PORTFOLIO 2005-2010 CARLOS BARTESAGHI KOC

C B K a r l o s a r t e s a g h i

o c

2005 - 2010

p o r t f o l i o

resume

EDUCATION National University of Saint Augustine | Arequipa Faculty of Architecture and Urbanism B.Arch. - FIRST CLASS HONOR

2002-08

Saint Jerome Private School | Arequipa High School Diploma - FIRST CLASS EXCELLENCE

1993-01

HONORS & AWARDS Special Acknowledgement & Medal of Honor

National University of Saint Augustine | Arequipa

2009

Award of Merit - Semifinalist

URBAN-SOS Competition|London + World Architecture Festival|Barcelona Honorable Mention GOI PEACE - UNESCO International Essay Contest | Tokyo Top 10 Best Video World Bank 2009 Essay Competition | Paris.

Highly Commended ECOHOUSE International Student Contest | London

2008

Selected 2nd Advanced Architecture Contest - IaaC | Barcelona

2007

2006

Governmental & No Gonvernmental Agencies _Regional Government of Arequipa _Regional Government of Moquegua _NGO - Cied _Municipality of Paucarpata Independent Work _Office, residential, educational and urban projects

2010 2009 2007-08

2007-Present

Volunteer work _Teaching Assistantship, National University of Saint Augustine _English-Spanish Interpreter _Curator _Graphic Designer & Assistant Curator _Event organizar _Library cataloguer

2010 2009 2008 2007 2003

_ARCHITECTURAL REVIEW Magazine. July | United Kingdom 2010 _TUNZA Magazine N° 6.1 - 6.4 - 7.1 United Nations Environmental Program | United Kingdom 2008-2009 _ARKINKA Magazine N° 161 -162 | Lima 2009 _Local Newspapers | Arequipa CORREO Dec 10th and May 16th 2009, EL PUEBLO May 17th

EXHIBITIONS

First Prize “ex aequo” Bayer Young Environmental Envoy 2007 | Lima | Leverkusen 2006

PROFESSIONAL EXPERIENCE Private Studios _Alvaro Pastor Cavagneri Architects _Hernán Perochena Angulo Architects _Ulrich Zanabria Ojeda Architects _Alvaro Neunschwander Borsani Architects _Valencia Building Workshop _INCOP S.R.L. Copa Engineers

2008 2007

PUBLICATIONS

Highly Commended National Architecture Student Contest - ARKINKA | Lima

First Prize Architecture and Urbanism Essay Competition National University of Saint Augustine | Arequipa

_Maurillo Lazo Abuapara Architects _Margarita Velón Interior Design _Silvia María Rodríguez Meneses Architects _Gonzalo Dianderas Salinas Architects

2008 - Present

2009

_URBANINFORM - SQUAT CITY (Collective Exhibition) 2009 4th International Architecture Biennale Rotterdam | The Netherlands _COLLECTIVE EXHIBITION “Generacional” | Arequipa _COLLECTIVE EXHIBITION “Arquitectura en Potencia” | Lima _COLLECTIVE EXHIBITION “Patio Puno” | Arequipa _VIII Biennial of Architecture Students 2004 “Cesar Vallejo University” | Trujillo

TECHNICAL SKILLS Microsoft Office | Adobe Acrobat Professional Adobe Photoshop | Adobe Premiere | Adobe InDesign | Corel Draw | Archicad 13.0 | Ar t* Lantis Studio 2.1 | Maxwell Render | Google Ear th | Ecotect 5.60 | English - Advanced level | TOEFL English Examination

content

academic work 06

Design Studio & Research

44

Visual Studies

50

Writing

professional work 66

Freelance & Studio Work

84

3D Modeling

94

Illustration & Exhibition

05 65

Find this portfolio in digital version at > http://issuu.com/carlosbartesaghikoc/docs/portfolio_2005-2010_carlos_bartesaghi_koc

D

design studio &

R research

aw.01

the eco-cylinder

aw.04

punta sal aqua lodge

V

aw.05

‘symbiosis’ commerce & housing

aw.02B

systemic agrotourism eco-shelter

aw.03

‘off campus’ university housing

aw.06

‘the cube’ bus stop

visual studies

aw.07

hand-drawing

W

aw.02A

systemic agrotourism masterplan

aw.08

painting

aw.09

digital / mixed

academic writing

aw.11

goi peace found. + UNESCO essay

aw.12

TUNZA Magazine

aw.13

independent writing

aw.10

photography

05

academic work

the eco-cylinder D

R

aw.01

Year

2009

Site Location

Multi-location

Type

Independent design | Research

Computer Programs

Archicad + Ar t*Lantis | CorelDraw | Adobe Photoshop

Competitions

Par ticipation Archi BAU AWARDS 2009

Area

20 - 40 sqm / cylinder

wrapping the landscape as a container ...

... imitates the nature

Description Overpopulation and overconsumption processes all over the world have conditioned the rise of new environmental and social problems such as scarcity, overcrowding, lack of shelter and waste improvement.

This is where the ECO-CYLINDER has a crucial participation in creating new architecture typologies, incorporating in its construction the most common residual materials dumped worldwide: plastic bottles and steel cables.

The cylinder can be used in many ways, adapted according to the site & weather conditions, number of users, function and material availability. The bottles, set in tubular arrangements, may storage water, be covered with natural materials and act as a empty container for flotation. The cylinder turns into an inhabitable space capable of being used in horizontal and vertical orientation, being a multifunctional object that helps users in their daily tasks.

The main materials can be obtained from the garbage, reducing considerably the manufacture costs. The bottles transparency allows the object to mimic with the landscape.

Moreover, the cables used to join the bottles can be helpful to connect electronic devices with external power and information networks.

Finally, the object may be covered with other natural materials obtained from the local context as a protection and mimicry strategy.

The assembly process is very simple. It is necessary to join the bottles with cables and create two walls that will be intertwined one to each other. These will be wrapped to form cylindrical modules that will be piled according to needs.

Each module measures 4 meters of diameter and 2.10 meters height, approximately.

How many people could a single design serve

?

07

How does the cylinder blend with the landscape ?

