DTI DEMANDS VW’S REPORT ON AFFECTED MARKETS
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he Department of Trade and IndustryConsumer Protection Group (DTI-CPG) has directed Volkswagen (VW) Philippines to immediately furnish the agency of the report on the investigation being conducted by its mother unit on the markets affected by the global recall, especially if the country is on the list. “On the side of the DTI, what we want is for Volkswagen to send us the official notice of the vehicles and the diesel-engine models that are affected after they undergo the official investigation being carried out by the principal. These are if there are any that are affected,” Trade Undersecretary for the CPG lawyer Victorio Mario A. Dimagiba told the BusinessMirror.
Company logos of the German car manufacturer Volkswagen sit in a box at a scrap yard in Berlin, Germany. AP
Less than a thousand units have been sold by the German car brand since its reentry into the Philippine market in 2013. VW started using the engine equipped with the “defeat device” in 2009. VW Philippines officials are keeping mum on the issue, while its principal determines how many units shipped to the Philippines have the engine with the defeat device software, if there are any. The local unit of the German auto brand said it is also waiting for the results, but have not yet been given a timeline as to when the coverage report will be transmitted to them. “We want the number of affected units, the year model and possibly the owners,” Dimagiba said.
A VW Philippines official assured that the company will comply with the DTI-CPG order. The official said VW Philippines has a complete database of all its car owners and will notify their if they units are indeed affected. A recall process may be initiated to remove the software. According to international reports, 11 million vehicles worldwide carry the Type EA189 common rail diesel engine equipped with the “rigged” software. The Volkswagen Group installed the engines in various motor brands under its management, most of them distributed in the US and Europe. VW Philippines officials stressed that the software does not, in any way, affect the roadworthiness of the vehicles. Catherine N. Pillas
BusinessMirror
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ThursdaySeptember 18, 2014 Vol.29, 10 No. 40 Tuesday, 2015 Vol. 10 No. 355
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‘No need to probe shipping lines on additional charges’ By Catherine N. Pillas
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he government has virtually cleared the shipping lines from the allegation of the Federation of Philippine Industries (FPI) that they continue to impose hefty fees, to the detriment of local manufacturers and traders.
INSIDE
GILAS SHOCKS IRAN
By Lenie Lectura
Art
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The Filipino identity is complicated, and so is art By Samito Jalbuena
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HAT exactly is a Filipino? The question or, rather, its answers are complicated. From various people, let’s say a million, we can gather at least also a million different descriptions, not all of them positive and some won’t even be worthy of emulation, much more allowed on printed media. Do we as a race deserve praise? For others, questions arise: Why are Filipinos anti-intellectual? Why are Filipinos so proud? Why are Filipinos racist? There appears at first a slight incredulity when confronted with such assumptions, whether true or not. Are Filipinos really antiintellectual? Are Filipinos proud? Are they racist? Who says so? While delving into such matters can trigger more complex issues than it can solve them—like tending a beautiful garden with problematic undergrowth choking good plants and burrowing into myriad innumerable roots—peering into a recently opened group exhibit at an art space off the beaten road may be construed as a curious self-invitation to take apart some of these aforementioned assumptions and break them into their unconstitutional parts. Ergo, by looking at some facets of the problem—or, rather, by looking at the artworks of the young—perhaps we can attempt to situate identity politics on more stable ground. For our purposes, we have to first dismiss the first questions (What exactly is a Filipino? Why are Filipinos anti-intellectual? Why are Filipinos so proud? Why are Filipinos racist?) and ask these instead: If art is the aesthetization and celebration of the works of man, is man truly mirrored in his art? And if Philippine art is the question, can we see the real Filipino emerge atop this sort of eclectic madness? Or is Philippine art garbage in the first place? Take a look. For an example, Artery Art Space (102 P. Tuazon Boulevard, Cubao, Quezon City) presents Razzle Dazzle, ongoing October 31—a presentation of creative studies, often of anti-art art catalyzed by experimentation and intuitive research alongside attempts at artistic pattern and design, fantastic narratives and figuration, and pop content with a surreal sense of wit. Razzle Dazzle features the works of Kris Abrigo, Dean Africa, Zeus Bascon, Gene Paul Martin, Carlo Ricafort and Tanya Villanueva. While the morning news of rising gas prices, horrendous traffic and incoming typhoons have often made one want to jump ship and change passports, these young artists have decided to stay put and create some art. Hence, Razzle Dazzle takes its inspiration from the now and the apparent spectacle of its artists’ presumed creativity, according to the show literature. Creativity is “the dazzling move of artistic production and the illuminating genius that is found within the finished masterpiece, the completed labor of love,
One nation Under Flood by Kris Abrigo
