieze, carved animal and fruit elements; as well as smaller astragalled rosette windows on sides. Lower cabinet having oracle bone (甲骨文/ jia gu wén) and traditional Chinese inscriptions throughout.

Interiors in green tone.

PHP 80,000.00

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Carpets and Tapestries Carpets and tapestry are one of the most important items in the continuing interest in the journey to the new world. The Flemish tapestries are most sought after styles in the antique market. Popular in the Renaissance, a tapestry panel was woven with hunting scenes, mythological images, and iconography. This form of textile art was used to drape the frigid castle wall during the winter. The knotted style carpets came to Europe through the Silk Road, and specifically from Armenia, dating to 5BC. In Spain, the technique evolved during the Moorish occupation of Iberian Peninsula, hence making them oldest surviving European made carpets. The iconic Persian carpet, on the other hand, dates back to the Bronze Age in Iranian culture. Unlike the European styled tapestries, the Persian carpet was commonly woven with arabesque and overlapping geometric patterns, rather than figures.

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017

Flemish 19th century tapestry

Flemish Tapestry with Flora and Fauna Motifs 175 x 178 cm With signs of age.

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depicting landscape with rich floral and fauna elements.

Campestral houses can be seen afar, indicative of Flemish touch. Bordered in vegetal motif.

PHP 40,000.00

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018

ochre foliate scrolls and medallions,

Spanish Carpet in Deep Blue and Ochre Savonnerie Design Miguel Stuyck & Fabrica Nacional de Tapices

ornamented with pink and blue roses within. Dated 1933 and produced through the National Tapestry Factory of Spain.

Stuyck traced his legacy ten generations back to the Belgian national Jacobo Vandergotten. With

345 x 279 cm

whom in 1721 King Philip IV tasked

Savonnerie designed Spanish carpet, from Second Republic period (19311939), designed by Miguel Stuyck.

to create Spain’s first carpet factory.

PHP 280,000.00

Having deep blue medallion, golden

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019

Persian wool carpet in ochre-

Persian Carpet with Vase, Floral, and Foliate Motifs

toned field, profusely filled with motifs of foliages, flowers, and vases. From 20th century.

PHP 30,000.00

335 x 245 cm Stable.

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Woodwork Woodwork, such as carving and utilitarian items, is considered one of the oldest forms of art. Endemically appearing in cultures around the world, the use of wood as a self-expression is of universal appeal. European intricate work began in the Middle Ages. In Asia, India and China paid homage to the environment and to religion. The selection made for our journey surveys the unique interpretations of wood in timber in consonance with their time and place.

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020 Thai Rama Warrior 104 x 25 x 177 cm With signs of age.

Thai Rama warrior on wood dated 20th century. Having red skin and clothed in gilt and polychrome bead ornamentation, holding a now-broken bow

PHP 40,000.00

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021 Jubilant Buddha Wooden Sculpture 33 x 17 x 57 cm With defect.

Chinese wooden sculpture of a stout, laughing Buddha, standing with exposed pot-belly stomach. Noteworthy is the bird on his belly, possibly alluding to one of the three animals of Bhavacakra (wheel of life or cyclic existence) which represents desire or attachment.

Bhavacakara, according to legend, was created and used by Gautama Buddha as a medium to teach how a person can liberate himself/ herself from samsÄ ra (wheel of suffering), achieving nirvana thereafter.

PHP 35,000.00

022 Figures riding Buffaloes 35 x 17 x 15 cm Generally stable Pair of sculptures, carved with figures riding buffaloes on tamarind wood. From China, 19th century.

PHP 28,000.00

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023 Pair of Gilt Chinese Panels with bird and Floral Carvings 60 x 17 cm Pair With signs of age.

Early 20th century Chinese gilded panels, carved with floral and bird elements over reticulated surface. Edge in black lacquer.

PHP 35,000.00

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024 Chinese bar-relief Panel depicting Battle Scene 124 x 22 cm With signs of age.

Chinese long panel with bas-relief carving of imperial war scene. From 19th century, having faded gildings, revealing the red boule underneath.

PHP 15,000.00

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025

Chinese 19th to early 20th

Imperial Court Carving on Sandalwood 207 x 9 x 43 cm With defects.

century grand sandalwood panel, with excellent detailing of the Emperor of China surrounded by dignitaries, military and other court figures, carved as bas-relief.

Framed.

PHP 320,000.00

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026

light, albeit partly faded and

Immaculate Conception 52 x 18 x 90 cm

showing layers of bolo rosso underneath. Crown in silver above her curl flowing hair, ebonized as the crescent she

With some defects.

stands at, dissecting gilded

Tall polychrome wooden figure

in front. With round wooden

of Immaculate Conception

base, from a later period.

cloud carrying three cherubs

from 18th century Portugal.

Mantled in blue with stellar gilding throughout reflecting

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PHP 220,000.00

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027

French giltwood frames from

Pair of Empire Style Giltwood Frame 81 x 94.5 cm

the 19th century, in Empire style. Frames have floral and foliate reliefs.

PHP 30,000.00

Pair With signs of age.

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Porcelain Europe was obsessed with porcelain at the height of the Age of Exploration. It was perceived to be extremely valuable – a mix of the exotic and the functional.

“Bone china,” as it was known joined the items that were considered as the fineries of the period. When the Portuguese, Dutch and Spanish created the trade routes, porcelain in large quantities came to Europe. And so did tea. Drinking tea was the height of fashion of society and required the appropriate “chinoserie mise en scene.”

Then came the in-laid tea cabinets. As tea and sugar were extremely value, they were kept in special chests. To complete the service, were the plates, the tureens, and list continues. From China and Japan, then to the beginnings of European production -- these coveted items are on offer in this catalogue.

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028 Kutani Porcelain Foo Dog and Puppy 60 x 25 x 48 cm Pair With some defects.

Japanese late 19th to early 20th century, polychrome Kutani porcelain guardian foo dog and puppy. With reliefs of swirling fur and fins on limbs. Mother foo dog bites a flowing ribbon.

PHP 40,000.00

029 Chinese “Famille Rose” Large Porcelain Plate with Peonies, Birds, Bamboos, and Plum Blossom 39 cm With signs of age.

Chinese famille rose porcelain charger from 18th century China (Qianlong period, 17361795), prominently detailed with mudān (peony), zhú (bamboo), birds, and méihuā (plum blossom). Unmarked.

PHP 40,000.00

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030 Qing Dynasty 031 “Famille Rose” 032 Famille Jaune Porcelain Plate Chinese Export “Famille Rose” with Peonies Porcelain Chinese Export 26 cm Charger with Porcelain With signs of age.

Scholar’s Charger with 18th century Chinese famille Objects Bamboo and rose porcelain plate, depicting 43.5 cm Floral Motifs peonies and other flowers in varied colors. Unmarked.

With signs of age.

Chinese export porcelain

PHP 15,000.00

charger in “famille jaune” from Qianlong period (1736-1795).

Having polychrome and gilt decorations of flowers throughout. Central reserve containing scholar’s objects: wrapped books, scrolls, and a vase of flowers for contemplation.

34.5 cm

With signs of age.

Chinese export porcelain charger in “famille rose”, with bamboo and floral motifs in parcel-gilt and polychrome detail. Dated from the Qianlong period (1736-1795).

PHP 30,000.00

PHP 45,000.00

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035 033 Qianlong Period “Famille Rose” Octagonal Porcelain Dishes 22.5 cm Pair With signs of age.

Pair of Chinese famille rose porcelain octagonal dishes, from the Qianlong period (1736-1795). Carries floral motif—that is mudān (peony) and other flowers—framed by

034 “Famille Rose” Qianlong period Porcelain plate 26 cm With signs of use.

Chinese export porcelain plate in “famille rose”, from Qianlong period (1736-1795).

With striking cobalt blue band on the lip, having floral decorations at central reserve with parcel-gilt crimson band.

Famille Rose Porcelain Plates with Fine Floral Motif 23 cm Pair Generally stable.

Chinese export porcelain plates in “famille rose”, from Qianlong period (1736-1795), decorated with fine floral elements at central reserve and along the rim.

PHP 22,000.00

PHP 15,000.00

parcel-gilt thick circle. Edges with blue outline and fleur-delis-like pattern. Unmarked.

PHP 15,000.00 auction 0016

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036 Chinese Blueand-White Porcelain Plate with Floral and Foliate Motifs 23 cm With minor defects.

Chinese blue-and-white porcelain from the Qianlong period (1736-1795), featuring mudÄ n (peony), zhĂş (bamboo), other flowers, and foliages.

Unmarked.

PHP 15,000.00

037 Chinese Export 038 Porcelain Qianlong Charger Period Bluedepicting Lotus and-White 31.5 cm Scalloped With signs of age.

Rim Porcelain Chinese export porcelain Saucer charger from Qianlong period (1736-1795). Decoration plays between blue-and-white and famille rose. Central motif is a lotus flower.

13 cm Stable.

Qianlong period blue-andwhite scalloped rim saucer in Chinese export porcelain,

PHP 28,000.00

illustrating a beautiful riverscape with pagodas and trees. Border is gilded.

Unmarked.

PHP 18,000.00

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041 Kangxi Period Gourd Bottle Qing Dynasty in BlueBlue-and-White and-White Porcelain Porcelain with Platter with Phoenix Motif Riverscape and diam.: 9.5 cm; height: 18 cm Figures Stable, but with signs of age.

040 039 Qianlong period Blueand-white Porcelain Platter with Rocaille and Floral Motifs 31.5 x 20.5 cm

27.5 x 19 cm

With signs of age.

18th century blue-and-white

With signs of age.

platter in Chinese porcelain,

Qianlong period (1736-1795)

features a riverine landscape

blue-and-white Chinese export

with birds, trees, and a

porcelain platter, with rocaille

figure riding a buffalo. Sides

decorations throught and

embellished with flowers,

center having floral motif.

foliages, and criss-cross motifs.

from the Qing dynasty. Center

Unmarked.

PHP 28,000.00

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Gourd blue-and-white Chinese porcelain bottle, from Kangxi period (late 17th to early 18th century) China. With fenghuang (phoenix) amongst the clouds illustration, symbolizing the empress.

Unmarked.

PHP 40,000.00

PHP 28,000.00

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042

043

Qing Dynasty Gourd Bottle in Blue-andWhite Porcelain with Landscape

Qing Dynasty Gourd Bottle in Blue-andWhite Porcelain with Grapes Motif

diam.: 8 cm; height: 17 cm

diam.: 9.5 cm; height: 20.5 cm

With signs of use.

With signs of age.

Qing dynasty blue-and-white Chinese

18th to 19th century Qing dynasty

export porcelain gourd bottle. Having

gourd bottle in blue-and-white Chinese

landscape scenes. Marked.

porcelain. Bearing motifs of grape branches and bunches touched with red

PHP 30,000.00

copper. With apocryphal mark of Emperor Chenghua (1464-1487).