1 2 3 4

Filling spaces between bottles with vegetation or any other natural material Using transparent Bottles Planting bushes and Ivies for sticking the structure with the ground Burying par t of the first module into the ground

verticality vs. horizontality

ASSEMBLY PHASES

05 volume wrapping

04 wall intertwined

03 wall yuxtaposition

02 negative wall construction

01 positive wall construction

multi- purpose orientation

multi-location

j

a

social, economical & physical adaptability

Location Function # Modules

l e i

f

g h c a winds’ direction

d b

k

chimney effect

passive ventilation

b United States of America (USA) Communication | Radio Antenna 05

Location Function # Modules

Titicaca Lake, Peru Human Transpor tation | Boat 04

09

c Location Function # Modules

d

Canada Navigation | Lighthouse 06 - 10

Location Function # Modules

e

Mexico Scientific | Viewpoint 06 - 08

Location Function # Modules

Switzerland Navigation | Buoy 03

f

g

Location Function # Modules

Location Function # Modules

Vietnam Production | Fish farm 03

h Scotland Production | Warehouse 06

Location Function # Modules

fabric

snow

straw

liquen

wood

garbage

water

stones

sand

vegetation

What kind of material would you like to use to cover your cylinder ?

i China Food Transpor tation | Boat 05

Location Function # Modules

Australia Shelter | Farm 04

11

worldwide users

the project promotes social inclusion, cultural diversity and skills transferability

j Location Function # Modules

k Zimbawe Production | Energy generator 04

Location Function # Modules

l Antarctic Shelter | Iglu 04

Location Function # Modules

Sahara Deser t, Sudan Storage | Reservoir 05

!

systemic agro-tourism masterplan v.1 R

aw.02A

Year

2009

Site Location

Arequipa | Peru

Type

Independent design | Research

Adviser(s)

Arch. Ulrich Zanabria Ojeda Arch. (MSc.) Dora Guillén de Arce

Computer Programs

Archicad + Ar t*Lantis | AutoCAD | Adobe Photoshop | Ecotect

Area

300 000 sqm (urban) / 240 sqm (shelter)

Awards Award of Merit - Semifinalist URBAN-SOS Competition|London |Barcelona

2009

Highly Commended ECOHOUSE International Student Contest | London

2008

Participation HOLCIM AWARDS Next Generation Category | Zurich Selected 2nd Advanced Architecture Contest - IaaC | Barcelona

2007

First Prize “ex aequo” Bayer Young Environmental Envoy 2007 | Lima | Leverkusen

Publications ARCHITECTURAL REVIEW No. 1361 July | United Kingdom

2010

Exhibitions GENERACIONAL (Collective Exhibition) Chavez de la Rosa Cultural Centre | Arequipa

agricultural tourism in post-colonial cities Wherever we go for vacations, we are looking for comfortable hotels and resorts to make our stay an unforgettable experience. Many of them are established in natural contexts such as forests and exotic paradises promoting a sustainable tourism. On the contrary, some other irresponsible architecture designs have alienated and changed the cultural, economical and social conditions, establishing allin-one concrete monuments with irreparable consequences for local habitats.

Under these circumstances, the NEW MASTERPLAN for the Chili River Borders has been elaborated under the sys-

CURRENT CONDITIONS

D

how to create a natural paradise inside the urban fabric ?

2009

URBANINFORM - SQUAT CITY (Collective Exhibition) 4th International Architecture Biennale Rotterdam (IABR) The Netherlands

Reference links http://www.edaw.com/urbansos/top20.aspx http://www.urbaninform.net/home/minidoc/415/systemic-tourism-self-manufactured-eco-shelter.html http://www.archdaily.com/76055/systemic-agro-tourism-carlosbartesaghi-koc/ http://www.oxfordconference2008.co.uk/ecohouse_awards.htm

Sector 1

culture, leisure & residence

unstable cliff

temic approach and proposes a new alternative for touristic facilities in post-colonial Latin-American cities.

The project promotes the idea of merging the urban and rural touristic attractions in a city where the urban sprawl has gradually suffocated the river basin and the countryside.

hostels inside cultivated crops, the experience of living in buildings made of recycled materials and experimenting to work with the local farmers in their daily task (plowing, sowing); increasing the environmental awareness and skills transferability.

them attractive for new flora and fauna. The abandoned 13 tanneries located in the west border will be restored and transformed into a post-industrial museum, a convention centre, public libraries, art galleries, theaters and typical food restaurants.

Consequently, agriculture, tourism and cultural heritage will create a new urban network to unite both sides of the city, geographically and socially divided by the river. The fields will become a tool for modeling a changeable and productive landscape, making it an attractive destination for tourists and locals alike.

The first stages involve participative-tables with stakeholders, farmers and citizens, in order to elaborate a Landscape Plan and Land-Use Plan, and then dispose the shelters and buildings linked with an extensive pedestrian and bicycling network built over the crops.

The gas station located next to the industrial facilities will be replaced with a new BIOMASS STATION, where people will be able to learn, and participate in activities such as compost elaboration, biogas processing and solar energy production.

Both riversides will be restored and designed as a serious of natural slabs covered with rocks and vegetation, making

Finally, all old slums and colonial houses next to river will be restored for creating new residential spaces.

The masterplan establishes new paradigms such as locating

abandoned tanneries

gas station

old colonial buildings

1 km.

General cross section

0 km.

riverside detail

sector 2

Building restoration

General masterplan - Chili river basin

sector 1

Social & economical participation CONTRIBUTIONS TO SOCIALLY VIABLE ENVIRONMENTS The design will integrate two social divided areas of the city connecting them through a Public Park. The Pedestrian & bicycling network will enable the relationship between different tourist shelters & complementary infrastructure, along crops.

CURRENT SOCIAL-ECONOMICAL SCENARIO

irregular incomes From informal industries & agriculture

VS

tourism agriculture

New pedestrian network Crops restoration Existing-parks incorporation River restoration

permanent regulation between tourism & agriculture

GRADUAL ECONOMICAL TRANSFORMATION

CONTEXTUAL RESPONSE & ECONOMICAL BENEFITS The old abandoned tanneries restoration will be an oppor tunity to open new trading markets and broaden the cultural and commercial markets.

The economical regulation established between the touristic and agricultural activities is a homeostatic system that maintain a permanent level of incomes and regulate the local market.

PROPOSED SOCIAL-ECONOMICAL SCENARIO

Sector 1 culture, leisure & residence

Sector 2 production & accomodation

D R

aw.02B

Solar studies - 15° Northwest orientation

SOLAR PATH - WINTER The nor th façade (bottle’s radiator) is exposed to the sun for more than 8 hours, improving the solar profit.

SOLAR PATH - SUMMER Solar rays are blocked by vegetation, reducing the temperature inside the shelter.

Intelligent insulation systems

Self-manufactured methods & cooperative work systems

Mobile paneling & passive ventilation systems (cross ventilation)

Low-cost maintenance and high availability of replacement materials

Mobile paneling & passive ventilation systems (cross ventilation)

Triangular sections reduce projected shadows & improve solar profit.

Low-technology mechanism

Ventilated structure & effective system of weigh transmission

Prismatic vessels, reduce overall weigh and adaptive paneling system

Passive energy per formance

systemic agro-tourism eco-shelter v.2 Building key features

shelter

Space iterations modules

furniture

materials

Fractals & architecture

Randomness and patterns found in fractals are used for organizing the project throughout different scale levels, since insulation materials and space volumes to more complex urban scales.

17

The Self-manufactured Shelter

Being part of the AGRO-TOURISTIC masterplan, these shelters are located in the sector 2, dedicated to production and accommodation of tourist. In addition, a rustic network of sidewalks has been designed among buildings for communication, trading and transportation.

Self-manufacturing of parts (digitally designed) allows cooperative work between farmers & tourists. This work system is an innovative concept that promotes environmental awareness and the development of new skills & technologies via training.

Finally, the intelligent-façades control the comfort indoor being operated manually, reducing building’s performance costs throughout its life-cycle.

