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A broader look at today’s business Saturday 20147,Vol.2015 10 No. Vol. 40 10 No. 302 Friday,18, August
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TOKYO PLEDGES $2B O.D.A. PACKAGE TO MANILA’S COMMUTER RAILWAY PROJECT
Japan to finance $6.27-B rail GOVT POSTED P72.7B T DEFICIT IN JUNE, BUT B L S. M
OKYO has pledged a $2-billion official development assistance (ODA) package to Manila’s $6.27-billion North-South Commuter Railway initiative.
INSIDE
RACHEL McADAMS
Life
Let us be free for goodness
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EAR Lord, help us to be free people so that we are able to think what we do, being able to assess what is good and what is bad. These are the types of conduct that lead to development; it means always opting to be good. Let us be free for goodness. And in things we do, let us not be afraid to go against the tide even it is not easy. Being free to choose goodness is demanding but it will transform us into people with a backbone who can face life with patience and unending service for others. Amen. MAGNIFICAT AND LOUIE M. LACSON Word&Life Publications • teacherlouie1965@yahoo.com
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BusinessMirror
Editor: Gerard S. Ramos • lifestylebusinessmirror@gmail.com
Friday, August 7, 2015
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Rachel McAdams as a movie star? She opts to be busy working actress
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B A K Los Angeles Times
HERE’S a story that always comes up when people talk about Rachel McAdams, one that reveals her ambivalence about the machinery of Hollywood. A decade ago, after she’d just starred in three huge hits in a row—The Notebook, Mean Girls and The Wedding Crashers—she was asked to pose on the cover of Vanity Fair Fair. She was supposed to be photographed by Annie Leibovitz alongside two other beautiful and popular young actresses, Scarlett Johansson and Keira Knightley. But when she arrived at the photo shoot, she learned that the other women had agreed to pose nude. She did not want to take off her clothes, so she passed up the opportunity. “I didn’t see any other way,” McAdams says now, reflecting on the decision. “It wasn’t something I could ever possibly see myself doing. I have no issues doing it for a part if it makes sense, if it’s not gratuitous, and I think it’s adding to the story. But not as myself on the cover of a magazine about Hollywood’s most powerful young women.” After her turn as a beguiling ingénue in The Notebook, studio executives branded her as the next Notebook Julia Roberts. She had that same huge smile and nononsense attitude; she was believable in commercial fare and indie dramas. And though she was private, she knew how to give fans just enough to maintain intrigue—famously running into then-boyfriend Ryan Gosling’s arms for a dramatic lip lock while accepting Best Kiss prize at the MTV Movie Awards. But 10 years later, at 36, McAdams isn’t Roberts. She’s a busy working actress—often popping up on red carpets and non-Vanity Vanity Fair magazine covers—but not quite a movie star. In the past five years, she’s worked with high-end directors, like Woody Allen, Terrence
Malick and Brian de Palma. Now she has a brief but pivotal role in Antoine Fuqua’s boxing drama Southpaw Southpaw, playing opposite Jake Gyllenhaal as a devoted wife who meets with a tragic fate that throws the athlete’s life into chaos. She’s also on the latest season of HBO’s True Detective, starring as Ani Bezzerides, a hard-edged, tenacious investigator trying to crack a complicated murder case. All of her costars on the program—Colin Farrell, Taylor Kitsch and Vince Vaughn—have had trouble opening movies at the box office but are still respected actors. As a result, the series has been viewed as a sort of career rehab—a place to regain industry credibility playing very serious characters. But should McAdams be a part of that group? Sure, she once passed on being a Bond girl, as well as Anne Hathaway’s role in The Devil Wears Prada. But it’s not as if she’s only made quirky indies. She’s starred in accessible love stories, like The Vow Vow, and big-budget action flicks, like Sherlock Holmes, and has certainly made more conventional choices than Gosling, whose career was also launched by The Notebook Notebook. But nobody’s writing essays about why he isn’t a movie star; they’re likely too busy making “Hey Girl” memes to post on Tumblr. “What is this movie-star thing? I say that without bitterness, even though people will probably say I’m projecting,” says her True Detective costar Farrell, who is one part heartthrob, one part character actor himself. “It’s just kind of ridiculous and pointless. Rachel is navigating her career in a really interesting way. It feels like she’s seeking out the potential of what we do for a living.” And by the way, does McAdams herself even want to be a movie star? “I think it was sort of a vague idea in my mind when I was a kid, when you think, ‘What would that be like?’” she says. “But it wasn’t something I really meditated on or planned for in any way. I really thought I’d be doing theater in Canada. I’d grown up doing children’s theater
