Mazemag RSA: Issue 2

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so ul lo rai n richmansk yf brass mo nk ey SWEET KO RO BEL A mx/ lex leroy keanu/ christ o pher leri t o ro berts

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Mazemag issue one was a great success. Thank you to all of our readers for the support. If you are a new reader, Mazemag is an online magazine that focuses on acknowledging talents of fashion and the arts industry.

THE TEAM EDITOR IN CHIEF

Mercedez Dlikilili

DEPURT EDITOR

Kim Barendse

MANAGING & ARTS EDITOR ART

DIRECTOR

Donae

Donae Manuel Manuel

&

Nkosi

SPECIAL THANKS Sweet Korobela (“Covered”) Donae Manuel Fashion Donae Manuel Street Wear Kim Barendse Featured fashion Richmanskyf, Brass Monkey, Joshua Myburg Art Keanu Milborrow/Christopher Lerito Roberts Beauty Smodern Beauty Music MX/Lex Leroy

Zungu

issue 2!

We’re b a c k ! O n t h e b e h a l f o f t h e M a z e m a g t e a m a n d myself, we would like to thank all of you, our readers, w h o t o o k t h e t i m e t o fl i p t h r o u g h o u r fi r s t i s s u e a n d acknowledging the fashion and arts in which was delivered in each page. We highly appreciate the positive feedbacks from you all, our readers here, in R S A a n d a r o u n d t h e w o r l d . T h a n k y o u i m m e n s e l y . To all you new readers, we would like to welcome you into t h e M a z e m a g FA M . W e t r u s t t h a t y o u w i l l e n j o y i t h e r e , if you truly are a creative. What you all can expect though in this issue, in which I am so excited about, is n o t h i n g l e s s t h a n C R E A T I V I T Y. W i t h o u t a n y further overdue, we bring to you Mazemag Issue 2.

Thank you so much for reading. Until next issue.

Mercedes Editor in Chief

XX

The editors’ take on being a woman

IN THE CREATIVE FIELD

MERCEDES DLIKILILI W o m e n a r e t h e b a r r i e r s o f l i f e . To m e , w h a t i t m e a n s b e i n g a w o m a n i n t h e c re a t i ve i n d u s t r y a l l o w s m e t o b i r t h a l o t o f a r t a n d c re a t i v i t y.

A l l o w i n g d i ff e r e n t i n d i v i d u a l s t o a l s o e x p r e s s t h e m s e l v e s t h r o u g h m y a r t . M y c r e a t i v e b a b y . M y a r t i s t i c b i r t h . B e i n g a p h o t o g r a p h e r, I ' v e learnt that men always want to dominate the industry but gone are the d a y s w h e r e a n i n d u s t r y i s o n l y c o n f o r m e d t o o n e g e n d e r. F o r m e , i f y o u can produce an amazing piece that connects with a lot of people, then t h a t ' s a l l t h a t m a t t e r s . R e g a r d l e s s o f y o u r g e n d e r. I n a r t a n d i n c r e a t i v i t y , t h e r e i s n o r i g h t o r w r o n g a n s w e r. I n m y o p i n i o n , t h e r e shouldn't be any rules because art is who you are. I constantly live by that philosophy because true artists are never dictated as to what to and whatnot to do but it's how they do it that matters. How one conveys that expression or that feeling. In closing, I feel privileged to say that I am a creative, more especially a woman in the creative industry because I believe it takes a lot to be a creative and to birth masterpieces that several souls can relate to.

@captured_by_mkd

KIM BARENDSE

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My elaboration on what it means being a woman in the c r e a t i v e fi e l d i s " H i s t o r y h a s been male and the future is female"_Unknown. I strongly believe in this quote as now the times have evolved and we are indeed the future.

@kim_is_plur

DONAE MANUEL As with anything in life there are opposites and the v e r y fi r s t o p p o s i t e s k n o w n t o m a n h a s b e e n m a l e a n d female. And opposites are often compared when they shouldn't be because that is defeating the purpose a n d ro l e t h e s e p l ay i n s o c i e t y. T h a t s a i d, I t i s refreshing to create work from a feminine place; and to be able to add a dash of masculinity should I feel like it. It is refreshing to tell a bold story in a female b o d y. I t a l s o m e a n s c re a t i n g b e a u t i f u l p a r a d oxe s b e c a u s e I c a n a n d I a m n o t d e fi n e d b y c o m p a r i s o n s because there is only one eye, one mind, one vagina, one soul and one heart like mine, so my work should n o t b e s e e n a s D o n a e t h e f e m a l e b u t r a t h e r, D o n a e t h e ar tist. Period.

Happy woman's month to all the unapologetic, strong creative females, may we know them, may we be them, may we raise them

FASHION

THE

F AS H I O N Compiled by Donae Manuel

Put a spring in your step, or better yet, put (a) spr ing in your st yle. We have rounded up a the garden, litterally! Flower prints, pretty pastels, clever clashing, bold colours and s h a p e s a re a l l t h e m a ze, o k ay. . . c r a ze. W h a t will you be wearing?

Upload a pic of your Spring style and tag us with:

#s p r i n g i n m y s t y l e T HE SLIDE R HAS ST E P P E D U P A N OTC H

A SATIN SKIN

YE S, I T ’S OKAY T O W EAR I T AS DAY- WEA R

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‘F’ WORD: FRILLS

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colour(s) in

#MAZ E TR E NDING SNE AK E R “Nike is an American multinational corporation that is engaged in the design, development, manufacturing, and worldwide marketing and sales of footwear, apparel, equipment, accessories, and services. The Nike Cortez was the first track shoe created by Nike, in 1972, and is therefore thought to be a significant aspect to the success of Nike, Inc. The Nike Cortez was first designed

by Nike co-founder Bill Bowerman. Bowerman, an Olympic-class track coach, felt that athletes needed a comfortable and durable running shoe designed for distance training and road running. The Nike Cortez was released at the peak of the 1972 Olympics, which is why it gained rapid exponential interest by the general public.”

