Camea Lam
Part ii Architectural Assistant (34)
+44(0)7354 651 023 lamcm13@gmail.com
Statement
Motivated and detail-oriented Part II architectural Assistant with a passion for sustainable, and community focus design. Skilled in model making, material exploration, and digital craft, with a strong interest in creating architecture that makes a real community impact. Seeking to contribute to a forward-thinking studio like 10 Design.
Education
Master of Architecture | Oct. 2020 – Jun. 2022 Arts University Bournemouth
Bachelor of Arts in Architecture | Sep. 2014 – Jun. 2015
University of Lincoln
Higher Diploma in Architecture Design | Sep. 2012 – Jun. 2014 Hong Kong Design Institute
Skills
Rhinoceros + V-ray | Proficient Grasshopper | Intermediate
Sketch-up | Proficient
Revit | Beginner
Auto-cad | Proficient
Photoshop | Proficient
Illustrator | Proficient
28 Throne Cl. London E16 1LP
Work Experience
Freelance Designer | Nov. 2022 - Current
• Provided Service for interior design, fashion event
Part Time | May.2022-Sep.2024
• Learnes time mangement, client interaction, and multitasking skills at a bakery
Architectural Designer | Sep. 2019 - Aug. 2020
at P.K.NG Architects & Engineers Ltd., Hong Kong
• Developed renovation designs for hotels, care homes, and schools
• Created presentations and technical drawings using hand sketches and 3D software
• Coordinated on-site construction decisions with clients and contractors
Architectural Assistant | Mar. 2019 - Aug. 2019
at Llewelyn-Davies Hong Kong Ltd.
• Worked on leisure parks, police stations, and public amenities
• Conducted regular site visits and client meetings
• Utilised regular site visits and client meetings
Freelance Designer | Feb. 2018 - Feb 2019
• Provided freelance architectural and interior design services
Architectural Assistant | Sep. 2016 - Dec. 2017 at Mass Concept Ltd., Hong Kong
• Assisted in Addition and Alteration work of a shopping complex
• Developed architectural designs under senior architects’ guidance
Awards
Final Entry
– Open Group
Tai O Bridge Competition | Apr. 2013
InDesign | Proficient Languages
English | Cantonese | Mandarin
• Created design representations, submission drawings and tender documents
• Liaised with client and Building Safety Regulator
Architectural Assistant | July. 2015 - Apr. 2016 at Axis of Spin Architecture, Hong Kong
• Worked on interior design projects for apartments, clinics and NGOs
• Created 3D renderings and 2D drawings
• Conducted site visits
1. M. Ar ch Project (Arts University Bournemouth, 2022)
1.1. ‘Escape from the Boxes’ - Design Thesis
1.2. Final Presentation & Model-Making
1.3. Concept Development & Sustainable Strategies
1.4. Technical Drawing & Material Studies
2. Pr ofessional Practices
2.1. Hotel Renovation Hong Kong (PK.NG Architecture & Engineer Ltd.)
2.2. Public Sector Projects (Llewelyn-Davies Hong Kong Ltd.)
2.3. Shopping Complex Alterations and Additions (Mass Concept Ltd.)
2.4. Grade I Historic Building Restoration (Axis of Spin Architecture)
3. B . Arch Projects (Green Infrastructure in Urban Design)
3.1. Village Cinema Evolving into Cinema Village (University of Lincoln)
3.2. Squire House - Revitalizing Urban Space (Hong Kong Design Institute)
4. Other s
4.1. Workshops (Bamboo Structure and Possibility Study)
4.1.1. The Meteor Pavilion
4.1.2. Ephemeral Bamboo
4.1.3. Bamboo Art Installation at Oil Street
4.2. Design Competitions
4.2.1. Architecture School Tower in Dubai
4.2.2. Hand Fan Bridge ( 扇 橋 )
1.1. Design Thesis -
scap
Location: Hengistbury Head, Bournemouth, UK
Year: 2022
Role: Concept Designer, Model-Maker, Researsher
Summary:
ox E s ’
A semi-underground community centre reconnecting visitors with nature and forgotten histories through an interactive exhibition rail. Inspired by ant nests and caves, the architecture contrasts retangular forms with organic voids, using sustainable Earth-Crete construction and prefabricated timber.
