Tune Talk brochure - January 2017

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In Tune with the MOBILE WORLD PROJECT PARTNERS


In Tune with the MOBILE WORLD


Written by Jennifer Johnson Produced by James Pepper

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Tune Talk started out

selling SIM cards for cheap — now they’re defining the future of telecommunications in Southeast Asia

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n the consumer technology market — perhaps more than any other— building and maintaining a brand identity is vital to success. Companies operating in this space need to know how their products contribute and connect to their ethos. But do service providers within the tech industry need to hold themselves to the same standard? “The mobile virtual network operator (MVNO) sphere is very saturated,” admits Tune Talk CEO Jason Lo. “But you may not be able to pinpoint what these brands stand for. Some of them don’t have a clue themselves.”

“What does Tune Talk Stand For?” When Tune Group chairman Tony

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Fernandes asked Lo to come on-board as Tune Talk’s Chief Executive in late 2007, the corporation was already developing a unified brand across its growing family of companies. Fernandes acquired AirAsia in 2002, when it was US $11 million in debt and had only two Boeing jets to its name. In the years that followed, he transformed the company into Asia’s largest budget airline and expanded Tune Group’s portfolio to include ventures in sports, lodging, entertainment and telecommunications. Tune Talk made its debut in August of 2009, offering affordable prepaid mobile rates using existing network infrastructure provided by Celcom, Malaysia’s longest-running


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telecommunications network. From like Pokemon Go, there is good reason the start, the company’s vision to start investing in more robust, aligned with the rest of Tune Group: next generation mobile networks. they offered access to modern and “The spectrum is not utilised innovative services at a low cost. efficiently at all, because it is At first, Lo recalls that Tune Talk fragmented by a service provider,” Lo primarily sold SIM cards to migrant explains. “Because it is fragmented workers, with 80 percent of Malaysia’s by a service provider, it is reliant upon foreign calls made on the the movements of the herd.” network. Today, that Lo and Tune Talk have figure is closer to 25 envisioned a world in percent, and Lo is which no one ever working toward has to be without cornering another access to mobile crucial market. internet — and the “We made solution is called The year a conscious “Swag”. Some decision to mobile developers was founded go for the youth are releasing devices segment,” Lo which come equipped to explains. “We are going hold multiple SIM cards, but for the youth because they are Lo realised that this system wouldn’t the primary influencers now.” truly solve mobile connectivity issues. In principle, many others telcos “Are you looking at download will be vying for the custom of speeds or upload speeds?” he asks. younger generations — but in order “Because if I’m downloading a lot of to genuinely compete, they must data, then of course I’m just gonna anticipate a rise in demand for go for download. But if I’m using data. Given the recent success of Facebook and uploading family augmented reality (AR) gaming apps videos, I want the best upload speed.”

2009 Tune Talk

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In essence, the Swag system (an acronym for ‘Super WiFi Anywhere you Go’) is an advanced version of existing MiFi modems. These devices are mobile WiFi routers which act as hotspots and also work with SIM cards. Swag utilises the mobile spectrum from up to three network operators to consistently deliver the Currently the CEO of Tune Talk, strongest mobile signal to Malaysia’s latest MVNO under Tune Group, founded by Tony Fernandes customers. Its inventors, of AirAsia. From the ground up in a 115 Rami Aladdin and Raphael percent saturated market in 2009 till today Mannadiar, were working to with 150 percent saturation, Tune Talk amalgamate WiFi hotspots has well over 1.2 million active subscribers when Lo approached them on our service. Highest ARPU amongst all prepaid brands, yet the lowest rates. with a partnership offer. Jason Lo is also a musician and produces “These are scientists albums. He has created many youth oriented working out of a garage, platforms such as Pesta Malam Indonesia doing the Steve Jobs and Rock the World – a 15 year old Rock festival, which is the largest in Malaysia. kind of thing,” Lo says Lo also co-created the MyTeam Football of the pair. “And they reality program, which was the highest had a eureka moment.” rated reality show in Malaysia at the time, Now, after spending two and is now franchised to Indonesia. years in the research and Many players have made it to the national league, with some even development phase, Swag is making the national team. He was poised to disrupt the provision also a radio DJ under AMP, and of mobile Internet in Malaysia. And a TV Talk show host for 8TV. ‘disruptor’ is a role Tune Talk is more than happy to play in its industry. “What does Tune Talk stand for?” asks Lo,

o L n Ja so CEO

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We are going for the youth because they are the primary influencers now

with his answer already to hand. “We’re communitydriven, we build verticals across that. We’re very technological in what we do and we love media. We love music and movies and creating dreams.”