-source, www.nikehistory.com

Nike Cortez is still a hit 45 YEARS LATER. The Nike Cortez is celebrating 45 years of existence. What better way to celebrate the sneaker than featuring it in this issue’s trending sneaker feature. Regardless of the year or season, one can never go wrong with the Nike Cortez sneaker to switch up their outfits. The sneaker was manufactured in the 70s. Fashion was so authentic in that era of time. As a result, most of our fashion inspirations are taken from that era and infused with what we invent now and create. A great way to show an example of this statement is that we see that Farrah Fawcett, in the 70s, did an advert for the Nike Cortez on a long board. Years later, famous model, Bella Hadid reinvented that advert look and brought it back to life. Take a look at some of these fashion icons, in which we acknowledged, that have brought back the vintage look with the Nike

SOULLORAIN Soul Lorain upholds a lot of titles, as she is a talented artist originally from Boulder, Colorado. The young artist expresses her art through the forms of dance, acting, and modeling as well as also through fashion. Here at Mazemag, we got the opportunity to interview Lorain, as she shares her artistic journey discussing where it all began.

As mentioned, I am originally from Boulder, Colorado.I grew up as a black hippie in a predominantly white community surrounded and influenced by loving family and friends.

Always had a passion for the arts, it was in my blood. Moved to Philadelphia to attend University of the Arts. Currently, I am splitting my time between NYC and LA, doing what I love dancing, acting, modeling.

From dancing to acting to modeling and also being an influencer, kindly elaborate where and how did it all stemmed. How did you discovered you wanted to venture into these creative fields?

It all started with gymnastics. My parents enrolled me in gymnastics at a young age.

My mother said that I was a very active child, always climbing on the furniture, and somersaulting down the hallways. She wanted me to learn technique, to ensure I wouldn't break my neck. At the gym we were required to take dance classes, which ultimately led me to my first passion: dance.I became obsessed with dance so much I began taking it outside of gymnastics practice. That then led me to audition for Denver School of the Arts as a Dance major, entering the sixth grade. I was accepted into the dance program. From that point forward, dance was mainly my priority, but my other arts and I found each other while I was training in dance, and neither or us could let go.

Modeling came into my life by the way of dance. I remember one of my first modeling jobs; I was modeling dancewear and bags. I recently became an influencer on Instagram and Facebook, less then year ago.

Influencing came to me by way of modeling, being in the mix of other personalities, celebrities, fashion entrepreneurs, Instagram DM’s and having friends

DM’s and having friends that owned clothing/accessory lines.

One of my best friends and I modeled a shirt for a clothing company by doing our version of a Juju on the Beat dance video. It got 33k views, that’s when I realized there were other unique ways to promote products beyond beautiful selfies and typical stagnant Instagram model pictures. I love it, and look forward to working with some great sponsors soon.

Acting was something that I flirted with and dated throughout my schooling, I did acting competitions with my school, student theater productions, and currently acting is the art form that I am working to grow my experience in.

Which career path did you want to venture into first and how?

As I briefly mentioned, dance was my first career path, and for a long time I thought it was going to be my only. Denver School of the Arts was an arts magnet middle and high school. We trained in ballet, modern, jazz, hip hop, African …Everything! My whole life was consumed by dance. After graduating from high school as a dance major, I went to The University of the Arts, to continue my movement education. College was again, the same situation as middle and high school in terms of training, although I found high school harder, stricter, and more concentrated LoL. In college I was able to dance in pre-professional companies, such as Philadanco II. Professional dance companies like, Junk, tour Europe dancing, work with amazing artists like Lil Jon, Red Foo, Iggy Azalea, Demi Grace.

I graduated with my BFA, even though I was simultaneously modeling throughout…

At what age did you discover that you wanted to venture into the arts industry?

At the age of nine, I knew I was an “artist” or rather that I was born to do the things I do. If I was not dancing, even at that age I was taking acting lessons, or modeling, doing yoga, always working on a craft. I have my parents to thank for believing in the dream as much as I.

We all know that fashion plays a huge role in our everyday lives and also on whom we are. Kindly tell us how fashion inspires you in your career paths, as you are an influencer as well.

Fashion inspires my existence so much! To me it is ever evolving, developing, while staying true to tradition, just like all of those art forms that I consider my passions. Fashion inspires my acting, because using costume alone I can transform into another character. Look the part, and you are the part. Fashion and modeling go hand in hand. It inspires my modeling, the same as acting. You are becoming the perfect “character” or “hanger” for whichever garment you are selling. Whatever I am wearing, that’s how I know what poses to do, and what vibe to emit.Look good, feel good.

Again, just like acting, and modeling, dancing is no different.

lorain

What was your big break in the industry thus far? Tell us how it occurred.

My first big break… hmm that’s hard for me, because in some aspects I am still looking for it! Lol. But, if I dig deeper I think my first big break was when I was eleven years old, I booked a series of commercials for Starz Kids TV. For these commercials I was teaching a different dance combination to the audience that related to each movie, before the movie aired. I got to dance, act and do voiceover work. I honestly feel that was my catalyst, and driving force that helped shape me into the multitalented artist and human I am today.

I would say my biggest career break would be the commercial I did for Maybelline, and BET. My first solo nationally syndicated aired commercial. It was truly great because the project involved modeling, and some acting. Maybelline and BET were also dream companies for me to work with. I felt lucky, blessed, and so grateful for the opportunity.

Whatever you’re wearing is how you move.

It feels strange to take a hip-hop class in a leotard (I know from experience), or show up to ballet in sneakers. You wont feel right, you wont move right, dress like a dancer, and you are a dancer. As for influencing, fashion inspires me to use all the tools that I have gathered from my other art forms.

