The Leader • Saturday, February 29, 2020 • Page 1B
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Auto Home Life Business Above is a photo of George Strait and the Ace in the Hole Band from a performance in San Marcos in the 1970s.
Photo courtesy of Mike Daily
Photo by Adam Zuvanich Mike Daily, a Heights native and Waltrip High School graduate, poses in front of a row of guitars at Fuller’s Guitar at 116 North Loop. Daily, the grandson of Heights music entrepreneur H.W. “Pappy” Daily, is the steel guitar player for George Strait’s Ace in the Hole Band.
Fitness
Iconic act has local roots By Adam Zuvanich azuvanich@theleadernews.com
No musician in history has had more No. 1 singles than George Strait, the country and western icon who has topped the charts 60 times. Only The Beatles and Elvis Presley boast more platinum or multiplatinum albums than Strait, who has sold more than 100 million records. The “King of Country” first made studio magic in 1976, five years before his first release with a major label in Nashville. Strait and his Ace in the Hole Band recorded two songs at Houston’s Doggett Music Enterprises, a former studio located near the intersection of 11th and Studewood streets in the Heights. The band formed in San Marcos a short time earlier and had yet to make it big, traveling around Texas and playing at bars, festivals and other special events. Band member Mike Daily said the 7-inch, 45 rpm record produced by his father – with Strait original “I Just Can’t Go On Dying Like This” on one side and Dallas Frazier’s “Honky Tonk Downstairs” on the other – got a little airplay locally and helped Ace in the Hole land other gigs. “For a local band, if you will, to have an actual record was crazy – crazy good,” said the 64-year-old Daily, who grew up in the Heights and graduated from Waltrip High School. “It gave us some legitimacy.”
It wasn’t long before the band graduated from playing venues such as Memorial Park, Rockefellers at the corner of Heights Boulevard and Washington Avenue or the Beer Barn, which was located near the intersection of Ella Boulevard and 34th Street in the late 1970s. Once Strait signed with MCA Records and started cranking out hit songs and top-selling albums, Ace in the Hole played on some of the biggest stages in the country. Although it’s not in this year’s concert lineup for the Houston Livestock Show and Rodeo, which runs from March 3-22, Strait’s band has been a fixture there. It has played the rodeo 30 times since 1983, closing out its tenure in the Astrodome in 2000 and ending last year’s rodeo by performing in front of a record crowd of 80,108 at NRG Stadium. There have been rumblings that it was Strait’s final performance at the Houston rodeo. But Daily, Ace in the Hole’s longtime steel guitar player, said he “wouldn’t bet any money on that.” “We love doing the rodeo,” he added. “It’s one of the biggest in the world.” Country connections Why did one of the world’s most well-known country music acts make its first recording in the Heights? Daily’s family and its connections in the industry, along with its roots in the neighborhood, had a lot to
do with it. Daily’s grandfather, H.W. “Pappy” Daily, started a Houston-based jukebox distribution business in the 1930s and later had a record distribution warehouse that he used to fill jukeboxes all over the region. The warehouse was located at 314 W. 11th St., which is now C&D Hardware & Gifts. At one point the business hosted live performances that were broadcast on local radio. Among the musicians to play there was country music legend Hank Williams. Photos commemorating the 1948 occasion hang on a wall in the hardware store. Pappy Daily also became a talent scout, record producer and music publisher, starting Starday Records along with Jack Starnes as well as D Records. Among the musicians he discovered or recorded were George Jones, Roger Miller, Willie Nelson and J.P. “The Big Bopper” Richardson. Nelson is scheduled the rodeo on Wednesday, March 4. “I’ve heard that Pappy Daily was like the country music guy for Texas,” C&D manager Arthur Buchanan said. “If you were from Texas, you couldn’t go to Nashville without his say so.” Many C&D customers are not aware of the building’s place in music history, at least not initially. Heights resident Ernest Potts had been buying hardware there for years but See Daily, P. 7B
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