PHP 40,000.00

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044

045

Pair of Blue-and-White Canton Porcelain Jars

Pair of Chinese Blueand-White Porcelain Jars with Landscape and Figures

diam.: 26 cm; height: 59 cm Pair With sign of age.

diam.: 24 cm; height: 58 cm

Canton blue-and-white porcelain jars depicting landscapes, winged with reliefs. One illustrates flowers, known as peonies representing good fortune; and pair of healthy cockerels, signaling prosperity. The other jar shows a landscape complex of old Chinese city—in three tiers, where a central bridge connects soaring advancements of cities toward heaven, and grounds their living over the depth and vastness of the land and seas.

PHP 60,000.00

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Pair With signs of age.

Blue-and-white jars in Chinese porcelain, with lugs and identical landscape illustration. Depicts a siheyuan (courtyard) with human figures by the shore, and foregrounded by elevated trees. Atop is a pagoda surrounded by willow trees and visible mountain peaks. Unmarked.

PHP 60,000.00

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046 Imari Chrysanthemum Porcelain Plate with Floral and Foliate Motifs 37.5 cm With signs of age.

Japanese 19th century Imari porcelain charger in chrysanthemum shape.

Ornamented with flowers, foliages, bird, butterflies, and a flowing river.

Marked with auspicious symbol (four pair of books).

PHP 18,000.00

047 Meiji Period Imari Porcelain Plate with Varied Japanese Motifs 37 cm With signs of age.

Imari parcel-gilt porcelain plate from Meiji period Japan, opulently detailed with flying phoenixes, pair of shika (deers), houses obscured by the clouds possibly alluding to takamagahara (dwelling place of the heavenly gods, a waterfall, flowers, foliages, scrolls, and geometric motif. Marked.

PHP 18,000.00 38

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048 Imari Charger with Peacock, Scrolls, and Lotus Motifs Diam.: 48.5 cm With signs of age.

Imari porcelain charger from late 19th century Japan, having finely detailed peacock at the central reserve. Surrounded by alternating sea green scrolls depicted with blossoming trees, and cobalt blue jars with flowering lotuses against crimson background. Underside bears cherry blossom motif.

PHP 30,000.00

049 Imari Large Porcelain Scalloped Dish with Floral and Butterfly Reserves 48 cm With signs of age.

Japanese 19th century Imari porcelain charger with scalloped edge, depicting reserves of flowers and butterflies. Strips bear varied motifs that include flowers, geometric shape, scrolling vine, and cash coin (auspicious symbol of good fortune). Central design features scrolling vine, trefoil, laurel wreath, and palm leaf. Marked “皇”.

PHP 28,000.00 auction 0016

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052 Japanese Imari Style Large 051 Porcelain Plate Chinese Bluewith Peonies, and-White Chrysanthemums, 050 Trimmed Porcelain Plate and Foo Dogs Pair of Blue62.5 cm and-white Arita with Flowers, Stable.

Foliages, and Porcelain Scrolling Vines Imari style large parcel-gilt Chargers 45 cm

41 cm

porcelain plate, from Meiji

With signs of age.

period Japan. Elaborately

Chinese large porcelain plate

and chrysanthemums, foliages,

in blue underglaze decoration,

scrolling vines, chrysanthemum

with compact details of flowers,

panels, butterflies, ribbons, and foo

foliages, scrolling vines, and

dogs, some of which are colored

continuous linear motif. Bears

or outlined in gold. Marked with

and birds on reserve.

six-character reign mark.

symbols and “大”.

PHP 28,000.00

PHP 28,000.00

PHP 22,000.00

Pair With signs of use.

Pair of Arita porcelain chargers in blue-and-white, from Meiji period (1868-1912) Japan.

Illustrated with flowers, plants,

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detailed with motifs of peonies

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053 Imari porcelain Charger 61 cm With signs of age.

Late 19th century Japanese Imari porcelain charger, with central blue circular motif representing flowers, foliages, and butterflies. Panelled borders feature Oriental figures in fenced garden, phoenixes, trees, trellis, chrysanthemums and other flowers, butterflies, scrolling vines, some of which are in gold color or outline.

Underside marked with symbols.

PHP 40,000.00

054 Chinese Imari Charger, Depicting Clashing Dragons in Wucai and Gold.

36 cm x 7 cm With signs of age. auction 0016

Chinese Imari 18th century

Originally from Arita, Japan,

porcelain charger, depicting

Imariwares were emulated by

two clashing dragons across

Chinese artisans when Japan

landscape scene around the

closed its doors (sasoku), while

piece. Unlike the original Imari

European demand for this style

of Japan, this piece points to

was still strong.

its Chinese origin, with the use of wucai (five colors): green, yellow, rose, blue, and

PHP 22,000.00

black, with addition to gold. www.casadememoria.com

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057

055

diam.: 9.5 cm; height: 20 cm

diam.: 28 cm; height: 58 cm

Kangxi Style Cylindrical Porcelain Vase in Blueand-White Decoration

Generally stable.

With signs of age.

diam.: 9 cm; height: 21 cm

Small cylinder box in blue-and-

Meiji period (1868-1912) red

white faience, by Fábrica de

and black Japanese porcelain

Kangxi style cylindrical blue-

Sant´Anna. Decorated with

vase. With intricate parcel-

and-white Chinese porcelain

floral motifs. From Lisbon,

gilt butterfly decoration,

vase, representing houses

Portugal between 19th and

matched with white blossoms

with mountainous landscape.

20th centuries. Marked.

throughout.

Marked.

PHP 10,000.00

PHP 18,000.00

PHP 28,000.00

Cylinder Box with Blue Floral Motif,

by Fábrica de Sant´Anna

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056 Japanese Gilt and Red-andBlack Vase

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With minor defect.

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060 Pair of Chinese Republic Porcelain Vases with Landscape, Figures, and Calligraphy

058 Blue-and-white Porcelain Ginger Jar with Blossom Decoration

diam.: 24 cm; height: 57.5 cm

059

diam.: 8 cm; height 22 cm

Richly Gilt Satsuma Jar on Wooden Base

With signs of age.

height: 119 cm

Pair Stable.

Identical Chinese Republic porcelain vases, dated 20th century. Painted illustration of a young boy playing a

With minor defects.

bamboo flute, riding a buffalo,

porcelain blue-and-white

Meiji period (1868-1912)

figures next to him, in floral

porcelain ginger jar with foo

Satsuma jar, having continuous

and wooded landscape. Panel

dog finial on cover. Decorated

decorations of gilt and richly

represents a scene of a man

with white blossoms and

colored deities and figures

schooling three children.

branches against cobalt blue

across landscape with pagodas.

With calligraphic texts,

background. Having Kangxi

Winged with dragon reliefs

chrysanthemum and other

double-circle mark, possibly

on neck. With ebonize wood

floral motifs, and foo dog head

apocrypal.

stand.

reliefs.

PHP 32,000.00

PHP 60,000.00

PHP 40,000.00

Chinese 19th century export

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and serenading two adult

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061

062

No Lot

Chinese Blue-and-White Porcelain Jar with Landscape, Foliages, Precious Objects, and Phoenixes diam.: 30 cm; height: 58 cm Stable.

Blue-and-white porcelain jar from 20th century China. Represents a lake with phoenixes, birds, duck, and trees. Upper half is embellished with auspicious objects, flowers, foliages, and repeating pattern of Buddhist swastika.

Unmarked.

PHP 22,000.00 44

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063 Qing dynasty Famille Rose Porcelain Jar 28 x 24 cm Generally stable.

Qing dynasty famille rose Chinese export porcelain jar, with two orange dragonlike heads on the neck. Body embellished with flowers, dragonflies, and birds. Marked, yet possibly apocryphal.

PHP 15,000.00

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064 Pair of Vieux Paris porcelain “Magots” 14.5 x 14.5 x 21 cm With some defects.

Pair of Vieux Paris porcelain polychrome Oriental figures, known as “magots”, one clothed in fuschia and other in blue, decorated with floral elements.

PHP 28,000.00

065 Pair of Qing Dynasty “Famille Rose” Porcelain Phoenixes 18 x 11 x 39 cm Stable, but with signs of age.

Pair of Qing dynasty famille rose porcelain statuettes of phoenixes standing on rocks with peonies. Unmarked.

PHP 42,000.00 46

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066 Pair of Guangxu Period “Famille Verte�

Porcelain Phoenixes height: 37 cm With minor defects.

Pair of Guangxu period (18751908) famille verte porcelain statuettes of phoenixes standing on rocks with peonies. Unmarked.

PHP 88,000.00

067 Persian Polychrome Star Tile with Floral Motif 46 x 46 cm With signs of age.

In hexagram shape, this 19th century star tile from Persia, now Iran. Surface designed with polychrome natural motif and a bird figure.

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068 Set of “Chung Loong Sang” Hong Kong fine bone china 18.5 cm (small plate); 26 cm (large plate) Set of 41 Stable.

Set of tea and dining set in fine bone china, having: 12 teacups, 12 saucers, 12 small plates, 2 large plates, 1 milk jug, 1 lidded bowl, 1 tea pot.

Marked “Chung Loong Sang / fine china”.

PHP 40,000.00

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069 Mottahedeh “Historic Charleston Reproductions” Blue Canton Dinner Service Set in Vista Alegre Porcelain

by Vista Alegre & Mottahedeh charger: 33 cm; large plate: 26 cm; square bowl: 23 x 23 x 9 cm Set of 111 Stable.

Set of 111 “blue canton” dinner service set in Vista Alegre porcelain, featuring Mottahedeh’s Historic Charleston Reproductions series. This magnificent and popular Orientalinspired set has notable blue lattice border and depicts landscape scenes with pagodas, willow and other trees, bridges, boats, and mountains. Composed of 24 shallow plates, 12 soup dishes, 12 fruit plates, 12 dessert plates, 1 serving dish, 1 lidded dish, 1 salad bowl, 1 square bowl, 2 cobs, 4 leaf-shaped dishes, 6 cups with saucers, 12 coffee cups with saucers, and 5 hexagonal and round bases. Marked.

PHP 240,000.00

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070 “Tiffany & Co.” Tea Set with Floral Decoration Cup: Approx.: 10 cm; Plate: Approx. Diam.: 23.5cm Set of 17 Generally stable.

“Tiffany & Co.” porcelain tea set, decorated with red and green toned floral elements. Set includes four (4) cups and four (4) saucers, milk pot (1), tea pot (1), sugar pot (1), and six (6) bread plates.

PHP 100,000.00

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071 Pair of Sèvres Style Porcelain Vases 76 cm Pair Stable.

Pair of European late 20th century Sèvres style porcelain lidded vases.

With ormolu mounts and gilding in foliages and scrolls on cobalt blue background. Its cartouches depict landscape and gallant scenes.

PHP 200,000.00 54

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072

Set of 12 Chinese snuffboxes in

Chinese Enamelled Ceramic and Porcelain Snuffboxes 7 cm; 7.5 cm Set of 12 With signs of use.

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enamelled ceramic and porcelain, dated 20th century. These ornamented small containers for scented, powdered tobacco carry motifs of flowers, foliages, foo dogs, horses, and dragons. Base with calligraphic marks.

PHP 22,000.00

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073 Lladro Porcelain Geishas in wooden base 37 x 24 x 40 cm Stable.

Lladro porcelain figurines of three geishas on black lacquered wooden base. One standing tall with parasol, with two younger geishas, possibly her apprentices, picking up flowers from the ground.