the proverbial alchemical gold wrung from mundane material.” Art serves as the process of transformation, like the ways man himself has transformed. The paths to this are eclectic and often go beyond the rational. Kris Abrigo breaks time and space into fragments of gestural stroke and patterned ornament. His paintings—imbued with modernism’s spirit—are chromatic fugues with angular faÇades that remind one that reason may yet lie behind the pattern. It’s up to the seer to give thought. Dean Africa destroys fantasy to give more illusion. His paintings plumb the consciousness of a multicentered hegemonic cultural milieu, the zeitgeist of commodity culture as global, and the society of the spectacle as the most important. In his processes, he creates labyrinthine mirror narratives of a world filled with artificial experiences and signification, itself the stuff of identification in a world gone mad with despair. Masks and alternate identities become the focal point of Zeus Bascon’s artistic exploration on the world of subjectivity and identity, spirituality and the unseen. Art is a cosmetic costume that spreads into the periphery of ritual, selfinvention and myth-making, fabulation and creative
Untitled (detail) by Dean Africa
interpretation. Meanwhile, the more the thing is strange, the more it becomes the constant in Gene Paul Martin’s world of mutants and the postapocalypse. He seems to warn us that we will all become monsters unless we renew our relationship with art or with ourselves. Carlo Ricafort’s caricatures of expressionism and primitivism border on ironic critique over pure states of being in this age of late capitalist reproduction, while Tanya Villanueva’s work reckons that feminisn doesn’t have to be totemic and visceral. She uses domestic scenes and arts and crafts as subversive tactic in proclaiming liberation from patriarchy. Such an exhibit reveals the processes from humble idea and non-idea to perhaps their grand flourish. Some works have this and some do not. What’s more, we are told the composition of the exhibit will change in its duration, with an independent solo feature of each artist’s artistic statement, like the fugue states of different personas that come and go, leave and reside in each person. Like this art show, we too are in constant state of flux. Is this, too, the state of the Filipino? Sometimes, it isn’t really a matter of description but of process, and looking at the work of these young upstarts, we are curious as to where they will bring us. n
ouse Committee on Energy Chairman and Liberal Party Rep. Reynaldo Umali of Oriental Mindoro had tried to amend the 14-year-old Electric Power Industry Reform Act (Epira). Umali, however, said it proved to be an uphill battle as too many were against it. Epira’s thrust was questioned when power distributor Manila Electric Co. (Meralco) announced that the generation charge, which accounts for more than half of the Meralco bill, went up by P9.10 per kilowatt-hour (kWh) in December 2013 and P10.23 per kWh in January 2014. Consumers were furious at the Meralco rate increase, which was approved for implementation on a staggered basis by the Energy Regulatory Commission (ERC). Shortly after it was implemented, the Supreme Court (SC) issued a temporary restraining order (TRO) to stop the power-rate increase. Until now the TRO has not been lifted.
High power rates
The power of Three in ‘ArTis3’
The exhibit Artis3 features the amazing talents of three women, each with their own brand of artistry, from October 1 to 30, at The Globe Art Gallery, The Globe Tower, 32nd Street corner 7th Avenue, in Bonifacio Global City, Taguig. After a successful artistic confluence last year, Artis3 again brings together three artists—master potter Lanelle Abueva-Fernando, mosaic artist Lisa de Leon-Zayco and fine-art photographer Suzette Bernardo-Montelibano—for another collaboration, taking their individual artistry to a whole new level. Boldness is perhaps what comes to mind as they bolt out of their comfort zones, taking on an approach that’s not usually expected of them. This time, they sought to view nature with an eye for the abstract. Abueva-Fernando, de Leon-Zayco and BernardoMontelibano share their passions to create pieces of mix media never done before. At first glance, you cannot help but be awed by the beautiful, cohesive whole. however, you will find that it draws you in, pulls you in realizing that the minute details hold the uniqueness of each art genre, thereby telling more stories than meets the eye. You can almost feel the hand print in the pottery, the nips and cracks of each tesserae, and the blend of light and color of the photograph that holds it together. It is unsettling yet calming. Bold yet graceful. Powerful yet refined. Abueva-Fernando is no stranger to the art world, owning her own brand of pottery. The discipline she has earned after years of apprenticeship in Japan yields free-form shapes and swathes of uncommon glazes. De Leon-Zayco was recently commissioned to create a mosaic version of one of Juvenal Sansó’s famed artworks. each piece painstakingly put together now graces the entrance of the newly opened Sanso Museum. Bernardo-Montelibano is a rare gem among a sea of photographers who continues to elevate and differentiate fine-art photography with her insightful eye for architectural lines even in the most ordinary of things, bringing to light what one is unable to see before. They also bring to this exciting, multisensory exhibit a taste of their individual works showcasing how they continue to evolve as artists and what makes them forces to contend with.
ART
Second of three parts
COLLABOrATIve artwork by master potter Lanelle Abueva-Fernando, mosaic artist Lisa de Leon-Zayco and fine-art photographer Suzette BernardoMontelibano.
