CK Folio Graphic Design

PERSONAL MANIFESTO

“Kerning is the art of creating harmony between letters, just as a successful design career is the art of creating harmony between your identity and your passion as an LGBTQIA+ community member.”

In both cases, it requires a careful eye for detail, a willingness to make adjustments, and an understanding that the smallest changes can make a big impact. Embrace your unique perspective and let it shine through your work, just as kerning lets each letter stand out while still working together to form a cohesive whole. Remember, the beauty of a design, like the beauty of your identity, lies in its diversity and the richness it brings to the world.”

CONTENTS design

CHROIC product design

FIBONACCI

product design

SCIENCE ISLAND LITHIANIA

architecture

ANDERSON RESIDENCE architecture

ST JOHN OF GOD - SUBIACO

interior architecture

KALAMUNDA HOSPITAL

interior architecture

COLLECTION OF PROJECTS selected works

THEATRICAL DESIGN selected works

GRAPHIC DESIGN selected works

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Dichroic Glass, Brass & Tasmanian Oak

SIdetable

CHROIC SIDETABLE INDUSTRIAL DESIGN PROJECT

01 DESIGN

The unit was about ‘research through making’ as it investigated the way furniture design draws materials, technologies, designers, the media, consumers, regulatory agencies, and users into complex networks of production, distribution, and consumption. The use of both traditional and technological practices resulted in a dynamic piece that both addresses form and function.

This project pushes the boundaries creating a unique form and representation of the original photographic series by Cape Town photographer Mujahid Ur Rehman.

The Chroic Sidetable characterised by its iridescent multicoloured finish; the nuance varying based on the viewing/ incidence angle to from the viewers standing point. As the viewer moves around the object shadows cast create a visual and somewhat magical evocative appearance. Refracted hues and tones give the impression of transparency and density, changing based on the viewing position. This original piece was created to evoke a sense of joy and fun whilst serving it’practical purpose.

“A Sunset in the Tree’s” Mujahid”

callan kneale

REFRACTION

METHOD

Using traditional workshop production skills including timber lathe wood turning techniques, milling, metal lathe and finishing machines. I was also able to engage in rapid-prototyping computer-mediated, 3D printing production processes. The Brass glass clamp was designed in Rhinoceros 6 and 3D printed In the United States of America as they are currently one of the few places that have the ability to 3D print brass. The prototyping process however did not stall due to the ability to print the components within the university workshop using ABS plastics for testing. It was necessary for the success of my piece to make several jigs to assist in the accuracy within the design process. The 3D printing process allowed us to print a locating tool so that the turned brass legs located at a 30 degree angle to the turned timber leg whilst keeping the table surface parallel.

THE FACT OR PHENOMENON OF LIGHT MANIFEST0

Physical space is bound by technical and economic parameters that exist at the time of its conception. Conventional building methods give in to these parameters, thus becoming resistant to manipulation. This however does not mean that we surrender to them and stop exploring advancements in our built environment.

PRODUCT DESIGN

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Marble Sphere, Brass

FIBONACCI LAMP INDUSTRIAL DESIGN PROJECT

01 DESIGN

Taking a broad view of what might constitute furniture, this unit asked me to engage critically with furniture and product design through research, representation, and making. I was required to critically examine the joint concepts of ‘assembly’ and ‘disassembly’ and to engage in a hands-on way with the materials and processes used in contemporary design production. During the unit I ‘learn through making’ as I designed, constructed, and documented a number of full-scale, working prototypes. I also acquire the skills required to produce professional working drawings, enabling me to communicate my designs with industry.

PRODUCTION DRAWINGS

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THE GOLDEN RATIO ILLUMINATED

MANIFESTO

Proportions: The Fibonacci sequence is a mathematical pattern that is found in nature, such as in the spiral patterns of seashells and the branching of trees. By incorporating these proportions into the design of our lamp, we can create a visually appealing object that feels harmonious and balanced.

Materials: In keeping with the principles of sustainability, the lamp should be made from eco-friendly and renewable materials. the lamp is made from stone & brass both beautiful and environmentally conscious.

Functionality: The lamp should be designed with the user in mind. It should provide ample light, be easy to use, and be versatile enough to fit into any workspace. The Fibonacci principles can help guide us in creating a lamp that is functional, flexible & intuitive.