PHP 15,000.00

074 Thai Dancer in Lladro Bisque 18 x 15 x 127 cm Stable.

Lladro bisque porcelain sculpture representing a graceful Thai female dancer in traditional dress and makuta (Ram-Thai crown) headdress. Marked and numbered.

PHP 22,000.00 56

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075 Chinese porcelain Guanyin 35 cm Stable.

Chinese 20th century porcelain figure of Guanyin, in polychrome pastel tone. Robed in pale cobalt blue, and dressed in lemon yellow. Marked.

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Paintings With a stunning collection of maps, Chinese scrolls, and Filipiniana paintings, the artwork presented in this catalog heralds different persuasions. Much is credited to the changing taste in appreciation of the technique taken in from the journey of discovery.

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076 No Lot

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077

de La Chine, Les Royaumes de Tunkin, de Cochinchine, de Camboge, de Siam, des Laos”

Colored Copper Engraved Map of Southeast Asia, by Rigobert Bonne

(The Philippines, the Formosa Islands, South China, The Kingdoms of Tunkin, Cochin China, Cambodia, Siam, and Laos). Published in 1780 at Geneva, and numbered “23”. Quoting The

47 x 36 cm (with frame); 33.5 x 23 cm (without frame)

Christina Gallery, “[Bonne’s] work represents an important step in the evolution of the cartographic ideology away from the decorative

Stable.

work of the 17th and early 18th century towards

Late 18th century colored copper engraved map by distinguished French cartographer Rigobert Bonne (1727-1795), entitled “Les

a more detail oriented and practical aesthetic.”

PHP 25,000.00

Isles Philippines, celle de Formose, Le Sud

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078 Colored Copper Engraved Map, “The States of Mogul and the Peninsula of the Indies”

Late 18th century colored copper engraved map

53 x 70 cm (with frame); 36 x 48 cm

at Rome.

(without frame) Stable.

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based on the observations of Italian astronomer, mathematician, engineer, and cartographer, Giovanni Cassini, entitled “Gli Stati del Mogol e la Penisola delle Indie” (The States of Mogul and the Peninsula of the Indies). Published in 1797

PHP 25,000.00

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079 Lithograph map of the islands of Sunda, Moluccas, and Philippines

Titled “Le Isole della Sonda, Molucche, e Filippine,” a

53 x 70 cm (with frame); 35.5 x

Sunda Islands include Brunei, Indonesia, Malaysia,

48.5 cm (without frame) Stable.

semi-colored lithograph map of the islands of Sunda, Moluccas, and Philippines. Published in Rome, dated 1797.

and East Timor. Moluccas, known in history as the “Spice islands”, source of nutmeg, clove, and mace that sparked European conquest in the 16th century. And the Philippines, with Manila its capital, was Spanish empire’s emporium in Asia, marvelling traders with goods from both Occident and Orient.

PHP 60,000.00

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080 18th century Map of Southeast Asia, by Rigobert Bonne 40 x 55 cm (with frame); 25 x 39.5 cm (without frame) With signs of age.

French 18th century copper engraved map of Southeast Asia, titled “La Presqu’Isle De L’Inde Au Dela du Gange, with L’Arcihpel Des Indes, Partie Orientale”; from page 90 of “Atlas Encyclopédique”,

by Rigobert Bonne (1727-1795), published in Paris, 1787. Later hand-colored.

PHP 28,000.00

081 18th century Map of Southeast Asia, by Isaak Tirion 55.5 x 45.5 cm (with frame); 35.5 x 30 cm (without frame) With signs of age.

Copper engraved map of the Philippines, Ladrones (now Guam), Moluccas (Indonesia), and Celebes; based on cartography of Isaak Tirion (1705-1765). Later hand-colored.

PHP 28,000.00

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082

083

Chinese Portrait of a Male Ancestor

Chinese Portrait of a Female Ancestor

98 x 159 cm (with frame); 71.5 x 132 cm

98 x 159 cm (with frame); 71.5 x 132 cm

(without frame)

(without frame)

With signs of age.

Stable, but with signs of age.

Chinese male ancestor portrait in ink on rice

19th century Chinese gouache on paper

paper. The 19th century old figure wears red

painting, depicting a seated elderly woman in

cap and dressed in deep blue robe, sitting with

blue garment with her hands concealed alluding

dignified apeal. Framed and glass covered.

to Confucian reservations. Glassed and enclosed in black and giltwood frame.

PHP 140,000.00

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PHP 140,000.00

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084

085

Chinese portrait of a Lady in verre églomisé

Chinese Portrait of a Lady with a Mirror in Verre Églomisé

42 x 57 cm (with frame); 36.5 x 51.5 cm (without frame)

43.5 x 59 cm (with frame); 38 x 53.5 cm

With signs of age.

(without frame)

Chinese 20th century portrait of a lady playing a flute next to a bird. Done through verre églomisé, or back-painted glass. Here the fine courtesan exhibits her musical mastery over her flute, seemly in attempt to entice the bird resting on a branch of a partly-seen tree.

Stable.

Back-painted glass portrait of a Chinese lady holding a mirror with her reflection. Dated 20th century China.

PHP 28,000.00

PHP 28,000.00

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086

19th to 20th century ancestor paintings in gouache

Pair of Chinese Ancestral Portraits in Giltwood Frame 115 x 198.5 cm (with frame); 90 x 152 cm (without frame) Pair With signs of age.

on rice paper, glassed and enclosed in giltwood frame.

Illustrates two enthroned Chinese elderly figures in traditional silk robes. The female represented with concealed hands hints on Confucian reservations during this period; the male shown with long fingernails to signify his wealthy status. Portrait of this kind is a testament of Chinese culture’s high regard and deep connection with their ancestors.

PHP 180,000.00 66

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087 Chinese Scroll Painting with Figures of Immortal, Emperor, Empress, and Military General 80 x 138 cm With minor defects.

Below are three Chinese figures in same elaborate clothing, possibly representing an emperor, an empress, and a military general or imperial guard.

PHP 38,000.00

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088 Chinese Scroll Painting with Figures of Emperor, Empress, and Imperial Guard 83 x 138 cm With minor defects.

Chinese scroll painting from the Qing dynasty, depicting three figures—possibly a seated emperor, an empress, and an imperial guard—in elaborate colourful traditional clothing.

Dated 18th to 19th century.

PHP 42,000.00 68

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089

Painting in silk on panel depicting herons with

Chinese Painting in Silk on Panel Depicting Herons with Their Chick in Brass and Mirrored Frame by Rodolfo Dubarry 46 x 192 cm (with frame); 83.5 x 158.5 cm (without frame)

chick and bamboo backdrop, from late 20th century China. Spanish frame in gilded brass and mirror by Argentinian furniture designer, Rodolfo Dubarry. Establishing a workshop in Spain, Dubarry popularized the use of gilded brass, and has worked for members of Arab royal families and American tycoons.

PHP 60,000.00

With defect.

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090

Indian early 20th century pair of

Indian Illustrations of a Maharajah, with his attendants and a hermit 59 x 47 cm With minor defects.

70

illustration in ink on paper. One depicts a maharajah encountered by a hermit, attended by his servants and guards. The other represents the rest of scene where attendants gaze toward a hunter on the upper righthand corner. Framed.

PHP 20,000.00

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091

and agal, all of which are the

Portrait of an Arab Man with Khanjar 81 x 56 cm (with frame)

traditional male clothing in the Arab countries. Striking element in this artwork is the figure’s “khanjar”—a curved, J-shaped traditional dagger

Stable.

originating from Oman—

Painted using egg tempera on

power, and authority.” Hence,

canvas, this portrait depicts

implying the subject’s

an old Arab man, possibly

social status. Signed but

a sheik and Omani, in dark

indecipherable.

which symbolizes “manhood,

color palette. The aged man is represented in a thawb, gutrah,

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PHP 25,000.00

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092 Holy Family, 17th century Spanish school 30 x 27.5 cm (with frame); 22.5 x 20 cm (without frame) With signs of age.

Spanish school 17th century oil painting on metal representing the Holy Family in a forest. Holy Spirit above them sheds a light, guiding the family across the forest. With gilded frame.

PHP 80,000.00

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093

This description fittingly captures the subject— St. Francis of Assisi embracing the crucified

Saint Francis

Christ in diminutive scale, with the former

83 x 104 cm (with frame);

carrying the “ultimate seal” (i.e. crucifixion

61.5 x 82.5 cm (without frame)

wounds). Several religious iconographies can

With signs of age.

be seen such as the JHS Christogram (Jesus

“From that moment at St. Damien’s church when our Lord spoke to Francis, the Crucifix was a focus of St. Francis’ spiritual life,” quoting the Allentown’s Parish of St. Francis of Assisi webpage.

Hominum Salvator) written in a book, skull which alludes to his writing (Canticle of Brother Sun and Sister Moon) on “death”, hourglass, and Franciscan cord. Done in oil on canvas, between the 18th and 19th centuries.

PHP 80,000.00

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094 Untitled (Portrait of an Ilongot Woman)

by Peter Alcantara 78 x 98 cm (with frame); 45.5 x 66 cm (without frame) In good condition.

Filipino portrait in pastel on paper, depicting a woman of the Ilongot (or Ibilao) of northern Luzon. Signed “Peter Alcantara” and dated “Manila ’88.”

PHP 120,000.00

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095 Ilongot Tribe

by Cesar Amorsolo 72.5 x 90.5 cm (with frame); 44.5 x 59.5 cm (without frame)

with earthly color. Entitled

this, artwork depiction of

“Ilongot Tribe” in pastel on

Filipino subjects in reference

paper signed by notable

to their pre-colonial identity

Filipino artist Cesar Amorsolo,

and indigenous peoples rose to

son of Alejandro Amorsolo and

prominence since the mid-20th

nephew of the National Artist

century.

Fernando Amorsolo. Cesar,

In good condition.

just like his uncle, championed

An Ilongot male portrayed

by portraying Filipino

with spirited appearance, in

women away from the “shy,

vibrant traditional clothing—

sweet, demure lady”—their

red headdress, multi-colored

stereotyped representation in

necklaces, and blue garment

the colonial period. In doing

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the Philippine art landscape

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PHP 120,000.00

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096

097

Untitled (Men with Gamecocks)

Portrait of Man from “Kalinga Tribe”, by Cesar Amorsolo

by Chris Alcantara 122 x 97 cm (with frame);

73 x 90 cm (with frame);

99 x 74 cm (without frame)

44 x 59 cm (without frame)

In good condition.

With signs of age.

Filipino painting in acrylic on canvas, signed “Chris Alcantara” and dated “88.” Prominentlydetailed with varicoloured geometric shapes, featuring two abstracted men in a squatted position, seemingly having a conversation, with their taunted gamecocks. This image fittingly captures the “tupada” or “sabong” (cockfighting), of which is a popular entertainment, hobby or pastime, sporting event, and gambling among Filipino men in urban and rural communities.

Portrait of a man, titled “Kalinga Tribe” by Cesar Amorsolo, nephew of renowned National Artist Fernando Amorsolo. Late 20th century pastel on paper, depicting the Kalinga man in vibrant colors, wearing woven textile and decorated with color-beaded jewelry--both are known trade articles of the ethnolingistic group. Signed.

