KERNING - CALLAN KNEALE - FOLIO

FOLI8 Volume III 2

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KERNING K

A Space Between

CALLAN KNEALE 114 Planet Street Carlisle 6101 WESTERN AUSTRALIA AUSTRALIA

FOLI8

“The best way to predict the future is to create it”

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Volume III

KER N I N G

FOLI8

S E L E C T E D

W O R K S

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FOLI8

P ER S O N A L M ANIFES TO “Ke r ni ng is t h e a rt of creating harmony be twe e n le t t e rs , jus t as a successful design c a re e r is t h e a rt of c reating harmony be twe e n yo ur id e nt it y and your passion as a n LG BTQI A+ co mmu nity member.”

In b ot h c a s e s , it re qu ires a careful eye fo r de ta i l , a w illin g n e s s t o make adjustments, a n d a n un d e rs t a n d in g that the smallest c h a n ge s c a n ma ke a big impact. Embrace you r u nique p e rs p e c tive and let it shine th rou gh yo ur wo rk, just as kerning lets each l e tt e r st a n d o ut wh ile still working together to for m a co h e s ive whole. Remember, the be a u ty of a d e s ig n , li ke the beauty of your i d e nti ty, lie s in it s d iversity and the richness i t b r i n gs t o t h e wo rld.”

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CONTE NTS p e rs ona l

P E R SO N A L P RO FILE res u m e c v d es ign

CH ROI C p roduc t de si g n F I BONACC I p roduc t de si g n S C I E N CE I SLA N D LITHIA NIA arc h ite c t ure A N D E R SO N R E S IDENC E arc h ite c t ure S T J O H N O F G O D - S U BIACO i nte r i o r a rc hi t ectu re KAL A M UNDA HO S P ITA L i nte r i o r a rc hi t ectu re COLLECT I O N O F P ROJ EC TS s e l ec te d wo r k s T H E AT R I CA L D ES IG N s e l ec te d wo r k s

CALLAN KNEALE DESIGNER

PROFILE The opportunity to leave a lasting impact is a privilege, and designers are gifted with this in everything we design. The reason I pursued architecture is because you have the ability to change the course of someone’s life, purely with what you envisage. I am currently working in one of Australia’s largest design firms but always exploring my creative endeavors to continually develop and grow, I am a driven motivated and enthusiastic designer with a creativity that has no bounds, I love pushing the envelope and stepping outside the box to create, innovate and inspire.

J O B E X P E R I E N C E (current employment see page 4) INTERIOR DE SIG NER / 2020 – 2022 HASSELL Design Team Lead for Kalamunda Hospital design phase responsible for running client user group meetings to help drive project design intentions to deliver on current healthcare standards. Led architecture design efforts for construction projects designing AutoCAD floor plans, reflected ceiling plans, elevations, and flooring plans Lighting designer for the Healthcare & Interior design teams with notable projects including - Australia Place, St John of God Refurbishment & Women’s & Newborns Hospital, 88 Mill Point Road & Kalamunda Hospital.

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CONTACT

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Address 114A Planet Street CARLISLE

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WESTERN AUSTRALIA 6101 Phone +61 422 609 694 Email callankneale88@gmail.com Social www.linkedin.com/in/callan-kneale

Interior Designer for Global Architecture and Design Firm.

Responsible for space planning, interior design development, budget planning, and construction document production.

Acted as administrative office liaison and coordinated continuing education programs (CPD) offered by architectural and design vendors.

Project experience includes healthcare, aged care, hospitality, franchise, tenant upfit, and office warehouse.

Design projects partnered me with various local property managers, engineers and contractors.

Developed colour schemes and analysed user needs to insure design fulfillment.

S T U D I O C O O R D I N A T O R / 2019 – 2020 HASSELL Coordinating the day to day running of the Perth studio.

Implementation of Hassell Houses competition managing the social engagement in the studio. Event planning and management of studios social and education programs. Branding and communications documentation for company rebrand.

