Music Catalogue 2017 by Cambridge University Press

MUSICâ&#x20AC;&#x2030; 2017 THEATRE AND

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Welcome to the Music and Theatre books catalogue 2017. Here you will find new and forthcoming titles, representing the highest level of academic research from renowned authors. Our highlights this year include exciting new books Jazz Italian Style, The Cambridge Companion to Film Music, Bach: A Musical Biography, The Cambridge Introduction to Performance Theory and A History of Japanese Theatre. Our publications are available in a variety of formats, including ebooks and print, as well as online collections for institutional purchase via our publishing service Cambridge Core. We also publish a range of leading Music and Theatre journals, including British Journal of Music Education, Cambridge Opera Journal, Early Music History, Eighteenth-Century Music, Journal of the Society of American Music, Nineteenth-Century Music Review, Organised Sound, Plainsong and Medieval Music, TEMPO, Twentieth-Century Music, Popular Music, New Theatre Quarterly, Theatre Research International and Theatre Survey (see back inside page for more information). You can recommend our books, online collections and journals to your librarian by filling out the form at the back of this catalogue. To see more book listings, product information, preview extracts and reviews, and to find out which conferences we are attending, you can find us online at www.cambridge.org/musicandtheatre2017. Â You can also keep up to date with the latest news and author views from our academic blog at www.cambridgeblog.org/category/music-theatre-art. We hope that you enjoy reading about our latest publications. For queries, suggestions or proposals, you can find a list of useful contacts at the back of this catalogue.

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Bach

Contents

see page 12

A Musical Biography pet e r w i l l i a ms

MUSIC Music criticism 1 Music performance 1 Opera 3 Medieval and Renaissance music 7 Seventeenth-century music 10 Eighteenth-century music 10 Nineteenth-century music 13 Twentieth-century and contemporary music 18

see page 18

THEATRE

see page 20

Jonah Salz is Professor of Comparative Theatre in the Department of International Studies at Ryukoku University, Kyoto, Japan. As director of the Noho Theatre Group (established

Fringe Festival and Avignon Theatre Festival,

and throughout the USA and Japan. A program director for Traditional Theatre Training from

1984–2014, he organizes an intensive program to teach noh, kyogen, and nihonbuyo dance to Japanese and foreign artists and scholars. He has published numerous articles and

translations as a leading scholar of kyogen

comedy and Japanese interculturalism, and

has reviewed theatre and dance performances for three decades for English newspapers and monthly magazines

Salz / A History of Japanese Theatre / 9781107034242 / Jacket / C M Y BLK

in Japan.

Japan boasts one of the world’s oldest, most vibrant, and influential performance traditions. This accessible and complete history provides aBack comprehensive copy text overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance, and media experimentation. The first part addresses traditional genres, their historical trajectories, and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.

a hi s tory of

to interpret texts by Shakespeare, Yeats, and Beckett, successfully touring the Edinburgh

Japanese Theatre

1981) he works with noh and kyogen actors

Sa l z

British theatre 28 European theatre 29 American theatre 31 Classical theatre 32 Shakespeare 32 Theatre (general) 36 Also of interest 38 Information on related journals Inside back cover

a hi s tory of

Japanese Theatre

Japan boasts one of the world’s oldest, most

see page 36

vibrant, and influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese

theatre and its continuing global influence.

Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance, and media experimentation. The first part addresses traditional genres, their historical trajectories, and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.

Jacket illustrations (front): dancing maenads and fox-priests of Asian Dionysus in Suzuki Tadashi’s Dionysus (1990). Courtesy SCOT; (back): Seki Sanjuro II performs Fuji Musume (Wisteria Maiden) in 1826 print by Utagawa Kunisada I (1769–1825). Courtesy Paul Griffith.

edited by Jonah Sal z

Printed in the United Kingdom

Simon Shepherd

see page 38

The Cambridge Introduction to

Performance Theory

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MUSIC / Music criticism / Music performance

MUSIC Music criticism The Ballad in American Popular Music, 1950-2015 David Metzer University of British Columbia, Vancouver

The first book to explore the history of the ballad in recent American music and the genre’s role in American emotional life. Covering stylistic changes over several decades and major performers associated with ballads, this book will appeal to scholars and other interested readers. 2017 228 x 152 mm 320pp 978-1-107-16152-8 Hardback c. £64.99 / c. US$99.99

as a pioneer of modern conducting, and as an entertaining author of memoirs, fiction, and criticism. His musical reputation has fluctuated, partly because his works rarely fit into conventional categories. As this Encyclopedia demonstrates, however, his influence on other composers, through his music and his orchestration treatise, was considerable, and extended into the twentieth century. The volume also covers Berlioz’s connections with government officials and Paris concert societies and theatres, and contains information on his wide social circle including important literary figures. The Encyclopedia explores his fascination with foreign authors such as Shakespeare, Moore, and Goethe, and treats fully his promotion of his own and others’ music, often at his own financial risk.

Publication December 2017

2017 247 x 174 mm 495pp 978-1-107-10443-3 Hardback c. £95.00 / c. US$145.00

For all formats available, see

Publication August 2017

www.cambridge.org/9781107161528

For all formats available, see

www.cambridge.org/9781107104433

Music performance The Cambridge Berlioz Encyclopedia Edited by Julian Rushton University of Leeds

With over forty international specialist authors, this Encyclopedia covers all aspects of the life and work of Hector Berlioz. One of the most original composers of the nineteenth century, he was also internationally known

Varieties of Musical Irony From Mozart to Mahler Michael Cherlin University of Minnesota

Tracing the development of irony in language and expression, the book contemplates irony’s relationship with music and examines its use in the works of major Classical and Romantic composers. This interdisciplinary volume

eBooks available at www.cambridge.org/ebookstore

Music performance will appeal to those interested in the parallels between literature and music. Advance praise: ‘What I prize most of all in scholarly writing on music is the author’s ability to make me hear and understand compositions and concepts I thought I already knew in new ways. Irony is a slippery, many-sided subject, but Michael Cherlin deftly disentangles and then categorizes its numerous manifestations both in language and in music: irony at the hinge of change, irony in contrapuntal juxtaposition, ironies of irruption or interruption, and much more.’ Susan Youens, University of Notre Dame, Indiana

providing a wealth of information for students and enthusiasts alike. Cambridge Companions to Music

2017 247 x 174 mm 470pp 978-1-107-11474-6 Hardback c. £66.00 / c. US$105.00 Publication May 2017 For all formats available, see

www.cambridge.org/9781107114746

HIGHLIGHT

The Cambridge Companion to Percussion Edited by Russell Hartenberger University of Toronto

Publication May 2017

This Companion explores percussion and rhythm and is written by performers, composers, conductors, scholars, instrument designers, and scientists.

For all formats available, see

Cambridge Companions to Music

www.cambridge.org/9781107141292

2016 247 x 174 mm 310pp 24 b/w illus. 24 music examples 978-1-107-09345-4 Hardback £64.99 / US$99.99 978-1-107-47243-3 Paperback £23.99 / US$29.99

2017 247 x 174 mm 255pp 978-1-107-14129-2 Hardback £64.99 / US$99.99

The Cambridge Companion to the Musical Third edition Edited by William A. Everett University of Missouri, Kansas City

and Paul R. Laird University of Kansas

The third edition of this acclaimed Companion provides an accessible, broadly based survey of musicals in London, New York and other venues from the nineteenth century to the present. Existing chapters have been updated, and two new chapters added,

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www.cambridge.org/9781107093454

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French Organ Music in the Reign of Louis XIV David Ponsford Cardiff University

Ponsford takes a fresh approach to French Baroque organ music by analysing each genre chronologically and tracing influences from Italian and French secular music. The study enhances understanding of French influence on J. S. Bach, and will appeal

Music performance / Opera to all those who play, study and admire this unique repertory. ‘Here is a book the organ world has been waiting for: an authoritative account of French Baroque organ music from Louis Couperin to Clérambault, based on an examination of the repertoire by genre rather than simply by composer, thus revealing many new insights. Moreover, the links between stylistic analysis and performance practice make the book essential reading for both performers and scholars.’ Kenneth Gilbert

performance in Europe and America in the years before 1945. ‘[An] excellent introduction … wellresearched, conscientiously written …’ Classical Music Musical Performance and Reception

2016 244 x 170 mm 306pp 39 b/w illus. 17 music examples 978-1-316-61638-3 Paperback £20.99 / US$31.99 Also available 978-1-107-00914-1 Hardback £62.00 / US$108.00 For all formats available, see

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Musical Performance and Reception

2016 244 x 170 mm 342pp 15 b/w illus. 1 table 336 music examples 978-1-316-62074-8 Paperback £21.00 / US$32.00 Also available 978-0-521-88770-0 Hardback £77.00 / US$129.00 For all formats available, see

www.cambridge.org/9781316620748

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The Musical Work of Nadia Boulanger Performing Past and Future between the Wars Jeanice Brooks University of Southampton

Nadia Boulanger – composer, critic, impresario and the most famous composition teacher of the twentieth century – was also a performer of international repute. This book is the first to investigate Boulanger’s performing career, tracing her influence on musical

Opera NEW IN PAPERBACK

Performing Operas for Mozart Impresarios, Singers and Troupes Ian Woodfield Queen’s University Belfast

Ian Woodfield discusses the central role played by the Prague Italian opera company in performing Mozart’s works in late eighteenth-century Bohemia and Saxony. The book focuses on the organisation of the company, its annual schedules, recruitment networks, casting policies and repertoire selections. ‘No less noticeable than (Woodfield’s) scholarly rigour are many signs of his capacity for intriguing speculation and lateral thinking.’ Early Music

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Opera 2017 244 x 170 mm 292pp 16 b/w illus. 38 tables 1 music example 978-1-316-63242-0 Paperback £19.99 / US$29.99 Also available 978-1-107-01429-9 Hardback £67.00 / US$103.00 For all formats available, see

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The Politics of Opera in Handel’s Britain

Handel on the Stage David Kimbell University of Edinburgh

David Kimbell sets Handel’s operas in their biographical and cultural contexts, exploring drama, music and styles of performance. 2016 247 x 174 mm 226pp 34 music examples 978-0-521-81841-4 Hardback £80.00 / US$99.99 For all formats available, see

