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THREETIME ROTARY CLUBB OF MANILA JOURNALISM AWARDEE 2006, 2010, 2012
U.N. MEDIA AWARD 2008
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Saturday 18,July 2014 10 No. n Friday, 3, Vol. 2015 Vol.4010 No. 267
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I.M.F. URGES IMMEDIATE PASSAGE OF PUBLIC FINANCE MANAGEMENT ACT TO PROMOTE CLARITY IN BUDGET PROCESS
PHL needs to overhaul budget system T Life INSIDE
MARRIAGE EQUALITY
We gather together
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EAR God, You are near us and as we gather together, we ask Your unending blessings. You chasten and hasten Your will to make known. The wicked oppressing now cease from distressing. We sing praises to Your name. You never forget us because we are Your own. You are beside us, watching and guiding us in our thoughts, words and actions. Amen.
ARNOLD EMBRACES HIS AGING TERMINATOR AS ‘GENISYS’ IS SET FOR ACTION »D4
BREAKING BREAD 2015 AND LOUIE M. LACSON Word&Life Publications • teacherlouie1965@yahoo.com
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Editor: Gerard S. Ramos • lifestylebusinessmirror@gmail.com
Friday, July 3, 2015
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How pop culture shaped the marriage equality debate
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B S C M B Los Angeles Times
OR decades, gays and lesbians didn’t exist in film and television. It wasn’t a matter of censorship; writers, filmmakers and studio executives knew not to showcase these characters if they wanted to earn a paycheck. Then things started to change. In 1969 the Stonewall riots triggered by a police raid in New York’s Greenwich Village created the modern gay-rights movement, and the next year William Friedkin’s The Boys in the Band became the first studio movie to center on gay characters.
From that start, pop culture has slowly but steadily helped bring gay people into the mainstream, from Lance Loud in the groundbreaking 1973 PBS documentary An American Family to Tom Hanks’s Oscarwinning role as a dying lawyer in Philadelphia in 1993 to Pedro Zamora, the acquired immunodeficiency syndrome-stricken housemate on the 1994 edition of MTV’s reality series The Real World. The US Supreme Court on Friday legalized same-sex marriage nationwide. But years before that 5-4 decision, film and TV helped spur Americans’ acceptance of gays and lesbians. “Movies and television have played an
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Show BusinessMirror
ALJUR ABRENICA JOINS CAST OF ‘HALF SISTERS’ IT appears that all is forgiven between GMA and Aljur Abrenica, who not so long ago slapped, with a nasty lawsuit, the network that launched him to ubiquity. After GMA pushed back and kept him in the freezer, Aljur now is in the process of thawing—and maybe his being tapped to join the cast, of The Half Sisters would speed up that process. After all, the afternoon soap has been on the air for a year now and remains to be champion in that time block. Aljur is ostensibly excited to bond with the entire cast, led by Barbie Forteza, Thea Tolentino, Jean Garcia, Jomari Yllana, Ryan Eigenmann, Andre Paras, Vaness del Moral, Mel Martinez, Pancho Magno, Juancho Triviño, Jak Roberto, Winwyn Marquez and Gawad Urian Best Actress winner Eula Valdes. The soap is directed by Mark Reyes. “I feel so honored and blessed to be part of this top-rating afternoon series of GMA. I’m so excited to work with the hardworking cast and staff of the show, especially we’ll be taping out of the country so parang vacation and work na rin siya,” Aljur said. In the series, Aljur plays the role of Malcom, a human trafficker who will return to his former job to save the life of his daughter. He will bring Ashley (Thea) to Japan to work as a waitress in a bar. The Half Sisters airs weekdays after Eat Bulaga on GMA.