Responsible for the maintenance and upgrades to Perth studio premises including, digital graphics, project signage & graphic design. Responsible for day-to-day operations including communicating with clients, monitoring, responding and appropriately distributing incoming communications, and preparing metrics for client and internal reports.

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Balanced work on multiple projects and acted as liaison between creative staff and upper management staff Performed content for business planning meetings Assisted in editing photographs and videos for client use Responsible for maintaining and updating database of equipment and assets and managing daily use of equipment Independently developed company initiative to reduce waste, promote recycling and implemented the use green products for office use and for clients

AWARDS

D E S I G N E R - M A R K E T I N G C O M M U N I C A T I O N S / 2011 – 2019 LIGHTING OPTIONS AUSTRALIA - ERCO Representing some of the biggest global names in the lighting design field. Creating lighting designs & concepts for some of Perth's most iconic new spaces. Liaising with high profile Architecture & Engineering firms and implementing designs and IES render calculations for project specification. Managing projects and assisting with onsite project management and installation.

Responsible for Managing the media, marketing, events & social media for the company with weekly product review s on Facebook & LinkedIn. Updating all webpage information and layout and responsible for all print and film media used for company promotion and product advertising

• CERTIFICATE OF EXCELLENCE – LIGHTING DESIGN – MATISSE BEACHCLUB ATHLETICS AUSTRALIA JUNIOR ATHLETE OF THE YEAR STORM THE STAGE NATIONAL FINAL WINNER

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EDUCATION

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BACHELOR OF DESIGN ARCHITECTURE UNIVERSITY OF WESTERN AUSTRALIA 2014-2018

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CERTIFICATE IIII – ILLUMINATION SCIENCE – FUNDAMENTALS OF LIGHTING DESIGN ILLUMINATION ENGINEERING SOCIETY OF WA 2012 CERTIFICATE III – PROJECT MANAGEMENT & WHOLESALE APPRENTICENTRE 2011 CERTIFICATE III – RESIDENTIAL DRAFTING CHALLENGER TAFE 2009 BACHELOR OF ARTS – MUSICAL THEATRE WAPPA 2006-2008

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Produced both residential and commercial CAD documents to industry standards Streamlined sales order and material order process Provided full-service design services to both individual and corporate clients Charged with revamping and rearranging showroom floor quarterly Coordinated clients, subcontractors, and additional team members on overall project management.

Managed floor-to-ceiling remodelling and design makeover projects for residential and commercial spaces including homes, apartments, museums, and offices.

Managed entire design process from initial consultation through plan development and execution. Collaborated with contractors and architects during design process to select materials, finishes, architectural elements, and accessories.

Planned, created, and executed exterior store window displays.

Responsible for the work out on display points and floor layout.

Lead creative team during product and client photo shoots, including catalogue and advertising shoots.

Planned and hosted multiple upscale industry design events to create market awareness, brand presence and exposure.

Drove creative design staff and target driven work culture, empowering team members to be independent of making tactical business decisions and marketing the PDS to their clients.

SKILLS Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Suite AutoCAD Microsoft Office Rhino Revit

HOBBIES Wolves Hockey Club - player Perth Pythons Hockey Club - player

JOB EXPERIENCE-continued EVENT SUPERVISOR/COORDINATOR / 2014 – 2020 SOCIAL PLAYGROUND

Graphic Design

As event supervisor I was responsible for the creative development and delivery of client lead events and activations that represented each client’s brand and reputation. I managed a team of Brand Ambassadors, event professionals and event producers to get the client the best outcome. I oversaw the bump in and production of events liaising with contractors and clients to deliver a professional and exciting event/activation.