Sector 2

production & accomodation

energetic assessment & self-manufacturing process

energy production (profit)

* 10.22 tonnes / year (UK national average)

footpr on

CO2

3 085 Kwh / year

int

600 000 Kwh / year

carb

close environmental system

1.78  *

energy consumption (expenses)

tonnes / year home footprint

0.53 tonnes / year

0.96 tonnes / year

appliances footprint travel footprint

0.29

tonnes / year

It has been developed an environmental system that works with INPUTs & OUTPUTs in cyclical dynamics. Through these, the users are able to transform human waste into energy and new materials. Urban farming, biogasregenerators, electricity convertors and wastewater recycling the shelter is completely sustainable and independent for long period of times.

HLP heat loss parameter

0.77 K / m2K

50 %

economical & ecological efficiency

+3.00 m.

+0.00 m.

STAIRS

level 4 STAIRS

DRY WC

DRY WC

STAIRS

DRY WC

STAIRS

DRY WC

STAIRS

level 3 STAIRS

DRY WC

STAIRS

DRY WC

DRY WC

STAIRS

DRY WC

STAIRS

STAIRS

STAIRS

level 2 STAIRS

STAIRS

STAIRS

STAIRS

H Y D R O P HO YN DI CR OP PL O AN FCO SHTNYFIDCORRPOMLPSAO TNFI O AN FCO SHTNYFIDCORRPOMLPSAO TNFI O AN FCO SHTNYFIDCORRPOMLPSAO TNFI O AN FCO SHTNYFIDCORRPOMLPSAO TNFI O C RPMLSA T F O R M S C RPMLSA T F O R HMYSD R O P HO YN DI CR OP PL O C RPMLSA T F O R HMYSD R O P HO YN DI CR OP PL O C RPMLSA T F O R HMYSD R O P HO YN DI CR OP PL O H YT ID RR O P O H YT ID RR O P O H YT ID RR O P O H YT ID RR O P O PM LA PM LA PM LA PM LA

I R C U L A T I O N

R OR OOR MOOR SMOO SMO SMR SOR OOR MOOR SMOO SMO SMSC I TRSSCOUTRLSOAATTRGISOOAETNRGOAERG AE G E U L C A I TR I C O IU NRL CA UT LI O A N T I O N A N T I O NC I R CC IU RL CA IUT RLI CA O UTN LI O

+6.00 m.

T H E R M I CT AH LE RR MA IDCITAAHLTEORRA M DI CI TAA HTL E I AATLO RR A D I A T O R T H E R M I CT AH LE RR MA IDCITAAHLTEORRA M DI CI TAA HTL E I AATLO RR A D I A T O R T H E R M I CT AH LE RR MA IDCITAAHLTEORRA M DI CI TAA HTL E I AATLO RR A D I A T O R T H E R M I CT AH LE RR MA IDCITAAHLTEORRA M DI CI TAA HTL E I AATLO RR A D I A T O R ORRRAMDI C ORRRAMDI C ORRRAMDI C ORRRAMDI C

+9.00 m.

SMALL SMALL FARM COMPOSTING SMALLCOMPOSTING FARM COMPOSTING SMALL FARM FARM COMPOSTING BIODIGEST BIODIGEST BIODIGEST KITCHEN + DINING ROOM WORKSHOP BIODIGEST KITCHEN + DINING WORKSHOP KITCHEN + DINING ROOM CROOM WORKSHOP I R CC KITCHEN + DINING ROOM WORKSHOP

program orientantion structures & modules

STAIRS

level 1 STEP C floor & additional suppor tive systems assembly

STEP D paneling assembly

mobile paneling RECTANGULAR

INdoor paneling

STEP B module assembly of complex shelter

plastic bottle’s panel

folding beds

glass bottle’s panel

cardboard piled furniture

materials

TRIANGULAR plastic & glass bottles

metalic oil cans

OUTdoor paneling cardboard boxes

STEP A single module assembly wood platforms

mud (adobe)

aluminium cans

straw matting

egg cardboard

recycled plywood

guinea pig hair

‘Off-campus’ university housing D

aw.03

Year

2009

Site Location

Arequipa | Peru

Type

Design Studio 10 Design Studio 09

Adviser(s)

Arch. Alvaro Pastor Cavagneri MSc.Arch. MLA Mauricio Huaco Zúñiga Arch. Aldo Guerra Vizcarra

Computer Programs

Archicad + Ar t*Lantis | AutoCAD | Adobe Photoshop |

Area

42 257 sqm - Masterplan 14 367 sqm - Built area

Awards Highly Commended 2009 National Architecture Student Contest-ARKINKA | Lima Publications ARKINKA No. 161 - 162 April - May | Peru

Exhibitions GENERACIONAL (Collective Exhibition) Chavez de la Rosa Cultural Centre | Arequipa

2009

2009

ARQUITECTURA EN POTENCIA (Collective Exhibition) Gallery of The Gold Museum of Peru - LARCOMAR | Lima

21

I. II. III. IV. V.

‘Off campus’ - masterplan

Context analysis Concept + Program requirements General design Spatial modeling Final design

12 11 9

I. Context analysis

1

The basic concept for this project was to create two different circulations systems. The first circulation system is located in the ground level. Boulevards, streets and private squares connect all public activities such as expectation, exhibition and sport that will serve public users. On the other hand, the second group of restricted circulations are located in the following levels above the squares and they are designated to connect student apartments and green roofs.

90 students in apartments

+ 2090 general users

= Amplified revenues through general and public services that support residential activities

9

9

9

2

3

4

10 8

5

6

9 10

7

18

5b 13 15

The green roofs replicate the pre-existent agricultural landscape and support productive and leisure activities. Some old colonial houses (mansions) found in site will be restored and adapted to new cultural programs. The overall design will have to take into consideration the typical architectural and urban aspects studied from the adjacent colonial houses and city centre.

Finally, due to the fact that apartments will accommodate graduates and undergraduates students from 3 different universities, it has been designed a system of independent apartments (typologies) that are organized in differentiated groups in order to allow the best solar exposure, thermal comfort and a optimum illumination quality of studies and rooms.

focus design

100 m.

In order to define the most suitable design, it has been established an organized methodology of design with 5 phases:

0 m.

The project is located at the Chili river valley, on a cliff 15 m. above the water level.

All visuals are orientated towards the Colonial city centre and some old colonial houses are located inside the plot. It has been elaborated a complex program that will offer cultural activities and housing services not only for students, but also to the general public and local neighbors.