PHP 120,000.00

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098 Pastel Paintings Depicting Filipina Women

by Cesar Amorsolo and Mar Villarino 66.5 x 81.5 cm (with frame); 44 x 59 cm (without frame) With signs of age.

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Paired pastel paintings on paper depicting Filipina women. One, by Cesar Amorsolo, nephew to National Artist Fernando Amorsolo; showing a Filipina woman grating coconuts via “kudkuran�, inside her hut. The other, by Mar VIllarino, a painting of an indigenous woman, having exposed bosom; holding a bundle of colorful beaded jewelry, from a chest full of precious adornments like pearl necklace and gold bracelets.

PHP 140,000.00

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099

Their symbolic significance is linked

Concert of the Birds, after Frans Synders 172 x 103.5 cm (with frame); 149 x 81 cm (without frame)

to representations of Franciscan birds associated with the worship of the Virgin Mary as Our Lady of the Birds, which began in 13th century.

The Concerts of Birds have also been considered allusions to the sense of

Stable.

hearing, although the interpretation is

Flemish school oil on canvas painting

possibility that they represent wisdom

from the 19th to 20th century,

via the owl, an animal emblematic

depicting a concert of birds after Frans

of that concept, who sometimes

Synders (1579-1657).Quoting Museo

seems to be directing those bucolic

del Prado which houses the original

concerts. Moreover, these concerts of

work:

birds symbolically refer to concerted

unclear. Other readings allude to the

order in nature, a sense of balance “In this composition, various species

with nature evoked by the musical

of birds perched on the branches of

systematization of birdsong.””

a tree -a stork, an eagle, a red macaw, etc.- sing around a musical score...

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PHP 80,000.00

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100 Untitled (Still Life of Two Sets of Flowers) 111 x 133.5 cm (with frame); 73.5 x 97 cm (without frame) With signs of age.

European 20th century painting of a still life, in mixed media on canvas. Subject are two sets of flowers, one is a group of three with one yellow and two white flowers in a single half-watered glass. The other is a solitary white flower in a glass. Placed against a corner which walls and surface exude Gustavian white appeal.

Oddly tinged paleness of background matches the receding green stems and leaves. Dried leaves on the surface.

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101

painter, Patricio Gaston O’Farrell

Untitled Painting on Mother-ofPearl, ascribed to Patricio Gaston O’Farrell Ascribed to Patricio Gaston O’Farrell (1879-1942)

close to his 1905 work entitled “Ricefield in Singalong” housed at U.P. Jorge Vargas Museum.

Born in 1879 with Irish and French ancestry, O’Farrell was once a student and mentored by the great Juan Luna himself

18.5 cm x 16.5 cm Fragile piece, but in stable condition.

Depicting a Philippine rural landscape—a rice field/pond complex with bahay kubo (nipa hut), foregrounded by a banana tree and a farmer wearing a salakot, fetching water from an irrigation source. This late 19th to early 20th century signed oil painting on capiz (mother-of-pearl) is ascribed to the Chinese-Filipino

80

(1879-1942), and very much

before the 19th century ends.

As a recipient of the Philippine master’s wisdom, O’Farrell captured the former’s predilection for the academic style, infusing his own mark later on. His other works include Banca (ca. 1900), A mi Padre (1896), Landscape (1896), and Mi Madre (1902).”

PHP 28,000.00

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102 Painting of Old Manila on Mother-of-Pearl 17.5 x 17 cm With signs of age.

Untitled oil painting on mother-ofpearl, depicting possibly old Manila circa late 19th century. Featuring lifestyle of Filipinos wearing camisa and seda, dwelling in huts.

PHP 28,000.00

103 “Untitled” attributed to Salvador Dali 72 x 85 cm (with frame) Generally stable.

Untitled lithograph attributed to Salvador Dali (1904-1989), depicting clashing knights in red and blue sketches at foreground. Afar is a black inked knight. Signed and numbered “XXV/XXV.”

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Metalwork Cloisonné is derived from the French word “cloison” or to partition. In China, cloisonné or enamelware is a heralded artisanal craft of melting layers of glass or stone to metal objects. The result is a strikingly even and colorful luster to even the dullest of metals.

In the Middle East, the same technique is used, yet applying gems and powders. This is akin to the Byzantine and Arabic mosaics and objet d’art. Much of the metal work available in this edition is finished with this style.

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104 Meiji Period Cloisonne Charger 51.5 cm Generally stable.

Meiji period (1868-1912) cloisonne charger, depicting a beautifully-feathered peacock, standing in triumphant over its voluptuous landscape with blooming peonies. Bordered with onyx-toned lip.

PHP 80,000.00

105 Chinese CloisonnĂŠ Bronze Vase diam.: 45 cm; height: 62 cm With signs of age.

CloisonnĂŠ bronze vase from China, dated late 19th to early 20th century. This enamelled metalwork is profusely detailed with scroll pattern around the rim, dragon and phoenix for the upper half, and chrysanthemums and peonies on the rest. With twin elephant head handles.

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106 Pair of Green CloisonnĂŠ Covered Jars with Gilt Foo Dog Finial 16 cm (without base) 20 cm (with base) With signs of previous restoration.

Pair of green-toned cloisonnĂŠ jars with gilded foo dog finials on covers. Decorated with floral motif vitrine throughout.

Stand on wooden base.

PHP 15,000.00

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107 Pair of Chinese Bronze Vessels with Dragon Reliefs 64 x 43 x 178 cm Pair Generally stable.

Pair of tall Chinese bronze vessels, dated late 19th to early 20th centuries; having voluptuous figure and embellished with dragon reliefs.

PHP 200,000.00

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108 Sino-Tibetan Copper Alloy Figure of Tara 13 x 10 19 cm With signs of age.

Sino-Tibetan 18th century mixed copper alloy figure of the Tara (Sanskrit: तारा, “Star”), the female Buddha of Vajrayana Buddhism. Tara sitting in padmasana, or crosslegged meditation posture, and hands in darmachakra form, symbolizing “continuous flow of energy.” She is the meditation deity inspiring practitioners with compassion (karunā), loving-kindness (mettā), and emptiness (shunyata). Her incantation, om tāre tu tāre ture soha, literally invokes “Om Oh Tārā, I pray Oh Tārā, Oh Swift One, so be it.”

PHP 68,000.00

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109 Samurai Figure in bronze 32 x 26 x 56 cm Generally stable.

Dated early 20th century bronze sculpture of a samurai, warrior figure during the feudal Japan. Seated and in full armor.

PHP 40,000.00

110 Chinoiserie Brass Incense Burner diam.: 60 cm; height: 34 cm Generally stable.

Chinoiserie brass tripod incense burner. From France dated late 19th century.

PHP 28,000.00 auction 0016

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Glass and Crystals The mirror remains as one of the most important views of the period. Either gilded in opulence or inlaid with detail, mirrors inspired by the period note the continued passage of time. Indeed, the mirror does capture a look into the journey with East Meets West.

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111 Painted Glass Bowl with Maritime Motifs diam.: 33.5 cm; height: 10.5 cm Stable.

20th century Portuguese glass bowl illustrating polychrome maritime motifs which include ships, fishes, starfish, waves, and foliages. Unmarked.

PHP 12,000.00

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112 Flemish Baroque style Mirror with Gilded Repoussé Frame 82 x 133 cm With signs of age.

Flemish 19th century Baroque style mirror, having gilded repoussé frame on wood framework. Floral and vegetal elements with thicker carvings decorate the frieze, while finer detailing along the mirror’s rectilinear frames.

PHP 48,000.00

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113 Chinese Hongmu Mirror with Mother-of-Pearl Inlays and Foo Dogs Base 48 x 23 x 69.5 cm With minor defect.

Chinese rectangular table mirror in hongmu wood frame, decorated with mother-of-pearl inlays in Oriental figure, plum blossom and other flowers, and foliate motifs. With pair of foo dogs as base. Mirror is detachable.

PHP 48,000.00 auction 0016

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Miscellaneous Everyday items for the home are available in this catalog for viewing. A random selection of an aristocrats’ canes, delicately inlaid grandfather clocks, and even an intricately woven kimono have continued to catch the attention of the Casa de Memoria collector.

An eclectic mix of malachite polished stone crafted into everyday objects, and Chinese ink seal and artifacts are all part of this compendium of selected artifacts.

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114 English Longcase Clock in Japanned Decoration with Chinoiserie Motif

by Bell’s 39 x 21 x 202.5 cm Clock requires recalibration.

18th century English longcase clock in Japanned decoration and partially-gilded, with chinoiserie motif—i.e. Oriental figures, courtyard, and willow tree. Has break-arch dial in brass and bronze foliate mounts, with hours in Roman numerals and minutes in Arabic (5-minute interval). Marked “Bell’s” and features an eagle clutching a spread-out scroll with a Latin inscription “Tempus fugit” (time flies).

PHP 60,000.00

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115 Chinoiserie Longcase Clock in George II to III period, by John Monkhouse 49 x 24 x 258 cm With signs of age; needs recalibration.

George II-to-George III period longcase clock, popularly called “grandfather’s clock”.

From 18th century, having impressive chinoiserie relief patterns in green-toned black lacquer and gilt throughout its oak case. Clock dial in gilt brass rocaille ornaments; carrying black enamel engraved twelve-hour time in Roman numerals, and sixty-minute in Hindu-Arabic numbers.

Signed “John Monkhouse – London.”

PHP 140,000.00

116 Chinese Chimeras in Jade 26 x 5 x 17 cm With signs of age.

Chinese jade sculpture of two qilins, or chimeras from 19th century. Decorated with flame-like tails. Having wooden base.

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118

117

26 x 34 cm

Pair of Japanese lacquered Panels, depicting Noh actors in wood, mother-of-pearl, and ivory

With signs of age.

42 x 76 cm

Spanish Carved and Painted Work Depicting Patio de los Leones in Alhambra

Spanish framed piece with intricate carvings and painting, dated 20th century. It depicts the

Pair Generally stable.

Patio de los Leones in Alhambra, a late 14th

Pair of Japanese lacquered wooden panels, with

century mudéjar palace and fortress located

reliefs depicting Noh performers in wood and

at Granada, Andalusia, Spain. Carving serving

ivory. Dated late 19th to early 20th century, one

as cover in filigree, geometric, and abstract

panels shows a female koto (Japanese zither)

motifs representing the Islamic art, and fused

player and an old man with Noh mask. The

with Gothic architecture. Beneath is a painting

other panel depicts a man playing flute, with a

of the palace’s interior with a view of the

lady geisha. Both panels having sakura (cherry

courtyard. Frame with parquetry work. With

blossom) out of ivory, butterflies in mother-of-

inscription: “21 GRANADA.”

pearls, and painted flowers in ochre.

PHP 30,000.00

PHP 48,000.00

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119 Set of Three (3) Canes in Wood with Ivory and Bone Mounts 91 cm (lion handle); 80 cm (knob); 93 cm (stave) Set of 3 Stable, but with signs of age.