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Thomas McGeary

Thomas McGeary’s book examines how events at the Haymarket opera theatre were exploited in partisan politics during the ministry of Robert Walpole and Handel’s greatest period of opera production. It will appeal to all those interested in opera, British history and the history of music and theatre. ‘McGeary’s argument is convincing throughout not only because he argues his points with great consistency, but because he documents them meticulously with evidence from an unusually large number of both primary and secondary sources.’ The Newsletter of the Society for EighteenthCentury Music 2016 244 x 170 mm 422pp 4 b/w illus. 5 tables 978-1-316-62022-9 Paperback £23.00 / US$35.00 Also available 978-1-107-00988-2 Hardback £77.00 / US$124.00 For all formats available, see

www.cambridge.org/9781316620229

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Italian Opera in the Age of the American Revolution Pierpaolo Polzonetti University of Notre Dame, Indiana

How did revolutionary America appear to European audiences through their opera glasses? Polzonetti presents a fresh perspective on European cultural reception of American social identity, shedding new light on familiar works by Mozart and Haydn as well as on lesser-known operas, representing groundbreaking research in music, cultural and political history. ‘… a highly original study that explores, with extraordinary flair and engaging prose, views of America and Americans in eighteenthcentury Italian opera, venturing into repertories unfamiliar to most opera specialists and offering a fresh perspective on European cultural reception of American social and political identity. The author demonstrates an erudite command of musical, literary, political and social texts, revealing, through a broadly

Opera contextual approach, not only how Revolutionary America was perceived by European opera audiences, but how a little-studied repertory influenced dramatic innovations in the opera buffa repertory of the era’s major composers.’ Lewis Lockwood Award committee, American Musicological Society Cambridge Studies in Opera

2017 229 x 152 mm 398pp 5 b/w illus. 7 tables 42 music examples 978-1-316-64118-7 Paperback £21.99 / US$32.99 Also available 978-0-521-89708-2 Hardback £77.00 / US$113.00 For all formats available, see

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Verdi, Opera, Women Susan Rutherford University of Manchester

Verdi’s operas portray a striking diversity of female protagonists, including warrior women, courtesans, gypsies and feisty townswomen. Contextualising these characters within the social, cultural and political history of their period, Susan Rutherford examines the shifting and complex relationships between them and their female spectators in nineteenth-century Italy.

Cambridge Studies in Opera

2017 244 x 170 mm 306pp 9 b/w illus. 11 music examples 978-1-316-63957-3 Paperback £20.99 / US$31.99 Also available 978-1-107-04382-4 Hardback £67.00 / US$102.00 For all formats available, see

www.cambridge.org/9781316639573

Dance and Drama in French Baroque Opera A History Rebecca Harris-Warrick Cornell University, New York

In this book, Rebecca Harris-Warrick dismantles the prevailing notion that dance in French Baroque opera was merely decorative, and presents compelling evidence that the divertissement is essential to understanding the work. Evolving practices in music, librettos, choreography and staging are brought to bear on sixty years of operatic history. Cambridge Studies in Opera

2016 247 x 174 mm 502pp 40 b/w illus. 56 music examples 978-1-107-13789-9 Hardback £108.00 / US$135.00 For all formats available, see

www.cambridge.org/9781107137899

‘Highly informative.’ Classical Music

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Opera Technology and the Diva Sopranos, Opera, and Media from Romanticism to the Digital Age Edited by Karen Henson University of Miami

Focusing on the operatic soprano and her relationships with technology from the 1820s to the twenty-first-century digital age, this book considers how ’the diva’s’ voice and allure have been created by technologies and media such as theatrical stagecraft, journalism, and the simulcast. ‘Is a ‘diva’ a coddled megastar, or an archetype of female power? Is ‘technology’ a euphemism for the modern world’s threat to artistic tradition, or a synonym for craft and innovation? The essays in this book will leave opera-lovers questioning their assumptions – and turning the page to read more.’ Anne Midgette, classical music critic, The Washington Post Cambridge Studies in Opera

2016 247 x 174 mm 224pp 978-0-521-19806-6 Hardback £64.99 / US$99.99 For all formats available, see

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Harrison Birtwistle’s Operas and Music Theatre David Beard Cardiff University

Beard presents a definitive study of the works of Harrison Birtwistle, one of Britain’s foremost living composers and a leading exponent of music drama. Drawing upon a substantial body of previously undocumented primary sources, the book goes beyond previous studies of the composer to include works unveiled from 2000 onwards. ‘Even were Harrison Birtwistle’s Operas and Music Theatre not so well written by such a perceptive and well-qualified author as David Beard, it would be a definitive study. Since it is, the book can be unreservedly recommended for anyone interested in this corner of contemporary music: they cannot but come away with a greatly enhanced understanding of how Birtwistle’s music works. For enthusiasts of Birtwistle’s original and beautiful musical world it’s essential.’ Mark Sealey, Classical Net (classical.net) Music since 1900

2017 244 x 170 mm 488pp 8 b/w illus. 11 tables 174 music examples 978-1-316-64198-9 Paperback £22.99 / US$34.99 Also available 978-0-521-89534-7 Hardback £77.00 / US$124.00 For all formats available, see

www.cambridge.org/9781316641989

Medieval and Renaissance music

Medieval and Renaissance music Guillaume Du Fay The Life and Works Alejandro Planchart University of California, Santa Barbara

This volume explores the work of one of medieval music’s most important figures, and in so doing presents an extended panorama of musical life in Europe at the end of the middle ages. Guillaume Du Fay rose from obscure beginnings to become the most significant composer of the fifteenth century, a man courted by kings and popes, and this study of his life and career provides a detailed examination of his entire output, including a number of newly discovered works. As well as offering musical analysis, this volume investigates his close association with the Cathedral of Cambrai, and explores how, at a time when music was becoming increasingly professionalised, Du Fay forged his own identity as ‘a composer’. This detailed biography will be highly valuable for those interested in the history of medieval and church music, as well as for scholars of Du Fay’s musical legacy. 2017 15 b/w illus. 36 tables 69 music examples 978-1-107-16615-8 2 Volume Hardback Set c. £150.00 / c. US$250.00

Plague and Music in the Renaissance Remi Chiu Loyola University Maryland

Using a wide variety of primary sources, this book explores Renaissance musical responses to pestilence. It will fascinate musicologists and historians interested in the role of music in the fight against plague by revealing how medical knowledge, spiritual beliefs and public rituals surrounding the disease informed musical composition. 2017 247 x 174 mm 345pp 10 b/w illus. 99 music examples 978-1-107-10925-4 Hardback c. £60.00 / c. US$99.00 Publication May 2017 For all formats available, see

www.cambridge.org/9781107109254

Shakespeare, Music and Performance Edited by Bill Barclay Shakespeare’s Globe Theatre, London

and David Lindley University of Leeds

This collection of essays traces the different uses of music in Shakespearean performance in theatre and film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers contributions from scholars and contemporary practitioners.

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2017 228 x 152 mm 264pp 10 b/w illus. 2 tables 7 music examples 978-1-107-13933-6 Hardback £64.99 / US$99.99

www.cambridge.org/9781107166158

Publication April 2017

Publication December 2017

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www.cambridge.org/9781107139336

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Medieval and Renaissance music NEW IN PAPERBACK

Medieval Song in Romance Languages John Haines University of Toronto

Proposing a new view of medieval music history, this study surveys songs in early Romance languages from around 500 to 1200. An enormous body of neglected songs – laments, love songs, epics and devotional songs – were performed during this period, attested in sources such as sermons, considered here in detail. 2017 244 x 170 mm 318pp 36 b/w illus. 5 tables 978-1-316-63980-1 Paperback £20.99 / US$31.99 Also available 978-0-521-76574-9 Hardback £67.00 / US$103.00 For all formats available, see

www.cambridge.org/9781316639801

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Ritual Meanings in the FifteenthCentury Motet Robert Nosow

Presenting the first full-length study of how motets were used in the fifteenth century, this book dispels the mystery surrounding these outstanding works of vocal polyphony. Nosow covers four areas of intense compositional activity: England, the Veneto, Bruges and

Cambrai, demonstrating how the genre changed and evolved. ‘… the study enlarges our understanding of music’s role in ritual and broadens our view of the individuals involved in every musical enterprise.’ Renaissance Quarterly 2017 244 x 170 mm 292pp 10 b/w illus. 12 tables 35 music examples 978-1-316-63955-9 Paperback £19.99 / US$29.99 Also available 978-0-521-19347-4 Hardback £67.00 / US$103.00 For all formats available, see

www.cambridge.org/9781316639559

Music and Culture in the Middle Ages and Beyond Liturgy, Sources, Symbolism Edited by Benjamin Brand University of North Texas

and David J. Rothenberg Case Western Reserve University, Ohio

The essays in this volume offer diverse, innovative perspectives on three aspects of medieval music and culture: the liturgy, musical and archival sources, and musical symbolism. Written by a roster of prominent scholars of various generations, they illustrate the enduring relevance of primary-source research in the study of medieval music. 2016 247 x 174 mm 376pp 18 tables 31 music examples 978-1-107-15837-5 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107158375

Medieval and Renaissance music NEW IN PAPERBACK

The Musical Sounds of Medieval French Cities Players, Patrons, and Politics Gretchen Peters University of Wisconsin, Eau Claire

Gretchen Peters reconstructs the music of everyday life in late medieval France through hundreds of newly uncovered archival records. The study explores the vibrant world of the urban minstrel, which encompassed pompous rituals of city councils, fanfares for nobility, warnings from bell-towers, and dances in bathhouses and taverns. 2016 244 x 170 mm 300pp 4 b/w illus. 4 maps 978-1-316-62082-3 Paperback £20.00 / US$30.00 Also available 978-1-107-01061-1 Hardback £67.00 / US$103.00 For all formats available, see

www.cambridge.org/9781316620823

Instrumentalists and Renaissance Culture, 1420–1600 Players of Function and Fantasy Victor Coelho Boston University

and Keith Polk University of New Hampshire

This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance. 2016 247 x 174 mm 345pp 28 b/w illus. 978-1-107-14580-1 Hardback £64.99 / US$99.99

The Cambridge History of Medieval Music Edited by Mark Everist University of Southampton

and Thomas Forrest Kelly Harvard University, Massachusetts

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collection. Contributors: Peter Jeffery, Andreas Pfisterer, Joseph Dyer, Terence Bailey, Jeremy Llewellyn, Margot Fassler, Benjamin Bagby, Katarina Livljanic, Thomas Kelly, Andreas Haug, Lori Kruckenburg, Thomas Christensen, Elizabeth Aubrey, Anne IbosAugé, Nigel Wilkins, Anna-Maria Busse Berger, David Klausner, Stanley Boorman, John Haines, Timothy McGee, John Potter, Alejandro Planchart, Lawrence Earp, John Caldwell, Peter Lefferts, Roman Hankeln,