Lighting: The Fibonacci sequence can also be used to determine the optimal light output and distribution of the lamp. By using this sequence, we can create a lamp that provides a warm and inviting glow that is comfortable to the eyes with honeycomb louvre.

By incorporating these principles into the design process, we can create a lamp that is not only visually appealing but also functional, ecofriendly, and durable.

callan kneale

One hundred and forty-four entries were received from 44 countries, representing an amazingly diverse set of architectural proposals.

SCIENCE AND INNOVATION CENTRE OF LITHUANIA 1 1

SCIENCE ISLAND LITHUANIA ARCHITECTURE PROJECT

LOCATION

Kaunas City

DESIGN

SIZE YEAR

13,000sqm

2017

LECTURER

Sophie GIles

The contest sought outstanding designs that both integrated the latest environmental thinking and crystallised the emerging identity of Kaunas, creating a symbol of the city. Science Island’s mission is to popularise science through hands-on enquiry and exposition and celebrate recent achievements in science and global technologies.

The Centre, within the celebrated university city of Kaunas, will focus particularly on environmental themes and ecosystems, demonstrating sustainability and future energy technologies in the design of its own building.

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ABOUT THE DESIGN

In an aim to give back to the Lithuanian public, the museum doubles as both ramped public terrace on the North facade and sub-terranian science precinct. The stepped roof allows the public to inferace with its surrounding context and connection to the city. The casm that cuts through the building sets axial views across the pedestrian bridge into the city centre and the Kaunas University of Technology, whilst also allowing the public a glimpse into the spaces within. The building exeplifies sustainabilty in its sub-terranial ground position for maximised thermal efficiency, while using energy-efficient renewable resources. It utilised a grey water recovery system, geothermal heating, wind energy production and micro-algae glass facade. This net zero building is the catalyst for Kaunas and Lithuanias technological future.

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MUSEUM DESIGN COMPETITION

Through rigorous cross-discipline collaboration, I delivered a design that balance aesthetics, function, sustainability and quality.

URBAN DESIGN SUSTAINABILITY & TECHNOLOGY.

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ANDERSON RESIDENCE ARCHITECTURE PROJECT

LOCATION

Mt Hawthorn

SIZE YEAR

680sqm 2022

LECTURER

Nathan Steele

DESIGN

This was a client led small residential project that followed process and stages that an architectural project must go through to be implemented up until the commencement of construction. This included; the understanding of response to urban design parameters through planning regulations; a sensitivity to passive design principles in order to comply with energy efficiency requirements; an introduction to working with consultants was explored; an understanding of how to communicate the construction of a project with building contractors; and ensuring compliance with building regulations.

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“The relationship between art and travel is long-standing, deep and complex. We travel to see art, and even when art isn’t our primary destination, we naturally gravitate to the art of a place in order to understand the meaning of that place.”

- Dr Wendy Were ‘Domestic Arts Tourism: Connecting the country, Australia Council for the Arts.’

ROTTNEST ISLAND MUSEUM - WADJEMUP

LOCATION

Rottnest Island

SIZE YEAR

350sqm 2020

CLIENT

Rottnest Island Authority

GALLERY PROJECT

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MUSEUM/GALLERY DESIGN

The building which houses the Rottnest Island Museum was built in 1857 by Aboriginal prison labour and was originally used as a hay shed and granary. The Museum provides information for visitors on the natural features and environment of the Island, aspects of the Island history, marine wrecks, and the social history associated with recreation and tourism. The museum is staffed by Rottnest Volunteer Guide Association members, with curatorial support provided by RIA staff. RIA also holds a large collection of objects, artefacts, photographs, audio and video recordings and other historical materials, some of which are rotated through display at the Museum. Prior to commencement of the Rottnest Island Management Plan (RIMP) 2020-24 RIA began investigating options for renewal of the Museum display and interpretation resources, and curatorial support, in consultation with the Western Australian Museum and with the assistance of specialist consultant Creative Spaces and myself. This work is continuing under the RIMP 2020-24 as a key initiative to enhance Island Museum and collections. With the intention of creating a model regional museum which will continue as a significant repository of Island-related historical materials, be more closely integrated with other aspects of the Island’s built heritage and social history, and continue to function as a significant visitor attraction.

