Interior Architecture + Design Portfolio

Before I discovered the world of Interior Architecture and Design, I was an artist. I grew up painting and drawing, constantly getting lost in it. At the end of my freshman year, I found myself in a gallery full of student work, and I knew in my gut that I would always regret not pursuing an art degree if I only focused on Interior Design. I discovered a path that allowed me to add another major with an emphasis on Drawing and Painting. I love being able to incorporate the knowledge I gained from my art degree, such as color theory, to create beautiful and cohesive designs.

CAROLINE NEMELKA

EDUCATION

UTAH STATE UNIVERSITY

Interior Architecture and Design BIAD / Minor in Art

Drawing + Painting BFA / Minor in Art History

STUDY ABROAD

Rome, Italy / Art, Architecture, and Film

385-248-1217

EXPERIENCE

DRAKE/ANDERSON

Interior Design Intern / New York, NY 23

This position consisted of working closely with project teams to develop detailed construction documents regarding elevations, architectural details, and FF&E specifications. Collaborated with vendors across New York, frequenting the D&D showroom to align design concepts and aesthetics, and assisted with site installations to ensure complete and accurate final looks.

UTAH STATE UNIVERSITY

23/24

Undergraduate Teaching Fellow / Logan, UT

This role involved assisting the Principal Lecturer in CADD I and CADD II for the Sophomore class in the Interior Architecture and Design Program, teaching them AutoCad, Revit, Enscape and Twinmotion; included developing presentation documents, a full construction document set, renderings, and a 3d model for their Tiny House Exhibit.

MANSFIELD ARCHITECTURAL SERVICES

23/24

Architect’s Assistant / Logan, UT

This position involved working closely with the principal architect and clients to develop precise 3D models and renderings through field measuring, leading the development of multiple iterations of a historic residence remodel to fit clients budget and aesthetic needs, and produced construction documents.

SKILLS

Revit

AutoCAD

Enscape

Twinmotion

Hand Rendering

Painting

Woodworking

Adobe InDesign

Adobe Lightroom

Adobe Bridge

Adobe Illustrator

Adobe Photoshop

MS Office

Graphic Design

SCHOLARSHIPS + AWARDS

LEED Green Associate 24

Summa Cum Laude / 3.96 GPA 24

A-Pin Recipient / 4.0 GPA Fall + Spring 23/24

A-Pin Recipient / 4.0 GPA Fall + Spring 22/23

Dean’s Scholarship / High School 3.98 GPA 20

EXHIBITIONS

NORA ECCLES MUSEUM OF ART

Impact Art Show / Envision a Sustainable Future 24

PUBLIK

For the Ages / BIAD Capstone Show 24

TIPPETS + ECCLES GALLERIES

Unleaded / BFA Capstone Show 24

Highlights / Caine College of the Arts Show 24

Leftovers / BFA Capstone Show 24

USU Undergraduate Show / Annual BFA Show 22/23

Tiny House Exhibit / BIAD Show 22

MERRILL-CAZIER LIBRARY 24

Yuri Floating Homes / Research Symposium

TRACY AVIARY

The Superb Starling / Bird House + Sculpture Show 24

RUSSELL/WANLASS PERFORMANCE HALL

Debussy in Sight and Sound / Painting x Piano Show 23

ZORZA REVIT TWINMOTION ADOBE SUITE

RECEPTION RENDERING

14,000 SQUARE FEET

Zorza is a plasma donation center that focuses on creating a welcoming and healing environment, and most importantly, one that keeps its inhabitants happy and healthy. Zorza comes from a Polish term synonymous with ‘aurora’ and aptly captures the design concept for this project. The Northern Lights are believed to possess healing abilities due to their mystical hues across various cultures. To create the best facility, a phlebotomist named Gina was consulted to gain insights, leading to a site that puts its focus on the donors’ and the employees’ well-being. A significant issue identified early on was how cramped and lifeless plasma centers tend to be. Textures are layered throughout this center, with rippling forms and reflecting lights creating visual stimulation, while the colorful palette breathes life into the space.

The floor plan focuses on creating a level of separation between the employees and donors due to the presence of biohazard waste but still allows workers to conduct necessary procedures. The circulation of donors is kept to the front of the building, with an intuitive flow of traffic guided by Northern Light motifs from reception all the way to the donor recovery area. Keeping the employee sector of the building toward the back allows for trucks to have easy access to the facility, whether they are dropping off supplies, removing waste, or picking up life-saving plasma. Atriums filled with plants were implemented to create a place of interest for donors and allow for feelings of rejuvenation and comfort.