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Medieval and Renaissance music / Seventeenth-century music / Eighteenth-century music James Grier, Edward Roesner, Karl Kügle, Mark Everist, Elizabeth Eva Leach, Rebecca Baltzer, Alice Clark, Helen Deeming, Thomas Payne, Michael Cuthbert, Yolanda Plumley, Reinhard Strohm The Cambridge History of Music

2017 228 x 152 mm 925pp 54 b/w illus. 276 music examples 978-0-521-51348-7 2 Volume Hardback Set c. £110.00 / c. US$200.00 Publication October 2017 For all formats available, see

www.cambridge.org/9780521513487

Seventeenthcentury music Music in the London Theatre from Purcell to Handel Edited by Colin Timms University of Birmingham

The Polyphonic Mass in France, 1600–1780 The Evidence of the Printed Choirbooks Jean-Paul C. Montagnier University of Lorraine, France

The first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. After tracing the publishing history of this distinctive but little-known repertoire, the author places the works in their social, liturgical and musical context. 2017 247 x 174 mm 368pp 978-1-107-17774-1 Hardback £74.99 / US$120.00 Publication March 2017 For all formats available, see

www.cambridge.org/9781107177741

Eighteenth- century music

and Bruce Wood Bangor University

The book is concerned with musical settings (c.1650–1750) for voices and instruments of mostly secular texts that were performed in English theatres. It is of value to those with an interest in seventeenth- and eighteenth-century English music, literature, drama or theatre, showing how these arts intersected. 2017 247 x 174 mm 320pp 2 b/w illus. 16 music examples 978-1-107-15464-3 Hardback £75.00 / US$99.99 Publication April 2017 For all formats available, see

www.cambridge.org/9781107154643

Bartolomeo Cristofori and the Invention of the Piano Stewart Pollens

This is the first comprehensive study of Bartolomeo Cristofori, who is credited with having invented the pianoforte around the year 1700 while working in the Medici court in Florence. Through thorough analysis of documents preserved in the state archive of Florence, Pollens has reconstructed,

Eighteenth-century music in unprecedented detail, Cristofori’s working life. 2017 246 x 189 mm 382pp 978-1-107-09657-8 Hardback £74.99 / US$120.00 Publication June 2017 For all formats available, see

www.cambridge.org/9781107096578

Alcina and Serse, but also of the major English works Alexander’s Feast, Saul and Messiah. 2017 247 x 174 mm 780pp 12 b/w illus. 3 music examples 978-1-107-01955-3 Hardback £120.00 / US$180.00 Publication March 2017 For all formats available, see

KEY REFERENCE

George Frideric Handel Collected Documents Volume 3: 1734–1742 Edited by Donald Burrows The Open University, Milton Keynes

Helen Coffey The Open University, Milton Keynes

John Greenacombe The Open University, Milton Keynes

and Anthony Hicks The Open University, Milton Keynes

The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This multi-volume major publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. This volume begins with Handel’s move to the Covent Garden theatre, during the period of his competition with the Opera of the Nobility, and ends with his season of oratorio performances in Dublin. These years saw the composition of Italian operas including Ariodante,

www.cambridge.org/9781107019553

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Bach’s Numbers Compositional Proportion and Significance Ruth Tatlow

In the eighteenth century the universal harmony of God’s creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions. ‘[This book] takes in all Bach’s major collections and more, including the two Passions, three Oratorios and the B minor Mass. In sheer extent and richness of background, and number of works examined, Tatlow’s book is a most original and impressive achievement that will need to be taken into account in future discussions of these fascinating compositions.’ David Ledbetter, Early Music

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Eighteenth-century music Outstanding Academic Title 2016 – Winner 2016 244 x 170 mm 430pp 9 b/w illus. 119 tables 978-1-107-45969-4 Paperback £22.99 / US$34.99 Also available 978-1-107-08860-3 Hardback £88.00 / US$139.00 For all formats available, see

www.cambridge.org/9781107459694

HIGHLIGHT

Bach A Musical Biography Peter Williams

Mozart’s Music of Friends Social Interplay in the Chamber Works Edward Klorman Queens College, City University of New York and The Juilliard School, New York

This study analyzes chamber music from Mozart’s time within its highly social salon-performance context. 2016 247 x 174 mm 358pp 15 b/w illus. 102 music examples 978-1-107-09365-2 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107093652

University of Edinburgh

J. S. Bach composed some of the bestloved and most moving music in western culture. In this book, Peter Williams, author of the acclaimed J. S. Bach: A Life in Music, revisits Bach’s biography through the lens of his music, especially that for keyboard. ‘A big read, stimulatingly rigorous, and an excellent follow-up from Williams’s concise The Life of Bach (2003).’ Five stars, BBC Music Magazine 2016 247 x 174 mm 718pp 2 maps 30 music examples 978-1-107-13925-1 Hardback £29.99 / US$49.99 For all formats available, see

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Mozart Studies 2 Edited by Simon P. Keefe University of Sheffield

Essays by leading Mozart scholars explore the composer’s popular works, biography and reception, appealing to scholars and Mozart-lovers alike. Cambridge Composer Studies

2015 247 x 174 mm 267pp 2 b/w illus. 13 tables 99 music examples 978-1-107-04423-4 Hardback £67.00 / US$103.00 For all formats available, see

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Bach’s Feet The Organ Pedals in European Culture David Yearsley Cornell University, New York

From 1500, the independent use of the feet in musical performance at the organ was unique to Germany and vital to its cultural standing in Europe. Yearsley presents an account of this mode of

Eighteenth-century music / Nineteenth-century music music-making spanning some 500 years, including reappraising J. S. Bach’s crucial role in that history. ‘There is much to enjoy in this compelling study.’ Early Music Musical Performance and Reception

2017 244 x 170 mm 314pp 44 b/w illus. 88 music examples 978-1-316-63983-2 Paperback £20.99 / US$31.99 Also available 978-0-521-19901-8 Hardback £67.00 / US$113.00 For all formats available, see

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Nineteenth- century music Evolution and Victorian Musical Culture Bennett Zon University of Durham

This book uses music to explore the dynamic relationship between evolutionary science and musical culture in Victorian Britain. Accessible and easy to navigate, the volume will appeal to musicologists and historians of science, as well as to scholars from other disciplines including anthropology,

folklore studies, education, biography, historiography and theology. 2017 247 x 174 mm 320pp 978-1-107-02044-3 Hardback c. £64.99 / c. US$99.99 Publication November 2017 For all formats available, see

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Liszt and the Symphonic Poem Joanne Cormac University of Nottingham

Today Liszt’s symphonic poems are seen as alternatives to the symphony postBeethoven. In contrast, this book returns these influential pieces to their original performance context in the theatre, arguing that the symphonic poem is as much dramatic as a symphonic genre and that Liszt’s contribution to theatre history should not be overlooked. 2017 247 x 174 mm 350pp 7 b/w illus. 11 tables 77 music examples 978-1-107-18141-0 Hardback c. £64.99 / c. US$99.99 Publication June 2017 For all formats available, see

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The Romantic Overture and Musical Form from Rossini to Wagner Steven Vande Moortele University of Toronto

This book is the first comprehensive study of musical form in the genre of the overture in continental Europe between 1815 and 1850. Combining historical and analytical perspectives, and discussing a broad range of German, French, and Italian operatic and

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Nineteenth-century music concert overtures, it will appeal to both musicologists and music theorists. Advance praise: ‘This book is an important contribution to scholarship in its field. It combines an enviable command of the relevant musical sources and of developing social settings for overtures in the nineteenth century, painting a very broad picture of influence across musical Europe throughout an extended time period that is convincingly drawn and firmly located in up-to-date scholarship that has been perused with rigour. Balanced with this is an eye for analytical minutiae and an ability to establish musical procedures carefully and accurately. That the author manages this balancing act in English prose that is actually enjoyable to read is a testimony to his powers of communication.’ John Irving, Trinity Laban Conservatoire of Music and Dance 2017 247 x 174 mm 294pp 23 tables 64 music examples 978-1-107-16319-5 Hardback £64.99 / US$99.99 Publication April 2017 For all formats available, see

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Cheap Print and Popular Song in the Nineteenth Century A Cultural History of the Songster Edited by Paul Watt Monash University, Victoria

Derek B. Scott University of Leeds

and Patrick Spedding Monash University, Victoria

This book is essential reading for scholars and students who want to understand how songs functioned, were consumed and transmitted around the world from around 1790 to 1910. 2017 247 x 174 mm 220pp 19 b/w illus. 978-1-107-15991-4 Hardback c. £64.99 / c. US$99.99 Publication March 2017 For all formats available, see

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Jewry in Music Entry to the Profession from the Enlightenment to Richard Wagner David Conway University College London

David Conway traces the progress of Jews in the burgeoning early nineteenth-century European music industry, analysing dynamic changes in economics, politics and technology during this time. Investigating musical biographies of the famous, the neglected and the forgotten, this study presents a radical contextualisation of Wagner’s infamous ‘Judaism in Music’. ‘An excellent book …’ Music Matters, BBC Radio 3

Nineteenth-century music 2017 244 x 170 mm 356pp 14 b/w illus. 1 table 10 music examples 978-1-316-63960-3 Paperback £21.99 / US$32.99 Also available 978-1-107-01538-8 Hardback £77.00 / US$124.00 For all formats available, see

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Analyzing Schubert Suzannah Clark Harvard University, Massachusetts

Since the nineteenth century, critics and scholars have emphasized the mystical rather than the logical qualities of Schubert’s music. Clark examines the historical influences behind existing analyses of Schubert’s harmony and form, illustrating instead that Schubert’s harmonic practice can be used to question the most basic tenets of music theory. 2016 244 x 170 mm 302pp 1 b/w illus. 1 table 87 music examples 978-1-316-62075-5 Paperback £21.00 / US$32.00 Also available 978-0-521-84867-1 Hardback £67.00 / US$103.00 For all formats available, see

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Schubert’s Beethoven Project John M. Gingerich

John M. Gingerich provides a new understanding of Schubert’s career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the

cultural context of the 1820s, the book examines how Schubert was building on Beethoven’s legacy. ‘… presents intriguing evidence that Schubert followed Beethoven’s example by composing substantial works such as symphonies, piano sonatas, and string quartets for public performance and publication … Gingerich’s investigation casts new light on Schubert’s late instrumental works and shows how, even though inspired by Beethoven, Schubert imbued them with his highly personal style. A thought-provoking contribution to Schubert scholarship … Essential.’ D. Arnold, Choice 2016 244 x 170 mm 376pp 10 tables 83 music examples 978-1-316-62125-7 Paperback £23.00 / US$38.00 Also available 978-0-521-65087-8 Hardback £77.00 / US$124.00 For all formats available, see