there, and I always imagined myself being artistic director of a children’s theater company.” That may sound like one of those actor-y things actors say, but Gyllenhaal thinks that there’s a big part of McAdams that doesn’t want to be acting at all. “Deep down inside, I know she wants to be home and go to her local co-op,” says the Southpaw star. “I think if you told her she would live a life where she wasn’t an actress, exactly half of her would be genuinely fine with that. Actors say that but deep down want to be the star of the show. But she’s a really private person. “Even when you’re working with her, it’s like, ‘We’re all going out to dinner. Do you want to come?’ And she’s like, ‘I’m OK. I have my friends.’ It’s like, ‘Oh, OK, I’ll see you on set tomorrow.’ She very clearly has her life and her work life.” McAdams does seem to revel in being kind of unknowable. She still lives in Toronto, about two hours from the town she grew up in, and does most of her Hollywood meetings over Skype. And she has a reputation for being a hard interview—polite but serious and withholding. She can be difficult to draw out, sometimes pausing for 30 seconds before answering a question. It’s hard to imagine gossiping at the nail salon with her but somehow easy to envision spending hours talking about good movies and books and music. She’s thoughtful—that’s something you hear people say a lot about her. “She’s a very thoughtful actress, and I guess that can be seen as superpicky, but someone like she has a lot of opportunity,” says Tom McCarthy, who directed the actress in his upcoming film Spotlight Spotlight, in which she plays a Boston Globe journalist investigating the Catholic Church sex-abuse scandal. “Her time is valuable, and I think you get to a point where you can afford to be a little picky.” “It’s often out of my own insecurity,” McAdams admits. “If I’m picky, it’s for that reason. I want to be able to bring my best to the table. So if I’m not connecting to
something, then I’m not going to hold up my end of the bargain, and that’s really embarrassing.” She’s not, however, embarrassed by Aloha, the Cameron Crowe drama she costarred in with Bradley Cooper and Emma Stone earlier this year that was a critical and financial bomb. The Hawaii-set drama, which has grossed just $20.9 million since May, was up against difficult odds at the multiplex: In e-mails leaked during the Sony Pictures hack, former studio cochairman Amy Pascal wrote, “It never not even once ever works.” “I think it was judged unfairly. There was a lot of weird stuff around it that I think had nothing to do with the film itself that clouded things,” McAdams says. “I thought there was some tough criticism on Cameron that I don’t think he deserved. He really puts his heart and his soul into everything, and I know that was a real passion project for him.... I thought it was a beautiful script, and I loved playing that character and shooting in Hawaii. It was really quite magical. It was one of the top moviemaking experiences I’ve had.” Despite that misfire, McAdams is still up for the biggest Hollywood roles—it just seems to be a matter of whether she wants to take them. She is considering playing the female lead in Marvel’s Doctor Strange, which is set to star Benedict Cumberbatch, though she is careful to note, “it’s still super-early days, and I don’t know where that’s going to go, if it’s going to go anywhere at all.” But she’s not a “comic-book snob.” (Or a reality-TV snob, for that matter: She says she’s been watching this season of The Bachelorette.) Big-name actresses have been taking roles in comicbook franchises for years now—Johansson, Natalie Portman. But McAdams is repelled by the idea that she should follow any prescribed path. “I try to shut out ideas about why you should do things,” McAdams says. “Trying to do good architecture and really designing a career? There’s some attention to be paid to that, but I don’t think it’s everything.” ■
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If this pushes through, this would be the single-biggest yen-loan program that Japan has ever extended to a development partner. The pledge comes after Tokyo firmed up its commitment to cooperate with Manila in developing the Philippines’s transportation