Set of three (3) canes. One has an ivory globule handle, carved with acorn reliefs, mounted on wood shaft. Another has a lion-carved handle on ivory-like material over a wooden shaft. Third, entirely made of bone, has animal reliefs on handle.

PHP 50,000.00

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120 Gold and Polychrome Embroidered Kimono 190 cm Generally stable.

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Female kimono from 20th century Japan, with rich embroidered in gold detailing landscape ornamentations throughout the the orange and blue fabric. Larger embroideries depicting white cranes (symbolizing good fortune and eternal youth), clouds (representing the divine Heavens) and hills (symbol of insurmountable power).

PHP 38,000.00

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121 Ammonites and Orthoceras Fossil Slab height: 30.5 cm; diam.: 20.5 cm Stable.

Polished fossil slab of ammonites and orthoceras, of which mostly derived from Morocco in northwest Africa. Possibly from the Devonian period (approximately 419.2 to 358.9 million years ago).

PHP 20,000.00

122 Pair of Large Hexagonal “Rodolfo Dubarry� BrassCovered Wooden Planters brass by Rodolfo Dubarry 54 x 54 x 44 cm With signs of use.

Pair of 20th century Spanish hexagonal planters in wood with handcrafted brass overlay, of which done by Rodolfo Dubarry workshop. Dubarry, an Argentinian furniture designer, arrived in Spain during the 70s and popularized the use of gilded brass. Some of his notable clients include American tycoons and members of Arab royal families.

PHP 60,000.00 98

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123 Set of Chinese seals and ink artifacts 9 cm With signs of age.

Set of Chinese artifacts from 19th to early 20th century, consist of beaded bottle, beaded box, two porcelain blue-and-white caddies, one Chinese Imari ink caddy, and pair of onyx deity seals. Such artifacts were commonly owned by a scholar.

PHP 8,000.00 auction 0016

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124 Malachite Guanyin height: 15.5 cm With some defects.

Chinese 19th century malachite figure of a Guanyin. Holding on her right hand the Wheel of Samsara, the cycle of death and rebirth. On her left, Guanyin holds, seemly, a cambola, from Sanskrit “karmaphala” symbolizing five wisdoms. Beneath her, she tramples a turtle-bodied dragon--resembling the Immaculate Conception’s trampling of the basilisk in Western art.

PHP 80,000.00

125 Set of Five Malachite Oriental Objects lion: 17 x 10 cm Ashtray: 19 x 3.5 cm Set of 5 With defects.

In rich opaque green color set with naturally-formed patterns this set of five polished malachite pieces from 19th century East Asia.

It is comprised of 3 small

100

trinket bowls, an ash tray, and a sculpted figure of a lion with yellow eyes.

PHP 38,000.00 www.casadememoria.com

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126 Pair of Chinese Cloisonné Bronze Horses with Semi-Precious Stones 21.5 x 19.5 cm Pair Stable, but with signs of age.

Pair of 19th century Chinese horses in cloisonné bronze mounted with semi-precious stones. Horses’ represented in armor-plated covering in blue, purple, green, and yellow enamels, and saddles having foliated and floral motifs. Stand on wooden bases.

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Silver The interest in silver as family heirlooms remains. Its value only appreciates over time.

Seen as the epitome of refinement, silver is handcrafted in many objets d’art. With the proper china service, it presents aristocracy and wealth. An integral part of every catalogue at Casa de Memoria, we display yet another selection of heirloom pieces, ready to be passed on to the next generation.

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127 Burmese Silver Musical Maidens 19 cm 537 g Set of 4 Generally stable.

Set of four (4) Burmese silver female figures of musicians, from 20th century.

Anthropomorphic maidens wearing ethnic clothings with dangles. Each holds distinct musical instrument: a trumpet, drums, and tamborines.

PHP 78,000.00

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128 Spanish Silver Ember Bowl with a Kneeling Triton 9 x 8 x 13 cm, 65 g With signs of age.

Ember bowl in Spanish sterling silver with its column representing the Greek God and messenger of the sea, Triton.

PHP 12,000.00

129 Spanish silver Baptismal Shell 12.5 cm, 39.6 g Generally stable.

Spanish early 20th century silver baptismal shell, by the Joyeria Perez Fernandez (est. 1914).

Shaped as a conch shell, having shell-shaped legs underneath. In Christian iconography, St. John the Baptist is depicted baptising Jesus using conch shell--symbol of rebirth, by spirit, which parallels to the Botticelli use of conch shell in representing the Birth of Venus.

PHP 12,000.00 104

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130 English Silverplate Mollusk Spoon Warmer 16.5 x 14 cm, 444 g With minor defect.

Victorian period silverplate spoon warmer fashioned in nautilus shell shape. With engraved decoration in rocaille and fish motifs. Rock-simulating base with noticeable rococo shell thumb.

PHP 40,000.00

131 Portuguese Silver Salvers with C-Scroll and Shell Motifs Approx.: 22 cm, 325.2 g; 464.8 g Pair With signs of use.

Pair of 20th century Portuguese silver salvers with border in C-scroll and shell motifs. One underside with engraved texts: “Dos oficiais do R.M.3. 1-3-1947� (Two officials of R.M.3. 1-31947).

PHP 32,000.00 auction 0016

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132

Pair of Spanish candleholders

Spanish Sterling Silver Candleholders

by Pedro Duran height: 26 cm, 459.8 g

in sterling silver, with square base and moulded baluster shaft. Underside is marked “Plata Firmada Pedro Duran.�

PHP 52,000.00

Pair With signs of age.

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133 Doña Maria I style Silver Candelabrum, by Leitão & Irmão Joalheiros

by Leitão & Irmão Joalheiros height: 26 cm, 1,569.6 g With minor defect.

Portuguese early 20th century silver four-light candelabrum in Doña Maria I style. Dominantly Neoclassical in taste, receptacles shaped as urns, chiselled with palmettes; arms fluted; planked rosettes throughout; twining ribbon along base’s edge, followed by guilloche band as frieze on side, with hanging garlands against chasings. Marked “Leitão & Irmão Joalheiros” and Lisbon mark.

PHP 160,000.00

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Ivory Ivory is one of the most prized of collectibles.

It is integral to many cultures. In China, it is valued for their use in carving artwork, deities and opium pipes. The collection presented in this catalog shows how intricate workmanship is placed to create items that withstand the test of time. Snuffboxes and chops are very typical uses for ivory. The chop, still in use today as an official seal, was originally carved in ivory or jade. For Christians, ivory was prized by artisans as carved for parts of religious artifacts and icons. Also available in this catalog are unique African carved ivory pieces, which are considered extremely rare.

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134

Indian ivory gilt and

Polychrome and gilt Ivory Maharajahs from Rajasthan 26 x 11 x 29 cm Pair With signs of age.

polychrome sculpture of maharajahs. Late 19th century from Rajasthan, northeaster Indian state coveted by outsiders in the premodern times, being access into the culturally and economically thriving Sub-Continent.

PHP 180,000.00

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135 Gilt and Polychrome Ivory Rajasthani Caravan 53 x 13 x 36 cm With signs of age.

Indian late 19th century ivory gilt and polychrome sculpture of caravan traders riding an elephant. From Rajasthan, northeaster Indian state coveted by outsiders in the premodern times, being access into the culturally and economically thriving Sub-Continent.

PHP 38,000.00 110

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136 Japanese Ivory Sculpture of an Empress with Bow and Arrow on a Chariot 34 cm With signs of age.

19th century Japanese ivory sculpture of a standing female figure in armour with bow and arrow, onboard a horse-drawn chariot.

Possibly represents the legendary Empress JingĹŤ, considered as the 15th Japanese imperial ruler till the Meiji period, who successfully led an army and invade the Korean Peninsula, according to Nihon Shoki, the second-oldest book of classical Japanese history. Here, the legendary female figure notably has an oni mask on her armour, and surrounded by dragons. Drawn by horse with metal lace, her chariot is manoeuvred by a male charioteer in robe.

PHP 220,000.00

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137 Meiji Period Ivory Dagger 49 x 33 x 43 cm Generally stable.

Japanese 19th century dagger, having ivory handle and sheathe, carved with warring scenes. Dated back to the Meiji period (18681912).

PHP 32,000.00

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138 “Prisoner Escaping” height: 15 cm (ivory) With signs of age.

Chinese ivory sculpture on wooden base, entitled “Prisoner Escaping,” dated early 20th century. Represents a scene of three flabbergasted soldiers attempting to recapture a prisoner who was released from his wooden handcuff. The latter figure is elevated, in a defensive or retaliatory position, to undermine the soldiers.

Behind the escapee is an architectural structure with Chinese texts. Submerged in the water is another character that possibly collaborated with the prisoner’s escape.

PHP 280,000.00

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139 Luohan, Buddha’s Disciple, in Ivory ivory: 35 cm Stable, but with signs of age.

Chinese ivory statuette of a luohan (or arhat), a disciple of Gautama Buddha in Mahayana Buddhism, depicted here with a mythical figure hanging on his left ear. With a wooden base.

PHP 138,000.00

140 Guanyin-Mannered Madonna and Child 18.5 cm With signs of age.

19th century Chinese ivory statuette of the Madonna and Child, with the former distinctively sculpted as Guanyin.

Standing on wooden base, the Madonna with a bunned hair carries the Child Jesus who is portrayed in a benediction gesture.

PHP 110,000.00

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141 Laughing Buddha in Ivory 24 x 13.5 cm Generally stable.

Chinese 19th century ivory with penwork sculpture of the laughing Buddha, imposing discipline ovry five rebellious children. Symbol of supreme happiness and fortune, laughing Buddha is believed to attract positive energy, called qi, and summon wealth for all family members of the house the Buddha resides.

PHP 160,000.00

142 Ivory Okimono of Man with a Basket of Fish height: 18 cm Stable, but with signs of age.

Okimono ivory sculpture of a joyful man in traditional garment carrying a basket of fish, from the 18th to 19th century Japan. Marked.

PHP 40,000.00

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143 Clashing Dragons height: 14 cm Generally stable.

Chinese ivory figure depicting clashing dragons. Dated 19th century, dragons are supreme mythical creatures in Chinese mythology. Here, they appear with snake body, ruling the skies, suggested by the cloud figures surrounding them.

Base carved with bas-relief of stylized flowers.

PHP 30,000.00 116

144 Ivory with Chinese Immortals on Mountains height: 32.5 cm Generally stable.

Chinese 19th century ivory carving of a sacred mountain filled with immortals. Sinuous staircase from bottom up follows a series of immortal figures in various foliate-filled scenes.

PHP 400,000.00 www.casadememoria.com

145 Indian Carved Ivory Card Case 9 x 5 x 1 cm height: 32.5 cm Generally stable.

Intricately-pierced ivory card case with star motif from 19th century India.

PHP 20,000.00 auction 0016

146 Ivory Tusk with Elephant Figures on Wooden Base

19th to early 20th century African ivory tusk representing elephants and trees, on carved wooden base.

51 cm (ivory)

PHP 80,000.00

Stable.

147 Chinese Uncarved Ivory Tusk on Stand length: 39.5 cm Stable.

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Early 20th century Chinese ivory tusk, polished uncarved and mounted on a wooden base.