‘Escape From The Boxes’
Project Overview
• Type: Experimental Community Centre
• Purpose:
* Provides a space for unconventional learning and education
* Encourages community engagement and connection with nature
* Features an ESCAPE ROUTE, a semi-underground exhibition walking trail for exploring forgotten historical artifacts
Key Words:
# Sustainability # Nature Integration # Community # Tactile Design
Design Concept
• Contrasts between built forms and nature
• Inspired by organic structures
• Sustainable design approach
Fig.1:
The Conceptual Sketch of The Exhibition Waking Trail ’ at Hengistbury Head, Bournemouth
Final Presentation & sustainable strategies
Key Features 1: Undulating Space
• Semi-public area infused with natural elements
• Offers shelter from strong winds while maintaining a connection with nature
• Provides a space for social interaction, relaxation, and contemplation 1.2.
Key Features 2:
Lounge Area
• Strategically located as a tranquil retreat between busy zones
• Serves as a pause point before visitors explore the centre
• Designed to create an inviting atmosphere, attracting visitors inside
Master Planning & Circulation Design
• Concept: Breaking free from traditional “box architecture
• Escape Route:
* A pathway within the rectangular structure leads visitors back to natural surroundings
* Allows visitors from multiple directions to converge at the central atrium & spiral staircase
• Interior Space:
* Curved roof design creates multilevel spaces
* Slopes & staircase ensure smooth circulation and accessibility
* Strategically placed lounge areas enhance public interaction and relaxation
Master Section & Elevation Study
• Two-Part Structure:
* Above Ground: Timber frame system, emphasising contrast & softness
* Underground:
» Built with reinforced stone and Earth-Crete for structural integrity
» Maximises natural light & ventilation through timber extensions
• Sustainability Focus:
* Prefabricated, modular wood units to reduce site disruption & pollution
* Waffle structure integration for added structural strength
* Interlocking notched wood units allow for either flat or curved surfaces
Partial Section
Timber Waffle Structure and Weaving Column as the main structure aboveground.
Hanging metal frame structure 100x100x6mm steel rectangular hollow section.
The Extended Timber Waffle Structure to the underground for providing natural light and ventilation.
Earth-Crete Structure as the main structure underground
Underground Car Park
[Dia.1]
[Fig.1]
[Fig.2]
[Fig.3]
Structual
Exploration
ConCept Development & moDel making
• Mimicking Nature Forms for Architectural integration:
* Gravel Study (Wax Models)
» Explores negative space between gravels
» Investigates organic void formations for spatial design
* Ground Surface Study (EarthCrete models)
» Analyses natural terrain textures
» Examines how Earth-Crete replicates natural surfaces
• Structural Exploration :
* Egg Box Model
* Bio-Shape
» Tests wood & Earth-Crete integration for structural stability
» Investigates load-bearing potential of hybrid materials
* Wooden Structure
» Aims to harmonise architecture with nature
• Design Objective:
* Find the optimal form that seamlessly integrates architecture with nature
* Develop sustainable structural solutions inspired by natural formations
1.3. Concept Development & Model Making
• Initial Concept Mode:
* Used 1:500 cross-section to refine design aspects like ceiling height, walk-able slopes, and light recesses
• In terior Space Exploration:
* Natural cave formations influenced undulating spaces
• Underground Structural Study:
* Inspired by egg carton arches to enhance spatial and structural design
The Study of Indoor Space and Connection
The Study of Underground Structure
The Study of Form
Section A
Section A
Section B
• Ratio Experimenting: 1:3:4 (Cement:Earth:Aggregates)
Technical & Material StudieS
Earth-Crete:
A Sustainable Alternative to Concrete
• What is Earth - Crete?