RESTROOMS

ENTRY

WAITING AREA

EXAM ROOMS

SCREENING ROOMS

TRAINING

RESTROOMS QUALITY CONTROL

ATRIUM DONOR RECOVERY

LOCKER ROOM

RECEPTION

BREAK ROOM

EMPLOYEE

In a plasma donation center, patient confidentiality is central and this typically means limited windows to avoid outsiders looking in. To stay respectful of patients privacy, custom opaque rippling glass was used in the hallway in front of the exam rooms. Ceiling details guide the visitor to the donation floor after doing their check-ins, avoiding confusion and stress, leading to return visits.

This project is in collaboration with Caleb at Drake/Anderson, an award winning firm. The layout of the work is inspired Digest magazine, using iconic elements cover of each issue and changing it renovation of a glass house in upstate woodland and is a second home for

GLASS HOUSE

Caleb Anderson, known for his work winning high-end residential design inspired by the renowned Architectural elements such as the AD found on the to CN to add personality. This is a upstate New York, secluded in acres of for the client, Sahara Rose. The space

ADOBE SUITE PROCREATE WATERCOLOR

incorporates natural light, biophilia, and caters to her Dosha type, Vata Pitta, with warm earth tones, pastels, and jewel-toned elements. With a goal to reduce the carbon footprint, vintage pieces were carefully selected, embracing the existing concrete floor and walnut ceiling while also being mindful of the materials used in the space. This space welcomes yoga, meditation, and ayurvedic practices to create a healing home.

The bedroom exudes a serene atmosphere with its inviting earthy hues, enabling Sahara Rose to begin her day in a state of relaxation while the morning sun pours in. The upholstery fabric behind the bed is Cane Embroider, a sustainable textile from Carnegie’s Xorel line. This helps meet the Material Transparency criteria for the Well Building Certification. The nightstand is a vintage Gio Ponti design, complemented by hanging Magezza pendants from the 1950s. The “Monarch Fire Rug” By Alexander McQueen serves as the unifying element in the design.

The client’s goal for the den was a place where she could unwind and pursue her music career. The centerpiece of the room is a pair of exquisite Myrtle Wood armchairs designed by John Makepeace. The artwork “Map Projections: The Snail” by Agnes Denes, one of Sahara’s favorite artists, is featured in this space. On the opposite side of the chairs is a mixing station where Sahara can create and play her favorite records, putting on mini concerts for her visitors.

The client desired a flex space that would serve as both a guest bedroom and a writing room. The use of a soft pink hue aligns with Sahara’s Vata Dosha, resulting in a space that is not only functional but also eminates a playful vibe. The room features the Eltham wallcovering by Lee Jofa on the walls, vintage and modern furnishings in shades of pink and white, with midcentury curves in the lamp and sofa. The custom stool upholstered in Carnegie’s Luna polyester fabric echoes the shape of the Flower Power Lamp.

To bring a sense of warmth to the kitchen, earth tones were incorporated using a stunning Calacatta Topaz Porcelain slab. It is wrapped around the original cabinetry, mirroring the design of the island. The 1970’s Murano Ball Pendant hangs above the island, adding a touch of mid-century modern design to the space. By incorporating a steam oven, an essential element was added to support a healthier Ayurvedic diet. All of the design choices in the home have a purpose, creating a space that is safe and healing for Sahara Rose.

STARLIGHT SOIREE

AUTOCAD

ADOBE SUITE

7.800

Key components of the Art Deco era include geometric shapes, streamlined silhouettes, luxurious materials, stepped designs, and dramatic lighting. In the Starlight Soiree, these elements are carefully integrated into the architectural and interior design. The bar and stage feature angular structures with tiered overhangs draped in mesh material, accentuated by lighting to emphasize their central importance. Rotated columns create diamond shapes, with back-lit glass onyx adding visual interest throughout the building. The sunburst motif inspires door designs, and this is echoed in the bathroom tiles. The interior materials include marble veneers, velvet, leather, venetian plaster, metallic finishes, embossed wallcoverings, and rippling metal dropped ceilings.

LED lighting strategically lines the walls, creating dramatic shadows and drawing attention to key elements. Geometric spade tables and angular chairs furnish the central dining area, while curved booths and arched walls contribute to intimate seating arrangements. Long angular sconces add to the ambiance in both the main dining area and private VIP rooms. The speakeasy features a hidden bar accessed through the coat check, adding a sense of secrecy and nostalgia for the prohibition era. Finally, live performances in the main dining area provide entertainment and transforms the space into a dance floor, capturing the lively spirit of the Roaring Twenties.