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Wagner’s Melodies Aesthetics and Materialism in German Musical Identity David Trippett University of Cambridge

Wagner’s melodies sparked one of the most controversial debates in nineteenth-century aesthetics and continue to polarise opinion to this day. Interweaving a wide variety of sources, from private correspondence to court reports, David Trippett’s book places Wagner’s ideas about melody in the

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Nineteenth-century music context of the scientific discourse of his age. ‘Trippett’s work dispels the myth that there is nothing new to be written about Richard Wagner. He delves into uncanny underworlds of nineteenthcentury thought, and shows how they underpin Wagner’s compositional ideas. Nascent technologies, speculation on melody and meaning, the acoustic reality of theatrical sound – all this is woven into an account of Wagner’s evolution that is both startling and illuminating. A tremendous achievement.’ Carolyn Abbate, Harvard University, Massachusetts 2016 244 x 170 mm 464pp 21 b/w illus. 17 music examples 978-1-316-61823-3 Paperback £22.99 / US$34.99 Also available 978-1-107-01430-5 Hardback £88.00 / US$139.00 For all formats available, see

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Schumann’s Music and E. T. A. Hoffmann’s Fiction John MacAuslan

John MacAuslan interprets four great Schumann works in the context of their literary connections and Romantic aesthetic concepts. 2016 247 x 174 mm 300pp 6 b/w illus. 80 music examples 978-1-107-14123-0 Hardback £64.99 / US$99.99 For all formats available, see

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Schubert’s Late Music History, Theory, Style Edited by Lorraine Byrne Bodley National University of Ireland, Maynooth

and Julian Horton University of Durham

A thematic exploration of Schubert’s style, applied in readings of his instrumental and vocal literature by international scholars. 2016 247 x 174 mm 490pp 5 b/w illus. 18 tables 187 music examples 978-1-107-11129-5 Hardback £74.99 / US$120.00 For all formats available, see

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Harmony in Beethoven David Damschroder University of Minnesota

David Damschroder’s new analytical perspective sheds fresh light on Beethoven’s harmonic structures. 2016 247 x 174 mm 308pp 118 music examples 978-1-107-13458-4 Hardback £80.00 / US$99.99 For all formats available, see

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Music and Fantasy in the Age of Berlioz Francesca Brittan Cleveland Institute of Music

This book explores the evolution of and interactions between fantasy and music in Romantic France, providing new contexts for the study of Berlioz and his contemporaries. The volume will appeal to readers beyond the musicological community, drawing together musical, literary, scientific, and visual materials,

Nineteenth-century music and applying theoretical and historical approaches. New Perspectives in Music History and Criticism

2017 247 x 174 mm 335pp 8 b/w illus. 1 table 40 music examples 978-1-107-13632-8 Hardback c. £60.00 / c. US$99.00 Publication November 2017 For all formats available, see

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Mary Gladstone and the Victorian Salon Music, Literature, Liberalism Phyllis Weliver St Louis University, Missouri

This book reveals the role of music in nineteenth-century British liberalism, exploring the politics, culture, and ideology of Victorian elite society using archival material relating to Mary Gladstone, daughter of the reforming British prime minister. This volume will interest scholars working in numerous fields including music, literature, politics, history and women’s studies. New Perspectives in Music History and Criticism

2017 247 x 174 mm 272pp 9 b/w illus. 978-1-107-18480-0 Hardback £75.00 / US$99.99 Publication May 2017 For all formats available, see

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Political Beethoven Nicholas Mathew University of California, Berkeley

Political Beethoven provides a completely new account of the avalanche of political music by Beethoven and his contemporaries composed in the fraught atmosphere of Napoleonic Vienna, and explores the musical, ideological and psycho-social mechanisms that have made this music such a potent force in political life to the present day. In writing Political Beethoven, Nicholas Mathew has provided a thoroughly-researched and fascinating look at the composer’s lesser-known works, giving a vivid description of the music, criticism, and theatricality of the period surrounding the Congress of Vienna.’ Jane Riegel Ferencz, Notes: Quarterly Journal of the Music Library Association New Perspectives in Music History and Criticism

2016 244 x 170 mm 292pp 8 b/w illus. 1 table 44 music examples 978-1-316-61629-1 Paperback £19.99 / US$29.99 Also available 978-1-107-00589-1 Hardback £67.00 / US$108.00 For all formats available, see

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Twentieth-century and contemporary music

Twentiethcentury and contemporary music Arvo Pärt’s White Light Media, Culture, Politics Edited by Laura Dolp Montclair State University, New Jersey

era in Italy, music technology, and the evolution of popular music. 2017 247 x 174 mm 274pp 12 b/w illus. 978-1-107-16977-7 Hardback £29.99 / US$44.99 Publication February 2017 For all formats available, see

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The Musicology of Record Production

This book presents a fresh, interdisciplinary approach to the study of the contemporary composer Arvo Pärt and his reception. The volume charts his influence on areas including film, cultural programming, new media, cultures of listening, politics and performance practice. It addresses a wide readership across the humanities, with technical analysis kept to a minimum.

Simon Zagorski-Thomas

2017 247 x 174 mm 250pp 27 b/w illus. 2 tables 978-1-107-18289-9 Hardback c. £64.99 / c. US$99.99

2017 244 x 170 mm 278pp 978-1-107-42834-8 Paperback £19.99 / US$29.99 Also available 978-1-107-07564-1 Hardback £67.00 / US$103.00

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Jazz Italian Style From its Origins in New Orleans to Fascist Italy and Sinatra Anna Harwell Celenza Georgetown University, Washington DC

By examining politics, immigration patterns, economics and technology in explaining the largely forgotten Italian connection to jazz, the book will attract readers interested in music history, Italian-American culture, the Fascist

London College of Music, Thames Valley University

Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas sets out a framework for the study of recorded music and record production using current ideas from psychology and sociology.

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Understanding Video Game Music Tim Summers Royal Holloway, University of London

Foreword by James Hannigan

Music is central to the experience of interacting with video games. In this book, Tim Summers explores the functions of music in video games, offers new insights into well-loved game music

Twentieth-century and contemporary music and provides a wide array of new tools and concepts for its analysis. ‘This outstanding book does much to establish an ‘extended techniques’ musicology, allying close analysis of music with crucial knowledge of gaming construction and procedures. Tim Summers’ years of ‘deep research’ into the subject make this a book of extreme sophistication and erudition that will define the field for years to come.’ K. J. Donnelly, University of Southampton 2016 247 x 174 mm 262pp 13 b/w illus. 13 music examples 978-1-107-11687-0 Hardback £64.99 / US$99.99 For all formats available, see

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Expanding the Horizon of Electroacoustic Music Analysis Edited by Simon Emmerson De Montfort University, Leicester

and Leigh Landy De Montfort University, Leicester

A state-of-the-art overview of the analysis of electroacoustic music, which includes discussions of a wide range of works. 2016 247 x 174 mm 416pp 82 b/w illus. 9 tables 978-1-107-11832-4 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107118324

Schoenberg and Hollywood Modernism Kenneth H. Marcus University of la Verne, California

Kenneth H. Marcus shows how Schoenberg played a vital role in Southern California Modernism through his pedagogy, compositions, and texts. 2016 247 x 174 mm 422pp 27 b/w illus. 3 maps 1 table 7 music examples 978-1-107-06499-7 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107064997

The Cambridge Companion to Electronic Music Second edition Edited by Nick Collins University of Durham

and Julio d’Escrivan University of Huddersfield

This second edition is extensively revised, including several new chapters and artists’ statements. It will continue to be a key resource for students of electronic and modern music as well as for others interested in this evolving genre. Topics explored include technology, techniques, and styles from around the world. Cambridge Companions to Music

2017 247 x 174 mm 335pp 978-1-107-13355-6 Hardback c. £65.00 / c. US$109.00 Publication September 2017 For all formats available, see

www.cambridge.org/9781107133556

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Twentieth-century and contemporary music HIGHLIGHT

The Cambridge Companion to Film Music Edited by Mervyn Cooke University of Nottingham

and Fiona Ford

A collection of essays from leading scholars and practitioners in the burgeoning field of film music studies. The book provides a uniquely comprehensive overview of how music functions in film soundtracks from a variety of historical periods, genres and film industries, including those of the USA, UK, France, Italy, India and Japan. Cambridge Companions to Music

2016 247 x 174 mm 438pp 23 b/w illus. 9 tables 26 music examples 978-1-107-09451-2 Hardback £49.99 / US$94.99 978-1-107-47649-3 Paperback £19.99 / US$27.99 For all formats available, see

www.cambridge.org/9781107094512

The Cambridge Companion to the Singer-Songwriter Edited by Katherine Williams University of Plymouth

and Justin A. Williams University of Bristol

This Companion explores the historical and theoretical contexts of the singersongwriter tradition, and includes case studies of singer-songwriters from Thomas d’Urfey through to Kanye West. Cambridge Companions to Music

2016 247 x 174 mm 386pp 12 b/w illus. 5 tables 32 music examples 978-1-107-06364-8 Hardback £54.99 / US$89.99 978-1-107-68091-3 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107063648

Duke Ellington Studies Edited by John Howland Norwegian University of Science and Technology, Trondheim

This book explores the rich and influential career of one of jazz music’s central figures, from his work as a composer to his cultural legacy in jazz, popular music and modern media. Leading authors offer clear, engaging, and scholarly insights into Duke Ellington’s work and critical reception, from musical, historical, and international perspectives. Cambridge Composer Studies

2017 247 x 174 mm 308pp 978-0-521-76404-9 Hardback £75.00 / US$99.99 Publication June 2017 For all formats available, see

www.cambridge.org/9780521764049

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Elliott Carter Studies

Shostakovich Studies 2

Edited by Marguerite Boland

Edited by Pauline Fairclough

Australian National University, Canberra

University of Bristol

and John Link

Reflecting the recent transformation in Shostakovich studies, an international team of scholars sheds new light on Dmitri Shostakovich’s life and work. Essays range from detailed documentary studies of his private diary and his lost opera Orango to historical accounts of what really happened behind the scenes of the Composers’ Union.