PrideWA Board Member

EVENTS & CLIENTS

Travel Photography Costume Design Set Design

Theatre Acting Running Music - Singer

PrideFest 2020-22 - P R I D E W A Perth Fashion Festival – T E L S T R A F a s h i o n P a r a m o u n t Future Music Festival - F u t u r e E n t e r t a i n m e n t Nobu’s Birthday – C r o w n P e r t h & N o b u M a t s u h i s a Masterchef National Tour Perth – A c t i v a t e E v e n t s Royal Flying Doctors, Altitude Ball – M u s e B u r e a u

REFERENCES Morag Lee Principal at Hassell Studio P: +61 448 871 165 E: moraglee@hassellstudio.com Shannon Laya Speech Pathologist P: +61 413 048 291 E: shannon.laya@gmail.com Jasmine Butcher People Experience Shared Services Manager at Xero–Former Social Playground Manager P: +61 474 787 100 E: Jasmine.butcher7@gmail.com

Art Ball – M u s e B u r e a u Margaret River Pro International Surfing – R i p c u r l DFO Launch Event – D F O Curtin University Open Day – C u r t i n U n i v e r s i t y UWA Open Day – U n i v e r s i t y o f W e s t e r n A u s t r a l i a I i a Good Food & Wine Show – T a l k 2 M e d i a E v e n t s Didi Moonlight Cinemas – D i d i Yandicoogina Mine Family Day – R i o T i n t o Hopman Cup Ball - H o p m a n C u p P e r t h P!nk National Tour – L i v e N a t i o n Ed Sheeran Perth Concert Optus Stadium – B a n k w e s t Santas Magical Kingdom - C r o w n P e r t h Spring Carnival Racing – C r o w n P e r t h Oasis Ball - T h e O a s i s P r o j e c t / S a l v a t i o n A r m y ColorRun - S p o r t s G i r l Brow Bar Pop-Up - B e n e f i t C o s m e t i c s Fashion Week - S c e n t r e G r o u p Wine Awards – Mandoon Estate Forbidden Broadway – Blackswan State Theatre (Producer) Magical Music Days - Disneyland California Chicago - Koorliny Arts Centre (Costume Designer) Kinky Boots - Limelight Theatre (Set Designer) Pride Parade – PrideWA Fairday – PrideWA HockeyWA Pride Round - HockeyWA

and many more…

EVENT IMAGES

VOLUNTEER EXPERIENCE SENIOR VICE PRESIDENT – PRIDE WA BOARD OF MANAGEMENT ELECTED MEMBER / OPERATIONS MANAGER 2019 – 2023 PRIDEWA PRIDEFEST FESTIVAL DIRECTOR • To provide leadership and championing for LGBTQIA+ artists, funders and partners with respect to the overarching focus on LGBTQIA+ issues.

• To curate an exciting, broad based and varied artistic program for the PrideFEST Festival which reflects the key values and ethical charter document set out by the Board of Management.

• Liaising with artists and makers from across the various art forms to ensure that those working in the arts have access to accessibility and disability services giving everyone ample opportunity to be involved in the festival.

• Communicating with venues around Perth to ensure that appropriate work is programmed into the spaces.

• Ensuring that a significant part of the programme engages with local people from a range of cultural backgrounds.

• Working with the Board Management Team & Festival Committee to oversee the general programming, planning and vision of the 2021 & 2022 Festival • Creation of the guidelines of the festival’s strategic plan, goals and objectives documents.

• Writing reports on development and progress of the festival program to report at regular board meetings • I ensured that independent evaluation Culture Counts is rigorously carried out in which to record credible statistical criteria for the measurement of various festival events attendees MARKETING & COMMUNICATIONS •

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Creation of all marketing and communications for the PrideWA organisation including the 24-page PrideFEST catalogue that was published by the West Australian and going out to over 500,000+ Weekend West readers.

Organisation and creation of community photoshoot to better connect and engage more deeply with our LGBTQIA+ community to share stories of resilience and celebration. This was published into a book.

Graphic design for all 2021 & 2022 Pride events including Pride Parade, Fairday, Hops With Her, Brenden Pang/Coles event and many more.

PRODUCT DESIGN

PROJECT

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The unit was about ‘research through making’ as it investigated the way furniture design draws materials, technologies, designers, the media, consumers, regulatory agencies, and users into complex networks of production, distribution, and consumption. The use of both traditional and technological practices resulted in a dynamic piece that both addresses form and function.