PHP 128,000.00 www.casadememoria.com

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148 Hippo Ivory Tusks on Wooden Board 89 x 51 cm

scrimshawed work, with latter craft retaining the tusks’ recognizable shape.

Set of 10 Stable.

Similar to their marvelled tusks, hippos awed

Set of ten (10) hippopotamus ivory tusks

human cultures, since ancient times, as a

rested on wooden board. Hippos, semi-aquatic

bulging, bulbous, bubbling symbol of fertility.

mammals and native of sub-Saharan African, are

Their wide-opening mouth is akin to the

known for their hard, white ivory tusks valued

engulfing forces of the mother Nature.�

for making artificial human teeth; also favoured by artisans for piano keys and shallowed

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PHP 50,000.00

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151 149 Male Bust in African Ivory 10.5 x 7.5 cm Stable.

African ivory bust sculpture

150 African Woman 21 cm

African Ivory Trinket Box with Elephant Relief 10.5 x 10 cm Stable.

Stable.

A finely carved trinket box in

a headdress, earring, and

Ivory sculpture depicting

century. Lid and body with

clothing in detailed carving.

a bust of a woman. Dated

relief of elephants in a forested

From the early 20th century.

early 20th century.

landscape. Unmarked.

PHP 28,000.00

PHP 65,000.00

PHP 20,000.00

of a male represented with

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African ivory, dated early 20th

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152 Ho-Shang with Immortals, Bas-relief on Ivory 6 x 23 cm With signs of age.

Chinese 19th century bas-relief representing Ho-Shang with little immortal figures, carved and penworked, on ivory. Ho-Sham, a buffoon

153 Chinese Deity in Gilt Ivory height: 23 cm With signs of age.

defeated in an 8th century debate about Hindu

Gilded ivory sculpture of a standing Chinese

and Chinese Buddhism; which story has been

deity in robe, leaf-like headdress, and holding

performed as a ritual, called ‘Cham. Having a

prayer beads. Has a wooden base.

wooden base.

PHP 60,000.00 120

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154

Indo-Portuguese 17th century

Ivory figure of St. Francis of Assisi 35.5 cm With signs of age.

ivory sculpture of St. Francis of Assisi. Depicted with arms crossed against chest, and stands on an octagonal base, resembling typical Buddha sculpture’s base symbolizing the eight-fold path.

PHP 90,000.00

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155 Indo-Portuguese Ivory Sculpture of Child Jesus 156 Goanese Ivory figure as Good Shepherd 16.5 cm of Blessed Virgin With defects.

21 cm

Indo-Portuguese 17th century ivory statuette of

With signs of age.

Child Jesus as the Good Shepherd. Portrayed

Ivory figure of the Blessed Virgin Mary,

seated on top of fountain of life, featuring:

in Indo-Portuguese 18th century school.

sheeps (representing the apostles), lamb on his

Prominently carved with Goanese “teeth” as

shoulder, 2 birds, and Mary Magdalene.

her mantle’s lace.

PHP 85,000.00

PHP 65,000.00

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157 Madonna and Child 21 x 8 cm With signs of age.

Spanish ivory sculpture of the Virgin Mary with the Child Jesus on polygonal base, from the early 20th century.

PHP 200,000.00

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158 The Recumbent Christ 15 cm With minor defect.

An Indo-Portuguese partly-painted ivory sculpture of a recumbent Christ, naked, with his hands crossed, and bearing the crucifixion wounds. Dated between the 17th and 18th centuries.

PHP 38,000.00

159 Santo NiĂąo in IndoPortuguese Ivory 10 cm With signs of age.

Indo-Portuguese ivory sculpture of Santo NiĂąo.

Dated 17th century, the infant Christ was carved in lying posture. Possibly for Nativity scene.

PHP 38,000.00

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160 IndoPortuguese Ivory depicting Madonna and Child Height: 28 cm With signs of age.

Indo-Portuguese 18th century ivory image of Madonna and Child, Carved with infused Buddhist elements such as the octagonal base (representing the eight-fold path) and carambola (fruit held at her right hand, symbolizing “pancasila� five-pointed wisdom of: belief in One God; just humanity; unity; liberty, and; social justice).

PHP 120,000.00

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161 Indo-Portuguese Ivory depicting The Holy Family 18.5 x 18.5 cm Generally stable.

Indo-Portuguese 18th century Holy Family figures in ivory on wooden base. Bold carvings, especially on drapery, and uncanny feel of their almond eyes render the distinct Goanese influence on the pieces.

PHP 140,000.00

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162 Male Head Figure, Formed by Female Nudes 10 cm Generally stable.

Taisho period (1912-1926) ivory sculpture of a male head, constituted by nude female forms puzzled together. Black penwork breathed life to the milky, white ivory material.

PHP 48,000.00

163 Okinomo in Ivory, depicting a Kneeling Hermit height: 12.7 cm Generally stable.

Japanese ivory with penwork called okinomo, or objet d’art, representing a kneeling bearded hermit. Late 19th to early 20th century piece, which is for decorative purpose, unlike netsukes. Typically displayed in an alcove, called tokonoma.

PHP 50,000.00

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164 Chinese Ivory Reclined Guanyin with a Child height: 12.7 cm With signs of age.

18th to19th century Chinese ivory of a reclined Guanyin with a Child. This ivory female figure portrayed at rest with her left arm leaning on a book atop a stool, wears Amitabha crown, holds a sceptre with her right hand, and accompanied by a child representing compassion and fertility.

Mark in zhuanshu script.

PHP 120,000.00

165 Kali Standing Atop Shiva height: 23.5 cm With signs of age.

Indian ivory sculpture dated early 20th century, featuring the multi-armed Hindu goddess of death, time, and doomsday, Kali, standing atop her male counter-part, Shiva. Kali is represented with sixteen arms, of which hold various attributes or in mudra gesture. Shiva, on the other hand, can be seen grasping a cobra, with a bovine behind him. With a wooden base in Macassar ebony wood.

PHP 70,000.00 128

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166 Guanyin with Semiprecious stone insets height: 43 cm (Ivory) Generally stable.

Imposing Chinese carved ivory of a Guanyin, jeweled with variegated semi-precious stone insets, shaped like pearls. Dated 19th century, well-detailed carvings add texture throughout this bodhisattva figure, representing compassion.

Her right hand raises the bell of mercy, while holding flower by left hand. Each foot stands beautifully on full-bloomed lotus flowers. With wooden base.

PHP 400,000.00

167 Chinese Ivory Bodhisattva Head with Amitabha 15 x 36 cm: w/o stand 28 x 47 cm: w/ stand Stable.

Early 20th century Chinese ivory sculpture of a Bodhisattva head with serene facial expression.

Her crown is detailed with foliate relief and features a seated AmitÄ bha in meditation mudrÄ .

Placed on a wooden base.

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Contributors Angelique Marie L. Miranda

Gregg Alfonso G. Abbang

director

Gregorio R. Caliguia III

research specialists

Paola Angelica Z. Mathay

Margie D. Heramia

finance manager

Ma. Jovita A. Del Rio Rosemarie B. Rodriguez Chona Mae G. Modestano

casa team Camille Marina Viola D. Lhuillier

marketing manager

Serious Studio

branding & design

Miguel Rosales

creative consultant Lunar

photography

Monchet Diokno Olives

consultant

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95 Roxas Boulevard, Barangay Tambo, Parañaque City

Terms and Conditions Casa de Memoria (hereinafter, “CDM”) will conduct its business activity in accordance with these Terms and Conditions of Sale and any other terms and conditions that are individually specified. CDM will act as an agent for the sellers of the Lots sold at auction. The seller shall be solely responsible to the buyer for any breach of the contract of sale. However, in instances where CDM owns a Lot, it shall act as seller and the contract of sale will be between CDM and the buyer.

Article 1: Objects The present Terms and Conditions of Sale regulate the business activity of the company, CDM, and govern and contractual relations established with it.

Article II: Definitions In these Terms and Conditions of Sale, the following definitions apply: a. Catalog- All and any of CDM’s advertising, brochures, price lists or any other publications, regardless of their nature. b. Buyer’s Premium- The commission charged on a purchase, calculated as a percentage of the Hammer Price and paid by the Buyer at the Applicable rate. c. Sales Commission- The commission charged on a sale, to be deducted from the Hammer Price and borne by the Seller at the applicable rate. d. Buyer- The person who has presented the highest bid at the time of the Hammer Price, represented directly or via a third party, in accordance with these Terms and Conditions of Sale.

e. Expenses- The costs incurred by CDM, according to price list, in relation to the sale of any lot, associated with catalog fee, illustrations, publications, advertising, restoration, insurance, packaging, storage and transport, of the lots plus VAT applicable to such Expenses. f. Total Amount Due- The Hammer Price of a sold lot, plus the Buyer’s Premium and any eventual additional charges and expenses due from the Buyer in the event of non-compliance, in accordance with the provisions established in Articles 10 & 11. g. Original Works of Art- Corresponds, under the terms of the Berne Convention & International laws, and The World Intellectual Property Organization Copyright Treaty (“WIPO Copyright Treaty,”) to works of graphic or plastic art, such as pictures, collages, paintings, drawings, engravings, prints, lithographs, sculptures, tapestries, ceramics, glassware, and photographs, provided they are made by the artist himself or are copies considered to be original works of art, and should be numbered, signed or in any other manner authorized by him. h. Hammer Price- The price for which a lot has been adjudicated by the auctioneer to the corresponding buyer.

i. Amount Due- The net amount owed to the seller, i.e the Hammer Price of the sold lot minus the Sales Commission at the Applicable Rate and the Expenses and any other amounts that the seller owes to CDM on any basis, always subject to the addition of VAT at the applicable rate. j. Applicable Rate- The rates that apply to the Sales Commission and Buyer’s Commission, which are practiced and duly publicized or specified by CDM. k. Seller- the person or entity that signs an auction sales contract with CDM.The bidding increments, however, are subject to change at the discretion of the Auctioneer.

Article III: Pre-Auction Viewing and Inspection a. CDM does not perform a full and complete due diligence audit on each Lot. Representations made

by CDM about the Lots are based on information provided by the sellers. As such, CDM does not guarantee the accuracy of such information. CDM shall not be liable for any misrepresentation or wrong information provided by the sellers with respect to the Lots.

Prospective buyers acknowledge these facts and accept their responsibility to carry out such investigations and inspections as may be necessary to satisfy themselves with respect to the Lots in which they may be interested in prior to the sale. b. The properties to be sold may be inspected by prospective buyers at pre-auction viewings. Prospective buyers are strongly encouraged to personally examine the Lots prior to the sale. c. In accepting bids for Lots, CDM assumes that prospective buyers have undertaken a full inspection of the Lots prior to bidding and that they have verified the condition of the Lots as well as the descriptions. d. CDM and the sellers do not provide any guarantee with respect to the Lots sold at auction. Said Lots are sold on an “as is” basis. All sales are final.

