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BERLIN OFFERS ITS OWN PLEASURES You will make a way
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NOTHING can really prepare visitors for Berlin’s Memorial to the Murdered Jews of Europe. THE rotunda of Berlin’s Museum of Communication in January 2015. THE Reichstag renovation, completed in 1999 by the architect Norman Foster, is exhilarating in January 2015 in Berlin.
S D M The Fresno Bee
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ERLIN—I’m standing in front of the Reichstag, the imposing Neo-Baroque building now once again home to Germany’s reunified parliament. In a wide-angle photo commemorating the moment, I’m the only one in the frame. At the famed Pergamon Museum on Berlin’s culturepacked Museum Island, I walk right in. No line. Wandering among the exposed rebar and stretches of intact concrete that make up the Berlin Wall Memorial, the crowds are so thin I can easily imagine an earlier time when this repressive barrier cast a desolate shadow of gloom. Traveling to Europe in early January has its advantages. And it’s never too early to start planning for next year. Sure, my partner and I could have opted for a warm beach somewhere. But I love to visit places off-season. You take a risk with the weather, of course. On this trip I could have been slushing through snow or braving Chicago-style wind chill. But temps remained mostly in the 30s and 40s for our 11-day journey to Berlin, Prague and Vienna, all conveniently spaced out about a five-hour train ride from one another. Besides, I used to live in Alaska. I much prefer the cold to sticky summer temperatures that can reduce hordes of tourists into steamy soup. When you travel to a city such as Berlin in the winter, you’re going to want to spend a lot of time indoors anyway. The city’s cultural arts season—so much opera, classical music, theater!— reaches its zenith. On this first visit to the city, I’m quickly enchanted by the combination of brazen newness and solid, dependable German efficiency. (Not so much the sausages.) The adolescent growing pains of reunification, which brought together the western and eastern parts of the city in 1989, seem mostly behind it, at least from a cultural and architectural standpoint. My hotel, the Westin Grand Berlin, located in the former East Berlin, sits just off the famed Unter den Linden. The major east-west thoroughfare was featured prominently in historic newsreels as goose-stepping Nazis marched through the Brandenburg Gate to salute Adolf Hitler. Now the boulevard plays host to high-end shopping. The wounds of the Third Reich and Cold War are still one of the stories of Berlin, of course, and will remain that way for a long time to come. But this is a city that, through its museums, monuments and cultural offerings, squarely faces its past—at least from a tourist’s point of view. Here are four vignettes:
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n THE REICHSTAG WHEN Berlin fell at the end of World War II, advancing soldiers from the Soviet Union reached the historic Reichstag building first. German soldiers defended it. You can still see the bullet holes. Decades later, when the building was being gutted and restored, workers uncovered graffiti left by Soviet soldiers on the stately stone walls. As is usual in Germany, intense debate followed. Should it be wiped clean? Or preserved as a historical marker? History won out. Today, as you walk through a hall just off the legislative chamber, the graffiti dominates the view: a sudden sliver of razor-sharp conflict amid an otherwise tranquil and cerebral setting. Chancellor Angela Merkel—whom Germans love to call “the most powerful woman in the world”—has a ceremonial office in this hall, and the graffiti marches right up to her door. It’s remarkable for a nation to include the scrawls of occupying soldiers in its seat of government. The German relationship to the war is complicated, and I can’t begin to mine its complexities in a visit of less than a week, but this one gesture of defiant memory really had an impact on me. The Reichstag renovation, completed in 1999 by the architect Norman Foster, is exhilarating. Transparency is the theme. The doors to the legislative chamber are glass. The visitors gallery is positioned over the legislators. And the triumph: a soaring glass dome that allows people to look far below into the chamber below. I love the symbolism: the people above, able to look down upon the lawmakers below. Democracy needs light to survive. n ‘DEMOKRATIE’ FOR years I’d wanted to see Michael Frayn’s play Democracy which ran on London’s West End and Democracy, Broadway starting in 2002. It’s the story of the charismatic German politician Willy Brandt, who rose to become chancellor, and the East German spy Gunter Guillaume, who managed to infiltrate Brandt’s office and become his secretary. Now I got to see it in Germany—and in German, no less (with English supertitles). The production of Demokratie, which opened in 2012 at the Deutches Theater, was controversial in its own right: Frayn was angry that his play was turned into a quasimusical, with Brandt a sort of Mick Jagger-inspired rock star. I could understand his objections, but I relished the abstract scenic design, the Brechtian alienation and the German versions of songs by the Rolling Stones, Cat Stevens, and Simon and Garfunkel. Was the production chaotic and overblown? Yes, but it also convincingly riffed on a less palatable facet of democracy: It’s messy.