* An eco-friendly concrete alternative using less cement for a lower carbon footprint
* Made from earth, cement, water, and local materials(gravel, clay, straws, construction waste)
* Mix ratio base on soil type, aggregate size, and structural needs
• Final Goal:
* Optimise mix ratio for durability and construction efficiency
Model Testing the Extension and Strengthen of Using Earth-Crete
• Research & Case Study
* Mix Ratio 1:9:18, 1:6:12, 3/4:5:14 (Cement:Earth:Aggregates)
* Water added, consistency checked, and adjusted
• Applications:
* Plinth Wall (1:9:18) - Protects from water damage
* Ring Beam & Cantilevered Balconies (1:3:4) - Supports structure
• How Earth-Crete is Used in My Project
* Main material for Underground circulation area
* Testing Process:
» Use Hengistbury Head soil and adjust mix for strength, colour, texture
» Determine if it’s best for structural walls, foundations, or partitions
Aggregates: Straws + Crushed Shell
Materials & Technical STudieS
Wood Joint Study:
Joints ties together the individual Jigokugumi layers, allowing the Jigokugumi layers to work as one combined structure.
[Model.1] - 3D print facade Scale 1:50
[Model.2] - Laser cut Scale 1:20
[Fig. 1] - Day time rendering
[Fig. 2] - Night time rendering
- Sunny Hills by Kengo Kuma
Wood J oint S tudy d iagram for 1 to 1 m odel m aking
[Model.3] - Hand-craft Scale 1:1
[Dwg. 1] - Partial facade section study
[Fig. 1] - Construction Process Image of Sunny Hills (Arch-daily, 2014)
Working Experience in Architectural Companies,
Hong Kong
2.1.
Park Hotel renovation
(PK.NG Architecture & eNGiNeer Ltd.)
From 2019 to 2020, I worked as an architectural designer :
• Worked with both architecture and interior design teams
• Assisted in design development
• Woeks as an on-site project manager
• Oversaw construction progress and coordination
Participated in RIBA Work Stages 2 to 6
Project Type:
Hotel renovation works in Hong Kong
Contributed to
1. interior design and furniture design [Fig.1-3], 3D modelling and V- ray rendering [Fig.1-3]
2. The production of construction drawings [Dwg. 1]
3. Coordinate site progress
4. The project by acting as a project liaison
[Fig.1]
[Fig.2] [Fig.3]
Public Sector ProjectS
In 2019, as an architectural assistant to work on refurbishment projects of government properties.
Participated in RIBA Stages 0-6
Project Types:
Contributed to
1. Site surveys and reports
2. The concept design, development, 3D modelling, V- ray renderings and presentation boards
3. The preparation of the project programme
4. The production of tender drawings and documents [Dwg.1-4]
5. Weekly coordination session with consultants, engineers and contractors
1. Leisure Park’s Renovationsample work [Fig.1-2]& [Dwg.2-3]
2. Police Station
3. Public Toilets
[Fig.1]
PRACTiCE PRojECTs
Shopping Complex AlterAtionS & AdditionS Work (Mass
ConCept Ltd.)
From 2016 to 2017, I worked as an architectural assistant . The project aimed to rebrand the complex as a modern, multifunctional space that better served the community’s need.
Participated in RIBA Work Stages 2 to 5
Project Types:
• Additions & Alterations Project
Contributed to
1. The revitalisation of a dated shopping complex
2. The design development, 3D modelling and V- ray renderings [Fig.1-6]
3. The submission drawings of General Building Plan (GBP) [Dwg.1]
4. The amendment drawing for planing application
5. The meetings with building department officers and other consultants
6. The production of tender drawings
7. The egular meetings with client and engineers
8. The regular site meetings with contractor
[Fig.2]
[Fig.4]
[Fig.3]
[Fig.5]
Grade I HIstory BuIldInG
In 2015 - 2016, as an architectural assistant in a design studio to work on renovation projects.
Project Types:
• Renovation of a Grade I Historic Building
Project Name:
• Tung Lin Kok Yuen - A Buddhist nunney and educational institution
Renovation Goals:
• Reduce noise levels using acoustic materials
• Preserve the historic structure without damaging original elements
Architecture)
Participated in RIBA Work Stages 2 to 7 Contributed to
1. Interior design proposals
2. The development of coordinated, fully reversible solutions that addressed strict conservation constraints
3. 3D modelling and V- ray renderings[Fig.1&2]
4. The production of tender drawings [DWG.1]
5. The tender evaluation process and report
6. Tender interviews
7. The site meetings with clients and contractors
[Fig.1] - V1
[Fig.2] - V2
InFrasTrucTurE
Key Words: # Roof Garden CHAPTER 3.