William Paterson University, New Jersey

Elliott Carter’s extraordinarily long musical career has engaged with many musical developments of the twentieth century. This collection of essays presents a diverse set of viewpoints on Carter’s music, from the neo-classicism of the interwar period, through postwar modernism, to the reshaping of a modernist aesthetic in his late style. ‘… this is a most valuable addition to the growing body of Elliott Carter literature. The fourteen chapters present a broad range of topics and approaches to this music, and address pieces throughout his career … a few of the essays, particularly those by Heinemann, Ravenscroft, and Schmidt should become essential reading for musicians undertaking their initial forays into Carter’s unique approach to composition. Finally, the book is well edited, and the musical examples are beautifully engraved.’ Notes Cambridge Composer Studies

2017 244 x 170 mm 364pp 10 b/w illus. 7 tables 147 music examples 978-1-316-63996-2 Paperback £25.99 / US$37.99 Also available 978-0-521-11362-5 Hardback £67.00 / US$113.00

Cambridge Composer Studies

2017 244 x 170 mm 336pp 4 b/w illus. 7 tables 56 music examples 978-1-316-63870-5 Paperback £20.99 / US$31.99 Also available 978-0-521-11118-8 Hardback £67.00 / US$108.00 For all formats available, see

www.cambridge.org/9781316638705

Ernest Bloch Studies Edited by Alexander Knapp School of Oriental and African Studies, University of London

and Norman Solomon The Oriental Institute, University of Oxford

Drawing on firsthand recollections of those who knew and worked with the composer, this collection is the most comprehensive study to date of Bloch’s life, musical achievement and reception. Contributors present the latest research on Bloch’s works and compositional

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Twentieth-century and contemporary music practice, setting his output in its historical and cultural contexts. Cambridge Composer Studies

book will appeal to a range of readers including students, musicologists and pianists.

2017 247 x 174 mm 310pp 12 b/w illus. 1 table 34 music examples 978-1-107-03909-4 Hardback £75.00 / US$99.99

Music in Context

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Publication December 2017

www.cambridge.org/9781107039094

2017 247 x 174 mm 300pp 978-1-107-00031-5 Hardback c. £65.00 / c. US$80.00 For all formats available, see

www.cambridge.org/9781107000315

Pierre Boulez Studies Edited by Edward Campbell University of Aberdeen

and Peter O’Hagan

Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, featuring analysis of previously unpublished material, the historical context for Boulez’s music and a final section examining the reception of his music in the United Kingdom. Cambridge Composer Studies

2016 247 x 174 mm 408pp 9 b/w illus. 23 tables 103 music examples 978-1-107-06265-8 Hardback £74.99 / US$120.00 For all formats available, see

www.cambridge.org/9781107062658

Olivier Messiaen’s Catalogue d’Oiseaux From Conception to Performance Peter Hill University of Sheffield

This book assembles a rounded picture of one of the longest and most important piano works of the twentieth century, including historical evaluation, analysis and performance studies. Accessibly written and containing unique insights into Messiaen’s methods, this

Peter Maxwell Davies, Selected Writings Edited by Nicholas Jones Cardiff University

Peter Maxwell Davies

Including articles, essays, letters, broadcasts and interviews, some previously unpublished, this volume brings together more than seventy written and spoken-word sources to illuminate the life and work of the composer Peter Maxwell Davies. This book will appeal to music specialists and others interested in British post-war culture. Music since 1900

2017 247 x 174 mm 300pp 978-1-107-15799-6 Hardback c. £64.99 / c. US$99.99 Publication December 2017 For all formats available, see

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Twentieth-century and contemporary music Alan Bush, Modern Music, and the Cold War The Cultural Left in Britain and the Communist Bloc Joanna Bullivant University of Oxford

The first major study of Alan Bush, this book provides new perspectives on music and communism in twentiethcentury Britain and the Communist Bloc. Drawing on untapped archival sources and incorporating readings of Bush’s major works, this book will appeal to scholars of modern British music, communism, and the Cold War. Music since 1900

2017 247 x 174 mm 245pp 978-1-107-03336-8 Hardback c. £55.00 / c. US$99.00 Publication June 2017 For all formats available, see

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Music in Germany since 1968 Alastair Williams Keele University

Alastair Williams provides the first English-language overview of Helmut Lachenmann and Wolfgang Rihm, and considers established figures such as Henze, Kagel and Stockhausen. The book goes on to reveal the impact of the 1968 social movements on music, assesses the

renewal of tradition, and addresses the significance of German reunification. Music since 1900

2017 244 x 170 mm 294pp 4 b/w illus. 4 tables 35 music examples 978-1-316-64194-1 Paperback £19.99 / US$29.99 Also available 978-0-521-87759-6 Hardback £62.00 / US$102.00 For all formats available, see

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The Orchestral Music of Michael Tippett Creative Development and the Compositional Process Thomas Schuttenhelm Central Connecticut State University

Thomas Schuttenhelm’s book presents a comprehensive commentary on Michael Tippett’s orchestral music. Narrated by the composer’s letters and writings, and supported by evidence from his sketchbooks and manuscripts, this study of his creative cycles explores the intentions of the composer, and the multiplicity of meanings that reside within his works. ‘Detailed and often illuminating.’ BBC Music Magazine Music since 1900

2017 244 x 170 mm 340pp 12 b/w illus. 51 music examples 978-1-316-63902-3 Paperback £22.99 / US$32.99 Also available 978-1-107-00024-7 Hardback £67.00 / US$102.00 For all formats available, see

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French Music and Jazz in Conversation From Debussy to Brubeck Deborah Mawer Birmingham Conservatoire

This book explores the rich historicalcultural interactions between French concert music and American jazz in the first half of the twentieth century (1900– 65), from both perspectives. Deborah Mawer provides a set of detailed musical case studies on Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck. ‘This is the book for which jazz scholarship has long been waiting: at last, the hugely significant interactions between jazz and modern concert music have been unravelled with the insight, technical understanding and contextual awareness they deserve. Professor Mawer delves deeply into this two-way process in a series of fascinating case studies which celebrate some of the most exciting and far-reaching musical crossfertilizations of the twentieth century.’ Mervyn Cooke, University of Nottingham Music since 1900

2016 244 x 170 mm 322pp 3 b/w illus. 6 tables 54 music examples 978-1-316-63387-8 Paperback £20.99 / US$31.99 Also available 978-1-107-03753-3 Hardback £62.00 / US$102.00 For all formats available, see

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Performance Practice in the Music of Steve Reich Russell Hartenberger University of Toronto

Russell Hartenberger offers a performer’s perspective on Steve Reich’s compositions, from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. This study explores the performance issues encountered by musicians in Reich’s original ensemble and reveals the techniques they developed to bring his compositions to life. Music since 1900

2016 247 x 174 mm 288pp 25 b/w illus. 102 music examples 978-1-107-15150-5 Hardback £64.99 / US$99.99 For all formats available, see

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The Spectral Piano From Liszt, Scriabin, and Debussy to the Digital Age Marilyn Nonken New York University

The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Liszt, Scriabin and Debussy. In The Spectral Piano, Marilyn Nonken explores these shared fascinations and the parallels between the movement’s

Twentieth-century and contemporary music contemporary aesthetics and psychological research. ‘Marilyn Nonken belongs to a generation of new music performers who bring subtlety, nuance and even humour to complex music; hers is the leading recording of the piano music of Tristan Murail, who is one of the composers featured in her new book, The Spectral [Piano]. A great value of Dr Nonken’s study is that she sets the spectral movement in a wide historical context, going back indeed to Liszt and Scriabin; another that she demonstrates the influence of Murail and Gérard Grisey (together with their teacher Messiaen) on composers beyond France, arguing convincingly for the far-reaching influence and implications of spectral concerns. What is particularly welcome is that here is a scholar whose writing carries particular authority, based as it is on her experience of understanding and communicating the music as its performer.’ Peter Hill, University of Sheffield

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Schoenberg’s Twelve-Tone Music Symmetry and the Musical Idea Jack Boss University of Oregon

Jack Boss takes a unique approach to analyzing Schoenberg’s twelvetone music, adapting the composer’s notion of a ‘musical idea’ – problem, elaboration, solution – as a theoretical framework. Containing analytical readings of key works including Moses und Aron, this study provides the reader with a clearer understanding of this vitally important composer. Music since 1900

2016 244 x 170 mm 466pp 221 music examples 978-1-107-62492-4 Paperback £22.99 / US$37.99 Also available 978-1-107-04686-3 Hardback £72.00 / US$113.00 For all formats available, see

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Music since 1900

2016 244 x 170 mm 210pp 21 music examples 978-1-316-61641-3 Paperback £22.99 / US$36.99 Also available 978-1-107-01854-9 Hardback £57.00 / US$93.00 For all formats available, see

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Stravinsky’s Piano Genesis of a Musical Language Graham Griffiths City University London

Graham Griffiths places Stravinsky’s reinvention in the early 1920s, as both neoclassical composer and concertpianist, at the centre of a fundamental reconsideration of the composer’s entire output – viewed from the

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Twentieth-century and contemporary music unprecedented perspective of his relationship with the piano. ‘… an eloquently written monograph that traces the influence of Stravinsky’s pianism on his compositional process … Stravinsky’s Piano is a resounding success that will be celebrated by the Stravinsky community for years to come.’ Music and Letters Music since 1900

2016 244 x 170 mm 354pp 10 b/w illus. 59 music examples 978-1-316-63217-8 Paperback £20.99 / US$31.99 Also available 978-0-521-19178-4 Hardback £67.00 / US$108.00 For all formats available, see

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The Graph Music of Morton Feldman David Cline

David Cline provides a detailed analysis of Morton Feldman’s graph works and how they changed the course of postwar music. Music since 1900

2016 247 x 174 mm 410pp 15 b/w illus. 14 tables 100 music examples 978-1-107-10923-0 Hardback £74.99 / US$120.00 For all formats available, see

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The Ballets Russes and Beyond Music and Dance in Belle-Époque Paris Davinia Caddy University of Auckland

An important and provocative contribution to the burgeoning literature on the Ballets Russes, this book examines the relation between music, dance and the cultural politics of belleépoque Paris. Davinia Caddy presents fresh perspectives on the broadly acknowledged innovations of the Ballets Russes, opening up important new areas for debate. ‘This richly absorbing study of the Ballets Russes in Paris illuminates the interplay (both synthesis and disjunction) between music and gesture in modernist choreography on the lyric stage. Davinia Caddy makes a vital and beautifully written contribution to our understanding of ways of using the body in opera and ballet in the early twentieth century.’ Susan Rutherford, University of Manchester New Perspectives in Music History and Criticism, 22

2016 244 x 170 mm 254pp 24 b/w illus. 15 music examples 978-1-316-62363-3 Paperback £22.99 / US$37.99 Also available 978-1-107-01440-4 Hardback £67.00 / US$113.00 For all formats available, see

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Twentieth-century and contemporary music

NEW IN PAPERBACK

Stefan Wolpe and the Avant-Garde Diaspora Brigid Cohen New York University

The German-Jewish émigré composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus to bebop to Black Mountain College. This first full-length study of this often overlooked composer brings together perspectives from the fields of music, visual art, literature and migration. New Perspectives in Music History and Criticism, 23

2017 244 x 170 mm 342pp 10 b/w illus. 14 music examples 978-1-316-64116-3 Paperback £27.99 / US$44.99 Also available 978-1-107-00300-2 Hardback £67.00 / US$113.00 For all formats available, see

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THEATRE / British theatre

THEATRE British theatre

as to scholars of European and Irish theatre, literature or aesthetics. 2017 228 x 152 mm 220pp 10 b/w illus. 978-1-107-16704-9 Hardback £75.00 / US$99.99 Publication April 2017 For all formats available, see

Theatre and Governance in Britain, 1500–1900 Democracy, Disorder and the State Tony Fisher Royal Central School of Speech and Drama, London

This book offers a critical re-examination of theatre’s relation to the public sphere and shows how theatre was assimilated to the interests of government by suppressing various ‘democratic’ disorders associated with the stage. It will interest those working in the area of theatre history and its relation to social history and politics.