When a sponsor sends me product, I brainstorm what kind of character would wear this. I look at the product and think how to pose, I wonder how I would move in this product, or how my character would move in it…. all my art forms are a vehicle to sell whatever it is I am selling, and hopefully my followers understand it's coming from a genuine and creative place.

9

AT THE AGE OF I KNEW I WAS AN

ARTIST

So Lorain, what are your must have essential item/s always for aspiring creatives whom want to venture into the dancing industry.

A dancer must have a great pair or leggings that you can move and look great in. Something that makes you feel like you’re Misty Copeland, or on So You Think You Can Dance.

I love Lululemon, Asos, Adidas.

In

conclusion, what color would you use to express your fashion identity and why?

I would pick the rainbow, if I could. It encompasses all the colors.

I feel there is not just one thing I am everyday.

I am a chameleon.

RICHMA

>>

AN$KYF the brand,richmanskyf Sithelo-Esihle Mhlongo and Sabelo Shabalala are the original founders of Richmanskyf. We both based in Durban and currently study Fashion and Textiles at DUT. We are 21-year-old African entrepreneurs.

the concept behind Richmanskyf The brand originated from two high school friends who looked at their city and wanted to bring something new and fresh to the street culture. Back in those days most brands were just simple garments of tees, basic hoodies/sweaters etc. with just the logo of the brand. There wasn’t much creative design put into the product. The two of us saw a gap and wanted to do something about it. Looking at Supreme, A Bathing Ape etc. we thought to ourselves “why can’t we have that?” Another thing with those brands, they are quite deep in the pocket, just a plain tee with their logo could go for $50, though some can afford. However, we also thought “why should we limit ourselves to mediocre and not fashionable wear? How long are we going to fall behind in trends, instead we can have to go to retail stores and find just the look but end up looking like everyone else?” The city needed something fresh and new, hence why we created the brand. All we wanted to do was to bring affordable fashionable wear to the street culture.

Aside from bringing what most cannot get their hands on (fashionable garments), we empowering self-growth.

Whether it’s individual or the whole country. Instead of buying abroad, why don’t we use each other you know, empower each other, looking at the bigger picture. It decreases importing. It’s also to help economic growth within our own country, keep in mind, we are still entrepreneurs.

The name behind Richmanskyf. Basically Richmanskyf is a slang term for cocaine. Reason as too why we chose this name because the reason as to why people take this recreational drug has the same values of how we’d like to portray of our clothes. Looking at the reasons as to why people do cocaine would be to escape stress, boost self esteem (feel on top of the world), feel in place as in being recognized as “the cool kid/s” and not to feel left out. The obvious reason, it’s an addiction. Which if one thinks about our clothing, we try perceive the same effect. Addictive. Contagious. A feeling of being whole. Another aspect with the drug, the more consistent the drug is, it is then sold in grams which makes it quite expensive, therefore with our clothing we strive to have the same quality and consistency however at a reasonable value. It’s more than just a brand. It’s individuality. Since the drug is taken for different reasons, so should our clothing.

“

IT’S MORE THAN JUST A BRAND. IT’S INDIVIDUALITY

R “

ART INFLUENCEs the FASHION brand Art is the same as oxygen; it’s everywhere you go. The only thing that separates the two is that everyone breathes the same air but art is inherited by individuals and interpreted in various ways according to ones differentially. Just like oxygen, you may not see it but it’s there.

Basically what we trying to say is anything and everything is art.

Physical or non-physical, visually or musically. From a hair strand to an insect to a word etc. Art is a huge inspiration and influence to the brand and us. Without art there wouldn’t be Richmanskyf. To mention a couple of artist that influence the designs that we implement would have to be… well like we mentioned earlier, we barely have a street culture here in Durban and that’s what we trying to create. As for street culture in general, we incorporate old age fabrics turning them into a new look. For example, we’ve used the KwaMashu fabric and were able to produce a simple stylish tracksuit, same applies for the Mblaselo. We’ve also incorporated that into what’s trending. We never forgot out roots and that’s what differentiates us from other current trending brands. You could say we literally gave you the culture in a modernized form, putting together what’s trending. We are looking into having a physical store but we are in no rush, everything has its own timing. We’d like to implement the same principal with the store that the clothing has, in terms of quality. Next level things. Giving out art. Unexpected scenes. Why would we want to limit ourselves? The street culture needs our art. We therefore want to produce it accordingly, different.

IT’S MORE THAN JUST A BRAND. IT’S INDIVIDUALITY motivational words for the kids

Aim big and don’t limit yourself, the people you like to be are human just like you. If they could do it then so can you. E.G, if we were to try produce something as good as good as Supreme, we’d likely fall somewhere in the middle. Therefore, work that hard.

Be proud of your work and don’t just accept anything. Last but not least, don’t start something you can’t finish. Start it knowing you have to invest your time, money and energy into it. Nothing comes easy.

BRASS MONKEY is a Canadian custom design-clothing brand that focuses on custom designing and revamping clothing into cool art-wear pieces. We got the opportunity to interview the founder of Brass Monkey about herself and the creation of the brand.

Firstly, who is MejieEgere?

“Mejie Angela Egere is my name, founder of Brass Monkey. I am 20 years old business student at the University of Manitoba. Business wasn’t always my first career choice. At first, I wanted to be a painter, then I wanted to be a designer but as I grew older, I decided I wanted to be more. That is when I decided I would study business because I wanted to create a whole franchise of something different and not just normal clothes. I never attended art classes.

Everything I know I taught myself based on what I see and how I feel. Sometimes people don’t believe I am an artist because there is still a stereotype of what an artist should look like. I hope and pray that one day the world changes how we are viewed.”

What is Brass Monkey and how was it founded?

“Brass Monkey wasn’t always the Brass Monkey, it was a lot of other things before. I like to explore different types of fashion. At first it was wedding dresses, later changed into shoes and bikinis, and then I got distressed tees in which I’ve stuck with since. I started designing and revamping my own, in which everyone just seemed to really like.