Article IV: Descriptions of Property a. Statements made by CDM in the catalogue or website, in condition reports, or made orally or in writing elsewhere, are statements of opinion. Therefore, these statements cannot be construed or relied on as factual representations, implied or express warranties or assumptions of liability. CDM and the sellers shall not be liable in any way for errors or omissions in the catalogues or any supplemental material. Buyers have the duty to satisfy themselves about the condition of the Lots sold at auction and the matters referred to in the catalogue entries. b. References in the catalogue entry or the condition report to damage or restoration are for guidance only.

These references should be evaluated by personal inspection by the bidder or a knowledgeable representative. c. The absence of any reference to the condition of a Lot does not imply that the Lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Similarly, a reference to particular defects does not imply the absence of others. d. CDM and the sellers do not make any express or implied warranty or representation of any kind or nature with respect to the merchantability, quality or fitness for certain purposes, the accuracy of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any Lot sold. e. In making express statements in its catalogue descriptions or condition reports, CDM shall exercise such reasonable care as is consistent with: (1) its role as auctioneer; (2) the information provided by the sellers; (3) scholarship and technical knowledge; and (4) expert opinions as of the date these expert opinions are made.

Article V: Estimates a. Each Lot in the catalogue is given a low starting

bid. This estimate represents the range which, in the opinion of CDM, represents a fair and probable auction value. This estimate does not include the Buyer’s Premium referred to in Section 10 hereunder. b. Pre-sale estimates are intended only as a guide for prospective buyers and are subject to revision. The actual prices realized for items can also fall below or above the range of these estimates. Thus, an estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

Article VI: Admission to the Auction a. CDM has the right at their absolute discretion to refuse to allow prospective buyers admission to or participation in an auction. b. Prior to bidding, all bidders are required to complete and sign registration forms and provide a government issued identification card (e.g., a passport or driver’s license). c. Bidders present at the live auction shall express their interest to participate in the auction by providing CDM with their full credit card details and shall execute an undertaking allowing CDM to charge a ten percent (10%) penalty on the final bid on the aforementioned credit card in the event that the bidder is unable to pay the full purchase price in accordance with the terms and conditions of Section 10. d. Upon completion of the above admission process, CDM shall issue bidding paddles to the bidders.

Article VII: Sale and Withdrawal from Sale a. Unless otherwise announced by the auctioneer, all bids are per Lot as numbered in the catalogue. b. CDM reserves the right to withdraw from any sale any of the Lots listed at any time prior to the commencement of bidding for such Lot and shall have no liability whatsoever for such withdrawal.

c. Unless otherwise indicated, a Lot shall be offered subject to a minimum price (the “Reserve”). The Reserve shall not exceed the low pre-sale estimate at the time of the auction. As a general rule, the Reserve is agreed upon by CDM and the sellers. CDM has the right to set the Reserve in the absence of an agreement with the seller.

Article VIII: Bidding a. Bidders shall be personally liable for their bids unless they have secured CDM’s prior written consent to act as agents for identified third parties acceptable to CDM. Bidders who act as agents shall be jointly and severally liable with their principals. b. Absentee Bids - CDM shall use reasonable efforts to carry out written absentee bids delivered prior to the sale. If written bids for identical amounts are received for a particular Lot and these turn out to be the highest bids at the auction, the Lot will be sold to the person whose bid was received and accepted first.

The execution of absentee bids is a free service that is undertaken subject to other commitments of CDM during the auction. CDM shall not be liable for failure to execute a written bid or for errors or omissions committed in connection with said bid. c. Live Online Bids- CDM shall use reasonable efforts to carry out live online bids that are placed or delivered in accordance with the terms and conditions set forth in the agreement between CDM and the third party provider of the online bidding platform. If live online bids for identical bids are received for a particular Lot and these turn out to be the highest bids at the auction, the Lot will be sold to the person whose bid was received and accepted first. The execution of online bids is a free service that is undertaken subject to other commitments of CDM during the auction. CDM shall not be liable for failure to execute an online bid or for errors or omissions committed in connection with said bid. d. Telephone Bids- CDM shall use reasonable efforts to contact prospective buyers who have made prior arrangements to place telephone bids in order for these buyers to participate in the auction. CDM shall not be liable for its failure to contact said bidders or for any

errors or omissions made in connection with telephone bids since telephone bids are offered as a free service that is undertaken subject to the other commitments of CDM during the sale.

Article IX: Conduct of Auction a. The auctioneer has the discretion to commence and advance the bidding at the levels and increments which he considers appropriate. The auctioneer also has the right to divide or to combine any Lots. As a general rule, CDM will follow ten percent (10%) increments, subject to the condition that said increment may change from time to time or at any time during the auction if the auctioneer sees the need. b. To implement the Reserve, the auctioneer may open bidding on any Lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the Reserve, by placing successive or consecutive bids for a Lot or by placing bids in response to other bidders. Unless otherwise indicated in the catalogue or by an announcement at the auction, CDM acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property. c. The auctioneer may refuse to acknowledge any bidder and to reject bids. If any dispute arises between two or more bidders or in case of error, the auctioneer may decide the same or may re-offer and resell a Lot. The auctioneer has the right to determine the successful bidder and take such other actions as he deems fit under the circumstances. If any dispute arises after the sale, CDM sales record shall be conclusive. d. The auctioneers bidding increments:

RANGE

INCREMENT

1,000 to 10,000

1,000

10,000 to 20,000

2,000

20,000 to 100,000

5,000

100,000 to 300,000

10,000

300,000 to 1,000,000

20,000

1,000,000 to 2,000,000

50,000

2,000,000 +

100,000

Article X: Purchase of Lots a. Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer.

The striking of the auctioneer’s hammer shall mark the acceptance of the highest bid (the “Hammer Price”) and the conclusion of a contract of sale between the seller and the buyer. b. Upon the striking of the auctioneer’s hammer, the buyer shall become liable for the payment of the Full Purchase Price (as such term is defined under Article 11 below). The buyer shall likewise assume full risk and responsibility for the purchased Lot (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works) upon the striking of the auctioneer’s hammer.

Article XI: Payment a. In addition to the hammer price of the Lot, CDM shall collect from the buyer a premium (the “Buyer’s Premium”). The Buyer’s Premium shall be fifteen percent (15%) of the hammer price. No Value-Added Tax (VAT) will be charged on the hammer price, but twelve percent (12%) VAT will be added to the Buyer’s Premium. The buyer shall shoulder the payment of the VAT on the Buyer’s Premium. CDM reserves the right to revise these rates and/or announce special premiums

at any time. A portion CDM’s buyer’s premium will be donated to CDM’s foundation of choice.

Article XIII: Packing and Handling of Lots

b. The buyer shall pay the full amount due (i.e., hammer price, buyer’s premium and any applicable fees, taxes and charges) in cleared funds not later than five (5) business days after the date of the auction (the “Full Purchase Price”). Unless prior written arrangements have been made, the Full Purchase Price shall be paid in Philippine Pesos (or converted to Philippine Pesos based on the conversion rate at the time of payment). The buyer shall be solely responsible for any currency conversion charges and wire transfer fees.

a. The packing and handling of the purchased Lots shall be at the buyer’s risk. CDM shall in no way be liable for any acts or omissions of third party packers or shippers, regardless of whether these third party packers or shippers were recommended by CDM upon the buyer’s request.

c. Unless prior written arrangements have been made, payment shall be made in Philippine Pesos. CDM shall accept payments in cash, credit card, bank transfer, or checks. Checks should be made payable to Galeria Renascimento Commercial Enterprises Inc.. d. Payments by wire transfer should be directed to: Checking Account of Galeria Renascimento Commercial Enterprises Inc. doing business under the name and style of Casa de Memoria under SA# 2753-0059-97.

Article XII: Transfer of Title and Release of Lots a. Title over a purchased Lot will not pass to the buyer until and unless CDM receives the Full Purchase Price in cleared funds. In the event that a buyer purchases several Lots, the title over these Lots shall not pass to the buyer until CDM the Full Purchase Prices for all Lots. b. The buyer shall arrange for the collection of the purchased Lots within three (3) business days from the date of the auction. CDM shall not be liable for any damage to the Lots that are left in its premises for more than three (3) business days following the sale. Fees and expenses for the collection and transportation of Lots sold at an auction shall be for the account of the buyer.

b. CDM may coordinate delivery of the purchased Lots to preferred location at the buyer’s expense and risk.

The Lots will only be released after payment in full of all removal, storage, handling, insurance costs and any other expenses incurred, together with payment of all other amounts due to CDM. c. Buyers shall secure the necessary insurance policies for their purchased Lots and pay the applicable insurance premiums thereon. d. Buyers shall be solely responsible for obtaining any necessary export, import, national heritage, or other permits for their Lots, including but not limited to those issued by the National Museum. CDM and the sellers make no representations or warranties as to whether any Lot is subject to import/export restrictions or embargoes. Moreover, CDM and the sellers do not warrant that buyers will be able to secure the necessary permits for their Lots. The denial of any relevant permit or license shall not be a valid ground for the cancellation or rescission of the sale or any delay in payment. e. Any other taxes or fees that may arise in relation to the purchase of a Lot shall be for the sole account of the buyer.

Article XIV: Remedies Incase of Buyer’s Default a. Non-Payment or Non-Withdrawal of the Purchased lots- If any lot has not been paid for in full and withdrawn under the deadlines and in accordance with the Terms and Conditions established in Article 11, Section b,CDM, in its capacity as the Seller’s representative, may, without prejudice to any other

rights to which it is entitled, adopt one or more of the following courses of action: i. Initiate legal proceedings against the Buyer in order to be compensated for losses deriving from noncompliance with the contract, with interest, legal fees and costs to the fullest extent permitted under applicable laws;. ii. Charge late payment interest at the prevailing legal rate on the Total Amount Due until full receipt thereof. iii. Resell the lot in question or initiate proceedings for it to be resold, in an auction or via a privately negotiated sale, in which case the non-complying Buyer should pay CDM any outstanding amount in relation to the Total Amount Due (after deduction of any partial payment that has occurred and addition of any supplementary cost arising from the respective sale), wherein any remaining amount, if it exists, shall pertain to the non-complying Buyer. iv. Remove, store and insure the lot(s) at the noncomplying Buyer’s expense, wherein CDM shall decide whether or not the storage should occur in its own warehouses or in other warehouses chosen by it. v. Withhold the lot in question or another lot that has been sold to the non-complying Buyer in the auction in question or in another auction, and only release it after full payment of the Total Amount Due. vi. Reject or ignore any bid presented by the noncomplying Buyer or by another person acting in his name in any subsequent auction or request and obtain a deposit by the non-complying Buyer before accepting or considering any bid presented in the future. vii. Take all and any steps that are deemed to be appropriate, at any time, in order to receive full payment of the Total Amount Due from the noncomplying Buyer, and also achieve compensation for the existing debit from the sales price of any item owned by the non-complying Buyer that at any time is held by CDM, on any basis.

viii. To exercise a lien over any of the defaulting buyer’s property in the possession of CDM, provided that CDM may arrange for the sale of such property and apply the proceeds of the sale to the amounts owed to it within fourteen (14) days from its notice to the buyer regarding the exercise of its lien; ix. to release the name and address of the defaulting buyer to the seller to enable the latter to commence legal proceedings to recover the amounts due as well as legal costs, provided that CDM shall take reasonable efforts to inform the buyer prior to the release of this information; x. to effect any combination thereof.