infrastructure. Manila will use the amount to build the first phase of the much-needed rail facility. The first phase of the facility will involve the construction of a 36.7-kilometer narrow-gauge elevated commuter railway from Malolos, Bulacan, to Tutuban in Manila. It is seen to be
completed by the third quarter of 2020. The second phase, which will extend the commuter rail to Matnog, Sorsogon, will be completed by the fourth quarter of 2019. This will be auctioned off under the government’s Public-Private Partnership (PPP) Program. Essentially, the whole project aims to revive the Bicol line of the Philippine National Railways (PNR), while improving its decades-old facilities that are far below the train systems of its peers. The two-phase project is part of the P4.76-trillion Roadmap for Transport Infrastructure Development for Metro Manila and its Surrounding Areas, otherwise known as the Dream Plan, which was formulated by the Japan International Cooperation Agency. S “J,” A
RED FISH GRILL Cook&Dine BusinessMirror
www.businessmirror.com.ph
Friday, August 7, 2015
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Red Fish Grill’s crab cakes CORN MAQUE CHOUX
B N C | Los Angeles Times
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ICH and generously sized, each tender crab cake from this recipe (courtesy of Red Fish Grill in New Orleans) is large enough to work as a meal. It is served atop very creamy corn maque choux—cooked with more cream and milk than I’m accustomed to, it’s extra rich—and topped with homemade grilled green onion tartar sauce and tomato relish. It’s a bit of a project, but well worth the extra effort. This recipe calls for raw egg. Although many recipes call for raw eggs, the US Department of Agriculture recommends that diners—especially children, seniors, pregnant women and those with compromised immune systems—avoid eating them. Total time: 1 1/2 hours | Serves four GRILLED GREEN ONIONS TARTAR SAUCE Ingredients: 1/2 bunch green onions Oil, for brushing the onions 1 egg yolk 1/2 tsp kosher salt 1/2 tsp dry mustard 1/2 tsp sugar 2 tsp lemon juice 1 tbsp cane vinegar or rice vinegar 1 1/2 tsp Worcestershire sauce 1/2 cup olive oil 1/2 cup vegetable oil 2 tbsp sweet pickle relish Procedures: Grill the onions: Heat a grill or grill pan over medium-high heat until hot. Lightly brush the green onions with oil, then grill, turning every minute or so, until charred on all sides. Remove from heat and set aside until cool, then slice crosswise into small rings. In the bowl of a stand mixer fitted with the whisk attachment, or in a large bowl using a hand mixer, beat together the egg yolk, salt, mustard, sugar, lemon juice, cane vinegar and Worcestershire sauce until
PHOTO BY GLENN KOENIG/LOS ANGELES TIMES
Ingredients: 1 tbsp olive oil 3 ears of corn, shucked 1/2 cup diced red bell pepper (from about 1/2 pepper) 1/4 cup diced green bell pepper (from about 1/4 pepper) 1 jalapeño pepper, seeded and diced 1 cup diced onions (from about 1/2 large onion) 1 1/2 tbsp chopped garlic, from 6 to 7 cloves 2 tbsp flour 1 1/2 cups milk 1 1/2 cups heavy cream 2 tbsp Worcestershire sauce 2 tbsp hot sauce, or to taste 1 tsp black pepper 1 1/2 tsp kosher salt 1/2 tsp cayenne pepper
incorporated. With the mixer running, slowly add the oils until you reach a mayonnaise-like consistency. Fold in the green onions and sweet pickle relish. Cover and refrigerate until ready to use. This makes about 1 cup tartar sauce, which will be kept, covered and refrigerated up to five days. TOMATO RELISH Ingredients: 1 tomato, finely diced 2 tbsp minced red onion 4 large basil leaves, cut in thin strips Kosher salt and pepper to taste Procedures: In a medium bowl, combine the tomato, red onion and basil, season with salt and pepper to taste. Cover and refrigerate at least one hour before using to give the flavors time to marry. JUMBO LUMP CRAB CAKES Ingredients: 1 pound jumbo lump crabmeat, picked of any shell
2 large green onions, finely diced 1/4 cup lemon juice 1/2 cup mayonnaise 1 1/2 tsp salt Pinch ground black pepper 3/4 to 1 cup bread crumbs Seasoned flour (1 cup flour seasoned with 1 tsp salt and 1/2 tsp pepper) Procedures: In a large bowl, gently combine the crabmeat, green onions, lemon juice, mayonnaise, salt, pepper and three-fourths cup bread crumbs, carefully fold the ingredients together to avoid breaking up the lumps of crabmeat. Divide the mixture into fourths and mold each into a crab cake (if the crab cakes are too delicate to hold together, add the remaining bread crumbs to make them firmer). Flour both sides of each cake with the seasoned flour. The crab cakes can be made up to 1 day ahead, and should be refrigerated and covered until ready to cook. If making it ahead, wait to flour the crab cakes until ready to cook.