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Childhood, Education and the Stage in Early Modern England Edited by Richard Preiss University of Utah

and Deanne Williams York University, Toronto

Designed for students and scholars and anyone with an interest in Shakespeare and Renaissance England, this book examines the role of the child in two key early modern institutions, the school and the stage, and shows, in turn, how these institutions shaped our understanding of childhood.

2017 228 x 152 mm 250pp 978-1-107-18215-8 Hardback £75.00 / US$99.99

2017 228 x 152 mm 280pp 14 b/w illus. 978-1-107-09418-5 Hardback £64.99 / US$99.99

Publication May 2017

Publication April 2017

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Beckett’s Art of Salvage Writing and Material Imagination, 1932–1987 Julie Bates Trinity College, Dublin

Offering an innovative new reading of this major modern author, and examining the material imagination at play in Beckett’s fiction, poetry, film and drama over fifty years, this volume will appeal to all students of Beckett, as well

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British theatre / European theatre NEW IN PAPERBACK

The Making of the West End Stage Marriage, Management and the Mapping of Gender in London, 1830–1870 Jacky Bratton Royal Holloway, University of London

Jacky Bratton presents a new history of London’s West End theatre, finding that the first hit shows staged by Victorian managements were often led by women. The book explores the sometimes bizarre early history of gender-bending burlesque, and reveals Charles Dickens as the leading writer in London showbusiness, yesterday and today. ‘Jacky Bratton’s monograph provides a revisionist account of the way in which the West End developed as a theatrical centre from 1830 to 1870, breaking with past histories that have been dismissive of the exuberant, iconoclastic, and disruptive nature of what was happening during these years … this is an important book, opening up new ways in which to examine the making of Victorian theatre and full of new insights to be absorbed and sometimes challenged.’ Victorian Studies 2016 229 x 152 mm 232pp 9 b/w illus. 1 map 978-1-316-62083-0 Paperback £19.00 / US$29.00 Also available 978-0-521-51901-4 Hardback £67.00 / US$103.00 For all formats available, see

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Writing the History of the British Stage 1660–1900 Richard Schoch Queen’s University Belfast

This book-length study of British theatre historiography will interest all scholars of British theatre – not just historians – because of its emphasis on debates about disciplinary practice. The book’s wide scope and deep archival research means that it will remain the standard work in the field for many years. It will become an essential point of reference for theatre scholars generally. 2016 228 x 152 mm 404pp 28 b/w illus. 978-1-107-16692-9 Hardback £96.00 / US$120.00 For all formats available, see

www.cambridge.org/9781107166929

European theatre Ibsen, Norway and the European Canon (or, Ibsen, Scandinavia and the Making of a World Drama) Modernist Drama and Print Culture (or, Origins, Publication, Translation) Narve Fulsas University of Tromso, Norway

and Tore Rem University of Oslo, Norway

This book challenges standard accounts of Ibsen’s career by introducing a wealth of new material about his Scandinavian contexts, as well as exploring and

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European theatre questioning ideas about literary systems, cultural asymmetries and world literature. The volume will appeal to scholars of Ibsen as well as historians of literature and theatre more widely. 2017 228 x 152 mm 280pp 978-1-107-18777-1 Hardback c. £64.99 / c. US$99.99 Publication December 2017 For all formats available, see

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Writing and the Modern Stage Theater beyond Drama Julia Jarcho New York University

With a focus on twentieth-century work, this book offers a new understanding of what text can do in theater. Written for scholars and students of modern drama, theater studies, modernist literature, and critical theory, it revises dominant views of Henry James, Gertrude Stein, Samuel Beckett, Theodor Adorno, and contemporary theater artists. 2017 228 x 152 mm 306pp 1 b/w illus. 978-1-107-13235-1 Hardback £64.99 / US$99.99 Publication March 2017 For all formats available, see

www.cambridge.org/9781107132351

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Mapping Irish Theatre Theories of Space and Place Chris Morash National University of Ireland, Maynooth

and Shaun Richards St Mary’s University College, London

Irish culture is often said to have a powerful ‘sense of place’. This book considers how the theatre has produced the Irish ‘sense of place’, and vice versa, in the process creating one of the world’s great theatrical traditions – a tradition whose spatial basis is today undergoing a profound transformation. 2017 229 x 152 mm 230pp 7 b/w illus. 3 maps 978-1-316-63958-0 Paperback £18.99 / US$28.99 Also available 978-1-107-03942-1 Hardback £67.00 / US$103.00 For all formats available, see

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The Theatrical Public Sphere Christopher B. Balme Universität Munchen

Christopher B. Balme explores theatre’s role in the crucial political and social function of the public sphere, from the debates that led to the closure of British theatres in 1642 to the relevance of theatre for society today in a new age of globalised distributed aesthetics. ‘Balme presents us with a fascinating tour de force … he is not only able to unravel a persuasive argument and extend Habermas’ theory to

European theatre / American theatre performance, but by doing so he also questions the very fabric of the theatre and the way it operates.’ Anselm Heinrich, Scottish Journal of Performance 2017 229 x 152 mm 234pp 12 b/w illus. 978-1-316-63887-3 Paperback £22.99 / US$32.99 Also available 978-1-107-00683-6 Hardback £67.00 / US$103.00 For all formats available, see

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American theatre NEW IN PAPERBACK

Performing Anti-Slavery Activist Women on Antebellum Stages Gay Gibson Cima Georgetown University, Washington DC

Offering readers a fresh perspective on the history of women and activism, Performing Anti-Slavery recaptures the affective practices of black and white American women in the antebellum abolitionist movement. Gay Gibson Cima demonstrates that these women imagined new ways to think about the relationship between the self and the other. 2017 229 x 152 mm 314pp 9 b/w illus. 978-1-107-64460-1 Paperback £22.99 / US$37.99 Also available 978-1-107-06089-0 Hardback £67.00 / US$103.00

NEW IN PAPERBACK

Tennessee Williams and the Theatre of Excess The Strange, the Crazed, the Queer Annette J. Saddik City University of New York

Saddik explores Williams’ later plays (1961–82) in the context of what she terms a ‘theatre of excess’, which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Grounding the plays in the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik analyzes recent productions that successfully captured the playwright’s late aesthetic. ‘Annette J. Saddik’s lucid and vital assessment of the misunderstood, mysterious later plays of Tennessee Williams opens the door for a new generation of appreciation for the entire body of his work. A wonderful and eye-opening achievement for those of us passionate about the plays that poured out of him in the twenty years of life that remained after his last ‘so-called’ success, Night of the Iguana.’ John Guare, author of The House of Blue Leaves and Six Degrees of Separation 2016 229 x 152 mm 194pp 5 b/w illus. 978-1-107-43390-8 Paperback £22.99 / US$32.99 Also available 978-1-107-07668-6 Hardback £62.00 / US$98.00 For all formats available, see

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Classical theatre / Shakespeare

Classical theatre NEW IN PAPERBACK

Theater outside Athens Drama in Greek Sicily and South Italy Edited by Kathryn Bosher

Shakespeare Shakespeare and the Admiral’s Men Reading across Repertories on the London Stage, 1594–1600 Tom Rutter

Northwestern University, Illinois

University of Sheffield

The first collection of essays on the development of Greek theater in ancient Sicily and South Italy, written by specialists in a range of fields, including literature, archeology and history. These different perspectives give a more complex picture of the development of western Greek theater than has hitherto been available.

This book examines the two-way influence between Shakespeare and his company’s main competitors in the 1590s, the Admiral’s Men. Providing a valuable addition to the thriving field of repertory studies, it offers new insights into Shakespeare’s development as well as readings of important, sometimes neglected plays by his contemporaries.

