French art
Stained glass from Saint-Denis | Antoine Caron | Greuze and friendship | Millet | Joséphine-Arthurine Blot Cimabue at the Louvre | Medieval pocket calendars | Ribera | Nicolas Besnier | Orphism | Electric dreams





Stained glass from Saint-Denis | Antoine Caron | Greuze and friendship | Millet | Joséphine-Arthurine Blot Cimabue at the Louvre | Medieval pocket calendars | Ribera | Nicolas Besnier | Orphism | Electric dreams
20 June 2025
AUCTION VENUE SINCE 1852
B is for Barney, by Alexander Calder (1898–1976). 1973. Steel stabile with red base, two white elements and two black elements, 30.5 by 35.6 by 15.2 cm. BEN BROWN FINE ARTS, LONDON
THIS MONTH ninety prestigious galleries will bring works of art, antiquities, jewellery and design objects spanning millennia to Manhattan for TEFAF New York. Since its amalgamation from two annual fairs to one in 2021, TEFAF New York has placed heavier emphasis on modern and contemporary art. Alongside the main exhibition at the Wade Thompson Drill Hall, visitors also have exclusive access to the Armory’s sixteen historic rooms, which are generally closed to public. Smaller in scale than its Maastricht counterpart, the New York fair is no less rigorous in its vetting process, and it retains its academic focus and values to advance art as a bridge for cultural understanding, heritage preservation and global connectivity.
of a bearded god Roman, c.2nd century CE. Marble, 20 cm. CHARLES EDE, LONDON
, by Waldemar Cordeiro (1925–73). 1952. Enamel on plywood, 23.5 by 30.5 cm. THE
This year the TEFAF Museum Restoration Fund has been co-awarded to the Condé Museum, Chantilly, and the Hispanic Society Museum and Library, New York, for the respective restoration of two mid-fifteenth-century illuminated manuscripts. The Hispanic Society’s preservation project of the Black Book of Hours – one of only seven extant illuminated manuscripts on black-coloured vellum –features as the topic of a panel discussion at TEFAF Talks. Other subjects in the programme include art collecting, philanthropy and the challenges of cultural preservation in the face of environmental threats. TEFAF New York coincides with the Independent Art Fair and Frieze New York, which, along with major auctions of modern and contemporary art at Christie’s, Sotheby’s and Phillips’s New York locations, should make for a lively fortnight in the world’s top performing art market.
For more information please visit TEFAF.com
Carl Reininghaus, by Egon Schiele (1890–1914). 1910. Watercolour, gouache and black crayon on paper, 44.5 by 31.8 cm. RICHARD NAGY, LONDON
Spatial concept, by Lucio Fontana (1899–1968). 1964–65. Aluminium with gashes, holes and graffito, 65 by 98 cm. ROBILANT + VOENA, LONDON, ROME, NEW YORK
Silent Anchor V, by Otobong Nkanga (b.1974).
2024. Rope, glass, ceramic, blue chamomile oil, 129 by 82 by 67 cm. LISSON GALLERY, LONDON AND NEW YORK
The flood at Billancourt, by Charles-François Daubigny (1817–78). 1866. Oil on canvas, 49.5 by 64.8 cm. DAVID TUNICK, NEW YORK
Untitled (S.506, hanging open form with six extensions), by Ruth Asawa (1926–2013). c.1950–59. Copper wire, 57.1 by 61 by 62.2 cm.
DAVID ZWIRNER, NEW YORK, LONDON AND PARIS
Young girl with a bouquet, by Marie Laurencin (1883–1956). c.1925. Oil on canvas, 45.9 by 37.5 cm. ALMINE RECH, PARIS, LONDON, NEW YORK, BRUSSELS
Ecriture No.31–75, by Park Seo-Bo (1931–2023). 1975. Pencil and oil on canvas, 129.9 by 193.4 cm.
TINA KIM GALLERY, NEW YORK
Deadline 14th July 2025
contemporary.burlington.org.uk/writing_prize
Charleston, South Carolina, by Baldwin Lee (b.1951). 1984.
Gelatin silver print, 50.8 by 40.6 cm.
DAVID HILL GALLERY, LONDON
May 2025 (preview 14th May)
Somerset House, London photolondon.org
CELEBRATING ITS 10 th anniversary this year, Photo London returns to Somerset House for a special edition honouring the tradition and development of photography. A strong roster of domestic and international dealers and galleries will present exhibitions, with many familiar participants but also some exhibiting for the first time. The Discovery section will feature twenty emerging galleries and is curated by the critic and author Charlotte Jansen, who notes the shift away from portraiture towards abstraction and painterly techniques. A new section, Positions, curated by the collector and arts patron Maria Sukkar, will showcase works by photographers who are not represented by galleries, including the Paris-based multidisciplinary artist Bibi Manavi, while the weekend Book Market promotes independent publishers. Set apart from the main fair, in the Embankment East and West Galleries, the exhibition London Lives will feature work by thirty London-based artists, including Hannah Starkey and Idris Khan. The daily talks programme curated by Thames & Hudson will cover a broad spectrum of topics, including the history of queer photography.
Animal farm no.27, TH332, by Chou Ching-hui (b.1965).
2014. Inkjet print, 108 by 148 cm.
CHINI GALLERY, TAIPEI
Elsewhere in London, the satellite photography event Peckham 24 will run from 16th to 25th May, providing artists with the opportunity to share, discuss and sell work; it will also be the host venue for the V&A Parasol Foundation Prize for Women in Photography. The Photographer’s Gallery presents the Deutsche Börse Photography Foundation Prize exhibition, alongside a retrospective of Peter Mitchell (b.1943), an early pioneer in colour photography.
For more information, please visit photolondon.org
Rural retreat, Virginia, by O. Winston Link (1914–2001). 1955. Gelatin silver print, 39.4 by 49 cm.
contact print, 5.5 by 5.4 cm. AMAR GALLERY,
Drawings, Paintings, Sculptures & Works of Art
Monday 23 June to Friday 4 July 2025
Talks & Events Programme classicartlondon.uk
+44 207 930 1144 | Fax. +44 207 976 1596 www.rafaelvalls.co.uk | info@rafaelvalls.co.uk
AUCTION VENUE
SINCE 1852