This publication documents Turbulent Forms, a solo exhibition of Toronto-based British artist Dan Tapper’s work exploring chaos and cosmology. Presented throughout August 2017 at the Canadian Music Centre, the exhibition included large scale print art works and an immersive installation accompanied by composed and self-generating audio content, all using data collected from space as a creative tool.
Alongside the exhibition Turbulent Forms engaged with three Canadian composers – Allison Cameron, Bekah Simms and Mehrnaz Rohkhbaksh. These composers were lead in a workshop by Dan Tapper detailing his creative methodologies behind Turbulent Forms to inspire a collection of new work that was later presented in a concert event.
This publication gives an in depth look at the full Turbulent Forms experience featuring the artworks, installations and pieces developed during workshop all accompanied with text that details the process and concept of each piece.