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The National Association of Electricity Consumers for Reform Inc., which filed a separate petition before the High Court seeking to stop the Meralco rate hike, said Epira has pushed the power rate up. “It didn’t help. Something should be done. For Meralco, it should have cut the cost of electricity,” said the consumer group’s leader, Pete
nonie reyes
C2
THE FILIPINO IDENTITY IS COMPLICATED, AND SO IS ART BusinessMirror
Continued on A2
Epira amendment no panacea for power crisis, rate increases
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D4 Tuesday, September 29, 2015
Instead of seeking a probe into the prohibitive charges, Dimagiba advised the FPI to have a better dialogue with the Association of International Shipping Lines (AISL) to bring down shipping costs in the country. The FPI recently sought the Senate’s help in investigating foreign shipping lines that, according to the group, continue to burden traders with various random charges, such as
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Trade Undersecretary Victorio Mar io A . Dimag iba said the FPI’s complaint and request for investigationappeartobeunfounded, as almost all the shipping lines have stopped imposing the fees that the business group mentioned in its letter to the Senate. “Halos wala nang nagcha-charge nung fees na sinasabi nila; I don’t know where they got their data,” Dimagiba told the BusinessMirror.
Ilagan, in a recent forum. The Philippines’s electricity rates are still the second highest in the Southeast Asian region and seventh in the world. “Sadly, this is still the case,” Umali said. The Philippine Statistics Authority (PSA) said in a report that Filipinos pay one of the highest rates in the region. It cited data from the Asean Center for Energy showing that among the 10 countries in Southeast Asia, the Philippines has the third highest residential
electricity tariffs, fifth highest for commercial and fourth highest in terms of industrial electricity tariffs. A study conducted by the Perth-based consultancy firm International Energy Consultants (IEC) placed the rates in Luzon as having the ninth highest electricity tariffs of the 44 countries surveyed. Meralco commissioned the IEC to conduct the study. Citing the IEC study, the PSA said one of the main reasons the Continued on A2
WORD OF MOUTH, TRADITIONAL ADS MOST TRUSTED BY FILIPINO BUYERS By Cai U. Ordinario
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lthough advertising in the digital sphere has become increasingly popular, Filipino consumers still trust the word of mouth and the more traditional forms of advertising. Based on the results of Nielsen Global’s Trust in Advertising Survey, some 91 percent of Filipinos trust the recommendation of people they know when it comes to products and when seeking information. The survey results also show that 80 percent of Filipino consumers trust editorial contents, such as newspaper articles, than those found in so-called online formats. “Despite continued media fragmentation, the proliferation of online formats has not eroded trust in traditional offline-paid channels. Ads on television, newspapers and magazines continue to be among the most trusted forms of paid advertising in the Philippines, surpassing global trustlevel averages,” Nielsen said. Data also show that 75 percent of consumers in the Philippines trust ads on television, which is higher than the global average of 63 percent. This is closely followed by ads in newspapers, which some 74 percent of Filipinos surveyed said they trusted. This is also higher than the 60 percent global average. Nielsen also said some 70 percent of Filipinos trust ads contained in magazines, which is significantly higher than the global average of 58 percent. “While digital ads offer considerable advantages—such as precision-focused campaigns, in-flight adjustments and more creative options—TV still delivers unequalled ability to reach the masses,” said Stuart Jamieson, managing director of Nielsen Philippines. “Cross-platform ad exposure drives greater memorability and brand lift than single platform exposure, even when adjusted for frequency,” he added. In terms of advertising topics, a majority, or 65 percent, of Filipinos believe in contents that carry family-oriented Continued on A2
Apec moves to cut losses in food-supply chain By Mary Grace Padin
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embers of the Asia-Pacific Economic Cooperation (Apec) have agreed to strengthen public-private partnerships to reduce food losses in the supply chain of the fishery and livestock industry, the Philippine Center for Postharvest Development and Mechanization (PhilMech) said on Monday. The PhilMech said stakeholders from
PESO exchange rates n US 46.9020
both the public and private sectors shared their ideas and experiences in developing policy recommendations, action plans and methodologies that can provide solutions to the global problem on food losses during one of the seminars organized as part of the ongoing Apec Food Security Week in Iloilo City. The seminar was organized by the Ministry of Agriculture of Chinese Taipei, the Ministry for Primary Industries of New
Zealand and PhilMech. According to PhilMech, the Philippines, along with other economies, deemed it necessary to come up with policies and measures that will address wastage in the agriculture sector, specifically within the livestock and fishery industries. PhilMech Director Rex L. Bingabing said there is a need to ensure the supply of affordable, safe and good-quality food. Continued on A2
n japan 0.3894 n UK 71.3145 n HK 6.0517 n CHINA 7.3579 n singapore 32.9044 n australia 32.9253 n EU 52.5818 n SAUDI arabia 12.5072 Source: BSP (28 September 2015)