That was when I decided to make something out of it.

Elaborate the concept behind Brass Monkey.

“The concept behind Brass Monkey is really simple. Self Expression. “

How does art influence Brass Monkey and its design inventions?

“I never know how to answer the question “how does art inspire you” because I see everything as art in which I am inspired by it all. Everything on the outside world inspires me. I take it all in and I express it through my designs.”

Since Brass Monkey is a Canadian based online brand, do you see Brass Monkey, possibly one day, owning physical stores of its own, there in Canada and abroad? If so, in which countries would you like to expand the franchise to?

“As of right now my brand is owned and completely run by me. But definitely as my brand hopefully grows in time and I begin to get more recognition internationally, I hope to do open stores and outlets. I have thought of expanding my brand into other countries but that’s all part of the bigger plans, therefore for now I’m trying to get my brand out there as much as I can. “

In conclusion, can you please provide any motivational aspects for individuals who also want to venture into the creative clothing industry?

“It’s never as easy as you think. I mean nothing good ever comes easy so you have to prepare yourself physically, financially and mentally for the path. It’s okay if people do not believe in you at first. All the more reason to push through and prove to them your strength.”

C O V E RE D

HIP HOP HONEY

SWEET KOROBELA We dig deep into the sweet soul that is sweet korobela and does she have us feeling like we’re on some love potion.

Check out an exclusive interview between young talent, Sihle Ganta and Donae Manuel as she let’s us in on her journey.

by Donae Manuel.

1.Why the name Sweet Korobela and where does it come from?

It’s actually a story. In primary school there was a boy who had a really big crush on me but I wasn’t really keen on him. He always used to come up to me in the corridors and get my attention and went as far as stealing my exam the one time and re-wrote everything and I actually got a distinctinction which was great but we lost contact after that but then many years later he DM’d me to say he loves me, he’s still into me. So sweet korobela means sweet love potion. My brother and I used to joke about it and he used to say that I gave the guy korobela, and he’s so sweet.

2.Where are you originally from?

I am originally from Diepkloof , Soweto, and grew up there. Lived with my late dad and siblings.

3.What is the difference between SihleGanta and Sweet Korobela?

There was a difference but now that’s one person. Sihle was more insecure; I always lived in this small bubble and didn’t really want to expose myself to the outside world. I also went through a difficult phase when my dad passed away, however, Sweet Korobela kind of blew up on social media and became a brand and encouraged me to conform to ‘her way’ of confidence and boldness so I grew into Sweet Korobela and became it. I am breaking through.

4.How would you describe your sound?

My sound is on 2 different genre’s; marrying hip hop and poetry…I am a writer by the way.

5.Who has been your biggest influence in your music career thus far?

I would say No Name Gypsey but she’s not really out there – I feel I can relate to her on so many levels and she inspires me on so many levels too. Her sound is outta this wold.

6.When did you begin making music and what has been a defining moment for you thus far?

I started writing when I was in high school and I recorded my first song right after my dad passed away around 2015 7.What inspired your song ‘pieces’ and is it real events that triggered the song?

In the song I mention a few actual events like my dad’s passing. We were so close that when he passed that connection was just fable. Pieces is a song dedicated to and by him.

Obviously I wrote it but the image of him composed the song so pieces is about how I felt then, how I feel now and still not having dealt with the grief so there ain’t closure yet, it’s getting there.

8.What was your up-brining like?

It was very easy going. I was surrounded by a lot of love and care and we all supported each other in the family. We all had many aspirations and dreams and we never shot those downs. There was so much love.

9.How do you think Females have changed the landscape of rap music in the 21st century?

I feel like females have created and intensified this feminist attack on rap culture that is still prominently male. Females have definitely reinvented the landscape not to prove that we can do it too but to show that there should be no boundaries that we can influence the scene in a different way. We have definitely adapted 10.What story do you want to tell through your music?

I want to tell the story of my past; what it felt like - but more so, the journey that has led me to this point. So the journey from SihleGanta to Sweet Korobela. I want to tell the story of everything that has basically made me, me thus far

VINTAGE

Style my

Refiloe “Rheablek” Makhetha is a Durban based artist whose style is mostly inspired by the 90s and new age fashion icons. “Styles that weren’t determined by gender, and androgynous, sporty and street wear clothing, that’s my vibe!” says Rheablek elaborating her style further.

Glasses are Rhea’s essential signature accessory.

Her style inspiration icons are the late great Aaliyah, old skool cool Da Brat, Kelis, Rihanna and Slick Woods.

Rhea’s main require in clothing is to always be comfortable, wear great quality clothing and to always look awesome in whatever you may be wearing. Rhea’s perspective in color is that it is a great way of .

expression. To Rhea, fashion and style is a form of art. It’s a chance to present yourself in a manner you would love to express yourself. Fashion is a form of expression itself.

Therefore she states that one should be able to dress up and be whatever they want.

That’s freedom. Freedom to be ourselves.

Styles that weren’t determined by gender and androgynous, sporty and street clothing, that’s my vibe!

WE AR

ZAMA NDLOVU @shukela_

STRE E T

My style is flamboyant. I dare to be different. I think it’s heavily incited by my persona.

Favorite style icons are SolangeKnowle, Emily Ratajkowski and Bella Hadid.

Must haves in your closet are thigh high boots, a maxi length coat and a faux fur coat. These essentially “MAKE” an outfit.

Fashion donts are no those clear boots – ladies should leave those in summer.

STREET S WHAYNEY SLAMBEE @whanya_slambee

My style is bold. I love to play around with street style and incorporate it with a soft touch.

Favouritestyke icons are Rihanna, Shaun Ross and Zoe Kravits.

Must haves in your closet are a good pair of boots, a bomber and head accessories such as beanies.

Fashion donts are no thong sandals.

ALEXANDER. K

@alexanderkworld

My style is cannot be described in one word. I don’t limit myself to one style.