Rikki Clarke Project Lead

Callan Kneale Interior Lighinting Designer & Visulisations

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RENDERS

Development of the Rottnest Island Museum is to be undertaken with funding provided by the Commonwealth under the National Tourism Icons program. As part of the renewal and revitalisation program there will be a focus on options for interactive, augmented reality and other multimedia experiences employed in accordance with best contemporary practice. Refurbishment of the Rottnest Island Museum is proposed to include facilitating optimal functional layout, new reception, retail opportunities, new display cabinetry, hanging rails, signage and feature lighting.

Rikki Clarke

Project Lead

Callan Kneale Interior Lighinting Designer & Visulisations

callan kneale

HOME NOT HOSPITAL

KALAMUNDA HOSPITAL

LOCATION

Kalamunda

SIZE

5000sqm

YEAR

2022

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HEALTHCARE DESIGN

East Metro He alth

RENOVATION PROJECT

The rooms were completely stripped, and we created a dedicated hospice entrance, waiting room finishes to the existing hospital. Skylights and larger windows were installed for much more vibrant and comfortable spaces for patients. A huge consideration was taken with the illumination design around Human Centric circadian rhythms for better patient comfort & wellness.

The area includes fit-for-purpose therapy rooms, an outpatient rooms for symptom management clinics, new toilets/amenities, a café-style kitchenette with patio area, and a social room, which opens up to a fully accessible native garden surrounding the Darling Scarp. Flexibility in the social room was a key function to allow for rest and relax, as well as space for activities with volunteers. Design in a clinical environment

Morag Lee Healthcare Principal

Callan Kneale Lead Interior Designer Hassell Project

CLIENT 2 4 callan kneale

The upgrade also greatly increased feeling of warmth removing the clinical aspect to the space. Lighting and finishes were carefully selected to bring balance and harmony to the space

ST JOHN OF GOD HOSPITAL

LOCATION

Subiaco

2 0

3500sqm 2020

CLIENT

SIZE YEAR St John of God

AMBIENT ACCENT SCENIC

Through rigorous cross-discipline collaboration, function, cost, and quality. The planning process departs from the abstract realm at the very outset and is immediately affected by existing conditions.

Sonja Taneska

Lead Interior Designer

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HEALTHCARE DESIGN

RENOVATION PROJECT

The frame of reference in a renovation project is, contrastingly, an existing building, and thus a totally different concept.

Callan Kneale Interior Lighinting Designer & Visulisations

Hassell Project

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AUSTRALIA PLACE

LIGHTING & LANDSCAPE DESIGN PROJECT

LOCATION

Perth CBD

PHOTOGRAPHER

Matt Devlin

YEAR

2018

CLIENT

Primewest

BRIEF

Australia Place, 15-17 William Street, Perth is located in the core of the Perth CBD on William Street between St George’s Terrace and Mounts Bay Road.

This modern, 14 level office tower offers a well designed floor plate with excellent natural light and river views.

The refurbishment saw upgrades to facade anodising, lighting, glazing & new cafe tennancy fitout. Design was to be eye catching on approach to draw people from St Georges Terrace into the forecourt and soft and subtle when departing. Incorporation of external cafe seating and planters add to the urban fabric of the space.

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URBAN DESIGN

Catherine Lindsay Architect

Callan

Kneale

Interior Lighinting

Designer & Visulisations

Hassell Project

Volume III

MATISSE BEACHCLUB

LIGHTING DESIGN PROJECT

LOCATION

Scarborough

PHOTOGRAPHER

Matt Devlin

YEAR

2014

CLIENT

Old Field Knott & Capitol Corp.

callan kneale

BRIEF

Bringing the vibe of a glitzy Las Vegas resort to Perth’s relaxed beachside suburb of Scarborough was never going to be easy, but the Matisse Beach Club delivers bright lights and bold colours with all the confidence you’d expect from the famous desert oasis. A shimmering pool, sun lounges, casual ottomans and palm trees capture the essence of poolside glamour while retro cabanas in brash colours are reminiscent of the old bathing boxes which once lined the beach. Remotely operated screens and tilted glazed walls offer protection from salty air while nonslip ceramic tiles, compressed fibre cement weatherboarding and high performance fabrics deliver functionality as well as style.