This project pushes the boundaries creating a unique form and representation of the original photographic series by Cape Town photographer Mujahid Ur Rehman.

The Chroic Sidetable characterised by its iridescent multicoloured finish; the nuance varying based on the viewing/ incidence angle to from the viewers standing point. As the viewer moves around the object shadows cast create a visual and somewhat magical evocative appearance. Refracted hues and tones give the impression of transparency and density, changing based on the viewing position. This original piece was created to evoke a sense of joy and fun whilst serving it’practical purpose.

“A Sunset in the Tree’s” Mujahid”

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Dichroic Glass, Brass & Tasmanian Oak SIdetable

DESIGN

I N S P I R AT I O N

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INDUSTRIAL DESIGN

CHROIC SIDETABLE

AWARDS

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MERBAU (BALI)

SPOTTED GUM (AUSTRALIA)

DULUX ALPHATEC BRUSHED BRASS

3M DICHROIC PA BLAZE

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AMERICAN WHITE OAK (USA)

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REFRACTION METHOD

THE FACT OR PHENOMENON OF LIGHT

Using traditional workshop production skills including timber lathe wood turning techniques, milling, metal lathe and finishing machines. I was also able to engage in rapid-prototyping computer-mediated, 3D printing production processes. The Brass glass clamp was designed in Rhinoceros 6 and 3D printed In the United States of America as they are currently one of the few places that have the ability to 3D print brass. The prototyping process however did not stall due to the ability to print the components within the university workshop using ABS plastics for testing. It was necessary for the success of my piece to make several jigs to assist in the accuracy within the design process. The 3D printing process allowed us to print a locating tool so that the turned brass legs located at a 30 degree angle to the turned timber leg whilst keeping the table surface parallel.

MANIFEST0 Physical space is bound by technical and economic parameters that exist at the time of its conception.

Conventional building methods give in to these parameters, thus becoming resistant to manipulation. This however does not mean that we surrender to them and stop exploring advancements in our built environment.

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PROJECT

FIBONACCI LAMP Marble Sphere, Brass

DESIGN

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Taking a broad view of what might constitute furniture, this unit asked me to engage critically with furniture and product design through research, representation, and making. I was required to critically examine the joint concepts of ‘assembly’ and ‘disassembly’ and to engage in a hands-on way with the materials and processes used in contemporary design production. During the unit I ‘learn through making’ as I designed, constructed, and documented a number of full-scale, working prototypes.

I also acquire the skills required to produce professional working drawings, enabling me to communicate my designs with industry.

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PRODUCTION DRAWINGS

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ILLUMINATED THE GOLDEN RATIO MANIFESTO Proportions: The Fibonacci sequence is a mathematical pattern that is found in nature, such as in the spiral patterns of seashells and the branching of trees. By incorporating these proportions into the design of our lamp, we can create a visually appealing object that feels harmonious and balanced.

Materials: In keeping with the principles of sustainability, the lamp should be made from eco-friendly and renewable materials. the lamp is made from stone & brass both beautiful and environmentally conscious.

Functionality: The lamp should be designed with the user in mind. It should provide ample light, be easy to use, and be versatile enough to fit into any workspace. The Fibonacci principles can help guide us in creating a lamp that is functional, flexible & intuitive.

Lighting: The Fibonacci sequence can also be used to determine the optimal light output and distribution of the lamp. By using this sequence, we can create a lamp that provides a warm and inviting glow that is comfortable to the eyes with honeycomb louvre.

By incorporating these principles into the design process, we can create a lamp that is not only visually appealing but also functional, ecofriendly, and durable.

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One hundred and forty-four entries were received from 44 countries, representing an amazingly diverse set of architectural proposals.

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NATIONAL SC IE NCE A ND I NNOVAT I O N CENT RE O F L I T HUA N I A

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LOCATION

ARCHITECTURE PROJECT

Kaunas City

DESIGN

SIZE

The contest sought outstanding designs that both integrated the latest environmental thinking and crystallised the emerging identity of Kaunas, creating a symbol of the city. Science Island’s mission is to popularise science through hands-on enquiry and exposition and celebrate recent achievements in science and global technologies.