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TAMBLYN FACES HER OWN DEMONS Pages BusinessMirror
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Amber Tamblyn faces her own demons writing poetry in ‘Dark Sparkler’ B A K Los Angeles Times
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RITTANY MURPHY was found unconscious in her shower, sick with pneumonia, four different drugs in her system. The actress’ death in 2009 was sudden and mysterious and ugly, but posthumous magazine covers showed her looking glamorous, her struggles hidden. The story gnawed at Amber Tamblyn. T She’d never met Murphy but felt an odd kinship to her. So she sat down at her kitchen table in Venice and wrote a poem about the late star. “The Country says good things/about the body,” it read. “They print the best photos/the least bones, the most peach.” So began T Tamblyn’s poetic exploration into the muddy waters of fame, objectification and mortality. She began researching the tragic circumstances surrounding the deaths of other actresses— Sharon T Tate, Marilyn Monroe, Dana Plato—and writing about each one. The result is Dark Sparkler (Harper Perennial: 128 pp.), her third book of poetry. Tamblyn—known for her roles in the T Sisterhood of the Traveling Pants movies, as well as television’s Joan of Arcadia and Two and a Half Men—has been writing poetry since she was little, when her dad, Russ (he played the leader of the Jets in the film version of West Side Story Story) started bringing home artists he’d met in T Topanga Canyon. “Writing was the antithesis of acting, because it was something physical that I made—that I was solely responsible for—that I could give to other people,” says Tamblyn, 31, sitting in the living room of T the apartment she shares with her husband, the actor David Cross. There is a picture of them at the Magic Castle on the bookshelf,
next to dozens of volumes of Shakespeare and a copy of Touch Me: The Poems of Suzanne Somers. Tamblyn sips tea she’d brewed, nestled T on her couch underneath a poster of The Last Movie. Her godfather was Dennis Hopper, and she’s always been surrounded by acting. But when she began working on Dark Sparkler Sparkler, she started questioning her true feelings about the profession. She’d started acting as a child, appearing on General Hospital from age 11 to 17. “The stuff I was writing was very close to home because I was exploring my own sense of who I was,” T Tamblyn says. “I was debating: Did I want to go to college? Did I want to act anymore? Did I even have a choice in the matter?” She saw herself in the actresses she was writing about and for a spell began experimenting with some of the same “coping mechanisms” they did too. “It was like, ‘Seconal? What are these drugs that people would take?’ I got my hands on everything I possibly could,” she says. But it left her feeling numb. She couldn’t write anymore. She wrote haunting e-mails to her friend, the poet Mindy Nettifee, some of which appear in the epilogue of Dark Sparkler Sparkler. “I think I could very possibly be heading toward a full-scale breakdown in the next few months,” she wrote to Nettifee in January 2009. “Can I just go the way of Brittany Murphy and say [forget] it, do drugs until I drop and call it a day?” “We would have these long, disturbing phone calls about the work and where her head was, and it became clear to me that this was a mental health situation,” Nettifee recalled by phone. “But I never once believed that what she was expressing was an actual, concrete wish to die. I definitely felt like she was on a precarious edge, but I felt like what she needed in that moment
was to be told that it was OK.” Both Nettifee and T Tamblyn’s husband supported her, she says: “They understood that I was hitting the sweet spot of my own darkness. I was finding out what the real conversation was that I was trying to have—which was not really to research other actresses but to research myself.” Still, Tamblyn’s loved ones eventually
urged her to take time off from the book. So in 2011 she stopped working on Dark Sparkler and ceased acting. She’d been through a rough period. Her dad had just been diagnosed with prostate cancer. Her longtime agent dropped her. She’d even bombed at a big audition for August: Osage County, forgetting her lines and then hyperventilating in the elevator