THE Beijing Collective
MANILA IMPROV FESTIVAL 2015 IS ON SILLY People’s Improv Theatre (SPIT) is the country’s premier improvisational theater group known for its smart and incisive brand of comedy. Considered as one of the best improv comedy troupes in Asia, SPIT has had almost a thousand performances in the last decade before both local and international audiences. SPIT has represented the Philippines in the Los Angeles, Beijing and Hong Kong comedy festivals, and the Improv Festivals in New Y York and Chicago, and, more recently, the Amsterdam Improv Festival in January of this year. Improvisational theater is a form of theater where scenes are cocreated by the audience and the actors in real time, without the benefit of a script or prior rehearsals for the performers. Because of this method, watching an improvised theater show is more akin to performance art due to its nonconventional approach. The 2015 Manila International Improv Festival opens at Silliman University in Dumaguete City, from July 2 to 5. From there, the festival continues in partnership with the Philippine Educational Theatre Association (Peta), with all its performances from July 8 to 12 to be staged at the Peta Theater. The festival is hosting improv comedy groups from around the world: PIP Show (Warsaw); Impro Mafia (Brisbane); Pirates of Tokyo Bay (Tokyo); Landry & Summers (Los Angeles), To Be Continued, People’s Liberation Improv, 3 Dudes Improv and Lamb Ink (Hong Kong); The Improv Company (Singapore), Taichung Improv (Taichung), The Beijing Collective (Beijing); People’s Republic of Comedy and Zmack (Shanghai); Bacolod Improv Group (Bacolod), Dulaang Atenista (Cagayan de Oro); One and a Half Men, Switch Improv; and SPIT (Manila). Now on its third run, the Manila International Improv Festival has earned the distinction of being the “improv comedy festival that has set the standard for improv comedy festivals,” according to festival regular Curt Mabry of Zmack, Shanghai. This year’s festival theme is “Finding the Game”—a nod to the games and exercises that improvisers use in performance, and an affirmation of the playful nature of improvisation. For more information, visit www.facebook.com/spitmanila. For ticket and workshop inquiries, contact Jay Tipayan of Peta Theater Center at 726-6244 or 0927-3917379.
In a briefing on Thursday following the IMF’s launch of the maiden report on the assessment of fiscal transparency in the Philippines, IMF Resident Representative for the Philippines Shanaka Jayanath Peiris said the proposed PFMA will address the weaknesses seen in the budget framework and implementation in the country. The IMF on Wednesday released a report pointing out the strengths and weaknesses of the country’s
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Arnold embraces his aging Terminator as ‘Genisys’ is set for action
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B A K | Los Angeles Times
LD, but not obsolete.” That’s the refrain a graying, creaky Arnold Schwarzenegger repeats throughout the new Terminator film, attempting to reassure his comrades that, though his machinery has aged, he can still get the job done. The 67-year-old is seeking to disprove similar doubts after suffering a string of box-office flops following his exit from the California governor’s office in 2011. On Wednesday he’ll reprise his most iconic role for the fourth time in Terminator Genisys, the latest installment in the sci-fi franchise that helped to establish the actor as a big-screen action hero in the 1980s. But the gears are showing some signs of rust. The $155-million production is projected to take in a disappointing $55 million during its first five days in theaters over the busy Fourth of July holiday. And many critics have panned the fifth film in the Terminator series—though Schwarzenegger’s performance has been cited as one of the movie’s few redeeming elements. That performance could help Genisys beat box-office expectations. But only one of the three action films he’s headlined since leaving office—The Last Stand, Escape Plan and Sabotage—grossed even $25 million domestically. He’s played a supporting role in the more successful Expendables franchise, but those films feature a handful of aging action stars, including Sylvester Stallone, Harrison Ford and Bruce Willis. Critics did warm to his more dramatic turn in the indie zombieflick Maggie, but the film, which premiered at the Tribeca Film Festival this spring, was seen only in limited release. Hollywood is largely where Schwarzenegger has focused his efforts since his second term as governor concluded. He has remained nominally involved in the political world, three years ago launching the USC Schwarzenegger Institute, which allows him to be engaged with issues such as climate change or after-school programs. But acting, his collaborators say, is where his true passion lies. He cares about being taken seriously as a performer and is sensitive to harsh critiques—even voicing his displeasure with the Los Angeles Times after it published a blog post about the commercial prospects for Genisys. “It matters to him to get critical acclaim and respect. We’ve had discussions about it,” says Rob Stutzman, a Republican political consultant who served as Schwarzenegger’s communications director from 2003 to 2006. Once, Stutzman recalled, a Starbucks barista complimented the actor on his 1994 comedy Junior, Junior which wasn’t exactly a critical darling. “I laughed, looked at Schwarzenegger and said, ‘Ha! Never heard anyone say that,’” Stutzman says. “And then I got the Terminator glare. It was like, ‘OK, note to self: He can make fun of the bad movies, but I can’t.’ He’s self-aware and can be selfdeprecating, but he’s sensitive to criticism from others.” Despite Schwarzenegger’s recent box-office misfires, the filmmakers behind Genisys insist they would not have even made the film without him. Director James Cameron’s original 1984 Terminator introduced the actor’s T-800 as a literal killing machine: an unstoppable, monosyllabic cyborg sent back in time on a mission to assassinate Linda Hamilton’s Sarah Connor. In his smash 1991 sequel, Cameron flipped the script, making Schwarzenegger’s Terminator the protector of Sarah’s son, John—a function he also served, albeit less memorably, in 2003’s Terminator 3: Rise of the Machines. He didn’t appear in 2009’s Terminator Salvation because he was governor at the time, perhaps a wise decision since the film was both a critical and financial misfire. This time around, his Terminator is softer—a protector of Sarah (Emilia Clarke) since her childhood—with robotic arthritis and wrinkled skin. He still has an arsenal of weapons, but its walls are lined with photos and sentimental mementos from Sarah’s early days. David Ellison, whose Skydance Productions cofinanced Genisys with distributor Paramount Pictures, said Schwarzenegger eagerly embraced the idea of Terminator aging. “He loved having gray hair and the idea that the character was becoming more human,” the producer says. “He didn’t want this to be a retreat. There are other parts in franchises you can swap out; multiple actors have played Bond. But with Tom Cruise in Mission Impossible and Schwarzenegger as Terminator, those are very special situations.” On set, Schwarzenegger was a jovial presence—cracking jokes and eating lunch every day with the crew, “which is almost unheard of in the movie star world,” says director Alan Taylor. “But there was nothing more restorative to him.” Meanwhile, he worked hard to regain the bodybuilder physique he showed off in 1984. During the filming of the original Terminator Terminator, he weighed 230 pounds; this time, he put on 10 pounds to hit 228 on the scale. Jason Clarke, who plays John Connor in the new version, says he often sat in the makeup trailer with his costar talking about everything from fitness to politics to cars to boots. Schwarzenegger even showed Clarke a picture of his “yearly-boot polish,” during which he polished
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120 of his boots. “He does everything with a wonderful sense of humor,” Clarke says. “He’s not an angry man or a disappointed man or a regretful man. He loves people.” Paramount has attempted to capitalize on Schwarzenegger’s playful side in marketing Genisys, even having him lend his unmistakable voice to the navigation commands on the app Waze and doing a comedy skit with Jimmy Fallon on The Tonight Show. Last Wednesday, he talked openly to Howard Stern about the affair with his maid that led to his divorce from Maria Shriver and, as he put it, “my fifth child.” “It’s a very tough situation for my kids,” Schwarzenegger told Stern. “It was tough for everybody. But it has happened, and now we have to figure it out, right?” It remains to be seen if moviegoers will embrace the governator’s latest reinvention. And it’s not just future Terminator sequels on the line: Schwarzenegger is also developing other reboots of old hits like Twins and Conan the Barbarian, whose fate could be determined by his box-office clout. The film’s director, meanwhile, remains hopeful that Genisys will be the film to endear Schwarzenegger to the public yet again. “Whether he was in a movie two weeks beforehand that did well or not, this is the Terminator, and it’s his own thing,” Taylor says. “Robert Downey Jr. can’t do anything except Iron Man these days. With any other movie, there’s no connection with audiences. Some roles are just singular.” n
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BusinessMirror
WILLIAMS VS
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| FRIDAY, JULY 3, 2015 mirror_sports@yahoo.com.ph sports@businessmirror.com.ph Editor: Jun Lomibao
YULIA PUTINTSEVA of Kazakhstan returns a shot to Venus Williams. AP