14

CH

RIV ILI

ER

17

COLONIAL CITY CENTRE 16

01 02 03 04 05 05b 06 07 08 09 10 11 12 13 14 15 16 17 18

BOWLING - COMMERCE ART WORKSHOPS - COMMERCE DINNING HALL SPORTS INDOOR - MULTIUSE ROOMS PUBLIC LIBRARY MOVIE THEATER (restored house) AUDITORIUM LOUNGE RESTAURANT (restored house) ART GALLERY - EXHIBITION STUDENTS APARTMENTS SPORT CENTER (pool, gym, courts) PARKING MAIN ENTRANCE BOULEVARD - RIVERSIDE CAFES PUBLIC PARK - PROMENADE AMPHITHEATER BRIDGE ACCESS HIGHWAY BOULEVARD ACCESS

P U B L I C F A C I L I T I E S H O U S I N G 671 m2

138 m2

158 m2

383 m2

567 m2

292 m2

2962 m 2

5055 m2

735 m2

252 m2

386 m2

1415 m2

1353 m2

(09 units)

triplex 1

(03 units)

duplex 2

(03 units)

duplex 1

(09 units)

flat 3

(11 units)

flat 2

(11 units)

flat 1

circulations

sport center

lounge restaurant

commerce

exhibition galleries

public library

auditorium

II. Conceptual drawings & program requirements

masterplan’s sketches

23

façade’s rhythm and pace

uplifting apartments to shape a continual green rug over the public activities !!!

2 42 257 m total area 2 14 367 m2 built area

lawn

green parking

4500 m2

2480 m2

G R E E N

urban farming

main square

1360 m2

S P A C E S

6350 m2

sport & leisure

1900 m2

moving big volumes back opening the vision to the landscape !!!

squares

river pier

1300 m2

P U B L I C

open spaces

3450 m2

boulevards

4235 m2

1315 m2

entrance squares

26 890 m

P R O G R A M

III. General design

A

A

SECTION A-A + FRONT ELEVATION

10 m.

5 m.

2 m.

GROUND FLOOR + 15.00 m.

0 m.

BASEMENT FLOOR + 12.00 m.

IV. Spatial modeling MOCK-UP PROCESS THIRD FLOOR + 27.00 m.

0 m.

1 m.

2 m.

5 m.

B

c

SECOND FLOOR + 24.00 m.

A

FIRST FLOOR + 21.00 m.

LATERAL ELEVATION

BACK ELEVATION

flat 2

flat 3

(11 units)

duplex 2

(03 units)

triplex 1 (09 units)

c

(03 units)

c

duplex 1

(09 units)

B

c

(11 units)

B

flat 1

B

V. Final design

27

duplex interior

section B-B

third level

second level

duplex interior

section C-C

first level

complete levels

typologies’ spatial distribution

punta sal aqua-lodge D

CANCAS BAY

LAS HAMACAS BEACH

aw.04

Year

2006

Site Location

Punta Sal, Tumbes | Peru

Type

Design Studio 07A

Adviser(s)

Computer Programs

Arch. Ulrich Zanabria Ojeda Archicad + Ar t*Lantis | AutoCAD | Adobe Photoshop |

Area

17 400 sqm

Description Land scarcity and dangerous geological conditions are problems that reduce possibilities to invest in tourism along the north shores of Peru. Although the sceneries emulate a Caribbean paradise, there is still a lack of good facilities, a fact that motivated me to design a floating lodge, 350 meters far from the shore.

‘When land is scarce, water is plentiful’

As a perforated membrane, the floating docks join each and every building supported over concrete pillars. The facilities offer a plenty of interesting services such as hosteling in bungalows, boat renting, sustainable fishing, diving instruction, yacht club, restaurant, discotheque, workshops and a protected marina.

The reinforced-concrete dikes have been designed according to predominant tide movements, deflecting currents along its longitudinal axis and offering protection to all ships and buildings located behind.

entrance administration restaurant club services

workshop

dry pier

lighthouse

bungalows marina

A

B

viewpoint

0

5 10

20

30

0m.

PUNTA SAL BEACH

VILLA ELENA

predominant tide’s deflection

250m.

500m.

29

CONCEPTUAL DRAWING

31

Entrance hall, offices

Store, restaurant

Control tower

Classrrom, social club

FIRST LEVEL + 5.00 m.

SECOND LEVEL + 8.50 m.

FOURTH LEVEL + 30.50 m.

THIRD LEVEL + 12.00 m.

A

A

0

2

5

10

SECTION A-A

A

33

QUADRUPLE SUITE +4.00 m.

0

1

2

DOUBLE SUITE 1 +4.00 m. / +7.00 m.

SINGLE SUITE 1 +4.00 m. / +7.00 m.

TRIPLE SUITE 2 +4.00 m.

DOUBLE SUITE 2 +4.00 m. / +7.00 m.

SINGLE SUITE 2 +4.00 m.

5

SPECIAL SUITE 1 + 4.00 m.

SECTION B-B

TRIPLE SUITE 1 +4.00 m.

‘Symbiosis’ commerce & housing

PLOTPLAN

BASEMENT -6.50 m.

Commercial center, housing blocks

Stores, gymnasium, art gallery & parking

D

aw.05

Year

2005

Description

Site Location

Arequipa | Peru

Type

Design Studio 06A

Adviser(s)

Computer Programs

MSc.Arch. Gustavo Sanchez Rodriguez Archicad + Ar t*Lantis | Adobe Photoshop |

Commerce and housing perfectly exemplify an architectural symbiosis between two activities that are essential in Peruvian mixed-use buildings. The project is focused on concentrating the public activities in the first floors and the housing and leisure program over a green roof considered as the building’s fifth façade.

Area

14 000 sqm

In addition, the design course was orientated to develop detailed drawings with a high technical presentation level.

ENTRANCE LEVEL -2.00 m.

Stores, supermarket, art gallery, parking & housing blocks

35

UPPER LEVEL LEVEL +3.00 m.

Food court, art gallery, lawn & housing blocks

FOOD COURT - outdoor render

MAIN ENTRANCE

MAIN ENTRANCE LOBBY SKYLIGHT DETAIL 2

37

SKYLIGHT DETAIL 2

LOBBY & SKYLIGHT DETAILED SECTION

west elevation

SECTION ELEVATION ACROSS PARKING 1

39

SECTION - ELEVATION ACROSS PARKING 2

HOUSING BLOCKS’ RENDERS

‘The cube’ bus stop D

aw.06

Year

2005

Site Location

Multilocation

Type

Product Design Course

Adviser(s)

Computer Programs

MSc.Arch. Gustavo Sanchez Rodriguez

Area

200 sqm

Archicad + Ar t*Lantis | Photoshop |

41

The single more important public object used for transportation, communication and social relationships is the BUS STOP. Moreover, it is a space of social friction and although it is designed to satisfy collective necessities, it is also useful for individual activities such as commuting, information and rest.

In our proposal, the BUS STOP is reinterpreted as a cubical system that is able to add or remove modules according to the amount of users and the space availability. These modular variety offers different types of associations and incorporate additional urban furniture such as benches, rails (stand-up support), bins, telephones, and publicity posters.