afterward. Fixating on death wasn’t making anything better. “It was the hardest thing I ever did in my life,” she said of the break. “But ultimately, the book led to a shedding of skin. It was a death; Age 11 to 25 was dying, and I needed to let that part of me go.” T Talking about all of this hasn’t been easy. About a month after the meeting in Venice, she e-mailed from her apartment in New Y York saying how rough her book tour had been. “So many people asking me, ‘Did you want to die? Did you think about suicide?’” she wrote. “... “...Y Yeah. This book is just the gift Yeah. that keeps on giving [me grief].” Though she lays herself bare in the pages of Dark Sparkler, those closest to Tamblyn say she rarely talks about her T struggles so intimately in daily life. “She’s not someone you meet at a cocktail party who immediately tells you her deepest, darkest secrets,” says America Ferrera, Tamblyn’s T Sisterhood co-star. “Which is why this is special. Like, ‘I’m going to pull back this little part of my facade and show this thing I might be terrified of people seeing and put it out there because I think somebody will relate to it.’” Along with Ferrera, Tamblyn T is working with Blake Lively and Alexis Bledel on the script for a third Sisterhood film, which they will executive produce. She’s also set to appear on three episodes of Inside Amy Schumer this season and is editing her directorial debut—an adaptation of Janet Fitch’s novel Paint It Black. But after finishing Dark Sparkler, Black she’s not sure that acting is where her heart is anymore. “I think the days of me being an auditioning, sad person who is like, ‘I know I’m really talented, but I don’t know how to put that to use’—that’s over,” she said. “That’s sad, and that’s scary, giving your power over to somebody else.” n
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BERLIN’S Hauptbahnhof, or central train station in January 2015.
For about $30 I got to sit off to the side of the orchestra with a direct view of the 87-year-old Blomstedt on the podium. When he first walked out, he moved slowly, but once he picked up the baton, Blomstedt’s face lit up, as if the sun had just come out from behind a cloud. He seemed 30 years younger, and his nimble conducting inspired musicians and audience alike. I’ve always known that music can transform, but I’d never seen it so clearly. It felt as if Bruckner’s big music filled not only the hall but the audience. n HOLOCAUST MUSEUM I’VE been to the Holocaust museum in Washington, D.C., but nothing can really prepare you for the experience of visiting the one in Berlin. Officially known as the Memorial to the Murdered Jews of Europe, a visit is a somber experience. Arch. Peter Eisenman designed the complex on a sloping field with 2,711 concrete slabs arranged in a grid pattern. Those slabs, or “stelae,” continue into the ceiling design of the museum, which is underground. The personal stories are the ones that hit hardest. The one that sticks with me: the mother who upon arrival at a concentration camp urged her nearly 12-year-old son and mother to join her younger son in the “children’s group” because she thought they’d be excused from work detail. (Instead they were sent to their deaths.) The architecture and carefully designed displays in the end left me not just with a sense of despair, however, but also hope. By naming and preserving
horrific acts, yet also pressing the themes of reconciliation and forgiveness, perhaps we can reduce the chance of similar atrocities happening again. Wandering through the maze of slabs up top, the effect is chilling. You often get a quick glimpse of Y people crossing in front of you, but by the time you get to that spot and look to the right or left down the row for them, chances are they’ve already taken another turn. They are there; they are gone. Y You can lose someone in a flash. PLAN EARLY IT can pay off to plan a European vacation many months in advance, even if you plan to go in the offseason. Some tips for Berlin: n Using frequent flier miles can significantly cut down on your overall trip budget. Book far in advance to get the most convenient itineraries. n Book opera, concert and theater tickets in advance. Unlike museums and other U tourist attractions, locals flock to such cultural offerings. A good place to start is with the Berlin Philharmonic (www.berlinerphilharmoniker.de/en). Most travel books I’ve consulted recommend booking at least a couple of months ahead to hear the orchestra. To reserve a guided nT tour of the Reichstag, go to the government’s Bundestag (parliament) web site at www. bundestag.de/htdocs(underscore)e/ bundestag. n Don’t worry about buying the very useful Berlin City Pass (www.berlinpass.com) beforehand. You can buy at the airport or train Y station upon arrival. n