Transforming Concrete Jungles into Sustainable Ecosystems through Biophilic Design and Green Infrastructure.
In urBan DEsIGn
3.1.
Village Cinema eVolVing into Cinema
Village (University of LincoLn)
Location: Luen Wo Hui, Territories, Hong Kong
Year: 2015
Role: Concept Designer, Model-Maker, Researsher
Summary:
This academic design thesis reimaged a derelict open-air cinema into a vibrant cultural village gor youth and community engagement. Rooted in the site’s cinematic past, the scheme weaves together multiple screening housees, semi-open spatial experience. The architecture reviltalises the area’s heritage by mergingng film, memory, and social connection into a contenporary civic space.
Key Design Elements & Innovations (Dia. 1)
• From a Single Cinema to a Cinema Village
* Expands beyond a traditional single-screen cinema model
* Introduces multiple screening houses, each integrated with outdoor spaces
* Encourages a more interactive and immersive cinematic experience
• Seamless Indoor-Outdoor Integration
* Drawing from the theatre’s openair cinema heritage, the design incorporates:
» Open-air screenings and flexible outdoor gathering areas
» A mix of enclosed and semi-open spaces
* Enhances the social aspect of movie-watching with diverse spatial encounters
• Thoughtfully Designed Circulation & Spatial Experience
* Interconnected screening houses allow visitors to move freely through the space
* A well-planned circulation network creates:
» Effortless movement between indoor and outdoor areas
» Captivating interior and exterior views that enhance engagement
Dia.1. Exploring Indoor-Outdoor Connectivity and Circulation Flow Between Screening Houses
Community & Youth Engagement Impact
• Attracting & Retaining Young People
* Provides an exciting entertainment and cultural venue
* Encourages young residents to stay, socialise, and engage with the community
* Revitalises the area as a modern yet nostalgic destination
• Strengthening Community Identity
* Celebrates local history while adapting to contemporary urban needs
* Reconnects past generations’ memories with new experiences for younger audiences
Overall Impact
• Preserves cultural heritage while ensuring long-term relevance and sustainability
• Transforms Luen Wo Theatre into a vibrant, multi-functional community hub
• Enhances the public realm by merging cinema, architecture, and social interaction
Squire HouSe _ revitaliSing urban Space (Hong Kong Design institute)
Revitalising the Roof Garden to 13 Streets’ Residents:
Location: To Kwa Wan, Hong Kong Year: 2014
Role: Concept Designer, Model-Maker, Researsher
Summary:
Set in the dense Thirteen Streets district, this academic project proposal relocating ground-level garages underground to free space for a public green roof garden. Aiming to combat pollution, restore environmental quality, and offer residents a place for connection and play, the design prioritised green infrastructure and community healing. The intervention demonstrates how architectural design can transform neglected urban zones into shared, sustainable sanctuaries.
Green Infrastructure Elements
• Roof Garden & Yard (Dwg. 3) as Green Space
* Redesign aims to provide a green area within a dense urban environment
Overall Impact
• Underground Parking & Car Repair Garages:
* Roof gardens & yards act as nature-base solutions to improve air quality, mitigate urban heat, and enhance community wellbeing
* Relocating garages underground reduce surface pollution and free up space for green space
* This help lower noise pollution and encourages a sustainable, cleaner urban environment
• Commitment to a Green City:
* Vision includes fostering a green city that prioritises sustainability, green infrastructure, and improved quality of life for residents
• Encourages a more sustainable & liveable environment
• Uses t houghtful urban planning & creative design to transform the area
• Promotes a sense of togetherness among residents
BamBoo sTrucTurE anD possIBIlITIEs
sTuDIEs
- Exploring the Versatility of Bamboo, the Sustainable Treasure...
CHAPTER 4.