TOP VIEW

module 1

LATERAL VIEW

FRONT VIEW

module 2

module 3

module 2

module 2

module 3

module 4

module 1

TOP VIEW - Module 1

LATERAL VIEW - Module 1

FRONT VIEW - Module 1

43

module 2

module 3

module 4

DETAILS - Module 1

hand-drawing V

aw.07

Year

2009 - 2010

Type

Independent work

Drawing and sketching has always been important in my personal life as well as my projects’ creative process. It has allowed me to understand my own conflicts, to explain my ideas and illustrate the spatial, morphological and functional essence of each and every place I have been and I have imagined. As Albert Einstein used to say, “ If you cannot draw it, you cannot understand it”.

the factory

2010 - Conceptual Drawing

the vatican skyline

2009 Rome - Travel sketch

through trajan’s forum 2009, Rome - Travel sketch

45

louvre museum

2009, Paris - Travel sketch

painting V Year Type

aw.08 2005 - 2009 Curricular & extracurricular work

Live is colorful, live is black and white. Inanimate and noninanimate environments are represented in the following painting projects undertook as part of university courses and individual interests.

twitch

2008, Watercolor 12.0 x 21.0 cm.

teddy bear

2008, Watercolor 12.0 x 27.0 cm.

47

‘ dad ’

2009, Tempera 28.0 x 40.0 cm.

‘ mom ’

2009, Tempera 28.0 x 40.0 cm.

portrait #01

2006, Black marker on cardboard 13.0 x 13.0 cm.

santa catalina monastery

2005, Black marker and colored pencils 26.0 x 33.0 cm.

49

cuzco

2005, Watercolor 23.0 x 32.0 cm.

portrait #02

2006, Black marker on cardboard 11.0 x 24.0 cm.

terracota building - cali, colombia 2005, Watercolor 40.0 x 28.0 cm.

51

farnsworth house - mies van der rohe 2007, Tempera 42.0 x 28.0 cm.

digital / mixed V

aw.09

Year Type

2005 - 2009 Extracurricular work

Computer Programs

Adobe Photoshop | Coreldraw

Extracurricular projects developed by using mixed digital techniques and computational programs for producing flyers, posters, logos, stickers and clothing.

conea 2005 - identity design

National Architecture Student Meeting PERU Design package of logos, stickers, clothing and flyers.

53

Voices around the world are screaming desperately for HELP!. Voices around the world have HOPE in a better future. We are burning our resources, we are burning our world, and like smoke escaping from chimneys, they will disappear if we do not do anything about it. I have found a word that does not have a par ticular language, nationality and does not discriminate, ‘CO2’.

Nowadays, CO2 is the biggest threat we have to face and it is infringing our social, cultural and environmental heritage, and we have the duty to stop it now!

In all languages people are shouting loud to their authorities that we still have time to remedy our mistakes. I tried to express all of this in my submission, the multilingualism of a common necessity for a desperate change.

languages matter ! UNESCO

DESIGN 21 - UNESCO POSTER COMPETITION 2009

HELP ! - HOPE !

In addition, the poster has been developed thanks to the suppor t of friends that help me to translate these words into their mother languages, managing to compile the following ones: English, French, Spanish, German, Quechua, Chinese, Dutch, Greek, Italian, Por tuguese, Japanese, Korean, Russian, Danish, Swedish, Africaans, Polish, Turkish, Latin, Arabic, Slovak, Hebrew, Hindi, Hungarian, Norwegian, Rumanian, Filipino, Ukrainian, Lithuanian, Thai, Indonesian, Vietnamese, Malay, Swahili and English Braile Code.

Finally, I have to mention that languages really matter when we must protect our mother ear th, our cultural life, when we want to preserve our social expressions and fight against an environmental unawareness that is consuming us.

Languages matter when we must teach to protect our world, that irremediably climate change could snatch us. We have the power to scream aloud in our mother languages and make this fight a reality.

55

photography 2006 - 2010

V

aw.10

57

59

academic writing

W

aw.11

Goi Peace Foundation + UNESCO International Essay Competition for Young People 2009 HONORABLE MENTION

The role of science in building a better world

Do It Yourself In the middle of the 1990 the company that made Eflornithine, an effective drug at treating sleeping sickness, stopped making it because victims had not money to pay for it. Eflornithine reappeared as an active ingredient in a new cream that impedes the growth of women’s facial hair.

When I found out, an indescribable feeling made me lose my faith in science. Technology for what?…Science for whom? if all these people cannot benefit from it and they are still dying. While thousands of Africans cross hundreds of kilometers on foot expecting to be treated, wealthy women are scattering the cure on their faces just for a vanity necessity.

Sometimes, scientific discoveries are used inappropriately to feed particular bank accounts with a blatant disregard for others’ life and welfare, causing a massive damage to humanity, taking an unfair advantage over our resources and necessities.

Organized by The Goi Peace Foundation and UNESCO Endorsed by the Ministry of Education, Culture, Sports, Science and Technology of Japan Japanese National Commission for UNESCO, Japan Broadcasting Corporation Nikkei Inc., Tokyo Metropolitan Board of Education and Supported by Japan Airlines.

Nowadays, science is looking for new technologies to remedy those mistakes. Research has been centered on the High-tech with a goal to sustainable future. Yet today, it is so notorious the imbalance of this future and it seems the science is focused on societies which can pay the price for a better world.

61

While developed countries are benefited by windmills, solar panels, photovoltaic cells, biofuels and hybrid cars, in developing nations such as mine we just enjoy these developments as a documentary, whereas we are fighting against the starvation, abject poverty, abuse, corruption, discrimination and a lack of education.

Always, I have believed that appropriate technologies should be old or new, simple or high tech, adapted according to the physical, social and economical situations and I think that it is necessary to create simple initiatives for complex problems. In fact, the smallest and multitudinous ideas are the most plausible and transferable.

A dream of a local technology that recognizes native values and habits, that takes advantage of first-hand resources and adapts the ancestral knowledge to current realities, is what I have called the DO IT YOURSELF SCIENCE. The DIYS is searching for inherited simple skills which only two generations ago were compatible with a low-consumption and a less wasteful lifestyle. These abilities could be supported by the present-day technology to be applied for construction, medical treatment, food´s conservation, agriculture or carpentry in places where quality of life seems a fairytale.

Great discoveries are found in laboratories and even stay on paper for a long time while people are suffering and dying, waiting for a real solution. On the other hand the DIYS is a tangible proposal which aims an immediately answering the problems which are affecting developing communities without access to modern comfort.

In the highlands of Peru, I visited last year a poor community where an NGO proposed the use of photovoltaic cells to generate electricity. After a couple of months the project was abandoned because locals could not maintain machines and appliances. The Technology was applied arbitrarily and insufficiently targets the objective-population. Ideas for construction with earth bricks, the composting of manure,

the recovery of the andenería (agricultural slabs) and rain for irrigating could have been a better option to improve the Community´s quality of life for long term.

Furthermore, in some African villages women and children must trek around six hours carrying 20-litre containers on their heads. Instead of waiting for modern pump-machines or pipes infrastructure they have replaced these containers with polythene barrels with steel handles which can hold around 90 liters, becoming in an exemplary low-tech solution where big investments are not affordable.

Just like William Kamkwmamba, a young man from Malawi who built a windmill community from scrapyard parts, I am currently working out to replicate my DIYS initiative in my community in the hope of develop and achieve a new Know-how construction technology from reusing garbage.