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EVERYBODY HAPPY Sports
BOXERS Adonis Stevenson (left) and Larry Holmes (right) stand with Mauricio Sulaiman, president of the World Boxing Council, during the media presentation of the “Cinturon Esmeralda,” or Emerald Belt, in Mexico City on Tuesday. The title belt will be awarded to the winner of the world championship superfight between Floyd Mayweather Jr. and Manny Pacquiao in Las Vegas on May 3. AP
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| THURSDAY, APRIL 23, 2015 mirror_sports@yahoo.com.ph sports@businessmirror.com.ph Editor: Jun Lomibao
KENNY BAYLESS will be the third man on the ring.
EVERYBODY HAPPY The judges for the superfight will be Dave Moretti of Las Vegas, Burt Clements of Reno and Glenn Feldman of Connecticut, and the referee will be Kenny Bayless, who’s handled seven Manny Pacquiao bouts and five of Floyd Mayweather Jr.’s.
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Los Angeles Times HE Nevada State Athletic Commission on Tuesday assigned three veteran judges and a referee familiar with Floyd Mayweather Jr. and Manny Pacquiao to work their bout on May 2 at MGM Grand in Las Vegas. The judges will be Dave Moretti of Las Vegas, Burt Clements of Reno and Glenn Feldman of Connecticut, and the referee will be Kenny Bayless, who’s handled seven Pacquiao bouts and five of Mayweather’s. “We will only select officials with a proven track record of high-profile fights, with me evaluating a litany of statistical data to ensure these judges have been successful in high-impact fights,” Nevada Commission Executive Director Bob Bennett said. Clements, 62, of Reno, has worked only one Pacquiao fight, and his mistake cost the Filipino a 2004 split-decision triumph over Juan Manuel Marquez in the first of their four fights. Pacquiao knocked down Marquez three times in the first round, and should have earned a 10-6 score. Clements admitted afterward that he didn’t realize he could score a round more lopsided than 10-7. That extra point resulted in his 113-113 scorecard that forced a draw. Pacquiao promoter Bob Arum praised the assignments of the officials. “Moretti and Clements are tremendous judges, honorable guys; and Glenn Feldman is terrific, has a very good reputation. These are extraordinarily good officials from the standpoint of competency.” Leonard Ellerbe of Mayweather Promotions said: “I can’t believe it, but this is one thing Bob Arum and I do agree on: We’re very pleased with the selection of the officials. I have no doubt the officials will be very fair in judging the fight and the referee will undoubtedly do a masterful job.” Bayless worked Mayweather’s October 11, 1996, pro debut in Las Vegas, and he refereed the fighter’s most recent bout, a unanimous decision over Marcos Maidana last September. Bayless’s seven assignments with Pacquiao date to 2006, and he most
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recently handled Pacquiao’s unanimous-decision triumph over Timothy Bradley last year. “Kenny Bayless is the best referee in the world,” Arum said. Moretti, 70, of Las Vegas, is considered, perhaps, the top boxing judge in the world. He’s worked nine of Mayweather’s last 14 fights, and has worked six of Pacquiao’s bouts. Moretti turned in 116-112 scores (eight rounds to four) in favor of Mayweather in a trio of fights: against Zab Judah in 2006, Saul “Canelo” Alvarez in 2013 and in Mayweather’s competitive first fight against Argentina’s Marcos Maidana last year. Moretti had scored Pacquiao comfortably ahead before his stoppages of Oscar de la Hoya and Miguel Cotto in 2008 and 2009, respectively. In Pacquiao’s third fight against Marquez, in which punch statistics gave the Mexican fighter an edge, Moretti scored the bout 115-113 for Pacquiao. Clements has been assigned to three Mayweather bouts, awarding him a dominant 120-107 score in 2009 against Marquez and the widest edge among the three judges, 117-111, in the first Mayweather-Maidana fight. Arum dismissed the Pacquiao-Marquez miscue by Clements. “Here’s how honorable the guy is: He admitted the mistake that night,” Arum said. Feldman, who founded the Connecticut Boxing Hall of Fame, has worked only one fight featuring Mayweather or Pacquiao, and that one ended in the third round, a Mayweather technical knockout win in 1998.