13,000sqm YEAR

2017 LECTURER

Sophie GIles

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MUSEUM DESIGN

SCIENCE ISLAND LITHUANIA

ABOUT THE DESIGN In an aim to give back to the Lithuanian public, the museum doubles as both ramped public terrace on the North facade and sub-terranian science precinct. The stepped roof allows the public to inferace with its surrounding context and connection to the city. The casm that cuts through the building sets axial views across the pedestrian bridge into the city centre and the Kaunas University of Technology, whilst also allowing the public a glimpse into the spaces within. The building exeplifies sustainabilty in its sub-terranial ground position for maximised thermal efficiency, while using energy-efficient renewable resources. It utilised a grey water recovery system, geothermal heating, wind energy production and micro-algae glass facade.

This net zero building is the catalyst for Kaunas and Lithuanias technological future.

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G E N E R A L I N F O R M AT I O N S

The Centre, within the celebrated university city of Kaunas, will focus particularly on environmental themes and ecosystems, demonstrating sustainability and future energy technologies in the design of its own building.

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MUS EU M DE S I G N CO M P E TI TI O N Through rigorous cross-discipline collaboration, I delivered a design that balance aesthetics, function, sustainability and quality.

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URBAN DESIGN

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SUSTAINABILITY & TECHNOLOGY.

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LOCATION

Mt Hawthorn SIZE

680sqm YEAR

2022 LECTURER

DESIGN This was a client led small residential project that followed process and stages that an architectural project must go through to be implemented up until the commencement of construction.

This included; the understanding of response to urban design parameters through planning regulations; a sensitivity to passive design principles in order to comply with energy efficiency requirements; an introduction to working with consultants was explored; an understanding of how to communicate the construction of a project with building contractors; and ensuring compliance with building regulations.

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SITE

Nathan Steele

ARCHITECTURE PROJECT

RESIDENTIAL DESIGN

ANDERSON RESIDENCE

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“The relationship between art and travel is long-standing, deep and complex. We travel to see art, and even when art isn’t our primary destination, we naturally gravitate to the art of a place in order to understand the meaning of that place.”

- Dr Wendy Were ‘Domestic Arts Tourism: Connecting the country, Australia Council for the Arts.’

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LOCATION

Rottnest Island SIZE

350sqm YEAR

2020

CLIENT

Rottnest Island Authority

GALLERY PROJECT 2

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MUSEUM/GALLERY DESIGN

ROTTNEST ISLAND MUSEUM - WADJEMUP

The building which houses the Rottnest Island Museum was built in 1857 by Aboriginal prison labour and was originally used as a hay shed and granary. The Museum provides information for visitors on the natural features and environment of the Island, aspects of the Island history, marine wrecks, and the social history associated with recreation and tourism. The museum is staffed by Rottnest Volunteer Guide Association members, with curatorial support provided by RIA staff.

RIA also holds a large collection of objects, artefacts, photographs, audio and video recordings and other historical materials, some of which are rotated through display at the Museum.

Prior to commencement of the Rottnest Island Management Plan (RIMP) 2020-24 RIA began investigating options for renewal of the Museum display and interpretation resources, and curatorial support, in consultation with the Western Australian Museum and with the assistance of specialist consultant Creative Spaces and myself. This work is continuing under the RIMP 2020-24 as a key initiative to enhance Island Museum and collections. With the intention of creating a model regional museum which will continue as a significant repository of Island-related historical materials, be more closely integrated with other aspects of the Island’s built heritage and social history, and continue to function as a significant visitor attraction.

Rikki Clarke

Project Lead

Callan Kneale

Interior Lighinting Designer & Visulisations

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Development of the Rottnest Island Museum is to be undertaken with funding provided by the Commonwealth under the National Tourism Icons program. As part of the renewal and revitalisation program there will be a focus on options for interactive, augmented reality and other multimedia experiences employed in accordance with best contemporary practice. Refurbishment of the Rottnest Island Museum is proposed to include facilitating optimal functional layout, new reception, retail opportunities, new display cabinetry, hanging rails, signage and feature lighting.