Building the ‘Malaysian Invasion’ Grand as these guiding principles may seem, the company has, in fact, made successful ventures into the entertainment sector. Lo launched his own career in the music industry, and though he traded hit-making for

telecommunications, he has made popular culture an integral part of Tune Talk’s identity. This summer, it launched CRAP.TV, a cloud-hosted online TV platform which streams live content in addition to an on-demand back catalogue. Viewers are encouraged to submit their own content to be broadcast on the network, or even create their own series. “We perceived the cloud as being

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the medium where we could launch our satellite and broadcast television,” Lo explains. Traditional ‘terrestrial’ television was introduced before the advent of the digital age. However, the way that people choose to consume media has changed, and with CRAP.TV, Lo wanted to create video content for the mobile generation. “The cloud should be the heartbeat of any television station,” he says. Leaning back to what Tune Talk stands for, the company also focuses on niche groups like the mixed martial arts communities through the Malaysian Invasion Mixed Martial Arts (MIMMA), which is now the biggest MMA fighting championship in Asia if not the world. The organization has managed to discover countless amateur talents locally and has seen its fighters graduate to fight professionally at the Jalluddin international stage for organizations Abu Hassan like ONE Championship, led by Victor Cui. CFO Tune Talk has created a healthy feeder program that is now the gold standard for

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It is our commitment to simplify the process of purchasing insurance. In just three steps, customers are instantly protected with a Tune Protect plan of their choice

1

Select the desired plan

2

Fill in particulars

3

Click the purchase button

Our website also doubles as an online channel to make claims. Customers only need to take snapshots of their supporting documents and upload these onto the site. All made possible with Tune Protect. Live life worry-free! * T&C apply


amateur fight organizations and fighters. The idea came directly from Lo. “It’s called Malaysian Invasion because I wrote a song called ‘Malaysian Invasion’ once,” he explains. Lo is keen to attach the Tune Talk name to many different initiatives across the country. The company has also put its stamp on a campaign called Malaysian Invasion Spirit in Motion (MISIM), which has brought exposure and support to Malaysia’s

Paralympic athletes since the Incheon Para Games in 2014 and the support for the athletes is at its alltime high during, and after the Rio Paralympic Games 2016. MISIM is not preparing the public and athletes for more sports events leading up to the Tokyo Paralympic Games 2020. “Now we’re moving onto MIRIM, which is the Malaysian Invasion Revolution in Music,” says Lo. The concept, still in its early

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Fly With Wi-Fi ROKKI is a leading provider of in-flight entertainment and connectivity, serving as an inair digital platform for media, e-commerce, content streaming, and connectivity on AirAsia.

www.rokki.com | enquiry@rokki.com

Established in January 2006, Forest Interactive Sdn. Bhd focused on providing Application Development and Mobile Content Services to other Content Partners & Aggregators operating in Malaysia. Our primary aims broaden to specialize in developing and providing software solutions in the areas of creative multimedia and telecommunications and as well as ICT. Our experience allowed us to expand to Indonesia where in 2009 we established our sister company based in Jakarta – Pt. Forest Media International – to support the growing demand for mobile content services in the most populous country in South East Asia – and over the years, we have grown to diversify and become more focused on our core expertise which is in the Mobile Industry.

www.forest-interactive.com | info@forest-interactive.com


stages, involves crowdsourcing different parts of a song using an app. At present, Lo is in the process of negotiating radio airplay for the music that users create — it’s all part of Tune Talk’s larger vision for the future of communication. “Communities will build songs together,” he says. “Apps will bring people together because they break through the need to transport yourself, they break through monetary barriers and they break through social hindrances.” Pick your data dealer Naturally, Tune Talk has an interest in app development. The company is currently working on an augmented reality app called Sniper, which will see players duelling with their phones in real time. Lo has also said that he’s currently developing a fashion app that will allow users to ‘try on’ clothes virtually before purchasing them. If you’re in the business of selling data, the integration of AR into our daily lives is a lucrative prospect.

Joseph Lim Chief Marketing Officer

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“When Star Wars comes into the real world, you’re going to have Jedi walking down the street,” Lo predicts. “You’re going to have people watching Godzilla battling one of those giant aliens in the middle of London. Everyone will be holding up their phones and looking at a virtual site.” With demand for mobile connectivity constantly increasing, mobile networks and data merchants have their work cut out for them. How will customers decide which network is best suited to their needs? Low prices are enticing, but a fully-realised brand goes a long way toward guiding customer perceptions. “Brand and marketing are different,” Lo insists. “Marketing is the amplifier. Brand is every touch point of your product or service, it’s your dealer or retailer.” Dealers are an important part of Lo’s vision for Tune Talk. Retailers can build trust in an interaction with a customer, and communicate the company’s values. In a world

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where customer relationships can increasingly be managed online, many smartphone users still have to go into a bricks-and-mortar shop to select a SIM card. “You need an ‘army’ on the ground more than ever,” Lo says. Committed as Tune Talk is to innovation, Lo believes that there is no substitute for old-fashioned, face-to-face customer service. “It’s sexy to say ‘I have my own telco’, it’s not as sexy when you have to build the customer care units,” he says. “You have to build a solid brand with real values.” With a major corporation behind it — and clearly outlined vision for the future before it — Tune Talk is ready to indulge the mobile needs of the digital native. “There are studies that have shown that the same areas in your brain which are affected by cocaine are stimulated by looking at screens,” Lo claims, half-joking. Tune Talk wants to help Malaysia’s youth get their fix.


200

The number of employees at

Tune Talk


Level 1, Suite 1.02, Plaza Hamodal lot 15, jalan 13/2 Section 13, Petaling Jaya, Selangor, Malaysia, 46200

T 278 20000 F 201 15511


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