SQUARE FEET

A400 | REFLECTED

3,512 SQUARE FEET

This home was built over 100 years ago in Logan, Utah, and when the client’s mom died, she inherited the home. Early in the process, the client identified a few aspects she wanted to address to be able to live here for another 100 years. Despite the home having five bedrooms, there was only one bathroom located on the main floor. She was also determined to give her son a guest suite, whether through an addition or a separate area on the upper level. The process of this project involved field measuring the entire house, including the small addition in the back, in order to create accurate renderings of the home and eventually prepare construction documents. Once the usable space had been identified, multiple floor plans were created to provide options for the client depending on the budget that would be decided later in the process.

100 YEAR OLD RESIDENCE

The home had undergone multiple renovations, and it showed. A major priority for the client was to make this renovation look seamless, which meant keeping all the original windows and integrating the new ones. The laundry was located outside, making it troublesome to use, especially during the heavy winters. The white addition was vacated, and in early renditions, the client wanted to tear it down.

Through multiple client meetings, different versions of the home were created. A builder was brought onto the project to provide some quotes, leading to the “dream home” version being one that the client ultimately couldn’t afford. This led to a more realistic floor plan, with no extensive addition beyond pushing out the walls of the kitchen and bathroom. It became cost-effective to keep the small white addition in the back, remodeling it into a rental unit to pay for the rest of the renovations.

FLOOR PLANS

GLASBAUM RESIDENCE

REVIT TWINMOTION ADOBE SUITE

6,480 SQUARE FEET

The Glasbaum Residence was designed for a cliff side location in New York State, offering stunning views through the large glass windows. By using design principles employed by Frank Lloyd Wright, such as compression and release, each section of this home has a unique atmosphere and purpose. The entry invites people in to explore, with a view of the central courtyard. Guests are guided into the main living space, with tall ceiling heights fit for entertaining. The guest bedrooms are nearby, accessed through a separate hallway. The main bedroom is found at the back of the house, allowing for a bit of privacy, with low ceilings to add feelings of comfort and safety. An office is conveniently situated next to it, with stairs leading right back down to the main entrance.

The project’s layout was heavily influenced by the elements and principles of design. Drawing inspiration from a tree, the floor plan’s shape mirrors clusters of leaves using geometric rounded squares, repeating at various elevations to create a nice rhythm. Lines are evident in the windows and corrugated metal, guiding the eye vertically, accentuated by horizontal mullions for balanced proportions. The house’s color palette features a deep maroon with black finishes on floor and ceiling elements, while blue window panes with white mullions provide contrast. The interplay of flat windows and curved steel, especially when illuminated, adds texture and visual interest. Strategic placement of lifted elements creates negative space, ensuring visual balance throughout.

A200 | BUILDING ELEVATIONS

THE GLASBAUM COLLECTION

The Glasbaum Collection, inspired by the breathtaking features of the Glasbaum Residence and influenced by Frank Lloyd Wright’s design principles, aims to capture elegance through long lines and curving edges. Featuring four distinct pieces—a sofa, pendant, bed frame, and nightstand—the collection is meticulously crafted with the ability to stand alone or come together in a cohesive arrangement.

The design process involved sketching various forms to see how each piece of furniture interacts and connects. Curves and elongated lines were repeated to create a sense of harmony, with metallic materials integrated throughout the collection. The sofa features a textured pattern for interest, while a solid fabric keeps things balanced. The navy blue bed frame is neutral, with silver curves reminiscent of the nightstand. Finally, the pendant light breaks up the space, echoing the architectural form of the Glasbaum Residence, which inspired the collection.

CAROLINE’S CORNER

Caroline’s Corner is the name of my art business, where I sell everything I create. I have always been a curious person, fascinated by both the built and natural environments surrounding me. I love to take film photos and use these pictures as references to create beautiful paintings. I find great fulfillment through painting, and I love the balance it brings to my life.

From left to right:

“Columbia’s Education Center” 16x20

“Life in the Springs” 30x40

“New York Summer” 18x24

These paintings were all painted from life, created within a two hour timeframe, focusing on blocks of light and accurate color mixing, to create a more dynamic and lifelike painting. Limited color palettes were used, forcing an intentional use of each hue.

From left to right:

“The Still Gray” 18x24

“Half Light” 18x24

“Fruits in Orbit” 18x24