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RENDERS

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Rikki Clarke

Project Lead

Callan Kneale

Interior Lighinting Designer & Visulisations

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HOME NOT HOSPITAL

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LOCATION

Kalamunda SIZE

5000sqm YEAR

2022

H E A LT H C A R E DESIGN

KALAMUNDA HOSPITAL

RENOVATION PROJECT

CLIENT

East Metro Health

The rooms were completely stripped, and we created a dedicated hospice entrance, waiting room finishes to the existing hospital. Skylights and larger windows were installed for much more vibrant and comfortable spaces for patients. A huge consideration was taken with the illumination design around Human Centric circadian rhythms for better patient comfort & wellness.

The area includes fit-for-purpose therapy rooms, an outpatient rooms for symptom management clinics, new toilets/amenities, a café-style kitchenette with patio area, and a social room, which opens up to a fully accessible native garden surrounding the Darling Scarp. Flexibility in the social room was a key function to allow for rest and relax, as well as space for activities with volunteers. Design in a clinical environment

Morag Lee

Healthcare Principal

Callan Kneale

Lead Interior Designer

Hassell Project

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The upgrade also greatly increased feeling of warmth removing the clinical aspect to the space​. Lighting and finishes were carefully selected to bring balance and harmony to the space

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LOCATION

Subiaco SIZE

3500sqm YEAR

2020

RENOVATION PROJECT

CLIENT

St John of God

AMBIENT

ACCENT

SCENIC

Through rigorous cross-discipline collaboration, function, cost, and quality. The planning process departs from the abstract realm at the very outset and is immediately affected by existing conditions.

Sonja Taneska

Lead Interior Designer

H E A LT H C A R E DESIGN

ST JOHN OF GOD HOSPITAL

The frame of reference in a renovation project is, contrastingly, an existing building, and thus a totally different concept.

Callan Kneale

Interior Lighinting Designer & Visulisations

Hassell Project

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LIGHTING & LANDSCAPE DESIGN PROJECT LOCATION

Perth CBD PHOTOGRAPHER

Matt Devlin YEAR

2018

CLIENT

Primewest

BRIEF

Australia Place, 15-17 William Street, Perth is located in the core of the Perth CBD on William Street between St George’s Terrace and Mounts Bay Road.

This modern, 14 level office tower offers a well designed floor plate with excellent natural light and river views.

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URBAN DESIGN

AUSTRALIA PLACE

The refurbishment saw upgrades to facade anodising, lighting, glazing & new cafe tennancy fitout. Design was to be eye catching on approach to draw people from St Georges Terrace into the forecourt and soft and subtle when departing.

Incorporation of external cafe seating and planters add to the urban fabric of the space.

Catherine Lindsay Architect

Callan Kneale

Interior Lighinting Designer & Visulisations

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LIGHTING DESIGN PROJECT LOCATION

Scarborough PHOTOGRAPHER

Matt Devlin YEAR

2014

CLIENT

Old Field Knott & Capitol Corp.

BRIEF Bringing the vibe of a glitzy Las Vegas resort to Perth’s relaxed beachside suburb of Scarborough was never going to be easy, but the Matisse Beach Club delivers bright lights and bold colours with all the confidence you’d expect from the famous desert oasis. A shimmering pool, sun lounges, casual ottomans and palm trees capture the essence of poolside glamour while retro cabanas in brash colours are reminiscent of the old bathing boxes which once lined the beach. Remotely operated screens and tilted glazed walls offer protection from salty air while nonslip ceramic tiles, compressed fibre cement weatherboarding and high performance fabrics deliver functionality as well as style.

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H O S P I TA L I T Y DESIGN

MATISSE BEACHCLUB

More than just eye-popping colour and summer ambience, this project required intelligent design to combat the corrosive sea breeze.