Favorite style icons are Kanye West, Damn Gvasalia and I, Alexander. K. Must haves in your closet are fur coats/ pig skin bomber, wind bracer. It’s a must if you into high-end fashion.

Fashion don’ts are shorts, vests and slops.

STYL(ING) BRIAN ZWANE

@soulkitgaws

My style is dauntless. Simple because I know exactly who I am and I wear what I feel comfortable in and careless of opinions.

Favoritestyle icons are ASAP Rocky, Ian Connor and DidiMonsta.

Must haves in your closet are minks/fur, puffers, tracksuits, turtlenecks, ski gloves/goggles as accessories.

Fashion don’ts are no skinnies.

P L AY L I S T Rheablek ft Neo Ndawo & CheeseManchild

TO THE PARTY

If you are into chilled out vibes or chilled out rides, then download this song to set an easy mood to your chills. Rheablek serenades us with her melodies in the chorus as she welcomes us To The Party.

With producer and rapper, Neo Ndawo, spitting chilled bars in the first verse and Cheese Manchild soothing us with his vocals in the last verse, there’s no doubt about how amazing these artists’ talents are blended together, producing such a breezy tune.

IV & NEPTUNE

ALREADY KNOW

This is something fresh and great turn judging from the past releases from the duo. One may know IV & Neptune with that KwaiHop like sound but with this joint, they gave us something fresh and current. From the beat to the hook, it’s a fresh take. It’s worth checking out for sure.

Polo B

ASHAMBI LA

Asihambi la has definitely hit commercial radio material with its catchy hook and beautiful vocals from Polo B and verse from Kid X as a cherry on top. The song can definitely hold some parties down. You most likely to find yourself saying “asihambi la” randomly after listening to this joint numerously.

DJ RIC0

3020

2030 is a joint by artist DJ Rico. This joint has been long overdue for release as it has a toned down trap vibe to it in which at least almost everyone should pay attention to. While listening to this jam, one can start creating their own interpreted visual scenes of what the music video could potentially be. This song definitely brings a lit vibe.

BULOH 3000

MIDNIGHT DRIVE

Do you recall the Common soul raps and musical feels? Buloh 3000 brings back that vibe in this mellowed out jam. The song has a poetry feel to it. Midnight Drive is literally the jam to listen through your midnight drives, with deep soulfull thoughts roaming through your mind. Being an artist, one should be able to connect with people through your music in various ways. Individuals will definitely connect with Buloh’s music, not only in this song but also in his future releases.

MAVERICK MALI

PARAGRAPH

Paragraph is the New Wave! Trap redefined! Recorded by the late Maverick Mali, this song shows how talented Mali was.

This joint is one of those songs that can never be played once. With its bouncy beat supported by Dann Avenew’s signature dark ghostly ad-libs and vocals on the hook. Followed by a clean verse from Anston Kling, it’s quite an experience to listen to this song.

Mvelo Xolani (MX) Gwambe is a South African, Durban

based, artist/musician and songwriter. Having to grow up moving around the provinces of South Africa such as KZN, JHB and CPT, those helped him gain exposure to a nomadic lifestyle. His journey, as an artist, began at a young age, as he would participate in school talent and drama shows. MX always developed his passion for creative arts and entertainment at a very young age as he started writing poetry in which translated to him recording his first demo at the age of 15. At the age of 18, MX began noble within the entertainment industry, leading to a buzz been created of when he was apart of a Hip-hop trio called “Niche Fam� which was formed in 2009.

The trio began to gain popularity within the Durban scene leading their music receiving broadcasting of radio and television. Niche Fam traveled around South Africa performing at major shows leading them to also becoming the opening acts for Lil Wayne’s IamMusicTour concert in Durban; opening acts for DJ Fatmanscoop in Durban. They performed at the 12th Metro Awards, SATMA Awards in 2011, just to name a few. The trio was also won awards at the Ikusasa Awards for Best Group and Original Material Awards for Best video.

Around 2013/14, the trio members separated to pursue their solo careers individually. MX then graduated and received his qualification diploma in Visual Communication (Graphics Design) in 2014. Juggling his career in music and designer,

the artist landed himself a few jobs. However the man job that stood out for him was working for the award winning design agency, “Gorilla Creative Media”, as a junior graphics designer. His role later evolved into motion graphics/mid weight Digital Designer. Working from 2014-2016, during that period he focused on his craft. MX has since been delivering great performances nationwide, and continues to build hid reputation and fan base. The artist will be expected in an upcoming television reality show, “The Independent Tour: Season 1”. With all his achievements that he has received thus far and with more to come, we believe that MX is definitely on his road to more success. “I aim at bringing valuable insights that creates connection because people deserve a dope experience.”- MX

COMPILED BY NICHOLE ENSLIN

Having to work with the likes of AmirObe, Grammy nominated production trio Nard & B, TCVWX. Grammy winning and nominated producers Vinylz, Boi-1da, Allen Ritter amongst others. Also conceptual work for Robert Gallardo of AWGE (a collective founded by A$AP Rocky) and also A$AP Rocky’s IG profile layout and various other projects, it is immensely evident that Keanu Milborrow is a talented creative art director and artist. We got the opportunity to have Keanu share his journey and how it all began.

Keanu Milborrow is a 22-year-old talented art or creative director/designer or visual artist from Port Elizabeth, South Africa. Regardless of whichever title one may give him, he bares unorthodox views and visuals from the traditional in the arts. “I don’t really take easily to using ‘labels’ like “creative” or “artist” when describing myself. I never even really thought about asking myself a simple question stating who I am regarding the arts.”- Says the 22-year-old. Never having to study arts or music, Milborrow taught himself the fundamentals and rules to everything he knows regarding his creativity. “I’m not sure if there’s like a certain guide or rule book on how to gauge if I’m an artist or something. Even if there were, I’d probably not agree with the rules So yeah, I guess I’m a 22-year-old guy that just creates things. It’s clear though that I’m a 22 year old that finds simple questions really complex (laughs).”