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ONDON—Venus Williams is no longer the player she once was, on account of the passage of time and the day-to-day ups and downs of an energysapping condition. At age 35, 21 years removed from her first professional tournament, Williams still possesses a dangerous serve, along with the muscle memory that comes with seven Grand Slam singles titles, five at Wimbledon. And, so while it is her younger sister Serena who is ranked No. 1, has 20 major titles and owns a 23-match Grand Slam winning streak as of Wednesday, the elder Williams is still in the draw at the All England Club, too—and the siblings are closing in on what would be their 26th all-in-the-family matchup on tour. “She probably comes back here and, you know, I think, she almost feels like this is home,” said David Witt, Venus’s coach. “When you have confidence, you have everything. That’s with any sport. And I guess when she gets here, it’s a confidence thing.” On the hottest day on record in Wimbledon history, with the temperature topping 95 degrees (35 degrees Celsius)—and a terrific day for American women—both Williams sisters won second-round matches: 16th-seeded Venus beat 95th-ranked Yulia Putintseva of Kazakhstan, 7-6 (5), 6-4, while top-seeded Serena defeated 93rdranked Timea Babos of Hungary, 6-4, 6-1. Two more wins, and the siblings will meet in the fourth round. “She poses a big threat for me,” Serena said about Venus. They pulled out of doubles on Tuesday, citing “soreness” for Serena, who wants to focus on her pursuit of a fourth consecutive Grand Slam title. Four other women from the US won Wednesday, including two real surprises: 158th-ranked qualifier Bethanie Mattek-Sands eliminated No. 7 Ana Ivanovic, the 2009 French Open champion, 6-3, 6-4; and 47thranked CoCo Vandeweghe, the niece of former National Basketball Association player and executive Kiki, beat No. 11 Karolina Pliskova, 7-6 (5), 6-4. Also advancing: No. 21 Madison Keys, who finished off a match suspended because of darkness at 2-all in the third set a night earlier, and Sloane Stephens. A pair of US men moved on, too: No. 17 John Isner and 105th-ranked wild-card entry Denis Kudla, who followed up his victory over No. 28 Pablo Cuevas by getting past 18-year-old Alexander Zverev. “A few years ago, I was being asked, ‘What happened to USA tennis?’ And I said, ‘Well, it comes and goes.’ I think there were a lot of younger players coming that showed promise,” the 30-year-old Mattek-Sands said. “Sure enough, I think we have a really strong contingent of American players and it’s really good to see.” She is halfway to a calendar-year Grand Slam in doubles with Lucie Safarova of the Czech Republic. Serena, meanwhile, is halfway there in singles, and, so far, this week has a pair of straight-set victories after playing five three-setters at the French Open. After dismissing Babos on Centre Court—where a small electrical fire in a mechanical room set off alarms once play was done for the day—Serena was able to settle in front of a TV to watch Venus finish off Putintseva. “I always root for Venus,” Serena said. “She’s been through a lot in her career. She’s really playing well.” So far at Wimbledon, that is certainly true, including a 6-0, 6-0 victory in the first round. Against Putintseva, Venus’s 29 winners included seven aces, and
she reached 122 miles per hour (197 kilometers per hour) on a serve in the final game. Venus last won the grass-court Grand Slam tournament in 2008; three years later, she announced that she has Sjogren’s syndrome, an autoimmune disease that can cause joint pain and fatigue. Her nearly two-hour match on Wednesday was the last on Court 3, and wrapped up at about 9 p.m., by which point it was much cooler than earlier. The Met Office, Britain’s official weather service, said the temperature reached 35.7 degrees Celsius (about 96 degrees Fahrenheit) at its closest observation site, about 1oC (2oF) higher than the previous tournament record, set in 1976. Spectators fanned themselves in the stands and used everything from hats to umbrellas to towels for shade. A ball boy collapsed during Isner’s match and was taken away on a stretcher. One player, No. 27 Bernard Tomic of Australia, said he felt dizzy during his victory. Others, including Mattek-Sands, wrapped towels filled with ice around their necks during changeovers. “It’s definitely hot, but nothing crazy. We have played in worse. I think it’s just surprising because it’s happening in England, where it usually doesn’t,” Keys said. “We have played through much worse.” AP
‘IT’S A PLEASURE’
NOVAK DJOKOVIC (right) somehow knows, or has heard, and goes out of his way to draw attention to Jarkko Nieminen’s departure. AP
Novak Djokovic, the top seed and defending champion, cruised past journeyman Jarkko Nieminen of Finland on Center Court, 6-4, 6-2, 6-3. As the crowd applauded the routine and expected ending, Djokovic paused for a longer-thanusual hand-shaking conversation at the net, then gave Nieminen a hug.