Jenlin Chia

Lead Interior Designer

Callan Kneale

Interior Lighinting Designer & Visulisations

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LIGHTING, INTERIOR & LANDSCAPE DESIGN PROJECT LOCATION

Perth CBD PHOTOGRAPHER

Matt Devlin YEAR

2018

CLIENT

CBRE & Harry Seidler & Associates

BRIEF

The QV1 End of Trip facilities offers amenities to support and encourage tenants to embrace active modes of transport whether that’s cycling, running or walking to get to work or general fitness activities before and after starting work.

Fitted with European fixtures, natural stone and timber finishes, the amenities are designed to an exceptional level of quality with modern style and comfort in mind.

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URBAN DESIGN

QV1 PLAZA & EOT

The QV1 Plaza is designed to be a counterpoint to the modernist architecture of the iconic Harry Seidler designed building. Located on the Hay Street side of the building, the QV1 Plaza is the West End’s key dining precinct, offering a vibrant meeting place where workers and visitors can enjoy great food and beverages, pop-up events or catch up with friends.

Sophie Bond

Architect

Callan Kneale

Interiors Lighting Designer & Visulisations

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LOCATION

Perth

PHOTOGRAPHER

Matt Devlin YEAR

2016

CLIENT

Lighting Options Australia

BRIEF Lighting Options Australia is a solution-driven commercial and architectural lighting specialist. We work with engineers, architects, interior designers and private organisations to bring their lighting designs to life. We deliver the best lighting solutions, sourced from leading brands across Australia and the world, that offer the greatest value for money.

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COMMERCIAL DESIGN

LIGHTING OPTIONS INTERIOR DESIGN SHOWROOM PROJECT

Design brief was to convert an old paper warehouse into a showcase of the worlds finest lighting & furniture products.

Surface texture, finish & colour played an integral role in showcasing different lighting techniques and styles.

Callan Kneale

Lead Interior Designer

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BRIEF

LOCATION

Manjimup

PHOTOGRAPHER

Jody Darcy YEAR

2019

CLIENT

Shire of Manjimup

Power Up Electricity Museum is part of a new multipurpose facility that has contributed to the transformation of the Manjimup Heritage Park into a regional tourism precinct.

The Power Up Electricity Museum explores the development of the electricity network in West Australia’s history through the former World of Energy collection, balanced against a lighter future of renewable energy and innovation. The exhibition design provides an engaging experience, which plays with the concept of ‘lightening the load’ through volume, colour and materials.

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GALLERY DESIGN

POWER-UP MUSEUM & INTERIORS MANJIMUP LIGHTING PROJECT

Rikki Clarke

Project Director

Callan Kneale

Interiors Lighting Designer & Visulisations

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LIGHTING DESIGN PROJECT LOCATION

Cannington PHOTOGRAPHER

Matt Devlin YEAR

2017

CLIENT

Scentre Group

Power Up Electricity Museum is part of a new multipurpose facility that has contributed to the transformation of the Manjimup Heritage Park into a regional tourism precinct.

The Power Up Electricity Museum explores the development of the electricity network in West Australia’s history through the former World of Energy collection, balanced against a lighter future of renewable energy and innovation. The exhibition design provides an engaging experience, which plays with the concept of ‘lightening the load’ through volume, colour and materials.

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COMMERCIAL DESIGN

CAFE 63 & GELARE CANNINGTON

Callan Kneale

Lead Interior Designer

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THEATRICAL D

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DESIGN WORK

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CHICAGO LOCATION

KINKY BOOTS LOCATION

Western Australia

Western Australia

COSTUME DESIGN

SET DESIGN

YEAR

YEAR

CLIENT

CLIENT

Callan Kneale 2018

Kooliny Arts

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Limelight Theatre

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FORBIDDEN COUGAR BROADWAY MORRISON LOCATION

LOCATION

State Theatre Centre

Western Australia

SET, GRAPHIC & COSTUME DESIGN

COSTUME DESIGN

Callan Kneale

Callan Kneale

YEAR

YEAR

CLIENT

CLIENT

2019

EXECUTIVE PRODUCER

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CURRENT

Cllint Strindberg

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