O
Visual Merchandiser
Interior Designer
Selected works 2018 - 2025
Meliá
Cala Galdana / Architect
Álvaro Sans
Carmen Alonso Bravo
VISUAL MERCHANDISER
INTERIOR DESIGNER
ABOUT ME
I’m Carmen, a dedicated professional with a versatile background in interior design, audiovisual production, and retail management.
Driven by creativity and a keen eye for detail, I focus on crafting visually striking and functional experiences that captivate, inspire, and connect with audiences. With a refined taste for luxury, I bring a unique perspective to each project—combining elegance and precision to deliver sophisticated solutions that leave a lasting impression.
CONTACT
LANGUAGES
SPANISH - Native
ENGLISH - C1
EDUCATION
2018 - 2023
UDIT
Bachelor’s Degree in Interior Design
MADRID, SPAIN
Summer Abroad 2017
PINE MANOR COLLEGE
BOSTON, MA
EXPERIENCES
2024 INSIDE LVMH CERTIFICATE
Creation & Branding, Retail & Customer Experience 2021 CASA DECOR
Participated with Strohm Teka 2020
APROCOR foundation & ENORME studio
Social activity
Open House Madrid
Management of architectural tours and event
SOFTWARE SKILLS
SKILLS
- MINDED
DETAIL - ORIENTED
PROFESSIONAL EXPERIENCES
SINCE APRIL 2024
LVMH - Visual Merchandising Architect
- Coordinate with suppliers
- Implement in-store animations and promotional displays
- Handle and resolve POS issues
JAN - OCT 2023
ENSO SPACES - Junior Interior Designer
- Project Management - Coordinate with contractors and suppliers - Homestaging
SEPT - OCT 2022
Warner Bros. Entertainment - Scenographer
- Organisation of the workshop - Support in setting up scenographies
- Support during the recording of the programme
MAY - JULY 2022
LyO MEDIA - Scenographer
- Organisation of the workshop - Support in setting up scenographies
- Support during the recording of the programme
FEB - MARCH 2022
FREMANTLE SPAIN - Scenographer
- Organisation of the workshop - Support in setting up scenographies
- Support during the recording of the programme
CONTENTS
01. Visual Merchandising Displays
02. Homestaging
03. Bachelor Project
04. Ephemeral Spaces
05. Alternative exhibition
THE PROJECTS PRESENTED ARE THOUGHT TO BE A SMALL INSIGHT INTO MY WORK
VISUAL MERCHANDISING DISPLAYS
Visual merchandising displays designed for Guerlain, showcasing luxurious and elegant setups that highlight the brand’s sophistication and artistry. Each display is crafted to enhance product appeal, creating an immersive experience that resonates with Guerlain’s identity and captivates customers.
HOMESTAGING
Projects carried out during this year in Enso Coliving as the person in charge of the spaces acquired in the city of Madrid.
The photo shoot and the homestaging was the previous step to hand over the space to the sales team, one of my favorite parts:
bringing the project to life.
Manuela malasaña sociocultural market
Project addresses the challenges posed by urban gentrification, aiming to restore identity, cohesion, and pride to an affected neighborhood. The primary goal is to counteract the erasure of local identity by creating a space that preserves heritage while introducing innovative approaches to communal interaction and sustainable development.
This gastronomic and sociocultural initiative aims to be a beacon of resilience, fostering community pride and unity. By intertwining culinary arts with cultural preservation based on voronoi diagram, it stands as a testament to the power of innovation in reclaiming and revitalizing neighborhoods affected by gentrification.
Bachelor Project
EL DESTAPE
Its purpose is to unveil what has remained concealed throughout the pandemic: the mouth. “During the Pandemic, the Mouth” introduces a transformative space where, upon uncorking the bottle, users step into the mouth, immersing themselves in a unique and sensorial experience. This project serves as a poignant exploration within the realm of ephemeral spaces, delivering an unconventional yet captivating narrative that resonates with the subject matter. It goes beyond the tangible, offering an immersive encounter that challenges
CRUELDAD
An alternative proposition to the exhibition of the artist Chema Madoz, “Would You Dare to Enter?” beckons viewers to venture beyond the conventional art experience. This submission for the subject of ephemeral spaces challenges the boundaries of artistic encounters. It prompts participants to explore uncharted territories, inviting them to step into a realm where the ephemeral meets the tangible. By daring viewers to enter, the project aims to create an immersive and thought-provoking experience that transcends the traditional exhibition format, embodying the essence of ephemeral spaces and offering a new dimension to the appreciation of Chema Madoz’s art.
Carmen Alonso Bravo