Wizards take 2-0 lead over Raptors T ORONTO—Washington, Cleveland and Houston all earned 2-0 leads in their National Basketball Association (NBA) first-round playoff series with victories on Tuesday, continuing the previous day’s pattern. All five of the series that have played two games now stand at 2-0, with the Wizards, Cavaliers and Rockets joining Monday’s winners Chicago and Golden State with the early two-game buffer in the bestof-seven series. Washington’s 117-106 victory at Toronto owed most to John Wall, who had 26 points and 17 assists, and Bradley Beal, who scored 28 points. Marcin Gortat scored 16 points, Otto Porter had 15 and Paul Pierce added 10 for the Wizards, who return home to host Game Three on Friday. Jonas Valanciunas had 15 points and 10 rebounds and Sixth Man Award winner Lou Williams scored 20 points for the Raptors, who have lost four straight playoff games over the past two seasons. Washington lost 15 of its final 19 road games in the regular season, but rediscovered its best away from home in times for the playoffs. Dating back to last year, the Wizards have won seven of eight away from home in the postseason.
DeMar DeRozan scored 20 points, Patrick Patterson had 15 and Amir Johnson added 10 for Toronto, which has won just one playoff series in six previous postseason appearances. Cleveland shook off a persistent Boston to win, 99-91, at home, with LeBron James leading the way with 30 points and Kyrie Irving contributing 26. James scored 15 points in the fourth quarter, moved past Hall-of-Famer Jerry West on the career playoff scoring list and made sure the Cavs didn’t slip up at home. He and Irving combined for all of Cleveland’s 24 points in the final period. Timofey Mozgov added 16 points and Tristan Thompson had 11 rebounds for Cleveland. Isaiah Thomas scored 22 points for the Celtics, whose bench outscored Cleveland’s 51-7 but did not get anywhere near enough from the starting five. Game Three is on Thursday in Boston. Houston also pulled away in the last quarter to beat Texas rival Dallas, 111-99. Dwight Howard, who scored 28 points, and James Harden, who added 24, dominated early in the final period to steer the Rockets to victory. The Mavericks scored the first four points of the fourth quarter to take a three-
point lead. But with Harden on the bench, Houston scored the next 11 points, powered by three alley-oop passes from Smith to Howard, to take a 92-84 lead with about eight minutes left. Smith finished with 15 points, nine assists and eight rebounds. Monta Ellis had 24 points for Dallas, which hosts Game Three on Friday.