PET-bottles, plastic bags, paper, glass and Tetrapak bricks can be used as a material source within shelters for relief situations or homeless people.

My vision may appear unreal or complex, but to make it simple, the current technologies must be adaptive, transforming the threats in new opportunities to change, such as Doctors Without Borders established by the “Eflornithine Campaign”, where the beauty cream become a reason to save the drug. Eventually the pharmaceutical company agreed to donate additional supplies and money for research in sleeping sickness.

Science is just a pencil which in the appropriate hands will write a balance future for all. Everybody has the duty and the power to write their part of this history. I pray that the following years the old and new scientific knowledge could expand to a real tangible action beyond paper, benefitting to developing and developed communities alike, because…

My faith in science still alive!

W

aw.12

TUNZA, the UNEP magazine for Youth (United Nations Environment Programme)

PUBLISHED No. 6.1 - 6.4 - 7.1

Good ideas (6.1)

Material friends (6.4) Co-author: Hyrla de Souza e Silva

As an architecture student, I specialize in sustainable management. So I was alarmed at the amount of paper and cardboard my 400-person department consumes – between maps, models, sketches and so on, 7.7 tonnes per year!

So I presented a list of strategies, including printing on smaller sheets, using both sides, cutting up maps to reuse as sketchbooks, using digital models when possible, and reusing cardboard. All that’s needed is awareness, and my fellow students and teachers have now started to act. On average, making a tonne of paper produces a third of its weight in CO 2 emissions, and Peru alone has 22 such departments.

Clearly we students can make a signifi cant impact simply by changing our habits. Getting the word out to other schools is my next step.

Hyrla de Souza e Silva (23), from Brazil, and Peruvian Carlos Bartesaghi Koc (23) met as Bayer Young Environmental Envoys, in 2007. Since then they have been sharing ideas and information…

Hyrla: My friend Carlos has graduated in architecture, and he is now working on his thesis. He wants to work with solid waste management, designing new plants and a landfill for his city.

Although he lives in Peru, we have been talking a lot via internet chat and e-mail.

I’ve recently been doing research in Brazil about waste management to help him find information for his thesis.

Carlos: Hyrla has just graduated with a degree in industrial design in Brazil.

At BYEE I was inspired by her presentation about manufacturing school furniture using recycled materials.

Ever since, we’ve been sharing information about new materials for our upcoming projects. And together we discuss what we learned in Germany, such as the fact that they use wool, rather than wood, to insulate houses in the countryside.

Being Bayer Young Environmental Envoys changed our lives, and because of this, Germany will always be special to us. Frontiers and differences fell away. We met students from all over the world with whom we still keep in touch regularly. Together, we are all still committed and looking for the best for the environment. The BYEE experience helped us realize that globalization can be a positive force for the future.

63

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aw.13

Independent writing

the incas’ hidden treasure Many studies have demonstrate the INCA’S urban & architectural know-how, but we do not know the real motives that allowed them to prevail historically and culturally for a long period of time, having been the most important pre-colonial civilization in Latin America.

It’s only natural (7.1)

Chuño – a freeze-dried potato product made

by Quechua and Aymara communities of Peru and Bolivia – can be stored for years.

Making it, using a centuries-old recipe, takes five days: first, a frost resistant variety of potato is laid out on the ground, covered with straw, and left to freeze for three nights in the low temperatures of the Andean Altiplano.

Then the potatoes are exposed to the intense mountain sunlight to dry, and trampled by foot to squeeze out excess water. Then they are frozen again, becoming chuño. I eat chuño – a staple of our national cuisine – at least twice a week. Usually I have it in a soup called caldo blanco, which is also made with mutton, quinua, potatoes, wheat and rice. Other recipes use boiled or fried chuño, and there’s even chuño flour.

So this ancient skill survives, especially in the highlands, as both a source of employment and a gastronomic delight.

By that time, Incas believed that human beings were living tied to the earth and soil, called by them as “The Pachamama”*, arguing that they were born from the ground and they will return to the ground. Due to this fact, Incas were concerned about preserving their environment and the resources that generously the Mother Earth offered them. They did not demand any more than the own nature was able to offer them.

It was this love and bow for nature which determined the rules of their society, their religion and the way of inhabiting the landscape. There was a kind of offer to the land, a gratefulness ritual for fruits and granted favors, that is still practised in present. The agricultural calendars were strictly respected and only seasonal products were consumed (100% organic). The city coexisted masterfully with the landscape.

After several studies, the Inca’s hidden treasure was finally revealed. The invention that revolutionized and transformed an incipient culture in a great empire, was THE ANDENERIA (planted Slabs), an agricultural domestication of the mountain. These agricultural stairs allowed them to cultivate the hills and steep areas, protecting them from erosion with a rational use of land and water as well as using complex irrigation systems, developing a magisterial hydraulic technology.

The location of the agricultural crops determined where their settlements will be founded, always sited in high hillsides. Hence, their towns were always protected from the floods, avalanches and slides,as well as possessing

architecture and food preservation a strategically domain in case of war or invasion, making its cities impenetrable fortresses.

These approach was beyond spatial and architectural organizations. Their society was organized in AYLLUS**, an exceptional social model for controlling the agriculture, landscape and population.

These ayllus were in charge of extensive agricultural plots. Their members were obligated to work the land not only for their subsistence, but also for other’s subsistence in favor of small communities. The Ayllus established a cooperative network between cities of different scales, differing to the current neoliberalism politic that believes on individual community development.

The AGRICULTURE was undoubtedly “The Incas hidden Treasure”, demonstrating a profound respect for the earth and for other live beings. Nowadays, few people still believe in this philosophy and globalization and consumerism have corrupted our relationship with the Mother Earth. If we took advantage of all these ancestral strategies and we would merge them with state-of-the-art technologies of today, we could develop a new “Know-how” in order to preserve natural species and protect the land and resources for future generations.

“The Inca’s Colcas ” Though the refrigerator did not exist, by that time, Incas already possessed interesting technologies for food preservation, much more efficient and eco-friendly than those we use in the present.

The first stage was the preparation of food to be stored for long period of time. Potatoes were frozen and dehydrated to be turned into “Chuño” and meat was covered with salt and dried under the Sun to be turned into “Charque”.

The second stage was to arrange these products in natural chambers, called COLCAS. They were built digging the stone of caverns geographically located in cold areas and orientated to the south.

A clear example of these chambers could be found at The Colca Canyon near Arequipa city, in Peru. This famous valley owes his name to these chambers or natural refrigerators, where food was placed and covered with straw for protection. It is even possible to find corn, potatoes and other products of more than two hundred years old still stored there because these chambers are able to maintain an indoor temperature below the 7 °C even though the outdoor rounds the 20 °C.

* Pachamama. From the word pacha (of the Quechua pacha: land and, for modern enough extension “world”, “cosmos”; and mother - is to say “ Earth mother “) is the great deity, between the indigenous villages from Central Andes. ** Ayllu (Quechua). A Relative’s community Form. Original from the Andean Region who works like a collective entity in a Common Property Territory.