Procedures: In a large sauté pan, heat the olive oil over mediumhigh heat until its hot. Stir in the corn, bell and jalapeño peppers, onions and garlic, and cook until the vegetables are softened, six to eight minutes. Stir in the flour and continue to cook, stir constantly until the flour begins to smell nutty for two to three minutes. Slowly stir in the milk and cream, and simmer, stir it constantly until the liquid reduces and the mixture begins to thicken, about 20 minutes. (If it thickens too quickly, the mixture can be thinned with a little chicken broth or water.) Stir in the Worcestershire and hot sauce, along with the pepper, salt and cayenne pepper. Remove from heat and set aside. ASSEMBLY Ingredients: 2 to 3 tbsp oil 4 crab cakes Corn maque choux 1/2 cup green onion tartar sauce 1/4 cup tomato relish Sliced green onions for garnish Procedures: Heat a skillet over medium-high heat until its hot. Add a tablespoon or two of oil to lightly coat the bottom of the skillet, and gently place one or two crab cakes in the pan (this will need to be done in batches). Brown the crab cakes on one side, then carefully flip over and brown the other side. Remove the crab cakes to a rack and continue cooking until all of the crab cakes are done. On each of four plates, ladle one-fourth of the corn maque choux. Place a crab cake in the center of each and spoon 2 tablespoons of the tartar sauce on top of the cake. Finish each dish with a tablespoon of tomato relish and garnish with green onions. Serve immediately. ■
COOK&DINE
CRISPY Pata
DOING RIGHT BY FILIPINO FLAVORS
FORMERLY known as Ang Kan-anan ni Kuya J, Kuya J Restaurant started as a humble eatery along the streets of Cebu. With its scrumptious offerings, however, it didn’t stay under the radar for long as Cebuano foodies happily spread the word around, making Kuya J one of the well-loved restaurants in Cebu. Its main branch in Escario Street continues to enjoy full-house patronage. Today, Kuya J is satisfying the Filipino palate beyond the boundaries of
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DEREK SHEPHERD Show BusinessMirror
D4 Friday, August 7, 2015
www.businessmirror.com.ph
MEGA producer Shonda Rhimes (left) and Ellen Pompeo of Grey’s Anatomy during the recent 2015 Summer Television Critics Association Tour.