When it comes to the industry, Milborrow elucidates that it was just really a natural process. “I’m big on progressing naturally, I don’t like forcing things to happen like that. I don’t know, I just always felt that I was meant for more and to do more.”

Milborrow always felt that there’s always more to where you’re from than where you are in the present moment. The whole idea of defining circumstances of what you can do or how far you can go never sat well with him. “So I put my work out, the little that I had, and The Universe I guess came back to me, naturally. And that little love and attention I started getting from artists, labels and people grew into bigger opportunities and offers coming my way that I never thought would happen as soon as it did.” Success doesn’t come overnight, it takes one 10 years the least to reach whatever success they’re aiming for. Milborrow’s hard work and struggles for several years on end resulted to all the achievements that he’s gaining in this day and age. As a kid, he always had interest in cool things; things that progressed to drawing. Whether it was painting or art or clothes. He however wanted to do a bigger scale. “So I’ve always known something was bound to happen, I just didn’t know what. I’d always see my favorite artists on…

…TV or social media and tell myself that “we’re going to work together someday”, or I’d hear a song or see them wear something and think, “Okay, I fuck with that, I want to be apart of the process of making things.”; and that’s really how it all began , with the idea of knowing I could do it. I never saw any kind of border, whether it’s country or between an artist and me I admired. People talk about ‘not being boxed’, but I’ve never really ever thought or saw anything in any kind of box ever. I create for the sake of creating and whether different people, different countries, or tastes relate to what I make is all up to whomever it reaches, Admiration-is-admiration to me at the end of the day, and I appreciate it all. ” When It comes to inspiration, again, Milborrow is not sure. “I’ve never really thought of that (laughs). Really, it’s all just vibe man. I think I run off vibe.” His moods determine the creations in which he will portray and in that present moment. “So I really don’t stop and think what is the inspiration behind that moment. If I question the moment, I’ll lose the moment. But obviously there are things that I like and am inspired by. I love films, mostly cult-classics, the Kubrick’s, Cronenbergs, Carpenters, Tarantios’. Really cheap B-list films, those are always slept on.” Milborrow also loves music, obviously, as he grew up around an electric range of music; from gospel to Elvis, Biggy, Cash, Clapton, System-Of-A-Down, Ben Harper. Just a lot; Hip-Hop, Folk, Country-Folk, Hard Rock, Punk, some Jazz, just everything across the music spectrum really. Music was the main catalyst of it all. “My mom’s real big inspiration; she’s the strongest being ever. She has the greatest music taste as well. Making her proud and having her see me make something from ideas I have. That’s love and a real motivation as well for me. My friends, they’re pretty motivational as well, they’re all kinda in the same realm as I am so they get the constant working days on end. So seeing them grind as hard on their own ventures is really cool. My one homie is real close to opening his own tattoo store; and we’re all from the mud, so hearing that was really inspirational. Seeing our own progress, there’s nothing more inspirational than that. But apart from those, I love other art and artists. Guys I’ve always looked to. I don’t know man; I guess I’m inspired by a lot after all (laughs).”

Apart from music, which played a huge part in his entire life, Fashion also has had some kind of influence on Milborrow. He believes that it is authentic and the idea behind it. When it comes to his arts style, Milborrow doesn’t conform to any specific style, as his art is immensely different and unique. “I’m always growing and learning, so staying within one realm of creation doesn’t seem that appealing. I guess it’s cool to have people recognize your work on first glance though. But it’s all about the moment, and the vibe or how I feel about the direction everything goes, so I’m not sure about any style. It’s really just a natural process to whatever I make. I typically have creative freedom on all projects. “ So far, all Milborrow’s “clientele” and collaborations have been international. There’s been a lot since the beginning. “I can’t really talk about everyone I’ve worked with but really it all started with Eli.” Eli Sostre is an R&B singer and producer whose debut project ‘Still Up All Night’ earned him acclaim from outlets. He is known for tracks like ‘Vibe With’, ‘Ain’t Love Strange’ and ‘Gold Soul Theory’. “Eli literally gave me my break, and I always say I owe a lot to that man. He saw the potential, gave me the freedom, and it grew from then to becoming his potential creative director and designer. He’s really inspiring, when it comes to the ethic and drive and vision, he’s unmatched. So it’s really hard not to constantly stay inspired when you’re part of the process of creation like that. That’s big bro for real.”

A lot of people think Milborrow is from Toronto or the States of something. No-one would think a guy from PE, let alone, South Africa, could be behind the visuals or creative work he has done with the likes of Eli Sostre, or Nard &B, or Boi-1da attributed to their name. “I kind of understand that but I think that says a lot about the stance people have when it comes to what they think “creative” are capable of here in RSA. When people from home say “Man, I thought you were from Toronto or something”, it’s kinda bittersweet. I guess it’s cool to be compared to some “international standard”, but there’s a lot of talent here at home, in South Africa. I mean,Riky Rick is out there in Paris with Rocky. LadumaNgoxolo’s been on Vogue, he’s just been killing it in general for the longest time. South Africa, Africa, has a lot of power. We need to recognize.”

“I’d like to collaborate with a lot of people.” Laduma Ngoxolo being at the top of the list of his future wishes collaborations. “A mutual friend told me that Laduma digs a couple of my pieces he’s shown him; so yeah; some kind of collaboration would be a huge tick off the bucket list. “ Also, Kanye West is another individual he would like to collaborate with. “I’m a massive fan of DONDA and the people involved in the creation behind everything he drops.