WASHINGTON’S John Wall heads for the »basket against Toronto’s Amir Johnson. AP
A WARM-UP ACT B G L Newsday
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HERE was a time when no sporting event on the planet was bigger than the heavyweight championship of the world. But linear heavyweight champion Wladimir Klitschko, who holds five belts of different stripes, is facing undefeated No. 1 contender Bryant Jennings on Saturday night at Madison Square Garden, and it almost feels as if the bout is little more than a warm-up act for the Floyd Mayweather Jr.-Manny Pacquiao fight that figures to be the richest in history on May 2 in Las Vegas. “I’m thankful it’s not the undercard,” Klitschko joked. “I think it’s an advantage to have two big events close to each other. I think HBO will have more viewers than the other fight, but the financial side will be completely different.” Pay-per-view sales for Mayweather-Pacquiao might top 3 million and possibly approach 4 million, but the cost of watching Klitschko-Jennings on HBO doesn’t compare to the pay-per-view price of close to $100, and while the Garden is scaled from $100 to $1,000 at ringside, that doesn’t compare to $7,500 ringside at the MGM Grand Garden, where the cheapest seat is $1,500. “I won’t make it to Vegas, but I will watch it,” Klitschko said. “A hundred bucks! It’s a lot of money. I heard you can’t even buy a ticket. Wow.” That was a reference to the fact no MayweatherPacquiao tickets have been offered to the public yet. While a sellout is expected on Saturday at MSG, tickets still are available for a chance to see Jennings (19-0, 10 KOs) against Klitschko (63-3, 53 KOs), whose last loss was 11 years ago and who has made 18 straight defenses while reigning for nearly 10 years atop the division. Jennings warned boxing fans not to take for granted the chance to witness heavyweight history. “They’re going to wish they were there, wish they were a part of it, wish they were able to witness it,” Jennings said. It’s unusual for the heavyweight champion to have a hard time taking the spotlight from a pair of welterweights. In his own case, Klitschko has made a point of not comparing himself to the greats, calling it “offensive,” and he scoffed at Mayweather’s recent comment that he is the best boxer of all-time even over Muhammad Ali. “I heard this comment from Mayweather that he’s greater than Ali,” said Klitschko, noting that Ali even paid respect to Sugar Ray Robinson as “the greatest” at the time of his death. “I think people call the king the king, not the king you know, saying, ‘I’m the king.’“ Still, Klitschko said Mayweather’s unbeaten record over 19 years as a pro commands respect. “Maybe his fights are not as impressive as Pacquiao’s, but they’re effective,” Klitschko said. “He is the best-paid athlete in the world. From a boxing standpoint, I think the slight advantage is on Mayweather’s side because of his size and capability. I’m going to put it 51-49 for Mayweather.” As for his own fight, Klitschko said, “I’m confident I’m going to win this fight. How the ending is going to be, I cannot promise you. Let’s see the way on Saturday night.”
SPORTS
The package covers the upgrade of the conveyance system, the procurement of overhead catenary system, the procurement of rail-grinding machine and the replacement of the signaling system. “The rehabilitation of the MRT 3 has been a long time coming, especially in the wake of past challenges faced by MRT commuters. But the release of funds to rehabilitate the MRT 3 will go a long way in improving not only the capacity of the mass-
transit system but the overall user experience,” Budget Secretary Florencio B. Abad said on Wednesday. The amount is chargeable against the P22.47-billion supplemental appropriations last year. “With the rehabilitation of the MRT 3 in the offing, we can now offer not only better transport services to the public but also alleviate their concerns over safety and security. This, in turn, may help ease the S “ ,” A
NEWOILFORECAST: PRICE CRASH TO PRICE SHOCKS
In the off-season, Berlin offers its own pleasures n BERLIN PHILHARMONIC LESS jarring, but just as inspirational, was a brassy performance of Bruckner’s monumental “Symphony No. 8”, with a spry Herbert Blomstedt conducting the Berlin Philharmonic, considered one of the best orchestras in the world. The bright yellow building, built in the early 1960s, is asymmetrical and features staggered, vineyardstyle seating in its pentagon-shaped main concert hall. Irregular rows of seats and balconies surround the entire stage. With the outstanding acoustics, the Bruckner piece sounded truly immersive.
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UNDING for the partial rehabilitation of the Metro Rail Transit (MRT) Line 3—amounting to P1.207 billion—has been released by the Department of Budget and Management (DBM) on Wednesday.
AMBER TAMBLYN FACES HER OWN DEMONS WRITING POETRY IN ‘DARK SPARKLER’ »D4
IN THE OFF-SEASON, BERLIN OFFERS ITS OWN PLEASURES A VIEW looking down from the glass dome atop the renovated Reichstag building in Berlin.