‘This is the first substantial interdisciplinary statement of the scale and significance of Greek theatrical activities outside ‘Greece’.’ The Times Literary Supplement 2016 244 x 170 mm 492pp 45 b/w illus. 9 maps 978-1-107-52750-8 Paperback £22.99 / US$34.99 Also available 978-0-521-76178-9 Hardback £88.00 / US$139.00 For all formats available, see

www.cambridge.org/9781107527508

2017 228 x 152 mm 243pp 978-1-107-07743-0 Hardback £75.00 / US$99.99 For all formats available, see

www.cambridge.org/9781107077430

Shakespeare, Popularity and the Public Sphere Jeffrey S. Doty University of North Texas

When Shakespeare emphasized the importance of winning popular opinion, he offered ordinary playgoers a new understanding of power: to succeed, politicians needed the assent of the people. This book argues that Shakespeare’s dramatization of ‘popularity’ encouraged playgoers to understand public relations tactics and

Shakespeare that it underlined their role in a critical public sphere. 2017 228 x 152 mm 220pp 978-1-107-16337-9 Hardback £75.00 / US$99.99 For all formats available, see

www.cambridge.org/9781107163379

Shakespeare and Manuscript Drama Canon, Collaboration, and Text James Purkis University of Western Ontario

This book explores how Shakespeare wrote his plays and how the players revised them by examining manuscripts that have survived from use in early modern theatres. Looking at collaboration, theatre practice and the Shakespeare canon, it will greatly interest researchers and advanced students of Shakespeare studies, manuscript studies, and textual history. 2016 228 x 152 mm 340pp 14 b/w illus. 978-1-107-11968-0 Hardback £64.99 / US$99.99 For all formats available, see

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Shakespeare and the EighteenthCentury Novel Cultures of Quotation from Samuel Richardson to Jane Austen Kate Rumbold University of Birmingham

This book explores the significant presence of Shakespeare in major novels of the eighteenth and early-nineteenth centuries. 2016 228 x 152 mm 254pp 7 b/w illus. 978-1-107-13240-5 Hardback £64.99 / US$99.99 For all formats available, see

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Writing Performative Shakespeares New Forms for Performance Criticism Rob Conkie La Trobe University, Victoria

This original and innovative study offers the reader an inventive analysis of Shakespeare in performance. 2016 246 x 189 mm 174pp 51 b/w illus. 978-1-107-07299-2 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107072992

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Shakespeare Selling Shakespeare Biography, Bibliography, and the Book Trade Adam G. Hooks University of Iowa

Adam G. Hooks offers a new history of Shakespeare’s life in print and an innovative account of dramatic criticism and biography. 2016 228 x 152 mm 218pp 978-1-107-13807-0 Hardback £80.00 / US$99.99 For all formats available, see

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HIGHLIGHT

The Cambridge Companion to Shakespeare’s First Folio Edited by Emma Smith University of Oxford

Shakespeare’s First Folio has had a continuous life in the hands of readers, editors and collectors for over four centuries. An international team of scholars surveys bibliographic, historical and textual material relating to the Folio and its critical reception, promoting a deep understanding of this most studied of books. Cambridge Companions to Literature

2016 228 x 152 mm 216pp 978-1-107-09878-7 Hardback £54.99 / US$89.99 978-1-107-49168-7 Paperback £18.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107098787

KEY REFERENCE

Shakespeare Survey Volume 69: Shakespeare and Rome Edited by Peter Holland University of Notre Dame, Indiana

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, play, or group of plays; each also contains a section of reviews of that year’s textual and critical studies and of the year’s major British performances. The theme for Volume 69 is ‘Shakespeare and Rome’. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/ shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results. Contributors: Robert Miola, Michael Silk, David Currell, Patrick Gray, Christian M. Billing, Michael Jensen, Kate Rumbold, Heather James, Esther B. Schupak, George Mandel, Dominique Goy-Blanquet, Ros King, Ineke Murakami, Robert N. Watson, Bradley Irish, Verena Olejniczak Lobsien, Thomas Rist, Peter Womack, Denise A. Walen, Ceri Sullivan, Jane Kingsley-Smith, Mats Malm, Katharine Craik, Reiko Oya, Barbara Hodgdon, John Wyver, Mariacristina Cavecchi, Tom Reedy, Stephen Purcell, James Shaw, Charlotte Scott, Russell Jackson, Peter Kirwan Shakespeare Survey, 69

2016 246 x 189 mm 450pp 65 b/w illus. 978-1-107-15906-8 Hardback £79.99 / US$130.00 For all formats available, see

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Shakespeare TEXTBOOK

TEXTBOOK

Twelfth Night

Julius Caesar

Or, What You Will Third edition William Shakespeare Edited by Elizabeth Story Donno

Third edition William Shakespeare Edited by Marvin Spevack Introduction by Jeremy Lopez

Huntington Library, California

University of Toronto

Introduction by Penny Gay

This third edition features a new introduction and a textual commentary that has been revised and updated with an eye, and ear, to the contemporary student reader. The list of further readings has been updated to reflect the latest developments in Shakespearean criticism.

University of Sydney

For this third edition of Twelfth Night, Penny Gay provides an updated introduction and reading list for the contemporary student reader. A thorough performance history, which includes a large number of recent performances, is accompanied by a new selection of production photographs. Contents: Preface to the first edition; Preface; Abbreviations and conventions; Introduction; Note on the text; List of characters; The play; Textual analysis; Reading list. The New Cambridge Shakespeare

2017 228 x 152 mm 200pp 20 b/w illus. 978-1-107-12627-5 Hardback c. £49.99 / c. US$94.99 978-1-107-56546-3 Paperback c. £8.99 / c. US$18.99 Publication July 2017

Contents: Introduction; Recent film, stage and critical interpretations; Note on the text; Note on the commentary; List of characters; The play; Textual analysis; Appendix: excerpts from Plutarch; Reading list. The New Cambridge Shakespeare

2017 228 x 152 mm 220pp 12 b/w illus. 978-1-107-08866-5 Hardback c. £47.00 / c. US$88.00 978-1-107-45974-8 Paperback c. £8.99 / c. US$18.99 Publication June 2017 For all formats available, see

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TEXTBOOK

Troilus and Cressida Second edition William Shakespeare Edited by Anthony B. Dawson University of British Columbia, Vancouver

Introduction by Gretchen Minton Montana State University

Featuring a thoroughly revised and updated introduction, an updated reading list and new illustrations, this second edition expands on the critical

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Shakespeare / Theatre (general) and theatrical history of Troilus and Cressida. It will be a valuable resource for students of Shakespeare studies and Renaissance drama. Review of previous edition: ‘… [an] excellent companion to this delinquent genius of a play.’ Quarto

Contents: List of illustrations; Acknowledgements; List of abbreviations and conventions; Introduction: style and genre: heap of rubbish, salty comedy, or what?; The play in its time; Symmetrical structures; Interpreting the language; Cressida; Literary identity; Scepticism and speculation; The play in performance: the play in 2015; Staging the staging; Note on the text; The 1609 epistle to the reader; List of characters; The play; Textual analysis; Appendix: sources of the play; Reading list. The New Cambridge Shakespeare

2017 228 x 152 mm 280pp 17 b/w illus. 978-1-107-13044-9 Hardback £54.99 / US$99.99 978-1-107-57142-6 Paperback £8.99 / US$18.99 Publication April 2017 For all formats available, see

www.cambridge.org/9781107130449

Theatre (general) KEY REFERENCE

A History of Japanese Theatre Edited by Jonah Salz Ryukoku University, Japan

Japan boasts one of the world’s oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations. ‘… a massive undertaking and a muchneeded addition to current scholarship on Japanese theater … this is a

Theatre (general) wonderful overview of a rich theatrical world, a book with something for both specialists and generalists …’ C. Lanki, Choice

Contributors: James R. Brandon, Rachel Payne, Jonah Salz, Laurence Kominz, Terauchi Naoko, William Lee, Alison Tokita, Shinko Kagaya, Miura Hiroko, Eike Grossmann, Shelley Fenno Quinn, Barbara Geilhorn, Diego Pellecchia, Monica Bethe, Sekiya Toshihiko, Eric C. Rath, Julie Iezzi, Samuel L. Leiter, C. Andrew Gerstle, Katherine Saltzman-Li, Mark Oshima, Paul Griffith, Okada Mariko, Suzuki Masae, Goto Shizuo, Alan Cummings, Matthew W. Shores, Gondo Yoshikazu, Brian Powell, Daniel Gallimore, Christina Nygren, Nakano Masaaki, Yamanashi Makiko, Guohe Zheng, Joel Stocker, Hong Seunyong, Matthew Isaac Cohen, Washitani Hana, Kevin Wetmore, Kan Takayuki, David Jortner, Carol Sorgenfrei, Yukihiro Goto, Bruce Baird, M. Cody Poulton, Mika Eglinton, Iwaki Kyoko, J. Thomas Rimer, Mari Boyd, Shimizu Hiroyuki, Nagai Satoko, Otsuki Atsushi, Barbara E. Thornbury, Minami Ryuta, Ikeuchi Yasuko, Yoshihara Yukari, Eugenio Barba 2016 247 x 174 mm 589pp 69 b/w illus. 4 tables 978-1-107-03424-2 Hardback £99.99 / US$155.00 For all formats available, see

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Critical Perspectives on Applied Theatre Edited by Jenny Hughes University of Manchester

and Helen Nicholson Royal Holloway, University of London

This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre in a range of global contexts. 2016 228 x 152 mm 294pp 16 b/w illus. 978-1-107-06504-8 Hardback £54.99 / US$89.99 978-1-107-64228-7 Paperback £18.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107065048

Dramaturgy and Dramatic Character A Long View William Storm New Mexico State University

William Storm delivers a wide-ranging investigation of character in drama from ancient beginnings to the present day. 2016 228 x 152 mm 250pp 978-1-107-14575-7 Hardback £64.99 / US$99.99 For all formats available, see

www.cambridge.org/9781107145757

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Theatre (general) / Also of interest HIGHLIGHT

The Cambridge Introduction to Performance Theory Simon Shepherd Central School of Speech and Drama, London

This engaging account explains the meaning and origins of performance theory and why it has become so important. Cambridge Introductions to Literature

2016 228 x 152 mm 256pp 978-1-107-03932-2 Hardback £49.99 / US$79.99 978-1-107-69694-5 Paperback £18.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107039322

Cambridge Studies in Modern Theatre

2017 229 x 152 mm 268pp 978-1-316-63241-3 Paperback £19.99 / US$29.99 Also available 978-1-107-00792-5 Hardback £67.00 / US$108.00 For all formats available, see

www.cambridge.org/9781316632413

Also of interest Stage and Picture in the English Renaissance A Mirror up to Nature John H. Astington University of Toronto

NEW IN PAPERBACK

Irony and the Modern Theatre William Storm New Mexico State University

William Storm explores the significance of irony in the modern theatre, investigating major works by playwrights including Chekhov, Pirandello and Brecht. Focusing on well-known representative characters, from Ibsen’s Halvard Solness to Stoppard’s Septimus Hodge, he demonstrates how these key theatrical figures enact, embody and personify irony. ‘… a discerning commentary … William Storm’s Irony and the Modern Theatre revisits some well-mapped territory, surveying as it does the nature and purpose of irony in selected dramatic texts from Ibsen to Tony Kushner.’ Modern Philology

This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the vast range of visual culture in evidence in the period, John H. Astington shows its pervading influence in the composition, production and reception of Renaissance English drama. 2017 247 x 174 mm 350pp 52 b/w illus. 12 colour illus. 978-1-107-12143-0 Hardback c. £75.00 / c. US$120.00 Publication May 2017 For all formats available, see

www.cambridge.org/9781107121430

Also of interest

The Elizabethan Country House Entertainment Print, Performance and Gender Elizabeth Zeman Kolkovich Ohio State University