Article XV: State and Authenticity of the Lots a. Considering that the items sold in an auction normally have significant age, all items are sold in the state in which they are found- with defects, imperfections and any descriptive errors or omissions. b. Any illustrations or representations in catalogues are solely intended for identification of the items put up for sale. c. Buyers accept and will be satisfied with the lots, in the state in which they were found prior to the auction, and will freely judge whether or not the lots correspond to the description that has been supplied. d. Neither CDM nor its representatives, workers or employees may be held responsible for any errors related to the description, genuineness or authenticity of any lot, given that no guarantee is provided by CDM or by its representatives, workers or employees in this regard.

Article XVI: Rights on Photographs and Publications a. The Seller grants to CDM the right to photograph and publish texts, photographs or illustrations of any kind, and in any form, in relation to any lot held by CDM for the purposes of sale, and also use these texts,

photographs or illustrations of any kind, together with any others that are supplied by the Seller, at its own initiative, at any time, whether or not connected to organization of the auction.

Article XVII: Sale of Original Works of Art a. If the item sold in an auction is an Original Work of Art, it may be subject to either the Trade-Related Aspects of Intellectual Property Rights (TRIPS Agreement), the Berne Convention for the Protection of Literary and Artistic Works, and the WIPO Copyright Treaty.

Article XVIII: General Provisions a. All images, illustrations and written material produced by or for CDM for the auction are its exclusive property. CDM shall have the discretion to use these materials for its own purposes. b. CDM and the sellers do not warrant that the buyer will acquire any copyright or reproduction rights to any Lot sold. CDM expressly reserves the right to reproduce any image of the Lots sold in this catalogue. c. All measurements, weights and sizes stated in the catalogues of CDM are approximate. CDM is not responsible for damage to glass covering paintings, drawings, and other works or frames regardless of cause. d. CDM shall not be liable for errors that may occur in the operation of the video or digital screen and in the quality of the image. e. Employees of CDM may bid only if they do not know the Reserve. They must likewise fully comply with the internal rules of CDM on employee bidding. f. The relationship between prospective buyers, CDM and the sellers shall be governed by the following: i. these Terms and Conditions; ii. any amendments to these Terms and Conditions

that are made through posted notices or auctioneer’s announcements during the auction; iii. any additional notices and terms that may be incorporated into the catalogues or website of CDM or in showroom notices, or announced by the auctioneer during the course of the auction; and iv. any contracts, agreements or documents signed by the parties relevant to the auction sale.

In case of conflict on the provisions of any of the foregoing sources of terms and conditions, the guidelines in a document of a later date shall prevail. g. No oral or written statements made by CDM in its advertisements, bills of sale, showroom notices or announcements or through the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability on the part of CDM. h. If any part of these Terms and Conditions is held invalid or unenforceable for any reason, the remaining provisions shall continue to be valid and enforceable to the fullest extent permitted by law. i. These Terms and Conditions are not assignable by any buyer without the prior written consent of CDM. However, these Terms and Conditions are binding on the buyer’s successors, assigns and representatives. j. No act, omission or delay by CDM shall be deemed a waiver of its rights and remedies under these Terms and Conditions.

Article XIX: Jurisdiction a. These Terms and Conditions and all related matters and transactions shall be governed by Philippine law. The parties agree that any legal action, suit or proceeding shall be instituted at the competent court in Makati City, to the exclusion of all other venues, the buyer hereby waiving all such other venues. This clause is for the benefit of CDM only and as a result, CDM shall not be prevented from instituting proceedings in any other courts having jurisdiction.

Documents All registration forms for absentee bidding, telephone bidding, online bidding, and bidding during the auction itself may be found at

www.CasaDeMemoria.Com

138

www.casadememoria.com

auction 0016

paddle number (Casa de Memoria official use only)

sale title date

95 Roxas Boulevard, Barangay Tambo, Parañaque City

sale code

Bid Registration Form PERSONAL INFORMATION (please print or type in bold letters)

name address Number/Unit/Floor

Building Name

Street

District

City

Zip Code

telephone number

mobile number

facsimile

email address

please attach a copy of your government-issued i.d. (passport, driver’s license)

YOUR COLLECTING INTEREST

YOUR COLLECTING INTEREST

fine art

furniture

email

newspaper

blogs

decorative arts

fine jewelry

sms

magazines

facebook

timepieces

wines and spirits

friends

fliers

instagram

other collectibles (please specify)

In accordance of the ‘Terms and Conditions’ printed in this auction catalogue, by signing below, I authorize Casa de Memoria to charge my credit card ten percent (10%) of the final bid in the event that I am the successful bidder and unable to pay the full purchase price, as provided in section 5(c) of ‘Terms and Conditions’.

I also consent to the lawful use of this information and any other information obtained by the Casa de Memoria in accordance with the ‘Terms and Conditions.’

I agree that said ‘Terms and Conditions’ shall govern my purchade of any lots and that I will be bound by all of the provisions stated therein.

page 1/2

WE ENTERTAIN ALL PHONE BIDS REGARDLESS OF THE STARTING PRICE

IMPORTANT This sale will ne conducted n accordance with the ‘Terms and Conditions’ printed in this auction catalogue.

Please note that bids will be placed as indicated; that each bid is on a PER SLOT basis; and that all bids will be executed and accepted in accordance with the aforementioned ‘Terms and Conditions.’

Casa de Memoria shall execute these bids up to, but not exceeding the amount or amounts specified. Should you be the successful bidder, you shall pay the hammer price together with a buyer’s premium plus VAT on the premium, in accordance with the ‘Terms and Conditions’.

ARRANGING PAYMENT The buyer shall pay the full amount due (i.e., hammer price, buyer’s premium, and any applicable fees, taxes and charges) in cleared funds not later than five (5) business days after the date of the auction (the “Full Purchase Price.”) Unless prios written arrangements have been made, the Full Purchase Price shall be paid in Philippine Pesos (or converted to Philippine Pesos based on the conversion rate at the time of payment.) The buyer shall be solely responsible for any currency conversion charged and wire transfer fees.

BPI Account Name: Galeria Renascimento Commercial Enterprises Inc. Account Number: SA# 2753 - 0059 - 97

CASA DE MEMORIA INTERNAL USE

bids received by

date and time bid/s received

page 2/2

140

www.casadememoria.com

auction 0016

paddle number (Casa de Memoria official use only)

sale title date

95 Roxas Boulevard, Barangay Tambo, Parañaque City

sale code

Telephone Bid Form lot number

bid amount

catalogue/description

(not including Buyer’s Premium and VAT on Premium)

PERSONAL INFORMATION (please print or type in bold letters)

name address Number/Unit/Floor

Building Name

Street

District

City

Zip Code

telephone number

mobile number

facsimile

email address

please attach a copy of your government-issued i.d. (passport, driver’s license)

In accordance of the ‘Terms and Conditions’ printed in this auction catalogue, by signing below, I authorize Casa de Memoria to charge my credit card ten percent (10%) of the final bid in the event that I am the successful bidder and unable to pay the full purchase price, as provided in section 5(c) of ‘Terms and Conditions’.

I also consent to the lawful use of this information and any other information obtained by the Casa de Memoria in accordance with the ‘Terms and Conditions.’

I agree that said ‘Terms and Conditions’ shall govern my purchade of any lots and that I will be bound by all of the provisions stated therein.

signed

date (We must have your signature to execute this bid)

page 1/2

WE ENTERTAIN ALL PHONE BIDS REGARDLESS OF THE STARTING PRICE

IMPORTANT This sale will ne conducted n accordance with the ‘Terms and Conditions’ printed in this auction catalogue.

Please note that bids will be placed as indicated; that each bid is on a PER SLOT basis; and that all bids will be executed and accepted in accordance with the aforementioned ‘Terms and Conditions.’

Casa de Memoria shall execute these bids up to, but not exceeding the amount or amounts specified. Should you be the successful bidder, you shall pay the hammer price together with a buyer’s premium plus VAT on the premium, in accordance with the ‘Terms and Conditions’.

ARRANGING PAYMENT The buyer shall pay the full amount due (i.e., hammer price, buyer’s premium, and any applicable fees, taxes and charges) in cleared funds not later than five (5) business days after the date of the auction (the “Full Purchase Price.”) Unless prios written arrangements have been made, the Full Purchase Price shall be paid in Philippine Pesos (or converted to Philippine Pesos based on the conversion rate at the time of payment.) The buyer shall be solely responsible for any currency conversion charged and wire transfer fees.

BPI Account Name: Galeria Renascimento Commercial Enterprises Inc. Account Number: SA# 2753 - 0059 - 97

CASA DE MEMORIA INTERNAL USE

bids received by

date and time bid/s received

page 2/2

paddle number (Casa de Memoria official use only)

sale title date

95 Roxas Boulevard, Barangay Tambo, Parañaque City

sale code

Absentee Bid Form lot number

bid amount

catalogue/description

(not including Buyer’s Premium and VAT on Premium)

PERSONAL INFORMATION (please print or type in bold letters)

name address Number/Unit/Floor

Building Name

Street

District

City

Zip Code

telephone number

mobile number

facsimile

email address

please attach a copy of your government-issued i.d. (passport, driver’s license)

In accordance of the ‘Terms and Conditions’ printed in this auction catalogue, by signing below, I authorize Casa de Memoria to charge my credit card ten percent (10%) of the final bid in the event that I am the successful bidder and unable to pay the full purchase price, as provided in section 5(c) of ‘Terms and Conditions’.

I also consent to the lawful use of this information and any other information obtained by the Casa de Memoria in accordance with the ‘Terms and Conditions.’

I agree that said ‘Terms and Conditions’ shall govern my purchade of any lots and that I will be bound by all of the provisions stated therein.

signed

date (We must have your signature to execute this bid)

page 1/2

WE ENTERTAIN ALL PHONE BIDS REGARDLESS OF THE STARTING PRICE

IMPORTANT This sale will ne conducted n accordance with the ‘Terms and Conditions’ printed in this auction catalogue.

Please note that bids will be placed as indicated; that each bid is on a PER SLOT basis; and that all bids will be executed and accepted in accordance with the aforementioned ‘Terms and Conditions.’

Casa de Memoria shall execute these bids up to, but not exceeding the amount or amounts specified. Should you be the successful bidder, you shall pay the hammer price together with a buyer’s premium plus VAT on the premium, in accordance with the ‘Terms and Conditions’.

ARRANGING PAYMENT The buyer shall pay the full amount due (i.e., hammer price, buyer’s premium, and any applicable fees, taxes and charges) in cleared funds not later than five (5) business days after the date of the auction (the “Full Purchase Price.”) Unless prios written arrangements have been made, the Full Purchase Price shall be paid in Philippine Pesos (or converted to Philippine Pesos based on the conversion rate at the time of payment.) The buyer shall be solely responsible for any currency conversion charged and wire transfer fees.

BPI Account Name: Galeria Renascimento Commercial Enterprises Inc. Account Number: SA# 2753 - 0059 - 97

CASA DE MEMORIA INTERNAL USE

bids received by

date and time bid/s received

page 2/2

www.casadememoria.com