4.1 WoRksHoP _ BAmBoo sTRuCTuRE & PossiBiliTiEs sTudiEs
4.1.1.
The MeTeor Pavilion
Year: 2016
Location: Guangdong, China
Role: Workshop Participant |
Designer + Maker
Summary:
This full-scale design-build workshop explored spatial layering and community engagement through bamboo construction. The pavilion was designed to reconnect villagers with nature by creating an open, multi-level structure tnat frramed sunlight, sky views, and gathering spaces. Built collaboratively, the structure tested lightweight joinery, modular rhythms, and expressive formmaking rooted in vernacular technique.
Study & Exploration
• Conducted a series of study models to explore:
* Form variations
* Joint detailing possibilities
Testing & Experimentation
• Simulated different joint connections to ensure :
* Structural safety
* User comfort and enjoyment in the public space
• Tested various tie materials:
* Rope, rubber bands, and other binding techniques
• Experimented with different knotting methods to determine the best fit
Final Development
• Applied insights from hands-on studies to create comprehensive construction drawings
• Prepared for the on-site fabrication phase with optimised joint solutions
4.1.
WoRksHoP _ BAmBoo sTRuCTuRE & PossiBiliTiEs sTudiEs
EphEmEral BamBoo
Year: 2018
Location: The Hong Kong
Polytechnic University, Hong Kong
Role: Workshop Participant | Designer + Maker
Summary:
This hands-on academic workshop focused on traditional bamboo crafftsmanship and its potential in modern spatial applications. Participants developed small-scale prototype to test bending, joint design, and fabricati9on techniques. The workshop encouraged exploration of tactile design, cultural memory, and public interaction through ephemeral architectural forms.
4.1.
WoRksHoP _ BAmBoo sTRuCTuRE & PossiBiliTiEs sTudiEs
BamBoo arts InstallatIon
Year: 2015
Location: Oil Street Community, Hong Kong
Role: Workshop Participant | Maker + Community Facilitator
Summary:
This public-facing design workshop invited community members to participate in creating a bamboo screen installation. Emphasising collaborative building and cultural storytelling, the project used traditional knotting methods and simple construction logic. It highlighted how shared making processes can empower local idenity and celebrate material traditions.
IdEA dEsIgn ComPETITIon
4.2.1
Architecture School tower -
rethinking leAringn environmentS
Summary:
This speculative proposal challenged conventional school design by placing an educational tower along Dubai’s coastline. The scheme explored how natural elements-light, breeze, sand, and sea- could inspire learninng spaces that suppurt intellectural and emotional wellbeing. With stacked classrooms, shared gardens, and shaded outdoor terraces, the vertical campus merged education with nature in a playful yet focused spatial experience.
Year: 2014
Location: Dubai (conceptual)
Role: Concept Designer
Design Concept
• Key Idea:
* A school tower on the beach that merges nature with education
• Inspirational Elements:
* Leverages the seaside environment to enhance learing
* Natural surroundings - waves, sand, breeze-create a tranquil yet sitmulating atmosphere
• Architectural Approach:
* Integrating of natural elements into design
* Procides students with a space that supports both intellectual growth and emotional well-being
* Encourage focus, relaxation, and creativity
4.2. IdEA dEsIgn ComPETITIon
Hand Fan Bridge ‘扇 橋’ - iconic inFrastructure For tai o
Year: 2013
Location: Tai O, Hong Kong
Role: Team Leader & Co-Designer | Finalist - Open Group
Summary:
Design Concept
• Inspiration:
* L ightweight design with delicate ornamentation enhances visual appeal 4.2.2.
Submitted to a public competition hosted by the Civil Engineering and Development Department, this bridge design with a retractable structure was inspired by the folding motion of a traditional Chinese hand fan. As team leader, I coordinated the submission and co-deveolped the design based on a concept initiated by a teammate. The bridge was designed to open and close in sections, allowing boats to pass while echoing the rhythmic grace of Tai O’s waterways and cultural heritage.
* B ased on the Chinese hand fan, symbolising extension and continuity
• Aesthetic & Structural Elements:
* D ynamic structure mimicking the gentle waves of water
* Symmetrical composition conveys balance and harmony