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ONDON—In the midst of tough tennis competition on Wednesday, with stakes incredibly high, two moments of human sensitivity stood out on the third day of the Wimbledon fortnight. Novak Djokovic, the top seed and defending champion, cruised past journeyman Jarkko Nieminen of Finland on Center Court, 6-4, 6-2, 6-3. As the crowd applauded the routine and expected ending, Djokovic paused for a longer-than-usual hand-shaking conversation at the net, then gave Nieminen a hug. It turned out that Nieminen, who will be 34 in three weeks, was playing in his last Wimbledon. Coincidentally, it had been Nieminen who had dispatched Lleyton Hewitt to his last walk off the Wimbledon grass two days earlier. Djokovic somehow knew, or had heard, and went out of his way to
draw attention to Nieminen’s departure. He stepped aside and applauded, letting Nieminen lead the way off and calling the crowd’s attention to him. Neiminen bent and touched the grass one last time on the way out, then waved good-bye. “I congratulate him on a terrific career,” Djokovic said afterward, “and it was a pleasure to be his last opponent here.” A bit later, on an outside court, John Isner of the US had his match interrupted when a ball boy collapsed. Temperatures reached to within a couple of degrees of 100 on Wednesday. In his news conference after his 6-2, 7-6 (8), 6-4 victory over Matthew Ebden of Australia, Isner seemed eager to talk about the incident. “I’m not a doctor,” Isner said, “but...it was very scary. I heard that he is doing much better.
CILIC ADVANCES, ES, BARELY
LAST year’s US Open men’s finalist had a challenging day. Champion Marin Cilic of Croatia had a battle on his hands before advancing past Ricardas Berankis of Lithuania, 6-3, 4-6, 7-6 (8), 4-6, 7-5. And the man he beat in the final, Japan’s Kei Nishikori, had to withdraw with an injury. He had been seeded fifth. No. 7 Milos Raonic of Canada had a bit of a tussle against 37-year-old Tommy Haas of Germany, who lives in Los Angeles. It took Raonic until a fifth match point before he advanced, 6-0, 6-2, 6-7 (5), 7-6 (4). Men’s contenders Stan Wawrinka of Switzerland and Grigor Dimitrov of Bulgaria kept going. Wawrinka, seeded fourth, took out Victor Estrella Burgos of the Dominican Republic, 6-3, 6-4, 7-5, and Dimitrov, seeded 11th and the man who upset Andy Murray here last year, outhit former USC star Steve Johnson, 7-6 (8), 6-2, 7-6 (2). Unseeded US wild card Denis Kudla, meanwhile, won his second match, leaving the US men with three players still alive—Kudla, Isner and Sam Querrey. Kudla beat Alexander Zverev of Germany, 6-3, 3-6, 7-6 (6), 6-4. A small electrical fire broke out inside Wimbledon’s Centre Court building on Wednesday, causing an evacuation after play had ended for the day. The fire started inside a mechanical room in the east side of the building, All England Club Spokesman Johnny Perkins said. There were no reports of injuries. Emergency vehicles arrived shortly after the fire alarm went off, and a public address announcement told everyone in or near the stadium to leave the area. Perkins said it was not immediately clear whether the incident would have any effect on Thursday’s matches. Roger Federer and Rafael Nadal are both set to play their respective second-round matches in the stadium.