GABBI GARCIA and Ruru Madrid
‘LET THE LOVE BEGIN’S HEARTWARMING FINALE
THE GMA prime-time drama Let the Love Begin concludes its run with a heartwarming finale tonight, August 7, after Pari ’Koy ’Koy. The soap is topbilled by Ai-Ai de las Alas with the network’s fast-rising loveteam of Ruru Madrid and Gabbi Garcia. As the series comes to a close, Ai-Ai, Ruru and Gabbi, together with costars Gardo Versoza and Donita Rose, share their most memorable scenes, the things they will miss, and what to expect in the finale. Ai-Ai reveals that working anew with her close friend Gardo and her scenes with Gladys make for her most unforgettable moments on the show. “Kung paano kami naging close ulit ni Gardo dahil nagkasama ulit kami sa trabaho. Nakakatuwa kasi nag-reunion kami kami. And si Gladys, malapit sa puso ko ’yan, nakakatawa, maraming kwento at chika. Bago kami mag-take, ang tagal kasi hindi natatapos ang kwentuhan namin.” Ruru says his most memorable scene was his confrontation with Ai-Ai who plays his mother in the drama. “Memorable para sa akin ’yung sinampal ako ni Mama Ai kasi sobrang heavy talaga ng scene na ’yun at ang ganda ng kinalabasan.” He will definitely miss “the happy set at ang mababait na staff at crew at ang lahat ng coactors ko sa show na ito.” Gabbi says that she will never forget one of her scenes with Ruru: “It was when I slapped him because it was the first time I ever did that.” She adds that she will miss their happy cast as they have built a strong relationship off-camera. For his part, Gardo reveals that playing Tony, the DJ who shares a past with Ai-Ai’s character, has been most memorable. “Mami-miss Mami Mami-miss ko ’yung pagiging DJ ko, ’yung character ko—at abangan din ng viewers ang pagtatagpo namin ni Celeste [Donita Rose] at kung paano ko siya lulumpuhin.” Playing Pia’s wicked stepmother Celeste, Donita says she will certainly miss having Anne Villegas as her acting coach. “She has been my greatest inspiration doing this soap and has helped me to not just enjoy the process but to study it further and possibly pursue even more roles.” As the soap arrives at its final, many questions remain unanswered. Will Pia choose Erick over Uno? Will Jeni and Tony let the love begin for Pia and Erick? Under the direction of Gina Alajar, the answers will be revealed tonight.
The Derek Shepherd effect that’ll get you back into ‘Grey’s Anatomy’ B N S | Los Angeles Times
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HANK God it’s Shonda Rhimes. ABC is banking on the mega-producer and Shondaland’s twisty female-led dramas—Grey’s Grey’s Anatomy, Scandal and How To Get Away With Murder—to carry Thursday’s prime-time programming. Joined by the leading ladies of her Thank God It’s Thursday lineup—Viola Davis, Kerry Washington and Ellen Pompeo—Executive Producer Betsy Beers and How To... cocreator Pete Nowalk during the Television Critics Association panel in Beverly Hills—Rhimes on Tuesday remained tight-lipped about the shows’ upcoming story lines, but did tease to Meredith’s rebirth on the next season of Grey’s Anatomy after the death of her husband (Patrick Dempsey) and noted that Scandal and its Season 4 cliffhangers would pick up right where they left off. The shows return and air back to back on September 24. Rhimes’s long-running medical soap Grey’s Anatomy is going into its 12th season, despite its exodus of
numerous original lead characters. Season 11 saw the departure of Dempsey, whose Dr. McDreamy met his end in a car crash. Rhimes said that move was the only way they could preserve Meredith and Derek’s love story and she is excited about the show’s “lighter tone” moving forward. “We ended last season in which we said the sun is going to rise again,” Rhimes said. “We do have this world, in which Meredith is single and she is living this life that she hadn’t thought she was going to be living again. She’s living in a house with her sisters, and she’s surrounded by women who are dating and having a whole life, and she’s not into any of that and starting to wonder if there’s a there a second life here or are the best years of your life behind you.” The writer and producer said she’s excited about the medical growth of the character as a leader and the evolution of that woman. Pompeo said that it’s an important human story to tell. “So many people lose their spouses in a myriad of different ways and a lot people feel like they can’t get up again,” the actress said. “To tell that story about how life does go on after what you think is impossible is something that so many people can relate to.” The Grey’s Anatomy star