F

freelance &

S

Studio work

pw.01

‘sumaq’ business lounge

3D

‘patio puno’ masterplan

pw.03

pw.04

pw.07

pw.08

pw.09

ecological kindergar ten

pw.05

‘movitecnica’ commercial stand

3D modeling

pw.06

univeristy campus moquegua

I

pw.02

‘the quarry’ touristic masterplan

chilina bridge arequipa

illustration & exhibition

pw.11

‘generacional’ exhibition design

pw.12

‘eiffel, mith & reality’ exhibition design

ANB Alvaro Neuenschwander Borsani Architects

APC Alvaro Pastor Cavagneri Architects

pw.10

Ulrich Zanabria Ojeda Architects

UZO

65

professional work

2.500

2.050

2.050

2.400

1.100

2.600

2.500

2.050

2.050

2.050

2.400

2.700

X1' 0.775

1.100

0.215

Y3'

2.600

SC Family

1.200

1.050

12 10

0.250 0.500

9

0.250

2.700

Client

2.800

Independent design

office office

2.600

Type

hall

8

Tacna | Peru

office office

7

Site Location

G

Y3

6

2010

Y2 86 °

5

Year

Y3

2.700

pw.01

Y2

2.800

F

H

11

1.050

0.900

13

14

Y1

0.075 2.800

office

15

office

0.150

Y1

0.075 2.800

16

17

1.100

X1 4.980

5.300

4.950

2.500

X2

6.400 18

2.700

office

5.850

1.050

Y2

hall

X3

0.125

Y3'

Y1

86 °

office X4

G

1.200

A

B

D

C

0.150 0.500

Y2

Tabiquería Provisional

2.050

0.075

1.100

A

‘sumaq’ business lounge

H

0.900

1.050

0.075

2.500

Y1

4

5.300

Y3'

183

1.250

161

office

Y4

13

14

No. Pasos : 18 Longitud paso : 0.300 m.

Traslape : 0.025 m.

Altura contrapaso : 0.178 m.

2.800 1.075

172

Y4'

15

office

Escalera metálica

11 10

2.175

Y3 Y5

7

0.375 2.600

office

8

office

2.800 0.775

9

Y5

0.250 2.475

0.250

mezzanine

E

6

1250 sqm

office

3

4

5

Area

Y3

office

0.900

Archicad + Ar t*Lantis | Adobe Photoshop | Ecotect

2.800 0.775

Computer Programs

2.175

12

Y4

4.950

Y4'

5.800

Y3'

Tabiquería Provisional F

2.800 1.075

Tabiquería Provisional

Y4'

2

Y4'

office

6.475

X3

6.143

X2

mezzanine

E

office

1.075

6.150 Escalera metálica No. Pasos : 18 Longitud paso : 0.300 m.

6.400 Traslape : 0.025 m.

Altura contrapaso : 0.178 m.

Y4

0.775

X1

X1' 2.175

2.175

X4

5.950 5.850

1.250

1

0.125

2.475

1.075

0.150

Y4

typical floor

0.375 0.150 0.125

X4

5.950

6.150

5.850

6.475

6.400

X3

0.775

Y5 0.900

Y5 0.775

It has been proposed a modular system for office spaces that can be organized in single and double groups around the main lobby where vertical and horizontal circulations are located.

These halls act as a big air circulation system in order to cool the offices during summer and distributing heat during winter.

Offices are illuminated naturally by capturing solar rays through the polycarbonate canopy located in the upper level and a continual façade of insulated frosted glass and horizontal aluminum shades.

Tabiquería Provisional

5.800

B

F

6.143

X2

0.775

X1

X1'

0.600 0.050

0.250

+ 16.150

0.050

quinta planta + 12.950

0.300

0.050

0.250

2.550

0.050

planta techos

0.300

0.900

0.600

0.900

0.050 0.300

0.050 0.250

12.500

0.050 0.300

0.050 2.550 0.250 2.550

0.050 0.300

0.050

+ 12.950

tercera planta

0.050

0.250

quinta planta DETALLE E-1

+ 6.550

0.300

0.050 2.550

+ 9.750

cuarta planta

0.050

0.250 2.550

12.500

cuarta planta

+ 9.750

0.300

0.050 0.050

+ 16.150

+ 3.350

0.250

0.800

0.150 0.300 2.550

planta techos

segunda planta 0.050

0.250 2.550 0.600

0.600

2.400

2.350

DETALLE E-1

1.900

0.050

0.250 0.150

0.350 0.150 0.050

+ 6.550

0.500

0.500

0.100

primera planta + 0.150

0.150 0.050 0.250 0.100

+ 3.350

0.250

0.800

0.300 0.150

segunda planta 0.050

0.050

2.550

0.500

tercera planta

0.300

1.900

1.850

2.400

2.350

0.150 0.500

1.900 0.350 0.150

1.900

1.850

side elevation

0.150 0.050 0.250 0.100

façade section 0.500

front elevation

0.500

0.100

primera planta + 0.150

67

section A-A

section B-B

69

staircase & handrails details

70

The masterplan proposes the restoration of the current system of quarries located 15 Km. from the Arequipa’s city centre. They are part of natural cliffs and valleys where city has historically obtained “the sillar”, a porous volcanic stone that has been the principal construction material for more than 200 years, being used in more than 60 % of the city.

Currently, these site has been awarded as an UNESCO Humanity Cultural heritage but is being threatened for illegal invasions promoted by private enterprises that are interested in commercializing this material with any kind of control and regulation.

In this sense, the NGO CIED in accordance to the Regional Government offered me the opportunity to design an holistic masterplan in order to promote, restore and protect this natural landscape and population self-awareness.

towards the main entrance

The project focuses on using local materials and construction methods in order to maintain the natural landscape and promote new touristic routes inside these “sillar valleys”.

Several famous facades of local buildings will be carved into the cliff and visitors will have the opportunity to see local workers in their daily tasks such us carving, digging, fragmenting and sculpting the rocks.

As well as amplifying and promoting employment the proposal pretends to create new touristic attractions in order to diminish the intention of privatization and overconsumption of “sillar” as well as a new strategy for education.

The different pedestrian routes (inside the canyon) will be between 1 and 2 hours long and will cover a distance from 1.1 Km to 3.0 km. according to tourists’s necessities.

‘the quarry’ touristic masterplan F

200 m.

100 m.

0 m.

carved monuments

monuments & comfor t modules

pw.02

Year

2009

Site Location

Anashuayco Quarry, Arequipa | Peru

Client

NGO ‘CIED’ & Regional Government

Computer Programs

Archicad + Ar t*Lantis | CorelDraw Adobe Photoshop |

Area

750 000 sqm

module catalogue

73

Towards the main entrance Main Entrance & watchtower Masterplan logo

restored paths & working areas

‘patio puno’ masterplan S

pw.03

Year

2009

Site Location

Arequipa | Peru

Type

Competition design

Client

Arequipa City Council

Co-authors

Computer Programs

(Ulrich Zanabria Arquitectos Studio) Arch. Ulrich Zanabria Ojeda Msc.Arch. Darci Gutierrez Pinto

Archicad + Ar t*Lantis | CorelDraw Adobe Photoshop

Area

650 000 sqm

Competitions

Par ticipation, National Competition ‘Patio Puno’ Masterplan

Exhibitions PATIO PUNO COMPETITION SELECTED PROJECTS Professional College of Architects | Arequipa

2009

URBANINFORM - SQUAT CITY (Collective Exhibition) 4th International Architecture Biennale Rotterdam (IABR) The Netherlands

Reference links http://www.urbaninform.net/home/minidoc/439/eco-parkmetroculture.html The park is located inside an old abandoned train station and it will recover and recycle the existing buildings, machinery and rails to transform them into a productive park, a public garden and a big active museum, as well as proposing new cultural buildings with similar architecture morphology with the purpose of generating physical and spatial reference.