SPORTS
SERENA WILLIAMS nears showdown with sister Venus. AP
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MEDIA PARTNERS BUSINESSMIRROR executives—led by its Publisher T. Anthony C. Cabangon (second from left), Editor in Chief Jun B. Vallecera (left) and Vice President for Corporate Affairs Frederick M. Alegre (right)—met recently with World Association of Newspapers and News Publishers (WAN-IFRA) Director for Asia Gilles Demptos (center) and Operations Manager Wilson Leong at the BUSINESSMIRROR offices in Makati City. WAN-IFRA is a global organization of the world’s press, representing more than 18,000 publications, 15,000 online sites and over 3,000 companies in more than 120 countries. ROY DOMINGO
BANKS IN GREECE KEEP LIFELINE AS DEAL HANGS
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‘IT’S A PLEASURE’ Sports
WILLIAMS?
HE International Monetary Fund (IMF) has called on the government to hasten the passage of the proposed Public Finance Management Act (PFMA) to allow an overhaul of the country’s budget system and streamline existing weaknesses, as pointed out in the recent fiscal-transparency evaluation of the global institution.
AGING TERMINATOR D4 Friday, July 3, 2015
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REECE braced for more chaos on the streets outside its mostly shuttered banks on Thursday, as Athens and its creditors halted talks on resolving the country’s deepening financial crisis until a referendum this weekend. Banks have been closed all week to prevent a crash from mass money withdrawals, while a few have been reopened to help pensioners without Automated teller machine (ATM) cards. But they are still in business. The European Central Bank (ECB) left the terms of its emergency $100-billion cash support to Greece unchanged, a day after Athens slipped
PESO EXCHANGE RATES n US 45.0740
into arrears with the International Monetary Fund (IMF) and its bailout program expired. The move kept chances alive for a settlement between Greece and creditors. And Finance Minister Yanis Varoufakis publicly thanked the ECB and its president, Mario Draghi, for the decision. “This allows us to breathe. It’s a very positive move, and a move of good will on the part of the European Central Bank. I welcome it,” Varoufakis told state television. Draghi, he said, had faced down “hawks”among euro zone members who had demanded that Athens C A
Power industry seen opposing DOE order stopping negotiated power-supply deals B L L
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NEW circular issued by the Department of Energy (DOE) is expected to earn the ire of industry players that resort to bilateral negotiation of power-supply contracts. DOE Circular 2015-06-0008, signed by Secretary Carlos Jericho L. Petilla, but released on his last day, June 30, mandates all distribution utilities (DUs) to undergo competitive selection process (CSP) in securing their power-supply agreements (PSAs). This means that DUs and electric cooperatives (ECs) will have to bid out their power requirements from a pool of interested power firms, thereby
eliminating bilateral negotiation, which, industry observers say, is “not a transparent way to do it, because it involves pass-through cost.” “After effectivity of this circular, all DUs shall procure PSAs only through CSP conducted through a third party duly recognized by the ERC [Energy Regulatory Commission] and the DOE. In the case of ECs, the third party shall be duly recognized by the National Electrification Administration [NEA],” stated the circular, which took effect upon publication on Tuesday. Guidelines and procedures will be issued within 120 days from effectivity of the circular, the DOE added. The circular applies to future
contracts. It does not apply to existing PSAs that have been approved or have been filed for approval before the ERC.
Opposition
PETILLA said he expects some industry players to oppose the implementation of the circular. It may, he said, even be brought all the way to the courts. “Why will you object if you have nothing to hide? The objective of the CSP is transparency and reasonable rates for consumers. This is a passthrough cost, which means consumers will pay for it, so the more it is important for a bidding to take place C A
n JAPAN 0.3660 n UK 70.4101 n HK 5.8146 n CHINA 7.2687 n SINGAPORE 33.3240 n AUSTRALIA 34.5845 n EU 49.8248 n SAUDI ARABIA 12.0191 Source: BSP (2 July 2015)