said that it’s a story worth telling if it can provide even one person comfort. Washington political drama Scandal enters its fifth season by hitting the ground running. “Gladiators” will have to stock up on their wine and popcorn and settle in to see what becomes of several of the Season 4 finale’s cliffhangers. With the successful arrest of Papa Pope in the finale, Olivia (Washington) finally—and passionately—reunites with Fitz (Tony Goldwyn), the president of the United States, on the White House terrace after he gives the first lady the boot. “We are picking up almost pretty much where we left off, which is a pretty harrowing place, where the world had been fairly blown apart for everybody,” Rhimes said. Cyrus (Jeff Perry) is fired as the president’s chief of staff, the president’s wife, Mellie (Bellamy Young), loses Fitz’s support after getting a grand jury massacred, Jake (Scott Foley) walks away from Olivia, and Quinn (Katie
Lowes) is considering killing Huck (Guillermo Diaz) after he’s revealed as the grand jury murderer. How To..., a law school-set murder series, is the newest of the trio and is going into its second season. The whodunnit sophomore drama already clinched a lead actress Emmy A Award nomination for Davis’s role as complex, no-nonsense criminal defense attorney Annalise Keating, a law professor who finds herself and her students at the center of a campus murder. Guest actress Cicely Tyson, who plays Annalise’s estranged, house-burning mother, also received a nod. The series picks up about a week after Rebecca’s surprising murder. “The big question for Annalise is what has she wrought and the consequences of the first season,” its show runner, Nowalk said. They would delve into several characters’ back stories, including how they met each other and “what dark and twisted things that happened to them in the past,” he said. “There’s these fresh new strorylines for these people you think you know at this point in the show but don’t really know anything at all.” At the network’s upfronts presentation in May, ABC announced a midseason order for yet another Shondaland drama: Shondaland drama: a fraud investigation thriller called The Catch, spotlighting Mireille Enos of The Killing as the female lead. None of the Shondaland’s dramas are without sex, murder, twists and strong female leads, but the producer said that she is just drawn to projects she thinks are good rather than female-led procedurals. Scandal’s ’s success is believed believed to have given rise to more empowered African American characters on television (see: Empire), but Rhimes declined to comment on that being her legacy. “I don’t think we spend our time focusing on awards or accolades,” she said. “I’m focusing on work that I do as a writer. I certainly don’t spend any time thinking about legacy because we’re still doing this... staying in the present is way more useful to me.” Despite her Emmy nomination, Davis chimed in, saying: “If you’re in this business for awards, you’re in the wrong business.” ■
Nora Aunor’s ‘Taklub’ opens Cinemalaya filmfest BRILLANTE MENDOZA’S award-winning Taklub will open the 11th Cinemalaya Independent Film Festival and Competition, which runs from August 7 to 15 at the Cultural Center of the Philippines (CCP) and Greenbelt 3 in Makati City. Taklub tells the story of Bebeth, Larry and Erwin, whose lives intertwine after Supertyphoon Yolanda ravaged the city of Tacloban, leaving survivors to search for their dead, while keeping their sanity intact and protecting what little faith they may have left. Superstar and showbiz icon Nora Aunor plays Bebeth, who searches for the remains of her three children from those buried at the mass grave. Julio Diaz is Larry, who lost his wife and consoles himself by joining a group of devout Catholics carrying a lifesize cross around the city. Aaron Rivera is Erwin, who together with his elder brother tries to hide the truth of their parents’ death from their little sister. Taklub will be shown at 7 pm, August 7, following the Cinemalaya opening ceremony. The event is open to the public. Cinemalaya (www.cinemalaya.org) www.cinemalaya.org) is a project of www.cinemalaya.org the Cinemalaya Foundation Inc., CCP and the Ayala Malls Cinemas. Established in 2005, Cinemalaya is an alldigital film festival and competition that aims to discover, encourage and honor cinematic works of Filipino filmmakers. To date, Cinemalaya has supported and promoted the production of 118 full-feature independent films and 96 short films. Many of these have won awards in local and international competitions and festivals.