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DBM RELEASES P1.207B TO KICKSTART THE RAIL SYSTEM’S UPGRADE, CAPACITY EXPANSION
INSIDE
EAR God, we may not see how everything will work out, but we trust You. We are misled where is the true way. but we know You will make a way. We have faith at the very moment You are touching our hearts, opening doors, giving us the right breaks and opportunities. But things look dark and hopeless at times. May we strive to seek You every moment we have doubts in our faith, in Jesus’ name. Amen.
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HINA may be at odds with several Southeast Asian nations over territorial claims in the South China Sea, yet, when it comes tonews@businessmirror.com.ph economic policy, what’s good for China is also good for its neighbors. Here’s how China’s intensifying efforts to stimulate Asia’s No. 1 economy could help Southeast Asian exports, currencies and tourism.
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S the oil patch grows accustomed to a new world of $50-to-$60 crude, it’s now looking ahead to a different, but equally daunting, sort of cliff. Oil companies are warning there will be a price to pay—a much higher price—for all the cost cutting being done today to cope with the collapse in the crude market. Big projects intended to start pumping oil and natural gas five to 10 years from now are being canceled or put on hold, as the price crash forced $114 billion in spending cuts on the industry. Energy giants, from Exxon Mobil Corp. to Royal Dutch Shell, say they’re taking a much more cautious approach to approving projects that cost billions and take years to complete. That’s setting the table for a future oil-price shock, when
PESO EXCHANGE RATES n US 44.2900
a growing world population drives higher demand, said oil executives and financiers at the IHS CeraWeek Energy Conference in Houston. “What we decide today will have an effect on the future,” Patrick Pouyanne, CEO of Total SA, said on Tuesday during the event. Postponing spending on megaprojects that usually deliver significant quantities of oil or gas “will have an impact. This could affect supply in three or four years.” Demand has already begun to show signs of strength. The Parisbased International Energy Agency last week raised its forecast for 2015 demand, projecting that the world will consume 94.7 million barrels a day of crude in the fourth quarter, a potential increase of almost 1 million barrels over the same period in 2014. Bloomberg News
NAVAL EXERCISE US troops take their positions
during a combined assault exercise at a beach facing one of the contested islands off the South China Sea, known as the Scarborough Shoal in the West Philippine Sea, on Tuesday at the Naval Education and Training Command in San Antonio, Zambales, northwest of Manila. More than 10,000 troops from both the US and Philippine militaries are taking part in the annual military drill that focuses on regional security, terrorism, disaster preparedness and interoperability of both countries. AP/BULLIT MARQUEZ
Manila to claim billing as center of modern gastronomy in Asean B M. S F. A
Special to the BM
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BOUT 1,100 delegates from 16 different countries and up to 10,000 visitors are expected to attend the Madrid Fusión Manila (MFM), the first international gastronomy event in the Philippines to be held at the SMX Convention Center, Pasay City, from April 24 to 26. The event is one of the highlights of the Visit Philippines Year 2015 (VPY 2015), a worldwide campaign by the Department of Tourism
JIMENEZ: “Madrid Fusión Manila is the entry point to establish the Philippines, specifically Manila, as the center of modern gastronomy in Southeast Asia.”
(DOT) to bring more focus to the Philippines as a fun destination for travelers. In an interview with Tourism
Secretary Ramon R. Jimenez Jr., he said: “Being the world’s most accomplished modern gastronomy conference, Madrid Fusión Manila is the entry point to establish the Philippines, specifically Manila, as the center of modern gastronomy in Southeast Asia. This is also the first-ever Madrid Fusión to be held outside of Spain. “The Philippines then becomes part of a circuit where, hopefully, Filipino chefs will win their own Michelin stars. When people talk about modern cuisine and the best C A
n JAPAN 0.3702 n UK 66.1073 n HK 5.7148 n CHINA 7.1417 n SINGAPORE 32.7904 n AUSTRALIA 34.3280 n EU 47.5497 n SAUDI ARABIA 11.8110 Source: BSP (22 April 2015)