Currently a private enterprise operates the infrastructure inside the area and they only will be leaving the site in 10 years. This situation required a Phase Program Strategy.

There have been located ecological modules designed for environmental education and all rail cars will be transformed into locomotive greenhouses and galleries. The grey water will be recovered to irrigate the park and all organic waste will be transform into compost as an strategy for reducing maintenance costs.

The park is surrounded by a green belt of trees, generating naturally shadowed paths and a continuous forest image from outside. The open spaces and promenades will be planted with local endemic species of flora and seasonal crops to insure new economic income, generating technical education and employment.

1 2 3 4 5 6 7

pedestrian access entrance square Water-jets square (fountain) boulevard new facilities & buildings open space + lawn green boulevard

8 9 10 11 12 13 14

productive area (crops, nursing, compost) building restoration (museum, galleries, theather) public recreation residential area modules for environmental education Highway tunnel new road interchanges (roundabouts)

75

14

7 6

2

8 5 4

12

3

1

8 13 11

14

10

9

11

11

0

50

100

200

Convention Center

0 10 25

Stores, restaurants & food court

Educational modules + Exhibition

Cinema & amphitheater

Cultural center

Reception hall

Administration & offices

50

Grey water’s treatment lake

Skatepark

Playground

Residential blocks

Science & technology galleries + exhibition

Machinery Exhibition

Railway Museum

77

aerial view

Cultural center 1 Cultural center 2

Cinema + amphitheater

Water-jets (Fountains)

ecological kindergarten F

pw.04

Year

2008

Site Location

Arequipa | Peru

Type

Governmental position

Client

Computer Programs

Paurcarpata Municipality

Area

6 sqm

Archicad + Ar t*Lantis |

The building is particularly located in a poor-stricken context with very difficult topography conditions. Due to this fact, the overall architectural morphology emulates the local context by using similar materials, such as exposed concrete, in all facades. In addition, the high inclination of the ground was an opportunity to design the main entrance through roofs (upper floors), accessing to the basement level through ramps that flow into the courtyard surrounded by a fountain and the classrooms and nursery blocks.

Basement level -3.50 m.

The administration volume is located inside a big “Rubik Cube” made of light materials that lean out over the roofs, becoming into a new recognizable landmark for the area.

Furthermore, this proposal was the first time that a governmental organization was really concerned about designing a sustainable building with a ZERO ENERGY CONSUMPTION during its LiveCycle. According to these demands, it was necessary to develop a list of strategies that I will try to summarize in the following lines: QUANTUM CHANGE & TRANSFERABILITY Innovative design that propose community participation during its construction and agricultural activities during its LiveCycle.

ETHICAL STANDARDS & SOCIAL EQUITY Community participation throughout planning, construction and educational programs that will involve parents and neighbors alike.

ECOLOGICAL QUALITY & ENERGY CONSERVATION It will be planted with endemic species of flora, all grey waters will be recycled and it will count with a greenhouse, a farm and productive crops.

ECONOMIC PERFORMANCE & COMPATIBILITY Raw materials and finishes with a reduced painted area will reduce the cost of maintenance. The building can be used for other community activities amplifying their incomes.

CONTEXTUAL RESPONSE & AESTHETIC IMPACT All materials and construction methods emulates the context.

50% of the building’s volume will be buried in the natural slopes reducing its aesthetic impact.

Entrance level 0.00 m.

79

81

‘movitecnica’ commercial stand F

pw.05

Year

2007

Site Location

Arequipa | Peru

Type

Independent design

Client

Movitecnica S.A. CSI + Backus Corporation

Computer Programs

Archicad + Ar t*Lantis |

Collaborators

Arch. Alonso Chirinos Gómez Arch. Jorge Sisniegues Oblitas

Status

Built

Area

25 sqm

Exhibitions EXTEMIN 2007, International Mining Convention Commercial Stand

2007

construction process

83

Ground level

First level

work developed for private studios & governmental agencies

2005 2010

3D MO DE LI NG

university campus

regional government moquegua 3D Year

pw.06 2009 - 2010

Site Location

Moquegua | Peru

Principal architects

Client

Arch. Ulrich Zanabria Ojeda Arch. Darci Gutierrez Pinto

Computer Programs

Archicad + Ar t*Lantis | Adobe Photoshop

Regional Government Moquegua

chilina bridge

87

regional government arequipa 3D

pw.07

Year

2010

Site Location

Moquegua | Peru

Principal architects

Arch. Ulrich Zanabria Ojeda Arch. Rafael Zeballos

Co-authors

Arch. Jose Zegarra Rodriguez

Client

Regional Government Arequipa

Computer Programs

Archicad + Ar t*Lantis | Adobe Photoshop

alvaro neuenschwander borsani architects (ANB) several projects 3D

pw.08

Year

2007 - 2009

Site Location

Multilocation

Client

Computer Programs

Arch. Alvaro Neuenschwander Borsani

Archicad + Ar t*Lantis | Adobe Photoshop

89

alvaro pastor cavagneri architects several projects 3D

pw.09

Year

2007 - 2010

Site Location

Multilocation

Client

Computer Programs

Arch. Alvaro Pastor Cavagneri Arch. Edith Suarez Malaga Archicad + Ar t*Lantis | Adobe Photoshop

91

ulrich zanabria ojeda architects several projects 3D

pw.10

Year

2005 - 2010

Site Location

Multilocation

Client

Computer Programs

Arch. Ulrich Zanabria Ojeda Arch. Darci Gutierrez Pinto Archicad + Ar t*Lantis | Adobe Photoshop

93

‘generacional’ exhibition design I

pw.11

Year

2009

Site Location

Chavez de la Rosa Cultural Centre Arequipa | Peru

Client

Computer Programs

National University of Saint Augustine

EXHIBITION POSTERS

CorelDraw

PROMOTIONAL FLYERS

EXHIBITION POSTERS

95

BANNER & LEAFLETS

PASSES & TICKETS

‘eiffel, mith & reality’ exhibition design I

pw.12

Year

2008

Site Location

Alliance Française d’Arequipa Arequipa | Peru

Client

Computer Programs

MSc. Arch Darci Gutierrez Pinto CorelDraw | Adobe Photoshop

CATALOGUE

LEAFLETS

TICKETS

97

PROMOTIONAL POSTER

99

POSTERS SERIES