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NORA AUNOR
10% NETINCOME HIKE SM Investments Corp. (SMIC) officials (from left) Frank Gomez, senior vice president for finance; Jose Sio, executive
SURPLUS KEPT IN H1 B D C
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HE fiscal authorities finally reported on Thursday a budgetary shortfall in June, with expenditures overtaking revenues by P72.7 billion for the month. But since the government’s fiscal position remained in surplus in the first half, this development failed to dispel speculations the government could be underspending again. According to the Department of Finance (DOF), the government incurred a P72.7-billion budget deficit in June, bringing its fiscal position to a surplus of P13.7 billion in the first half. The DOF attributed the budget surplus to higher revenues this year, saying that the government’s fiscal position in the first half of 2014 was a deficit of P67.7 billion. Total revenues from January to June amounted to P1.085 trillion, or a growth of 16 percent, compared to the same period last year. “As we close out the first half of the year, we continue to see robust growth trends across the board— be it from the revenue-generating agencies or the expenditure side. June shaped up to be a good month for our fiscal story as performance at the BIR [Bureau of Internal Revenue] and the BOC [Bureau of Customs] jumped by double digits,” Finance Secretary Cesar V. Purisima said. Of the total revenues the BIR
collected P705.9 billion, or a 10-percent growth from the agency’s collection in the first half of 2014. The BOC collected P178.6 billion for the first half, or a 3-percent growth from its collection during comparable periods in 2014. The Bureau of the Treasury contributed P67 billion in revenues for the first half. On the expenditures side, Purisima allayed fears that the government’s budget surplus automatically meant that it was spending less. He cited that expenditures for the first half of this year grew by 9 percent from the expenditures made in the same period last year. Disbursements for the first half already breached the trillion-peso mark at P1.072 trillion. Interest payments also constituted less out of the total amount of expenditures, suggesting that more cash is freed up to spend for projects that have social and economic impact. Interest payments for the first half amounted to P156.1 billion, or 15 percent of the total expenditures. “Pumping productive spending with adequate fiscal space is expected to help propel even higher broad-based growth. We are confident that improving revenue collections and the highly liquid tone of the market can respond to our funding requirements,” Purisima said.
vice president and CFO SMIC; and Jeffrey Lim, executive vice president, report a 10-percent hike in SMIC’s first-half net income. Story on B1. NONIE REYES
Gozon ready for out-of-court settlement with a ‘reasonable’ Ang GOZON: “I am a reasonable person, and I suppose that he is also reasonable. I suppose if there is any reasonable proposal for a settlement, we might agree on that. In short, I am open.”
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MA Network Chairman Felipe L. Gozon said his doors are still open on the possibility of settling his row with San Miguel Corp. President Ramon S. Ang outside the courts. The magic phrase he used, however, is this: Ang needs to be reasonable. “I am a reasonable person, and I suppose that he is also reasonable. I suppose if there is any reasonable proposal for a settlement, we might agree on that. In short, I am open,”
PESO EXCHANGE RATES ■ US 45.7380
Gozon, a lawyer, said. Ang charged the network’s chief executive with syndicated estafa— a nonbailable case—after the botched acquisition of a significant minority stake in the broadcasting firm. He claims to have been swindled with P1 billion, as Gozon refuses to return the amount—paid as down payment to the deal—despite the collapse of negotiations between the two parties. But for the broadcasting company’s
bigwig, he has the right to keep the money until the court decides how to address this issue, as it is deemed as payment to lost opportunities. The other parties forming the triumvirate of GMA were spared from the case, as they signified their intention to return Ang’s down payment. According to Gozon, the Jimenez and Duavit families have “special relationships” with the COO of San Miguel. A ng was not available for
comment. However, he issued a statement early Thursday morning, claiming that Gozon’s assertions on Wednesday afternoon validate that he, indeed, committed estafa. “Yet, and perhaps, unwittingly by his own admission, Atty. Gozon has reinforced my complaint for estafa,” he said. “He received the P1 billion for the Gozon Group and in trust for the Duavit and the Jimenez groups. Yet, notwithstanding the directive of the Duavit and the Jimenez groups,
he still refuses to return the money or any portion thereof, and instead appropriated the entire P1 billion all for his own and for the Gozon Group.” The money, Gozon said, is kept in a bank. “While the money is in the bank, the bank account is under his name. Thus, the money is still under his full control to the exclusion of everybody else. That is appropriation, as well,” Ang said. C A
■ JAPAN 0.3664 ■ UK 71.3696 ■ HK 5.9005 ■ CHINA 7.3657 ■ SINGAPORE 33.0620 ■ AUSTRALIA 33.6086 ■ EU 49.8819 ■ SAUDI ARABIA 12.1981 Source: BSP (6 August 2015)