A lot of his creative directors and designers are some of my favorites. I’m more of a fan of theirs than him (laughs). ). So a lot of collabs I’d love to do are with the behind the scenes guys; Bryan Rivera, Joe Perez, Virgil Abloh, etc. But, at the moment, I’m just real focused on these projects and the one or two collabs I’m working’ on, so I’m pretty excited for those to drop. I don’t like speaking’ too much on collabs, but I’ve been doin’ some work with Jonas Risvig, who’s one of my favorite directors and photographers of all time man. He’s behind some of my favorite videos, for guys like LAST NIGHT IN PARIS, and the video visuals he did for Pusha T on the “Darkest Before Dawn” project with Fabien Montique. That small collab will be dropping soon, so I’m psyched for that little thing to drop. I’m still humbled by everything’, it’s crazy.”

‘‘When it comes to the work and expanding’ in terms of exposure, I don’t know man, I’m just doing’ the most right now. I do my work, I create, I put my work out, and the work does the reaching’. I’m mad blessed to have my work reaching’ out as far as it is right now, so I guess if anything’, more exposure at home, on a National level would be cool. But again, I’m just creating’ to create, everything’ will grow and culminate naturally I feel. I’ll obviously y’know, give a push here and there, find different approaches to things, see what happens, but ultimately I want it all to build naturally. Along with growing APACHE, that’s my own little DONDA, that’s my little passion project. So yeah, I’m just excited for the future, everyday is a surprise, I take every day as it comes. So I’m ready for whatever’’

Chris walks into the studio with a half giggle, half smile and I can tell he is excited to be interviewed (apparently for the first time) so it is definitely a defining moment for the artist.

He talks me through his career as a creative and everything in between. By this time he is a little more serious but always manages to sneak in his ever infectious laugh. I think it Is this that gets the ladies in a frenzy. Chris is simply and utterly cool and composed and we couldn’t wait to feature him in Mazemag.

– Interview & words by Donae Manuel

1. Tell me a bit more about Christopher Liwani first and then Chris the Illustrator?

Christopher Liwaniis quiet and reserved, however,Christopher Liwani and Chris the illustrator have become one person now. The two have merged and become more of a personal brand; creative, emotionally inclined, being true to himself.

2. When did you realise you wanted to pursue a creative career?

For as far as I can remember, I have been drawing since pre-school (age 4), but not like basic shapes (laughs). I used to cut out figures and paste clothes on these figures – this was back in grade 2. I also used to like taking videos and editing them through high school and I still didn’t really know a career in graphic design existed (I was studying computer science at school at that time). I was wondering how I could fit computers and art and it was confirmed when career guides visited our school at the time that a career in digital art actually exists. I also had to do a project on someone in the community that inspired me and there was this dude I read about in Drum magazine that bought a computer with just R500 (who gets a pc at 500 bucks bruh?) and taught himself graphic design and designed album covers for artists and generated an income from that - and I remember wanting to do that but it still didn’t click that, hey, that’s graphic design. I feel like the signs were always there and it only dawned on me last year that it’s all coming together and makes sense now.

3. What does black excellence mean to you?

Whenever my friend and I drive past a black guy in a smart car we always hoot and shout “Black excellence” but I guess it’s about being successful especially given the circumstances from the past and rising above that and not letting your situation or past define the now.

4. What does black love actually mean?

Laughs. After breaking up with my ex girl; she was half English and half Thai, I was mad so I was like let me stick to my ‘own people’ and take a break from dating foreign girls. Not that it matters what the colour of your skin but my dad was like, no girl is gonna treat you better than a black girl. But I feel like girls who are not black are more open minded to the arts and don’t judge how you think as much. I guess it really depends on the person irrespective of colour.

What inspires you to begin creating?

I divide inspiration in 2: I get inspired by looking at other people’s work but I get bored by it but I also get inspired by good photography. It’s not enough to get me to start but it births an idea. What really gets me to pick up the pen and get drawing is usually triggered by emotions, particularly heartbreak.

How do you know when a piece of artwork is complete?

I don’t really complete my artwork which is actually really annoying. The only time I can say a piece is complete is when I feel I have filled the page – when I can’t do anything else.

What star sign are you and do you believe in astrology?

I’m Sagittarius. I’m hot and cold about it. When I read about it it’s actually spot on but it’s because my beliefs and astrologykinda conflict and that’s why I say I am hot and cold about it. Like why can’t science and God or spirituality co-exist?

I’ve noticed the prominence of protruding bones in your artworks, what is the significance of this?

It was more a trend or habit I picked up when I lived in Cape Town.

What are the different mediums that you subscribe to?

I like using fine liner and water colours and also transferring my art onto digital programs to refine it.

What role and responsibility do you think artists have in society?

I wanna be a famous artist right, but I don’t know if I wanna be political or socially conscious. Everyone has their niche but I don’t think I want to fit in anyway but I do find myself dabbling in everywhere. But artists definitely have a very prominent place in society, not everyone realises that though.

Please tell me more about the piece “Imbokodo”?

It was a drawing of a girl that I saw wearing military attire with a masculine hair-cut and I really liked it and it embodied “Imbokodo”, so when I drew it that word best described the piece. Which stands for ‘rock’ and as the saying goes “uwathint’ abafasi, wathint’ imbokodo” which is translated as “you strike a woman, you strike a rock” Which artists inspire you. Mention your top 3.

Russell Phat lip Abrahams, OneHorseTown, Basquiat What has been a notable career glory moment thus?

This interview, actually. I’ve never been interviewed like this before. laughs Any other artists in the family?

My mom draws, my brother Tebo is a music artist, my little brother Selo does everything. He is like the golden child.

What are 3 things you would take with you onto another planet if earth was no more?

WiFi router, camera and a laptop

What would a modern day Shakespeare be like?

Nasty c – sometimes I’m like, did this dude really write that?

Complete the following sentences: • .

If I were a pen or pencil, I’d be a…fineliner Drawing a naked woman would be like...being naked in the same room. The room should be warm too. lol Nobody likes a…dick At the end of the rainbow is…freedom The colour red makes me feel…dangerous Girls who draw are…sexy Leave us with a #hashtag #tbo = Tebo (my brother)

MAZEMAG Deputy Editor, Kim Barendse, interviewed the born and bred East London tattoo artist Lerito Roberts. Discover how his passion as a tattoo artist began.