More than just eye-popping colour and summer ambience, this project required intelligent design to combat the corrosive sea breeze.

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HOSPITALITY

DESIGN

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QV1 PLAZA & EOT

LIGHTING, INTERIOR & LANDSCAPE DESIGN PROJECT

LOCATION

Perth CBD

PHOTOGRAPHER

Matt Devlin

YEAR

2018

CLIENT

CBRE & Harry

Seidler & Associates

BRIEF

The QV1 End of Trip facilities offers amenities to support and encourage tenants to embrace active modes of transport whether that’s cycling, running or walking to get to work or general fitness activities before and after starting work.

Fitted with European fixtures, natural stone and timber finishes, the amenities are designed to an exceptional level of quality with modern style and comfort in mind.

The QV1 Plaza is designed to be a counterpoint to the modernist architecture of the iconic Harry Seidler designed building. Located on the Hay Street side of the building, the QV1 Plaza is the West End’s key dining precinct, offering a vibrant meeting place where workers and visitors can enjoy great food and beverages, pop-up events or catch up with friends.

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URBAN DESIGN

Sophie Bond Architect

Callan

Kneale Interiors

Lighting Designer & Visulisations

Hassell Project

Volume III

INTERIOR DESIGN PROJECT

LOCATION

Perth

PHOTOGRAPHER

Matt Devlin

YEAR

2016

CLIENT

Lighting Options

Australia

BRIEF

LIGHTING OPTIONS SHOWROOM COMMERCIAL DESIGN

Lighting Options Australia is a solution-driven commercial and architectural lighting specialist. We work with engineers, architects, interior designers and private organisations to bring their lighting designs to life. We deliver the best lighting solutions, sourced from leading brands across Australia and the world, that offer the greatest value for money.

Design brief was to convert an old paper warehouse into a showcase of the worlds finest lighting & furniture products. Surface texture, finish & colour played an integral role in showcasing different lighting techniques and styles.

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Callan Kneale Lead Interior Designer

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POWER-UP MUSEUM MANJIMUP

LIGHTING & INTERIORS PROJECT

BRIEF

LOCATION Manjimup

PHOTOGRAPHER

Jody Darcy

YEAR

2019

CLIENT

Shire of Manjimup

Power Up Electricity Museum is part of a new multipurpose facility that has contributed to the transformation of the Manjimup Heritage Park into a regional tourism precinct.

The Power Up Electricity Museum explores the development of the electricity network in West Australia’s history through the former World of Energy collection, balanced against a lighter future of renewable energy and innovation. The exhibition design provides an engaging experience, which plays with the concept of ‘lightening the load’ through volume, colour and materials.

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GALLERY DESIGN

Rikki

Clarke

Project Director

Callan

Kneale Interiors

Lighting Designer & Visulisations

CAFE 63 & GELARE CANNINGTON

LIGHTING DESIGN PROJECT

LOCATION Cannington

PHOTOGRAPHER

Power Up Electricity Museum is part of a new multipurpose facility that has contributed to the transformation of the Manjimup Heritage Park into a regional tourism precinct.

Matt Devlin 2017

YEAR

CLIENT

Scentre Group

The Power Up Electricity Museum explores the development of the electricity network in West Australia’s history through the former World of Energy collection, balanced against a lighter future of renewable energy and innovation. The exhibition design provides an engaging experience, which plays with the concept of ‘lightening the load’ through volume, colour and materials.

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Callan Kneale Lead Interior Designer

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THEATRICAL DESIGN

DESIGN WORK

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KINKY BOOTS CHICAGO

FORBIDDEN BROADWAY COUGAR MORRISON

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GRAPHIC DESIGN

DESIGN WORK

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PRIDEWA

LOCATION

Western Australia PrideWA CLIENT

FORBIDDEN BROADWAY

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COUGAR MORRISON

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“The best way to predict the future is to create it”

FOLI8

K N N I E R G

SELECTED WORKS 2 0 2 3

callan kneale - carlisle - western australia - 0422609694