This book offers scholars and students of literary, theatrical, and women’s history the first full-length critical study of an important Renaissance genre. Country house entertainments, short plays staged for the Queen at country estates (1571–1602), enabled men and women to engage in crucial political and literary debates in Elizabethan England. 2016 228 x 152 mm 256pp 10 b/w illus. 1 map 978-1-107-13425-6 Hardback £80.00 / US$99.99 For all formats available, see

www.cambridge.org/9781107134256

The Cambridge Companion to Jewish Music Edited by Joshua S. Walden The Johns Hopkins University

A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars. Cambridge Companions to Music

2015 247 x 174 mm 306pp 1 b/w illus. 20 music examples 978-1-107-02345-1 Hardback £54.99 / US$89.99 978-1-107-62375-0 Paperback £19.99 / US$29.99 For all formats available, see

www.cambridge.org/9781107023451

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Index A Alan Bush, Modern Music, and the Cold War.....................................................23 Analyzing Schubert.................................15 Arvo Pärt’s White Light...........................18 Astington, John H...................................38

B Bach......................................................12 Bach’s Feet.............................................12 Bach’s Numbers.....................................11 Ballad in American Popular Music, 1950-2015, The.....................................1 Ballets Russes and Beyond, The..............26 Balme, Christopher B..............................30 Barclay, Bill..............................................7 Bartolomeo Cristofori and the Invention of the Piano........................................10 Bates, Julie.............................................28 Beard, David............................................6 Beckett’s Art of Salvage..........................28 Boland, Marguerite................................21 Bosher, Kathryn......................................32 Boss, Jack..............................................25 Brand, Benjamin.......................................8 Bratton, Jacky.........................................29 Brittan, Francesca...................................16 Brooks, Jeanice.........................................3 Bullivant, Joanna....................................23 Burrows, Donald.....................................11 Byrne Bodley, Lorraine............................16

C Caddy, Davinia.......................................26 Cambridge Berlioz Encyclopedia, The........1 Cambridge Companion to Electronic Music, The...........................................19 Cambridge Companion to Film Music, The.....................................................20 Cambridge Companion to Jewish Music, The.....................................................39 Cambridge Companion to Percussion, The.2 Cambridge Companion to Shakespeare’s First Folio, The.....................................34

Cambridge Companion to the Musical, The.......................................................2 Cambridge Companion to the SingerSongwriter, The....................................20 Cambridge History of Medieval Music, The.9 Cambridge Introduction to Performance Theory, The..........................................38 Campbell, Edward..................................22 Celenza, Anna Harwell...........................18 Cheap Print and Popular Song in the Nineteenth Century.............................14 Cherlin, Michael.......................................1 Childhood, Education and the Stage in Early Modern England.........................28 Chiu, Remi...............................................7 Cima, Gay Gibson...................................31 Clark, Suzannah.....................................15 Cline, David............................................26 Coelho, Victor...........................................9 Coffey, Helen..........................................11 Cohen, Brigid.........................................27 Collins, Nick...........................................19 Conkie, Rob...........................................33 Conway, David.......................................14 Cooke, Mervyn.......................................20 Cormac, Joanne.....................................13 Critical Perspectives on Applied Theatre..37

D d’Escrivan, Julio......................................19 Damschroder, David................................16 Dance and Drama in French Baroque Opera....................................................5 Davies, Peter Maxwell.............................22 Dawson, Anthony B................................35 Dolp, Laura............................................18 Donno, Elizabeth Story...........................35 Doty, Jeffrey S.........................................32 Dramaturgy and Dramatic Character.......37 Duke Ellington Studies............................20

E Elizabethan Country House Entertainment, The..............................39 Elliott Carter Studies...............................21

Index Emmerson, Simon..................................19 Ernest Bloch Studies...............................21 Everett, William A.....................................2 Everist, Mark............................................9 Evolution and Victorian Musical Culture..13 Expanding the Horizon of Electroacoustic Music Analysis.............19

F Fairclough, Pauline.................................21 Fisher, Tony............................................28 Ford, Fiona.............................................20 French Music and Jazz in Conversation...24 French Organ Music in the Reign of Louis XIV...............................................2 Fulsas, Narve..........................................29

G Gay, Penny.............................................35 George Frideric Handel...........................11 Gingerich, John M..................................15 Graph Music of Morton Feldman, The.....26 Greenacombe, John................................11 Griffiths, Graham....................................25 Guillaume Du Fay.....................................7

H Haines, John.............................................8 Handel on the Stage.................................4 Hannigan, James....................................18 Harmony in Beethoven...........................16 Harris-Warrick, Rebecca............................5 Harrison Birtwistle’s Operas and Music Theatre.................................................6 Hartenberger, Russell.......................... 2, 24 Henson, Karen..........................................6 Hicks, Anthony.......................................11 Hill, Peter...............................................22 History of Japanese Theatre, A................36 Holland, Peter........................................34 Hooks, Adam G.......................................34 Horton, Julian.........................................16 Howland, John.......................................20 Hughes, Jenny........................................37

I Ibsen, Norway and the European Canon (or, Ibsen, Scandinavia and the Making of a World Drama)...............................29 Instrumentalists and Renaissance Culture, 1420–1600..............................9 Irony and the Modern Theatre.................38 Italian Opera in the Age of the American Revolution.............................................4

J Jarcho, Julia...........................................30 Jazz Italian Style.....................................18 Jewry in Music.......................................14 Jones, Nicholas.......................................22 Julius Caesar..........................................35

K Keefe, Simon P........................................12 Kelly, Thomas Forrest................................9 Kimbell, David..........................................4 Klorman, Edward....................................12 Knapp, Alexander...................................21 Kolkovich, Elizabeth Zeman....................39

L Laird, Paul R.............................................2 Landy, Leigh...........................................19 Lindley, David...........................................7 Link, John..............................................21 Liszt and the Symphonic Poem................13 Lopez, Jeremy.........................................35

M MacAuslan, John....................................16 Making of the West End Stage, The.........29 Mapping Irish Theatre.............................30 Marcus, Kenneth H.................................19 Mary Gladstone and the Victorian Salon.. 17 Mathew, Nicholas..................................17 Mawer, Deborah.....................................24 McGeary, Thomas.....................................4 Medieval Song in Romance Languages.....8 Olivier Messiaen’s Catalogue d’Oiseaux..22

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Index Metzer, David...........................................1 Minton, Gretchen...................................35 Montagnier, Jean-Paul C.........................10 Morash, Chris.........................................30 Mozart Studies 2....................................12 Mozart’s Music of Friends.......................12 Music and Culture in the Middle Ages and Beyond...........................................8 Music and Fantasy in the Age of Berlioz..16 Music in Germany since 1968.................23 Music in the London Theatre from Purcell to Handel.................................10 Musical Sounds of Medieval French Cities, The..............................................9 Musical Work of Nadia Boulanger, The......3 Musicology of Record Production, The.....18

N Nicholson, Helen....................................37 Nonken, Marilyn.....................................24 Nosow, Robert.........................................8

O O’Hagan, Peter.......................................22 Orchestral Music of Michael Tippett, The.23

P Performance Practice in the Music of Steve Reich.........................................24 Performing Anti-Slavery..........................31 Performing Operas for Mozart...................3 Peter Maxwell Davies, Selected Writings.22 Peters, Gretchen.......................................9 Pierre Boulez Studies..............................22 Plague and Music in the Renaissance.......7 Planchart, Alejandro.................................7 Political Beethoven.................................17 Politics of Opera in Handel’s Britain, The...4 Polk, Keith................................................9 Pollens, Stewart......................................10 Polyphonic Mass in France, 1600–1780, The.....................................................10 Polzonetti, Pierpaolo.................................4 Ponsford, David........................................2

Preiss, Richard........................................28 Purkis, James..........................................33

R Rem, Tore...............................................29 Richards, Shaun......................................30 Ritual Meanings in the Fifteenth-Century Motet....................................................8 Romantic Overture and Musical Form from Rossini to Wagner, The.................13 Rothenberg, David J..................................8 Rumbold, Kate.......................................33 Rushton, Julian.........................................1 Rutherford, Susan.....................................5 Rutter, Tom.............................................32

S Saddik, Annette J....................................31 Salz, Jonah.............................................36 Schoch, Richard......................................29 Schoenberg and Hollywood Modernism..19 Schoenberg’s Twelve-Tone Music............25 Schubert’s Beethoven Project..................15 Schubert’s Late Music.............................16 Schumann’s Music and E. T. A. Hoffmann’s Fiction...............................16 Schuttenhelm, Thomas............................23 Scott, Derek B.........................................14 Selling Shakespeare................................34 Shakespeare and Manuscript Drama.......33 Shakespeare and the Admiral’s Men.......32 Shakespeare and the EighteenthCentury Novel.....................................33 Shakespeare Survey................................34 Shakespeare, Music and Performance.......7 Shakespeare, Popularity and the Public Sphere................................................32 Shakespeare, William..............................35 Shepherd, Simon....................................38 Shostakovich Studies 2...........................21 Smith, Emma..........................................34 Solomon, Norman..................................21 Spectral Piano, The.................................24 Spedding, Patrick...................................14 Spevack, Marvin.....................................35

Index Stage and Picture in the English Renaissance........................................38 Stefan Wolpe and the Avant-Garde Diaspora.............................................27 Storm, William................................. 37, 38 Stravinsky’s Piano...................................25 Summers, Tim.........................................18

T Tatlow, Ruth...........................................11 Technology and the Diva..........................6 Tennessee Williams and the Theatre of Excess.................................................31 Theater outside Athens...........................32 Theatre and Governance in Britain, 1500–1900.........................................28 Theatrical Public Sphere, The...................30 Timms, Colin..........................................10 Trippett, David........................................15 Troilus and Cressida...............................35 Twelfth Night.........................................35

U Understanding Video Game Music..........18

Varieties of Musical Irony..........................1 Verdi, Opera, Women...............................5

W Wagner’s Melodies.................................15 Walden, Joshua S...................................39 Watt, Paul..............................................14 Weliver, Phyllis.......................................17 Williams, Alastair....................................23 Williams, Deanne...................................28 Williams, Justin A...................................20 Williams, Katherine................................20 Williams, Peter.......................................12 Wood, Bruce..........................................10 Woodfield, Ian..........................................3 Writing and the Modern Stage................30 Writing Performative Shakespeares.........33 Writing the History of the British Stage...29

Y Yearsley, David.......................................12

Z Zagorski-Thomas, Simon.........................18 Zon, Bennett..........................................13

Vande Moortele, Steven..........................13

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