At what age did you do your first tattoo?

I think I was fifteen going on sixteen if I remember correctly because I remember I was still in school when I started off doing tattoos.

What is your favourite tattoo on your body and what does it symbolize?

I can’t say specifically which one but one of my favourite tattoos would be my “Save the Rhino” (STR) tattoo because it means a lot to me in many ways. I did it to not only constantly remind myself of an extinction of a species but also how far we have come as a human race in destroying everything that was given to us to look after. It kind of reminds me of life and how we should be taking responsibility of everything that surrounds us.

What are the drastic or the most noticeable changes you’ve seen in the tattoo industry since you’ve started?

Oh my goodness there’s so many ok I could tap into a whole bunch of things when I started off as a tattoo artist. One it’s more open to everyone in comparison to when I was nineteen years old, it was such a mission just to get equipment. The industry was difficult to get into because it had the exclusivity of the likes of a cartel in a sense. If you weren’t white or you weren’t from a bike club and it was in the 90’s and you want to open a tattoo studio it would have been difficult for you. The public is also more open to the idea of tattoos or getting tattooed because you’ll get someone saying “I like tattoos but I’ll never get one myself” it’s not something that’s frowned upon as much anymore.

You work by yourself do you prefer it that way?

Nope, I don’t.I actually love working with other artists. In all honesty I’d rather work alone until I find a suitable artist.

What is the most common theme or mistake people come to have cover ups done over?

(laughs) Joh chomma. They get “chupis” (slang word for homemade tattoos) from 1998 and 1999, “No my friend tattooed me.” Most people have tattoos covered that they’ve done unprofessionally

So do people cover up ex’s names?

Some people cover up ex’s names or even ex’s faces. (laughs loudly) or silly things they’ve done themselves. There’s a bunch of things that come into the shop.

Do you still get excited when you hear the buzz of the tattoo machine?

I do, can I be honest with you? Some days you want to work and some days you don’t want to. You know what to expect because you know who you tattooing that day. If you walk into the shop and you know you’re going to be doing butterflies all day I don’t want to be there. If you’re doing, you know what I do, realism and black and gray scale portraits I’m happy because then I’m doing what I love.

What are the tattoos you like doing the least?

Tribal, it’s old and over done. There’s nothing to enjoy unless you doing a Maori or a Polynesian or that has a family lineage or story behind it, something traditional. I can appreciate when clients request me to design a tribal.

What’s your advice for up and coming artists?

I would say in your journey of becoming a really good, professional tattoo artist read a lot, educate yourself with more than just being able to do a tattoo. The best thing you could do is learn about life and nature, read about astrology and venture into different subjects. If a customer walks in and wants a dragon fly tattoo you should be able to picture it, understand how it moves and its anatomy and that’s how you become a crazy artist. It’s also important to relate to the client, hold a conversation with them, they’re usually nervous when coming for a tattoo. Build a repertoire with your client, blow their minds so that they come back.

What is a field you love exploring that you don’t necessarily need to know but can’t get enough of?

I’ve always wanted someone to ask me this question. I’ve always had this picture in my head of me sitting in an interview on television one day I would say life beyond this planet. The first thing is God, thereafter my determined interest in the spiritual world which makes extraterrestrial beings a sub genre of this. It’s everything beyond what we understand and see today. It sparks that kid in me again, it makes me wonder, it brings excitement back into my life and makes me look forward to waking up the next day again.

TRE NDS BE AUT Y

MAKE UP BY

SMODERN

MASK OFF? CHARCOAL FACE OFF...

So as we all know, charcoal is good for cleansing a lot of things, right. Such as whitening teeth, water filtration blah blah blah. But here’s what charcoal is also useful for. YOUR FACE! Facemasks. I know I know, you guys are probably thinking “Whaaaaattt!!! Charcoal on my where?!” Yes, yes dearly beloved. Charcoal on your face. If you think about it, way back in the days before all these products were created/manufactured and like probably before you and I were ever thought of, what do you think they used? Charcoal right!!! However, not just any charcoal though. Activated charcoal. “What is activated charcoal?” one may ask. Well, allow me to educate you a bit. Activated charcoal is a potent natural treatment used to trap toxins and chemicals in your body, allowing them to be flushed out so the body doesn’t reabsorb them. It’s made from a variety of sources, but when used for natural healing, it’s important to select activated charcoal made from coconut shells or other natural sources. “Oh, so how does activated charcoal work on the skin? Particularly on your face?” one may as again. Activated charcoal helps draw the bacteria, dirt or poisons and other micro-particles of the surface of the skin, helping you to achieve that flawless radiant skin. Activated charcoal peel off facemasks has been breaking the net on how they eliminate blackheads and other gooey stuff on the surface of your skin. Now you can DIY your own activated charcoal peel off facemask. A mask off, charcoal face off. Here are following steps to create your own homemade activated charcoal peel off facemask

DIY STEPS STEP 1: Mix the bentonite clay and baking soda in the activated charcoal bowl. You would want to mix the dry products all together first.

STEP 2: Add the coconut oil and 1tspn of water into the mixture bowl.

STEP 3: Firmly stir the mixture together until the constancy is smooth.

STEP 4: Apply the mixture on your face. Leave it to dry for at least 30 minutes.

STEP 5: Once dry; peel off the charcoal mask and moisture the skin.

STEP 6: Enjoy your flawless skin.

m aze m ag ADVERTISING & GENERAL/BUSINESS ENQUIRIES Mercedez +27 74 450 5241/+27 71 075 9188 TO FEATURE IN MAGAZINE Kim

+27 83 722 1661

Donae

+27 81 535 3128 SOCIAL MEDIA @mazemag_